Nephilim Death Squad - 225： Who Really Wrote The Matrix？ w⧸ Tom Althouse

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00:01:10.340 Hashtag make a play.

00:01:11.860 We are being hypnotized by people like this.

00:01:25.240 Newsreaders, politicians, teachers, lecturers. 0.99

00:01:29.380 We are in a country and in a world that is being run by unbelievably sick people.

00:01:38.340 The chasm between what we're told is going on and what is really going on is absolutely important.

00:01:44.580 Oh, yeah, dude.

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00:01:46.580 It's like we all know what's going down, but no one's saying shit what happened to the home of the grave. 1.00

00:01:52.460 These motherfuckers, they controlling us now. 1.00

00:01:54.440 I know we're talking about how they made a spot of these slaves. 1.00

00:01:57.580 And everybody's just walking around, heading to clouds and won't awaken to a dead in the grave.

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00:02:05.600 Welcome to the end of day.

00:02:07.340 Everybody is slaves.

00:02:08.780 Only some are aware that the government releasing poison in their...

00:02:12.580 Welcome back, ladies and gentlemen, to another episode of Nephilim Death Squad.

00:02:16.800 I am David Lee Corbo, a.k.a. The Raven.

00:02:20.180 That is Top Lobster, the father of disinformation.

00:02:22.860 What's up?

00:02:23.300 Before we get into today's episode, a little reminder.

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00:02:48.100 It makes things a lot simpler.

00:02:49.720 Yeah.

00:02:50.040 We value their opinions a little bit more.

00:02:52.240 That's true.

00:02:52.940 Yeah.

00:02:53.180 I've really grown to enjoy the Patreon members.

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00:03:23.720 Let's get into the show.

00:03:24.500 This is an exciting episode.

00:03:25.700 Yeah.

00:03:25.900 This is a unique one.

00:03:26.880 We're joined today by Tom Althouse, who is the original creator of The Matrix.

00:03:31.680 Before we even get into the details of that situation, everybody knows The Matrix comes up quite often on not only this show, but any conspiracy show.

00:03:40.920 Let's first tell everybody, Tom, where they can find your work.

00:03:44.700 I know we have your website pulled up here, TomAlthouse.com.

00:03:47.960 Right.

00:03:48.500 That's basically it.

00:03:49.380 TomAlthouse.com is where you can go to find it.

00:03:51.640 And so that was done for me by a young woman who decided to take it on her own to create it and made it simple for me to be able to remember and follow for how people guide to it.

00:04:02.400 So there it is.

00:04:04.000 God bless those people, people that come along and tell you how to do a thing that you don't know how to do.

00:04:08.160 That's yeah.

00:04:09.280 And I mean, it's a great looking web page as well.

00:04:11.440 It is.

00:04:11.880 It is.

00:04:12.540 You lucked out.

00:04:13.500 So, yeah, this the story of The Matrix, I just want to lay the groundwork a little bit.

00:04:18.960 I mean, it is a kind of must see for anybody that is in the I hate to use this terminology, but I guess it's what it is now.

00:04:27.720 The truther community. 0.89

00:04:30.220 And it is much more than a film.

00:04:33.420 It it presented a concept.

00:04:36.540 Turns out it's a bit of an old concept to people about the nature of reality.

00:04:42.520 However, it was presented to us by by two individuals.

00:04:47.940 What is it?

00:04:48.800 The Wachowski brothers, sisters, the Wachowskis.

00:04:52.440 Now, this is back in 2001.

00:04:58.080 And they is a 2001 might be 1999.

00:05:00.920 1999.

00:05:01.860 Yeah.

00:05:02.220 1999.

00:05:03.200 Wow.

00:05:03.440 Geez.

00:05:04.160 And and since then, they have gone on to receive their flowers on every potential occasion, whenever it comes up.

00:05:11.640 It changed the certainly changed the nature of action films in a really dramatic way.

00:05:16.980 But they didn't make it.

00:05:19.360 They didn't come up with it.

00:05:20.600 It wasn't theirs. 0.77

00:05:21.860 I wouldn't even say I mean, it changed everything.

00:05:23.780 It did change everything.

00:05:24.800 That film or the story of that film is like a it's a big turning point in the the world of the United States.

00:05:31.020 Like we get a lot of things.

