Leo D.M.J. Aurini - June 13, 2017


Advice on Becoming a Filmmaker [Requested Video]


Episode Stats


Length

22 minutes

Words per minute

133.88937

Word count

3,050

Sentence count

274

Harmful content

Misogyny

1

sentences flagged

Toxicity

40

sentences flagged

Hate speech

4

sentences flagged


Summary

Summaries generated with gmurro/bart-large-finetuned-filtered-spotify-podcast-summ .

In this episode, I discuss how to go from not knowing a thing about anything to making your own bloody movies. I break it down into 8 bullet points: 1. Don t fall into the city of broken dreams. 2. Do you like making movies? 3. Is it something you enjoy doing? 4. Are you good at it? 5. Can you do it? 6. What do you like to do? 7. What does it take to make a bloody movie? 8. How do you know if you like it? 9. What is your favorite kind of movie? 10. What are your favorite types of movies? 11. What's your favorite type of movie to make? 12. How to become a filmmaker?

Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
00:00:00.000 Thank you.
00:00:30.520 So the topic of this requested video is how to become a filmmaker.
00:00:36.360 How to go from not knowing, well, anything, not having any professional experience whatsoever,
00:00:43.420 to making your own bloody movies.
00:00:47.700 And I've broken this down into eight bullet points.
00:00:52.500 And we're going to start off with a really, really negative one.
00:00:56.120 So, number one, to become a filmmaker, do not try and become a Hollywood filmmaker.
00:01:06.860 Now listen, my colleague, Delicious Tacos, longtime writer in the Manosphere, has done extensive
00:01:15.220 work in Hollywood, and he has written several articles about how broken and nepotistic Hollywood
00:01:22.300 is.
00:01:24.180 And I really can't do any better justification to this whole concept than just to link to
00:01:30.900 what he's written.
00:01:32.000 That even if you do get into Hollywood, you're going to be in Hollywood doing something you
00:01:36.660 hate.
00:01:37.160 You know, if you like horror movies, you'll be doing comedies.
00:01:39.260 If you like comedies, you'll be doing romance movies.
00:01:42.620 If you like romance, you'll be doing action movies, etc.
00:01:46.880 Hollywood is a terrible, terrible, terrible machine.
00:01:50.860 And the fact that anything good ever gets made is a miracle with that machine.
00:01:58.060 Asking, how do you become successful in Hollywood is like saying, how do you become a successful
00:02:05.960 lawyer?
00:02:09.100 And again, with rare exceptions, the way you become a successful lawyer is you get born
00:02:15.140 into the right family and you know the right people.
00:02:17.780 If you don't already know the right people, you are not going to be successful in Hollywood.
00:02:22.680 Period.
00:02:24.000 It's a meat grinder.
00:02:26.560 Don't fall into the city of broken dreams.
00:02:31.000 Now that said, it doesn't mean you can't be a filmmaker and even a successful filmmaker.
00:02:37.180 It's just that the Hollywood model is very much atrophying, in my opinion.
00:02:44.560 If you go out there as a hopeful to try and become part of it, you'll get eaten alive.
00:02:48.940 But if, you know, if you get an opportunity, go for it.
00:02:54.120 But stick to, stick to being successful by your standards.
00:03:01.360 Alright?
00:03:01.960 Because you can do that.
