Making Sense - Sam Harris - November 21, 2018


#143 — The Keys to the Mind


Episode Stats

Length

42 minutes

Words per Minute

190.39577

Word Count

8,042

Sentence Count

453

Hate Speech Sentences

4


Summary

In this episode of the Making Sense Podcast, host Sam Harris speaks with magician Darren Brown about his career as a psychological illusionist, his recent TV specials, and his new book, Happy: A Stoic's Guide to Stoic Philosophy. We also talk about the value of Stoic philosophy, and how to live a good life, as well as what it means to be a Stoic, and why it's important to have a good relationship with your spouse. This episode was recorded in Los Angeles, California, and features an introduction to the podcast by Sam Harris. To find a list of our sponsors and show-related promo codes, go to gimlet.fm/OurAdvertisers. We don't run ads on the podcast, and therefore, therefore, are made possible entirely through the support of our subscribers.If you enjoy what we're doing here, please consider becoming a supporter of the podcast and/or become one. You'll get access to full episodes of Making Sense wherever you get your podcasts, including The Huffington Post, The New York Times, and The New Yorker. If you're not a subscriber yet, you'll need to subscribe to our premium member membership, where you'll get ad-free access to all our newest episodes and access to our most up-to-date breaking news and features, including our most popular blogs and podcasts, and much more! This is a great place to find out more about what's going on in the world of psychology, psychology, philosophy, philosophy and psychology, and so much more. Thanks for listening to Making Sense with Sam Harris! - it's a great listen. - your host, Sam Harris is making sense of it all by listening to the making sense podcast, you're making sense, and you'll be making sense with your mind and thinking about it. Thank you, again and again, thank you for listening, and spreading it out there! -- Emily, Amy, Amy's making sense. -- Thank you for being kind and spreading the word about it, Amy and I hope you enjoy it! -- Your feedback is much more than just that you're listening to it, too! -- Amy and you're helping it out loud and clear, and sharing it everywhere you can do so that it helps spread the word out there about it? - Emily and I'll be spreading it everywhere, and I'm grateful for it. -- -- Your support is appreciated!


