The Last Kingdom - Husband VS. Wife SHOW Review! 🎬｜｜ You should DEFINITELY Watch This On Netflix...
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Summary
In this episode, Jacob and I review Netflix's The Last Kingdom. We talk about the premise of the show, the characters, and why we should see all four seasons. We also talk about why we chose to watch the show and how we feel about it.
Transcript
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Hello beautiful ladies and welcome to today's video where we're going to be
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So Jacob and I just recently finished watching the four seasons that are
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available of The Last Kingdom and we really wanted to talk about it with you
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guys. So do you want to start us off a little bit? Yeah so in terms of how we
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decided to watch the show, we'd seen Deadwood seasons 1 through 3, season 1
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is good avoid seasons 2 and 3 or else you'll understand that production
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nightmares behind the scenes for a show can make something good in the first
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season trash season 2 and 3. Not great and I feel really bad because I recommended
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that earlier in quarantine when we were just in the first season. Just watch season 1.
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Same thing with Westworld. Just see season 1. Yep. But as you'll see from us
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talking about Last Kingdom, see all four seasons. Yes. All four seasons. But in
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terms of how we decided to watch it, it was a lark. I'd been listening on the
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great courses to a series on Viking history and my wife can attest that I've
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been on a Viking kick recently. To be fair, I'm just gonna interrupt you to say
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that my husband is amazing at history. He knows so much and it was always
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impressive to me and he always wants to learn more so. You just keep
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complimenting that guy and we're all gonna start hating him so you probably
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shouldn't do that. Liked all that Viking history stuff but Viking board games but
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Viking video games and so I thought ooh we are waiting for a new show to watch why not a
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Viking show and so I looked up watch Vikings or Last Kingdom because I've been
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vaguely aware of it. People said Last Kingdom's where the characters are at and
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they were right. They're so right! So we got in, saw the first episode, loved it, kept
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rolling through and then it's just been a non-stop The Last Kingdom marathon for
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the last few weeks. Yeah and it's one of the reasons that quarantine hasn't been so
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bad is that we've been watching it together. Well that, we've been in Nebraska. The Last Kingdom
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watching that together during this quarantine has been so much fun. It's so
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good you guys and I just cannot believe how well it holds up all four seasons.
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Yes because we have been as we mentioned from Deadwood, as we mentioned from West
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World and then those of you who have seen Game of Thrones you can attest to the
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same. A lot of marquee prestige television falls apart as you watch it and
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every single season of The Last Kingdom has been good, has been consistent
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quality and we want to keep watching and the characters even, for the most part,
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are consistent and really fun to watch. We've been burned before when it comes to
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many times. When it comes to shows getting worse season after season. So this
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one's been pretty good. Hopefully it keeps up this pace as it keeps going. We'll find out
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next year because the fourth season was only released in April. Right. So let's get
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started with the premise of the show. Okay so the premise is we're in 860 AD
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England, about that time, and for those of you who know this from history, you
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already know the Vikings have been invading England. For those of you who
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don't know, awesome, the Vikings invaded the heck out of England. They invaded
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Ireland, they invaded Scotland area, just for like a few hundred years there were
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ongoing wars between the Vikings coming in from Scandinavia and then the German
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tribes who had settled there after the fall of Rome, who were the Anglo-Saxons.
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And so the premise of the show is the Vikings have taken over basically half of
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the country and our main character as a boy is a nobleman of one of the northern
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kind of duchies, areas of land in England. His dad's killed, he's taken captive by the
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Danes and then eventually actually just raised as the son of the guy who took him
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captive and so culturally he's a Dane. But he was like 10 or whatever when he got
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kidnapped so he knows he's a Saxon, he has a right to inheritance of his
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father's holdings when he was a kid and so he's caught between two worlds. You're
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kind of watching his journey going through his struggle between being raised a
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Dane kind of falling into that category more as a man and being born a Saxon.
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And so he's constantly struggling with that, moving through the history of England and
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really how England was established as its own nation, which is pretty cool.