00:03:03.920 So that's a, be very wary of Hollywood is the number one point that I needed to make.
00:03:09.240 Number two.
00:03:15.020 Do you like making movies?
00:03:21.740 You know, there's a certain issue of people wanting to be something instead of doing something.
00:03:28.740 You know, and this is, this is a constant issue with human beings.
00:03:31.620 You know, people want to be Roosh, for example.
00:03:37.460 You know, and Roosh, he has all these books he publishes and people respect him, etc.
00:03:41.620 But to become Roosh meant going to the bar and practicing and approaching girls in public 0.95
00:03:47.940 and taking notes and then sitting down for hours and hours and hours by himself and writing
00:03:53.000 these books, etc.
00:03:55.720 So, you know, there's that issue.
00:03:56.960 Do you want to, is this, do you want to be this thing or do you want to do this thing?
00:04:02.260 Now, when it comes to something as specific as making film, you know, the best analogy
00:04:09.800 I can think of is riding a motorcycle.
00:04:14.160 Now, riding a motorcycle, if you've never ridden one before, sounds great.
00:04:19.220 You look cool, you have a leather jacket, you've got the open road, the girls love it.
00:04:26.140 But you know what?
00:04:27.220 Some people just really hate riding motorcycles.
00:04:29.520 You get the wind in your ear, you get bugs hitting you in the face, you get gravel, you
00:04:35.140 get rain, you get all of this. 0.98
00:04:38.540 And some people just, they buy a motorcycle and they're good at it and they're not pussies 1.00
00:04:44.260 or anything like that. 0.99
00:04:45.900 All right?
00:04:46.180 But they get in and they're like, you know what?
00:04:48.360 I'm not really a fan of this.
00:04:49.920 I kind of like my car with the air conditioning where I get to listen to music, etc.
00:04:57.840 And so for first-time bikers, you know, this is one of the reasons as a first-time biker
00:05:02.320 you buy a cheap bike.
00:05:04.140 Because you might find out that you don't like biking.
00:05:07.300 And it's the same thing for making movies. 0.99
00:05:11.800 You know, making a movie is like planning a goddamn wedding every single day. 0.99
00:05:16.480 Making movies is a nightmare. 0.99
00:05:18.680 It's one of the highest-stress businesses out there.
00:05:23.880 And you know, like myself, I've got an eye for photography.
00:05:27.840 I like messing around with visual effects.
00:05:34.820 I like it to some degree.
00:05:38.680 But then do you want to do that professionally?
00:05:44.260 You know, it's like being in a band.
00:05:46.240 Listen, playing your guitar or playing your saxophone can be a lot of fun.
00:05:51.580 Being in a band, being in a professional band, not just a hobby band,
00:05:55.800 that's a whole other kettle of fish, okay?
00:05:59.600 There is so much that goes along with that.
00:06:02.480 And, you know, the professional musicians I know,
00:06:05.720 good lord, those guys work hard.
00:06:08.620 So point number two is you need to figure out
00:06:12.020 do you actually like making movies?
00:06:16.720 Do you actually enjoy the whole process?
00:06:18.980 Because it's a nightmare.
00:06:20.240 It's like pulling teeth.
00:06:21.760 Okay, and everything's going to be like that.
00:06:24.620 All right, playing sports is fun,
00:06:26.740 but being a professional athlete means busting your hump to do that.