Transcript

00:00:00.000 Welcome to the Making Sense Podcast.
00:00:08.820 This is Sam Harris.
00:00:10.880 Just a note to say that if you're hearing this, you are not currently on our subscriber
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00:00:28.360 other subscriber-only content.
00:00:30.520 We don't run ads on the podcast, and therefore it's made possible entirely through the support
00:00:34.640 of our subscribers.
00:00:35.880 So if you enjoy what we're doing here, please consider becoming one.
00:00:46.760 Today I'm speaking with Darren Brown.
00:00:50.100 Darren, as many of you know, is a fantastic magician.
00:00:53.960 He calls himself a psychological illusionist, which is to say that the effects he achieves
00:00:59.860 really are at the level of manipulating the behavior of his subjects.
00:01:07.020 He uses hypnosis and other forms of suggestion.
00:01:12.000 He creates the most elaborate ruses by which to manipulate people's expectations and assumptions.
00:01:20.640 If you've seen any of his television specials, you'll know that he puts people in situations
00:01:25.880 where literally everyone around them is an actor who's in on the gag, and people just have
00:01:33.780 no way of understanding what is happening to them.
00:01:36.440 And so he can drive them to do things that are really astonishing.
00:01:42.680 In fact, if you haven't seen any of Darren's work, I would strongly encourage you to pause
00:01:47.800 this podcast and go on YouTube and watch some of the many fragments of his specials that
00:01:54.100 you can find there, or better yet, go on Netflix and watch his most recent one, Sacrifice, or
00:02:00.640 Miracle before that, or The Push.
00:02:03.500 We talk about all of these, and you'll certainly get the gist of our conversation if you haven't
00:02:08.120 seen his work, but you'll enjoy it much more if you have, because it really is hard to
00:02:13.940 exaggerate how ambitious these changes in people's behavior are, and how successful
00:02:21.260 Darren is in producing them.
00:02:23.440 It really is amazing.
00:02:25.520 Anyway, we talk about his career as an illusionist, his reliance on hypnosis and other forms of
00:02:31.560 suggestion and manipulation.
00:02:34.240 We talk a little bit about his book, Happy, where he goes into the value he's drawn from
00:02:40.460 Stoic philosophy, and his other thoughts on how to live a good life.
00:02:44.920 Anyway, Darren is a very thoughtful, interesting, and extraordinarily nice person, and it was
00:02:51.800 a great pleasure to sit down with him.
00:02:53.720 So, I hope you enjoy his company as much as I did.
00:02:57.600 And now I bring you Darren Brown.
00:03:05.620 I am here with Darren Brown.
00:03:07.140 Hi.
00:03:07.600 Darren, thanks for coming on the podcast.
00:03:08.800 Thank you, it's just so exciting.
00:03:10.820 Thank you for having me.
00:03:11.520 Yeah, no, really, it's a treat.
00:03:13.840 I've known I had to get you on the podcast for a very long time, because you're quite
00:03:17.120 literally one of my most requested guests.
00:03:19.680 Really?
00:03:20.300 Yeah, but it's never come together, and then it always seemed that there was some prospect
00:03:25.600 of you coming to the States.
00:03:27.260 But, you know, you and I connected in London recently when I had that event with Jordan
00:03:32.180 Peterson, but we didn't record there, but now you are in America.
00:03:36.060 And then we bonded over old fashions.
00:03:37.640 Yes.
00:03:38.520 Afterwards.
00:03:39.240 That was nice.
00:03:39.720 That's an appropriate way to bond.
00:03:42.060 So, there are quite literally too many things to talk about.
00:03:46.600 There's a ton that we can get into.
00:03:48.800 Let's start with how you describe yourself as a psychological illusionist.
00:03:54.260 Yeah.
00:03:54.860 What are you doing as a magician?
00:03:56.240 I mean, there's so many...
00:03:57.500 You do many things that I think a lot of people don't know about, but obviously we're
00:04:01.460 going to be talking about your recent specials and your magic.
00:04:04.220 But how do you describe your approach to magic?
00:04:07.680 Yeah, I don't know.
00:04:09.220 I mean, even that term, psychological illusionist, I came up with in a panic when I was asked right
00:04:15.160 at the start of my career what it is that I do.
00:04:17.340 I started off as a hypnotist when I was...
00:04:20.840 I studied law and German at university in Bristol, in England.
00:04:25.160 Did you actually get a degree as a lawyer?
00:04:26.440 I did.
00:04:26.920 I didn't want to be a lawyer or a German.
00:04:29.240 Think about what a good lawyer you could be with your skills now, though.
00:04:31.960 Well, yeah.
00:04:32.860 I don't know.
00:04:33.540 It's such a...
00:04:34.400 It's a big...
00:04:35.520 It was very little interest, really.
00:04:37.680 So I...
00:04:38.320 But I got the degree.
00:04:40.140 But in my first year, I saw a hypnotist perform, and so I started off with that.
00:04:45.100 And I bought, borrowed, stole books I could find on it.
00:04:50.700 I was the guy at university who could hypnotize you, so I had lots of people turning up to
00:04:56.380 be hypnotized.
00:04:57.180 So that was...
00:04:57.480 Did you formally study it in a psychology department?
00:05:01.040 No, no, no.
00:05:01.560 No, not at all.
00:05:02.140 It was just self-taught.
00:05:04.440 I had a couple of...
00:05:05.420 I remember a couple of seminal moments.
00:05:07.720 I had a...
00:05:08.340 I would often...
00:05:09.180 People would come over, and I'd hypnotize them, and I'd say, if you come back, if I click
00:05:12.900 my fingers, and tell you...
00:05:14.200 If I click my fingers, you'll go straight back to sleep.
00:05:15.960 So it would save time, right, if they came back the next week and wanted to try something
00:05:19.360 else.
00:05:19.640 And I remember this guy coming around, who I presumed I'd seen before, and I said, okay,
00:05:24.280 sit down, look at me, and I click my fingers, and I said, sleep.
00:05:26.740 And he went back into this...
00:05:28.700 Well, I presumed it was back into this trance state, whatever that is.
00:05:32.240 Anyway, and then we did a few things, and then afterwards, we spoke, and he hadn't
00:05:36.360 been...
00:05:36.740 He hadn't...
00:05:37.280 I'd never met him before.
00:05:38.220 So I had this moment of, well, how did you know to respond to me clicking my fingers
00:05:44.040 and saying sleep?
00:05:45.460 And I realized sort of at that point that so much of it depended not on these long sort
00:05:49.680 of scripts that I was learning, and that side of technique, but just kind of my confidence
00:05:55.500 in the moment, and their own bewilderment, perhaps, obviously their own suggestibility.
00:05:59.400 So things like that taught me a lot.
00:06:01.720 And then I...
00:06:04.120 It's a difficult way of earning a living, and I was graduating, and I was just starting
00:06:12.200 to scrape a living together.
00:06:13.220 So I did more magic, like close-up magic, that kind of thing.
00:06:16.640 But the psychological stuff interested me more, the suggestion-based stuff.
00:06:20.540 So did you learn it from books, or did you actually have a teacher who was a hypnotist?
00:06:25.300 No, I didn't.
00:06:26.180 I continued learning the hypnosis from books.
00:06:28.960 This was pre, like, the days of YouTube, but no, nothing.
