Nephilim Death Squad - 125： A Clockwork Shining w⧸ Ryder Lee

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00:01:10.860 Welcome to TopLobster.com, the ultimate middle finger to people who hate you anyway.

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00:01:26.860 you can't censor me.

00:01:28.320 You can't tell me what to say.

00:01:30.440 I'd apologize, but I don't think you'd believe me.

00:01:34.100 And frankly, I just don't care what you think.

00:01:36.820 At TopLobster.com, we know one thing.

00:01:40.640 Playing nice is overrated.

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00:01:54.420 So why play it safe when you can blow it up entirely?

00:01:57.060 If you're too retarded to stop, and you're too real to worry about being liked by everybody, 1.00

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00:02:15.460 TopLobster.com.

00:02:16.780 Too retarded to stop. 1.00

00:02:18.420 I dare you to wear it.

00:02:23.060 Top Lobster Productions.

00:02:27.060 We are being hypnotized by people like this.

00:02:33.260 News readers, politicians, teachers, lecturers.

00:02:38.180 We are in a country and in a world that is being run by unbelievably sick people.

00:02:46.620 The chasm between what we're told is going on and what is really going on is absolutely...

00:02:52.480 Oh yeah, dude.

00:02:53.700 There's some Nephilim shit.

00:02:54.900 It's like we all know what's going down

00:02:57.440 But no one's saying shit what happened to the home of the brave

00:03:00.420 These motherfuckers are controlling this now 1.00

00:03:02.640 And no one's talking about how they learn to try to be slaves

00:03:05.640 And everybody's just walking around

00:03:07.840 Heading to clouds

00:03:08.560 I want to wake up to a dead in the grave

00:03:10.840 Fighting it's too late

00:03:11.980 We need to be ready to raise up

00:03:13.820 Welcome to the end of days

00:03:15.600 Welcome back ladies and gentlemen to another episode of Nephilim Death Squad

00:03:25.300 I am David Lee Corbo aka The Raven

00:03:28.300 That is Top Lobster, the father of disinformation

00:03:31.500 Before we get into today's guest I would like to remind all of our live viewers that this is a 30 minute preview only

00:03:36.900 Sometime around the 30 minute mark we'll be going live exclusively to patreon.com backslash Nephilim Death Squad

00:03:43.060 You can however continue watching along and enjoying an ad free viewing experience for free on patreon.com backslash Nephilim Death Squad

00:03:51.480 For a limited amount of time

00:03:52.640 Otherwise give it a couple of days and the episode will release everywhere else

00:03:58.420 Probably what?

00:04:01.360 Three days?

00:04:01.920 Four days?

00:04:02.300 Something like that Top?

00:04:03.340 When we feel like it

00:04:04.360 When we feel like it

00:04:05.340 Is really yeah

00:04:06.060 That's really the thing here

00:04:07.100 It's coming people

00:04:07.940 Getting into today's guest we are joined by Ryder Lee

00:04:11.460 Ryder for the audience who may not be familiar with you

00:04:13.900 Where can they find your work?

00:04:16.580 Thanks for having me on guys

00:04:17.480 Really appreciate this

00:04:18.260 Looking forward to the conversation

00:04:19.940 You can find me on Raised by Giants on YouTube

00:04:21.920 And any and all podcast platforms

00:04:23.520 And if you would like to reach out to me personally

00:04:25.240 You can find me on X at Raised by Giants 8

00:04:28.480 And on Instagram at Raised by Giants Pod

00:04:31.540 But yeah I'm a filmmaker

00:04:32.700 I'm a director and editor

00:04:35.280 I have two films on Amazon Prime

00:04:37.560 I have JFKX Solving the Crime of the Century

00:04:39.660 Which you can watch for free on Amazon Prime

00:04:42.340 And then my latest documentary

00:04:44.060 A Clockwork Shining Kubrick's Odyssey 3

00:04:47.260 Is also on Amazon Prime

00:04:49.020 And if you don't like Amazon Prime

00:04:50.680 And if you think Amazon Prime is promoting Freemasonic symbolism in their logo

00:04:55.820 You can watch the movie on Vimeo as well

00:04:58.980 So got you some options there

00:05:01.060 Nice

00:05:01.700 Man maybe your JFK film is about to take off again

00:05:04.920 If you can get it in front of the right eyes

00:05:06.780 We have some disclosure coming

00:05:08.320 Or what they're calling disclosure

00:05:09.840 We'll see what they decide to tell us

00:05:11.900 But what angle did you take on that film?

00:05:15.580 It's unlike anything that anyone has really ever heard before

00:05:19.680 It takes

00:05:20.460 It's basically Jay Widener

00:05:23.220 It's his theory

00:05:24.740 And we originally wanted to do the film on Stanley Kubrick first

00:05:29.480 And then we were like

00:05:30.180 Okay well Stanley Kubrick film is going to take a lot more money

00:05:33.540 Because he had already previously done two movies on Stanley Kubrick

00:05:36.980 Which was a Kubrick's Odyssey 1 and a Kubrick's Odyssey 2

00:05:39.620 He's the originator of Stanley Kubrick

00:05:43.060 Essentially showing that The Shining is his confession of faking the moon landing

00:05:48.380 That's where a lot of people got that idea from

00:05:51.020 Was from Jay Widener and those are Kubrick's Odyssey films

00:05:54.200 And they don't give him enough credit for that

00:05:55.760 They kind of take the idea and then put it out there and throw clips and stuff

00:05:59.740 But who popularized that was Jay Widener

00:06:03.020 In the movie Room 237

00:06:05.140 That's where everyone really heard that movie

00:06:07.880 Well heard that theory

00:06:09.240 And so JFKX is a different take on the assassination of JFK

00:06:16.940 And I don't want to ruin it for the people that haven't seen it

00:06:19.920 You can also watch it on Tubi as well

00:06:22.260 It's free on Tubi

00:06:23.220 So you can get on

00:06:24.380 It's on Amazon Freebie

00:06:26.100 You can just type in JFKX

00:06:27.500 And you can watch it on there

00:06:28.880 Or if you got Tubi on your TV

00:06:31.500 Or got the Tubi app

00:06:32.660 You can just type in JFKX

00:06:34.300 And you'll find it on there

00:06:36.240 Kubrick, he did this thing that has kind of solidified him

00:06:41.220 As the man with the blueprint for subliminal messaging 0.93

00:06:44.480 Or at least he did it to the highest level

00:06:46.740 You just mentioned that he admitted within the film The Shining

00:06:51.800 That he faked the moon landing

00:06:54.400 And so we find ourselves on this show

00:06:57.240 Bringing him up very often

00:06:59.080 Because whenever you see a piece of media

00:07:01.500 With subliminal messaging in the background

00:07:03.860 Well, he's always going to end up being part of the conversation

00:07:06.700 And recently

00:07:08.060 We did a deep dive on

00:07:10.740 The Santa Baby video by Kim Kardashian

00:07:14.680 And also we talked quite a bit about the movie White Noise

00:07:18.440 Which is starring Adam Driver

00:07:20.580 It's a film on Netflix

00:07:22.200 Where they're depicting an Ohio train derailment

00:07:24.960 And the background of that film is rich with storytelling

00:07:28.240 If you pay attention

00:07:29.200 But we don't really get into Kubrick very much

00:07:32.860 And sometimes it doesn't dawn on me

00:07:34.980 That the audience might not know what I'm talking about

00:07:37.140 Something that you take for granted

00:07:39.160 But it's not on everybody's radar

00:07:41.800 So I'd love to start picking this apart today

00:07:44.220 Especially when it comes to The Shining

00:07:46.680 And Clockwork Orange 0.82

00:07:48.580 How can a thing be a movie on one level

00:07:53.740 But have a completely different story in the background?

00:07:56.980 Well, that's what Kubrick was a master at doing

00:07:59.180 Was telling the story through the actual filmmaking process

00:08:02.620 And like we were mentioning before the show started

00:08:05.400 So many filmmakers now want to give everything away

00:08:08.660 In the exposition of the movie

00:08:10.480 Like Long Legs

00:08:12.340 Did you guys see Long Legs with Nicolas Cage?

00:08:14.740 Yeah

00:08:15.080 I was told to watch Long Legs

00:08:16.820 And I don't know

00:08:18.120 It was a strange film

00:08:20.120 What do you make of it?

00:08:21.220 It was really good

00:08:22.580 I loved it

00:08:23.480 Up until the last

00:08:24.620 Until

00:08:25.840 Her mom blows the back out of the head 0.98

00:08:29.520 Shoots the doll

00:08:30.620 And then her spirit or whatever

00:08:32.400 Gets released

00:08:33.800 And then she's laying on the bed

00:08:35.040 And then her mom comes to her 0.96

00:08:36.220 And tells her the entire plot

00:08:38.080 Of the freaking movie

00:08:39.340 Yeah

00:08:39.960 Ruins the entire thing

00:08:41.960 In the same way with Smile 2

00:08:43.800 Smile 2 did the exact same thing

00:08:46.420 Like we didn't have to be told

00:08:47.980 That all of it was happening in our head

00:08:49.960 We could have put two and two together

00:08:52.140 Whenever she woke up on the stage

00:08:54.220 And then she's the smile character

00:08:57.000 Like we would have put two and two together

00:08:59.240 And realized

00:08:59.940 That the entire movie was happening in her head

00:09:02.900 Like the smile entity did not have to tell her

00:09:06.440 This is all happening in your head

00:09:08.400 These are the problems

00:09:10.600 And the issues with filmmaking nowadays

00:09:12.580 This is literally all

00:09:13.980 There's no wonder

00:09:15.380 There's no mystery

00:09:16.480 It's just all

00:09:17.480 And whenever they build up that mystery

00:09:19.380 Where you're like

00:09:19.960 Oh man this is super intriguing

00:09:21.500 I really like this

00:09:23.000 And then instead of

00:09:24.860 Creating your own ideas

00:09:27.300 And your own theories about the movie

00:09:28.900 They just tell you exactly

00:09:30.300 What the movie is about

00:09:31.280 And that's what Kubrick

00:09:32.600 Never wanted to do

00:09:33.920 And that's a reason why Kubrick

00:09:35.100 Never did any interviews

00:09:36.800 Well he did very few interviews

00:09:39.260 Because he didn't want

00:09:41.240 His interpretation of the movie

00:09:43.460 To be projected onto the audience

00:09:45.480 Because he felt that

00:09:46.340 If he told the audience

00:09:47.380 Exactly what the movie was about

00:09:48.880 Then that ends all theory and speculation

00:09:51.280 As to what he might have been

00:09:53.320 Trying to say with the movie

00:09:54.400 I wonder if those films

00:09:56.960 Performed well in the box office

00:09:59.320 Because

00:09:59.760 It almost seems logical to me that

00:10:03.020 Where

00:10:04.380 It will take some time

00:10:06.360 For a Kubrick film

00:10:07.720 To potentially find its audience

00:10:09.360 And that audience are people

00:10:10.600 That like that sort of a thing

00:10:12.160 Right?

00:10:12.460 Like that mystery

00:10:13.260 Like that speculation

00:10:14.220 And like having to think

00:10:15.600 Critically

00:10:16.420 But

00:10:17.140 I think if we're being honest

00:10:18.980 The vast majority of people

00:10:20.540 Don't

00:10:22.240 Especially today

00:10:23.080 Right?

00:10:23.340 We just

00:10:23.580 Everything happens so fast

00:10:25.040 Nobody's got time

00:10:26.200 And so

00:10:27.260 Could it be that

00:10:28.820 They're trying to appeal

00:10:29.780 To a larger audience

00:10:31.060 When they do that?

00:10:32.200 Because I would almost

00:10:32.940 I wouldn't be surprised

00:10:34.020 If it didn't perform well

00:10:35.280 In the box office

00:10:36.100 And then became a cult classic

00:10:38.180 After the fact

00:10:39.160 Well

00:10:39.600 I'm reading about it now

00:10:41.420 So the opening weekend

00:10:42.320 It did just over

00:10:43.420 Half a million dollars

00:10:44.940 And then

00:10:45.980 Like the domestic total

00:10:48.000 When all of a sudden done

00:10:48.960 It was 44 million

00:10:50.040 And worldwide

00:10:50.680 47 million

00:10:51.840 So

00:10:52.100 It started off

00:10:53.260 Like people like

00:10:53.760 What the hell is this shit?