00:06:31.940 Writing, you know, it's great to have a novel,
00:06:34.580 but actually obsessing and getting hangovers and drinking so much
00:06:38.780 and hating yourself and all of that, 0.57
00:06:41.180 you know, that's a whole different process.
00:06:43.580 So you have to figure out whether or not you like making movies.
00:06:47.580 Because it's a very, you might love it,
00:06:50.460 or you might find out you hate it,
00:06:52.700 or you might find out you just want to do it as a hobby.
00:06:58.540 This leads into the next point.
00:07:03.340 Watch Kubrick.
00:07:05.920 Watch his films.
00:07:07.200 I personally hate Kubrick. 1.00
00:07:10.420 Okay, his films are these stupid fucking riddles. 1.00
00:07:12.820 I can't stand them. 1.00
00:07:13.900 But I really admire him.
00:07:15.920 I really admire what he has done as a cinematographer.
00:07:18.620 He's an amazing filmmaker.
00:07:20.860 He's just not my cup of tea.
00:07:23.860 And if you want to be a filmmaker,
00:07:26.340 even if you don't like Kubrick,
00:07:28.240 you need to watch Kubrick.
00:07:30.280 Because the guy is absolutely amazing.
00:07:33.660 And as you watch Kubrick,
00:07:35.320 also check out the YouTuber Robert Ager.
00:07:39.460 I'm going to link to him down below.
00:07:41.320 He does all this film analysis.
00:07:43.740 The guy's absolutely brilliant.
00:07:45.380 I absolutely love Robert Ager.
00:07:47.240 It actually turns out that, you know,
00:07:48.280 Brother John knows the guy.
00:07:49.660 He met him once or something.
00:07:51.280 Robert Ager is really switched on.
00:07:53.120 Great film analysis.
00:07:54.760 Talking about all the little details,
00:07:57.240 all of the stuff that you need to be aware of.
00:07:59.960 as a filmmaker.
00:08:01.880 You know, I'm a bit of a good photographer.
00:08:04.440 But the details that you put into film
00:08:09.400 are a whole other level.
00:08:12.280 All right?
00:08:12.600 And yeah, Kubrick is the master at this.
00:08:17.760 And Robert Ager will help explain that.
00:08:19.820 Also, you know, Red Letter Media.
00:08:21.920 I'm sure you've heard of Red Letter Media.
00:08:23.700 I don't need to sing their praises.
00:08:25.640 You know they're awesome.
00:08:26.780 You know, they have great insights.
00:08:28.200 I'll just say,
00:08:29.660 one of the things I love about them
00:08:30.820 is that I disagree with them politically
00:08:32.340 every so often.
00:08:33.860 And it's good to have those fresh perspectives
00:08:38.520 so I'm not just in an echo chamber.
00:08:40.640 So anyway, yeah.
00:08:41.500 Kubrick, Robert Ager, Red Letter Media.
00:08:43.840 Get familiar with these guys.
00:08:45.960 They are masters of the craft.
00:08:48.820 All right.
00:08:52.340 Next point.
00:08:55.180 Film what you can.
00:09:02.620 Well, listen, like right now,
00:09:03.960 I've got a...
00:09:05.000 I'm lucky enough to have
00:09:05.800 a pretty fancy little video camera.
00:09:07.480 But you can pick up a $200,
00:09:11.680 a $400 video camera.
00:09:15.500 And that will shoot in HD.
00:09:18.380 You'll need good lighting,
00:09:19.840 which will be an education in itself.
00:09:21.920 By the way, you can pick up a really cheap...
00:09:23.940 Get one of those floodlights
00:09:25.780 from the hardware store.
00:09:28.120 All right.
00:09:28.400 They're like 20 bucks
00:09:29.300 and you're getting 1600,