00:06:33.400 This was like 1935.
00:06:36.260 And I ended up doing a lot more magic, but I found the mind-reading plots more interesting
00:06:42.640 than, you know, making someone's card disappear.
00:06:45.680 And so mentalism, mentalism is the technical name for it.
00:06:51.060 So I ended up, I wrote a couple of books for magicians.
00:06:53.340 And I was earning a living in Bristol, this city in the west of England, going around,
00:07:00.560 you know, tables in restaurants and doing people's parties.
00:07:02.660 And then I got a phone call from this TV production company that were looking for someone that did
00:07:09.380 mind-reading.
00:07:10.100 And there were really only, I could only think of like four or five people in the country
00:07:14.260 that did it.
00:07:15.840 Mentalism, was that esoteric?
00:07:17.340 Esoteric?
00:07:18.360 Yeah, just no one really, no one, it just wasn't very commercial.
00:07:22.860 And to give people a sense, many people will be familiar with your work, but just give an
00:07:28.840 example of the kind of thing a mentalist like yourself does on stage with people.
00:07:34.180 It's sort of, it's magic with a mind-reading plot, essentially.
00:07:38.640 But I mean, I suppose someone that passes themselves off as psychic could be technically a mentalist.
00:07:44.120 So there's a wide range because I said not that many people do it.
00:07:46.760 So there's kind of a wide range of what people do when they do it.
00:07:49.660 Now there's a lot more of them.
00:07:51.540 And that's probably partly because I was making it popular in the UK.
00:07:56.940 So if you were a young magician, I guess, you know, growing up and I was, you know, kind
00:08:01.700 of a role model, I suppose, for some.
00:08:03.280 So there's a lot more mentalists now, but it was, we were very few and far between before.
00:08:08.020 Do your powers of mentalism extend to dogs?
00:08:10.480 It does sound like a dog in the background.
00:08:12.000 I think it's someone moving plates or cutlery.
00:08:14.000 Okay.
00:08:14.400 It might be probably, but it does sound like a dog.
00:08:15.460 Maybe I just, that's a powerful suggestion I just gave you that it's a dog.
00:08:18.800 So that was that.
00:08:19.360 And then I, yeah, but now I, essentially at its heart, a magician is just saying, look
00:08:24.800 at me, aren't I clever?
00:08:25.660 That is sort of, that's the only subtext.
00:08:27.940 So as I grew up, I sort of grew out of that initial urge and the desire for the sort of
00:08:34.400 controlling thing, which hypnosis is, you know, is certainly ticks that box if you've, if you're
00:08:39.900 insecure and those things are important to you, which I was.
00:08:42.580 Did you ever go down the path of hypnosis as therapy?
00:08:47.160 As therapy?
00:08:47.580 I thought about it.
00:08:48.700 I think ultimately I didn't really want to sit and listen.
00:08:52.900 Get in there with people's problems.
00:08:54.620 People's problems day after day.
00:08:55.640 Now, I mean, now I find, not so much hypnotherapy, but psychotherapy I find fascinating.
00:09:00.280 That world I do find.
00:09:01.120 I sort of love to, part of me would love to do that.
00:09:03.740 But no, I sort of, the performing came together in such a way that I had to kind of, at some
00:09:08.960 point choose and go, you know, I'll concentrate on this.
00:09:10.860 But now I, it's quite a, I mean, I'm not very well known in the States at all, but in, in
00:09:16.820 the UK, I kind of do a variety of things.
00:09:18.820 I do stage shows every year that are like old fashioned magic shows, really, again, with
00:09:23.660 kind of a, you know, mind reading sort of feel to them.
00:09:26.020 And I do these TV shows now on Netflix, which are, again, they're very different, but they're
00:09:34.460 sort of, what I've done is I've tried to take a step back and I kind of figured that it's
00:09:37.720 dramatically more interesting if you're watching a real person go through a real situation.
00:09:41.880 So the deception is now all out on the surface.
00:09:46.900 So you're, as a viewer, you're invited into the deception and it's, the deception is, is
00:09:51.680 happening on somebody that's going through something they don't realize.
00:09:55.820 I want to talk about several of your specials in detail, but before we get there, let's just
00:10:01.800 talk for a second about hypnosis.
00:10:03.520 So hypnosis is a topic that isn't often touched.
00:10:08.720 I don't think it came up once while I got a PhD in neuroscience, right?
00:10:12.180 I'm sure, I'm sure there's a, there's been some neuroscientific work done on hypnosis.
00:10:16.760 The only time I touched it as a topic academically, I was freshman year at Stanford where I think
00:10:25.060 Stanford still has the scale of hypnotic susceptibility, I think.
00:10:30.440 Yeah, I think it predates my time there, but I remember being tested on this scale because
00:10:35.500 they were looking for good and bad subjects to do research.
00:10:38.640 And which were you?
00:10:39.360 I think it was a 10 point scale and I think I was a nine on the 10.
00:10:43.040 So I was on that side of the tail.
00:10:44.700 And then I remember going through these various exercises and the experience that proved to
00:10:52.560 me that this wasn't just total bullshit, that this, there was something to this was we were
00:10:59.500 regressed to, how was it put?
00:11:02.940 But they asked us to imagine that we are eight years old, I think, or seven years old and sign
00:11:11.460 our names.
00:11:12.460 And without any conscious forethought, the script that came out of my signing was just this bubbly
00:11:19.700 childlike script that was totally familiar to me as something, the way I would have written
00:11:24.280 my name as a seven year old.
00:11:25.580 And it was not at all the way I wrote my name as an 18 year old.
00:11:29.100 And then he asked, put the year.
00:11:33.820 And I remember marveling at the fact that without any conscious arithmetic, you know,
00:11:39.240 I was putting down the right year from, you know, that age.
00:11:41.500 Did you ever compare the handwriting?
00:11:42.780 You know, if it was actually.
00:11:43.960 I don't remember going back and finding a sample of my handwriting if I could have, but
00:11:48.000 it was just the spitting image of the kind of writing.
00:11:50.740 And I just remember it feeling like an automaticity that I was not, you know, I wasn't gaming the
00:11:56.660 system, you know, trying to impress myself with hypnosis working.
00:11:59.520 And I've spent no time studying it since, but it's one of these topics where I think you
00:12:05.080 can talk to scientists who are still in doubt as to whether or not it's actually a bona fide
00:12:09.880 phenomenon.
00:12:10.480 And then it obviously connects to vaudevillian applications of it, which where it seems appropriate
00:12:18.780 to wonder whether there's a fraud associated with what you're seeing on stage.
00:12:22.660 So what is your understanding of the reality of hypnosis as a psychological process that
00:12:28.520 can be invoked on stage?
00:12:29.880 I used to do a, you know, when I performed stage hypnosis, which I don't anymore, but
00:12:35.000 I try and find other ways of employing it.
00:12:37.880 But I used to finish with saying that I'd make myself invisible so the subjects wouldn't
00:12:43.260 be able to see me.
