SHEILA GUNN REID | Bob Moran is producing free political cartoons for The Democracy Fund
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Summary
Bob Moran is a multi-award winning British illustrator and cartoonist dealing with themes of politics, ethics, and family. And in 2020, when the coronavirus pandemic and the overreaction to it unfolded, Bob became a cautious skeptic to the restrictions and mandates being foisted upon an unwilling or unwitting society. And so he did what a cartoonist does: He started lampooning the government and the power brokers within society.
Transcript
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Oh, hey, what's up, Rebels? It's me, potentially your favorite Rebel host, Sheila Gunnery,
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but you know what? I'll take being in your top 10. That's fine. You're listening to a
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free audio-only recording of my weekly Wednesday night show, The Gun Show. However, this is
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the internet. The beauty of the internet is freedom, for now, to listen or watch whenever
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is convenient for you. Now, tonight my guest is someone that I've never spoken to before,
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but I was really excited to because he's a person who has paid a great personal cost for
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his outspokenness against the pandemic overreaction of governments. And he lost his job, but that's
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good news because when he lost his job, he gained creative freedom, hundreds of thousands of
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followers, and a new job with the Democracy Fund. It's political cartoonist Bob Moran.
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Now, if you like listening to his show, then I promise you're going to love watching it. But
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He spoke his mind. He lost his job. Then he gained hundreds of thousands of followers and got a great
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new job where he gets to speak or draw his mind freely. Today, we're talking to political
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Bob Moran, for those of you who don't know, is a multi-award winning British illustrator and
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cartoonist dealing with themes of politics, ethics, and family. And in 2020, when the coronavirus
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pandemic and the government's overreaction to it unfolded, Bob became a cautious skeptic to the
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restrictions and mandates being foisted upon an unwilling or unwitting society. And so he did what
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a cartoonist does. He started cartooning and lampooning the government and the power brokers within
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society. And Bob paid a personal cost for this. He lost his job at the Telegraph, but he landed on
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his feet over at the Democracy Fund, where he now produces three political cartoons a week,
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all with the creative freedom he needs to speak truth to power. Bob joins me today in an interview
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we recorded earlier this morning from his home in the UK. Check it out.
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So joining me now is Bob Moran from his home studio. He's a cartoonist working with the Democracy Fund
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on their civil liberties initiatives there. And I wanted to have Bob on the show because as Bob and
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I were talking off air, there are so few skeptical cartoonists, cartoonists who are willing to speak
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truth to power instead of punch down at the little guy. But before we get into the cultural ethos of
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being a cartoonist in the times of lockdown, I thought I would give you a chance to introduce yourself
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to the Rebel News universe, Bob. What sort of work do you do? How long have you been cartooning?
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And where are you working from? Sure. Thanks, Sheila. I'm Bob Moran and I'm a cartoonist from the UK
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based in the southwest of England. I've been cartooning for national papers for just over 10
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years now. And I was with the Telegraph for 10 years doing political cartoons, the Daily Telegraph
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in London. I was fired from the Telegraph at the end of last year, partly due to my stance on
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everything that's been going on. And I'm now working for the Democracy Fund in Canada, producing three
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cartoons a week, which I make available to any publisher anywhere in the world, free of charge.
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I think that's wonderful. There's such a deficit of cartoons during the time of COVID. Like I said,
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that speak truth to power as opposed to punch down at the little guy just wanting to live their life.
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What was the one thing or was there one thing that was the pandemic turning point for you? I know a lot
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of people can point to, you know, you're hearing a lot of fear coming out of China and then all of a
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sudden it clicked that maybe it wasn't as bad as what everybody says it was going to be. Did you
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have a moment like that? And what was it for you? Maybe there was a, not one moment, but I would say
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over the course of maybe a couple of weeks, the narrative unraveled for me in terms of, I think
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like a lot of people, I was skeptical, but cautious for the first few weeks, you know, this could be
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something real. This could be something dangerous, but it smells fishy. It doesn't quite add up,
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particularly because it all allegedly began in China. And I think really it was getting my head
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around the moral situation of lockdowns and of the way the governments were behaving and the way they
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were treating their electorates in this unprecedented way. You know, for me, I thought that's what's
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unprecedented here, not the illness, not, not the pandemic or the virus. It's the behavior
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of these allegedly democratic leaders. And I could see that we were headed in a really dangerous
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direction. But to be honest, I went, when I kind of changed my stance and began to put out cartoons,
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this was probably the beginning of May, 2020 was when my output changed in that way.
