Flaawsome Talk with Kjersti Flaa - December 24, 2025


My lawsuit against Blake Lively !!


Episode Stats

Length

18 minutes

Words per Minute

151.456

Word Count

2,767

Sentence Count

212

Misogynist Sentences

11

Hate Speech Sentences

1


Summary

Should I sue Blake Lively? Do I have a better case than she does against Justin Baldoni, Jamie Heath, and the rest of the Wayfair parties she attended in 2016? In this episode, Tashina Flohr explains why she thinks so.


Transcript

00:00:00.000 Should I sue Blake Lively? Do I have a better case than her? I actually think so.
00:00:10.380 Hi and welcome to Flossom Talk. I'm Tashdi Flohr, journalist, Hollywood truth teller and your voice
00:00:15.620 of reason in a town built on delusion. Happy holidays everyone. I'm in a holiday spirit today
00:00:22.420 wearing some sparkles. First I wanted to apologize for something I said yesterday in my episode.
00:00:28.480 I misspoke big time. I reported that it was Ellen Garofalo, Justin Baldoni's attorney,
00:00:37.780 who subpoenaed me and 107 content creators. That of course is false. It is Ezra Hudson and I kept
00:00:45.200 saying Ellen Garofalo instead of Ezra Hudson. I'm so so sorry and I did pin it in a comment and I did
00:00:52.020 put it in the description as well and I also did a community post about it. I hope everyone sees that
00:00:56.940 and again my deepest apologies for me speaking like that. That was awful. Anyway it's been a year
00:01:02.580 now since that article in the New York Times dropped and it's been a year since Blake Lively
00:01:06.960 filed her lawsuit against Justin Baldoni, Jamie Heath and the rest of the Wayfair parties. And now
00:01:12.160 after one year as you know we haven't seen any evidence yet. So that made me think, should I sue
00:01:19.820 Blake Lively? Do I have a better case against her than she has against the Wayfair parties? Let's look
00:01:27.600 into it. So as you know a little background here. This interview took place in 2016. I was going to
00:01:34.880 interview Blake Lively, Parker Posey and also Kristen Stewart for the movie Cafe Society in New York. I
00:01:43.280 went there being optimistic. I had my questions ready but nothing went as planned because of what
00:01:50.400 Blake Lively and her co-star did. So here is a snippet from what happened in the beginning of that
00:01:56.020 interview. First of all congrats on your little bump. Congrats on your little bump. Okay so I was not
00:02:05.620 pregnant here. There was no bump. My body was not a topic. Therefore this qualifies as fat shaming. She
00:02:14.280 was drawing attention to parts of my body. Body shaming. This is a public comment on my body and my
00:02:21.820 appearance. And reproductive shaming. She was implying that I was pregnant without any grounds to do so.
00:02:29.960 And critically as well the context here. She was only saying this out of spite. It was meant as
00:02:37.540 retaliatory. And now we have to add group mockery. Because Blake Lively was not there by herself.
00:02:44.000 She was paired up with another actress, Parker Posey. The interaction then shifted from conversation
00:02:51.460 to being entertainment on my expense. Due to this shared mockery, this qualifies as coordinated
00:02:59.320 conduct. And this can be seen as a pattern. I'll get back to that. After the comment on the bump,
00:03:07.080 this happened. What about my bump? You've got two nice ones. And these, they are kind of bumps aren't
00:03:16.740 they? No, not bumps. The lovely lady lumps. Check it out. Thank you. Thank you. The two women here were
00:03:24.060 pointing at their breasts. They gestured physically towards their own breasts. And they did that in
00:03:31.900 front of me during my interview. This introduces a second category of harm. Sexualized conduct in a
00:03:39.120 professional setting. It doesn't matter if they were referring to themselves and their own bodies. Because
00:03:44.980 under modern standards, sexualization does not require touching. And it doesn't require targeting.
00:03:53.200 it does not require intent. It only requires sexual language, a work environment, and a participant who
00:04:01.120 does not consent. Me. Now we're getting to the third count here, which is hostile interview environment.
00:04:08.280 Once sexual humor enters the workplace, the environment changes. And in that moment, I did not
00:04:15.320 initiate sexual content. I did not consent to it. I could not exit that moment. I was stuck there. I had