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An important thing to note for those of you who are not familiar with the history component,
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England, the one country in that landmass, did not exist yet. You had the Anglo-Saxons as a people
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with a separate little petty kingdoms, it's called the Heptarchy, there were seven of them at a certain point in time,
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and so it took a series of Alfred the Great was the monarch, him and his descendants to have the
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vision of united Anglo-Saxon England as one kingdom, and then successively bringing that to fruition.
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So this show occurs alongside that and it's like Forrest Gump or a lot of those other historical fiction
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movies shows where your main character finds himself being hyper important to historical events.
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Yes. It happened to be that he was not written about, but let it be known, he was there and he did stuff.
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I do. And the show even directly addresses that. I was going to say, that's one thing in the show that's pretty funny,
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is that they specifically address, oh, they left him out of history for certain reasons I don't want to give away.
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We don't want to do spoilers too much in this review, just because this really is more of a, you should watch this.
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We're trying to convince you. Watch it and then discuss it with us on Twitter.
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Yes. He was left out of history by one of the characters, and that's why that had to happen.
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And that's why we don't know him in, you know, the real, the real world.
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But now you know. But now we know. So you can spread his name.
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Yeah, which is kind of funny. So moving on to the themes of the show from the premise.
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What are the themes of the show that we really like that they tackle?
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So the big thing in the show, the background conflict, it's not just petty dynastic squabbling like a lot of Game of Thrones was.
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Here you have a nation of people, the Anglo-Saxons, who've been Christianized, and fun fact in history,
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it was Irish monks who came over to the pagan Germanic tribes that had invaded England and settled there in like the 400s, 500s, 600s,
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and converted them to Christianity. So the Irish made the English Christians.
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And the English made the Danes Christians. The ones who came.
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So you have the Christian Anglo-Saxon kingdoms, and then you have the Vikings who are invading.
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The Vikings are pagans, and they are pagans, pagans. And by that I mean you get to see them talk about their gods,
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you get to see their worship rituals, you get to see their beliefs, you see how their beliefs impact
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their view on life and death, you see the foreignness of these two cultures. So for whatever reason,
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everyone speaks the same language in terms of everyone speaking English, so you never have Dane characters
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not being intelligible to the English-Saxon characters and vice versa. Okay, but beyond that,
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the cultures really are foreign to one another. And you see how that, the religion and the culture,
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the desire for land, these two peoples cannot readily be accommodated, and they do not want to accommodate
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each other, and you get why each one does not want to accommodate each other, and how in their terms
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they see it, which I really like. Yeah. Because way too much bad modern writing is, well, you know,
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let's take Game of Thrones. We have a medieval-inspired setting where hypothetically religion would
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matter, but everyone's basically an atheist, and they'll pay lip service to things, and everyone
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talks like I'm a millennial, and everybody, no, no, no. People come across like they're in their time
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and place and in their religion and in their culture, and that is special and is compelling. Yeah,
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it's a very interesting dynamic where you have the Christians and the Danes who are pagan just
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constantly at war with each other, both, you know, literally and also, you know, religiously. But
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the reason this works is not just because it's kind of an overarching thing. Overarching? Overarching?
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Whatever. You decide. Overarching thing. We'll put up a Twitter poll. Of, of, you know, this is the
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Christians and the English and these are the Danes and the pagans. It's actually something that
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plays out between the characters as individuals, and so you're not just seeing it at, you know,
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throughout the story as kind of something that frames it, but really it gets into the nitty-gritty
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of the relationships between not just men and women, but also between like Beocca and Uhtred, who you
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don't know who that is, but just other men between their relationships. So it's, it's really fascinating.
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Well, one thing this show does very well is that it avoids the trap of coming across like,
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oh, well there's a difference between Danes and Saxons, Christians and pagans, and so that's a hard
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line. These people don't intermix, and the only context in which they'd intermix would be conflict.