00:09:31.040 the equivalent of 1600 watt light bulbs
00:09:33.600 blowing out of the things.
00:09:35.080 All right.
00:09:35.580 So there's your lighting problems
00:09:36.860 taken care of.
00:09:39.040 But even if you don't have that,
00:09:40.560 you've got a cell phone.
00:09:42.260 Okay.
00:09:42.540 And a cell phone camera,
00:09:43.460 believe me, it's far from optimal.
00:09:45.700 But a cell phone camera
00:09:46.700 can do quite a bit.
00:09:48.920 And it's not about...
00:09:50.580 Especially when you're starting out.
00:09:51.900 It's not about the technology
00:09:53.580 that you have.
00:09:54.480 It's about the creativity
00:09:56.160 that you have.
00:09:58.000 You know, there's this one short film
00:09:59.200 I did years ago.
00:10:01.440 I've never published it
00:10:02.600 because it's not even that good, actually.
00:10:05.080 But it's a short film.
00:10:07.400 It's 16 minutes
00:10:08.380 that has a little...
00:10:09.540 It's got a narrative arc to it
00:10:11.120 and it's got some stuff happening.
00:10:13.320 And we filmed it on zero budget
00:10:14.780 with three actors.
00:10:16.740 And two of us actors
00:10:17.920 were also the cameramen.
00:10:19.780 So film what you can.
00:10:24.540 A guy sent me a video
00:10:25.700 a long time ago.
00:10:26.300 I'm going to see if I can find it.
00:10:27.380 But he did this remix
00:10:28.800 of George Orwell
00:10:30.220 with a typewriter
00:10:32.320 and it's all in black and white.
00:10:33.620 And it's just himself
00:10:34.880 and a typewriter
00:10:37.240 that he probably bought for $15
00:10:38.400 and disassembled
00:10:40.280 and a narrative that he wrote.
00:10:42.520 It's very cinematically engaging.
00:10:44.400 It's very nifty.
00:10:45.820 It's very cool.
00:10:47.480 Film what you can
00:10:49.320 with what you have.
00:10:52.020 All right?
00:10:52.340 The filmmaking
00:10:53.060 is the art of the possible.
00:10:55.540 Okay?
00:10:56.080 Even more so than politics.
00:10:57.600 It's being able to
00:11:00.300 look at something mundane
00:11:03.220 and see how you can
00:11:05.020 make it interesting.
00:11:07.620 It's about being creative.
00:11:10.360 And every single one of us
00:11:12.620 has our different forms
00:11:14.560 of creativity.
00:11:17.000 You know, like I...
00:11:18.220 One of the things
00:11:19.240 that breaks my heart
00:11:20.280 is I'm not that funny.
00:11:21.180 I see these brilliant comedians
00:11:25.660 with these amazing observations
00:11:27.540 and I wish that I could do that.
00:11:32.440 But that's not my sort of creativity.
00:11:37.540 You know, whereas myself,
00:11:39.520 like with the writing in particular,
00:11:42.340 you know, that is my form of creativity.
00:11:44.760 That is something
00:11:45.300 that I am very good at.
00:11:48.120 And so you explore that creativity.
00:11:52.160 Figure out what you're good at,
00:11:54.420 what you're not good at.
00:11:56.480 Go do what you can
00:11:57.540 with no resources whatsoever.
00:11:59.540 Do what you can
00:12:00.160 with nothing but a cell phone.
00:12:02.340 And you know what?
00:12:06.060 Just to add to this,
00:12:08.260 if you like filmmaking,
00:12:12.300 it doesn't matter 0.99
00:12:15.600 if your films suck. 0.98
00:12:16.400 If you like filmmaking, 0.85
00:12:19.540 if you enjoy it
00:12:20.660 for the sake of doing it.
00:12:23.700 You know, look at these trauma films.