00:12:44.260 And then say I'd float a chair around and they'd all, you know, scream and run around.
00:12:48.260 And it was, you know, a fun bit in the show.
00:12:50.580 But then I often used to have questions and answers afterwards.
00:12:54.340 And I remember once I got, say there were 10 guys, I got them up and said, well, what
00:12:59.420 was your actual experience when I was saying I was invisible and moving a chair around?
00:13:04.440 What were you actually experiencing?
00:13:06.020 And there were some that were saying, well, you know, I, yeah, I was just felt like I should
00:13:10.060 play along.
00:13:10.560 But yeah, you were obviously just moving the chair around yourself.
00:13:12.980 Then there were people that would say, well, I, I kind of, I knew you were doing it, but
00:13:17.960 I had just had to emotionally, I could only react as if that thing was floating, even though
00:13:23.240 yeah, of course, when I think back as well, I mean, I, yeah, you're obviously there doing
00:13:27.320 it, but I, I, I kind of was disregarding that.
00:13:29.840 And a range of reactions right through to, there's no way you were moving that chair because
00:13:34.920 that was, that was floating.
00:13:36.540 I, you know, they're more happy to believe it was on wires than it was me.
00:13:39.120 Now, I still don't know whether that whole discussion is colored by the fact that some
00:13:43.240 people want to appear to be better subjects than others, but certainly what is clear is
00:13:47.680 that the range of experience is so varied.
00:13:51.140 I always think of it as a sort of like an actor getting into a part.
00:13:56.440 You, you can get totally emotionally lost in something.
00:13:59.420 It doesn't mean that anything untoward is, is happening.
00:14:02.860 Uh, are you ever, have you experimented with giving people post-hypnotic suggestions that
00:14:09.040 they seem to be genuinely unaware of so that they're doing things that originate in a truly
00:14:16.220 unconscious space in their minds and you've, you've put the seed there?
00:14:19.640 Yeah, because you can never really climb into anyone's head to really know.
00:14:22.060 I remember telling a friend of mine that he was, he'd find himself invisible and he was
00:14:27.000 really, he was laughing.
00:14:28.400 He was looking down and saying, it's just like looking at a footage of like the carpet
00:14:32.540 and you know, I'm just, it's like, I'm looking out of a, a camera.
00:14:36.620 I think one of the most, for me, one of the most interesting experiences of it was, I did
00:14:42.780 a show called, um, the assassin.
00:14:45.060 So Stephen Fry is going to get shot by this guy.
00:14:47.680 And we had this sort of first part was just looking at hypnosis.
00:14:50.460 What is it?
00:14:50.860 What are the limitations of it?
00:14:52.380 So this is a, just give people the, the setup here.
00:14:56.160 So how is Stephen Fry going to get shot?
00:14:57.840 Yes, I throw these things away because I'm kind of used to them.
00:15:00.640 All right.
00:15:00.940 So the, the show was actually looking at the claims made by Sahan Sahan over the assassination
00:15:07.200 of Bobby Kennedy, him saying that he was hypnotized by the CIA.
00:15:12.400 So we kind of, well, is it, if we take what his claims are, is that even feasible that that
00:15:18.700 could happen?
00:15:19.080 Or is it just the stuff of, you know, just fiction?
00:15:21.400 Right.
00:15:21.540 So as closely as we could, we kind of replicated his story and did it with a guy that didn't
00:15:25.880 know that that was the plan for him.
00:15:28.100 So we found a very highly suggestible guy, even more suggestible than you, I'm sure.
00:15:34.020 And there was only one point on the scale, if I recall that one guy and, uh, the show
00:15:39.980 begins with finding that guy from a sort of a big audience of people who are volunteering
00:15:44.420 and ends with him in a situation which he doesn't know is being filmed for the gun that
00:15:48.940 he thinks is real, all the triggers going off, the polka dot dress and all these things
00:15:52.940 that Sahan Sahan said the, said the CIA had used.
00:15:55.820 And will he do it?
00:15:56.760 Will he in that situation fire a gun, which he believes is real at somebody and seemingly
00:16:01.300 shoot them?
00:16:02.620 But there was this really interesting bit at the beginning.
00:16:04.420 So I've got these two clinical hypnotist psychologists with me as well.
00:16:09.400 And we did two tests.
00:16:13.980 One was the acid test, which is where the, where the notion of the phrase comes from,
00:16:17.940 where you have somebody hypnotized, you give them what you've shown them is acid before
00:16:22.740 they're hypnotized, but actually it's just water.
00:16:25.080 And you say, when you wake up and you get the signal, you'll throw this acid in someone's
00:16:29.500 face.
00:16:30.340 Right.
00:16:30.700 So it's an interesting thing.
00:16:31.620 Like if they, if they're playing along at any level, of course, they're not going to do
00:16:35.500 that.
00:16:36.140 They all did it, but it's a TV studio.
00:16:39.600 They know no one's really going to give them, you know, acid to do that.
00:16:42.780 So part of the brain you get, part of them is going to know this is, this is safe.
00:16:46.860 And that's fine.
00:16:47.540 That's what we imagined they'd do.
00:16:49.000 But then towards the end, we had this guy in an ice bath and this was the guy that we
00:16:54.060 used in the end.
00:16:55.460 And we just had no idea if he was going to do it or not.
00:16:57.500 Either way, it was fine for the show.
00:16:58.960 If he didn't do it, that was interesting.
00:17:00.780 If he did do it, that was interesting.
00:17:02.640 And he did very happily.
00:17:04.980 He got in this ice bath and lay there and there was no, it didn't seem, they're actually,
00:17:10.940 they had a bet backstage, like a wager as to whether or not he'd do it.
00:17:14.000 They thought he wouldn't do it.
00:17:14.780 I had no idea.
00:17:15.860 But that didn't seem to be the sort of thing that you could just play along.
00:17:20.440 Yeah.
00:17:20.660 Pretending not to find a cold.
00:17:22.280 Yeah, exactly.
00:17:22.720 Just kind of pretend not to, not to find that, you know, intensely painful.
00:17:27.380 And that's one of the very like few moments that I've had of just being really surprised
00:17:34.780 by it.
00:17:35.060 The other thing that surprises me is, again, if it's just sort of a playing along, is behaviors
00:17:39.920 that people wouldn't know to do that get shared across, say, an audience.
00:17:44.640 So very often I'm doing this with an audience of 2,000 people and then walking out amongst those
00:17:48.320 people that have responded, who say are now standing, eyes closed, like, you know, head
00:17:53.060 dropped down.
00:17:53.640 Right.
00:17:53.980 In your special before, the most recent one, Miracle.
00:17:56.780 Miracle, yeah.
00:17:57.260 You did this, right.
00:17:58.440 Let's dive into some of what you're doing here with the specials.
00:18:01.840 Because it's not, there's hypnosis, which is this one specific activity of inducting someone
00:18:08.040 into a state and leading them to do various things, you know, post-hypnotically.
00:18:12.780 But you're also just playing with people's suggestibility a lot.
00:18:19.880 You're pre-screening your audiences in many of these specials in ways that sometimes I