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No. Instead, you see how there are Danish pagans who fight for the Saxon side opportunistically,
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or because they have other interests that align with the English. The English are where,
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or the Anglo-Saxons, they're not English yet, the Anglo-Saxons are wary of them, but will still
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employ them and use them for their own purposes. The conflict is still there, but it's not literally
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the only thing that goes on at any time, and vice versa. You have Saxons who will work to help Danes,
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because they have their own opportunistic things. These people are different, the broad conflict is
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there for a reason, but also life is more complicated than that. So it doesn't diminish the conflict,
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but it also doesn't make it unrealistically the only factor in play. Much like real life,
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the differences between people in terms of culture, everything else, really, really matter,
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but also they're contextual, and it really matters what you're discussing at any given point in time
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for whether or not people will work together or be enemies. Yeah, and I think another two themes,
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I think, that also play throughout the show is the idea of destiny, and how, well, sorry, there's a tagline
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in the show. If you watch it on Netflix, and you do not skip the intro, you're going to get a recap
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every episode. Yes, that's true. The show is intelligently written. It would be for an
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audience that can follow along. It's not a very, very highbrow show that's hard to follow along,
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but it's a smart show. They say in the beginning, every single episode, the main character narrates
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this absolutely condescending recap. It is really funny. Like, oh, this is exactly what happened,
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and says slowly. Yes. And then at the end of every recap, he says, destiny is all. Oh my goodness,
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it's too much. The idea of and the theme of the pagans depending on destiny and the Christians
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depending on choices. Depending on choices and also divine providence. Yes. And so the Christians are
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caught between the two. Right. They think everything's in God's hands, but it's on them to be worthy of
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divine providence. Yeah, exactly. And it's very different. Again, it's that religious thing,
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but it's just a more specific version of it. Yes, you can have some of my seltzer.
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Enjoy it. And then the third thing I was thinking about with this show and the themes of it,
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I think would be the family structures and the kind of inheritance, because the main character has that
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inheritance to the land that he so wants. In the north of England. In the north of England,
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and then you also have, you know, Alfred the king who and his family... Oh, we've established him.
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Yes. So the kind of the foil for most of the show is Alfred and Uhtred. Uhtred being this Dane that
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we've been talking about and Alfred being the king and who's trying to create England. And so Uhtred and
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Alfred, you can see the difference between their family structures and also the difference between
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their version of inheritance. So now we're going to talk about characters. So the main character of
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the show we definitely talked about, we just kind of didn't tell you about him and his name. We didn't
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give his introduction. Yeah. So his name is Uhtred and he is the one who is half Dane, half Saxon.
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His name is Osbert. Excuse me. His name is Uhtred. Uhtred Ragnarsson.
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His name is Osbert. He was baptized as Osbert. Only the second time. He also happened the first time.
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Didn't even watch the show. So yeah. So Uhtred is the one that we really follow throughout the show.
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And the way that you know which season is which is by how they do his hair. So that really clarifies
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things for us. It's always the kind of hair that you would find in the modern day at a male participant
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in Burning Man or Coachella or a similar music festival. But in this time period, unlike in the
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modern day, it indicated masculinity, strong values, strength, having a family, and swinging axes into
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the faces of other people. In the modern day it means vapes, oddly sized shorts, Birkenstock sandals,
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bad tattoos, and listening to trash music. So yeah. Uhtred is the main character. He's the one that we
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follow throughout the story. And he is really well drawn. A lot of the time, the main character of a
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show is the least well drawn, I find. Bland. Yes. Bland and or too perfect. Yeah. Refer to Harry Potter.
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Exactly. Which is... Or Luke Skywalker. Yeah. I was thinking Star Wars. Yeah. It's usually a technique,
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actually, where they want you to be able to put yourself into the shoes of the main character.
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But this show isn't doing that. They're just telling a story. And Uhtred is the main character.
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He's really well developed. You see his struggles throughout. And they're very interesting. Well
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acted and well written. It's like he's the team leader on an ensemble cast, rather than just the
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protagonist who you're going to follow all the time, forever. So he comes across with as many
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foils, like bad traits and good traits as any other character. And we like him because he earns it.
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Not because we're just oversaturated with Uhtred in our face all the time. Oh, and something I forgot
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to mention about the show that's not about character is that this show is constantly,
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and I'm going to use this phrase, which is a joke now on the internet, subverting your expectations.
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Oh. But not in that annoying way. For its own sake. Yeah. Not like Game of Thrones,
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where they just randomly would kill people and, oh, they subverted your expectation again by killing
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someone. Or how at the end of the Night King was killed by Arya, because literally in there after
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the episode dialogue, well, everyone expected Jon to do it. Right. So we thought, wouldn't it be cool
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if we had a character who had no connection to this plot line, just, you know, do that instead.