00:10:54.740 And then it just

00:10:55.460 Took off

00:10:56.220 I guess it takes

00:10:56.840 His films take a little while

00:10:58.340 To boil over

00:10:59.240 And really think about

00:11:00.140 Yeah

00:11:01.420 He didn't really have

00:11:02.160 That many

00:11:02.560 Large successes

00:11:04.140 Whenever they came out

00:11:05.340 I mean

00:11:05.700 Even 2001

00:11:06.580 A Space Odyssey

00:11:07.360 Was kind of

00:11:08.120 Trashed

00:11:08.880 Critically

00:11:09.640 But before he did

00:11:11.020 The Shining

00:11:12.020 His movie before that

00:11:13.100 Was Barry Lyndon

00:11:14.100 And Barry Lyndon

00:11:15.320 Was not a success

00:11:16.540 At all

00:11:16.900 Did not make

00:11:17.660 It was probably

00:11:18.240 Kubrick's worst 0.96

00:11:19.000 Performing film

00:11:20.080 That ever hit theaters

00:11:21.300 It was not a critical success

00:11:22.680 It was not an audience success

00:11:24.200 And then after

00:11:25.520 Barry Lyndon came out

00:11:26.820 Kubrick was then offered

00:11:28.380 The Exorcist

00:11:30.420 He was going to direct

00:11:32.000 The Exorcist

00:11:32.820 And

00:11:34.320 He turned it down

00:11:36.180 And then

00:11:36.800 They ultimately went to

00:11:37.960 William Friedkin

00:11:38.840 Which is the director

00:11:40.200 Of The Exorcist

00:11:41.640 And that kind of

00:11:43.620 Became

00:11:43.960 You know

00:11:44.400 A really big film

00:11:45.520 For Warner Brothers

00:11:46.340 Because it's based

00:11:47.320 On a novel

00:11:47.920 And a really popular

00:11:49.800 Movie

00:11:50.700 And then

00:11:52.220 It's kind of

00:11:53.980 We sort of

00:11:55.120 Theorize in our

00:11:56.040 Movie

00:11:56.620 Which there is

00:11:57.160 Some evidence

00:11:57.820 For this

00:11:58.780 Is that Warner Brothers

00:11:59.800 It was kind of

00:12:00.520 Warner Brothers

00:12:01.020 Idea to give

00:12:02.500 The Shining

00:12:03.240 To Stanley Kubrick

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00:12:45.940 Make a play

00:12:46.900 To make the movie

00:12:49.200 Because they had

00:12:50.140 Already had success

00:12:51.220 With adapting

00:12:51.980 A horror novel

00:12:53.760 With William Friedkin

00:12:55.140 Directing

00:12:55.740 The Exorcist

00:12:56.640 So it was probably

00:12:57.900 Pushed in

00:12:59.160 Kubrick's way 0.99

00:12:59.900 Like here

00:13:00.380 Take this

00:13:00.900 Because they had

00:13:01.300 A pre-published copy

00:13:02.400 Of The Shining

00:13:03.420 From Stephen King

00:13:04.800 And they were like

00:13:06.060 Here Kubrick

00:13:07.140 You know

00:13:07.780 Kind of

00:13:08.260 You're on a down streak

00:13:09.860 Right now

00:13:10.300 Your last movie

00:13:11.200 Did not perform well

00:13:12.240 So we want you

00:13:12.960 To do an adaptation

00:13:13.720 Of Stephen King's

00:13:15.960 The Shining

00:13:17.120 And a lot of

00:13:19.380 Kubrick's films

00:13:20.040 He changes things

00:13:21.500 He doesn't base it

00:13:22.500 Off of the novel

00:13:23.320 And that's what

00:13:23.740 Really upsets Stephen King

00:13:25.140 Within The Shining

00:13:26.200 Is because

00:13:26.920 Kubrick put his own

00:13:28.780 Spin on

00:13:29.780 The adaptation

00:13:30.700 And then King

00:13:32.020 Came in

00:13:32.540 And then made

00:13:33.000 His miniseries

00:13:33.920 On The Shining

00:13:34.600 Which was complete

00:13:35.440 And total

00:13:36.320 Dog shit

00:13:37.420 It was not good

00:13:38.960 It was haunted bushes

00:13:40.340 And haunted

00:13:41.400 Freaking

00:13:42.120 Play swings

00:13:44.500 And like

00:13:45.100 Just a

00:13:46.600 God awful

00:13:47.480 Disaster

00:13:48.480 And

00:13:49.580 And that's what

00:13:51.020 Kubrick was

00:13:51.700 Saying

00:13:52.220 He was like

00:13:52.680 Yeah King

00:13:53.460 You might be a really good

00:13:54.620 You might be able to write

00:13:55.440 Really good novels

00:13:56.280 But you're not a filmmaker

00:13:57.480 You can't make a good film

00:13:58.740 And we see evidence of that

00:14:00.240 As Kubrick is making the movie

00:14:02.300 Kubrick is rewriting

00:14:04.500 The entire movie

00:14:06.420 As he's making it

00:14:07.560 He's rewriting the script

00:14:08.880 So he's changing things

00:14:10.700 He's putting things in there

00:14:11.740 He's taking things out

00:14:12.700 He probably submitted

00:14:14.140 A

00:14:14.880 More conducive script

00:14:17.700 To Warner Brothers

00:14:18.460 In the beginning

00:14:19.340 That followed along

00:14:20.500 With King's work

00:14:21.520 So that they would

00:14:22.320 Green light the movie

00:14:23.380 Because no film

00:14:25.160 No filmmaker

00:14:26.340 Is ever going to be

00:14:27.880 Writing a script

00:14:29.500 For a film

00:14:30.520 As you're shooting the movie

00:14:32.340 Unless you want to

00:14:33.580 Complete and utter

00:14:34.260 Disaster

00:14:34.940 Of a movie

00:14:35.840 You just don't do that

00:14:38.420 What did you think

00:14:39.440 About Doctor Sleep

00:14:40.620 Which is the

00:14:41.800 Sequel

00:14:42.400 To The Shining

00:14:43.040 I like Doctor Sleep

00:14:45.120 But it takes a

00:14:45.880 Completely different angle

00:14:47.300 It's more about

00:14:48.240 Like

00:14:48.700 Astral projection

00:14:50.180 And out of body

00:14:51.220 Experiences

00:14:51.920 And remote viewing

00:14:53.440 And bilocation

00:14:54.600 Which is a

00:14:55.900 Really interesting concept

00:14:57.500 Which gets into

00:14:58.400 A lot of the

00:14:59.040 Remote viewing

00:15:00.140 And I've done a lot of work

00:15:01.180 Into researching

00:15:02.860 The government's

00:15:03.780 Remote viewing program

00:15:04.680 The Stargate project

00:15:05.740 I've had a lot of those

00:15:06.580 People on my show

00:15:07.380 The official people

00:15:08.180 That were in the program

00:15:09.200 Doctor David Morehouse

00:15:11.060 Lynn Buchanan

00:15:11.880 Del Graff

00:15:13.220 He was their originator

00:15:14.500 That called the

00:15:15.200 Coin the term Stargate

00:15:16.660 Doctor Paul Smith

00:15:19.180 I've had a lot of them

00:15:21.280 On my channel

00:15:22.460 And I've done a lot

00:15:23.040 Of research into it

00:15:23.860 And I think that

00:15:24.780 It's a really interesting film

00:15:27.260 They took a completely

00:15:28.140 Different direction

00:15:28.860 And obviously

00:15:29.540 It's not a

00:15:30.620 Kubrick film

00:15:31.620 Though they do use

00:15:32.660 A lot of the symbolism

00:15:33.740 Like they use the carpet

00:15:34.820 From that Kubrick used

00:15:36.900 In The Shining

00:15:37.560 It's there

00:15:37.960 And they take you back

00:15:39.280 To the hotel

00:15:40.220 At the end of the movie

00:15:42.000 And then it

00:15:42.600 You know

00:15:43.200 Burns to the ground

00:15:44.140 Which it was originally

00:15:45.840 Supposed to burn

00:15:46.720 To the ground

00:15:47.200 At the end of

00:15:47.740 The Shining book

00:15:49.180 I'm pretty sure

00:15:49.740 That that's what

00:15:50.360 Happened at the end

00:15:51.120 Of Stephen King's

00:15:52.020 Novel The Shining

00:15:52.760 Is that the hotel

00:15:53.580 Burnt to the ground

00:15:54.300 But Kubrick didn't

00:15:55.460 Do that in the first

00:15:56.460 Movie so then

00:15:57.900 They just did it

00:15:58.620 At the end of

00:15:59.340 The movie of

00:16:00.060 Doctor Sleep

00:16:00.780 But I liked it

00:16:01.980 I thought that

00:16:02.440 The acting was good

00:16:03.560 Hugh McGregor

00:16:04.480 Was really good in it

00:16:06.260 But it has really

00:16:08.640 Nothing other than

00:16:09.900 The surface level stuff

00:16:11.320 In Doctor Sleep

00:16:12.460 As a film

00:16:13.840 Yeah I found that

00:16:15.220 It didn't connect

00:16:16.060 It almost felt like

00:16:17.180 Two different movies

00:16:18.040 In a way

00:16:18.480 Where you have

00:16:20.140 That first chunk

00:16:20.840 And then when they

00:16:21.220 Go to the hotel

00:16:22.060 It almost feels like

00:16:23.360 It's

00:16:23.680 You're watching

00:16:24.660 Something different

00:16:25.280 In some way

00:16:26.200 Because outside of it

00:16:28.060 It feels like it bears

00:16:29.260 Very little resemblance

00:16:30.880 Or connection

00:16:31.880 To The Shining

00:16:33.280 Except for

00:16:33.780 You know

00:16:34.020 Ewan McGregor's character

00:16:35.020 But going back

00:16:36.620 To the original film

00:16:38.220 I've not

00:16:40.300 I've watched some

00:16:41.100 Segments of documentaries

00:16:43.180 On it

00:16:43.700 You can find

00:16:44.640 A lot of people

00:16:45.460 Are fascinated

00:16:46.240 It's kind of

00:16:46.700 The gift that

00:16:47.180 Keeps giving

00:16:47.800 Right

00:16:48.400 Because there

00:16:49.100 Seems to be

00:16:50.040 Replay value in it

00:16:52.160 Where you can

00:16:52.840 Catch something

00:16:53.660 Where you didn't

00:16:54.420 See it the first

00:16:54.980 Time around

00:16:55.520 And it seems

00:16:57.260 That people are

00:16:57.740 Pretty comfortable

00:16:58.260 With the idea

00:16:59.120 That The Shining

00:16:59.620 Is telling two

00:17:00.520 Stories in the

00:17:01.100 Background

00:17:01.340 One is

00:17:02.200 Like we said

00:17:03.180 Earlier

00:17:03.440 About the moon

00:17:03.980 Landing

00:17:04.260 And the other

00:17:05.100 Is about the

00:17:05.880 Genocide of the

00:17:06.620 Native Americans

00:17:07.320 And I don't know

00:17:08.860 If that's true

00:17:09.480 So I'd love to hear

00:17:10.500 Your point of view

00:17:11.480 On what is it

00:17:13.240 That Kubrick is

00:17:14.080 Trying to express

00:17:14.980 In The Shining

00:17:15.520 Well that gets

00:17:16.880 Really deep

00:17:17.620 And that's

00:17:17.980 Essentially what

00:17:18.780 The entire

00:17:19.300 Almost two hour

00:17:20.380 Movie is really

00:17:21.500 All about

00:17:22.000 And is really

00:17:22.620 Setting up

00:17:23.120 Because it's

00:17:23.540 A different

00:17:24.040 Theory that

00:17:24.780 No one has

00:17:25.240 Ever heard

00:17:26.200 Before

00:17:26.480 No one has

00:17:26.920 Ever talked

00:17:27.440 About before

00:17:28.380 And that is

00:17:29.340 That Stanley Kubrick

00:17:31.700 Is essentially

00:17:32.440 Telling us about

00:17:34.280 MK Ultra

00:17:35.700 Mind control

00:17:36.340 That's what the

00:17:37.300 Entire movie

00:17:38.500 Is really about

00:17:40.020 And it's

00:17:40.440 Mind control

00:17:40.940 On many levels

00:17:41.660 Because that

00:17:42.880 Doesn't discount

00:17:43.600 The other

00:17:44.000 Theories that

00:17:45.060 Are circulating

00:17:45.780 About The Shining

00:17:46.620 Like the faking

00:17:47.280 Of the moon

00:17:47.660 Landing

00:17:47.860 Because if

00:17:49.020 They did

00:17:49.700 Indeed fake

00:17:50.540 The moon

00:17:50.880 Landing

00:17:51.120 That's going

00:17:51.540 To be a

00:17:51.980 Giant MK

00:17:52.780 Ultra

00:17:53.180 Operation

00:17:53.900 And then

00:17:54.280 When you

00:17:54.500 Look at

00:17:54.940 Why do

00:17:55.940 None of

00:17:56.240 The TVs

00:17:56.800 Have

00:17:57.840 Look like

00:17:58.680 They're

00:17:58.860 Plugged into

00:17:59.300 Anything

00:17:59.700 In The Shining

00:18:00.400 They're

00:18:00.920 Cordless

00:18:01.500 They're not

00:18:01.980 But they're

00:18:02.640 Running

00:18:03.000 In The Shining

00:18:04.240 Right

00:18:04.940 So it's

00:18:05.380 Like

00:18:05.620 If he

00:18:07.220 Did indeed

00:18:07.900 Fake the

00:18:08.320 Moon

00:18:08.500 Landing

00:18:08.780 Then he's

00:18:09.440 Trying to

00:18:09.860 Say that

00:18:10.400 What you

00:18:10.820 Were watching

00:18:11.400 Was fake

00:18:12.180 Because the

00:18:13.740 Moon landing

00:18:14.260 Footage was

00:18:14.960 Supposedly

00:18:15.520 Broadcasted

00:18:16.280 Live

00:18:16.680 Everywhere

00:18:18.120 In the

00:18:19.020 World

00:18:19.300 At that

00:18:19.640 Time

00:18:19.840 I think

00:18:20.120 But mainly

00:18:20.720 In the

00:18:21.040 United States

00:18:21.500 Because the

00:18:21.860 United States

00:18:22.220 Was the

00:18:22.500 One that

00:18:22.720 Was launching

00:18:23.080 The rocket

00:18:23.500 So if

00:18:24.600 That's what

00:18:24.980 He's trying

00:18:25.320 To say

00:18:25.740 It's an

00:18:27.020 MK

00:18:27.260 Ultra

00:18:27.560 Program on

00:18:28.200 Many

00:18:28.700 Different

00:18:28.980 Layers

00:18:29.240 But there's

00:18:29.520 So many

00:18:29.820 Subtle

00:18:30.260 Things

00:18:30.760 That Kubrick

00:18:31.760 Puts

00:18:31.980 In there

00:18:32.260 There's

00:18:32.460 So many

00:18:32.780 Different

00:18:33.280 Continuity

00:18:33.920 Errors

00:18:34.380 Within the

00:18:34.860 Shining

00:18:35.180 That really

00:18:35.740 Doesn't

00:18:36.040 Make any

00:18:36.420 Sense

00:18:36.760 Unless

00:18:37.660 He is

00:18:40.660 Trying to

00:18:41.240 Break the

00:18:41.800 Psyche

00:18:42.300 Of the

00:18:43.140 Viewer

00:18:43.620 As the

00:18:44.140 Viewer

00:18:44.460 Is watching

00:18:44.880 The movie

00:18:45.340 And as

00:18:46.120 Jack Torrance

00:18:47.000 Is also

00:18:47.500 Starting to

00:18:48.080 Go deeper

00:18:48.860 And deeper

00:18:49.300 Into this

00:18:49.900 MK

00:18:50.160 Ultra

00:18:50.440 Program and

00:18:51.020 Getting his

00:18:51.480 Psyche

00:18:51.800 Split

00:18:52.140 He's

00:18:52.460 Subliminally

00:18:53.160 Trying to

00:18:53.780 Get the

00:18:54.200 Audience

00:18:54.560 To have

00:18:55.100 Their

00:18:55.360 Psyche

00:18:55.780 Split

00:18:56.160 To have

00:18:56.660 Them

00:18:56.960 Start to

00:18:57.720 Question

00:18:58.080 Their

00:18:58.380 Reality

00:18:58.900 Subliminally

00:18:59.680 By

00:18:59.940 Things

00:19:00.400 Disappearing

00:19:01.540 Or

00:19:01.700 Reappearing

00:19:02.360 Or

00:19:02.560 Moving

00:19:02.880 Around

00:19:03.220 The

00:19:03.420 Screen

00:19:03.720 Or

00:19:03.920 Being

00:19:04.140 There

00:19:04.340 In

00:19:04.480 One

00:19:04.720 Shot

00:19:05.040 Disappearing

00:19:05.660 In

00:19:05.800 The

00:19:05.900 Next

00:19:06.120 Shot

00:19:06.380 Or

00:19:06.520 Being

00:19:06.740 There

00:19:06.940 Earlier

00:19:07.300 In

00:19:07.540 The

00:19:07.640 Movie

00:19:07.860 And

00:19:08.020 Not

00:19:08.220 Being

00:19:08.420 There

00:19:08.640 Later

00:19:08.920 In

00:19:09.100 The

00:19:09.220 Movie

00:19:09.460 So

00:19:10.320 Those

00:19:10.780 Are

00:19:10.900 Some

00:19:11.080 Of

00:19:11.180 The

00:19:11.300 Subliminal

00:19:11.800 Techniques

00:19:12.260 Is 0.88

00:19:12.440 To

00:19:12.600 Disorient 0.96

00:19:13.360 The

00:19:13.880 Audience

00:19:14.360 As

00:19:14.860 He's

00:19:15.080 Also

00:19:15.400 Disorienting

00:19:16.480 The

00:19:17.000 Characters

00:19:17.600 Within

00:19:18.080 The

00:19:18.320 Movie

00:19:18.600 But

00:19:20.840 There's

00:19:21.020 So

00:19:21.160 Many

00:19:21.400 There's

00:19:22.120 So

00:19:22.240 Many

00:19:22.360 Different

00:19:22.600 Things

00:19:22.820 Like

00:19:22.980 The

00:19:23.140 First

00:19:23.340 Time

00:19:23.500 That

00:19:23.600 We

00:19:23.700 Meet

00:19:24.040 Wendy

00:19:24.400 And

00:19:24.620 Danny

00:19:24.880 In

00:19:25.020 The

00:19:25.140 Movie

00:19:25.400 Wendy

00:19:25.700 Is 0.88

00:19:25.900 Reading

00:19:26.180 The

00:19:26.460 Book

00:19:26.760 By

00:19:27.360 J.D.