00:18:25.160 guess they know they're being pre-screened, sometimes they have no idea.
00:18:27.540 They think they're taking a course in, you know, self-improvement or whatever it is.
00:18:30.760 And you are continually selecting for the most suggestible people or the most conforming
00:18:36.880 people, whether it's they're conforming to social pressure or showing themselves to be
00:18:41.840 vulnerable to you just, you know, dropping the right words into their heads.
00:18:46.580 Yeah.
00:18:47.440 So, you've had so many specials that I would love to talk about, but should we go chronologically?
00:18:52.500 I want to talk about the push, and I want to talk about Miracle, and I want to talk about
00:18:56.900 Sacrifice.
00:18:57.840 Okay, cool.
00:18:58.680 There's three most recent ones.
00:19:00.820 Okay.
00:19:01.700 So, let's talk about the push.
00:19:04.040 What did you do there?
00:19:05.620 So, the push was looking at social compliance, and it was a big, dark, fun, funny kind of
00:19:15.680 experiment.
00:19:16.420 We did it over a weekend to see if somebody could be made to commit murder just through
00:19:23.840 social compliance.
00:19:25.100 So, there's a big event that this guy finds himself at.
00:19:29.020 Everyone's an actor apart from him.
00:19:30.380 He has no idea it's being filmed.
00:19:31.680 He's applied to be in the show months ago and then, you know, told he hadn't got it.
00:19:35.620 So, he just finds himself at this event, and bit by bit, starting with, he sort of gets
00:19:40.840 roped into helping at the event.
00:19:42.500 So, starting with him being asked to mislabel meat sausages, meat sausage rolls as vegetarian,
00:19:49.000 and him kind of, you know, going along with that.
00:19:50.720 It builds and builds and builds to the point that he pushes or doesn't push someone off
00:19:55.200 a roof.
00:19:55.560 If, by stages, you're selecting for somebody who is willing to, under some pressure of
00:20:01.760 authority, it's like a mini Milgram experiment.
00:20:03.780 In fact, you actually do the Milgram experiment in that episode, correct?
00:20:06.840 Yeah.
00:20:07.020 In a different, that was a different, yeah, but we used to...
00:20:08.340 Oh, it was a different, okay.
00:20:09.140 We did a compliance test, which is the bell test you may have seen, where people are
00:20:13.120 coming in, you've got to, being made to stand up and sit down when they hear a bell, because
00:20:16.800 the first few people in the row are actors, and then you build the line up, the actors
00:20:19.780 then leave, and now you've got a room of people doing it for no reason, just out of, again,
00:20:23.580 just out of compliance.
00:20:24.820 So, yeah, so we've chosen this guy.
00:20:27.180 He's then told he's not used, and then sometime later, he just is at this event that we've,
00:20:32.500 you know, constructed this whole way of getting in there without him knowing it's anything
00:20:35.520 to do with us.
00:20:36.140 So, he's at an event where literally everyone in sight is in on the gag, but he's just surrounded
00:20:41.520 by actors and doesn't know it.
00:20:42.880 Absolutely.
00:20:43.660 Watching it, it's pretty remarkable to realize how unusual a circumstance that is, and how
00:20:50.400 we are not prepared to interpret reality, with that being one of the possible explanations
00:20:56.060 for what's going on.
00:20:56.880 Absolutely.
00:20:57.560 Well, the fear that we've had over the years of, you know, what if he spots a camera,
00:21:01.320 or what if there's a glitch in this Truman Show-like fiction?
00:21:05.160 But, of course, the reality is, if you were in a restaurant and a camera fell out from
00:21:09.820 behind the curtains, you wouldn't think-
00:21:12.860 Everyone here is an actor.
00:21:13.920 Everyone here is an actor.
00:21:14.460 This whole thing is some elaborate, you know, you just, oh, a camera's fallen out from behind
00:21:17.780 the curtains.
00:21:18.280 You wouldn't necessarily make that all about, you know, make the whole thing about you.
00:21:22.580 It's all about me, yeah.
00:21:23.540 Yeah, exactly.
00:21:24.520 So, there have been moments when, you know, a camera's been, has been spotted, or just
00:21:30.200 something like that has happened, and we're all, you know, suddenly, all sphincters are
00:21:35.500 tight, and it's fine.
00:21:37.940 You know, nothing bad happens at all.
00:21:39.780 So, we've kind of got used to it.
00:21:41.880 But, it's, you know, we've kind of got good at being able to create and hold these elaborate.
00:21:47.080 There's a whole other show with each one of these, and just how you create that, how
00:21:51.360 you create the fiction, how you get the guy to the point that, because also, these people
00:21:55.380 have to be, you have to make sure they're robust enough psychologically to go through
00:21:58.840 these quite dark journeys.
00:22:00.340 So, they have to be independently vetted.
00:22:02.820 This is my daughter's, my 10-year-old daughter's question for you is, how are you not in jail
00:22:07.840 for what you put people through?
00:22:10.880 That's her literal wording.
00:22:12.680 Because you're putting, I mean, some of these, some more than others, but, for instance, the
00:22:16.180 push, there is a real ethical question about what you're doing here, because you're, in
00:22:22.880 some cases, you're making people look very, very good, as we'll talk about in Sacrifice.
00:22:27.520 You reveal this person's latent heroism, but in the push, you are revealing a very dark
00:22:36.060 fact about somebody, or at least, it can be interpreted as a very dark fact.
00:22:40.300 And how do you view that?
00:22:41.720 I mean, so, just to fast forward to the punchline of that show, I mean, and spoiler alert for
00:22:46.720 anyone who wants to go watch these shows, in some cases, yes, you get someone to reveal
00:22:52.820 that they're capable of murder.
00:22:54.080 Or, you know, he shoves a guy off a rooftop, based on all the suggestibility that you have
00:22:59.680 engineered in him.
00:23:02.160 That doesn't look great on his CV, does it?
00:23:05.100 Well, I, I, that, I think, the push was, I think, uniquely dark and unredemptive.
00:23:13.580 Was it two of three people did it?
00:23:15.580 It was four in the end, yeah.
00:23:16.480 Four?
00:23:16.960 Okay.
00:23:17.260 Four of them, and three out of the four did it.
00:23:18.360 Three out of the four did it, yeah.
00:23:19.120 The way I, the way I see these things with, with all of the shows, and I always have,
00:23:24.900 with any of the shows, regardless of whether it's sort of a, you know, a happy ending or
00:23:28.180 whatever it brings out in the person, they're always, they're very often going through a
00:23:32.000 kind of a dark period of the sort of journey at some point.
00:23:34.980 So I do get asked about ethically how they can be justified.
00:23:37.620 My feeling is I'm really only interested in this one person's experience that is going
00:23:43.460 through it, so in the push, for example, it's, well, it's hard to talk about not giving it
00:23:50.120 away, but the guy, the guy that doesn't do it has been through hell to get there, but
00:23:55.060 he feels great about himself, so he's very happy with the experience.
00:23:59.780 And then the, the, the careful situation is, is framing the whole thing for the others.