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Yeah, exactly. So it's super frustrating on shows like that. But this one, it's not that you can
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tell that the writers are trying to subvert your expectations. It's not shock value. Not at all.
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It's like the characters are actually acting in their own best interest, and you as the viewer are
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trying to understand it in terms of plot, and the writers are understanding it in terms of the
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character and what the character would actually do. Now, to be clear, background for the show,
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it is based on a series of novels, I think called the Saxon Chronicles, something to the effect,
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by Bernard Cromwell. This is the guy who did the Sharp series. It comes across like a good novel
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writers play with characters rather than a commercially produced show with the studio,
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with executives, where these are the beats we would naturally hit in a plot. And so if you're good
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at cliche genre expectations for television shows, you've seen a lot of it, you know, oh, well,
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they'll kill off this character here because they'll give emotional weight to things, and then
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you feel nothing. Instead, it doesn't feel like if you're good at knowing cliches, you could predict
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this show. Instead, it's, oh, things may or may not happen, but it's because that's what would happen
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in this situation. And it feels like, like what you're saying, feels like one person is telling
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the story, not a room of executives, which is the opposite to me of like The Witcher, you know,
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when they turned The Witcher into a show. To me, it felt like there were 16 executives sitting in a
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room and they were trying to say, okay, well, this needs to happen. And they all wrote for Teen Vogue.
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And exactly. So I don't, you know, it doesn't feel like the writer of The Witcher books was the
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one telling the story of the show. For The Last Kingdom, the writer of the books, it feels like this
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is just his story. It feels as if it's spoken with one voice by a competent storyteller who wants to tell
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the story rather than get good ratings for sweeps week. Yeah, exactly. So you can take care of
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telling us about Uhtred's foil. His foil is Alfred, i.e. Alfred the Great, as he is known to history,
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Alfred of Wessex. So I mentioned before the Heptarchy, there were seven Anglo-Saxon kingdoms
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within the landmass of England. And there was one kingdom that was not, at least in the time of the
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show, I don't know English history that well. One kingdom that's not really been smashed and
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pulled apart by the Danes or subjugated or weakened, and that was Wessex. Wessex is the area of England
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along the southern coast. And so that is apparently where Winchester is because that was their capital.
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And so Alfred the Great is the guy who ends up becoming king rapidly into season one, who has
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the unitary vision of an England in mind. It's similar to how if you refer to North America as
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North America rather than THE America. You know, you wanted to somehow make a united empire of Canada,
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the US, Mexico, and then a little sliver of Central America. If someone had that vision, insane as it
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is, they would be the Alfred of the modern day. So he wants to make a united Christian England,
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but none of that is at hand. And so he, by force of will, wants to make it happen. Now this character
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is spectacular because he is stern, he is strategic, he is physically weak, he has a lusting after the ladies,
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he is a complex character, and he's deeply pious. And so his failings hurt at him, his responsibilities
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are keenly felt by him, and he's got a serious intensity. He feels like what royalty and that
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like traditionalist sense of like, oh, if only we had a king. What they fetishize as an image is
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embodied in this guy, not without flaw, WITH flaw, with the flaws of that kind of a thing, but with a
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strength of will and kind of like a power to him, that is just really well brought across by his
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actor. And one thing that we found very interesting, Alfred the Great, as I mentioned, he has his
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Crohn's disease, he's physically a slender man who's weak, and he exudes power. Yes, that's exactly
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what I was going to say. Everything he says has the force of law and authority. And that's what's so cool
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about that foil with Uhtred and Alfred is that Uhtred physically just looks really strong, looks
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powerful. Then you look at Alfred, and he is so frail looking. With a bowl cut? And somehow it's
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not to his disadvantage? Well, I mean, he doesn't look great, but the fact is that his character,
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his actor, and the way that he was written, he is very emblematic of strength. This show,
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you get power from just authority. You see how a king, even if he didn't have troops directly at his
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command, would have power over people because the culture respects the authority, and the authority
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is wielded. And you see how women in this show wield a feminine power, which doesn't come at the
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point of a sword or from a bicep or whatever, but it is as powerful as anything else because we live in
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civilization. In the context of civilization, you don't resort back to violence all the dang time. In fact,
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that's the last thing that happens. Yeah. So if we're not all going to fall apart and start fighting each other,
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people's soft power and authority of persuasion and social consequences, it matters. So the king
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matters. The women and their approval or their influence, it might not be the direct person in
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charge, but they are strong and it comes across. Yeah. It's just so well done. And you know, you have
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all of these side characters that are also really fleshed out. Actually, one of my favorite characters
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is not one of those two. And it's Father Beocca. Oh, okay. I thought you were going to say Finan,
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the Irish charming rose. I mean, I do like Finan. Yeah, yeah, I know you do. I like all the characters.
