Juno News - September 18, 2020
ObamaGate The Movie aims to "expose the deep state"
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Summary
In this episode, Andrew Lawton talks with Anne McElhenney and Phelan McAleer about their new film, Obamagate, a documentary that exposes the deep state conspiracy to take down President Trump.
Transcript
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Conservatives all the time complain that Hollywood and the entertainment world have this big liberal bias.
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And that's true. That is so very true. I'm not going to dispute that at all.
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But it's all the more reason why conservatives need to support art and entertainment, films, music, whatever it is that is conservative friendly.
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And I think this is such an important message, but it's one that also goes along with supporting good conservative content.
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And when it comes to creating good content that is friendly to a conservative audience,
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no better duo than Anne McElhenney and Phelan McAleer, filmmakers, documentarians, authors.
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Their newest project, Obamagate the Movie, a film they're producing that they're actually crowdfunding for with a goal of exposing the deep state.
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The deep state that tried to take down President Trump and continues to try to take down President Trump.
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This is a movie that really follows a lot of the other work they've done, most notably with FBI Lovebirds,
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a play featuring Dean Cain and Christy Swanson, who are actually going to be in the film as well,
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playing the same characters, Peter Strzok and Lisa Page,
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the former FBI agents that are household names now for their collusion during the 2016 election.
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And joining me on the line is one of the fantastic duo, I was just talking about,
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producer and co-writer of Obamagate the Movie, Phelan McAleer.
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Phelan, good to talk to you again. Thanks for coming on the show.
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Thanks for having me, Andrew. It's always a pleasure to be on your show and talk to your audience.
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We are now almost four years after the election.
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Barack Obama's been out of office for almost four years.
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Why is this a story that, in your view, still needs to be told?
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Because it started at the tail end of the Obama administration, it's hard to believe, right?
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It is actually hard to believe, and I think it's missed in a lot of this.
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This is an investigation by the most powerful parts of the intelligence apparatus
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under one administration into the rival political candidates running in the next election
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It's like Ronald Reagan having Walter Mondale investigated,
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or I can't remember who ran against Harvard, Walker, George H.W. Bush,
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using the power of the presidency and the power of the intelligence organization
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And this is not, though, investigating their tax returns.
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This is using secret warrants, recordings, tapping people's phones,
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turning people, using spies, using a honey trap.
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They sent a girl in a short skirt to a meeting in London to try and get a senior member
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of the Trump campaign to incriminate himself and incriminate the campaign.
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None of this worked, but they lied to the FISA court, the supposedly secret
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but highly, you know, highly skeptical special warrant court, you know,
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because you need a special warrant to spy on your own people.
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And they just lied and they made stuff up and the judges just handed out warrants like confetti.
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But these are all, this all happened under the Obama administration.
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And then it continued, the cabal of FBI and DOJ, deep state,
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they continued it after Obama was out of power, but it was started under his watch.
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And that is the most fascinating part of this story is that when you say deep state,
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there are a lot of people that immediately they put up their sort of conspiracy theory alert beacon
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But you really have seen in the last few years how a lot of these intelligence community people,
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these bureaucracy operatives, they really do have a mind of their own in a way
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where once the old guy is out, they still are loyal to that regime that's no longer there.
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Yeah, it's not just the regime, it's the consensus they're loyal to.
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I mean, Peter Strzok is quite clear about it in his book and in interviews
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that Donald Trump is a threat to the national security of the United States
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They just think that anyone who disagrees with their consensus establishment view
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So that's what, I mean, this is kind of, that's the deep political side to it.
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At the other side of it is Strzok and Page were having this ridiculous affair
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and texting on their FBI work phones because their wives allegedly couldn't get access to those,
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wives and husband couldn't get access to those.
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And they, you know, they thought they would get away with that and they almost did.
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But in these texts, you know, and you see the mainstream media are calling them anti-Trump texts.
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Of course, there was a lot of anti-Trump texts, but there's actually conspiratorial texts.
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There was her saying, he's not going to win, is he?
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And the chief counterespionage operative and the FBI saying, no, we're going to stop it.