00:24:04.740 So by the point they come to do it, there are so many things that I've layered in during
00:24:10.380 their, what has essentially been their audition process, that they don't realise it's an audition
00:24:13.780 process, the number of meetings that they've had, they think they're one of 300 people
00:24:17.080 doing that, but actually by this point it's only that five.
00:24:20.040 There's things that can be layered in so that very quickly, obviously at any point during
00:24:24.740 I can, you know, step in and if need be, and the whole thing, but also afterwards the
00:24:29.240 whole thing can be framed very quickly for them, again, as something positive.
00:24:33.220 And that, that's probably the most difficult, not difficult, but the most, uh, of all the
00:24:40.440 situations of having to make sure that something is a positive experience for them to take away.
00:24:47.260 That's probably the most, like, would appear to be the most kind of conflicting, but actually
00:24:52.400 for them, they all found it very positive because their feeling is I've now been through this
00:24:57.120 and yes, I did that, but most people do.
00:24:59.840 And that's what we've shown, that's not like anything unusual about me because that's what
00:25:02.720 most people do, but I'm, I'm now armed with an experiential, you know, well, that experience
00:25:09.100 of having done it.
00:25:09.720 So if ever I find myself in a situation where I'm going to get manipulated, I've been through
00:25:13.580 that now and I can stand up to it.
00:25:15.820 And, and that's kind of, that's the key to me.
00:25:17.660 And then obviously these are all people that remain friends and we all keep in touch and
00:25:21.540 none of them have had that other thing we might think of, well, that means they're not
00:25:26.300 going to get a job or, you know, people are fascinated by their experience, but none of
00:25:30.860 them have had those, those troubles.
00:25:32.820 I think that show is unique in that, that, that question is, I think, probably most obvious
00:25:39.320 with that as well, you know, are those people okay?
00:25:41.300 And the answer is they are, they always are.
00:25:43.100 Everyone that's done these things comes out of it saying it's, you know, it's the best
00:25:46.140 thing they've ever done.
00:25:46.820 And that ultimately to me is what matters, even though, of course, I understand people stepping
00:25:52.120 back from it and going, well, how can you, how can you justify it?
00:25:54.700 And so on.
00:25:55.340 Yeah.
00:25:56.140 So then there's the flip side of your experience and the necessity to deceive people to just
00:26:03.260 get this show up and running.
00:26:05.060 How do you navigate that ethically?
00:26:07.480 And because they know what they're getting into, they're applying for my shows and they
00:26:10.740 know the sort of things that, that I do.
00:26:13.160 Right.
00:26:13.420 And I think, I think it's a, and justifying the means thing.
00:26:16.480 I think for, you know, if somebody is going to go through something that's takes, there's
00:26:20.740 a lot of manipulation involved, but the end result is a, is a hugely positive one for
00:26:25.380 them.
00:26:25.540 I think it's, I think that's okay.
00:26:27.140 To compare this to normal magic or normal illusion.
00:26:31.860 So your normal stage magic is a situation where there's a trick.
00:26:37.540 You as a professional magician don't want to reveal how the trick is done.
00:26:42.600 Yeah.
00:26:42.720 It's not done the way it seems to be done.
00:26:44.620 And it seems to be done by magic and there's some terrestrial answer compatible with the
00:26:48.880 laws of physics that explains how the trick is done.
00:26:51.120 And that's the part you don't reveal with these manipulations of people.
00:26:55.380 They're absolutely what they are.
00:26:56.480 If that's what you're asking.
00:26:57.060 Yeah.
00:26:57.300 My, my question is, is there any distance between the audience's final appreciation of
00:27:02.160 what has happened and what has in fact happened?
00:27:04.880 No, not at all.
00:27:05.700 Not at all.
00:27:06.000 There are sometimes scenes that don't make it scenes that have to get, you know, squashed
00:27:10.800 down and bits that as you will be editing anything.
00:27:12.860 So, I mean, Phil in Sacrifice, for example, had a couple of experiences that didn't make
00:27:18.260 the final show.
00:27:19.220 And there was a whole lot of other stuff we did with all the applicants that took part
00:27:22.280 in the show that didn't make it.
00:27:23.600 So there's always things like that.
00:27:24.820 That's just part of putting a show together.
00:27:27.000 But no, in terms of, you know, is he playing along or is he, does he know more about what's
00:27:32.020 going on than I'm letting on or anything like that, then no, it would be, it would
00:27:35.520 be pointless and just sort of repugnant as well.
00:27:37.820 I think we are statistically repugnant and just pointless to do that.
00:27:40.540 Well, yeah, but it would be a kind of fraud.
00:27:42.320 But it's interesting to consider that it's, they're just gradations of fraud, which account
00:27:46.440 for magic.
00:27:47.500 It's hard to know where the line is.
00:27:48.580 Yeah, I suppose so.
00:27:49.260 But I think you, then it's...
00:27:50.380 It's a different category of...
00:27:51.560 Yeah, I, I, I, for me, I, the, the, as I said, the fiction is something that we're
00:27:57.380 sharing in.
00:27:58.100 The deception is something we're sharing in.
00:27:59.620 And I, I save the, the kind of theatrical deception that everybody knows that it's part
00:28:05.680 of the game for the stage shows now.
00:28:07.000 So I think that kind of makes, that makes sense.
00:28:09.120 And even then I, I, I try and push it in a, to a place that it's, I guess, you know,
00:28:15.180 I'm 47 and doing magic is quite a childish thing.
00:28:18.560 So I try and find more interesting things to do with the, with the sort of technologies
00:28:23.460 of magic, I guess, and, and, which ultimately is just, for me, it's just about the stories
00:28:28.380 that people tell themselves.
00:28:29.320 That's, that's kind of my toolkit.
00:28:32.140 So one direction that can go in is creating these specials where somebody's put through
00:28:38.920 something and it is ultimately about the stories they tell themselves and, and maybe challenging
00:28:43.820 those stories or the limitations of those narratives that they're living out.
00:28:48.220 And then I save the more kind of, yeah, the more just kind of look at me, aren't I clever?
00:28:55.160 But I still try and do something more interesting with it for the stage.
00:28:59.280 So, yeah, it seems to me that your, your topic through all of these shows is a question
00:29:06.920 about what are the actual origins of human behavior and what role belief and framing and
00:29:11.400 expectation and suggestion and environment play in all of that.
00:29:16.680 You really are doing a real time psychological study of people in odd situations and it's
00:29:26.040 fascinating to watch, but there are these moments where the effect you're achieving seems impossible.
00:29:33.420 I actually can't remember which show this was.
00:29:35.120 This could be, there are smithereens for me because I, my daughter and I binge watched so