00:19:28.800 Salinger

00:19:29.260 Called

00:19:29.480 Catcher

00:19:29.880 In

00:19:29.980 The

00:19:30.080 Rye

00:19:30.340 And

00:19:30.460 I'm

00:19:30.560 Sure

00:19:30.700 You

00:19:30.840 Are

00:19:31.160 Familiar

00:19:31.520 With

00:19:31.740 The

00:19:31.860 Catcher

00:19:32.340 In

00:19:32.420 The

00:19:32.520 Rye

00:19:32.680 It's

00:19:32.840 Been

00:19:33.080 Associated

00:19:34.020 With

00:19:34.200 Two

00:19:34.380 Major

00:19:34.700 Assassinations

00:19:35.640 Within

00:19:36.680 A

00:19:36.940 Year

00:19:37.340 Of

00:19:37.620 The

00:19:37.740 Release

00:19:38.060 Of

00:19:38.200 The

00:19:38.300 Shining

00:19:38.580 So

00:19:38.800 Kubrick

00:19:39.300 Had

00:19:39.600 This

00:19:39.840 Book

00:19:40.320 In

00:19:41.940 His

00:19:42.140 Movie

00:19:42.580 A

00:19:43.400 Year

00:19:43.660 Before

00:19:44.000 Both

00:19:44.380 Assassinations

00:19:45.380 Of

00:19:46.740 John

00:19:47.780 Lennon

00:19:48.220 And

00:19:48.640 The

00:19:48.780 Attempted

00:19:49.180 Assassination

00:19:49.860 On

00:19:50.220 Ronald

00:19:50.760 Reagan

00:19:51.200 And

00:19:52.000 Where

00:19:52.220 Both

00:19:52.500 Books

00:19:52.820 Were

00:19:52.980 Found

00:19:53.220 At

00:19:53.380 The

00:19:53.500 Scene

00:19:53.760 And

00:19:53.920 They've

00:19:54.100 Been

00:19:54.260 Related

00:19:54.600 To

00:19:54.880 An

00:19:55.040 MK

00:19:55.360 Altrist

00:19:55.880 Style

00:19:56.460 Manchurian

00:19:57.420 Candidate

00:19:57.920 Assassination

00:19:58.780 Kubrick

00:19:59.560 Had

00:19:59.860 This

00:20:00.100 Book

00:20:00.420 In

00:20:00.780 His

00:20:00.940 Movie

00:20:01.240 And

00:20:01.480 Wendy

00:20:01.760 Is 0.88

00:20:02.020 Reading

00:20:02.300 It

00:20:02.580 A

00:20:03.220 Year

00:20:03.420 Before

00:20:03.720 Both

00:20:03.960 Of

00:20:04.040 These

00:20:04.160 Assassinations

00:20:04.940 Happened

00:20:05.740 It

00:20:06.620 Begins

00:20:07.540 To

00:20:07.700 Suggest

00:20:08.180 That

00:20:08.660 I

00:20:09.360 Mean

00:20:09.480 Obviously

00:20:09.900 If

00:20:10.200 You

00:20:10.420 Are

00:20:10.680 Recruited

00:20:11.340 To

00:20:11.660 Help

00:20:12.020 Fake

00:20:12.220 The

00:20:12.380 Moon

00:20:12.540 Landing

00:20:12.840 Then

00:20:13.020 You

00:20:13.120 Might

00:20:13.260 Be

00:20:13.460 Keen

00:20:13.820 To

00:20:14.180 Other

00:20:14.600 Information

00:20:15.140 Or

00:20:15.440 Plans

00:20:15.980 Right

00:20:16.240 That's

00:20:16.500 Kind of

00:20:16.740 What

00:20:16.960 Happens

00:20:17.440 Or

00:20:17.980 The

00:20:18.320 Implications

00:20:18.880 Of

00:20:19.020 That

00:20:19.240 Idea

00:20:19.720 And

00:20:20.060 It

00:20:21.060 Seems

00:20:21.340 Like

00:20:21.520 The

00:20:21.700 Elite

00:20:22.100 For

00:20:23.260 Lack

00:20:23.480 Of

00:20:23.560 A

00:20:23.640 Better

00:20:23.760 Term

00:20:24.060 They

00:20:24.960 They

00:20:26.020 Regard

00:20:26.440 Kubrick

00:20:27.140 Pretty

00:20:27.740 Highly

00:20:28.260 It

00:20:29.840 Seems

00:20:30.120 That

00:20:30.320 They

00:20:30.620 Celebrate

00:20:31.580 His

00:20:32.000 Ability

00:20:32.480 To

00:20:33.000 Do

00:20:34.140 This

00:20:34.340 Sort

00:20:34.500 Of

00:20:34.580 Thing

00:20:34.800 To

00:20:35.040 To

00:20:35.300 Ingrain

00:20:35.700 His

00:20:36.100 Media

00:20:37.380 With

00:20:37.640 These

00:20:37.840 Symbols

00:20:38.340 That

00:20:38.540 Tell A

00:20:38.980 Story

00:20:39.220 We

00:20:39.600 Were

00:20:39.920 Watching

00:20:41.380 The

00:20:41.520 Kim

00:20:41.660 Kardashian

00:20:42.080 Video

00:20:42.460 And

00:20:42.980 In

00:20:43.240 It

00:20:43.440 There

00:20:44.080 Is 0.88

00:20:44.220 A

00:20:44.380 Scene

00:20:44.680 Where

00:20:45.040 I

00:20:45.260 Actually

00:20:45.440 Have

00:20:45.700 It

00:20:45.800 Right

00:20:45.980 Here

00:20:46.160 I

00:20:46.260 Don't

00:20:46.340 Know

00:20:46.420 If

00:20:46.500 You

00:20:46.540 Want

00:20:46.640 To

00:20:46.680 Bring

00:20:46.820 This

00:20:47.000 This

00:20:47.280 Image

00:20:47.540 Up

00:20:47.800 Top

00:20:48.660 Give

00:20:48.800 Me

00:20:48.860 One

00:20:49.020 Second

00:20:49.260 But

00:20:49.520 There

00:20:50.680 Is 0.88

00:20:50.840 An

00:20:50.940 Homage

00:20:51.400 To

00:20:52.040 The

00:20:54.160 Shining

00:20:54.520 And

00:20:54.940 We

00:20:55.080 Got

00:20:55.280 This

00:20:55.480 Image

00:20:55.760 Here

00:20:56.080 If

00:20:56.340 You

00:20:56.440 Bring

00:20:56.660 That

00:20:56.820 Up

00:20:56.940 You

00:20:57.060 Can

00:20:57.220 See

00:20:57.640 On

00:20:58.380 The

00:20:58.520 Right

00:20:58.740 Side

00:20:59.260 There

00:21:00.680 Is 0.88

00:21:00.940 That

00:21:01.140 Sort

00:21:01.360 Of

00:21:01.480 A

00:21:01.780 Mascot

00:21:02.660 Down

00:21:03.480 A

00:21:03.620 Long

00:21:03.820 Hallway

00:21:04.380 And

00:21:04.640 He

00:21:04.720 Is 0.88

00:21:04.800 Being

00:21:05.240 Molested

00:21:07.240 In

00:21:08.060 One

00:21:08.400 Way

00:21:08.580 Shape

00:21:08.800 Or

00:21:08.940 Form

00:21:09.120 By

00:21:09.260 Two

00:21:09.480 Men

00:21:09.760 And

00:21:10.300 This

00:21:10.440 Is 0.88

00:21:10.560 Also

00:21:10.840 The

00:21:11.060 Same

00:21:11.320 Thing

00:21:11.580 That

00:21:11.780 You

00:21:11.940 See

00:21:12.320 In

00:21:12.900 Jared

00:21:13.720 Leto

00:21:14.200 30

00:21:15.160 Seconds

00:21:15.800 To

00:21:15.940 Mars

00:21:16.240 Video

00:21:16.660 The

00:21:17.280 Kill

00:21:17.600 Which

00:21:18.080 Is 0.88

00:21:18.360 Arguably

00:21:19.500 One

00:21:19.900 Of

00:21:20.080 Their

00:21:20.420 More

00:21:20.980 Successful

00:21:22.080 Songs

00:21:23.780 I

00:21:24.420 Would

00:21:24.560 Say

00:21:24.760 30

00:21:25.040 Seconds

00:21:25.440 To

00:21:25.540 Mars

00:21:25.800 That

00:21:26.000 Is 0.88

00:21:26.080 Probably

00:21:26.320 Like

00:21:26.680 Maybe

00:21:27.420 Their

00:21:27.640 Number

00:21:27.860 One

00:21:28.120 Hit

00:21:28.380 And

00:21:28.860 The

00:21:28.960 Entire

00:21:29.320 Was

00:21:29.600 Their

00:21:29.720 First

00:21:30.000 Hit

00:21:30.240 And

00:21:31.900 I

00:21:32.180 Think

00:21:32.360 That

00:21:32.960 Was

00:21:33.200 The

00:21:33.360 Moment

00:21:33.660 That

00:21:33.880 Really

00:21:34.100 Launched

00:21:34.880 Jared

00:21:35.280 Leto

00:21:35.720 Into

00:21:36.020 The

00:21:36.200 Stratosphere

00:21:36.700 As

00:21:36.880 Far

00:21:37.060 As

00:21:37.220 Being

00:21:37.620 You

00:21:38.340 Know

00:21:38.460 A

00:21:38.720 Hollywood

00:21:39.000 Icon

00:21:39.560 Goes

00:21:39.940 And

00:21:40.680 So

00:21:41.040 That

00:21:41.740 Entire

00:21:41.980 Music

00:21:42.260 Video

00:21:42.600 Is 0.88

00:21:42.900 One

00:21:43.320 Big

00:21:43.900 Short

00:21:44.820 Or

00:21:45.260 Not

00:21:45.460 Big

00:21:45.780 You

00:21:46.020 Know

00:21:46.120 But

00:21:46.300 It's

00:21:46.460 It's

00:21:46.680 A

00:21:46.940 It's

00:21:47.200 Kubrick

00:21:47.500 Film

00:21:53.780 Especially

00:21:54.800 When

00:21:54.960 We're

00:21:55.060 Talking

00:21:55.200 About

00:21:55.360 Jared

00:21:55.640 Leto

00:21:56.040 Hollywood

00:21:56.680 Elite

00:21:57.040 Kim

00:21:57.880 Kardashian

00:21:58.440 You

00:21:59.320 Know

00:21:59.420 Hollywood

00:21:59.720 Elite

00:22:00.020 Also

00:22:00.360 Probably

00:22:01.000 A

00:22:01.200 Witch

00:22:01.440 These

00:22:02.380 People

00:22:02.820 I

00:22:03.820 Think

00:22:04.160 They

00:22:04.500 They

00:22:05.060 Regard

00:22:05.900 Kubrick

00:22:06.600 Pretty

00:22:07.080 Highly

00:22:07.540 Then

00:22:09.560 When

00:22:09.660 You

00:22:09.760 Look

00:22:09.960 At

00:22:10.100 Jared

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00:23:13.620 Air

00:23:13.800 Force

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00:27:48.380 Think

00:27:48.600 That

00:27:48.760 Is 0.88

00:27:49.260 Another

00:27:49.800 One

00:27:49.980 Of

00:27:50.080 These

00:27:50.280 Films

00:27:50.940 Just

00:27:51.100 Paying

00:27:51.360 Homage

00:27:51.760 Well

00:27:52.980 I

00:27:53.120 Brought 0.80

00:27:53.320 Up

00:27:53.520 A

00:27:54.000 Thing

00:27:54.520 Down

00:27:54.720 Here

00:27:54.880 On

00:27:55.000 The

00:27:55.100 Bottom

00:27:55.420 That

00:27:55.780 Is 0.88

00:27:55.980 Another

00:27:56.300 Toy

00:27:56.640 Story

00:27:56.900 Thing

00:27:57.160 That

00:27:57.380 Shows

00:27:57.820 The

00:27:58.040 Exact

00:27:58.580 Carpet

00:27:59.560 Of

00:28:00.140 What's

00:28:01.380 Going

00:28:01.600 On

00:28:01.940 There

00:28:02.380 In

00:28:02.780 The

00:28:03.220 Overlook

00:28:03.680 Hotel

00:28:04.120 What

00:28:04.700 The

00:28:04.880 Hell

00:28:05.060 Is 0.88

00:28:05.220 That

00:28:05.380 About

00:28:05.780 Yeah

00:28:06.740 Huh

00:28:08.120 Well

00:28:09.280 Apparently

00:28:09.660 The

00:28:09.960 Director

00:28:10.360 Of

00:28:10.600 Toy

00:28:10.840 Story

00:28:11.180 Is 0.88

00:28:11.520 A

00:28:11.860 Really

00:28:12.220 Big

00:28:12.620 Stanley

00:28:12.960 Kubrick

00:28:13.380 Fan

00:28:13.720 And

00:28:13.900 A

00:28:14.020 Huge

00:28:14.300 Shining

00:28:14.680 Fan

00:28:15.100 And

00:28:15.260 He

00:28:15.380 Collects

00:28:15.760 All

00:28:15.920 The

00:28:16.120 Memorabilia

00:28:17.080 And

00:28:17.400 Is 0.88

00:28:17.600 Like

00:28:17.880 Really

00:28:18.700 Big

00:28:18.980 Into

00:28:19.240 It

00:28:19.400 The

00:28:19.580 Director

00:28:20.180 Is 0.88

00:28:20.600 Actually

00:28:21.500 Of

00:28:22.480 Toy

00:28:22.700 Story

00:28:23.040 Is 0.88

00:28:23.240 Actually

00:28:23.600 The

00:28:23.820 Guy

00:28:24.280 That

00:28:25.180 Funded

00:28:25.900 The

00:28:26.400 Movie

00:28:26.920 Room

00:28:27.960 237

00:28:28.740 That

00:28:28.960 Has

00:28:29.180 All

00:28:29.320 The

00:28:29.460 The

00:28:29.480 Theories

00:28:29.740 In

00:28:29.900 It

00:28:30.020 When

00:28:31.760 You

00:28:32.060 So

00:28:34.060 In

00:28:34.440 The

00:28:34.660 Have

00:28:34.860 You

00:28:34.980 Seen

00:28:35.220 The

00:28:35.480 Santa

00:28:36.500 Baby

00:28:36.780 Video

00:28:37.140 With

00:28:37.400 Kim

00:28:37.560 Kardashian

00:28:37.940 I

00:28:39.740 Watched

00:28:40.700 It

00:28:40.820 Once

00:28:41.320 And

00:28:41.900 Just

00:28:42.160 To

00:28:42.280 See

00:28:42.400 What

00:28:42.560 The

00:28:42.680 Hype

00:28:42.900 Was

00:28:43.060 About

00:28:43.360 But

00:28:44.520 I

00:28:44.620 Really

00:28:44.820 Didn't

00:28:45.060 Analyze

00:28:45.740 It

00:28:45.940 To

00:28:46.220 The

00:28:46.520 Degree

00:28:46.960 That

00:28:47.320 You

00:28:47.760 Guys

00:28:47.980 Probably

00:28:48.300 Have

00:28:48.600 Well

00:28:49.280 In

00:28:49.900 One

00:28:50.140 Scene

00:28:50.500 There

00:28:51.040 Is 0.88

00:28:51.300 A

00:28:51.660 Girl 0.91

00:28:52.160 She's

00:28:52.740 In

00:28:52.860 A

00:28:53.060 Cheerleaders

00:28:53.500 Outfit

00:28:53.960 She's

00:28:54.360 Got

00:28:54.620 A

00:28:54.960 Sort

00:28:55.500 Of

00:28:55.580 A

00:28:55.700 Boulder

00:28:55.920 Cap

00:28:56.280 And

00:28:56.440 It's

00:28:56.580 Covering

00:28:56.980 One

00:28:57.240 Eye

00:28:57.580 And

00:28:57.840 On

00:28:58.000 Her

00:28:58.160 Chest

00:28:58.520 Is 0.88

00:28:58.800 Blatantly

00:28:59.360 The

00:28:59.960 A

00:29:00.700 From

00:29:02.340 Clockwork

00:29:02.900 Orange

00:29:03.300 Same

00:29:05.160 Colors

00:29:05.480 And

00:29:05.620 Everything

00:29:05.900 And

00:29:06.200 Then

00:29:06.320 Of

00:29:06.480 Course

00:29:06.660 Her

00:29:06.940 Cheerleader

00:29:07.800 Outfit

00:29:08.220 Is 0.88

00:29:08.440 Keeping

00:29:08.660 The

00:29:08.840 Same

00:29:09.080 Color

00:29:09.500 Theme

00:29:09.800 And

00:29:10.560 We

00:29:10.760 Went

00:29:11.000 In

00:29:11.260 Heavily

00:29:12.240 I

00:29:12.740 Mean

00:29:12.900 Look

00:29:13.840 When

00:29:14.160 When

00:29:14.460 I

00:29:14.580 See

00:29:14.820 That

00:29:15.200 To

00:29:16.580 Me

00:29:16.860 I

00:29:17.480 Go

00:29:17.840 Oh

00:29:18.360 They're

00:29:18.960 Trying

00:29:19.160 To

00:29:19.300 Tell

00:29:19.480 You

00:29:19.740 That

00:29:20.360 It's

00:29:20.500 Not

00:29:20.700 About

00:29:20.940 What's

00:29:21.180 Happening

00:29:21.460 In

00:29:21.560 The

00:29:21.680 Foreground

00:29:22.180 It's

00:29:23.160 What's

00:29:23.360 About

00:29:23.540 Happening

00:29:24.180 In

00:29:25.200 The

00:29:25.300 Background

00:29:25.660 And

00:29:26.420 I

00:29:26.720 Think

00:29:26.860 Another

00:29:27.060 Great

00:29:27.300 Example

00:29:27.680 Of

00:29:27.820 That

00:29:28.020 Is 0.88

00:29:28.460 Something

00:29:29.200 That

00:29:29.360 I've

00:29:29.460 Talked

00:29:29.640 About

00:29:29.800 On

00:29:29.880 The

00:29:29.980 Show

00:29:30.120 Before

00:29:30.500 There's

00:29:31.540 A

00:29:31.740 Film

00:29:32.000 Called

00:29:32.280 White

00:29:32.560 Noise

00:29:32.900 There

00:29:33.640 Was

00:29:33.760 A

00:29:33.880 Time

00:29:34.160 A

00:29:35.000 Few

00:29:35.120 Years

00:29:35.400 Ago

00:29:35.600 Where

00:29:35.760 We

00:29:41.260 Side

00:29:41.420 Ohio

00:29:41.900 And

00:29:42.920 At

00:29:43.000 The

00:29:43.120 Same

00:29:43.340 Time

00:29:43.740 We

00:29:44.480 Had

00:29:44.980 A

00:29:45.560 Chinese

00:29:45.960 Balloon

00:29:46.880 Spy

00:29:47.400 Balloon

00:29:47.720 Is 0.88

00:29:47.820 What

00:29:47.960 We've

00:29:48.240 Dubbed

00:29:48.660 It

00:29:48.780 Since

00:29:49.000 Then

00:29:49.220 Traveling

00:29:50.340 From

00:29:50.580 The

00:29:50.920 Northwest

00:29:51.880 All

00:29:52.620 The

00:29:52.760 Way

00:29:52.980 To

00:29:53.260 The

00:29:53.580 Southeast

00:29:54.180 Of

00:29:54.600 America

00:29:54.940 Kind

00:29:55.240 Of

00:29:55.320 Diagonally

00:29:55.840 And

00:29:56.660 So

00:29:57.340 That

00:29:57.540 Film

00:29:57.860 Is 0.88

00:29:59.000 You

00:29:59.500 Know

00:29:59.580 It

00:29:59.660 Takes

00:29:59.800 Place

00:29:59.980 In

00:30:00.080 The

00:30:00.160 1980s

00:30:00.740 It

00:30:00.860 Stars

00:30:01.120 Adam

00:30:01.540 Driver

00:30:01.880 And

00:30:02.140 In

00:30:02.340 It

00:30:02.480 A

00:30:02.800 Train

00:30:03.100 Derailment

00:30:03.460 Happens

00:30:03.820 In

00:30:04.140 Ohio

00:30:04.660 Turns

00:30:05.340 Out

00:30:05.540 That

00:30:05.660 A

00:30:05.740 Lot

00:30:05.860 Of

00:30:05.940 The

00:30:06.020 People

00:30:06.260 In

00:30:06.700 The

00:30:07.320 Film

00:30:08.000 A

00:30:08.860 Lot

00:30:08.980 Of

00:30:09.060 The

00:30:09.160 Actors

00:30:09.640 Were

00:30:10.060 Locals

00:30:10.560 From

00:30:10.820 East

00:30:11.080 Palestine

00:30:11.520 And

00:30:13.160 On

00:30:14.200 The

00:30:14.320 Surface

00:30:14.620 If

00:30:14.820 You

00:30:14.920 Watch

00:30:15.200 The

00:30:15.380 Film

00:30:15.680 For

00:30:16.120 Some

00:30:16.320 Reason

00:30:16.520 The

00:30:16.760 Dialogue

00:30:17.420 Is 0.88

00:30:17.600 Captivating

00:30:18.240 And

00:30:18.760 It's

00:30:18.920 Well

00:30:19.160 Shot

00:30:19.580 And

00:30:20.300 All

00:30:20.540 Of

00:30:20.700 The

00:30:21.000 Actors

00:30:22.080 Are

00:30:22.260 Likeable

00:30:22.800 But

00:30:23.180 If

00:30:23.280 You

00:30:23.380 Pay

00:30:23.840 Attention

00:30:24.260 They're

00:30:25.180 Not

00:30:25.300 Really

00:30:25.500 Saying

00:30:25.880 Anything

00:30:26.260 They're

00:30:26.960 Not

00:30:27.060 Explaining

00:30:27.420 The

00:30:27.600 Situation

00:30:28.140 And

00:30:29.140 There's

00:30:29.440 No

00:30:29.840 Narrative

00:30:31.260 That's

00:30:31.540 Really

00:30:31.740 Unfolding

00:30:32.460 In

00:30:32.700 The

00:30:32.820 Dialogue

00:30:33.360 But

00:30:34.660 If

00:30:34.760 You

00:30:34.840 Look At

00:30:35.020 The

00:30:35.160 Background

00:30:35.580 There's

00:30:36.680 A

00:30:36.780 Narrative

00:30:37.140 And

00:30:37.760 That

00:30:37.920 Narrative

00:30:38.380 Is 0.88

00:30:39.040 UFOs

00:30:41.080 There's

00:30:42.500 TVs

00:30:42.760 In

00:30:42.940 The

00:30:43.040 Background

00:30:43.360 There's

00:30:43.660 News

00:30:43.860 Reports

00:30:44.200 Running

00:30:44.520 UFOs

00:30:45.040 Are

00:30:45.140 Landing

00:30:45.440 You'll

00:30:46.020 See

00:30:46.180 Newspapers

00:30:46.720 Occasionally

00:30:47.320 About

00:30:47.700 UFO

00:30:48.100 Sightings

00:30:48.680 And

00:30:49.140 This

00:30:49.360 Theme

00:30:49.860 Continues

00:30:50.440 All

00:30:50.680 Throughout

00:30:50.940 The

00:30:51.120 Film

00:30:51.300 And

00:30:51.420 It's

00:30:51.560 Fascinating

00:30:52.160 Because

00:30:52.480 In

00:30:52.760 Real

00:30:53.000 Life

00:30:53.440 Two

00:30:54.480 Weeks

00:30:54.800 Later

00:30:55.100 After

00:30:55.380 This

00:30:55.580 Film's

00:30:55.880 Release

00:30:56.260 A

00:30:56.920 Train

00:30:57.140 Derails

00:30:57.660 And

00:30:58.660 Of

00:30:59.300 Course

00:30:59.660 Before

00:31:00.680 We

00:31:00.920 Knew

00:31:01.080 It

00:31:01.200 Was

00:31:01.320 A

00:31:01.460 Spy

00:31:01.660 Balloon

00:31:02.040 Or

00:31:02.400 Whatever

00:31:02.620 The

00:31:02.800 Hell

00:31:02.920 It

00:31:03.020 Was

00:31:03.280 We

00:31:03.860 Were

00:31:04.000 Speculating

00:31:04.520 Wildly

00:31:05.060 As

00:31:05.780 To

00:31:05.880 Whether

00:31:06.000 Or

00:31:06.100 It

00:31:06.240 Was

00:31:06.340 A

00:31:06.440 UFO

00:31:06.780 And

00:31:07.140 At

00:31:07.420 That

00:31:07.620 Same

00:31:07.920 Time

00:31:08.340 There

00:31:09.080 Were

00:31:09.200 Reports

00:31:09.580 Coming

00:31:09.760 From

00:31:09.940 A

00:31:10.260 Bunch

00:31:10.500 Of

00:31:10.620 Different

00:31:10.800 Countries

00:31:11.200 Canada

00:31:11.740 Uruguay

00:31:12.860 China

00:31:13.480 And

00:31:14.480 A

00:31:14.580 Few

00:31:14.700 Others

00:31:15.100 Claiming

00:31:16.080 To

00:31:16.440 Have

00:31:16.760 Either

00:31:17.160 Seen

00:31:17.700 UFOs

00:31:18.880 Or

00:31:19.300 Have

00:31:19.500 Shot

00:31:19.840 Them

00:31:20.060 Down

00:31:20.400 And

00:31:21.180 Those

00:31:21.340 Reports

00:31:21.720 Went

00:31:21.980 Away

00:31:22.320 And

00:31:23.320 There

00:31:23.420 Was

00:31:23.540 Nothing

00:31:23.760 Ever

00:31:23.960 Made

00:31:24.200 About

00:31:24.680 Them

00:31:24.920 But

00:31:25.380 That

00:31:25.580 Was

00:31:25.780 Our

00:31:26.080 Backdrop

00:31:26.720 While

00:31:32.040 Really

00:31:33.520 What

00:31:33.760 To

00:31:34.260 Make

00:31:34.500 Of

00:31:34.620 That

00:31:34.840 You

00:31:35.120 Start

00:31:35.560 To

00:31:35.720 Ask

00:31:35.920 These

00:31:36.100 Questions

00:31:36.580 Is 0.88

00:31:36.980 This

00:31:37.520 Revelation

00:31:38.620 Of

00:31:38.800 The

00:31:38.900 Method

00:31:39.160 Is 0.88

00:31:39.620 This

00:31:39.920 Elites

00:31:40.440 Communicating

00:31:41.240 Back

00:31:41.940 And

00:31:42.120 Forth

00:31:42.480 Have

00:31:44.140 You

00:31:44.260 Seen

00:31:44.500 That

00:31:44.680 Film

00:31:44.940 Do

00:31:45.080 You

00:31:45.120 Have

00:31:45.240 Any

00:31:45.360 Thoughts

00:31:45.620 On

00:31:45.720 That

00:31:45.900 I

00:31:47.020 Have

00:31:47.160 Not

00:31:47.360 Seen

00:31:47.660 The

00:31:47.840 Film

00:31:48.160 I

00:31:48.360 Wanted

00:31:48.720 To

00:31:48.860 Watch

00:31:49.180 It

00:31:49.340 But

00:31:49.620 I

00:31:49.940 Just

00:31:50.180 Got

00:31:50.520 It

00:31:51.460 Was

00:31:51.580 One

00:31:51.720 Of

00:31:51.820 Those

00:31:52.000 Things

00:31:52.300 Where

00:31:52.500 I

00:31:52.640 Started

00:31:53.060 It

00:31:53.360 I

00:31:53.780 Normally

00:31:54.180 Watch

00:31:54.660 A

00:31:54.800 Movie

00:31:54.980 Until

00:31:55.220 The

00:31:55.380 End

00:31:55.960 But

00:31:56.580 I

00:31:56.740 Started

00:31:57.020 It

00:31:57.240 And

00:31:57.320 It

00:31:57.400 Was

00:31:57.560 Really

00:31:57.820 Late

00:31:58.280 And

00:31:58.620 It

00:31:58.760 Was

00:31:58.980 Not

00:31:59.260 Picking

00:31:59.580 Up

00:31:59.800 Speed

00:32:00.160 At

00:32:00.360 All

00:32:00.560 And

00:32:00.660 I

00:32:00.740 Didn't

00:32:00.920 Really

00:32:01.140 Know

00:32:01.360 What

00:32:01.540 Was

00:32:01.680 Going

00:32:01.900 On

00:32:02.140 Because

00:32:02.420 I

00:32:03.200 Don't

00:32:03.300 Really

00:32:03.480 Like

00:32:03.740 To

00:32:03.900 Watch

00:32:04.320 Previews

00:32:06.020 Or

00:32:06.160 Trailers

00:32:06.820 Of

00:32:06.960 Movies

00:32:07.320 Because

00:32:07.540 That's

00:32:07.780 Another

00:32:08.020 Problem

00:32:08.380 Is 0.88

00:32:08.580 The

00:32:08.720 Trailers

00:32:09.200 Give

00:32:09.440 Away

00:32:09.780 So

00:32:10.100 Much

00:32:10.440 About

00:32:10.760 The

00:32:10.980 Movie

00:32:11.380 And

00:32:12.440 I

00:32:12.760 Didn't

00:32:12.940 Know

00:32:13.220 Anything

00:32:13.700 About

00:32:14.080 It

00:32:14.220 I

00:32:14.320 Didn't

00:32:14.480 Know

00:32:14.700 What

00:32:15.060 It

00:32:15.180 Was

00:32:15.400 Really

00:32:15.800 About

00:32:16.200 Or

00:32:16.800 What

00:32:17.420 Was

00:32:17.580 Going

00:32:17.780 On

00:32:18.000 Within

00:32:18.180 The

00:32:18.360 Movie

00:32:18.580 And

00:32:18.780 It

00:32:18.860 Was

00:32:19.020 Just

00:32:19.240 Seemed

00:32:19.720 Like

00:32:20.040 Really

00:32:20.340 Slow

00:32:20.800 But

00:32:21.100 I'll

00:32:21.320 Definitely

00:32:21.600 Have

00:32:21.760 To

00:32:21.860 Go

00:32:22.000 Back

00:32:22.240 And

00:32:22.380 Check

00:32:22.560 It

00:32:22.660 Out

00:32:22.760 But

00:32:22.880 There's

00:32:23.080 Another

00:32:23.360 Movie

00:32:23.680 That's

00:32:23.900 Called

00:32:24.060 White

00:32:24.340 Noise

00:32:24.620 That

00:32:24.800 Came

00:32:24.980 Out

00:32:25.180 In

00:32:25.300 The

00:32:25.560 Early

00:32:25.780 2000s

00:32:26.500 That

00:32:26.640 Is 0.88

00:32:26.780 Like

00:32:26.920 Horror

00:32:27.480 Movie

00:32:27.900 So

00:32:28.580 Whenever

00:32:28.980 You

00:32:29.220 First

00:32:29.480 Said

00:32:29.680 White

00:32:29.960 Noise

00:32:30.360 I

00:32:30.500 Was

00:32:30.620 Like

00:32:30.760 Oh

00:32:30.920 That

00:32:31.120 Old

00:32:31.680 Early

00:32:32.440 2000s

00:32:33.620 Horror

00:32:34.040 Movie

00:32:34.320 But

00:32:34.920 Kubrick

00:32:35.260 Has

00:32:35.420 Been

00:32:35.620 Known

00:32:35.900 To

00:32:36.180 Like

00:32:36.520 There's

00:32:37.480 Been

00:32:37.640 Several

00:32:47.580 Common

00:32:47.920 Theme

00:32:48.340 Throughout

00:32:49.060 Kubrick's 0.50

00:32:49.620 Entire

00:32:50.000 Film

00:32:50.380 Just

00:32:50.840 Like

00:32:51.020 What

00:32:51.160 I

00:32:51.240 Was

00:32:51.380 Mentioning

00:32:51.720 With

00:32:51.860 Catcher

00:32:52.200 In

00:32:52.300 The

00:32:52.400 Rye

00:32:52.640 He

00:32:52.800 Has

00:32:53.020 The

00:32:53.180 Book

00:32:53.360 Catcher

00:32:53.680 In

00:32:53.760 The

00:32:53.860 Rye

00:32:54.040 In

00:32:54.140 His

00:32:54.260 Movie

00:32:54.500 A

00:32:54.660 Year

00:32:54.800 Before

00:32:55.080 Both

00:32:55.420 The

00:32:55.640 Assassinations

00:32:56.460 The

00:32:57.060 One

00:32:57.280 Real

00:32:58.060 Assassination

00:32:58.740 On

00:32:59.140 The

00:33:01.420 The

00:33:01.580 John

00:33:02.160 Lennon

00:33:02.560 And

00:33:02.920 The

00:33:03.260 Attempted

00:33:03.620 Assassination

00:33:04.140 On

00:33:04.340 Ronald

00:33:04.620 Reagan

00:33:04.920 But

00:33:05.960 Before

00:33:06.340 That

00:33:06.720 Was

00:33:07.660 Lolita

00:33:08.480 So

00:33:09.760 The

00:33:10.100 Movie

00:33:10.320 Lolita

00:33:10.820 Is 0.88

00:33:10.980 A

00:33:11.120 Very

00:33:11.600 Touchy

00:33:14.040 Film

00:33:14.320 That

00:33:14.600 Deals

00:33:14.940 With

00:33:15.300 You

00:33:16.500 Know

00:33:16.660 Pedophilia

00:33:17.660 Essentially

00:33:18.240 Of

00:33:18.700 A

00:33:18.940 Really

00:33:19.280 Young

00:33:19.680 Girl 0.91

00:33:20.260 And

00:33:20.920 A

00:33:21.920 13

00:33:22.540 Year

00:33:22.720 Old

00:33:22.840 Girl 0.91

00:33:23.000 But

00:33:23.240 It

00:33:23.360 Turns

00:33:23.640 Out

00:33:23.960 That

00:33:24.240 The

00:33:24.580 Exact

00:33:25.040 Same

00:33:25.380 Thing

00:33:25.780 That

00:33:26.060 The

00:33:26.260 Movie

00:33:26.720 Is 0.88

00:33:27.240 About

00:33:27.740 Is 0.88

00:33:28.960 Actually

00:33:29.560 Happening

00:33:30.380 To

00:33:30.660 The

00:33:30.880 Main

00:33:31.180 Actor

00:33:31.660 Of

00:33:31.900 The

00:33:32.060 Movie

00:33:32.340 In

00:33:32.520 Real

00:33:32.780 Life

00:33:33.120 On

00:33:33.420 The

00:33:33.580 Set

00:33:33.880 With

00:33:35.420 Kubrick's 0.50

00:33:37.560 Production

00:33:38.480 Manager

00:33:40.720 And

00:33:41.980 She's

00:33:43.100 Essentially

00:33:43.620 The

00:33:44.080 Things

00:33:44.560 That

00:33:44.780 She's

00:33:45.020 Acting

00:33:45.360 About

00:33:45.780 Is 0.88

00:33:46.460 Really

00:33:46.960 Happening

00:33:47.720 To

00:33:48.020 Her

00:33:48.380 In

00:33:48.680 Real

00:33:48.940 Life

00:33:49.300 From

00:33:49.700 Kubrick's 0.50

00:33:50.460 Production

00:33:50.860 Manager

00:33:51.640 And

00:33:52.200 Yeah

00:33:53.280 It's

00:33:53.700 Like

00:33:53.980 It's

00:33:54.540 This

00:33:54.720 Common

00:33:55.700 Thing

00:33:56.280 With

00:33:56.780 Kubrick's 0.50

00:33:57.200 And

00:33:57.340 Also

00:33:57.580 With

00:33:57.820 The

00:33:57.940 Clockwork

00:33:58.320 Orange

00:33:58.660 Whenever

00:33:59.960 That

00:34:00.200 Movie

00:34:00.400 Came

00:34:00.640 Out

00:34:00.900 Crime

00:34:02.540 Rose

00:34:03.320 Like

00:34:04.100 Heavily

00:34:04.760 There

00:34:05.060 Was

00:34:05.320 Literally

00:34:06.020 Newspaper

00:34:06.660 Articles

00:34:07.080 There

00:34:07.240 Was

00:34:07.380 Like

00:34:07.640 The

00:34:08.020 Clockwork

00:34:08.940 Orange

00:34:09.340 Gangs

00:34:09.960 The

00:34:10.080 Clockwork

00:34:10.480 Orange

00:34:10.820 Murders

00:34:11.460 Like

00:34:11.720 And

00:34:11.880 It

00:34:12.140 Was

00:34:12.260 Eventually

00:34:12.700 Pulled

00:34:13.500 From

00:34:14.320 A lot

00:34:14.880 Of

00:34:15.000 Other

00:34:15.200 Countries

00:34:15.700 Especially

00:34:16.260 In

00:34:16.500 The

00:34:16.620 UK

00:34:16.900 Kubrick

00:34:17.340 Pulled

00:34:17.720 The

00:34:18.020 Film

00:34:18.340 Because

00:34:18.800 It

00:34:19.000 Was

00:34:19.180 Inciting

00:34:19.780 Violence

00:34:20.360 In

00:34:21.260 Real

00:34:21.500 Life

00:34:21.900 And

00:34:22.500 Then

00:34:22.620 When

00:34:22.720 You

00:34:22.820 Look

00:34:23.080 At

00:34:23.400 The

00:34:24.080 Shining

00:34:24.480 As

00:34:24.720 Well

00:34:24.960 And

00:34:25.120 The

00:34:25.240 Things

00:34:25.520 How

00:34:26.260 Kubrick

00:34:26.820 Was

00:34:27.280 Treating

00:34:28.860 Shelly

00:34:29.280 Duvall

00:34:29.760 On

00:34:30.040 The

00:34:30.180 Shining

00:34:31.080 Which

00:34:31.340 Essentially

00:34:32.460 Ruined

00:34:32.940 Shelly

00:34:33.260 Duvall

00:34:33.620 His

00:34:33.820 Entire

00:34:34.460 Career

00:34:34.840 She

00:34:35.080 Was

00:34:35.220 Never

00:34:35.460 Really

00:34:35.780 The

00:34:35.980 Same

00:34:36.200 She

00:34:36.380 Did

00:34:36.540 A

00:34:36.660 Few

00:34:36.920 Other

00:34:37.280 Acting

00:34:37.740 Things

00:34:38.120 But

00:34:38.360 Was

00:34:38.700 Never

00:34:39.000 Really

00:34:39.460 As

00:34:40.040 Big

00:34:40.460 As

00:34:40.840 You

00:34:41.340 Know

00:34:41.480 The

00:34:41.700 Shining

00:34:42.080 And

00:34:42.740 These

00:34:43.120 Other

00:34:43.440 Popeye

00:34:44.680 That

00:34:44.860 She

00:34:44.980 Was

00:34:45.140 In

00:34:45.280 Before

00:34:45.620 It

00:34:46.260 Kind

00:34:46.480 Of

00:34:46.740 Wrecked

00:34:47.360 Her

00:34:47.540 Entire

00:34:47.940 Career

00:34:48.360 And

00:34:48.560 That

00:34:48.680 Was

00:34:48.840 Due

00:34:49.120 To

00:34:49.500 The

00:34:50.220 Abuse

00:34:50.800 The

00:34:51.160 Mental

00:34:51.480 Abuse

00:34:52.080 And

00:34:55.520 Wouldn't

00:34:55.740 Really

00:34:55.920 Call

00:34:56.160 It

00:34:56.280 Physical

00:34:56.620 Abuse

00:34:56.920 Because

00:34:57.080 He

00:34:57.180 Never

00:34:57.560 Really

00:34:57.800 Physically

00:34:58.220 Abused

00:34:58.580 Her

00:34:58.660 But

00:34:58.780 He

00:34:58.860 Would

00:34:58.960 Tell

00:34:59.120 The

00:34:59.360 People

00:34:59.800 On

00:35:00.040 The

00:35:00.180 Set

00:35:00.440 Not

00:35:00.700 To

00:35:00.900 Tend

00:35:01.160 To

00:35:01.320 Her

00:35:01.540 Not

00:35:01.860 Listen

00:35:02.200 Don't

00:35:02.740 Listen

00:35:03.020 To

00:35:03.240 Her

00:35:03.440 Don't

00:35:03.720 Tend

00:35:03.920 To

00:35:04.080 Her

00:35:04.240 Needs

00:35:04.760 And

00:35:05.700 Like

00:35:06.540 Pretty

00:35:07.180 Much

00:35:07.380 Verbally

00:35:07.940 Abusing

00:35:08.500 Her

00:35:08.680 A lot

00:35:09.100 And

00:35:09.320 That's

00:35:09.580 Like

00:35:09.740 A

00:35:09.860 Common

00:35:10.200 Thing

00:35:10.660 With

00:35:11.560 Like

00:35:11.860 What

00:35:12.100 Happens

00:35:12.500 In

00:35:12.740 MK

00:35:13.180 Ultra

00:35:13.440 Programs

00:35:14.020 It's

00:35:14.260 Like

00:35:14.440 The

00:35:14.820 Thing

00:35:15.520 That

00:35:15.740 You

00:35:15.840 Want

00:35:16.040 To

00:35:16.140 Do

00:35:25.520 Good

00:35:25.980 Performance

00:35:26.380 Out

00:35:26.560 Of

00:35:26.660 Her

00:35:26.740 Because

00:35:27.040 Obviously

00:35:28.640 Kubrick

00:35:29.100 Did

00:35:29.240 Not

00:35:29.440 Think

00:35:29.660 That

00:35:29.880 She

00:35:30.080 Was

00:35:30.300 That

00:35:30.720 Great

00:35:30.940 Of

00:35:31.060 An

00:35:31.160 Actor

00:35:31.400 Which

00:35:32.260 Is 0.88

00:35:32.480 A

00:35:32.620 Solid

00:35:32.860 Excuse

00:35:33.320 But

00:35:33.640 You're

00:35:33.840 Also

00:35:34.080 Using

00:35:34.580 These

00:35:35.480 Types

00:35:35.800 Of

00:35:36.120 Techniques

00:35:36.980 On

00:35:37.260 Her

00:35:37.560 That

00:35:38.120 Is 0.88

00:35:38.540 Like

00:35:39.560 Verbatim

00:35:40.200 What

00:35:40.400 Would

00:35:40.580 Be

00:35:40.880 Done

00:35:41.860 In

00:35:42.200 Some

00:35:42.520 Sort

00:35:42.820 Of

00:35:43.140 Mind

00:35:43.880 Control

00:35:44.200 Operation

00:35:44.800 And

00:35:45.640 It

00:35:45.760 Essentially

00:35:46.220 Wrecked

00:35:47.360 And

00:35:47.580 Ruined

00:35:48.440 Her

00:35:48.620 Career

00:35:48.980 Afterwards

00:35:49.480 And

00:35:49.760 She

00:35:49.880 Just

00:35:50.100 Passed

00:35:50.400 Away

00:35:50.720 Last

00:35:51.300 Year

00:35:51.480 And

00:35:51.560 We

00:35:51.640 Actually

00:35:51.860 Have

00:35:52.080 A

00:35:52.920 Title

00:35:54.020 Screen

00:35:54.400 At

00:35:54.580 The

00:35:54.740 End

00:35:55.000 Of

00:35:55.120 Our

00:35:55.280 Movie

00:35:55.600 And

00:35:55.980 You

00:35:56.260 Know

00:35:56.340 In

00:35:56.540 Memory

00:35:56.880 Of

00:35:57.160 Shelley

00:35:58.200 Duvall

00:35:58.660 But

00:35:59.520 Yeah

00:35:59.760 She

00:36:00.000 Became

00:36:00.360 Like

00:36:00.600 A

00:36:00.860 Wreck

00:36:01.500 I

00:36:02.280 Remember

00:36:02.520 She

00:36:02.820 Was

00:36:02.960 On

00:36:03.100 Dr.

00:36:03.760 Phil

00:36:04.100 And

00:36:04.380 Like

00:36:04.540 That

00:36:04.720 Dr.