00:05:32.940 9-11 changes the entire, you know, the premise of America, what it's about.

00:05:37.900 But I feel like that's prefaced by the release of this film.

00:05:40.860 It's kind of weird in that way.

00:05:42.060 Yeah, it is.

00:05:43.900 But it wasn't until rather recently.

00:05:47.380 I mean, you know, the film's release is 1999 that I became aware in the past few years that it wasn't theirs and that they stole it.

00:05:57.160 Is that the right word?

00:05:57.880 I don't know.

00:05:58.660 Why don't you?

00:05:59.440 That's the right word.

00:05:59.560 Yeah, that's the right word.

00:06:00.640 That is the right word.

00:06:01.320 OK, so Tom, why don't you tell us?

00:06:03.160 Let's start from the beginning.

00:06:05.780 This is your story.

00:06:07.620 You wrote it.

00:06:09.280 Yeah.

00:06:09.780 If you want to start from the beginning there, let's first of all show the proof.

00:06:12.960 Now, what's interesting is there's a movement right now to try to shut down the proof.

00:06:18.740 That was really the main thrust of the strategy of the film companies along with the FBI was to make sure that evidence was never on record and would never be acknowledged.

00:06:28.000 And so this right here is the original copyrighted screenplay.

00:06:32.940 You can see the down here on the date.

00:06:34.600 It's the 1998 version.

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00:07:16.620 Hashtag make a play.

00:07:18.080 So there's the 1998 version.

00:07:21.340 The timeline's quite telling.

00:07:23.160 And Library of Congress.

00:07:24.080 And this gold seal shows that this is authentic from Library of Congress.

00:07:29.580 And the PAU number right here is what you can look up in the Library of Congress page.

00:07:34.380 So there's no way around it.

00:07:35.760 Now look at the title, The Immortals.

00:07:37.520 This is the title, Warner Brothers Claims, along with HBO.

00:07:41.420 Tom Hanks was actually, in a copyright entry you can find in 1998, ordered and commissioned to write this work in a three-page entry.

00:07:50.560 Ordered and commissioned to write The Immortals.

00:07:52.800 In fact, Warner Brothers has a letter to Sophia Stewart, who is claiming to be the mother of The Matrix, who was brought on by Warner Brothers to be a first claimant.

00:08:00.420 Throw people off.

00:08:01.200 All part of the strategy.

00:08:01.980 And they said to her, you can claim The Matrix title, not The Work.

00:08:06.060 You can claim The Title, because we're claiming The Immortals title.

00:08:08.980 So really, The Work is The Immortals. 1.00

00:08:12.120 And what the Wachowskis did was they took the letters and switched it around when they were finally given the green light to take it. 0.76

00:08:17.320 They called it The Science Project.

00:08:19.020 When they're given it, they take the letters and switch them around.

00:08:21.680 And you've got The Matrix coming out of that just to add an X.

00:08:24.780 So that was their trying to be clever, which is a big thing in Hollywood.

00:08:27.620 So that's a long answer.

00:08:29.300 But so what you've got is all these things will tie together in tight Easter eggs.

00:08:32.960 And it's like that can't be refuted.

00:08:35.300 But what they're doing now to try to spin it currently is to say, well, look, Tom Oldhouse bought this from the copyright office.

00:08:44.580 Nice spin.

00:08:46.420 Because, yeah, you have to purchase your own copy from the copyright office to prove it's yours.

00:08:53.200 And the gold seal makes it irrefutable along with the PAU number that you see there.

00:08:56.880 But what they're going to do is spin it and say he bought his own script.

00:09:00.720 He bought the script.

00:09:01.900 No, you bought the copy of what proves when it's needed to prove you purchase your copy from the copyright office, which is from 1998.

00:09:11.920 So the spin is just fascinating where they try to turn it into some kind of game of shutting it down.

00:09:18.340 So what we have is irrefutable proof.

00:09:21.820 So why would it say online you lost in court?

00:09:25.180 Because they supplied all their attorneys to represent me, who are classmates of their attorneys, made sure, again, no evidence goes in, shuts down all your due process, all your discovery.

00:09:35.560 We have them on tape saying they're not going to honor any discovery because their attorneys are representing both sides.

00:09:40.600 And even if we win, they won't let us file it.