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I fully expected that pretty much everybody in my industry would be following along with me. You
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know, I kind of thought, well, maybe I'm the first, but I'm sure within a few days, all the other
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cartoonists are going to be on the same page with this. Because as you say, it should be instinctive
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for anyone who does my job to want to hold those in power to account and to monitor, you know,
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when they go too far, when they get too big for their boots, when, because they have a natural
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tendency to overreach, to seek powers that they have no right to hold and these things. And that is
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the job of cartoonists. And I'm still amazed that so many have not done that. And I can't really
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I think some musicians are having sort of the same experience as you, those people from the cultural
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arts, where they've got an industry built on free speech, actors, same way, you've got an industry
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built on free speech and free expression. And yet, more often than not, quite frankly, they've become
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the enforcers of acceptable speech, and acceptable expression, as opposed to the free expression upon
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which their industry is built. I find it all very odd.
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Yeah, and it's, I guess it's, it comes down to the pursuit of truth, you know. And as creative
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people, as artists and actors and musicians, our output is supposed to be based very much around that,
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getting to the underlying truth of a situation. And I have always felt that in particular,
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the art form of cartooning and caricature has an ability to do that, you know, to peel back these
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layers, and to try and show a truth that may not be immediately visible to an audience. And
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it's as though all of these creative people have kind of abandoned that principle and gone,
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we're just going to accept the truth of what those in authority tell us, and not question it,
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and not delve any further. It's, it's really bizarre. And, and sad, you know, I wish it hadn't been the
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case, even though I've gained a massive audience and more notoriety, because I'm one of the only
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people doing it, I would much rather be part of a large group, just another cartoonist who was trying
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to fight this, because I really feel like if, if all of us had taken the same line, we could have
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had a genuine impact, you know, that's the sad thing. Yeah, as we were talking off air, you know,
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in the days of the court jester, and not to say that you're just some goofy guy in a weird hat, but
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in the days of the court jester, you know, it was the role of that person to speak truth to the king,
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when the people could not, or the people didn't have the same voice or access to the king. And I
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feel like that's sort of the job of the political cartoonists these days is, you know, there's,
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there are these people, but you have the platform, and you get to speak truth to power. And it feels
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as though the entire industry has fallen down on the job. And the political cartoonists in Canada,
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they are particularly bad. It seems every day you flip open the pages of the editorial newspaper,
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if people still buy a physical newspaper. And it is something poking fun at truckers,
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normal people, conservative voters, there's a very classist divide unfolding in pop culture,
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versus the people who consume pop culture. There's this real divide happening right now. What do you
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think that what would you attribute that to? You're right. And you know, it's so bizarre, because
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if you were to look back, it was certainly this is the case in the UK, I don't know about
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in Canada, but so many of these cartoonists have spent most of their careers, trying to defend the
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little guy, you know, standing up for working people, and trying to highlight the fact that
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governments weren't taking care of the poorest in society and, and people with, you know, small
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businesses and all of those things. And it's like they've done a complete about turn.
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Uh, and they are promoting policies that are destroying those, those areas of society.
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Um, and I think it's when you look at the propaganda drive, that so much of this has
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been driven by propaganda. And, um, I don't know if it's the same in Canada, but certainly in the UK,
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newspapers who were already struggling have essentially been financially propped up by
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the government's propaganda. You know, they are paid huge sums of money to carry all of the warnings
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and the advertisements and the propaganda about getting vaccinated and staying at home and, you
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know, not killing your grandmother, all of these things. And, um, the cartoonists, most of them have
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essentially been providing additional propaganda free of charge for the government rather than doing
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their jobs, which was to provide a counterpoint. Um, it's, uh, it's really disheartening. Um, I don't
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know, is it part of the mass psychosis? Is it, uh, that they may have just been told, look, you,
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you, um, you can't keep working for this paper unless you toe the line. I mean, that's in a way,
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that's kind of what happened to me, uh, because I wasn't prepared to do that.