00:12:25.340 Look at...
00:12:26.020 There's a huge market
00:12:27.820 for cheesy horror flicks.
00:12:30.460 All right?
00:12:30.680 And the horror flicks,
00:12:31.400 these are guys that like just like...
00:12:32.900 They like their special effects.
00:12:34.620 Their practical effects.
00:12:37.200 All right?
00:12:37.540 The plots are terrible.
00:12:39.420 There's no symbolism.
00:12:41.140 But the guys making those movies,
00:12:42.720 they enjoy making them.
00:12:46.400 James Rolfe...
00:12:48.460 And this is not...
00:12:50.860 Don't take this as a criticism.
00:12:52.880 James Rolfe,
00:12:54.740 you know,
00:12:55.020 the angry Nintendo nerd,
00:12:57.560 he is...
00:12:58.020 Well, A, he's successful.
00:12:59.620 B, he loves what he's doing.
00:13:05.160 He loves what he's doing.
00:13:08.300 He's living the dream man.
00:13:10.160 He is a filmmaker.
00:13:12.900 And...
00:13:13.680 I don't think he's the most
00:13:17.640 insightful
00:13:19.400 guy out there.
00:13:22.800 No offense to him.
00:13:26.120 I mean,
00:13:26.860 he has some good insights,
00:13:28.360 but he doesn't
00:13:29.740 read a lot of books.
00:13:31.760 He doesn't obsess over narrative
00:13:33.600 the way that I do.
00:13:35.240 He's a different sort of guy than I am.
00:13:38.000 Let me put it that way.
00:13:39.940 And so I wouldn't call his...
00:13:41.820 His short films...
00:13:43.580 I wouldn't call them great
00:13:44.820 in the sense that
00:13:46.780 Citizen Kane
00:13:47.660 is, well,
00:13:49.280 supposedly great.
00:13:50.620 There's some debate
00:13:51.560 over that one. 0.68
00:13:55.320 But you know what?
00:13:56.260 He likes making them.
00:13:58.320 And he makes money
00:13:59.380 making them.
00:14:00.800 And they're creative products.
00:14:02.360 Like, good lord,
00:14:02.840 I've watched all of his bloody...
00:14:04.400 Here I am saying
00:14:05.180 he's not a great filmmaker,
00:14:06.360 but I've seen everything
00:14:07.320 he's made.
00:14:08.940 So, clearly,
00:14:10.480 he's got an audience in me.
00:14:15.660 So even if you're not great,
00:14:17.940 but if you enjoy doing it
00:14:19.760 and you're good at it,
00:14:21.780 do it.
00:14:23.560 All right?
00:14:24.220 Don't...
00:14:24.580 Don't try and be something
00:14:26.720 you're not.
00:14:27.840 Try and be the best version
00:14:28.960 of yourself
00:14:29.620 in all of this.
00:14:32.000 All right.
00:14:32.660 Next.
00:14:33.140 Network
00:14:36.080 with other people.
00:14:41.900 Once you start
00:14:42.760 doing some creative stuff,
00:14:44.440 start finding
00:14:45.300 the other people
00:14:46.560 out there
00:14:47.680 that want to do
00:14:48.560 creative stuff as well.
00:14:50.360 Okay?
00:14:50.640 There's people
00:14:51.540 that want to be
00:14:52.140 actors or a dime a dozen.
00:14:54.520 It's not hard
00:14:55.760 to find actors.
00:14:58.000 Start finding out
00:14:59.380 about the different
00:15:00.200 film festivals,
00:15:01.520 about the different grants,
00:15:02.740 about the different
00:15:03.400 bursaries.
00:15:04.920 Okay?
00:15:05.140 Especially as a beginning
00:15:05.920 filmmaker,
00:15:06.800 you're going to have
00:15:07.440 to wear a lot of hats.
00:15:09.360 All right?
00:15:09.740 So you're going to have
00:15:10.460 to find out
00:15:11.880 the different places
00:15:12.540 that you can get money.
00:15:13.600 You're going to have