00:09:42.580 So that's why, yeah, we didn't stand a chance in heaven or hell, but we have all the evidence still.

00:09:49.100 And here's the catch before we move on.

00:09:50.960 What happened just recently, three days before Easter, get this.

00:09:55.020 The CIA, which actually is in the story of the original Matrix, Smith in the original story is in the backstory, an upper echelon CIA department head.

00:10:06.040 So Neo works for him.

00:10:08.700 We have the backstory all fleshed out.

00:10:11.140 The Wachowskis took it all and lifted it into visual, like a visual storyboard, 600 page visual storyboard, which is what they did with Oblivion and Elysium, just visual storyboards to lift the work.

00:10:21.500 They're lazy.

00:10:21.860 And in there, they left out that connection, right?

00:10:25.760 So what you have is the CIA, as I'm told by Michael Jaco now, who's an ex-CIA correspondent, our host, and also Navy SEALs, is these things I'm going to show you right now ended up in my home three days before Easter.

00:10:41.060 Look at the date on that.

00:10:42.980 This is draft one of the Matrix story, March 21st, 1993.

00:10:47.920 Look at it all.

00:10:48.520 It's very worked over, isn't it?

00:10:49.780 And look at the corner up here.

00:10:51.540 Up to date as of January 1994.

00:10:54.460 That's ending right out of December 1993.

00:10:58.120 All this, even how to do the things, like I'm on notes on how to clip it, which is now on here.

00:11:03.920 So all this is here, restored to my home by the CIA three days before Easter this year.

00:11:12.480 So this is very fascinating.

00:11:14.220 That's not the only copy.

00:11:15.500 How did they get this?

00:11:16.780 Did you lose this?

00:11:18.440 Through the attorneys of Warner Brothers, the supplied attorney they supplied me had a suspended license.

00:11:23.620 His name is Tony Rankin.

00:11:24.780 He's classmates from the University of Berkeley with a lead attorney from Warner Brothers, Linda Burroughs.

00:11:29.400 So what you have is a series of attorneys, all classmates, alumni, so they're loyal to each other, from the University of Berkeley Law School that come together to handle me, make sure my case is thrown.

00:11:39.340 While they put Sophia Stewart in place to claim to the public as a first claimant that she wrote it.

00:11:44.300 So what you have is a whole strategy employed.

00:11:47.180 And so these things were taken by the attorney who supposedly those were representing me.

00:11:51.520 Took them from my home and my own dining table.

00:11:54.300 And when he said he had to take a call and I had to leave the room, well, all these were taken.

00:11:58.420 Now, what's interesting is the CIA can get a hold of them and have them restored.

00:12:02.540 They have a film department, Michael Jacobs says.

00:12:04.180 So this one right here, what Warner Brothers was doing is getting rid of all drafts, getting rid of all drafts that are pre-96.

00:12:12.560 This is important.

00:12:13.520 You saw the 1998, you know, copyright on this one.

00:12:16.800 Any drafts from 96, which I just showed you, that was 1993, the earlier one, were taken because the Wachowskis never were given the green light to claim a title until 1996.

00:12:28.220 And that's when they came up with the matrix title off our letters.

00:12:30.360 Because before that, they didn't choose the candidates that was going to be the ones to be given the, quote, science project.

00:12:36.960 So from 93 to 96, it's left open.

00:12:39.300 And you see that in the copyright trail.

00:12:40.920 Tom Hanks is tapped.

00:12:42.840 Wendy Wasserstein, a Jewish playwright, is tapped in copyright entries by HBO and Warner Brothers in the copyright office.

00:12:49.220 This is very cerebral, but I know you guys can handle this.

00:12:51.440 So what you have is all this combating and vying and jousting for power on who's going to get to have the stolen work from 93 to 96.

00:13:03.700 So when they finally give it to the Wachowskis in 96 and green light them, they have to get rid of all the pre-96 and any witnesses that it was done in 93.

00:13:13.000 Now stay with me.

00:13:13.900 So what you have here is the original draft, 93 draft that I worked with, Greg Mazur, and it actually has the notes still in here.

00:13:23.000 They even gave me the note page where he wrote me back and said, and has an affidavit too about how this whole thing was a complete script, 128 pages, in 1993.