00:36:05.120 Phil

00:36:05.360 Series

00:36:06.140 Whenever

00:36:07.180 He

00:36:07.460 Had

00:36:07.600 Her

00:36:07.720 On

00:36:07.900 Is 0.88

00:36:08.100 Like

00:36:08.420 Brutal

00:36:09.260 I

00:36:10.380 Remember

00:36:10.680 Hearing

00:36:11.620 The

00:36:12.820 Scene

00:36:13.100 You

00:36:13.200 Here's

00:36:13.580 Johnny

00:36:13.960 That

00:36:14.380 That

00:36:14.980 Scene

00:36:15.220 They

00:36:15.520 Did

00:36:15.740 It

00:36:15.840 Over

00:36:16.060 A

00:36:16.200 Hundred

00:36:16.420 I

00:36:16.700 Think

00:36:16.840 It

00:36:16.920 Has

00:36:17.360 The

00:36:17.520 Guinness

00:36:17.800 Guinness

00:36:18.460 World

00:36:18.720 Book

00:36:19.140 Record

00:36:19.440 Or

00:36:19.580 Something

00:36:19.720 For

00:36:19.880 The

00:36:20.000 Scene

00:36:20.760 That

00:36:21.540 One

00:36:21.880 Scene

00:36:22.140 That

00:36:22.280 Was

00:36:22.380 Filmed

00:36:22.740 The

00:36:22.900 Most

00:36:23.220 And

00:36:23.960 It's

00:36:24.260 Like

00:36:24.440 In

00:36:25.320 That's

00:36:25.680 The

00:36:25.840 Peak

00:36:26.120 Of

00:36:26.260 The

00:36:26.420 Movie

00:36:26.680 Right

00:36:26.980 Where

00:36:27.220 He's

00:36:27.480 Like

00:36:27.700 About

00:36:28.260 To

00:36:28.560 Murder

00:36:29.280 Axe

00:36:29.680 Murder

00:36:29.920 You

00:36:30.220 And

00:36:30.840 He's

00:36:31.020 Been

00:36:31.160 Torturing

00:36:31.620 You

00:36:31.740 This

00:36:31.920 Entire

00:36:32.240 Time

00:36:32.520 And

00:36:32.640 He

00:36:32.780 Finally

00:36:33.220 Gets

00:36:33.520 In

00:36:33.680 And

00:36:33.780 It's

00:36:33.920 Just

00:36:34.020 Like

00:36:34.140 Here's

00:36:34.580 Johnny

00:36:35.000 To

00:36:35.980 Make

00:36:36.220 Somebody

00:36:36.520 Relive

00:36:37.040 That

00:36:37.380 Yeah

00:36:38.140 Is 0.88

00:36:38.580 Fucking

00:36:39.620 Brutal

00:36:40.420 Man

00:36:40.900 You

00:36:41.360 Imagine

00:36:41.700 That

00:36:41.920 Doing

00:36:42.180 It

00:36:42.360 Enough

00:36:42.840 Eventually

00:36:43.560 You

00:36:43.860 Could

00:36:43.980 Becoming

00:36:44.320 Real

00:36:44.660 To

00:36:44.820 You

00:36:44.960 Right

00:36:45.140 Yeah

00:36:45.600 That's

00:36:46.200 What I

00:36:46.340 Was

00:36:46.420 Going

00:36:46.500 To

00:36:46.540 Say

00:36:46.680 It

00:36:46.780 Becomes

00:36:47.020 Real

00:36:47.260 To

00:36:47.420 You

00:36:47.620 You

00:36:48.540 Want

00:36:48.680 To

00:36:48.740 See

00:36:48.860 Something

00:36:49.060 Really

00:36:49.320 Interesting

00:36:49.760 Real

00:36:50.060 Quick

00:36:50.380 So

00:36:51.180 This

00:36:51.740 Whenever

00:36:53.160 Jack

00:36:53.960 Goes

00:36:54.780 Through

00:36:55.060 The

00:36:55.440 Whenever

00:36:56.560 He

00:36:56.740 Breaks

00:36:57.020 Down

00:36:57.420 Before

00:36:58.140 He

00:36:58.360 Sticks

00:36:58.900 His

00:36:59.040 Head

00:36:59.180 In

00:36:59.320 Says 0.93

00:36:59.580 Here's

00:36:59.940 Johnny

00:37:00.240 You

00:37:01.780 Only

00:37:02.080 See

00:37:02.700 Him

00:37:02.960 Break

00:37:03.320 Down

00:37:03.860 One

00:37:05.020 Side

00:37:05.420 Of

00:37:05.540 The

00:37:05.660 Quarter

00:37:05.900 Panel

00:37:06.340 Of

00:37:07.100 The

00:37:07.780 Door

00:37:08.180 Right

00:37:09.000 Right

00:37:09.280 It's

00:37:09.600 Only

00:37:09.840 On

00:37:10.140 The

00:37:10.280 Right

00:37:10.500 Side

00:37:10.800 And

00:37:10.960 He

00:37:11.060 Sticks

00:37:11.260 His

00:37:11.400 Head

00:37:11.540 Through

00:37:11.720 And

00:37:11.860 Says 0.93

00:37:12.080 Here's

00:37:12.440 Johnny

00:37:12.740 But

00:37:12.940 Then

00:37:13.100 Whenever

00:37:13.380 Halloran

00:37:14.140 Shows

00:37:15.260 Up

00:37:15.600 In

00:37:15.840 The

00:37:15.980 Snowmobile

00:37:16.640 At

00:37:17.020 The

00:37:17.160 Hotel

00:37:17.700 And

00:37:18.540 He

00:37:18.660 Turns

00:37:18.980 Around

00:37:19.460 Both

00:37:20.280 Sides

00:37:20.780 Of

00:37:21.080 The

00:37:21.200 Quarter

00:37:21.400 Panel

00:37:21.700 Of

00:37:21.920 The

00:37:22.020 Door

00:37:22.220 Have

00:37:22.360 Been

00:37:22.480 Broken

00:37:22.740 Down

00:37:23.080 Why

00:37:24.940 Is 0.88

00:37:25.160 Is 0.88

00:37:25.580 This

00:37:25.800 Done

00:37:26.140 To

00:37:26.560 Create

00:37:27.420 A

00:37:27.600 Certain

00:37:27.920 Effect

00:37:28.880 On

00:37:29.060 The

00:37:29.220 Audience

00:37:29.780 Or

00:37:31.160 Is 0.88

00:37:31.360 There

00:37:31.560 Maybe

00:37:32.200 A

00:37:32.580 Coded

00:37:33.220 Message

00:37:33.600 In

00:37:33.780 That

00:37:33.940 What

00:37:34.160 Do

00:37:34.280 You

00:37:34.520 Do

00:37:35.480 People

00:37:35.820 Do

00:37:36.220 You

00:37:36.300 Think

00:37:36.440 People

00:37:40.500 Psych

00:37:40.780 Like

00:37:41.260 Being

00:37:41.500 Fucked

00:37:41.840 With

00:37:42.040 I

00:37:42.560 Think

00:37:42.700 It's

00:37:42.880 Subconsciously

00:37:43.720 Because

00:37:44.100 I

00:37:44.720 Mean

00:37:44.980 Define

00:37:45.440 This

00:37:45.620 Stuff

00:37:45.980 You

00:37:46.540 Have

00:37:47.120 To

00:37:47.300 Watch

00:37:47.620 The

00:37:47.820 Movie

00:37:48.220 So

00:37:48.940 Many

00:37:49.300 Times

00:37:49.820 And

00:37:50.120 Like

00:37:50.320 Go

00:37:50.580 Through

00:37:50.840 Like

00:37:51.120 Frame

00:37:51.440 By

00:37:51.640 Frame

00:37:51.980 By

00:37:52.180 Frame

00:37:52.500 To

00:37:53.240 See

00:37:53.540 A

00:37:54.220 Lot

00:37:54.440 Of

00:37:54.560 The

00:37:54.720 Stuff

00:37:55.120 That

00:37:55.560 Is 0.88

00:37:55.900 There

00:37:56.120 And

00:37:56.260 That's

00:37:56.460 Just

00:37:56.620 One

00:37:57.000 Of

00:37:57.180 Them

00:37:57.340 Like

00:37:57.600 There's

00:37:57.920 Like

00:37:58.240 There's

00:37:59.400 Like

00:37:59.580 At

00:37:59.820 Least

00:38:00.240 60

00:38:00.800 Or

00:38:01.000 70

00:38:01.500 Jesus

00:38:02.440 Subtle

00:38:03.960 Things

00:38:04.560 That

00:38:04.960 Change

00:38:05.520 And

00:38:05.740 Move

00:38:06.360 Throughout

00:38:07.040 The

00:38:08.000 Shining

00:38:08.420 That

00:38:08.680 Is 0.88

00:38:08.860 100

00:38:09.240 Obvious

00:38:10.020 That

00:38:10.220 Makes

00:38:10.440 Absolutely

00:38:10.980 No

00:38:11.360 Sense

00:38:11.680 As

00:38:11.900 To

00:38:12.040 Why

00:38:12.300 Kubrick

00:38:12.760 Why

00:38:13.020 This

00:38:13.240 Would

00:38:13.380 Be

00:38:13.500 Done

00:38:13.700 I

00:38:13.800 Mean

00:38:13.900 This

00:38:14.080 Has

00:38:14.240 To

00:38:14.360 Pass

00:38:14.700 Through

00:38:15.040 So

00:38:16.640 Many

00:38:16.840 People's

00:38:17.300 Hands

00:38:17.560 Like

00:38:17.800 He

00:38:17.940 Has

00:38:18.080 An

00:38:18.200 Entire

00:38:18.520 Team

00:38:18.900 Working

00:38:19.400 For

00:38:19.920 Him

00:38:20.100 So

00:38:20.680 If

00:38:21.020 He

00:38:21.280 Would

00:38:21.440 Have

00:38:21.560 Made

00:38:21.740 A

00:38:21.880 Mistake

00:38:22.280 Which

00:38:22.520 Is 0.88

00:38:22.720 At

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00:43:13.020 These

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00:43:14.280 Parasites

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00:47:35.160 Shows

00:47:35.500 Us

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00:47:38.680 In

00:47:38.880 One

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00:47:39.420 And

00:47:39.640 The

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00:47:40.100 Switches

00:47:40.620 Or

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00:47:46.940 I

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00:47:48.000 The

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00:47:49.240 He

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00:47:54.760 Yeah

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00:47:57.940 The

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00:48:02.700 It's

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00:48:03.560 A

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00:48:04.300 That

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00:48:07.260 A

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00:48:11.540 It'll

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00:48:12.400 And

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00:48:14.220 Biden

00:48:14.500 Is 0.88

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00:48:15.260 Different

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00:48:25.600 Boom

00:48:25.980 Boom

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00:48:27.820 This

00:48:28.340 Is 0.88

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00:48:29.200 Really

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00:48:42.640 Biden

00:48:42.980 Is 0.88

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00:48:45.140 What's

00:48:45.400 Going

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00:48:45.760 Here

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00:48:48.620 Moment

00:48:48.920 It

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00:48:52.920 To

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00:48:54.580 And

00:48:55.300 So

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00:48:59.300 Like

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00:49:01.140 Purpose

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00:49:05.420 In

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00:49:06.880 A

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00:49:08.620 You

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00:49:09.660 Designers

00:49:10.340 Get

00:49:10.920 Paid

00:49:11.200 A

00:49:11.340 Lot

00:49:11.520 It's

00:49:11.700 A

00:49:11.780 Very

00:49:11.920 Important

00:49:12.300 Thing

00:49:12.580 To

00:49:12.720 Them

00:49:12.880 This

00:49:13.360 Is 0.88

00:49:13.500 Not

00:49:13.680 Something

00:49:13.960 That

00:49:14.220 You

00:49:14.380 Would

00:49:14.540 Just

00:49:14.840 Overlook

00:49:15.460 And

00:49:15.600 Then

00:49:15.740 You

00:49:15.920 Said

00:49:16.300 Ryder

00:49:17.100 That

00:49:17.260 There's

00:49:17.480 Upwards

00:49:18.280 Of

00:49:18.400 Seven

00:49:19.060 Instances

00:49:20.360 Or

00:49:20.580 70

00:49:20.980 Instances

00:49:21.560 Of

00:49:21.760 This

00:49:21.880 That's

00:49:22.300 Not

00:49:22.480 An

00:49:22.620 Accident

00:49:23.020 At

00:49:23.300 All

00:49:23.600 And

00:49:23.880 Then

00:49:23.980 You

00:49:24.080 Have

00:49:24.220 To

00:49:24.300 Ask

00:49:24.480 The

00:49:24.600 Question

00:49:24.860 What

00:49:25.160 On

00:49:25.460 Earth

00:49:25.740 Is 0.88

00:49:25.940 Kubrick

00:49:26.320 Trying

00:49:26.640 To

00:49:26.860 Express

00:49:27.320 By

00:49:27.640 These

00:49:27.840 Inconsistencies

00:49:28.680 Yeah

00:49:30.320 I

00:49:30.540 Would

00:49:30.660 Have

00:49:31.080 To

00:49:31.240 Absolutely

00:49:31.760 Agree

00:49:32.300 I

00:49:32.520 Mean

00:49:32.700 The

00:49:33.040 Way

00:49:33.240 That

00:49:33.400 You

00:49:33.520 Could

00:49:33.660 Get

00:49:33.820 Away

00:49:34.120 With

00:49:34.520 That

00:49:35.200 With

00:49:35.440 The

00:49:35.580 Hunter

00:49:35.760 Biden

00:49:36.120 Thing

00:49:36.720 Is 0.88

00:49:36.920 If

00:49:37.100 You

00:49:37.220 Just

00:49:37.580 Flipped

00:49:38.820 The

00:49:39.280 Video

00:49:40.080 To

00:49:40.380 The

00:49:40.660 Opposite

00:49:41.300 Direction

00:49:41.740 So

00:49:41.920 You

00:49:42.020 Could

00:49:42.140 Just

00:49:42.260 Yeah

00:49:43.220 You

00:49:43.460 Could

00:49:43.600 Just

00:49:43.840 Mirrored

00:49:44.840 It

00:49:44.980 Or

00:49:45.140 Turn

00:49:45.600 It

00:49:45.740 Around

00:49:45.960 But

00:49:46.160 I

00:49:46.320 Not

00:49:46.560 Sure

00:49:46.840 I

00:49:47.320 Have

00:49:47.500 To

00:49:47.600 Look

00:49:47.800 Into

00:49:48.000 That

00:49:48.280 That

00:49:54.860 These

00:49:55.100 Inconsistencies

00:49:56.060 Continuity

00:49:56.660 Errors

00:49:57.160 Earlier

00:49:58.580 Setups

00:49:59.200 In

00:49:59.380 The

00:49:59.520 Movie

00:49:59.780 For

00:50:00.040 Things

00:50:00.380 That

00:50:00.720 Are

00:50:00.940 Being

00:50:01.260 Paid

00:50:01.620 Off

00:50:01.960 Later

00:50:02.360 On

00:50:02.700 In

00:50:02.840 The

00:50:02.940 Movie

00:50:03.240 Like

00:50:03.580 Whenever

00:50:03.960 The

00:50:04.880 Doctor

00:50:05.200 Comes

00:50:05.540 To

00:50:05.800 Visit

00:50:06.200 Danny

00:50:06.640 Danny

00:50:07.420 Is 0.88

00:50:07.580 Laying

00:50:07.920 On

00:50:08.060 A

00:50:08.180 Teddy

00:50:08.420 Bear

00:50:08.800 There's

00:50:09.520 Teddy

00:50:09.760 Bear

00:50:10.120 Freaking

00:50:10.800 Paintings

00:50:12.140 On

00:50:12.260 The

00:50:12.360 Wall

00:50:12.620 At

00:50:12.760 Overlook

00:50:13.220 Hotel

00:50:13.720 And

00:50:14.040 Then

00:50:14.180 Later

00:50:14.420 On

00:50:14.720 Whenever

00:50:14.980 Wendy

00:50:15.320 She's

00:50:16.860 Essentially

00:50:17.220 Been

00:50:17.540 Traumatized

00:50:18.340 Because

00:50:19.100 Wendy

00:50:19.360 Hasn't

00:50:20.200 Been

00:50:20.780 Gotten

00:50:21.640 To

00:50:21.780 The

00:50:21.960 Degree

00:50:22.280 That

00:50:22.500 Danny

00:50:24.860 Because

00:50:25.160 The

00:50:25.900 Reason

00:50:26.220 That

00:50:26.500 Danny

00:50:26.820 Has

00:50:27.260 His

00:50:27.460 Abilities

00:50:28.000 To

00:50:28.220 Be

00:50:28.360 Able

00:50:28.480 To

00:50:28.660 Do

00:50:28.840 Anything

00:50:29.080 Is 0.88

00:50:29.300 Because

00:50:29.540 Of

00:50:29.740 The

00:50:29.880 Abuse

00:50:30.300 That

00:50:30.480 He

00:50:30.580 Suffered

00:50:30.940 By

00:50:31.140 Jack

00:50:31.640 And

00:50:32.360 This

00:50:32.540 Is 0.88

00:50:32.680 Explained

00:50:33.160 In

00:50:33.420 The

00:50:33.540 Beginning

00:50:33.800 Of

00:50:34.020 The

00:50:34.120 Movie

00:50:34.340 Between

00:50:34.900 The

00:50:35.100 Doctor

00:50:35.400 Wendy

00:50:35.780 And

00:50:36.260 Wendy

00:50:36.600 That

00:50:37.320 Comes

00:50:37.480 To

00:50:37.600 Visit

00:50:37.800 Them

00:50:38.000 In

00:50:38.120 Their

00:50:38.320 Apartment

00:50:38.800 In

00:50:39.040 Boulder

00:50:39.320 The

00:50:40.500 Doctor

00:50:40.780 Ask

00:50:41.180 Her

00:50:41.420 When

00:50:42.000 Did

00:50:42.600 These

00:50:42.960 When

00:50:43.340 Did

00:50:43.440 He

00:50:43.560 Start

00:50:43.780 Showing

00:50:44.080 These

00:50:44.280 Types

00:50:44.520 Of

00:50:44.660 Signs

00:50:45.000 When

00:50:45.140 Did

00:50:45.240 He

00:50:45.340 Start

00:50:45.520 Having

00:50:54.860 Are

00:50:57.020 Going

00:50:57.120 To

00:50:58.980 When

00:50:59.160 Did

00:50:59.260 He

00:50:59.360 Start

00:50:59.580 Experiencing

00:51:00.120 This

00:51:00.320 Kind

00:51:00.480 Of

00:51:00.560 Stuff

00:51:00.780 And

00:51:00.920 Then

00:51:01.460 Wendy

00:51:01.760 Says 0.93

00:51:02.080 Well

00:51:02.360 Wasn't

00:51:02.800 Long

00:51:03.240 After

00:51:04.280 Jack

00:51:06.520 Had

00:51:06.820 Hurt

00:51:07.280 Danny's

00:51:07.720 Arm

00:51:07.940 Essentially

00:51:08.720 That's

00:51:09.680 Not

00:51:09.800 The

00:51:09.940 Exact

00:51:10.240 Verbatim

00:51:10.880 Words

00:51:11.240 I'm

00:51:11.400 Paraphrasing

00:51:11.880 It

00:51:12.080 But

00:51:12.240 He

00:51:13.180 Started

00:51:13.480 Experiencing

00:51:14.020 These

00:51:14.220 Problems

00:51:14.600 Whenever

00:51:14.900 Jack

00:51:15.540 Injured

00:51:15.840 Danny's

00:51:16.220 Arm

00:51:16.400 And

00:51:17.000 Then

00:51:17.220 Jack

00:51:17.660 Later

00:51:17.900 On

00:51:18.120 Admits

00:51:18.640 That

00:51:19.440 To

00:51:19.640 Lloyd

00:51:19.880 The

00:51:20.020 Bartender

00:51:20.540 He

00:51:20.820 First

00:51:21.100 Off

00:51:21.360 He

00:51:21.500 Says 0.93

00:51:21.720 Oh

00:51:21.920 Well

00:51:22.140 I

00:51:22.520 Didn't

00:51:22.780 Touch

00:51:24.860 Maybe

00:51:25.140 I

00:51:25.380 Got

00:51:25.620 Him

00:51:25.780 One

00:51:26.040 Time

00:51:26.340 But

00:51:26.540 It

00:51:26.660 Was

00:51:26.780 An

00:51:26.940 Accident

00:51:27.400 It

00:51:28.160 Was

00:51:28.320 Four

00:51:28.580 Damn

00:51:28.900 Years

00:51:29.200 Ago

00:51:29.500 Which

00:51:30.040 Is 0.88

00:51:30.160 Another

00:51:30.580 There's

00:51:31.320 Dialogue

00:51:31.880 Continuity

00:51:32.440 Errors

00:51:32.820 As

00:51:33.040 Well

00:51:33.220 Because

00:51:33.520 Wendy

00:51:33.920 Says 0.93

00:51:35.440 In

00:51:35.800 The

00:51:35.980 Movie

00:51:36.360 That

00:51:36.960 Jack

00:51:37.720 Had

00:51:37.920 Been

00:51:38.100 Sober

00:51:38.560 Since

00:51:38.980 The

00:51:39.200 Time

00:51:39.620 That

00:51:40.120 He

00:51:40.540 Had

00:51:41.280 Hurt

00:51:41.600 Danny's

00:51:42.060 Arm

00:51:42.420 And

00:51:42.600 Then

00:51:42.780 Jack

00:51:43.140 Says 0.93

00:51:43.540 That

00:51:43.840 It

00:51:44.000 Was

00:51:44.380 Three

00:51:46.240 Or

00:51:46.480 Four

00:51:46.760 Years

00:51:47.100 So

00:51:47.500 It

00:51:47.640 Didn't

00:51:47.780 Make

00:51:47.980 Any

00:51:48.160 Sense

00:51:48.340 Because

00:51:48.640 Jack

00:51:49.060 Had

00:51:49.200 Only

00:51:49.400 Been

00:51:49.640 Sober

00:51:49.960 For

00:51:50.160 Five

00:51:50.460 Months

00:51:51.460 So

00:51:54.460 It's

00:51:54.640 A

00:51:54.760 Dialogue

00:51:55.240 Error

00:51:55.420 And

00:51:55.520 There's

00:51:55.700 Other

00:51:55.880 Dialogue

00:51:56.380 Errors

00:51:56.700 As

00:51:56.880 Well

00:51:57.100 In

00:51:57.240 The

00:51:57.340 Movie

00:51:57.540 There's

00:51:57.900 One

00:51:58.440 With

00:51:58.980 Grady

00:52:01.940 Which

00:52:02.280 Is 0.88

00:52:02.480 The

00:52:02.680 Theory

00:52:02.960 That

00:52:03.260 There's

00:52:03.660 Two

00:52:03.900 Different

00:52:04.440 Grady's

00:52:05.160 In

00:52:05.280 The

00:52:05.400 Movie

00:52:05.640 But

00:52:05.960 One

00:52:06.820 That

00:52:06.980 I

00:52:07.100 Didn't

00:52:07.280 Even

00:52:07.580 Catch

00:52:08.620 That

00:52:08.780 Was

00:52:08.900 Brought 0.80

00:52:09.160 Up

00:52:09.360 Whenever

00:52:09.600 We

00:52:09.820 Had

00:52:10.000 Mark

00:52:10.340 Devlin

00:52:10.780 On

00:52:11.320 The

00:52:11.460 Show

00:52:11.660 Because

00:52:11.820 Mark

00:52:12.060 Devlin

00:52:12.360 Is 0.88

00:52:12.460 In

00:52:12.540 The

00:52:12.660 Documentary

00:52:13.260 We

00:52:13.720 Have

00:52:13.960 Kathy

00:52:14.300 O'Brien

00:52:14.680 Which

00:52:14.880 Is 0.88

00:52:15.000 MK

00:52:15.300 Ultra

00:52:15.620 Mind

00:52:16.440 Control

00:52:16.820 Survivor

00:52:18.320 We

00:52:18.480 Have

00:52:18.680 Joe

00:52:18.960 Outwell

00:52:19.380 Which

00:52:19.600 Is 0.88

00:52:19.720 An

00:52:19.860 Author

00:52:20.140 And

00:52:20.360 A

00:52:20.480 Researcher

00:52:21.080 We

00:52:21.260 Have

00:52:21.400 Mark

00:52:21.640 Devlin

00:52:22.040 Which

00:52:22.260 Is 0.88

00:52:22.420 An

00:52:22.580 Author

00:52:22.840 And

00:52:23.700 Researcher

00:52:24.540 And

00:52:24.680 Is 0.88

00:52:24.840 Delved

00:52:25.280 Into

00:52:25.420 The

00:52:25.600 Music

00:52:25.880 Industry

00:52:26.360 Then

00:52:26.920 We

00:52:27.000 Have

00:52:27.120 Walter

00:52:27.460 Bosley

00:52:27.960 Which

00:52:28.200 Is 0.88

00:52:28.340 A

00:52:28.660 AFOSI

00:52:29.580 Former

00:52:29.920 Air

00:52:30.200 Force

00:52:30.540 Intelligence

00:52:31.300 Agent

00:52:32.080 They're

00:52:33.380 All

00:52:33.560 In

00:52:33.660 The

00:52:33.740 Movie

00:52:33.920 Including

00:52:34.280 Me

00:52:34.600 And

00:52:35.040 NJ

00:52:36.340 Widener

00:52:36.740 But

00:52:37.040 Mark

00:52:37.860 Brought 0.80

00:52:38.080 Up

00:52:38.260 In

00:52:38.380 Our

00:52:38.560 Interview

00:52:38.920 Is 0.88

00:52:39.320 The

00:52:39.940 Reason

00:52:40.420 Why

00:52:41.080 Grady's

00:52:42.640 Name

00:52:43.020 Changes

00:52:43.680 Throughout

00:52:44.920 The

00:52:45.160 Movie

00:52:45.360 So

00:52:45.540 Whenever

00:52:45.860 Jack

00:52:46.580 Is 0.88

00:52:46.780 Sitting

00:52:46.960 Down

00:52:47.240 For

00:52:47.400 The

00:52:47.520 Interview

00:52:47.920 With

00:52:48.820 Ullman

00:52:49.220 Ullman

00:52:50.900 Says 0.93

00:52:51.260 That

00:52:52.240 He

00:52:55.300 Says 0.93

00:52:55.600 Grady

00:52:57.200 He

00:52:58.040 Says 0.93

00:52:58.280 His

00:52:58.460 Full

00:52:58.680 Name

00:52:59.080 Sorry

00:52:59.580 I'm

00:52:59.740 Blinking

00:52:59.980 On

00:53:00.260 The

00:53:00.700 Exact

00:53:01.020 Name

00:53:01.520 That

00:53:01.660 He

00:53:01.760 Calls

00:53:02.000 Him

00:53:02.100 He

00:53:02.660 Says 0.93

00:53:02.940 Fuck

00:53:05.700 So

00:53:06.900 Later

00:53:07.440 Grady

00:53:08.340 Calls

00:53:08.660 Himself

00:53:09.000 Delbert

00:53:09.440 Grady

00:53:09.700 So

00:53:09.900 Jack

00:53:10.300 Is 0.88

00:53:10.480 Saying

00:53:10.760 Delbert

00:53:12.280 Grady

00:53:12.520 Don't

00:53:12.720 I Know

00:53:13.000 You

00:53:13.140 From

00:53:13.300 Somewhere

00:53:13.560 I've

00:53:13.780 Seen

00:53:13.960 You

00:53:14.080 Around

00:53:14.340 The

00:53:14.500 Hotel

00:53:14.760 Before

00:53:15.040 I've

00:53:15.200 Seen

00:53:15.340 Your

00:53:15.440 Pictures

00:53:15.700 On

00:53:15.880 The

00:53:15.960 Wall

00:53:16.120 But

00:53:16.280 We've

00:53:16.480 Never

00:53:16.680 Seen

00:53:16.960 Any

00:53:17.160 Picture

00:53:17.480 Of

00:53:17.920 Delbert

00:53:18.280 Grady

00:53:18.480 But

00:53:18.660 There

00:53:18.800 Was

00:53:18.940 Actually

00:53:19.220 A

00:53:19.420 Scene

00:53:19.700 That

00:53:19.860 Was

00:53:20.000 Cut

00:53:20.260 Out

00:53:20.560 Of

00:53:20.820 The

00:53:20.960 Movie

00:53:21.560 Of

00:53:22.180 The

00:53:22.280 Shining

00:53:22.580 That

00:53:22.800 Stanley

00:53:23.220 Kubrick

00:53:23.640 Actually

00:53:24.000 Filmed

00:53:24.420 Which

00:53:24.660 Was

00:53:24.840 Jack

00:53:25.320 Whenever

00:53:25.600 He

00:53:25.780 Went

00:53:25.960 Down

00:53:26.200 Into

00:53:26.380 The

00:53:26.520 Basement