00:15:14.100 to be generating revenue,
00:15:15.900 all of this stuff.
00:15:18.540 So, yeah,
00:15:19.280 get out there
00:15:20.240 and do stuff
00:15:22.320 with other people.
00:15:23.860 Filmmaking is a very 1.00
00:15:24.920 collaborative thing.
00:15:25.940 It's a very social thing.
00:15:27.260 This leads to the next point.
00:15:32.360 When you work
00:15:33.140 with other people,
00:15:34.840 on the one hand,
00:15:36.580 treat them well.
00:15:38.480 Respect
00:15:39.060 their ambitions,
00:15:41.020 their goals.
00:15:42.180 Make sure,
00:15:43.280 to the best of your ability,
00:15:44.620 that they are better off
00:15:46.000 for having
00:15:46.900 associated with you.
00:15:50.740 Simultaneously,
00:15:52.300 use them.
00:15:54.060 The downside
00:15:57.960 of the film industry
00:15:58.800 is that it's so glamorous
00:16:00.480 that everybody
00:16:01.640 wants to be
00:16:02.760 in the film industry.
00:16:03.600 Everybody wants
00:16:04.420 to be a musician.
00:16:06.540 Everybody wants
00:16:07.260 to be a writer,
00:16:08.020 but if you're a writer,
00:16:09.140 that's not really
00:16:09.660 your problem.
00:16:10.680 You just write
00:16:12.040 your books
00:16:12.580 and humor the people
00:16:15.100 that say,
00:16:15.520 oh, I'm a writer too.
00:16:16.700 I go to workshops.
00:16:17.640 No,
00:16:23.800 with the film industry,
00:16:25.020 there's so many people
00:16:25.900 that want to do it,
00:16:26.840 but they want to do it
00:16:27.360 for the wrong reasons.
00:16:29.440 You need to make sure,
00:16:31.060 I mean,
00:16:31.320 treat them well,
00:16:33.400 but also
00:16:34.260 make sure that
00:16:36.020 this is your job,
00:16:37.280 do X, Y, and Z,
00:16:38.540 this is what I expect
00:16:39.300 from you,
00:16:40.580 et cetera.
00:16:43.320 All right,
00:16:43.840 make sure that
00:16:44.380 you're getting value
00:16:45.340 out of them.
00:16:45.920 Give them value,
00:16:46.740 but also get value
00:16:48.040 out of them.
00:16:50.040 Be wary
00:16:50.920 of the many,
00:16:52.160 many personality disorders
00:16:53.500 that you get
00:16:53.940 in filmmaking.
00:16:58.360 All right,
00:16:58.980 now, finally,
00:16:59.740 if you've done
00:17:00.160 all of this,
00:17:01.340 if you've done
00:17:02.100 some collaborative
00:17:02.720 projects,
00:17:03.780 you've done 0.97
00:17:04.180 some silly 0.98
00:17:05.280 art films, 0.95
00:17:07.040 you've been an actor,
00:17:08.480 you've been an extra,
00:17:09.520 you've been this,
00:17:11.740 go to film school.
00:17:14.100 If you're serious
00:17:15.300 about making film,
00:17:16.740 and you've done it
00:17:18.280 and you like
00:17:18.840 making film,
00:17:21.040 go to film school.
00:17:24.200 You know,
00:17:24.420 a lot of this
00:17:25.240 art training,
00:17:26.700 yes, 0.99
00:17:26.900 a lot of it's bullshit, 0.99
00:17:28.320 but there is a lot 0.99
00:17:29.860 to learn
00:17:31.080 in the process
00:17:33.600 of cinematography.
00:17:35.000 There's so many
00:17:35.520 technical aspects
00:17:36.740 and artistic aspects.
00:17:38.580 There is so much
00:17:39.520 to learn.
00:17:40.060 it is very much
00:17:42.620 worth your time
00:17:43.440 going to film school.
00:17:46.400 And probably about
00:17:46.980 90% of the people
00:17:47.960 in film school
00:17:48.840 with you,
00:17:50.160 like,
00:17:50.440 they will have just
