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Classically Abby
- September 16, 2019
HOW I LEARN MUSIC || It only takes six steps!
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Hello beautiful ladies and welcome to today's video where we're going to be talking about
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how I prepare to learn a piece of music.
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So I wanted to tell you guys a little bit about my process when I'm learning a new piece of music.
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For me, this isn't something you just sit down and do. There are a lot of things that go into
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learning a piece of classical music because you want to sing it in the best way possible and you
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want to sound as Italian, French, German, whatever language you're singing in as you can. So the
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first thing that I'll do when I go through a score is I'll go through and highlight all of the meter
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changes. Now what's a meter? We have things like three four four four. Three four usually sounds
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like a waltz. One two three one two three one two three and four four usually can sound like a march.
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Now not always, but that's a good example of something. One two three four. One two three four.
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And that's just a couple of examples of meters. So if you're looking at a piece, a lot of pieces
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will have changes throughout that show you exactly how many beats there are in a meter. For example,
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in this aria that I'm learning now, Madama Butterfly's aria in act two, there are a few different meter
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changes. We have three four, it goes into two four, and at some point I think it even goes into
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four eight. So you have to be clear about when are those things going to happen. So when it comes
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and I see it, I'm not surprised. I know what's going to happen and I have it highlighted and I'm
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prepared. The next thing that I'll do is I'll go through and I'll mark out with lines each beat in
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every measure. So when I'm looking at a measure of music, I'll see that there are a different number of
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notes and I need to know exactly where the beat is going to hit, where that one, two, three hits
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in that measure. If I don't know when that's going to happen, I can't be good at keeping the rhythm and
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that's a really important thing. If I don't know what the rhythm is doing, then no one's going to be
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able to be with me if I'm singing. My pianist won't know where I am and I won't know where my pianist is.
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So that's the next thing that I do. The third thing that I'll do is I will go in and write in
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the International Phonetic Alphabet. The reason I do this is that it helps me understand exactly
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what I should be singing and how, what it should sound like. So a word like, let's see, vedremo.
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Now I could sing that and it could have a very open A sounds, vedremo, but that's wrong. That's
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not how the Italian sounds. It has to have closed A sounds. So it's going to be vedremo. I don't know
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if you can hear a difference, but it is a pretty significant difference in the language. Another thing
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you'll notice is that there's a double V. The first letter in the word vedremo needs to have
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a little bit more length to it. So it can't just be vedremo. It has to be vedremo. Now again,
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so small, subtle things that make a very big difference when you're listening to someone
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sing an entire aria. The last thing that I do and the one of the most important things
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is putting in the translation. I need to know exactly what I'm singing. Now I do speak these languages,
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but there are words that I don't know. So it's important for me to understand what I'm saying
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when I'm singing. I'm not going to say I can speak Italian, French, and German fluently.
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Absolutely not. But I have a good grasp of the language so that I could sit down and maybe read
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through this and have an understanding of what's happening. But there's a lot that I don't know.
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And so for me to go through and write down exactly what I'm saying is incredibly important.
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The next thing that I do is I go through and I sing the entire piece only on vowels. So something
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like un bel di vedremo would be u e i e io. And that's how I sing it. And it really helps you line
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up where those notes should feel and sound in your throat, in your body, and learn how to support without
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the consonants getting in the way. Now the last thing that I do is I sing everything together. I look at
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this. I look at the page. I find the pianissimos and the crescendos and the diminuendos. That means
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getting louder and getting softer. And I make sure that I know where those are going to happen.
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And I make sure that everything feels comfortable in my voice. And when I'm singing it, I know what
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I'm doing. And lastly, I memorize it. And that's how I learn a piece. So I just wanted to walk you
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through briefly what I do when I'm learning a piece of music. I hope you guys enjoyed today's video.
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Please subscribe to my channel and subscribe to my blog if you haven't already. Hop on over to
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Twitter and Instagram and follow me there. And I'll see you guys in my next video. Bye!
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