00:53:27.020 He

00:53:27.780 Found

00:53:28.000 A

00:53:28.140 Scrapbook

00:53:28.820 Of

00:53:29.700 All

00:53:29.900 The

00:53:30.060 Events

00:53:30.460 That

00:53:30.620 Happened

00:53:31.040 Up

00:53:31.220 At

00:53:31.340 The

00:53:31.840 Overlook

00:53:32.440 Hotel

00:53:32.820 So

00:53:33.880 That's

00:53:34.500 Like

00:53:34.700 A

00:53:34.820 Scene

00:53:35.020 That

00:53:35.180 Was

00:53:35.280 Cut

00:53:35.500 Out

00:53:35.680 Which

00:53:36.040 Didn't

00:53:36.340 Make

00:53:36.540 Any

00:53:36.740 Sense

00:53:37.080 Because

00:53:37.960 He

00:53:38.480 Says 0.93

00:53:38.720 That

00:53:38.860 He

00:53:38.960 Has

00:53:39.140 Seen

00:53:39.520 Delbert

00:53:40.400 Grady

00:53:40.800 Picture

00:53:42.560 Around

00:53:43.060 The

00:53:43.220 Hotel

00:53:43.580 And

00:53:43.740 The

00:53:43.820 Only

00:53:43.960 Way

00:53:44.140 That

00:53:44.260 He

00:53:44.360 Would

00:53:44.460 Have

00:53:44.560 Seen

00:53:44.740 That

00:53:44.900 Picture

00:53:45.160 Is 0.88

00:53:45.320 If

00:53:45.480 He

00:53:45.620 Would

00:53:45.840 Have

00:53:45.960 Found

00:53:46.260 The

00:53:46.480 Scrapbook

00:53:47.080 That

00:53:47.620 Was

00:53:47.760 In

00:53:47.860 The

00:53:47.980 Basement

00:53:48.320 Which

00:53:48.540 Was

00:53:48.680 The

00:53:48.820 Scene

00:53:49.020 That

00:53:49.120 Was

00:53:49.220 Cut

00:53:49.420 Out

00:53:49.560 So

00:53:49.700 There's

00:53:49.900 Remnants

00:53:50.380 Of

00:53:51.160 That

00:53:51.360 Scene

00:54:01.040 Different

00:54:01.180 Name

00:54:01.360 In

00:54:01.480 The

00:54:01.580 Book

00:54:01.840 It's

00:54:02.080 Not

00:54:02.200 The

00:54:02.340 Same

00:54:02.520 Name

00:54:02.860 From

00:54:04.620 The

00:54:04.800 Stephen

00:54:05.060 King

00:54:05.300 Book

00:54:05.500 I

00:54:05.640 Think

00:54:05.800 It

00:54:05.900 Was

00:54:06.080 Delbert

00:54:06.840 And

00:54:07.080 Then

00:54:07.220 It's

00:54:07.420 Charles

00:54:07.780 In

00:54:07.980 One

00:54:08.240 Version

00:54:08.560 For

00:54:08.840 Whatever

00:54:09.080 Reason

00:54:09.380 And

00:54:09.900 It

00:54:10.220 Does

00:54:11.100 A

00:54:11.340 Weird

00:54:11.540 Slip

00:54:12.020 Right

00:54:12.280 Like

00:54:13.160 They

00:54:13.260 Kind

00:54:13.480 Of

00:54:14.520 Like

00:54:14.940 Forget

00:54:15.280 That

00:54:15.520 They

00:54:15.660 Did

00:54:15.900 That

00:54:16.200 That

00:54:17.580 That's

00:54:17.660 Right

00:54:17.800 It

00:54:17.900 Was

00:54:18.020 Charles

00:54:18.400 Charles

00:54:18.760 Grady

00:54:19.060 Whenever

00:54:19.360 Allman

00:54:19.740 Was

00:54:19.940 Talking

00:54:21.160 To

00:54:21.360 Jack

00:54:21.700 He

00:54:21.860 Said

00:54:22.040 The

00:54:22.280 Former

00:54:22.760 Caretaker

00:54:23.260 Charles

00:54:23.680 Grady

00:54:24.000 We

00:54:24.180 Had

00:54:24.400 Up

00:54:24.560 Here

00:54:24.700 Murdered

00:54:25.220 His

00:54:25.420 Wife

00:54:26.080 And

00:54:26.220 His

00:54:26.360 Two

00:54:26.520 Daughters

00:54:26.920 And

00:54:27.700 Then

00:54:27.860 Later

00:54:28.240 Whenever

00:54:28.660 Jack

00:54:29.180 And

00:54:29.460 Grady

00:54:30.520 Is 0.88

00:54:30.740 In

00:54:30.920 The

00:54:31.260 In

00:54:31.920 The

00:54:32.020 Bathroom

00:54:32.460 And

00:54:32.580 He's

00:54:32.720 Cleaning

00:54:32.960 The

00:54:33.180 Alcohol

00:54:33.520 Off

00:54:34.060 Of

00:54:34.320 Jack's

00:54:35.780 Blazer

00:54:36.500 He

00:54:37.320 Refers 1.00

00:54:37.840 To

00:54:37.960 Himself

00:54:38.240 As

00:54:38.420 Delbert

00:54:38.760 Grady

00:54:39.100 That's

00:54:39.800 Charles

00:54:40.140 Grady

00:54:40.480 And

00:54:40.640 Delbert

00:54:40.980 Grady

00:54:41.280 Delbert

00:54:41.940 Is 0.88

00:54:42.140 His

00:54:42.300 Name

00:54:42.500 In

00:54:42.640 The

00:54:42.740 Book

00:54:43.020 I

00:54:43.540 Love

00:54:44.040 Stephen

00:54:44.360 King

00:54:44.600 I

00:54:44.800 Hate

00:54:45.260 His

00:54:45.420 Politics

00:54:45.820 I

00:54:46.000 Think

00:54:46.140 He's

00:54:46.280 A

00:54:46.360 Huge

00:54:46.660 Homo 0.87

00:54:47.120 But

00:54:47.740 I

00:54:47.940 I

00:54:48.280 Just

00:54:48.460 Really

00:54:48.700 Like

00:54:49.000 His

00:54:49.220 Writing

00:54:49.840 The

00:54:50.480 Dark 0.57

00:54:50.720 Tower

00:54:50.920 Whatever

00:54:51.180 I

00:54:51.880 Do

00:54:52.000 Remember

00:54:52.240 It's

00:54:52.420 Delbert

00:54:52.760 In

00:54:53.120 The

00:54:53.220 Book

00:54:53.420 And

00:54:54.160 It's

00:54:54.480 Charles

00:54:55.200 So

00:54:56.000 Yeah

00:54:56.280 It's

00:54:56.660 Like

00:54:56.820 They

00:54:57.080 So

00:54:57.300 They

00:54:57.480 Intentionally

00:54:58.340 He

00:54:58.840 Goes

00:54:59.040 Through

00:54:59.160 The

00:54:59.280 Trouble

00:54:59.500 Of

00:54:59.720 Changing

00:55:00.240 This

00:55:00.480 Guy's 0.89

00:55:00.720 Name

00:55:00.860 For

00:55:01.020 Really

00:55:01.260 No

00:55:01.440 Reason

00:55:01.780 Because

00:55:02.020 It's

00:55:02.180 Not

00:55:02.420 Even

00:55:02.680 A

00:55:02.860 Real

00:55:03.540 Character

00:55:04.040 In

00:55:04.300 This

00:55:04.460 Play

00:55:06.660 In

00:55:06.840 This

00:55:06.980 Book

00:55:07.240 Or

00:55:07.400 Movie

00:55:07.720 And

00:55:08.400 Then

00:55:08.560 Accidentally

00:55:09.180 Like

00:55:09.840 What

00:55:11.040 Would

00:55:11.220 Be

00:55:17.940 Extremely

00:55:18.460 Jarring

00:55:18.940 For

00:55:19.280 Anyone

00:55:19.540 Who

00:55:19.780 Is 0.88

00:55:19.940 If

00:55:21.580 He

00:55:21.820 Is 0.88

00:55:22.100 Creating

00:55:23.040 All

00:55:23.220 These

00:55:23.400 Inconsistencies

00:55:24.540 In

00:55:25.680 The

00:55:26.100 Hopes

00:55:26.440 That

00:55:26.620 Someone

00:55:26.920 Would

00:55:27.140 Notice

00:55:27.580 And

00:55:28.040 If

00:55:28.180 You

00:55:28.300 Notice

00:55:28.740 Then

00:55:29.740 You

00:55:29.860 Might

00:55:30.040 Start

00:55:30.280 Looking

00:55:30.520 For

00:55:30.720 More

00:55:30.960 Inconsistencies

00:55:31.940 And

00:55:32.400 To

00:55:32.680 Your

00:55:32.820 Point

00:55:33.060 Writer

00:55:33.340 It

00:55:33.560 Seems

00:55:33.760 To

00:55:33.860 Be

00:55:33.960 Riddled

00:55:34.240 With

00:55:34.420 Them

00:55:34.580 And

00:55:35.460 Then

00:55:35.700 If

00:55:36.120 You're

00:55:36.300 Looking

00:55:36.700 For

00:55:38.080 Those

00:55:38.380 Things

00:55:38.660 And

00:55:38.820 You're

00:55:38.940 No

00:55:39.080 Longer

00:55:39.360 Paying

00:55:39.620 Attention

00:55:39.880 To

00:55:40.100 The

00:55:40.260 Story

00:55:40.600 Well

00:55:41.120 Then

00:55:41.240 You

00:55:41.360 Might

00:55:41.580 Pick

00:55:41.840 Up

00:55:41.980 On

00:55:42.100 The

00:55:47.940 Be

00:55:48.480 Cued

00:55:48.840 In

00:55:49.060 To

00:55:49.220 The

00:55:49.400 Idea

00:55:49.660 That

00:55:49.840 Something

00:55:50.140 Else

00:55:50.380 Is 0.88

00:55:50.520 Happening

00:55:50.880 Yeah

00:55:52.760 There's

00:55:53.180 Because

00:55:55.100 Whenever

00:55:55.320 I was

00:55:55.620 Making

00:55:55.940 The

00:55:56.140 Movie

00:55:56.400 I

00:55:56.760 Originally

00:55:57.340 Wanted

00:55:57.860 To

00:55:58.160 Make

00:56:00.000 The

00:56:00.200 Movie

00:56:00.500 And

00:56:00.860 I

00:56:01.000 Was

00:56:01.160 Watching

00:56:01.960 The

00:56:02.140 Shining

00:56:02.420 Over

00:56:02.740 And

00:56:02.920 Over

00:56:03.120 And

00:56:03.280 Over

00:56:03.500 Again

00:56:03.780 And

00:56:03.940 I

00:56:04.020 Wasn't

00:56:04.320 Really

00:56:04.520 Privy

00:56:04.900 To

00:56:05.180 Any

00:56:05.520 Of

00:56:05.680 The

00:56:05.780 Other

00:56:06.060 The

00:56:06.080 The

00:56:06.620 Surrounding

00:56:07.280 The

00:56:07.420 Shining

00:56:07.640 So

00:56:07.820 I

00:56:07.900 Was

00:56:08.000 Just

00:56:08.160 Watching

00:56:08.520 The

00:56:08.700 Movie

00:56:08.920 Over

00:56:09.220 And

00:56:09.400 Over

00:56:09.600 And

00:56:09.740 Again

00:56:10.160 And

00:56:10.300 I

00:56:10.340 Trying

00:56:10.560 To

00:56:10.720 Figure

00:56:11.060 Out

00:56:11.300 And

00:56:11.440 See

00:56:11.680 Things

00:56:12.140 That

00:56:12.340 Maybe

00:56:12.620 No

00:56:13.360 One

00:56:13.540 Had

00:56:13.700 Ever

00:56:14.000 Seen

00:56:14.460 Before

00:56:14.800 And

00:56:15.720 I

00:56:15.880 Believe

00:56:16.460 That

00:56:16.680 I

00:56:16.840 Did

00:56:17.080 Find

00:56:17.440 Things

00:56:17.900 That

00:56:18.220 No

00:56:18.560 One

00:56:18.700 Had

00:56:18.800 Ever

00:56:19.000 Seen

00:56:19.240 Before

00:56:19.600 In

00:56:20.060 The

00:56:20.340 Background

00:56:20.820 Of

00:56:22.240 The

00:56:22.360 Gold

00:56:22.680 Room

00:56:23.060 Hold

00:56:23.520 On

00:56:23.660 Let

00:56:23.800 Me

00:56:23.960 Try

00:56:24.540 And

00:56:24.840 Okay

00:56:25.500 We're

00:56:26.500 On

00:56:26.720 Uncensored

00:56:28.020 Platform

00:56:28.400 Right

00:56:28.740 Oh

00:56:29.320 Yeah

00:56:29.540 Okay

00:56:29.960 So

00:56:30.880 If

00:56:31.120 You

00:56:41.060 Giving

00:56:41.220 Them

00:56:41.420 A

00:56:41.580 Tour

00:56:41.800 Of

00:56:41.940 The

00:56:42.040 Gold

00:56:42.300 Room

00:56:42.560 There's

00:56:43.480 A

00:56:44.600 Fucking

00:56:44.900 Nazi

00:56:45.340 Swastika 0.88

00:56:46.080 In

00:56:48.580 The

00:56:48.700 Background

00:56:49.000 Of

00:56:49.180 The

00:56:49.260 Gold

00:56:49.460 Room

00:56:49.620 On

00:56:49.740 The

00:56:49.840 Wall

00:56:50.100 Nazis

00:56:51.640 Love

00:56:51.900 Their

00:56:52.060 Symbology

00:56:52.580 Dude

00:56:52.940 That's

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00:56:54.100 And

00:56:55.240 Where

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00:56:55.580 Mind

00:56:56.620 Control

00:56:57.060 And

00:56:57.380 MK

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00:57:00.200 It's

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00:57:01.540 The

00:57:01.740 Nazis

00:57:02.140 Get

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00:57:03.500 With

00:57:03.860 Racism

00:57:05.580 And

00:57:05.960 Like

00:57:06.460 I

00:57:06.840 Don't

00:57:07.080 Politics

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00:57:07.820 Like

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00:57:08.200 Really

00:57:08.580 Do

00:57:08.820 Shine

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00:57:09.460 Their

00:57:09.600 Occult

00:57:09.920 Symbolism

00:57:10.560 And

00:57:11.000 And

00:57:11.220 That

00:57:11.400 Kind

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00:57:11.700 Stuff

00:57:11.900 Their

00:57:12.100 Ties

00:57:12.400 To

00:57:12.560 Methamphetamine

00:57:13.300 Yeah

00:57:13.460 Everybody's

00:57:13.860 Everybody's

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00:57:14.460 Because

00:57:14.800 They're

00:57:15.200 They're

00:57:15.600 They're

00:57:15.880 Racist

00:57:16.260 I'm

00:57:16.400 Like

00:57:16.520 You

00:57:16.600 Should

00:57:16.720 Be

00:57:16.820 Mad

00:57:17.100 Because

00:57:17.400 They're

00:57:18.380 Occultists 1.00

00:57:19.660 Then

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00:57:20.800 They're

00:57:20.960 Clearly

00:57:21.300 Trying

00:57:22.220 To

00:57:22.660 Do

00:57:23.480 Something

00:57:23.900 Pretty

00:57:24.300 Nefarious

00:57:24.880 I mean

00:57:25.120 Like

00:57:25.400 Channeling

00:57:26.100 Channeling

00:57:26.980 Ancient

00:57:27.360 Atlanians 0.83

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00:57:28.640 Like

00:57:28.840 That

00:57:29.060 No

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00:57:30.000 Yeah

00:57:30.820 But

00:57:31.060 Did

00:57:31.240 You

00:57:31.340 Hear

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00:57:32.300 About

00:57:32.500 The

00:57:32.660 Blacks 1.00

00:57:33.100 Like

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00:57:33.540 We're

00:57:35.400 Missing

00:57:35.740 It

00:57:35.900 We're

00:57:36.080 Missing

00:57:36.380 It

00:57:36.520 Here

00:57:36.760 Yeah

00:57:37.940 I

00:57:38.680 I

00:57:39.140 See

00:57:39.360 This

00:57:39.700 I

00:57:40.340 Mean

00:57:40.620 I

00:57:41.420 Wonder

00:57:41.740 If

00:57:42.040 Why

00:57:42.460 Do

00:57:42.600 You

00:57:42.700 Think

00:57:42.920 Why

00:57:43.300 Do

00:57:43.420 You

00:57:43.520 Think

00:57:43.660 He

00:57:43.760 Put

00:57:43.940 It

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00:57:44.160 Because

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00:57:44.840 Me

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00:57:45.300 It's

00:57:45.480 Gotta

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00:57:46.220 Symbolism

00:57:46.700 Of

00:57:46.920 The

00:57:47.080 Nazis

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00:59:54.780 That

00:59:55.120 Revolve

00:59:55.900 Around

00:59:56.160 This

00:59:56.480 Whenever

00:59:57.360 Jack

00:59:58.880 Is 0.88

00:59:59.080 In

00:59:59.240 The

00:59:59.360 Gold

00:59:59.620 Room

00:59:59.880 And

00:59:59.980 He's

01:00:00.140 Talking

01:00:00.360 To

01:00:00.580 Lloyd

01:00:00.920 The

01:00:01.400 Bartender

01:00:02.000 There's

01:00:02.960 A

01:00:03.060 Lady

01:00:03.320 That

01:00:03.780 Walks

01:00:04.620 Past

01:00:05.020 That

01:00:05.400 Has

01:00:06.120 Like

01:00:06.360 This

01:00:06.660 Outline

01:00:07.840 Of

01:00:07.980 A

01:00:08.100 Bloody

01:00:08.360 Handprint

01:00:09.260 That's

01:00:09.720 On

01:00:09.900 Her

01:00:10.040 Ass 0.93

01:00:10.360 Now

01:00:10.560 People

01:00:10.840 Have

01:00:11.100 Said

01:00:11.360 That

01:00:11.700 This

01:00:12.040 Is 0.88

01:00:12.360 I

01:00:12.700 Was

01:00:12.840 The

01:00:12.960 First

01:00:13.120 Person

01:00:13.420 To

01:00:13.580 See

01:00:13.740 This

01:00:14.040 I

01:00:14.360 Was

01:00:14.520 The

01:00:14.620 Only

01:00:14.760 Person

01:00:15.040 That

01:00:15.180 Ever

01:00:15.340 Pointed

01:00:15.660 This

01:00:15.820 Out

01:00:15.980 I

01:00:36.360 And

01:00:36.920 And

01:00:36.940 And

01:00:36.960 Then

01:00:37.060 What

01:00:37.220 People

01:00:37.500 Suggest

01:00:38.040 That

01:00:38.280 That

01:00:38.900 That

01:00:39.000 Bloody

01:00:40.320 Handprint

01:00:40.780 Is 0.88

01:00:41.260 Is 0.88

01:00:41.560 Actually

01:00:41.980 Representative

01:00:42.560 Of

01:00:42.920 One

01:00:43.480 In

01:00:43.660 Particular

01:00:44.140 Torture

01:00:45.100 Victim

01:00:45.440 A

01:00:45.680 Child

01:00:46.240 Who

01:00:46.900 Would

01:00:47.080 Have

01:00:47.240 Been

01:00:47.560 You

01:00:48.280 Know

01:00:48.360 The

01:00:48.500 Recipient

01:00:48.980 Of

01:00:49.160 Just

01:00:49.400 Horrifying

01:00:49.980 Things

01:00:50.460 In

01:00:50.700 An

01:00:50.820 Epstein

01:00:51.280 Esque

01:00:51.800 Kind

01:00:52.100 Of

01:00:52.180 A

01:00:52.280 Scenario

01:00:52.700 And

01:00:53.620 They

01:00:53.980 Even

01:00:54.240 Allege

01:00:54.720 That

01:00:55.100 People

01:00:56.000 Like

01:00:56.240 Ellen

01:00:56.520 Degeneres

01:00:57.200 And

01:00:57.360 I

01:00:57.480 Think

01:00:57.700 Jay-Z

01:00:58.520 And

01:00:58.880 A

01:00:59.160 Few

01:00:59.360 Others

01:00:59.780 Pay

01:01:00.820 Homage

01:01:01.520 To

01:01:01.700 That

01:01:01.940 Moment

01:01:02.380 You'll

01:01:03.080 See

01:01:03.260 This

01:01:03.500 Bloody

01:01:04.260 Handprint

01:01:04.900 Face

01:01:05.400 Thing

01:01:05.700 In

01:01:05.900 A

01:01:05.980 Lot

01:01:06.120 Of

01:01:06.220 Things

01:01:06.440 They'll

01:01:07.660 Wear

01:01:07.800 It

01:01:07.900 On

01:01:07.980 A

01:01:08.100 Sweater

01:01:08.500 And

01:01:10.060 It

01:01:10.180 It's

01:01:11.120 Not

01:01:11.260 Quite

01:01:11.440 The

01:01:11.640 Same

01:01:11.920 Thing

01:01:12.260 But

01:01:12.580 It

01:01:12.680 Does

01:01:12.880 Bear

01:01:13.080 Resemblance

01:01:13.660 It's

01:01:13.840 A

01:01:13.980 Face

01:01:14.380 And

01:01:14.680 It's

01:01:15.140 Bloodied

01:01:15.980 I've

01:01:16.700 Also

01:01:16.900 Seen

01:01:17.180 It

01:01:17.300 Blown

01:01:17.560 Up

01:01:17.840 As

01:01:18.360 Artwork

01:01:18.880 I

01:01:19.320 Think

01:01:19.560 In

01:01:19.780 Jay-Z

01:01:20.520 House

01:01:20.780 Or

01:01:20.920 Tony

01:01:22.360 Podesta

01:01:22.920 So

01:01:23.640 I

01:01:23.800 Mean

01:01:23.920 Yeah

01:01:24.200 This

01:01:24.560 This

01:01:24.840 All

01:01:25.200 Becomes

01:01:26.000 I

01:01:26.660 Mean

01:01:26.800 That

01:01:26.920 Just

01:01:27.060 Got

01:01:27.220 Real

01:01:27.400 Messy

01:01:27.720 Real

01:01:27.900 Quick

01:01:28.240 It

01:01:29.160 Did

01:01:29.380 And

01:01:29.500 That's

01:01:29.680 One

01:01:29.820 Of

01:01:29.920 The

01:01:30.040 First

01:01:30.440 Things

01:01:30.920 That

01:01:31.400 That

01:01:31.880 I

01:01:32.020 Had

01:01:32.160 Seen

01:01:32.480 While

01:01:32.780 I

01:01:32.900 Was

01:01:33.040 Watching

01:01:33.380 The

01:01:33.640 Movie

01:01:33.880 That

01:01:34.060 No

01:01:34.220 One

01:01:34.360 Else

01:01:34.560 Had

01:01:34.840 Ever

01:01:35.760 Brought 0.80

01:01:36.060 Up

01:01:36.240 Or

01:01:36.340 Noticed

01:01:36.820 Before

01:01:37.080 And

01:01:37.380 With

01:01:38.340 Anything

01:01:38.740 Too

01:01:39.500 Like

01:01:39.760 Now

01:01:39.900 That

01:01:40.080 You

01:01:40.180 See

01:01:40.360 It

01:01:40.460 It's

01:01:40.600 Blatant

01:01:40.920 Yeah

01:01:41.420 With

01:01:41.780 Anything

01:01:42.060 That

01:01:42.300 You

01:01:42.460 First

01:01:42.820 Discover

01:01:43.280 There's

01:01:43.600 Always

01:01:43.840 People

01:01:44.160 That's

01:01:44.680 Going

01:01:44.840 To

01:01:45.000 Come

01:01:45.340 Out

01:01:45.600 And

01:01:45.800 Try

01:01:46.040 And

01:01:46.200 Say

01:01:46.400 That's

01:01:46.820 Not

01:01:47.040 What

01:01:47.320 It

01:01:47.500 Is 0.88

01:01:47.800 Because

01:01:48.060 They're

01:01:48.340 Jealous

01:01:48.660 That

01:01:48.860 They

01:01:49.000 Didn't

01:01:49.500 See

01:01:49.680 At

01:01:49.820 First

01:01:50.100 Right

01:01:50.360 They're

01:01:50.920 Like

01:01:51.100 Oh

01:01:51.340 That's

01:01:52.000 Not

01:01:52.180 That

01:01:52.480 That's

01:01:52.920 Just

01:01:53.100 A

01:01:53.280 Part

01:01:53.460 Of

01:01:53.560 The

01:01:53.660 Dress

01:01:53.920 That's

01:01:54.180 Just

01:01:54.320 Made

01:01:54.640 Into

01:01:54.820 The

01:01:54.940 Dress

01:01:55.140 Well

01:01:55.380 Regardless

01:01:55.880 If

01:01:56.160 It's

01:01:56.300 A

01:01:56.400 Part

01:01:56.560 Of

01:01:56.660 The

01:01:56.740 Dress

01:01:56.960 Or

01:01:57.080 Made

01:01:57.260 Into

01:01:57.420 The

01:01:57.580 Dress

01:01:57.920 Kubrick

01:01:58.540 Put

01:01:59.100 This

01:01:59.900 Costume

01:02:00.400 Designer

01:02:00.780 To

01:02:00.960 Put

01:02:01.140 A

01:02:01.280 The

01:02:02.400 Shape

01:02:02.660 Of

01:02:02.820 A

01:02:02.960 Bloody

01:02:03.220 Hand

01:02:03.520 On

01:02:03.820 The

01:02:03.940 Back

01:02:04.180 Of

01:02:04.300 This

01:02:04.440 Woman's 0.82

01:02:04.740 Dress

01:02:05.000 And

01:02:05.220 It

01:02:05.320 Just

01:02:05.460 Happens

01:02:05.800 To

01:02:05.920 Be

01:02:06.080 On

01:02:06.360 Her

01:02:06.520 Ass 0.93

01:02:06.860 Like

01:02:07.060 Right

01:02:07.280 Where

01:02:07.460 Her

01:02:07.640 Ass 0.93

01:02:07.960 Is 0.88

01:02:08.220 Yeah

01:02:08.700 Yeah

01:02:09.280 Like

01:02:09.420 Give

01:02:09.600 Me

01:02:09.700 A

01:02:09.840 Break

01:02:10.120 Great

01:02:11.000 Catch

01:02:11.540 Great

01:02:11.840 Catch

01:02:12.240 Yeah

01:02:12.440 I

01:02:12.560 Mean

01:02:12.680 As

01:02:13.080 Soon

01:02:13.260 As

01:02:13.380 You

01:02:13.460 Pointed

01:02:13.980 It

01:02:14.100 Out

01:02:14.340 That's

01:02:14.680 Where

01:02:14.780 My

01:02:14.980 Mind

01:02:15.240 Went

01:02:15.460 Straight

01:02:15.740 To

01:02:15.880 The

01:02:15.980 Wilson

01:02:16.280 Volleyball

01:02:17.080 And

01:02:17.240 Like

01:02:17.540 I

01:02:17.660 Said

01:02:17.800 It

01:02:17.920 Gets

01:02:18.400 Messy

01:02:18.840 Because

01:02:19.360 The

01:02:20.140 Implications

01:02:20.700 Of

01:02:20.840 That

01:02:21.020 Are

01:02:21.260 Massive

01:02:22.860 When

01:02:23.460 Did

01:02:23.600 Castaway

01:02:24.080 Come

01:02:24.400 Out

01:02:24.680 So

01:02:24.980 When

01:02:25.260 If

01:02:25.600 This

01:02:25.740 2000

01:02:26.280 I

01:02:26.560 Believe

01:02:26.900 2000

01:02:27.780 And

01:02:28.300 When

01:02:28.420 Did

01:02:28.520 The

01:02:28.640 Shining

01:02:28.900 Come

01:02:29.360 Out

01:02:29.560 1980

01:02:30.220 Wow

01:02:32.620 This

01:02:33.020 Is 0.88

01:02:33.140 A

01:02:33.260 Very

01:02:33.980 Long

01:02:34.400 Game

01:02:34.820 It

01:02:35.660 Makes

01:02:36.540 Me

01:02:38.820 Think

01:02:39.140 Though

01:02:39.320 Like

01:02:39.540 Damn

01:02:40.020 As

01:02:40.400 We're

01:02:40.860 Uncovering

01:02:41.360 When

01:02:42.100 Did

01:02:42.260 Your

01:02:42.420 Documentary

01:02:43.020 About

01:02:43.220 This

01:02:43.380 Release

01:02:43.760 Last

01:02:45.760 Year

01:02:46.020 Release

01:02:46.660 A

01:02:46.820 Day

01:02:46.960 Before

01:02:47.220 The

01:02:47.400 Election

01:02:47.760 It

01:02:48.620 Almost

01:02:49.020 Like

01:02:49.320 Almost

01:02:50.780 50

01:02:51.140 Years

01:02:51.660 50

01:02:52.140 Years

01:02:52.680 Yeah

01:02:52.940 I

01:02:53.580 Mean

01:02:53.700 Other

01:02:53.860 People

01:02:54.060 Have

01:02:54.160 Been

01:02:54.260 Talking

01:02:54.520 About

01:02:54.740 It

01:02:54.840 Of

01:02:54.980 Course

01:02:55.140 But

01:02:55.320 It's

01:02:55.500 Like

01:02:55.600 No

01:02:55.680 But

01:02:55.880 I

01:02:55.980 Was

01:02:56.100 Saying

01:02:56.380 To

01:02:56.560 Ryder

01:02:56.820 Earlier

01:02:57.240 Like

01:02:57.640 Kubrick

01:02:58.420 Films

01:02:58.940 The

01:02:59.100 Shining

01:02:59.340 In

01:02:59.480 Particular

01:02:59.940 Is 0.88