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A lot of the characters are just so well done and so well explained that they're fascinating and you
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actually care about their stories. But what's great about this, as opposed to Game of Thrones,
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and I don't know if this is what you're going to, if this is what you're thinking, you don't spend
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so much time with the side characters that it feels like there's so many storylines that you
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have to keep track of. It's really well balanced. It's like, this is a character that we care about.
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We're not going to spend 15 minutes of an episode on this character, but you're going to see him
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throughout. You're going to know him. You're going to like him. And this is another character where
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they're important and they get their own story, but it's not like you're trying to follow the threads
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of 15 different people. For the most part, when it comes to the side characters, unlike Game of
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Thrones, where the side characters would have an agenda they were trying to accomplish, so they had
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a plot line they were doing. In this show, you'll spend time on the side characters. They have their
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own story, but their story is just characterizing them and developing them and letting more of who they
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are come across. They don't have an agenda to accomplish in the same way. Basically, they're there
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as retainers and household members to assist the agenda of the more main characters trying to get
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stuff done, which means that they serve the proper function of a side character, which is help move
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things along, provide dramatic weight and interesting conversations and foil, and if one of them gets
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hurt or does something good, we care, but they don't make it so we have to keep track of more stuff.
00:20:56.940
Yeah, and I just like them in their presence. Exactly. And I think that the part of the reason this show
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is so good is because it's based on history. So you can't, it's not like, oh, uh, we don't know where
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the last season's going to end up, but we know what we're going to do in the first two seasons.
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They know where they're going overall. So the reason that I like Father Baioca so much is-
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Who's Father Baioca? I will explain. Okay guys, so the camera died. I apologize, but we're back.
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As it always does. And it does. Every time. I got about 35 minutes on this camera
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battery. And then it's done-zo. Such a small battery. It is what it is. But I was talking
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about Father Baioca. The reason that I like him so much, and the reason that I do like him so much,
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is that he is Uhtred's father's priest in Bebbanburg, which is their northern English
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fiefdom that they control. And he was there from the very beginning, knew Uhtred, and baptized him
00:21:52.300
before he was taken by the Danes. And then he went over to Alfred when Uhtred was taken.
00:21:58.300
The first episode. So the lovely thing about Father Baioca's character is that he is trying
00:22:03.580
so hard to do the right thing for Alfred and Uhtred, even as Uhtred has become a Dane, has become a pagan,
00:22:11.100
but Father Baioca still sees the good in him and encourages it always. And their relationship
00:22:16.620
makes Uhtred better. Yes. And that's why I love his character. It is my favorite. So in line with
00:22:22.940
what I was saying before about the authority of Alfred, despite being physically weak, the authority
00:22:28.620
of the women in the show, despite being women, as someone might say, oh, you're a woman, how do you
00:22:32.860
have power in the medieval ages? You see it. Yes. Here with Father Baioca, you see the authority of
00:22:37.660
the church, of a religious figure. Father Baioca, as a pious religious man, brings that authority
00:22:43.740
to bear. And it has an effect on people, has an effect on people just because he has the role
00:22:48.460
of a priest, but then also it genuinely is compelling. And so people are brought along with
00:22:53.340
it and he doesn't just use it. He believes it and acts it out. So there's one character,
00:22:58.940
a woman who's in the events of the show, horrifically, emotionally scarred. And so you think,
00:23:04.620
oh, this woman's going to do like some kind of kill Billis revenge narrative or something like that.