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Yeah. I think you might be right there in Canada. We go one step further. We, as in the Royal,
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we, as in Justin Trudeau, um, with direct funding to, uh, the newspapers, um, because it's a failing
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sunset industry. And instead of just having one state broadcaster parroting the government line,
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why not turn them all into state broadcasters parroting the government line? And so he's bailed out,
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um, failing media companies, but they know what side of, uh, their bread is buttered and who's
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doing the spreading. And it's Justin Trudeau. And so, you know, political cartoonists, if times get
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lean at a newspaper, they could be the first guys to go. So they can form ideologically if you want
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to keep your job. Yeah. But you know, that's creative and spiritual death. I would have thought
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for a cartoonist, you know, not who we are. It shouldn't be the way that we're wired. Um,
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yeah, I think, am I right in saying that Trudeau has actually been, um, quite open about this? Is
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he not? He's, he's openly acknowledged that he's essentially funding the media.
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Right. And they call it protecting, uh, quality journalism. This is protecting it by infecting
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it with the government. Yeah. Um, it's insane. There is, there is supposed to be a large degree
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of separation between an independent media and the state and the government and the politicians,
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um, to, to blur that line is one thing to come out and like you say, brag about it is,
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is just nuts. Um, and, uh, I, I am aware, probably more aware than a lot of people here in the UK
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of how bad things are in Canada. Um, and I felt it was a, it was, um, uh, an interesting twist of
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fate, I suppose that as I began, almost the moment I began working for a Canadian organization,
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the democracy fund was when the, the truckers protest began and suddenly Canada became the
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front line of this battle for freedom and human dignity. And, um, the eyes of everybody on our
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side of this fight was suddenly on Canada. And it was so, uh, I felt very lucky and privileged to be
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able to cover those events. Um, because I realized immediately that had I still been working for any
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national publication here in the UK, I would have been told to pretty much ignore what was going on,
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um, um, or, or to probably, uh, uh, uh, portray the truckers as, as, um, mad conspiracy theorists and all of
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that kind of thing. Um, so it's been, it's been a great, um, a great, uh, uh, change in my career and
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change of direction. And, um, you know, when I lost my job at the Telegraph and I was lucky, I had various
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opportunities presented to me for what I could do, but I really felt like, um, it was important for me
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to, to put some distance between myself and the mainstream media. You know, I, I, I knew I didn't
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really belong there anymore. Um, and ideally I didn't want to tie myself to any, um, specific media
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brand. And it's not that there weren't plenty that I admired, including Rebel News, but, um, by,
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by doing that, by tying yourself to any one outlet, regardless of how much you admire them,
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you are essentially denying the opportunity to all the others, to share your work and to use
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what you're doing. And for me, the most important thing was to allow anyone who wanted to use my work
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and share my message to, to just take it and use it. And the democracy fund provided a perfect
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opportunity to allow me to do that, which has been great. Well, that answers my question. My next
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question was why the democracy fund and how did you end up there? Um, so you just answered that for me.
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Um, I guess my other question would be what, what has the reception been like from, I guess, your
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former colleagues, former peers in, uh, the visual arts, uh, are they sort of envious of you? I feel
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like other journalists are envious of me and my freedom. I really do. I think that's where some of
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their prickliness about Rebel News comes from. Uh, what ha what has the response been like to your
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shift to the democracy fund and this more freedom, freedom oriented cartooning? Um, to be honest,
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I, I haven't heard from many of my former friends and colleagues, uh, even before that'll happen.
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Yeah. Um, but even before I lost my job, um, you know, that there, there was quite, um, a tight knit
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community of us cartoonists here in the UK. There really aren't many of us as maybe a group of, uh,
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15, 20 people who do it full time for the newspapers. And we would meet up in London a couple of times
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every year and, and have drinks and there'd be, you know, sometimes awards shows and things like
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that, where we, we'd see each other and, um, talk about nerdy things like paper and paints and,
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and complain about editors and all of that stuff. Um, and as soon as I took this line, um, against
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lockdowns, masks, vaccines, all of that, uh, just, I was cut out, you know, they didn't, they didn't,
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uh, communicate anymore. A few of them, um, spent some time sending really nasty, abusive emails,
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which I didn't respond to. And they seem to have given up now. So, uh, you know that to answer your
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question, I, I don't really know what they think, but I can guess. Um, yeah. And, and, uh, I, I,
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maybe they're, maybe they're envious, but, um, you know, they, they still have their secure jobs and,
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uh, they're still tied to these big brands and, uh, maybe they, they think I'm, uh, I have seen
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them quoted actually in some other articles where they've been interviewed about, well, what do you
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think, uh, Bob Moran and what he's doing? And several of them have said that I'm committing
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career suicide, um, which is interesting. And, um, the articles often then go on to say that I have
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more followers than them. And, uh, you know, I sell more work than they do and things like that,
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which is kind of funny. Um, I don't know, you can't spend too much time worrying about that. Can
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you, you just got to focus on, um, your work and, you know, I, I feel really good about the fact that
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I now have this wider audience and I have a much better idea of who those people are because they
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share such important values, you know, that binds everyone on our side together. It's not one
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readership. It's not one area of the class system. It's not one nationality. It's nothing like that.