01:03:00.200 Like

01:03:00.500 You

01:03:01.120 Think

01:03:01.720 About

01:03:01.880 A

01:03:01.980 Video

01:03:02.200 Game

01:03:02.460 And

01:03:02.560 It's

01:03:02.680 Replay

01:03:03.020 Value

01:03:03.460 This

01:03:04.720 Film

01:03:05.000 Has

01:03:05.220 Replay

01:03:05.600 Value

01:03:06.020 And

01:03:06.600 It

01:03:06.680 Just

01:03:06.820 Keeps

01:03:07.060 Giving

01:03:07.380 It

01:03:08.740 Does

01:03:09.000 It

01:03:09.120 Keeps

01:03:09.320 Giving

01:03:09.620 And

01:03:09.820 Giving

01:03:10.000 Giving

01:03:10.340 It

01:03:10.540 It's

01:03:10.580 A

01:03:10.940 Movie

01:03:11.200 That

01:03:11.420 Doesn't

01:03:11.900 Doesn't

01:03:13.240 Stop

01:03:13.540 Giving

01:03:13.880 And

01:03:14.720 It's

01:03:14.980 In

01:03:15.440 That

01:03:15.620 Way

01:03:15.780 You

01:03:15.940 Look

01:03:16.140 At

01:03:16.280 Kubrick

01:03:16.660 And

01:03:16.800 It's

01:03:16.960 Like

01:03:17.280 He's

01:03:18.380 A

01:03:18.540 He's

01:03:18.720 A

01:03:18.820 Master

01:03:19.120 He's

01:03:21.380 A

01:03:21.480 Master

01:03:21.760 He's

01:03:22.040 A

01:03:22.340 He's

01:03:22.520 A

01:03:22.620 Master

01:03:22.920 Filmmaker

01:03:23.400 And

01:03:23.580 He

01:03:23.660 Can

01:03:23.780 Slide

01:03:24.100 Things

01:03:24.480 In

01:03:24.660 There

01:03:24.840 That

01:03:25.120 People

01:03:25.420 Won't

01:03:25.720 Notice

01:03:26.100 For

01:03:26.360 Years

01:03:27.160 And

01:03:27.380 Years

01:03:27.640 And

01:03:27.800 Years

01:03:27.960 Yeah

01:03:29.420 I

01:03:29.700 Mean

01:03:29.900 To

01:03:30.700 The

01:03:30.860 Fact

01:03:31.380 That

01:03:31.600 We

01:03:31.820 Can

01:03:32.040 Still

01:03:32.600 Watch

01:03:33.820 The

01:03:34.020 Movie

01:03:34.320 And

01:03:34.620 Find

01:03:34.960 New

01:03:35.240 Things

01:03:35.780 Within

01:03:36.200 The

01:03:36.420 Movie

01:03:36.660 That

01:03:36.880 No

01:03:37.060 One

01:03:37.220 Has

01:03:37.400 Seen

01:03:37.880 Before

01:03:38.120 Because

01:03:38.440 That

01:03:38.840 Was

01:03:39.040 Going

01:03:39.240 To

01:03:39.380 Be

01:03:39.620 That

01:03:40.160 Was

01:03:40.320 My

01:03:40.500 Hurdle

01:03:40.940 Right

01:03:41.640 Because

01:03:42.520 I

01:03:42.660 Wasn't

01:03:42.920 Going

01:03:43.080 To

01:03:43.220 Make

01:03:43.540 The

01:03:44.420 Movie

01:03:49.120 Previously

01:03:50.060 Established

01:03:50.800 Theories

01:03:51.500 Right

01:03:52.220 And

01:03:53.420 As I

01:03:54.720 Was

01:03:54.840 Watching

01:03:55.140 It

01:03:55.260 This

01:03:55.400 Was

01:03:55.520 The

01:03:55.660 First

01:03:55.860 Thing

01:03:56.040 That

01:03:56.200 I

01:03:56.320 Seen

01:03:56.660 Then

01:03:56.920 I

01:03:57.080 Seen

01:03:57.480 The

01:03:58.500 Swastika 0.88

01:04:00.740 In

01:04:01.020 The

01:04:01.140 Background

01:04:01.520 Of

01:04:01.780 The

01:04:01.900 Gold

01:04:02.160 Room

01:04:02.540 And

01:04:03.360 Then

01:04:03.640 The

01:04:04.140 One

01:04:04.380 Thing

01:04:04.620 That

01:04:04.800 People

01:04:05.100 Really

01:04:06.180 Bring

01:04:06.860 Up

01:04:07.120 A

01:04:07.520 Lot

01:04:07.740 But

01:04:07.900 They

01:04:08.000 Misinterpreted

01:04:09.280 Is 0.88

01:04:09.840 This

01:04:10.700 Photo

01:04:11.140 Right

01:04:11.420 Here

01:04:11.660 So

01:04:13.260 Whenever

01:04:14.420 Danny

01:04:14.840 Is 0.88

01:04:15.100 In

01:04:15.220 The

01:04:15.340 Games

01:04:15.640 Room

01:04:15.860 And

01:04:15.960 He's

01:04:16.100 Throwing

01:04:16.340 Darts

01:04:16.580 At

01:04:16.700 The

01:04:16.800 Dart

01:04:17.040 Board

01:04:17.340 He

01:04:17.540 Turns

01:04:17.800 Around

01:04:18.220 And

01:04:18.400 He sees

01:04:18.700 The

01:04:18.860 Two

01:04:19.020 Little

01:04:19.260 Girls 0.98

01:04:19.580 Which

01:04:19.780 Is 0.88

01:04:19.920 The

01:04:20.080 Twins

01:04:20.440 There's

01:04:20.700 A

01:04:20.840 Lot

01:04:20.960 Of

01:04:21.120 Eleven

01:04:21.760 Symbolism

01:04:22.480 In

01:04:22.620 The

01:04:22.720 Movie

01:04:22.960 There's

01:04:23.220 Eleven

01:04:23.520 Everywhere

01:04:24.000 There's

01:04:24.400 You got

01:04:25.180 The

01:04:25.300 Twins

01:04:25.540 Right

01:04:25.700 Here

01:04:25.840 They're

01:04:26.160 Representing

01:04:26.800 The

01:04:26.960 Eleven

01:04:27.260 You got

01:04:27.540 The

01:04:27.680 Double

01:04:27.920 Doors

01:04:28.300 Behind

01:04:28.660 Them

01:04:28.900 That's

01:04:29.100 Also

01:04:29.400 Presenting

01:04:29.880 Eleven

01:04:30.220 Pretty

01:04:30.480 Much

01:04:30.660 All

01:04:30.960 The

01:04:31.120 Doors

01:04:31.460 In

01:04:31.580 The

01:04:31.680 Entire

01:04:31.960 Hotel

01:04:32.380 Are

01:04:32.600 Two

01:04:32.840 Doors

01:04:33.300 Two

01:04:33.620 Double

01:04:33.900 Doors

01:04:34.260 Eleven

01:04:34.620 The

01:04:35.320 Light

01:04:35.740 Writer

01:04:36.220 That

01:04:36.900 Stranger

01:04:38.300 Things

01:04:38.660 The

01:04:38.940 Main

01:04:39.120 Character

01:04:39.520 Is 0.88

01:04:48.400 Stranger

01:04:48.940 Too

01:04:49.160 Is 0.88

01:04:49.360 That

01:04:49.560 I

01:04:49.880 Mean

01:04:50.000 If

01:04:50.100 You

01:04:50.200 Want

01:04:50.320 To

01:04:50.380 Get

01:04:50.520 Real

01:04:50.960 Like

01:04:51.340 Supernatural

01:04:52.420 With

01:04:52.720 It

01:04:52.860 Eleven

01:04:53.300 They

01:04:53.540 Refer

01:04:53.800 To

01:04:54.020 Are

01:04:54.180 As

01:04:54.340 L

01:04:54.680 And

01:04:55.420 That's

01:04:55.720 Like

01:04:55.900 An

01:04:56.680 Abbreviation

01:04:57.380 Of

01:04:57.600 Elohim

01:04:58.180 Which

01:04:58.420 Would

01:04:58.600 Be

01:04:58.940 Full

01:04:59.680 If

01:04:59.880 Anything

01:05:00.200 For

01:05:00.380 Fallen

01:05:00.680 Angels

01:05:00.960 To

01:05:01.200 God

01:05:01.520 The

01:05:01.660 Creator

01:05:02.040 So

01:05:02.820 Yeah

01:05:03.660 It's

01:05:04.160 Man

01:05:04.780 It's

01:05:05.380 This

01:05:05.620 Shit

01:05:05.780 Goes

01:05:06.000 Super

01:05:06.340 Deep

01:05:06.740 Super

01:05:07.040 Super

01:05:07.260 Deep

01:05:07.540 So

01:05:08.140 It's

01:05:09.260 The

01:05:09.480 Nine

01:05:10.000 Eleven

01:05:10.240 Thing

01:05:10.540 Too

01:05:10.760 Right

01:05:11.000 I

01:05:11.160 Mean

01:05:11.280 It's

01:05:11.680 Everywhere

01:05:11.940 The

01:05:12.560 Buildings

01:05:18.400 Like

01:05:18.840 Twins

01:05:19.300 It

01:05:19.480 Was

01:05:19.660 I

01:05:20.000 Forget

01:05:20.280 Exactly

01:05:20.780 How

01:05:21.600 That

01:05:21.820 Went

01:05:22.100 But

01:05:22.440 Yeah

01:05:22.740 That

01:05:22.960 So

01:05:23.240 I

01:05:23.500 Mean

01:05:23.600 That

01:05:23.720 Eleven

01:05:24.000 Symbolism

01:05:24.640 Was

01:05:25.300 Done

01:05:25.520 To

01:05:25.700 Us

01:05:25.840 On

01:05:26.000 Nine

01:05:26.160 Eleven

01:05:26.400 Too

01:05:26.660 Yeah

01:05:27.460 The

01:05:27.640 Twin

01:05:27.880 Towers

01:05:28.420 The

01:05:28.760 Twins

01:05:29.080 In

01:05:29.220 This

01:05:29.400 Movie

01:05:29.720 The

01:05:29.920 Double

01:05:30.100 Doors

01:05:30.500 Lights

01:05:30.780 Looking

01:05:31.080 Like

01:05:31.320 Eleven

01:05:31.680 Like

01:05:32.160 It's

01:05:32.360 It's

01:05:32.660 Insane

01:05:33.080 Whenever

01:05:33.320 You

01:05:33.600 Look

01:05:33.800 At

01:05:33.880 All

01:05:33.960 The

01:05:34.100 Eleven

01:05:34.380 Types

01:05:34.720 Of

01:05:34.920 Symbolism

01:05:35.900 Within

01:05:36.160 The

01:05:36.320 Shining

01:05:36.660 But

01:05:37.160 This

01:05:37.340 Poster

01:05:37.760 On

01:05:38.000 The

01:05:38.100 Wall

01:05:38.320 That's

01:05:38.540 In

01:05:38.640 The

01:05:48.400 They

01:05:48.560 Think

01:05:48.780 That

01:05:48.980 It's

01:05:49.960 Referring

01:05:50.420 To

01:05:50.740 The

01:05:51.860 They

01:05:52.640 Look

01:05:53.240 At

01:05:53.360 The

01:05:53.480 Poster

01:05:53.880 And

01:05:54.120 They

01:05:54.240 See

01:05:54.420 This

01:05:54.680 Ski

01:05:55.180 This

01:05:55.580 Guy

01:05:55.840 In

01:05:55.980 The

01:05:56.120 Ski

01:05:56.420 Looks

01:05:56.780 Like

01:05:56.940 He's

01:05:57.100 Skiing 1.00

01:05:57.520 Or

01:05:57.640 Whatever

01:05:57.900 And

01:05:58.420 They

01:05:58.820 But

01:05:59.560 Also

01:05:59.900 They

01:06:00.340 Think

01:06:00.560 That

01:06:00.740 It

01:06:00.840 Looks

01:06:01.000 Like

01:06:01.160 A

01:06:01.300 Minotaur

01:06:01.760 Which

01:06:02.080 You

01:06:02.700 Have

01:06:02.920 Like

01:06:03.160 The

01:06:03.460 The

01:06:04.080 Famous

01:06:04.460 Kubrick

01:06:04.980 Stairs

01:06:05.600 That

01:06:06.180 Are

01:06:06.740 Prominent

01:06:07.340 In

01:06:07.500 His

01:06:07.660 Movies

01:06:08.080 You

01:06:08.220 Had

01:06:08.380 It

01:06:08.480 In

01:06:08.680 A

01:06:09.300 Clockwork

01:06:09.720 Orange

01:06:10.160 Where

01:06:10.460 Alex

01:06:10.900 Was

01:06:11.060 Doing

01:06:11.260 You

01:06:11.480 Know

01:06:11.580 That

01:06:11.760 Stare

01:06:12.140 That

01:06:12.320 They

01:06:12.440 Do

01:06:12.580 Where

01:06:12.700 They

01:06:12.820 Nod

01:06:14.020 Their

01:06:14.180 Head

01:06:14.380 Down

01:06:14.660 And

01:06:14.800 They

01:06:14.940 Bring

01:06:15.360 Their

01:06:15.520 Eyes

01:06:15.800 Up

01:06:16.500 Sampuku

01:06:18.040 Eye

01:06:18.400 Or

01:06:18.580 Something

01:06:18.740 Like

01:06:18.860 That

01:06:18.960 Yeah

01:06:19.100 It's

01:06:19.320 Where

01:06:19.440 You

01:06:19.560 Can

01:06:19.660 See

01:06:19.800 The

01:06:19.980 Whites 0.62

01:06:20.260 Of

01:06:20.400 Their

01:06:20.540 Eyes

01:06:20.900 On

01:06:21.660 The

01:06:21.780 Bottom

01:06:22.100 Predominantly

01:06:22.780 Yes

01:06:23.380 And

01:06:23.900 That's

01:06:24.180 Also

01:06:24.400 In

01:06:24.740 Full

01:06:24.960 Metal

01:06:25.180 Jacket

01:06:25.860 That's

01:06:26.200 In

01:06:26.380 The

01:06:26.540 Shining

01:06:26.960 Kubrick

01:06:27.580 Does

01:06:27.720 It

01:06:27.920 As

01:06:28.560 Well

01:06:28.800 Trump

01:06:29.280 Did

01:06:29.480 It

01:06:29.620 And

01:06:30.020 Obviously

01:06:30.440 The

01:06:30.640 Painting

01:06:30.920 Of

01:06:31.140 Lucifer

01:06:31.820 Is 0.88

01:06:32.060 One

01:06:32.360 Of

01:06:32.420 The

01:06:32.500 More

01:06:32.640 Famous

01:06:33.060 Examples

01:06:34.380 Of

01:06:34.640 That

01:06:34.860 I

01:06:35.080 Forget

01:06:35.300 Who

01:06:35.500 Painted

01:06:35.800 That

01:06:36.000 I

01:06:36.120 Don't

01:06:36.180 Know

01:06:36.260 If

01:06:36.360 It

01:06:36.420 Was

01:06:36.540 Da

01:06:36.660 Vinci

01:06:36.920 Or

01:06:37.280 Michelangelo

01:06:38.080 Whatever

01:06:38.380 But

01:06:38.640 He

01:06:39.200 Is 0.88

01:06:39.660 Doing

01:06:39.920 This

01:06:40.160 Kind

01:06:40.400 Of

01:06:40.520 Like

01:06:40.760 You

01:06:41.020 Know

01:06:41.180 It's

01:06:42.160 It's

01:06:42.440 Indicative

01:06:42.840 Of

01:06:43.020 Like

01:06:43.260 Vengeance

01:06:43.840 Or

01:06:44.000 Something

01:06:44.280 Like

01:06:44.540 That

01:06:44.820 So

01:06:46.060 When

01:06:46.220 You

01:06:46.360 Take

01:06:47.040 This

01:06:47.260 Poster

01:06:47.660 For

01:06:47.920 What

01:06:48.120 It

01:06:48.240 Actually

01:06:48.580 Means

01:06:49.040 And

01:06:50.160 You

01:06:50.340 Analyze

01:06:50.980 The

01:06:51.160 Word

01:06:51.480 Monarch

01:06:52.160 You

01:06:52.620 Have

01:06:52.920 Monarch

01:06:53.680 MK

01:06:54.120 Ultra

01:06:54.540 Right

01:06:55.420 Right

01:06:55.800 Right

01:06:56.380 The

01:07:02.500 Jack

01:07:02.920 Writing

01:07:04.460 Out

01:07:04.820 Over

01:07:05.180 And

01:07:05.340 Over

01:07:05.540 And

01:07:05.700 Over

01:07:05.900 Again

01:07:06.220 The

01:07:06.420 Same

01:07:06.700 Phrase

01:07:07.500 And

01:07:07.640 Wendy

01:07:07.820 Comes

01:07:08.080 In

01:07:08.240 And

01:07:08.360 Finds

01:07:08.740 It

01:07:08.940 And

01:07:09.100 Then

01:07:09.440 Jack

01:07:09.960 Is 0.88

01:07:10.060 Triggered

01:07:10.700 To

01:07:10.860 Do

01:07:11.340 Violence

01:07:12.040 And

01:07:12.300 Try

01:07:12.600 And

01:07:12.840 Murder

01:07:13.520 His

01:07:13.780 Family

01:07:14.160 After

01:07:14.520 That

01:07:14.740 Which

01:07:14.980 Is 0.88

01:07:15.320 A

01:07:15.480 Psychic

01:07:15.860 Driving

01:07:16.280 Technique

01:07:16.900 That

01:07:17.920 Is 0.88

01:07:18.080 Done

01:07:18.360 Where

01:07:18.680 They

01:07:19.380 Would

01:07:19.720 Basically

01:07:20.640 Imprint

01:07:21.340 It's

01:07:21.620 A

01:07:21.860 Famous

01:07:22.720 Technique

01:07:23.120 That

01:07:23.280 Was

01:07:23.420 Developed

01:07:23.920 In

01:07:24.140 Canada

01:07:24.880 That

01:07:26.440 They

01:07:26.920 Would

01:07:27.080 Take

01:07:27.280 A

01:07:27.520 Looped

01:07:27.920 Audio

01:07:28.300 Message

01:07:28.680 Into

01:07:29.040 A

01:07:29.680 Room

01:07:29.920 And

01:07:30.060 Have

01:07:30.260 The

01:07:30.540 Subject

01:07:31.280 Or

01:07:31.480 The

01:07:31.660 Patient

01:07:32.020 Listen

01:07:33.180 To

01:07:33.380 The

01:07:33.520 Looped

01:07:33.740 Audio

01:07:34.020 Message

01:07:34.400 Over

01:07:34.640 And

01:07:34.780 Over

01:07:34.960 And

01:07:35.080 Over

01:07:35.280 Again

01:07:35.500 So

01:07:35.700 Then

01:07:35.900 It

01:07:36.100 Just

01:07:36.440 Gets

01:07:36.680 Stuck

01:07:37.340 In

01:07:38.240 Their

01:07:38.400 Head

01:07:38.680 So

01:07:39.180 That's

01:07:39.380 What

01:07:39.500 They're

01:07:39.640 Doing

01:07:39.920 To

01:07:40.140 Jack

01:07:40.600 They're

01:07:41.100 Essentially

01:07:41.520 Making

01:07:41.900 Him

01:07:42.180 Write

01:07:42.480 The

01:07:42.680 Same

01:07:42.880 Thing

01:07:43.240 Over

01:07:43.960 And

01:07:44.140 Over

01:07:44.320 And

01:07:44.460 Again

01:07:44.860 And

01:07:45.020 We

01:07:45.140 See

01:07:45.340 Evidence

01:07:45.800 Of

01:07:45.940 That

01:07:46.100 With

01:07:46.300 Serhan

01:07:46.760 Serhan

01:07:47.300 Which

01:07:47.600 Was

01:07:49.180 Said

01:07:49.680 To

01:07:49.900 Have

01:07:50.080 Assassinated

01:07:50.800 RFK

01:07:52.340 He

01:07:53.860 Did

01:07:54.340 The

01:07:59.920 All

01:08:06.200 Work

01:08:06.460 And

01:08:06.600 No

01:08:06.780 Play

01:08:07.000 Makes

01:08:07.260 Jack

01:08:07.540 A

01:08:07.660 Doll

01:08:07.820 Boy

01:08:08.060 All

01:08:08.320 Work

01:08:08.520 And

01:08:08.660 No

01:08:08.800 Play

01:08:08.980 Makes

01:08:09.200 Jack

01:08:09.460 A

01:08:09.560 Doll

01:08:09.700 Boy

01:08:10.000 It's

01:08:11.920 The

01:08:12.040 Same

01:08:12.240 Exact

01:08:12.600 Technique

01:08:13.060 And

01:08:13.220 When

01:08:13.500 Wendy

01:08:13.740 Comes

01:08:14.020 In

01:08:14.200 And

01:08:14.320 Sees 1.00

01:08:14.520 That

01:08:14.660 He's

01:08:14.800 Just

01:08:14.980 He's

01:08:15.260 Not

01:08:15.400 Really

01:08:15.620 Writing

01:08:15.940 A

01:08:16.140 Novel

01:08:16.460 He's

01:08:17.120 Just

01:08:17.260 Writing

01:08:17.560 The

01:08:17.760 Same

01:08:17.940 Words

01:08:18.260 Over

01:08:18.500 And

01:08:18.680 Over

01:08:18.900 And

01:08:19.040 Over

01:08:19.220 Again

01:08:19.500 He

01:08:19.680 Then

01:08:19.960 Becomes

01:08:20.640 He

01:08:21.340 Gets

01:08:21.580 Triggered

01:08:22.460 Yeah

01:08:22.700 MK

01:08:23.360 Ultra

01:08:23.680 Manchurian

01:08:24.280 Style

01:08:24.740 Candidate

01:08:25.260 Trigger

01:08:25.660 That

01:08:26.440 Makes

01:08:27.180 Him

01:08:27.480 Want

01:08:28.200 To

01:08:28.400 Murder

01:08:28.840 Wendy

01:08:29.260 And

01:08:29.460 Danny

01:08:29.760 The

01:08:31.080 The

01:08:31.480 Image

01:08:31.700 On

01:08:31.820 The

01:08:31.920 Post

01:08:32.160 Reminds

01:08:32.680 Me

01:08:32.800 Of

01:08:32.960 Like

01:08:33.140 The

01:08:33.300 Lucifer

01:08:34.460 The

01:08:34.660 Morning

01:08:34.920 Star

01:08:35.260 The

01:08:35.480 Light

01:08:35.700 Bearer

01:08:36.120 The

01:08:36.320 Promethean

01:08:37.060 Kind

01:08:37.380 Of

01:08:37.480 A

01:08:37.800 Situation

01:08:38.460 It's

01:08:38.660 Like

01:08:38.780 This

01:08:38.920 Man

01:08:39.240 Carrying

01:08:39.780 The

01:08:40.620 Light

01:08:40.860 But

01:08:41.240 But

01:08:41.900 All

01:08:42.020 These

01:08:42.260 Things

01:08:42.700 There's

01:08:43.400 There's

01:08:43.660 Spells

01:08:44.060 At

01:08:44.360 The

01:08:44.480 End

01:08:44.560 Of

01:08:44.660 The

01:08:44.740 Day

01:08:44.960 I

01:08:45.160 Mean

01:08:45.280 You

01:08:45.420 Were

01:08:45.520 Talking

01:08:45.800 Before

01:08:46.200 About

01:08:46.500 How

01:08:46.800 You

01:08:47.400 Know

01:08:47.500 Not

01:08:47.720 Only

01:08:47.920 Are

01:08:48.060 They

01:08:48.180 Doing

01:08:48.520 This

01:08:48.860 To

01:08:49.240 The

01:08:57.180 You

01:08:57.420 Know

01:08:57.500 Violence

01:08:57.840 Is 0.88

01:08:58.040 Happening

01:08:58.480 Around

01:08:59.340 The

01:08:59.520 Areas

01:08:59.800 Where

01:08:59.960 It's

01:09:00.080 Released

01:09:00.440 To

01:09:00.640 The

01:09:00.720 Point

01:09:00.860 Where

01:09:00.980 They

01:09:01.120 Even

01:09:01.280 Remove

01:09:01.580 It

01:09:01.680 From

01:09:01.800 The

01:09:01.920 UK

01:09:02.240 That

01:09:05.000 To

01:09:05.200 Me

01:09:05.400 Sounds

01:09:05.800 Just

01:09:06.220 Like

01:09:06.660 At

01:09:07.840 Some

01:09:08.120 Point

01:09:08.380 The

01:09:08.560 Music

01:09:08.860 Industry

01:09:09.400 Hijacked 0.91

01:09:10.720 Predominantly

01:09:14.060 Black 0.64

01:09:14.380 Music

01:09:14.720 I

01:09:14.880 Mean

01:09:14.980 Obviously

01:09:15.260 It's

01:09:15.500 Happened

01:09:15.840 But

01:09:16.360 With

01:09:17.100 Hip

01:09:17.340 Hop 0.95

01:09:17.600 In

01:09:18.240 Particular

01:09:18.720 It

01:09:19.760 Wasn't

01:09:20.000 Always

01:09:20.360 Like

01:09:20.600 This

01:09:20.920 Violence

01:09:22.780 Addled

01:09:23.660 Sort

01:09:24.380 Of

01:09:24.500 Like

01:09:24.660 Drug

01:09:24.960 Use

01:09:25.540 Gang

01:09:26.100 Banging

01:09:26.520 Disrespect

01:09:27.500 To

01:09:27.740 Women 1.00

01:09:28.020 That

01:09:28.680 Kind

01:09:28.880 Of

01:09:28.960 A

01:09:29.040 Thing

01:09:29.160 It

01:09:29.260 Didn't

01:09:29.460 Used

01:09:29.660 To

01:09:29.780 Be

01:09:29.920 That

01:09:30.240 When

01:09:30.840 It

01:09:30.940 First

01:09:31.160 Happened

01:09:31.580 And

01:09:31.960 And

01:09:32.200 Then

01:09:32.300 It

01:09:32.420 Seems

01:09:32.620 Like

01:09:32.840 At

01:09:33.000 Some

01:09:33.220 Point

01:09:33.540 You

01:09:34.020 Can

01:09:34.160 Speculate

01:09:34.740 As

01:09:35.020 To

01:09:35.160 Why

01:09:35.460 Is 0.88

01:09:35.720 A

01:09:35.880 Prison

01:09:36.060 Industrial

01:09:36.400 Complex

01:09:36.880 Trying

01:09:37.220 To

01:09:37.480 Create

01:09:38.420 A

01:09:38.540 Situation

01:09:38.960 Or

01:09:39.280 Going

01:09:39.660 To

01:09:39.740 End

01:09:39.860 Up

01:09:39.980 Imprisoning

01:09:40.420 More

01:09:40.560 Black 0.64

01:09:40.800 People

01:09:41.040 Because

01:09:41.240 They

01:09:41.340 Get

01:09:41.480 Paid

01:09:41.800 Or

01:09:42.040 Or

01:09:42.680 The

01:09:43.120 Crack

01:09:43.400 Epidemic

01:09:43.900 Right

01:09:44.240 Funding

01:09:44.560 The

01:09:44.680 Iran

01:09:44.980 Contra

01:09:45.360 Wars

01:09:45.580 All

01:09:56.100 That

01:09:56.500 Violence

01:09:57.480 Drug

01:09:58.140 Use

01:09:58.580 And

01:09:59.160 Things

01:10:00.280 Of

01:10:00.420 That

01:10:00.540 Nature

01:10:00.800 Sell

01:10:01.340 Very

01:10:01.940 Well

01:10:02.240 And

01:10:02.680 So

01:10:02.900 Then

01:10:03.180 What

01:10:03.360 Happens

01:10:03.760 Is 0.88

01:10:04.180 Their

01:10:04.640 Artists

01:10:05.200 Start

01:10:05.740 Pushing

01:10:06.040 That

01:10:06.280 Because

01:10:06.540 Look

01:10:06.740 If

01:10:06.860 You're

01:10:06.940 A

01:10:07.040 Record

01:10:07.220 Label

01:10:07.540 Like

01:10:07.780 You

01:10:08.220 Got

01:10:08.420 Talent

01:10:08.780 Kid

01:10:09.120 You

01:10:09.700 Just

01:10:09.880 Gotta

01:10:10.020 Change

01:10:10.340 Your

01:10:10.480 Messaging

01:10:10.940 We

01:10:11.380 Know

01:10:11.680 What

01:10:11.980 Works

01:10:12.460 And

01:10:13.240 Then

01:10:13.360 Eventually

01:10:13.660 What

01:10:13.860 Happens

01:10:14.260 Is 0.88

01:10:14.600 Where

01:10:15.460 The

01:10:15.700 Art

01:10:15.980 Form

01:10:16.240 Used

01:10:16.460 To

01:10:16.540 Be

01:10:16.660 A

01:10:16.780 Reflection

01:10:17.180 Of

01:10:17.340 The

01:10:17.460 Culture

01:10:17.800 It

01:10:18.760 Then

01:10:18.960 Mirrors

01:10:19.360 Itself

01:10:19.780 Back

01:10:20.120 And

01:10:20.280 The

01:10:20.400 Culture

01:10:20.740 Becomes

01:10:21.320 A

01:10:21.600 Product

01:10:22.020 Of

01:10:22.640 The

01:10:22.780 Art

01:10:23.020 Form

01:10:23.280 So

01:10:23.440 Where

01:10:23.560 The

01:10:23.700 Art

01:10:23.940 Form

01:10:24.160 Is 0.88

01:10:24.320 Now

01:10:24.480 Pushing

01:10:24.820 Out

01:10:25.060 Into

01:10:25.280 The

01:10:25.460 World

01:10:25.740 Violence

01:10:26.740 And

01:10:27.260 You

01:10:27.880 Know

01:10:28.040 Women 1.00

01:10:28.840 Abuse

01:10:29.420 And

01:10:29.680 Drug

01:10:30.040 Usage

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01:12:04.940 Hamilton

01:12:17.520 say reagan said like oh if we wanted to have some kind of like world government we would uh it would

01:12:22.780 take something like an alien invasion never thought about it among those lines well well

01:12:27.060 sometimes it is a very literal though and by that i mean like people have pretty well established

01:12:33.540 that before 9-11 happened we were just constantly absorbing media that was about the towers getting

01:12:41.180 attacked and it showed up in so many different ways you know all the way from like the simpsons

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01:13:21.560 important tool in my podcast belt spreaker is the all-in-one platform that makes it easy to record