00:17:51.080 gone there straight
00:17:51.820 out of high school.
00:17:53.180 Like,
00:17:53.340 I want to be,
00:17:54.080 I want to make movies. 1.00
00:17:55.280 And they're complete idiots. 1.00
00:17:57.540 But about 10% of them 1.00
00:17:59.140 are actually going to be
00:18:00.220 switched on.
00:18:01.280 They're actually going
00:18:01.720 to be engaged.
00:18:02.720 You'll make some
00:18:03.420 really good contacts there.
00:18:04.940 You will learn
00:18:05.720 a hell of a lot.
00:18:07.300 And you'll start
00:18:08.400 not just associating
00:18:09.500 with other,
00:18:10.180 you know,
00:18:10.560 part-time actors,
00:18:11.860 part-time filmmakers,
00:18:13.000 you'll start associating
00:18:14.400 with the professional
00:18:15.720 groups of filmmakers
00:18:17.860 out there,
00:18:18.480 the people that are
00:18:19.020 really deadly serious
00:18:20.760 about the whole thing.
00:18:27.440 And you know what?
00:18:28.320 Finally,
00:18:29.160 the final point,
00:18:32.260 don't worry about
00:18:35.240 making
00:18:35.760 good
00:18:38.080 movies,
00:18:39.620 like politically
00:18:40.420 right-wing movies
00:18:42.520 or
00:18:43.100 Christian movies
00:18:44.800 or whatever.
00:18:47.220 Okay,
00:18:47.500 like,
00:18:47.640 this is the death
00:18:48.320 of Hollywood right now.
00:18:49.620 This is what's killing it,
00:18:50.480 is that these movies,
00:18:51.420 they actually have
00:18:51.840 diversity consultants 1.00
00:18:52.980 on these damn movies. 1.00
00:18:55.180 Don't do that. 1.00
00:18:56.000 You don't need that.
00:18:56.620 You don't want that.
00:18:57.580 The hell with that. 0.58
00:18:58.100 Just make
00:18:58.820 good movies,
00:19:00.220 period.
00:19:00.460 Anything
00:19:06.020 that is good
00:19:08.180 is going to be true
00:19:09.020 and anything
00:19:09.940 that's really true
00:19:10.900 is going to be good.
00:19:13.280 If
00:19:13.760 you have
00:19:14.960 a message
00:19:15.620 to get out there,
00:19:17.800 you know,
00:19:17.960 chances are
00:19:18.340 you don't even know
00:19:19.120 what the real message is.
00:19:20.420 If you've got
00:19:21.280 something
00:19:21.860 that you want
00:19:23.700 to get out there,
00:19:24.920 there's probably
00:19:27.580 layers of depth
00:19:28.400 to it
00:19:28.700 that you're not
00:19:29.080 even aware of
00:19:29.700 just yet.
00:19:30.460 Just make it
00:19:30.980 as good
00:19:31.640 as you possibly can.
00:19:32.780 Don't try
00:19:33.100 and make it
00:19:33.420 serve a narrative.
00:19:34.580 Don't try
00:19:34.920 and make it
00:19:35.480 be anything
00:19:36.600 other than
00:19:37.220 what it is.
00:19:40.560 Like,
00:19:40.800 yes,
00:19:41.260 you'll learn
00:19:41.540 all the design
00:19:42.140 aspects,
00:19:43.000 but
00:19:43.020 like the movie
00:19:45.860 Alien,
00:19:46.980 it's seriously
00:19:48.160 one of the best
00:19:48.640 movies ever made.
00:19:50.700 And there's
00:19:51.260 all of this
00:19:51.720 analysis
00:19:52.340 on what was
00:19:52.880 going on,
00:19:53.320 but nobody
00:19:54.100 sat down
00:19:54.920 and said,
00:19:55.840 I want to make
00:19:56.660 a movie
00:19:57.240 about a space
00:19:58.220 rapist
00:19:58.840 that universalizes 0.96
00:20:00.720 the fear
00:20:01.240 of rape
00:20:01.720 to both 0.96
00:20:02.220 sexes.
00:20:04.560 Nobody
00:20:05.120 explicitly
00:20:05.640 said that.
00:20:06.580 They just