00:29:39.640 many of them in pieces, but you had one where based on the mere association of a few things
00:29:46.180 like the sound of music playing from a passing car, you got people to basically perform an
00:29:52.000 armed robbery of the Pinkertons or the Brinks people who were bringing money to in or out
00:29:57.480 of a bank.
00:29:58.720 And the idea that that suggestion could be that powerful that someone would have, you
00:30:04.940 know.
00:30:05.220 Yeah, but it's not just, it's not just music from the car.
00:30:08.200 I mean, that there's a whole process that you follow of, of basically conditioning, which
00:30:13.400 is essentially the same in sacrifice.
00:30:15.460 And I've used this process a lot.
00:30:17.960 I tend to sort of think, well, I need to get somebody to this point.
00:30:20.760 So how does that break down in terms of the things they need to feel at that point?
00:30:24.080 And then eliciting those feelings, attaching them to some sort of trigger so that, you know,
00:30:31.560 it's, it's the same as if you always think of the example of breaking up with somebody and
00:30:35.280 having a horrible time doing that, but there's a song that's just playing a lot on the radio
00:30:39.380 at the time and then you don't hear it for five years and then you hear it again and
00:30:42.280 it just immediately just brings you back into that state.
00:30:45.720 But here we have a complex behavior that is not only starkly antisocial, but can send
00:30:52.840 someone to prison, right?
00:30:54.200 Yeah.
00:30:54.280 And it's like, this is a major decision to rob a bank.
00:30:58.520 Yeah.
00:30:58.760 Yes, it was holding up a security guard.
00:31:00.280 Holding up the security guard.
00:31:01.720 But what I'm doing, but you're sort of, I'm presenting those triggers.
00:31:06.100 So there were like three or four, I can't even quite remember what they all were, but
00:31:09.820 three or four different, different triggers.
00:31:11.660 And then this sort of tantalizingly available scenario, which is again, quite unrealistic,
00:31:19.320 but so it's just all, it's just all so kind of impossibly fortuitous that it all happens.
00:31:24.360 So I don't, to me, it isn't a surprise.
00:31:25.980 Well, the surprise is I think over the years that people do just sort of follow these tracks
00:31:32.140 that if you pick somebody that's suggestible, you pick the right sort of person and they've
00:31:37.560 been through this transformative thing that's lasted for however long we've been filming
00:31:42.480 for, built up these associations, it's going to happen.
00:31:46.320 I mean, if you imagine, if you imagine it was a room of people, some of those people in
00:31:50.500 the room you get would do it.
00:31:51.800 But then what would be the difference between those people and the others?
00:31:54.180 Well, they'd probably be more suggestible.
00:31:55.680 Those ideas would be dropping in at a much more impactful level than most of the room.
00:32:01.480 But then those are the people I'm using.
00:32:02.860 I mean, they're kind of experiments in one sense.
00:32:05.220 In another sense, I mean, they're clinically not really that interesting because it's not
00:32:09.040 like I'm doing it with a large number of people or I haven't got a control group in
00:32:12.160 the next room doing it without the various triggers.
00:32:15.460 Well, you keep losing your control group.
00:32:17.060 You keep just not selecting those people.
00:32:19.000 Yeah, exactly, exactly, exactly.
00:32:19.760 So it's more of a kind of, here's an emotional journey to go through and maybe that might
00:32:25.120 make you think about things, you know, in your own life.
00:32:27.740 It's more that kind of world.
00:32:28.880 I see it more as a sort of kind of a drama ultimately.
00:32:31.620 But the mode, the feeling of an experiment is the way that that's expressed.
00:32:37.640 What's your take on free will given the fact that you manipulate people wherever you go
00:32:41.120 to do things that they can't explain?
00:32:42.760 I like that there's both.
00:32:46.740 I like that if you look at it in one way, of course, there's no free will.
00:32:50.760 You can look at it another way and you can go, yes, but ultimately we can exercise our
00:32:56.340 choice and make a difference to a situation.
00:32:58.700 And I sort of, I'm quite happy to sit with both.
00:33:02.520 I know that's, I feel silly saying this to you.
00:33:04.820 Well, no, there's definitely one level at which it makes conventional sense to talk
00:33:11.020 about choices.
00:33:11.840 I mean, choices are the proximate cause of the thing you then decide to do.
00:33:17.000 But when you try to figure out where your choices come from and just how much control
00:33:24.000 you as the witness of your experience had over those variables, you know, from genes
00:33:29.120 on up.
00:33:29.740 Of course, yeah.
00:33:30.760 But I still think, I still think I, there was that experiment at the Max Planck Institute
00:33:36.260 with the, this idea, it's where this idea came that we make our decisions on anything
00:33:40.840 up to seven seconds unconsciously before we, before we make them conscious.
00:33:44.920 You know, you must know this with the subjects pressing A or B and they're like.
00:33:49.560 Benjamin Labay, yeah.
00:33:50.960 That's it, isn't it?
00:33:51.600 The Labay experiments, yeah.
00:33:52.820 Yeah.
00:33:53.840 Yeah.
00:33:54.280 I mean, those tantalizingly, they tell the story of the readiness potential in the premotor
00:34:01.100 cortex being available, in this case, like 500 milliseconds before the motor behavior,
00:34:07.500 or actually 500 milliseconds before the person's subjective report of when they decided to move.
00:34:13.060 So they're watching a clock that is, you know, made so as to make it as easy as possible
00:34:18.900 to discriminate these increments of time, and it's that they're given the simplest possible
00:34:25.700 motor task, you know, hit the button or not, you know, hit the left button or hit the right
00:34:29.040 button, and their mind is genuinely open and not committed for whatever period of time,
00:34:37.100 and then when they subjectively are aware of having committed, they note where the hand
00:34:45.220 was on this special clock, and lo and behold, it was a full half second before that where
00:34:52.240 you could predict with, I forget what the actual details were, but like 90% accurate.
00:34:57.640 Did it extend to something like seven seconds or something ridiculous at one point?
00:34:59.000 Well, then there was an fMRI study that pushed that all the way back to like seven seconds
00:35:03.120 where you could get a better than chance prediction.
00:35:05.700 So I've always found it a strange experiment because it feels, it feels to me contaminated by
00:35:11.540 the idea of don't think about it before you do it, so of course you start to think about
00:35:16.200 is it A or B, and then you do the opposite?
00:35:20.320 Yeah, but you could suddenly do the opposite.
00:35:22.460 But the truth is, all of that research is really a red heron.
00:35:28.100 Right.
00:35:28.260 It's not that, you don't actually need the neurophysiological story to know that there
00:35:35.980 must be some chain of events of which you are not conscious that actually underwrite
00:35:42.160 what you are conscious of, and any conscious deliberation would fall into that category.