01:13:26.940 host and distribute your show everywhere from apple podcasts to spotify but the real game changer for me

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01:13:38.220 ads into your episodes no editing required and with spreaker's programmatic ads they'll bring the ads to you

01:13:44.160 and you get paid for every download this turned my podcasting hobby into a full-time career spreaker

01:13:49.580 also has a premium subscription model where your most dedicated listeners can pay for bonus content

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01:14:17.320 and in hindsight hindsight's 2020 we can look back and be like now that the towers are gone

01:14:22.560 this magazine is really strange or this episode of this show is really strange or this film or this

01:14:27.880 you know whatever um and we ended up finding that there was a lot of it and so i don't know

01:14:34.880 what purpose that serves you can only kind of speculate but it's it seems like on some level

01:14:40.180 it's communications with those in the know on another level it is uh trying to show you this

01:14:46.520 thing so that you reciprocate in some way there's an energetic exchange maybe if enough people have

01:14:52.100 that implanted in their subconscious then the path opens up for them to be able to execute it i i don't

01:14:58.500 know but um so sometimes yeah it's it's really literal it's actually like if they're showing the

01:15:03.740 towers getting destroyed it's because the towers are going to get destroyed and then sometimes maybe

01:15:08.000 it's it's a little bit different where you know your alien analogy works writer i see you're about

01:15:13.160 to pull up uh another another uh still here but i wanted to say before i forget the 11 stuff um

01:15:19.480 crowley that's uh like big in thelema i think the do as i will will be the whole of the law like

01:15:26.320 he's like made sure it had 11 words in it 11 was like a divine number to the you know to thelema

01:15:32.500 to crowley and it's crowleyites and it's also shows up in kabbalah it's something like uh

01:15:37.320 in in their uh sort of numerology it means uh it's the space it's this supernatural space between like

01:15:45.560 a human understanding and this like esoteric world that's what they sim that's what they thought 11 was so

01:15:53.240 it also has something to do with like the pillars of solomon in some way um it's these two pillars

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01:17:33.100 that stood in front of the entrance to solomon's temple in jerusalem and then it's like on 9-11

01:17:39.240 who took out that gigantic um insurance claim uh i know i know the solomon brothers

01:17:49.700 had something to do their name gets brought up or that name gets brought up in the 9-11 uh situation

01:17:57.080 here let me see if i can find it solomon makes me think of solomonka from breaking bad

01:18:01.960 oh yeah i just i just yeah just watch that okay solomon brothers was building seven the solomon

01:18:09.600 brothers building okay yeah so you know the pillars of solomon the solomon brothers yeah this is there's

01:18:15.900 like it's a big uh the number 11 is is like the numerological representation of the the the pillars

01:18:21.880 of solomon yeah there's there's something there it also refers to janus the the god janus

01:18:27.860 the androgynous god janus yes yeah uh the doesn't it doesn't it have uh two faces yes yeah

01:18:34.980 it's an apple and shit baby and then when you look at you know what they were trying to be you know

01:18:39.680 pushing for the past long time now is like essentially androgyny and yeah it makes the

01:18:45.260 mixing of the genders and then when it's when those two genders are destroyed what takes their 1.00

01:18:51.400 place is one unified thing so to become one it becomes this intersex kind of a situation 0.98

01:18:57.140 uh yeah yeah and then like a hermaphrodite type situation and then you look at uh joseph

01:19:02.540 mangala during world war ii and some of the nazi experiments on twins yeah yeah he was a weird 0.53

01:19:10.560 guy he's obsessed with twins and he was obsessed with uh i learned recently uh central uh heterochromia

01:19:18.080 oh which apparently here we go no i'm not gonna go but people that have like two different no tell

01:19:22.680 them tell the people go ahead tell the people the people are told me seven times when you're at my

01:19:26.440 house tell the people did you know that he was injecting adrenaline in people's eyeballs who had

01:19:32.100 central heterochromia and he was trying to see if it would change that guy weird cat do you know what

01:19:38.860 that is central heterochromia ever heard of this no it's just it's just basically heterochromia is

01:19:44.180 when you have like just means when you're the best bro like me it's when one color one eye is one

01:19:50.200 color and another one is another color and then central heterochromia is where there's two

01:19:54.100 definitive colors in in one eye like there's a ring of color and then an outer ring of color

01:19:59.080 there you go uh i have that but it's it's not served me at all um but the idea behind it is that

01:20:06.080 people with this sort of uh genetic trait are harder to mk ultra maybe because of the flicker

01:20:11.020 rate or whatever they have um extra cones in their eye i guess we we have extra cones in our eye

01:20:16.560 allegedly the gates program mnk mk ultra and other programs like that were seeking people out who had

01:20:24.160 this uh disposition and i guess um the story goes basically they were trying to figure out why in the

01:20:30.980 hell these people won't succumb to this sort of uh like the apparently we can't be hypnotized i've

01:20:36.940 never been hypnotized but that doesn't mean shit that's anecdotal um but yeah i mean it's interesting

01:20:41.420 mk ultra the gates program mengala um you know it all it all the eye in general the eye in general

01:20:48.600 yeah that's really interesting because i have two pupils in my left eye do you really how does that

01:20:54.280 work my my pupil and my left eye has been split so the top half of my left eye you wouldn't be able

01:21:01.540 to see the camera quality is not good enough but the people on my left eye i was shot in the eye with

01:21:06.900 a bb gun when i was 12 years old oh that's a nightmare dude it was horrible dude it was the

01:21:13.180 worst pain i have literally shot two of my friends in the eye with a bb gun that's why what a jerk 0.94

01:21:17.780 you were that guy bro fuck you no i was literally that guy man that's horrifying oh my god and it 0.99

01:21:24.880 split your pupil split my pupil in half so whenever i go uh the anytime that i ever go to the eye doctor

01:21:30.700 which i don't really ever go to the eye doctor i don't go to any doctors in general ever but whenever

01:21:36.800 i have in the past uh they're like astounded by what they can see in my eye because you're they're

01:21:44.660 able to see things that they normally couldn't see because my pupils are like has it affected your

01:21:50.780 vision uh a little bit i mean if i close my right eye it's definitely more blurry but it's i think it's

01:21:58.100 like i don't know 18 20 vision still really good vision still really good yeah yeah but it recovered

01:22:03.920 and like the blood was like all like blocked my eye out so i couldn't see for like three months out

01:22:09.800 of my left eye oh that's such a nightmare dude uh i have a nine-year-old and i'm just thinking like

01:22:14.660 if that happened holy crap that would be some sort of weird karma for me um yeah but this this i mean

01:22:21.640 that's a great bit of connective tissue right between you brought up mangala um hi i'm darren

01:22:28.560 marler host of the weird darkness podcast i want to talk about the most important tool in my podcast

01:22:33.600 belt spreaker is the all-in-one platform that makes it easy to record host and distribute your show

01:22:38.960 everywhere from apple podcasts to spotify but the real game changer for me was spreaker's

01:22:43.940 monetization spreaker offers dynamic ad insertion that means you can automatically insert ads into

01:22:49.300 your episodes no editing required and with spreaker's programmatic ads they'll bring the ads to you

01:22:54.560 and you get paid for every download this turned my podcasting hobby into a full-time career

01:22:59.480 spreaker also has a premium subscription model where your most dedicated listeners can pay for

01:23:04.280 bonus content or early access adding another revenue stream to what you're already doing

01:23:08.880 and the best part spreaker grows with you whether you're just starting out or running a full-blown

01:23:13.820 podcast network spreaker's powerful tools scale effortlessly as your show grows so if you're ready

01:23:19.720 to podcast like a pro and get paid while doing it check out spreaker.com that's s-p-r-e-a-k-e-r.com

01:23:27.700 i wonder what what it is what was his do you do you have any information about what his fascination

01:23:32.520 regarding twins was was it was it the alleged psychic connection that exists between twins

01:23:37.720 i think that that's what he was trying to figure out but it's difficult to find a lot of information on

01:23:42.760 because a lot of it is like a bunch of speculation and what in like secondhand information on exactly

01:23:51.740 the types of experiments that he was doing there's really no solid like documentation that shows

01:24:00.960 exactly what he was doing with twins so it's kind of like handed down information and that information

01:24:06.220 has kind of been regurgitated and we know when things are regurgitated things get lost in the shuffle

01:24:10.740 and things get added or things get taken away from it so it becomes like this uh this kind of

01:24:16.220 mystery thing but it's been reported uh by several people that he was doing experiments on twins so

01:24:24.900 what exactly it was for i would be guessing that it had something to do with the psychic

01:24:30.220 communication between them and if they would be able to tell like what was going on to the other one

01:24:36.200 which then relates into mk ultra as well because that's what they were trying to do with mk ultra

01:24:41.780 ultimately was to try and bring about these psychic abilities and these psychic powers from the mind

01:24:49.120 fracturing that they were doing it was kind of like an after effect it was kind of like an afterthought

01:24:53.220 like yeah well let's see if we can control their mind let's traumatize them let's see what we can do

01:24:58.020 with that and then let's see what happens afterwards like what what can we do with them

01:25:03.440 after we've like broken down their psyche and several of them got enhanced abilities their

01:25:11.860 intuition was locked their psychic abilities were then opened up like it opened up this whole other

01:25:17.600 world it's just so unfortunate that in order to essentially unlock these abilities you you have to go

01:25:25.340 through really torturous conditions but that can also happen in just like everyday normal life as well

01:25:31.800 like you don't have to be a part of any kind of government governmental mk ultra mind fracturing

01:25:39.220 program to have some form of psychic abilities i believe that we we all have psychic abilities it's

01:25:45.340 just if it's in the forefront of our consciousness or not so like a any kind of traumatizing event that

01:25:52.900 is done to you personally can and probably will inevitably open up these psychic abilities within you

01:26:01.000 that's why kids are probably the the most susceptible to it and that's also where you get a lot of

01:26:07.820 and like the hairy fairy stuff like the the mystical things as well because our brain actually tries to

01:26:16.780 cover up that trauma and our brain can actually just make up things to replace the negative stuff

01:26:22.000 that we experienced so instead of you being molested whenever you were younger or something happening to

01:26:29.200 you whenever you were really young some very traumatic thing and your uncle raping you in the closet or

01:26:35.340 whatever your your brain will then make something up to replace those events with in order to cover up

01:26:43.840 that trauma so it could be instead of that happening to you it could be oh well i was on a top secret

01:26:52.420 mission and i was a superhero you know what i mean i was a super soldier in space you know fighting

01:26:59.780 aliens stories too exactly let me ask you a question i guess a personal question um do you knowing what

01:27:07.540 they were after and what they're searching for do you think that we should like not that we should

01:27:12.740 continue that we should i don't even know if this is a question but like should we be figuring this

01:27:19.000 stuff out at all like if if human beings do have these latent abilities that lie within you that

01:27:26.240 are released with trauma it's like like i get why these people wanted to study that that's the most

01:27:30.760 fascinating thing you can look at right now we're trying to make rats transgender in afghanistan or 0.99

01:27:36.200 something like who cares this i understand people are people are getting hurt and i'm not advocating i'm

01:27:41.400 not like i guess molesting these rats so that they have psychic powers like you're doing it all wrong

01:27:47.080 yeah it's all right i'm coming out as a proponent of project mk ultra like i i'm gonna go into

01:27:53.880 government and and petition them to fund it more like we need to or at least to know what you found

01:27:59.560 out i understand you did this awful thing but it's kind of like the the information is just it's priceless

01:28:05.400 and it's it's a shame that we don't know we don't really know what they discovered the the issue with

01:28:10.220 it becomes if you adhere to the idea that within these different realms or wherever you're you know

01:28:17.600 going when you're remote viewing or actual projecting that there are other things that inhabit it this is

01:28:23.420 something obviously that stranger things plays off of and i and i don't think that that is the only

01:28:28.400 element in that film that's inconsistent with reality i think that probably is consistent with reality i

01:28:34.700 myself have been exposed to things that i don't have the luxury of you know wondering if other

01:28:41.520 things exist and so the question then becomes there seems to be a connection between childhood trauma and

01:28:51.080 psychic abilities there's also a connection between trauma especially childhood trauma and demonic

01:28:57.600 possession and so the question then becomes gets into jerry morzinski uh territory right and i know

01:29:03.840 of jerry yeah jerry is the man i know you you've spoken uh uh to him as well i've heard we have a

01:29:09.540 episode we have a running gag on this show where i'm about to i'm about to produce bingo cards so

01:29:14.320 as they watch every time david says something like uh i have autopilot erection or like talks about his eye

01:29:20.640 or says jerry morzinski everybody either you put like a little bingo card in there you just drink

01:29:25.600 at this point they're drinking it's not a good deal uh if i say the word indicative which is

01:29:30.020 so so if there is a chance there there seems to be a chance and i understand the the logical line

01:29:41.080 of thinking here it's like how do you know that these spiritual abilities that you then derive

01:29:47.100 from this traumatic experience are your own abilities or if you've been augmented in some way

01:29:53.340 by something that's remaining silent but allowing whatever abilities it has to be to be lent to you

01:30:00.760 like sometimes you see a film that plays off that right uh actually there's a great music video

01:30:05.620 uh by skrillex which a lot of people would say that's an oxymoron but either way there's a a music

01:30:12.160 video by skrillex called first of the year and in that video um it's about a pedophile who's going to

01:30:20.040 playgrounds and picking up kids picks up the wrong kid and this little girl who he takes to like a

01:30:26.100 empty warehouse ends up having like she's possessed in one way or another so she has a demon that comes 1.00

01:30:32.480 along with her and rips the guy to shreds it's a really cool song and a really cool video um but

01:30:38.700 she looks like she's doing telekinesis to this guy but the shadow that she's casting on the wall

01:30:46.040 shows you that something else is in the room with her and it's actually doing it so um i think that

01:30:52.900 there might be a reality to that i mean you have looked into these things a lot you were talking

01:30:57.320 before about all the remote viewing and i i'm not saying that any um one of these these abilities

01:31:04.060 isn't outside of like a demonic possession like i think there might be something to remote viewing

01:31:08.780 uh but there are other things like telekinesis um knowing one way or another what somebody's

01:31:16.600 thinking or or any of these things i mean how do you separate those two what what have you found

01:31:21.740 looking into them well what i found is i think kind of reimagines the entire paranormal and

01:31:30.080 spirit phenomenon because there's this remote viewing technique that was taught by ingo swan which

01:31:41.120 was he was a part of sri international that was some of the first people that were looked into you

01:31:47.340 know the the psychic phenomenon and remote viewing and there's this advanced form of remote viewing that's

01:31:54.940 called perfect site integration which is essentially by location so you get into your remote viewing state

01:32:03.240 and you can essentially duplicate your physical body and take that physical body wherever you want it to

01:32:11.160 go but in like a like an astral projection by location form so then whenever you get to that site that

01:32:21.900 you're essentially removed you can interact with the environment oh you can move things you can knock

01:32:27.960 things off the walls you can open cabinets you can open refrigerator doors that kind of makes you feel

01:32:33.500 like whenever people are having poltergeist it's really just some asshole who's remote viewing

01:32:37.220 and he's like watch this shit i'm gonna knock this over watch him yeah the poltergeist it doesn't fit 0.94

01:32:42.420 with the supernatural worldview of like uh the other side most of the time because sometimes it's like it's

01:32:48.460 like this is human being like like that is motherfuckers just standing in my kitchen knocking 0.98

01:32:52.420 cups off the counter yeah i mean it really reimagines it because some of this stuff might not even be

01:32:58.620 like what we think that it is it might be another living human being yeah so in in our dream state as

01:33:05.040 well i mean when does a lot of this type of activity normally happen it's normally synonymous with

01:33:13.300 happening at night oh yeah what are people doing at night they're sleeping a majority of the population

01:33:20.240 is asleep at night so could we be dreaming about a a specific location that is important to us and

01:33:30.080 then we've literally brought our dream consciousness in to this physical reality and we're able to

01:33:35.880 manipulate the environment and manipulate the area of like hi i'm darren marler host of the weird

01:33:41.380 darkness podcast i want to talk about the most important tool in my podcast belt spreaker is the

01:33:46.560 all-in-one platform that makes it easy to record host and distribute your show everywhere from apple

01:33:51.620 podcasts to spotify but the real game changer for me was spreaker's monetization spreaker offers dynamic

01:33:57.820 ad insertion that means you can automatically insert ads into your episodes no editing required and

01:34:03.340 with spreaker's programmatic ads they'll bring the ads to you and you get paid for every download

01:34:08.060 this turned my podcasting hobby into a full-time career spreaker also has a premium subscription

01:34:13.340 model where your most dedicated listeners can pay for bonus content or early access adding another

01:34:18.600 revenue stream to what you're already doing and the best part spreaker grows with you whether you're

01:34:23.600 just starting out or running a full-blown podcast network spreaker's powerful tools scale

01:34:28.600 effortlessly as your show grows so if you're ready to podcast like a pro and get paid while doing it

01:34:34.260 check out spreaker.com that's s-p-r-e-a-k-e-r.com where we are and then that's what people are

01:34:42.500 experiencing and they're thinking oh well it has to be some kind of disembodied spirit or someone

01:34:47.180 that's died here when that might not be the case and i'm not saying that that other possibility isn't

01:34:52.540 possible well like i mean it could could very well be some i think it's like there's spirits but a

01:34:58.020 plethora of shit going on which is like we're just we think in the in the physical three-dimensional 0.66

01:35:02.860 realm but you know whenever it comes to these other realms they're they're probably just as

01:35:08.060 diverse so in the way that you would hear something in your attic and you go that's either an intruder

01:35:13.140 a demon or i have this fucking raccoon problem again it's like yeah it's pretty diverse there 0.94

01:35:18.040 could be a number of things happening all of those things could be all of those things right

01:35:21.780 it could be the psychic rats up there dude psychic rats right so uh it's interesting when you traumatize

01:35:26.460 them so they have uh some people that have these encounters that uh like i don't know some surefire

01:35:31.860 ways that uh we've we've went through like from sleep paralysis to like alien abduction is like