00:04:23.960 to be there in the minutes that I was required to be there to interview them to do my job. And I was
00:04:30.200 outnumbered. There were two. I was one. That also means a power imbalance. They had all the power.
00:04:38.200 There were two people. They were the actresses. They were the ones who were in control. And I was just
00:04:45.800 a random journalist. This shows a toxic workplace and a hostile interview environment. Here we have
00:04:53.700 count four, which is sexism accusations as professional damage. So what happens next is that I asked the two
00:05:02.580 actresses about wearing those costumes in the movie because they were beautiful costumes. It was a period
00:05:09.940 piece. So the costumes were playing whatever their own part in the movie, if you want to put it like
00:05:16.260 that. And to ask a question like that cannot be seen in any way as inappropriate in this context.
00:05:24.420 Yeah, it's gorgeous. Did you guys love wearing those kind of clothes that you got to wear?
00:05:29.780 You're working in digital. Everyone wants to talk about the clothes, but I wonder if they would ask
00:05:32.900 the men about the clothes. I would. I love Jesse's suits. That's what I'm saying. His wardrobe was
00:05:40.300 beautiful. When I asked that question, she implied sexist intents. She questioned my professional
00:05:48.760 ethics because of that. And she reframed my journalism and my question as discrimination.
00:05:56.860 And in today's standards, you don't need to prove sexism. You only need to suggest it. This was on
00:06:02.940 camera. It was a professional interview and it had an audience there. And we have to add to that.
00:06:09.300 Instead of answering my question, Blake turned to Parker Posey and they started their own conversation
00:06:15.880 about the men's wardrobe in the movie and how much they appreciated what the men were wearing.
00:06:23.580 At that point, they ended my role as an interviewer. They ignored me throughout the entire, through the
00:06:29.880 rest of this interview. And under modern language, this can qualify as professional marginalization,
00:06:38.780 silencing, and exclusion from the interaction. And also remember, they kept talking about the
00:06:45.560 men's wardrobe. So that means that they think only asking about a women's wardrobe is sexist, but
00:06:51.480 celebrating men's clothing is fine. So to use Blake's own logic here, this can be seen as gender-based
00:07:00.140 gatekeeping, selective outrage, and arbitrary enforcement of moral rules. And once I asked this
00:07:08.620 question, I was completely sidelined from the rest of the interview. And I did not consent in being
00:07:15.080 silenced and sidelined. This can be seen as retaliatory disengagement and professional
00:07:21.340 invalidation. And also the rest of the people who were present, who were there for Blake Lively, who
00:07:28.780 also represented her, they didn't do anything about this situation. And they should be responsible for
00:07:35.460 maintaining a safe work environment as well. They should have intervened when this happened and stopped
00:07:41.300 it from escalating. They allowed this harm to happen to someone who's just trying to do their job. They allowed
00:07:47.400 this trauma to deepen for the plaintiff. It's not because they caused the behavior, obviously, but they failed
00:07:54.520 to stop it. And now we come to the economic coercion here. After this interview, this plaintiff, me, wanted to
00:08:02.760 quit her job. But she couldn't do that because I had to pay my bills. And that doesn't mean consent. It just
00:08:10.540 means that I had to survive. And survival in itself then becomes evidence of coercion. And then comes the
00:08:17.300 continuing course of conduct two years later. Because in 2018, I had to interview Blake Lively again.
00:08:26.080 I had no choice in this. I had to do this on behalf of the employer that I had in Norway, who asked me to
00:08:36.360 interview Blake Lively and Anna Kendrick for a simple favor. That means that I had to face this person again
00:08:44.700 without any safety net around me. And I have to relive all the trauma once again. So this memory in itself becomes
00:08:54.900 continuing conduct. And when I arrived at that interview, I also experienced through another
00:09:02.280 person who was there who just left the interview, who had a traumatic experience with Blake Lively and