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It's just human beings who care about freedom and dignity and, um, democracy, you know, that's it.
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And that feels great. And it sounds like they're giving you the creative freedom that you need over
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at the democracy fund. Your work is phenomenal. Um, your, um, keep on trucking original artwork. I,
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I mean, I think it really does capture, um, that moment in time when all the systems failed Canadians,
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uh, the politicians, the judges, the laws, our charter of rights and freedoms, the public health
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officers, the media, uh, pop culture, everything failed Canadians. And so the truckers did it for
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themselves. Um, and, and, you know, it shows the hope it shows, you know, the, the common dignity of
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the blue collar man and just the government tyranny and the darkness that befell us after, um, even
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though the truckers succeeded, even though the truckers succeeded by the time they landed on Ottawa
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provinces were repealing their mask mandates so fast, they didn't want to get convoyed, but it does,
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it, it shows, um, the hope, the, the, um, accomplishment, but also the tyranny all at once.
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I love that. I hadn't heard that, uh, getting convoyed, uh, using it as a verb. I like that idea. I didn't want to
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get convoyed. Yeah. And, you know, I think the other thing was the, the dignity and restraint that those
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truckers showed was what was so impressive, um, to all of us around the world. The fact that it was such a huge
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show of force, you know, those are, those trucks are powerful. It's, it's literally a, uh, a massive
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potential force that they had, but they remained so calm and peaceful. They just parked up, got out
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of their trucks, became part of the community. They built this, this community there. And, um, you know,
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they played music and they were trying to have a dialogue. It's all they wanted. And they were denied
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that. And even when the government reacted with violence, you know, they still kept their heads. They
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still stayed calm. That was amazing. Um, because it can't have been easy and, you know, not, not
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necessarily what you might expect from these huge burly truckers, you know, um, but they really, uh,
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set an example for the rest of us, I think of, of how it is done. Yeah. It was interesting to watch
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because if that were a far left-wing protest that would have devolved into violence and rapes,
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murder, drug overdoses, um, uh, within 48 to 72 hours, these guys went on about four weeks and it
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was completely peaceful, but not only it never devolved it, they actually, as you say, built a
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community instead of invaded one and made a community gross as you so often see with, you know,
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left-wing protests like Chaz and chop from the United States, the opposite happened here. Crime
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rates actually went down and people were being taken care of. Yeah. It was like, they were trying to
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remind the rest of Canada and the rest of the world, what humanity should be like, you know,
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how we're supposed to live and interact. That was what was so moving about it. I found, um, yeah,
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sorry to interrupt you there, but you just, um, that is exactly, I think the point of lockdown
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resistance is that these truckers showed up there and they showed that you can build a community and
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take care of each other without the government getting in between you and your fellow community
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members, which has been the problem with the entire pandemic restrictions and overreaction.
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They showed the world that you can do this. You don't need the government in between you and your
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neighbor. And I think that's where some of the, um, overreaction to them came from as well, because
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they showed how obsolete the government can be in so many situations. Yeah. People don't want to
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believe anymore that, um, that we shouldn't rely on the government to micromanage every aspect of our
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lives. Um, it totally goes against what, what, what they've placed their faith in, um, which is this
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total nanny state, this, this, uh, you know, governed by fear and, and to just, um, hand over all
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responsibility. And it was like, they were saying, no, taking responsibility for ourselves is actually
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a really good thing. It's really fulfilling. And it actually reminds you what humanity is about. Um,
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and yeah, I've, I've really enjoyed having the creative freedom to express these ideas. As you say,
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it's daunting, you know, I've, I've, for my whole career, um, I've had editors, uh, you know, teams
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of editors and different colleagues that I've worked with, um, to share ideas with and to, um,
00:25:08.980
hold my hand if you like. And it's kind of scary being more or less on my own, but, um,
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the, it feels great. It feels great to have such creative freedom and, um, just to be able to channel
00:25:20.660
all that creative energy into coming up with the idea instead of constantly second guessing,
00:25:26.800
uh, whether an editor is going to want to use it or not, or, or want to steer me in a different
00:25:31.120
direction. I think that's great. That's how, uh, we approach journalism here at rebel news. Instead
00:25:36.760
of assigning stories to the journalists, they pitch stories they're passionate about to me. Um,
00:25:42.940
because I think that's the most authentic way to do it. If they care about the story,
00:25:48.260
their passion is going to come through in the story and they're going to be careful about the
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story, not me assigning something boring that I might care about, but they don't at all.