01:35:37.900 saying the name of jesus christ a lot of people have said this uh and that it works and but there

01:35:44.360 will be cases where stuff like this doesn't work like if your house is being haunted and then you're

01:35:48.220 like i rebuke you in the name of jesus christ and it's like it's some guy it's a government worker

01:35:51.960 and he's like this doesn't neighbor who figured out how to astral project yeah that doesn't work on him

01:35:57.020 like there's i don't know if you're familiar with the story of the guy that uh killed anton levey

01:36:01.580 in uh allegedly he was allegedly whatever in in tony merkel's show uh the confessionals he says that

01:36:09.460 anton is doing uh astral projection at him or like manifesting himself some way he and he rebuked him

01:36:15.460 he's like that doesn't work on me because he's not he's not an incorporeal entity he is a human being

01:36:21.440 that is doing this thing you know what i mean so like the rules to how to this other world are just

01:36:27.540 baffling and uh some people i guess understand it more than i do well i've been having this thing

01:36:33.820 like pretty reliably now um i don't like doing it because it kind of freaks me out and i really like

01:36:41.160 my sleep but you know when you're in these pseudo sleep states between you know waking and and and

01:36:47.420 and sleeping um there's some pliability in the way your mind works uh so very often recently um

01:36:57.320 i'll i'll wake up and i'll see whatever dreamscape i was in almost like kind of pull away from me like

01:37:04.080 a tunnel and then um the quality of the image suffers you know tremendously it's no longer uh 1080p

01:37:13.580 it's it's like something real bad like it just fades to um the color spectrum goes away

01:37:19.480 and it's almost like i'm viewing it in negative color like inverted and uh but i could still see

01:37:25.200 a lot i could see a lot a lot i could see like objects and people and and and there's a lot of

01:37:30.340 like patterns and geometry and things like that and i get this feeling that if i wasn't retarded and 0.95

01:37:35.800 i knew what i was doing that i could do something in that moment but instead my like my logical brain

01:37:40.320 kicks in and there's a lot of like what's this what am i looking at why is this happening and as

01:37:44.160 soon as that shit starts happening it just goes away um so you know and i don't i'm i would hope 0.72

01:37:50.440 i don't have demons um i think we all can do something like that my grandmother used to write

01:37:57.520 papers on remote viewing and um that's interesting in hindsight but uh she also considered herself like

01:38:05.440 clairvoyant and also interestingly enough suffered from alien abduction experiences so i also think

01:38:11.780 those things go hand in hand you know whatever remote viewing is or astral projection is i would

01:38:18.160 be very sure or at least unsurprised to find out that the people who are doing that there's also a big

01:38:24.180 overlap in their sleep paralysis experiences maybe even abduction experiences shadow people other

01:38:31.920 entities i imagine these things all play together in the same sandpit pretty often

01:38:37.340 yeah i just had a really weird experience the other night where i had a really wild crazy dream and i

01:38:46.640 woke up from my dream and i kind of opened my eyes and the entire reality was like nothing but code

01:38:54.260 like you've heard of people like seeing like the matrix like in front of them and this was my first

01:38:59.460 time ever experiencing it kind of screwed with my head code what what was it made up of like if you

01:39:05.100 could almost see numbers or symbols like it was numbers a bunch of numbers and the numbers like

01:39:11.240 flashed and they were like rotating some of them look like dates some of them look like coordinates

01:39:16.960 but it still had like the outline of like the walls in my room were there like but it was all code

01:39:27.260 what were the colors it was like blue they were blue and the colors were like white

01:39:36.140 i had something recently where i had that experience and um it like i said by what i was looking at that

01:39:45.180 was my dream almost detached and became far away from me um and then it kind of tilted and i was still

01:39:51.580 looking at it but everything looked like the matrix black and green except it wasn't like data it was

01:39:59.460 like blackness and really really dark green sand so everything all the highlights and the shadows it

01:40:07.300 was just you know mixtures of black and green black and green and that was everything that i saw

01:40:11.720 and uh my pov was like stuck i was looking at the sidewalk but but i wasn't really looking at it i was

01:40:17.280 actually viewing that behind my eyes like a small window with a bunch of other weird shit going on 0.55

01:40:22.060 i don't know what it is man but i i am not so inclined to think that it's inherently evil uh this

01:40:27.940 is a this is a a christian show we we tend to look at the world through the biblical uh world lens

01:40:33.360 obviously there's um you know conjoining of a lot of different ideas besides that when it comes to

01:40:39.060 conspiracy and and occulted things but um sometimes i look at those practices and i'm like i'm really

01:40:47.400 not too sure the main reason i'm not too sure is because it's very clear they're of a spiritual nature

01:40:52.000 and it's very clear we don't have a map and that's not good because that's like going anywhere it's like

01:40:57.460 going in the woods or going in the ocean and just not being familiar with where the hell you are

01:41:02.040 and what inhabits that realm and i do think that negative things are there but i think just like any place

01:41:07.860 you know there's going to be negative things there's going to be positive things there's going

01:41:12.360 to be neutral things and um it's i don't know it feels almost harrowing to me to do it because it

01:41:20.040 always happens at night and um i really don't like when things like the last thing i want to do is be

01:41:25.660 creeped out before i'm going to sleep yeah and that'll keep me honestly like that alone will keep

01:41:31.160 me from pursuing a lot of this shit but it does kind of seem to happen almost naturally and i'm sure

01:41:37.160 there's a way through like a meditative process or a greater understanding that you could have more

01:41:42.620 depth of experience with that uh but i'm just not too sure where that depth is going to take me

01:41:47.460 and what the hell is going to be there when i get there i think that it's really important to be able

01:41:52.920 to get outside of your body i think that that i've never really done it i've come really really close

01:41:58.260 i was doing some incredible breath work really late one night at like three in the morning and i was

01:42:03.340 really close i seen like the circle open up and i had like one leg through the circle i was about to

01:42:08.260 just jump right out of my body like it was the exact experience that everyone says happens like

01:42:14.540 where your whole body tingles like it started at my feet super tingly went up all my legs and then when

01:42:20.340 i hit the back of my head like where the uh the crown chakra is then that's whenever i like was getting

01:42:28.860 ready to get out of my body it was it was crazy dude it was like almost and it felt so warm it

01:42:33.260 almost felt like what people describe as like the kundalini energy as well like how it comes up through

01:42:37.960 your body and all that but it was like me getting ready to exit my body and i didn't make it i snapped

01:42:44.120 out of it and it was completely gone but i think that that is really important to be able to do because

01:42:48.940 i 100 believe that we're spiritual entities inside of a physical shell yes and we have to have the map

01:42:56.280 because if we don't know what it's like outside of our body then we're going to be completely lost

01:43:03.360 whenever this physical body dies we're not going to know where to go what to do and we're going to be

01:43:09.460 stuck that's the thing that gets me too is like i know within like egyptian mythology when you die

01:43:16.480 the soul has like a very elongated journey upward through like celestial bodies and such uh that it has

01:43:23.280 to go through and eventually ends up in a place where uh their heart is is weighed up against a

01:43:30.020 feather or something like that it's basically a way of measuring your sin how heavy is your heart

01:43:33.880 um but it's described as like an actual journey and then you have this other thing that people suggest

01:43:40.740 um there's been a karmic reincarnation cycle that's been created to our detriment and that there are

01:43:48.840 these things that seek to loose off of us that will usher us into this reincarnation cycle uh and

01:43:56.100 i know that there are things that exist that would be pleased to inhabit your physical form so that they

01:44:05.520 could interact with this physical realm again um and i mean this is just like the the notion of

01:44:11.160 possession which by the way going back to what we were talking about before where these actors and

01:44:14.780 actresses are often subjected to like really harrowing experiences and trauma uh the exorcist we were

01:44:21.500 talking about i believe that little girl went through hell um and everybody who's everyone who's played

01:44:29.020 the joker for instance played the joker right that's another one so my thing is like hey look at that

01:44:35.820 hold on a second jack nicholson yep oh shit whoa and that was definitely before the shining because 0.82

01:44:42.940 that movie was 70s uh that batman hi i'm darren marler host of the weird darkness podcast i want

01:44:49.740 to talk about the most important tool in my podcast belt spreaker is the all-in-one platform that makes

01:44:55.100 it easy to record host and distribute your show everywhere from apple podcasts to spotify but the

01:45:00.400 real game changer for me was spreaker's monetization spreaker offers dynamic ad insertion that means you can

01:45:06.420 automatically insert ads into your episodes no editing required and with spreaker's programmatic ads

01:45:11.980 they'll bring the ads to you and you get paid for every download this turned my podcasting hobby

01:45:16.860 into a full-time career spreaker also has a premium subscription model where your most dedicated

01:45:21.900 listeners can pay for bonus content or early access adding another revenue stream to what you're already

01:45:27.180 doing and the best part spreaker grows with you whether you're just starting out or running a full-blown

01:45:32.460 podcast network spreaker's powerful tools scale effortlessly as your show grows so if you're ready to

01:45:38.540 podcast like a pro and get paid while doing it check out spreaker.com that's s-p-r-e-a-k-e-r.com

01:45:46.620 huh yes that was before the shining he played the joker in the uh in the uh batman movie with um

01:45:53.420 what's his name the most famous batman well besides christian bill keaton uh is it keaton michael keaton

01:46:00.820 yeah i think it was keaton well i don't know if you ever talked to paul stobbs but he's a great

01:46:05.740 uh uh content creator he does a show called understanding conspiracy and um he talks about

01:46:12.540 how various cultures will dress up as the entity that they want to be inhabited by and he says that

01:46:19.820 um there are you know there's a race of giants that would have been the offspring of like fallen

01:46:25.480 angels and and uh human beings it's the namesake of the show gotta ask is that why why do you call

01:46:31.040 your show uh raised by giants yes it does have some something to do with uh the the giants and the

01:46:39.440 nephilim but i'm also really tall i'm six five it's a very simple reason i'm a huge guy okay i'm a really

01:46:46.480 big guy my whole family is really tall so it kind of seemed right and i originally wanted it to be a

01:46:52.020 name of a band but then i uh decided to repurpose it for my banger name for a banger name by the way

01:46:58.760 you do give very tall energy like you don't give a fuck like it's very tall like he has this very

01:47:03.280 like right like we're short i'm five uh eight five nine david's like five eight five seven we have to

01:47:10.040 have this energy we're like it's kind of it's very annoying i understand to like totally got this

01:47:15.420 like i don't fucking care it's owen benjamin is the same thing with us like when we talk to owen 0.94

01:47:20.480 he's like six eight so we're talking to him and i could just tell he's just annoyed he's just annoyed

01:47:24.660 by our small presence and our go ahead david i'm sorry for cutting himself a height supremacist um

01:47:29.400 so that's why i want to get a big truck so i can look at everybody while i'm driving as i look at

01:47:34.300 them when i'm standing next to them like just the top of their head like top to just look at look at

01:47:39.620 people like that all the time i wonder like i yeah i'm i'm seeing i would be seeing everyone else

01:47:44.040 from a slightly different angle like either equal or up it must be it's psychologically like dude

01:47:48.180 when i step on something and it makes me taller i go yeah this is like that that turtle in the

01:47:53.680 fucking dr seuss book go ahead go ahead david because we only have a couple minutes we have 0.92

01:47:58.000 guests coming on again at two so i don't even remember what i was talking about i mean three

01:48:01.760 oh oh this idea that you become inhabited by the spirit that you uh dress like and so he suggests

01:48:07.980 that the modern day visage of the clown is actually something that was created by a freemason

01:48:13.680 who was running uh the barnum and bailey or whatever circus it was um and that it has to do

01:48:19.240 with homage to the nephilim because the nephilim would have had red hair very pale skin uh a very

01:48:24.640 red nose that um and and also always would have because they were cannibals they ate human beings 1.00

01:48:30.000 um blood all over their their faces and so large shoes to cover up their six toes shit like that all 0.99

01:48:36.740 kinds of fun stuff and so to me you know if you talk to him he lays it out in such a compelling way

01:48:41.320 you're like something happened that the way they made the clown and the way they injected it into

01:48:45.980 american culture was clearly done on purpose and so then you have to ask yourself to what end but

01:48:52.080 when i see jack nicholson play that character and and the way he plays the character in the shining i

01:48:57.460 think these actors and actresses uh at the highest levels what we call method acting i think is just a

01:49:02.600 level of possession not just not just that but like so he plays uh he plays the joker and forget about

01:49:08.780 what he plays on screen for the uh the shining he he he was with kubrick and torturing this woman for

01:49:15.100 however long it took to film this fucking movie that was like what he was doing to her was like 0.94

01:49:20.380 joker-esque yes yes and it was a long shoot too long shoot they shot them the shining for a really

01:49:27.420 long time but several people throughout the entertainment industry have talked about this

01:49:31.060 jim carrey has talked about this where he felt like he was possessed by andy kaufman's spirit yes

01:49:35.340 beyonce says that she when she performs the sasha fears yeah so like something else comes in and takes

01:49:42.540 them over and then it gives them the ability to be that individual and this is really strange now

01:49:48.140 whether that's like real or way that they perceive it i mean it's up for interpretation i mean but to be

01:49:54.700 that good of an actor like somebody like jim carrey like you got to be i don't know how you would get

01:50:01.820 you're you would have to open yourself up um doesn't it choose that type of thing you know

01:50:07.020 we look at this like it's spellcraft and it's all works of like rituals and symbolism and ceremony

01:50:15.660 and then you have like hollywood which is what the druids made their wands out of was was wood from the

01:50:21.580 holly tree um it just all of it kind of does like why the hell does every element of this you know

01:50:29.260 know performative aspect of american culture have embedded within it something to do with spellcraft

01:50:36.300 i mean it just at some point i kind of go yeah the anecdotal evidence is piled up and i i believe

01:50:43.020 it it's now something that i will espouse as the truth but we are 10 minutes away from having to

01:50:49.340 launch another show uh this has been a wonderful conversation you guys are cutting me off dude what the

01:50:55.020 fuck no i'm just joking can i run through some of these other slides uh really quick before we 0.79

01:50:58.940 wrap up yeah dog yeah please okay so uh this one here is like the beetle uh reference uh within the

01:51:06.860 shining there's so many of them this is the top panel is the beatles abbey road 1969 the bottom

01:51:11.100 panel is the shining they're almost walking in the exact same line up there with all men purpose

01:51:17.180 uh and jack and wendy and uh bill watson which we don't really talk too much about bill watson in the

01:51:22.940 movie because it seems like bill watson in the shining is more of like a sydney gottlieb character

01:51:28.700 within the cia like sydney gottlieb was known for you know being the head of the mk ultra programs and

01:51:34.620 what they would do essentially is like the the front person is all stuart almond so he's like the the

01:51:42.380 person that is made to look like he's actually running the place when it's really like bill watson

01:51:46.700 it's a classic trick that a lot of people have used throughout history where the person that's actually

01:51:52.380 really calling the shots is like the person that no one thinks is actually calling the shots so yes

01:51:56.780 almond is actually the the front person of this entire operation so in um the movie the shining

01:52:03.020 stephen king uh in the book it was a red beetle and this is one that other people have pointed out

01:52:09.740 uh j weiner's pointed this out on his several movies have been pointed out in room 237 but it's

01:52:14.620 just important to go go kind of go through it so it was a red beetle in the shining novel by stephen

01:52:20.140 king cubrick changed the beetle to a yellow beetle and then whenever allman is traveling up to the

01:52:26.380 overlook hotel to check on the family up there there's a red beetle that's crushed underneath the

01:52:32.220 semi-truck on the way up there so it's definitely a nod to uh you know like hey this is this is my

01:52:39.020 movie stephen king this isn't yours and also there's the white beetle john lennon's white beetle that's in

01:52:44.460 the background of the abbey road hi i'm darren marler host of the weird darkness podcast i want

01:52:49.500 to talk about the most important tool in my podcast belt spreaker is the all-in-one platform that makes

01:52:54.860 it easy to record host and distribute your show everywhere from apple podcasts to spotify but the

01:53:00.140 real game changer for me was spreaker's monetization spreaker offers dynamic ad insertion that means you can

01:53:06.140 automatically insert ads into your episodes no editing required and with spreaker's programmatic ads

01:53:11.820 they'll bring the ads to you and you get paid for every download this turned my podcasting hobby

01:53:16.700 into a full-time career spreaker also has a premium subscription model where your most dedicated

01:53:21.740 listeners can pay for bonus content or early access adding another revenue stream to what you're already

01:53:27.020 doing and the best part spreaker grows with you whether you're just starting out or running a full-blown

01:53:32.300 podcast network spreaker's powerful tools scale effortlessly as your show grows so if you're ready to

01:53:38.300 to podcast like a pro and get paid while doing it check out spreaker.com that's s-p-r-e-a-k-e-r.com

01:53:46.620 i like that by the way fuck you stephen king that's right yeah very much so and also another beetle 0.97

01:53:51.980 references was that stephen king got the inspiration the title the novel the shining by the john lennon

01:53:58.620 song instant karma isn't he a horrifying creature stephen king my god i mean you look at his noggin 0.81

01:54:07.180 and you go for sure there are horror stories in there i think it's his mouth really it is his

01:54:11.820 mouth he's yeah he's got a bad mouth it's not good oh yeah not a good mouth stephen king fix that mouth 0.78

01:54:18.060 bro he got a ton of money he definitely looks like he got hit by every branch on the way down from the

01:54:22.620 tree bro he's ugly looking ass yeah this is the catcher in the ride that we mentioned earlier uh 0.94

01:54:29.180 this is one with the lampshade that's tilted uh slightly whenever wendy and danny go into the room

01:54:34.620 to the bathroom to hide from jack when he breaks down the wall and then in the next shot the lampshade

01:54:38.860 is perfectly straight uh this is the panel that we talked about earlier is the monarch sign uh this is

01:54:44.460 another one that people have pointed out before which is the hitler mustache whenever the picture

01:54:48.620 fades from the far away shot to the close-up shot this was shown in room 237 but it just connects

01:54:55.020 because of all the other nazi and uh holocaust symbolism that we've already pointed out and

01:55:00.380 mk ultra throughout the uh thing and here's the swastika and that's really it but there's other ones

01:55:06.700 uh back here that i didn't really get to which is the maze in the background of the establishing

01:55:11.820 shot which was shot in oregon at the timberline lodge there's not a maze in the background of the

01:55:17.100 opening establishing shot but then later on there is the maze because the rest of it was filmed in

01:55:21.180 england on a set uh the jack's tie is in the same pattern as the hedge maze so the first time we see

01:55:28.220 jack jack's tie looks almost identical to the same pattern of the hedge maze sticker of dopey the dwarf

01:55:35.180 disappearing on the door you have to peel that off the wall that's what i'm saying yeah or put it on

01:55:40.700 like you're gonna peel it or put it on like there's no reason for that come on yeah and everything else

01:55:45.100 is in the exact same location so they they either they had to peel it off and they only took one

01:55:50.300 off what do you mean bro uh this one is the uh whenever um the the grady thing where they the um

01:55:59.260 the different names uh this one is interesting because it's got the kool-aid on the top and two

01:56:04.940 years before was the jim jones incident where all the people um died so and that was happening during

01:56:12.300 the filming of the shining this one's a weird continuity error which is like a plastic set

01:56:17.660 tarp can be seen in the background as danny's rolling around the hotel the chair the infamous 0.97

01:56:24.060 chair that disappears and then reappears behind jack all in this exact same shot that's so stupid 0.78

01:56:30.780 the paper tray on the desk looking like it gives all men uh a boner whenever it goes in shake hands with

01:56:37.420 uh jack the teddy bear in the background it also looks like it has a hard on which is fire truck

01:56:43.660 which is this is also where the windy picks up the bat not a lot of people realize this but that's

01:56:48.700 where because it's in the background so whenever windy gets up from with danny she turns around and 0.99

01:56:54.060 she grabs the bat and then there's also other things that are setting up for the bat scene earlier

01:56:59.100 in the movie there's on the curtain right up here on this top left quarter panel there's a cartoon

01:57:04.380 character who's holding a baseball bat yeah it looks like donald duck gripping a bat and down here

01:57:09.820 whenever jack before he goes to look into the maze and then the maze fades into the the exterior shot of

01:57:15.500 windy and danny outside in the maze there's the baseball bat on the couch so the baseball bat goes from

01:57:21.820 downstairs when jack's looking into the maze to upstairs in their apartment for where she picks it up and

01:57:29.740 hits jack with i forgot which director said it but it was something like if there is a

01:57:35.580 if there is a shotgun on the wall in act one yeah then it's going to be guaranteed that it's going to

01:57:41.660 be used in act two yeah and also the knife uh the knife is shown um in uh the previous setup when

01:57:50.620 halloran is giving them a tour of the you see the knife and that knife is the knife that she's running

01:57:55.500 around with at the end of the movie through the hotel this one's interesting this one's a door

01:58:00.060 that is closed whenever danny sees sees room 237 and then in the next shot it's open uh this is a

01:58:09.420 carpet switching patterns there's been so much contention uh over this they people say that they

01:58:14.940 just moved him over one square but i mean that could be possible that but why would you not put him in

01:58:21.740 the exact same location as you were before because this is the first shot and it's got the open

01:58:27.660 facing hexagonal carpet pattern but then whenever it switches around it's got the closed facing

01:58:32.940 hexagonal carpet pattern so they could have because i've heard that they use that sort of a plot device

01:58:37.980 to and to to show you that like shit's about to pop off so so typically what they'll do is they'll

01:58:44.140 wind a frame upside down and when it becomes inverted that's gonna you know it's time for things to get

01:58:50.060 crazy i would i would interpret this almost as as one of those things where i would wonder if before

01:58:55.260 this it wasn't too crazy and then right after this something really horrifying happens in the film

01:58:59.900 but the thing is is all the cars are all set up yes no no i'm saying that it would be it would be

01:59:06.380 done on purpose and you're right like yeah this is definitely intentionally to jar you it's yes yeah

01:59:12.300 this is on purpose like shell shock somebody this is the teddy bear set up uh for earlier in the film

01:59:19.100 yep there it is yep uh this is tang tang in the uh the in the background is next to the kool-aid as

01:59:27.180 well and tang was a really big drink for the astronauts on all the apollo programs it basically

01:59:33.340 blew tang into the stratosphere made it a very popular drink that everyone wanted room 237 uh danny

01:59:40.460 wearing the apollo 11 shirt going in the room 237 and we all know that there was a toy story reference

01:59:45.420 there's the tvs that i was referring to earlier that don't have any kind of power source

01:59:54.460 to them they're just playing without being plugged into anything this one's like in the middle of it

01:59:58.700 it's not even near a wall for an outlet it's just in the middle of the floor yeah and uh that's uh

02:00:04.940 this is the one that i showed earlier and then we're back to the beatles so yeah that was uh that's

02:00:09.260 just a little quick presentation there and um that's just some of them there's other ones that

02:00:14.780 i didn't even add there's even one um for uh a clockwork orange that it's probably important to also

02:00:23.420 show if we have enough time it's just one just one little um and the people are aware of this too but

02:00:30.220 in a clockwork orange there's a uh a word above here that says a dream chrome yeah here i'm going

02:00:39.100 to bring that up real quick people could see that yep you could see his head is is blocking it but if

02:00:43.580 you uh fill in the blanks it's one of the earlier uh cultural mentions of adrenochrome yep which you

02:00:51.020 know right there mk ultra and that goes all the way back to the nazis and stretches all the way to

02:00:56.780 modern day where this uh you know enigma of adrenochrome uh still still uh eludes us man

02:01:06.300 well where where can people find your whole documentary on this you can find it on amazon

02:01:12.060 and apple tv plus just type in a clockwork shining and it'll be the first thing to pop up but if you

02:01:17.660 wanted the full title it's a clockwork shining a cubriks odyssey 3 uh if you'd like to um you know

02:01:24.300 come over to my youtube channel and subscribe over there it's raised by giants uh on youtube and

02:01:29.900 any and all podcast platforms and uh thank you guys very much for having me on it was a wonderful

02:01:35.020 conversation i had a lot of fun let's do it again sometime absolutely uh top your your mic is muted

02:01:40.700 for whatever reason um yeah sorry about the time limit it's just uh i was just busting your balls 0.82

02:01:46.860 okay this is a great episode we schedule things like insane people and uh we'll have like three shows

02:01:52.060 back to back with no breathing time in the middle of it uh man thank you uh rider for your time and

02:01:59.500 uh i'm glad we were able to pull this off guys i highly recommend going and checking out the rest

02:02:03.340 of his work because what you saw here on the shining it was just like a brief overview there's so his

02:02:07.340 work is your work is prolific man you go everywhere when it like one of one of my uh one of the conspiracy

02:02:14.380 theorists that i really like to listen to and like when you start to do content you don't listen as much

02:02:18.460 but uh yeah yeah one of the one of those guys in my opinion thank you dude i really appreciate

02:02:23.820 that i work hard on it i do it all the time i do all the work i book all the guests i make all the

02:02:28.540 thumbnails and make all do all the editing and make all the reels and all the short videos and it gets

02:02:32.940 really taxing sometimes so tell me about it the compliments you guys see exactly what i'm talking about

02:02:38.220 i see you on spreaker too so go support him on uh on audio as well if you like you know if you like

02:02:43.260 people uh being able to make a living off of this or do more doing more of it go ahead and do that but

02:02:47.900 guys until next time uh which is like uh two minutes from now don't forget to our basement

02:02:53.260 we'll see you guys the greatest hypnotist on planet earth is a oblong box in the corner of the

02:03:00.300 room it is constantly telling us what to believe is real if you can persuade you that what they see

02:03:07.660 with their eyes is what there is to see because they'll laugh in the face of an explanation that

02:03:15.020 portrays the bigger picture of what's happening and they have

02:03:23.260 the other part where they are is they have to Chatelang with the camera and accidentally

02:03:28.780 because they don't want to see it fast so but yeah that's it it's the most important

02:03:33.420 horsehair and driving just Wapusen and everything i think is that's when it's spy

Nephilim Death Squad - February 24, 2025

125： A Clockwork Shining w⧸ Ryder Lee

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