00:09:08.560 Anna Kendrick, when he asked them a question about their characters and called them bitchy. And they
00:09:16.960 snapped. And he was reprimanded outside in the hallway because he had asked them this question.
00:09:24.180 That also brought back the trauma. Another example of toxic work environment. Even though this guy has
00:09:31.940 nothing to do with my case, I think I'm going to bring him in here anyways to just show a pattern.
00:09:39.820 Then we have a third party who enters this as well, who is my partner Magnus. Because Magnus
00:09:47.120 also was interviewing Blake Lively in 2018 for a simple favor.
00:09:52.880 Magnus, when I saw you earlier, you said, oh, let me get a shot. And I thought you meant of alcohol,
00:10:00.040 but you meant a photograph. So guess what? Time to put up. And what are we drinking?
00:10:06.380 Aviation American gin, who's owned by a very, very sexy man.
00:10:10.580 What happens under this interview also should be considered misconduct. During this interview that
00:10:16.780 lasted for four minutes, Blake Lively served Magnus, her husband, Ryan Reynolds gin, and she was
00:10:23.500 putting it in front of the camera so that Magnus, first of all, could never show this, could never
00:10:30.020 air this interview in Sweden, where you are not allowed to do any advertisements for alcohol.
00:10:36.560 Keep that in mind. Also, Magnus was served this alcohol at 10 a.m. in the morning. And because,
00:10:43.140 again, of the power imbalance here, he felt obliged to do as Blake Lively said. She was in control of
00:10:52.540 this situation. She pressured him as well to chug the entire glass of gin before he left the interview.
00:11:02.020 Just shoot it. Just shoot it. The interview would be so much more interesting.
00:11:06.640 Come on, down it. Here we go. Come on. Woo! Yeah!
00:11:12.520 This can be seen as alcohol-based pressure, unsafe workplace conduct, and also professional coercion.
00:11:21.980 She also used sexualized language, and this is a pattern. So during this four-minute interview,
00:11:30.300 Blake Lively used the word sexy five times.
00:11:34.960 It was owned by a very, very sexy man. And, you know, martinis are so sexy. But the glass and the
00:11:40.580 way you swirl it, and you dump it, and you twist the lemon, and it's just like, oh, it's so sexy.
00:11:46.260 So that's why. I think it's sexy.
00:11:48.880 Five times is definitely a pattern, and it made Magnus feel very uncomfortable. And Magnus was sitting
00:11:56.800 there during this time being pressured to drink gin. He was not asked beforehand if he had any issues
00:12:04.640 with alcohol. If he was an alcoholic, for example, then this would be a very dangerous environment for
00:12:12.500 him to step into. She also hijacked the entire interview by not talking about the subject matter
00:12:19.200 of the movie at all. She only spoke about alcohol and drinking alcohol, and how to produce Ryan
00:12:25.960 Reynolds' gin, and how she doesn't drink coffee, but she loves the way it's made.
00:12:32.040 But I drink it because I love the way they crush the beans, and they talk about it, and the story
00:12:35.700 of the, you know, the origin of them, and, you know, the milk, and the foaming, and all of that.
00:12:39.740 And the same thing with alcohol. When I hear about, you know, how this is distilled in Portland,
00:12:42.660 and how this, the reason this one is winning all the taste tests, actually, is because gin has a high
00:12:46.440 juniper content, which is why a lot of people don't like gin, because there's no juniper, and like,
00:12:49.420 all of that story, I just love. Because I like storytelling, it's what I do for a living.
00:12:53.280 And then, you know, martinis are so sexy, I mean, that's why they're in this movie.
00:12:56.460 She exploited this interview format, and made it into an advertisement for gin. It's also obvious
00:13:03.740 that she used flirtation in this interview, and therefore she interfered with my relationship.
00:13:10.460 And by modern standards, I am allowed to infer flirtation. I can speculate as much
00:13:16.420 as I want, and I say that this was boundary crossing, and I say this was a relationship
00:13:21.800 interference between me and Magnus, and it caused Magnus emotional distress. And his stress,
00:13:29.540 because of this, adding up to my stress from previous experiences working with Blake Lively,