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Yeah, exactly. I mean, um, it's kind of how I grew up thinking journalism worked,
00:26:02.800
you know, and, uh, it's what you see in the old movies and things, if there's a newspaper and stuff
00:26:08.520
like that. And then, yeah, exactly. Um, it's not, not what I've experienced, uh, in 10 years of
00:26:15.340
working in the, in the, um, free press in the UK. Can we call it the free press still? I'm not,
00:26:21.100
I'm not sure about that in Canada. No, I said that very sarcastically.
00:26:26.380
No, uh, Bob, I know you're very busy. You're getting a lot of media requests and you're working
00:26:31.220
very hard to produce, um, new cartoons for the democracy fund, but I think it's important, um,
00:26:37.020
to give you an opportunity to let people know where they can buy your original artwork because
00:26:40.920
you've generously allowed people to use your artwork, but if they would like to buy an original
00:26:45.980
print, how do they do that? Yep. So, uh, everything's available through my website,
00:26:51.440
which is bobmoran.co.uk. Uh, and on there you can, if, if you're a publisher of any kind, uh,
00:26:58.660
blog, website, magazine, newspaper, you can download the cartoons in high resolution, free of charge
00:27:05.720
and use them in your publications or on your platform, uh, on the same website, you can buy
00:27:11.500
the original artworks. Um, if you'd like to invest in, in, um, uh, uh, an original Bob cartoon,
00:27:18.840
you can also buy prints, um, various sizes framed and unframed. And there's a link to my
00:27:26.900
merchandise shop on there as well. So you can get t-shirts and sweaters and hoodies and that kind of
00:27:32.520
thing. That's excellent, Bob. I would just want to thank you so much for your hard work. I know
00:27:37.980
you've paid a personal cost fighting for freedom, but on the flip side, let it be an example for
00:27:43.300
other people that if you do stand up, if you do, uh, you know, allow yourself to be guided by your
00:27:50.140
convictions and your morals, you can come out the other side and have a very successful career and a
00:27:56.880
successful following because there are people that they're just looking for someone to stand up and
00:28:01.320
tell the truth. Yeah. And you know, the, the other thing is don't be afraid because our, our side of
00:28:06.920
this is full of the most, uh, generous and decent people. And you know, if you think you're going to
00:28:13.280
fall, they will catch you. So don't worry about it. Speak your truth. Bob, thank you so much. And, uh,
00:28:20.220
I can't wait to see what you do next. Thank you very much, Sheila. Great to speak to you.
00:28:24.160
Regular recent viewers of the show will know that I'm trying something new to wrap up the show each
00:28:34.440
week. I read one or two of your letters to me randomly selected. I do not pre-read them.
00:28:41.220
And I think it's a great way for you to have your say. And it maintains our commitment to telling the
00:28:47.000
other side of the story. Sometimes the other side of the story is your side of the story. And unlike the
00:28:52.500
insufferable Trudeau cheerleaders at the CBC, we don't leave our comments section closed. It's
00:28:59.220
wide open. My comment section, if you want to have your letter possibly selected to be read on the
00:29:05.400
show, just go to Sheila at rebelnews.com. Send me an email, put gun show letters in the subject line
00:29:12.920
so that I can easily find it. Poke my finger at my phone screen and say, that's the letter this week.