00:23:08.460
And he, Father Baioca is on the scene, steps and says, no, takes her under his wing and then actually
00:23:14.540
heals her mentally with faith in Jesus and Christianity and everything like that, but
00:23:18.940
genuinely compassionately. And it works and it's compellingly brought across. It's like, wow,
00:23:24.540
really no show does that. Yeah, that is spectacularly performed. And his relationship with Uchid is
00:23:29.500
fascinating because Uchid's the Dane pagan, doesn't believe in Christian God, but he's useful to Christian
00:23:36.540
society and he's useful to the kingdom of Wessex and he's at heart a good man. And so Baioca knows
00:23:42.300
all this and is very accepting of him while also giving him stern rebukes for when he acts out of
00:23:46.860
hand and acts too pagan and things like that. It's great. It's great. And then I just want to say
00:23:51.180
very briefly, like how Father Baioca is played by the same character, same actor who played
00:23:55.340
Quirrell in Harry Potter. Yeah, random little side note. I don't like Harry Potter, but I was interested to
00:24:00.940
know that. It's very random. But my little side note just about the female characters in the show
00:24:06.860
is that they are really, really well done because they are given enough time on screen, but it doesn't
00:24:12.700
feel like they have to have a strength narrative that doesn't fit the time period, which I feel like
00:24:19.740
every show that's... One character has it halfway. I think it works for her and I think it works for all
00:24:25.980
the characters in the show. All the females in the show are kind of working within the framework of
00:24:30.780
the time period of the history, in my opinion, for the most part. And yet they're not bland,
00:24:35.420
they're not boring, but nor are they reduced to being like subjugated. Instead, they are powerful,
00:24:42.300
motivated characters, but powerful in a realistic and compelling context for what that would mean.
00:24:47.820
And they get stuff done. Yes. So that is something I did want to mention because I feel like in
00:24:53.180
a lot of TV shows, they feel like they have to change the history to make it more PC and this
00:24:58.460
isn't that. They're just... This is like historically true. So a big thing in the show, part of what makes
00:25:03.980
it so compelling, anything that we watch is all about the human characters. Why? Because we connect
00:25:08.860
to people. Even your biggest misanthrope, as long as he watches TV and it's like an actual narrative
00:25:13.820
fiction, you still care about people in some way. That's why we watch anything. And so the strength of the
00:25:18.140
writing is the strength of your characters. And what we really like is that the characters really
00:25:23.100
develop and they mature over time. So our main character of Uchid starts as 18 or 19 year old
00:25:29.500
Danish venturer pagan and he's impetuous and he does things that make us not like him and think,
00:25:35.740
oh, you're vile. Get out of here, buddy. I don't sympathize with you anymore. And then changes and not
00:25:42.380
like a massive change of heart, but like tempers, cools down, becomes more mature. And then you see
00:25:47.340
a new set of characters enter the scene because this show has crazy time jumps and now our main
00:25:51.980
character has organically matured to be a voice of reason and is calmer and is still competent and
00:25:57.900
still motivated and still identifiably himself. That is impressive. Very few shows do that. You might
00:26:03.580
know about me. Most of you probably don't. You're going to laugh at me when I say it. I was a Russian
00:26:07.500
literature major in college, which is worthy of scorn on its face. No, no, no. On its face. If you hadn't
00:26:13.340
done Russian literature, then you and I never would have gotten together, which will be in an upcoming
00:26:18.700
video. The discussion of that. But I will say on the marriage of Russian literature, it's amazing.