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I find that to be interesting because this is, I mean, some people would argue this is bordering
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At the very least, it's undermining the democratic process.
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But all of the players involved in this seem to have been able to kind of cement themselves
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You know, James Comey, Peter Strzok, and we're going to see this with Bob Mueller and all these
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And there is something very insidious about that.
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Just the hero treatment that if the roles were reversed, if this were Trump doing this to Biden,
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depending on what happens in 2020, this would be riots in the street.
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I mean, I'm old enough to remember when the FBI were the evil deep state and the left hated
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In fact, I have a friend whose baby was born last year.
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That's probably old enough to remember when the FBI were the enemy.
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You know, the FBI now are the heroes of the left and must be protected by the left.
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But the things they did, they spied on a political campaign for no good reason.
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They lied to get the warrants to spy on a political campaign long after the political,
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I mean, to use Peter Strzok's exact words, I think there's no there there.
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Long after there's no there there, they kept going.
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So you have this Jean Le Carrier deep state cabal conspiracy mixed in with a bit of teen
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romance texting between these embarrassingly middle aged lovers.
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And then in the middle of it, you have their one of their wife, his wife, finding his work
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phone and somehow getting access to the texts in his work for in his FBI work phone and then
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phoning Lisa Page and threatening to set a private investigator on her.
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And, you know, I mean, there's so many questions and so much madness there that it's a really
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entertaining movie and that's, you know, this has to be entertaining, you know, we it's you
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saw the play, you saw the we did the excerpt of the play original play on my on the Mark
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But we've extended it now to bring in the whole Comey stuff, the Flynn stuff, all all the other
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memos and conspiracies that have come out since then.
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And that's the part I wanted to ask you about, because you've had a fantastic ability with
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past work, whether it was your play on Ferguson or the Gosnell trial and FBI lovebirds of taking
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things that have actually happened, not just events that have happened, but but actual
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conversations verbatim and bringing them to life in a way.
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And I guess there are two parts to the question.
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You know, is there much work for you as a writer or co-writer of this film when you're
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But but more seriously, why is that something that needs to be done?
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Well, yes, I saw someone on YouTube called me a lazy writer and I or maybe it's on Twitter
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You know, when the mainstream media has failed to do its job, when the media won't do its
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job, then that's where verbatim plays and verbatim theater and verbatim movies, that's
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I mean, in some ways, I'm lucky that the mainstream media is so crap because if there were any
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I'd be, you know, shoveling cement in back in Ireland or whatever.
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You know, they will not highlight the stories that should be highlighted.
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They will not quote directly when the quote doesn't help them.
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What they do is they paraphrase it in the most benign way.
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You know, it's like, as Mark Stein once said, you know, I mean, this is, you know, when Salman
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Rusty's book, you know, 20 people were killed and reviewers talk about it.
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You know, I mean, they will paraphrase things and make things as benign as possible when they
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But the great thing about verbatim is, you know, there's no filter.
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You know, there's some, but this is what the people said and the audience loves it because
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I always notice when you're in the theater, you know, people are sitting back like this
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thinking, what's the playwright going to, oh, that's an interesting drama that, you
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They get invested in the characters, but they're sitting back absorbing it when the, when it's
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verbatim, they're leaning forward, trying to hear every word because they know these are
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the words that were actually said by real people.
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And, you know, it hasn't been easy getting actors for Obamacate.
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We've, we've, we've lost a few, you know, for various reasons and we don't know why.
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Same with Ferguson, nine of the actors walked out and, you know, they walked out.
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These were African-Americans giving, getting their voices in the theater because it was eyewitness
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accounts from the grand jury testimony and, you know, the, the, the, so, so they don't
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They'd rather have some black lives matter activists tell you what the street is thinking
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rather than people on the street speaking for themselves.
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And it tells you a lot about the acting profession, about who they're really speaking for.
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And when you talk about that whitewashing, that's particularly important because I know
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when you and Anne announced this project, you had mentioned that Showtime is doing some
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big special, but instead of basing it on the transcripts, which are publicly available,
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They're basing it off of a very, you know, I don't even know what a self-aggrandizing version
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of event through the, through the eyes of, of James Comey.