00:20:06.920 tried to
00:20:07.300 make a
00:20:07.660 really good
00:20:08.560 horror movie
00:20:09.380 about a
00:20:10.120 creepy 1.00
00:20:10.500 penis alien. 1.00
00:20:12.840 And that's 0.74
00:20:13.640 what they did.
00:20:14.800 They weren't
00:20:15.240 trying to
00:20:15.640 serve an
00:20:16.000 agenda,
00:20:16.960 they weren't
00:20:17.560 trying to,
00:20:18.360 they were just
00:20:18.900 trying to make
00:20:19.740 a good
00:20:20.740 movie.
00:20:23.420 So,
00:20:24.180 don't do like
00:20:25.200 the reversed 1.00
00:20:25.760 stupidity of 1.00
00:20:26.600 Hollywood, 1.00
00:20:27.000 where you
00:20:27.660 try and
00:20:27.940 make
00:20:28.080 right-wing
00:20:28.440 movies,
00:20:28.800 just try
00:20:29.420 and make
00:20:29.980 good
00:20:31.100 movies.
00:20:32.380 If you're
00:20:32.820 an actor,
00:20:34.680 try and
00:20:35.180 play the
00:20:35.620 role as
00:20:36.600 best as
00:20:37.260 you possibly
00:20:37.980 can.
00:20:40.260 And,
00:20:40.560 hell man,
00:20:41.820 that's all
00:20:42.260 any of us
00:20:43.040 can ever
00:20:43.980 do.
00:20:45.560 A huge
00:20:46.220 amount of
00:20:46.560 success
00:20:47.080 has to do
00:20:49.680 with the
00:20:49.880 roll of the
00:20:50.240 dice.
00:20:51.500 If they come
00:20:51.820 up the right
00:20:52.200 way,
00:20:52.620 you get to
00:20:52.940 be one of
00:20:53.280 1%.
00:20:54.300 If not,
00:20:56.960 well,
00:20:59.060 maybe you're
00:20:59.720 just James
00:21:00.240 Rolfe,
00:21:00.960 that poor 0.99
00:21:01.600 miserable 1.00
00:21:02.060 bastard with 1.00
00:21:03.280 his wife 1.00
00:21:04.540 and his
00:21:05.620 videos and
00:21:07.480 all the fun
00:21:08.360 he has doing
00:21:09.100 that.
00:21:09.520 So,
00:21:16.700 yeah,
00:21:16.820 man,
00:21:16.960 I hope
00:21:17.260 that advice,
00:21:18.900 I hope
00:21:19.580 that was
00:21:19.860 useful.
00:21:21.060 Hope that'll
00:21:21.720 get you on
00:21:22.060 the right
00:21:22.640 track.
00:21:23.400 And you
00:21:24.500 know what,
00:21:24.920 man?
00:21:25.740 Get out
00:21:26.340 there right
00:21:26.740 now,
00:21:28.280 start filming
00:21:28.960 some stuff.
00:21:29.960 Find a weird
00:21:30.780 bug in your
00:21:31.320 neighborhood,
00:21:31.820 film a nature
00:21:32.340 documentary on
00:21:33.240 that.
00:21:34.120 Just film a
00:21:35.320 weird art
00:21:35.980 piece about
00:21:36.780 the furniture
00:21:37.460 in your
00:21:38.700 house.
00:21:39.640 You know,
00:21:39.840 play around
00:21:40.360 the light
00:21:40.800 levels.
00:21:41.580 Make a 1.00
00:21:42.080 stupid creepy 1.00
00:21:42.960 pasta to 1.00
00:21:44.000 post on
00:21:44.400 the export
00:21:45.560 of 4chan.
00:21:48.220 But go
00:21:48.580 film something,
00:21:50.040 get into it,
00:21:50.900 see if you
00:21:51.300 like it,
00:21:52.480 and best of
00:21:55.180 luck to you,
00:21:55.660 man.
00:21:55.880 I hope it
00:21:56.360 really works
00:21:56.900 out.
00:21:57.480 More
00:21:57.720 importantly,
00:21:58.980 I hope
00:22:00.000 you enjoy
00:22:01.080 yourself when
00:22:02.340 you're doing
00:22:02.660 all of this.
00:22:04.300 Thank you
00:22:04.880 very much
00:22:05.340 for the
00:22:05.620 support and
00:22:06.240 the requested
00:22:06.640 video.
00:22:09.060 Irini out,
00:22:09.720 brother.
00:22:33.500 What it
00:22:41.560 you of
00:22:42.340 will
00:22:43.420 you
00:22:44.700 are
00:22:45.420 going to be