00:35:48.240 Yeah, well, I have no argument with it.
00:35:50.200 I enjoy both sides.
00:35:53.640 But I don't think that, you know, with obviously what I'm doing, I'm creating the illusion of
00:35:58.640 that sort of control most of the time.
00:36:00.120 So I don't see my work as a sort of...
00:36:03.680 But you're still putting people in positions where they are strangers to themselves, in
00:36:11.640 that they're doing things that they can't account for, but you can account for.
00:36:18.500 Yeah.
00:36:19.300 I mean, to a remarkable degree.
00:36:22.280 I mean, everyone's doing this to everyone all the time, less systematically.
00:36:25.860 I mean, advertisers are trying to get us to click their links or...
00:36:30.120 You know, that's probably the most systematic version that we all encounter, but for you
00:36:34.420 to be putting people in situations where you're hoping that at that moment, they're going
00:36:41.180 to push a guy off a roof, and you...
00:36:44.220 But then some of them did and some of them didn't.
00:36:45.540 I mean, I'm laying down these tracks for them.
00:36:48.380 Right, right.
00:36:49.580 75% did.
00:36:50.960 Yeah.
00:36:51.520 And the ones who did did it 100%.
00:36:53.200 That's true.
00:36:54.040 That's true.
00:36:55.420 Let's talk about sacrifice, because this is a genuine happy ending, and it
00:37:00.120 it's appearing in the context of a political environment where it seems all too of the
00:37:07.620 moment.
00:37:08.400 Give us the setup.
00:37:09.800 What is the show?
00:37:10.840 Sacrifice?
00:37:11.080 Actually, it was because The Push was the first show on Netflix.
00:37:18.040 I'd already done it.
00:37:18.680 It'd already been out in the UK before.
00:37:20.740 But it was the first thing on Netflix.
00:37:22.180 And then Miracle, which was my stage show.
00:37:23.720 But The Push was like the last sort of special that I'd done.
00:37:27.520 And I felt like I had to do something that was sort of the opposite of it, and was more
00:37:32.340 redemptive.
00:37:33.040 So rather than reveal the propensity to commit murder on the spot, yeah, this is the...
00:37:39.400 This is kind of the opposite.
00:37:40.120 Yeah, okay.
00:37:41.060 So what is the sacrifice?
00:37:42.320 The premise is using these kind of covert psychological techniques, trying to get a right-wing, Trump-supporting
00:37:51.660 American guy with pretty strong views against illegal immigration, if not immigrants generally,
00:37:59.540 to take a bullet to lay down his life for a Mexican illegal immigrant, or at least someone
00:38:05.180 he believes is.
00:38:06.240 So that was the premise of the show.
00:38:07.800 It's a crazy premise.
00:38:08.980 It's a crazy premise.
00:38:09.620 I mean, you could have walked that back a little bit, and still, it would have been
00:38:13.520 an ambitious undertaking.
00:38:15.720 Yeah, well, it's sort of the way it...
00:38:18.160 When we initially kind of put the show together, I intended it to have more of a overtly kind
00:38:24.960 of political feel to it.
00:38:27.020 So in what you see at the start of the show, which is 100 people coming together, and I'm
00:38:31.840 choosing the guy I'm going to use, we had a whole day of really interesting experiments
00:38:35.680 were going on.
00:38:36.100 And we were doing Jonathan Haidt's work on changing the environment to, he writes about
00:38:43.200 it in The Righteous Mind.
00:38:43.940 I think perhaps it isn't actually his, but one of his colleagues, but making the room
00:38:48.660 disgusting, leaving fake vomit and a nasty smell.
00:38:52.080 And the idea is by having those feelings of threat and contamination that you could make
00:38:58.140 otherwise liberal-minded people give more conservative socio-political answers to questions they'd
00:39:03.640 already answered in more liberal ways earlier on.
00:39:06.460 And vice versa, making conservatives more liberal, which is another well-known experiment
00:39:11.260 of inducing a feeling of invincibility first.
00:39:14.900 So you're undoing that feeling of threat, which seems to be allied to more right-wing views.
00:39:21.540 So we had a whole load of stuff that was really fascinating.
00:39:24.000 All of this ended up coming out because it felt in the end the show was more elegant
00:39:28.040 to make it about a human quality of compassion and kindness and stepping outside of these kind
00:39:37.400 of political narratives.
00:39:39.160 So in the end, you know, Trump was never mentioned.
00:39:42.620 And also, I think if I'm not American, it's always a bit ugly and uncomfortable when somebody
00:39:48.060 from somewhere else comes in and seems to be passing comment on your own system.
00:39:53.420 So I think the show's better for it.
00:39:55.700 There was just a lot more that we could have put into it.
00:39:57.960 But in the end, it's a story about, I think, somebody's, you know, stepping outside of
00:40:03.620 the constraints of those kind of narratives.
00:40:07.680 Do you have a hard time limit for these Netflix specials?
00:40:10.060 Do they have to come in right at an hour?
00:40:11.820 No, no, no.
00:40:12.340 Not at all.
00:40:12.900 Not at all.
00:40:13.420 I think originally we were imagining it would be like an hour and a half as we stripped more
00:40:17.140 and more out and it got down.
00:40:19.060 I think it's about 47 minutes or something now, which is what the show, what an hour of TV
00:40:23.480 certainly used to be with ads in it, at least in the UK.
00:40:25.980 So you've selected this right-wing, somewhat conspiratorial character who is opposed to
00:40:34.840 immigration and wasn't floridly racist.
00:40:38.240 No, he's not a monster racist, I think, which would have been a different show.
00:40:41.560 I think then it would have been about, you know, look how clever I am to be able to transform
00:40:47.280 this monster racist guy into a nice guy, which I didn't want the show to be about.
00:40:50.800 So I wanted somebody you'd kind of relate to.
00:40:52.500 So although at the beginning...
00:40:54.900 What was the worst view he expressed?
00:40:56.520 I can't...
00:40:57.380 Well, he was kind of saying...
00:40:57.860 I'm so inundated with this kind of material now, studying white supremacy and all the
00:41:01.200 rest of it.
00:41:01.720 He was saying, you know, yeah, kick them all out and they're going to turn our country to
00:41:04.860 shit.
00:41:05.180 And so he was quite kind of, yeah, quite clear in that.
00:41:09.740 And...
00:41:10.060 Yeah, he actually wanted people kicked out, right?
00:41:12.020 It wasn't just...
00:41:12.740 Yeah.
00:41:13.180 Build a wall, build a bigger wall.
00:41:14.760 But it's not just a matter of not letting more in.
00:41:16.440 No, no, it was...
00:41:17.400 Yeah, yeah.
00:41:18.680 But you know, like a lot of people, he's dealing with difficulties in his own life, financially
00:41:24.940 and particularly.
00:41:26.440 And he's seeing these, you know, these, what to him, people coming in and getting free
00:41:31.820 handouts.
00:41:32.240 And it's that sort of narrative that he settled into very comfortably.
00:41:36.500 Right.
00:41:36.680 Okay, so you have the perfect subject.
00:41:40.960 What does he think he's doing in this?
00:41:43.220 He thinks he's taking part in a documentary about cutting-edge biotechnology.
00:41:48.460 So he, we...
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