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And they're getting, I think you said a $40 million budget that they're putting towards
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this, whereas you and Anne are crowdfunding, I think you're, you're down to $103,000 or
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You're doing this and it's going to be better at a fraction of the budget.
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They're spending $40 million and I've seen, it's a mini series.
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It's really turgid and boring and they don't do the, I mean, there's so much verbatim drama
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You don't need to fictionalize when the real story is as exciting as this one is.
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I mean, they're doing honey traps in a pub in London.
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They're, they're, they're lying to the FISA courts.
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You know, there's an agent who, who rewrites an email to, you know, Carter Page, you go,
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why was Carter Page so, so involved with dodgy Russians?
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Turns out Carter Page was working for the CIA and that was for free.
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That he, as a patriot, he decided to work for the CIA and feed information, meet these dodgy
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Russians, feed information back to the CIA.
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The CIA wrote to the FBI and said, don't be suspicious of this guy meeting dodgy people.
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They rewrote that email and said, oh, actually he's not working for the CIA.
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Then they used his dodgy connections for Russians to get warrants to surveil the whole of the
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Why would you, why would you have to fictionalize it?
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Why would you have to rely on James Comey's version of events when, when the truth, I
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I mean, you're, and you're right about this and you've got a great cast too.
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They did a great job in Lovebirds and I know we'll do well in this.
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I have to ask, you know, the, the fact that you're crowdfunding, is that just something
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you want to do or is there genuinely no studio money behind anything like this from the perspective
00:13:36.520
Yeah, there's no, no studio, no studio money behind it at all.
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You can go to ObamaGateMovie.com if you'd like to help.
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I mean, it's funny when we first came to Hollywood, you know, eight or nine years ago, there was
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a feeling that you could go to a studio and pitch your best.
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And of course they're all liberal, but they would give you a hearing and maybe once in
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Now it's very clear that that's not going to happen because even if there was some guy
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up there who would want to make this, the employees would walk out like they have at
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the New York times, like they have even at the wall street journal, they would say, we
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Uh, you know, so there is no chance that Hollywood would make this even if they wanted to.
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And you know, because their, their, their woke staff will not tolerate this.
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It's a terrible disaster for fun and entertainment because you've got three hours of
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turgid James Comey prose opposed to, uh, uh, one hour and 10 minutes of our sex romp
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meets, uh, John le Carrier meets, uh, you know, Mrs. uh, the Vickers coming, get your
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I I've had this conversation with you before, and I mentioned it briefly at the beginning
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I think it's important for conservatives to support conservative friendly art and in this
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context film, but I also think it's important for any movie or product that is really aiming
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at a bit of a conservative audience to be good.
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And I've always admired that your stuff is good quality first before it's ideological
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A lot of people, I think, just think that, you know, they're going to put something out
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and because they put an eagle and a flag on it, everyone's going to buy it.
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What's your message to conservatives that a lot of the time just complain about Hollywood.
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They complain about the bias, complain about all of that stuff, but don't really do anything
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to support the work that is out there for them.
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Well, I mean, you're just, you're terrible, right?
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You know, if there's a conservative movie out there and you can't go to it, buy a ticket
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online. If there's a conservative book out there, buy the book, give it to someone as
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You see billionaires, conservative billionaires giving 40 million to the Lincoln Center for
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the Arts to make product that's attacking them.
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Stop giving money to your alma mater to attack America.
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But people who don't fund and don't buy books and don't buy DVDs and don't buy, I mean, there's
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Maybe you can't go, but you should buy a ticket, you know, and you could find it's the number
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And suddenly, when it's number one, the great thing about, you know, people, when they hear
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something's number one, they automatically want to go and see it, even liberals.
00:17:02.320
Well said, and I appreciate the plug to my show as well.
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Certainly people can contribute to that, but I also very much encourage them to head on
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over to ObamagateMovie.com, and we'll have a link up there on the screen right now, and
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chip in a few bucks if you can to Anne McElhenney's and Phelan McAleer's latest project.
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Thanks for listening to The Andrew Lawton Show.
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Support the program by donating to True North at www.tnc.news.