00:26:22.860
It's a great time studying the major, but you're free to laugh at me for the mere title of Russian
00:26:26.540
literature major. But what's great about the Russian novels is take War and Peace. The novel spans
00:26:31.900
such a long period of time. Characters genuinely grow from an 18 year old to a real man,
00:26:37.100
into a wise man. It's fantastic. This show manages to do that. Very few shows now how to do character
00:26:43.020
growth. So you're with the character. You see the major like, wow, that's what I like this. I'm
00:26:47.500
invested in this journey. Another thing interesting about the show and the other thing I want to talk
00:26:51.660
about that really brings it across that this show is so special is you see the distinction of Alfred
00:26:57.420
the Great's vision for a Christian England and why he's different from his peers and why there's a unique
00:27:04.140
kind of element of his conflict with the main character Uchid. The Dane warrior pagan who wants
00:27:10.380
to fight for the Saxons so he can get to his birthright in the north and things like that and
00:27:14.380
feels like the Saxons are kind of his people. Alfred sees him as useful, gets to know him as a man,
00:27:19.500
but still doesn't fundamentally trust him even though surrounding his visors do because Alfred has the
00:27:23.740
vision. A united Christian Saxon England. He's so worried that relying on a Danish pagan will undermine
00:27:31.340
that vision and like muddy the waters on it and it's just such an interesting push and pull about
00:27:35.420
the idea of that vision one man has that we historically know happened and the surrounding
00:27:41.420
characters being a little bit more opportunistic. That level of detail is not always the best brought
00:27:46.860
across in the show. Sometimes it just feels like Alfred's a little harsh on Uchid for no reason,
00:27:50.940
but when you understand that's what they were trying to do, the idea of making that attempt for a
00:27:54.540
narrative again it's that nuance, it's that sophistication which is realistic and ultra compelling.
00:28:00.140
Yeah, what I'll say is that it touches on big ideas, big topics. Now it doesn't- Without intellectual
00:28:05.420
fancy speeches, which I like. Yeah, I think it's a really well done show. Of course, we're just gonna
00:28:10.620
warn you in advance, there's a character in the third season that we're not a huge fan of the actress
00:28:16.380
for, so I'll just say her name and then you guys can recognize that we don't condone her acting.
00:28:24.780
We don't condone that component of the show. Yes. Skade. Skade. But you'll see when you get there.
00:28:30.060
The Danish witch who's basically a Coachella gal. Shh, we're not gonna say much more. I don't
00:28:35.660
want to give it away. So bad. So modern. But the last thing I did want to say and then maybe we'll
00:28:41.420
tie this up is that the show really doesn't rely on sex, which I really think is nice. It's in it a
00:28:49.100
little bit. Well, once a season. You need it once a season. You usually compare these kinds of shows
00:28:55.100
to things like Games of Thrones, Game of Thrones, and there's one Game of Thrones. There's apparently
00:28:59.980
multiple Thrones, but one game. Yes. In that show, obviously, it was a lot of sex. In my opinion,
00:29:05.500
too much sex. This show really doesn't rely on it very much and because of that, I think that they
00:29:10.940
do a really good job of developing, you know, romantic relationships outside of just lust, which I
00:29:17.900
think a lot of shows nowadays rely on lust. This show's got great domesticity. Yeah, they do.
00:29:22.380
It does. And a lot of shows today rely on lust to depict love and this show, in my opinion,
00:29:28.940
doesn't really do that. A little bit. A little bit here and there, but more because he's a Dane and
00:29:34.700
that's a little bit part of their culture in the show. Yeah. I don't know if it's true generally.
00:29:38.860
Maybe in the modern day. Danish fans, please comment below. Has anything changed in your culture
00:29:44.860
since 860? Since Vikings. But yeah, that's one thing about the show that I think is nice and
00:29:51.500
a definite nice thing about it. That heartwarming aspect when like a depicted husband and wife seem
00:29:57.420
to have a connection and understanding in like a home and hearth with like a spirit and like a loving
00:30:01.980
atmosphere of its own. When it's done well, it really brings it across and it shows it as so desirable and
00:30:07.980
wonderful. Well, I hope you guys enjoyed today's video. Let me know in the comments below if you have seen
00:30:13.340
The Last Kingdom, what you guys thought about it. I'd love to hear. Do you have anything else to
00:30:17.980
say? Yeah. When I posted on Twitter that we were going to do something about The Last Kingdom, we
00:30:22.700
liked it. Someone commented, yeah, you should. That show is so great, but also so terrible. What do you
00:30:29.580
mean? I actually didn't know what that meant. Where's the so terrible? I don't get it. What are you doing?
00:30:34.380
I liked it personally. Love all of it. Well, thank you guys so much for watching today's video. Please
00:30:39.580
subscribe to my channel and blog if you haven't already. Head over to my Twitter, Instagram, and
00:30:44.060
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00:30:53.020
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00:30:56.860
at the right angle, if you want to see some of his stuff, and I'll see you guys in my next video. Bye!