00:13:36.300 amplified the trauma for both of us. And I experienced secondary trauma. Okay, so let's jump
00:13:42.740 forward to 2024 December, about a year ago, when New York Times published the article,
00:13:48.860 We Can Bury Anyone, and including me as part of their smear campaign, insinuating that I had been
00:13:57.140 paid by Baldoni's team to help smear Blake Lively. What followed that article for me personally was that
00:14:06.180 I was trolled online, and it was claimed that I was corrupt, and all this hatred that I experienced
00:14:13.420 online, and people contacting me, and threatening me, and threatening to even burn down my apartment
00:14:19.840 in New York, which I don't live anymore, but anyways, all of this can be considered a smear campaign.
00:14:26.500 An untraceable smear campaign, because I don't have the evidence yet to prove that Blake Lively
00:14:33.480 herself is behind that smear campaign, but I can say that she started it by putting my name in that
00:14:41.320 article in the New York Times. And also, other stories were spread about me online that weren't
00:14:46.380 true, and that is called astroturfing. All of this was just designed to look like natural backlash,
00:14:52.960 but it was definitely a smear campaign, an orchestrated smear campaign. And there's more evidence for this.
00:15:00.860 My Wikipedia page. It kept changing. It kept changing up to 50 to 100 times every day by people
00:15:09.140 or by editors who changed it back and forth, trying to make me look like a corrupt journalist.
00:15:15.960 They removed context of things and my achievements, and they also added negative framing to make me look
00:15:22.760 bad. So that makes Wikipedia a part of this smear ecosystem and a part of this bigger smear campaign.
00:15:31.240 To add to that, I was also subpoenaed, meaning that I, of course, experienced extra harm and financial
00:15:38.040 strain because I had to hire an attorney. Then I also had to focus on getting that tossed out. So I lost
00:15:45.220 other opportunities because of that. That means that my damages for this lawsuit could be enormous
00:15:51.540 because I lost so many opportunities from my other companies as well. I have redacted what those
00:15:58.600 companies and those businesses are here, but I did lose a lot of opportunities. I've also redacted
00:16:06.120 the amount here and I lost an opportunity. This is true from working with Mint Mobile who wanted to
00:16:12.680 sponsor my channel and I had to say no. So what do you think? Do I have a better case than Blake Lively?
00:16:18.200 And did I miss anything here? And also we have to keep in mind here, if they respond to my lawsuit,
00:16:26.300 I see that as a continuation of a smear campaign. If they come out and say anything, if there's any
00:16:33.520 statements by her legal team in any media outlets, that is another sign that this smear campaign is
00:16:41.340 still going on against me. And if I see any critics online posting anything on Reddit or TikTok or
00:16:48.520 Instagram or YouTube, I see that as astroturfing, which again proves that this smear campaign is still
00:16:56.520 ongoing. Also, I am a woman and Blake Lively supports women, so she has to support me here. So she can't
00:17:04.480 really defend herself against this because that means she doesn't support women and she's continuing the
00:17:10.820 smear campaign. Also, I'm going to add all the people who worked with Blake Lively on previous
00:17:16.580 projects that has had bad experiences with her to show a pattern here. Maybe I should call the New York
00:17:24.680 Times and get them to print this article because I have more evidence than Blake Lively showed to the
00:17:31.780 New York Times. I have video evidence. This case is based on facts and a lot of emotions because my
00:17:39.820 feelings matters and I can sue someone based on my feelings and based on what I felt in that moment
00:17:48.000 when it happened, although everyone else in the room saw that situation differently. That doesn't
00:17:54.880 matter because it's my feelings. Anyways, thanks for watching you guys. I hope you enjoyed this episode.
00:18:01.020 Please leave a comment below if I missed anything or if you think that I have a better case than Blake
00:18:06.680 Lively has and please subscribe if you haven't. Hit the notification bell so you don't miss an episode
00:18:12.740 of Flossum Talk and I'll see you soon. Bye!