00:29:18.740
So we've got a letter this week. It's from Eileen DeHaan. She sends me a letter that reads,
00:29:27.320
hello, Sheila. As a practicing Christian and an advocate for freedom, I have been following the
00:29:32.100
trials of Pastor Ardor Poloski on Rebel News. I have been looking for over a year for a faith
00:29:38.140
community willing to stand up for freedom to vaccine mandates and the lockdowns. I have discussed
00:29:43.660
with pastors in three different churches and all are either unaware of the dangers to religious
00:29:50.000
freedoms presented or unwilling to stand up to the authorities due to possible penalties, financial
00:29:56.380
or otherwise, or if aware of the loss of religious freedom and the hypocrisy of politicians who break
00:30:02.340
the rules while jailing pastors for the same contravention, state that it is worse in countries
00:30:08.260
like Iran, but it doesn't stop people from worshipping. In my humble opinion, the person
00:30:14.420
stating this view, a senior person in the local evangelical church near where I live, is more
00:30:20.720
interested in flogging Jesus for his own financial benefit and security of his position in his church
00:30:26.980
than standing up for the principles Jesus was teaching and who did stand up to the authorities of
00:30:33.560
his time. So my question is, does Pastor Ardor Poloski have an online service for his church?
00:30:40.500
And if so, how do I join? Sincerely, Eileen Dehan, White Rock, BC, Canada. Hi, Eileen. I'm so glad you
00:30:48.580
sent me this email because I've been feeling this way throughout the entire pandemic. It is the pastor's
00:30:54.400
obligation, a priest's obligation to tend to his flock physically, of course, keep them safe from disease,
00:31:03.160
but also spiritually. And so many of them have fallen down on the job. They have been
00:31:10.840
compliant with the government, even when the government falls out of compliance with God.
00:31:19.040
And, you know, we do live in a secular society, but so many of our laws are taken directly from the
00:31:27.380
Ten Commandments. And we know as Christians, and I speak about this from a Christian worldview,
00:31:35.220
but we know as Christians that we are told to be obedient to our government
00:31:40.020
insofar as the government does not run afoul of the laws of God. And for Pastor Ardor Poloski
00:31:48.260
and many other Alberta pastors like him, like James Coates at Grace Life Church, who actually just
00:31:54.860
wrote a phenomenal book, and Tim Stevens from Fairview Baptist in Calgary, they stood up and
00:32:05.360
resisted laws that they said violated their religious freedom. And while other churches who moved to Zoom
00:32:12.220
church, shrank, and I don't know if their congregations will ever return, theirs are booming.
00:32:18.340
I know Grace Life Church is looking for a larger building, and they have a huge building.
00:32:21.980
Tim Stevens' congregation has outgrown his church, and I think Pastor Ardor Poloski could be experiencing
00:32:27.280
the same problems. Again, this is like when businesses stand up to lockdowns, and they're flooded
00:32:32.920
with business. Churches, same thing. They stood up to lockdowns, and they are flooded with worshipers
00:32:39.960
who feel let down by their own congregations. I completely get where you're coming from, Eileen.
00:32:46.880
So to answer your question, that was a long preamble, but to answer your question, yes.
00:32:51.980
Pastor Ard, although it's been some time since he's been behind the pulpit, since he was incarcerated
00:32:58.620
for 51 days, and you can follow along. I know, I'm sure, Eileen, you have, but for our other viewers,
00:33:05.300
you can follow along at SaveArter.com. You can see all the documents, court filings, interviews
00:33:10.140
with lawyers, interviews with Ard, but basically this time around, he was in jail for giving a sermon
00:33:15.860
to truckers at the Coots border, and they treated him like a pipeline bomber for that.
00:33:22.180
But Pastor Ard does stream his services from the cave of Adulam, that's his church,
00:33:28.260
on ArcherPeloskiTV on YouTube. So you can tune in there. But boy, I sure hope you make the trip to
00:33:36.600
Calgary so you can meet Pastor Ard in person and attend one of his services, because while he's a
00:33:43.780
firebrand on the internet, and he is a firebrand in real life, he is one of the kindest, funniest,
00:33:50.920
most charming guys you'll ever meet in your life. Just a really warm and genuine guy who cares deeply
00:33:57.200
about his community and refuses to bend that knee to the altar of the state.
00:34:03.640
Well, everybody, that's the show for tonight. Thank you so much for tuning in. And again,
00:34:07.220
if you'd like to have your letter read on air, it's very easy. Just send me an email
00:34:12.100
at Sheila at RebelNews.com. Put gun show letters in the subject line so that I can easily find it.
00:34:20.000
And again, I just select them at random. But the good news is my viewers are very smart and thoughtful.
00:34:24.540
So, you know, I'm getting a lot of good letters. Thanks to everybody in the studio in Toronto for
00:34:31.100
putting the show together for me tonight. I'll see everybody back here in the same time in the same
00:34:35.700
place next weekend. Remember, don't let the government tell you that you've had too much to think.