00:13:32.080 And then you've got something really fascinating here, a screenplay, which is dated from 1995, another draft, returned by the, these are all in a stack on my bed three days before Easter.

00:13:43.940 This means the CIA wants us to win now.

00:13:46.760 They want to be known as the good guys now.

00:13:49.040 So what they're doing is restoring the work so we can finally win.

00:13:52.640 October, 19, you can see that up there.

00:13:54.460 This cover page is missing.

00:13:56.160 Notice the cover page on these other entries that were restored.

00:13:58.820 The cover page is missing because I already had the cover page.

00:14:02.080 Tony Rankin, the attorney that was supplied by Warner Brothers, ripped the cover page off of this and stuffed it down my child's art box in 2012 when he was over for dinner and took our poor man's patent and pulled the full script out, which is now right here, returned also in the stack, from the patent, the poor man's patent, which is an envelope you mailed to yourself to prove you get it on a certain date, time stamp by the post office.

00:14:26.900 So that's restored.

00:14:28.140 So the reason you don't have a cover page on this important copy from 95 is because Mr. Rankin ripped it off and shoved it down my child's art box.

00:14:36.820 So, you know, because he wanted this proof of this date on here removed and taken to Warner Brothers offices in California.

00:14:43.960 So right now we've got all this restored, which begs the questions.

00:14:47.880 Why was this done?

00:14:49.200 You know, why are you returning to the artist?

00:14:51.800 Do you think time's run out?

00:14:52.860 Well, this is very, very key because what you have is not only the intellectual property involved here, but the tech involved, the neural link, jacks the neck.

00:15:03.640 And remember I said how the Wachowskis finally got the rights to take it in 96 when Joel Silver auditioned him with Bound.

00:15:09.020 They said, OK, you can direct.

00:15:10.620 They actually had an article in 95 that said, we failed as writers in Hollywood.

00:15:14.460 We have to pack our bags and leave.

00:15:16.000 The only way we'll make it is if we're given a project to direct, the science project.

00:15:20.060 It wasn't theirs, like I said. 0.99

00:15:21.540 So then what they did was when they were given green light in 96, they announced, we want to do jacks for real.

00:15:28.040 Listen to this.

00:15:29.160 We want to do jacks and neck for real.

00:15:31.040 They're saying, now that you gave us a story, we're not just happy with having a story.

00:15:36.820 We want to have the tech.

00:15:38.500 We want to claim neural link, which I call neural enhancer, all through the immortals.

00:15:43.220 So what they did was they slapped him down and said, you can't have neural enhancer.

00:15:46.840 What we're going to do is we're going to pick a candidate for the tech and we'll control the tech through an in-house candidate and we'll control the story with you guys in-house.

00:15:57.280 So they gave it to Elon Musk and groomed him by having him in Iron Man 2, grooming him, showing him in Iron Man 2.

00:16:04.880 Then they showed him in Sheldon.

00:16:06.740 Watch Sheldon where he's shown stealing his own, Sheldon's young rocket tech.

00:16:12.440 He shows him stealing it in the clip.

00:16:14.880 This is the sitcom you're talking about.

00:16:16.360 Yeah, he's in it.

00:16:18.100 You can look it up.

00:16:18.780 Look up Elon Musk in young Sheldon.

00:16:21.560 And so they're shaming him.

00:16:22.740 So before they give Elon the neural link, which they took from our work, they're going to go ahead and groom him and say, we're establishing Elon Musk was with us.

00:16:35.800 Elon Musk was not allowed to claim it until we already had claimed it and destroyed the author and the inventor.

00:16:42.080 So we're destroying the author and now we're going to give it to him.

00:16:44.400 So let's stop there for a second because this is mind-blowing.

00:16:47.680 I have questions.

00:16:50.100 Please do.

00:16:50.700 Fire away.

00:16:51.420 Yeah.

00:16:51.720 All that can be verified online.

00:16:53.880 Number one, Tom Hanks.

00:16:57.160 What does he?

00:16:58.540 So he originally has the script that's stolen from you.

00:17:03.660 Yeah.

00:17:03.920 Well, Warner Brothers.

00:17:05.660 Yeah.

00:17:05.820 Through Joel Silver and Warner Brothers.

00:17:07.020 Yeah.

00:17:07.320 I pitched it in full.

00:17:09.000 If you look up online, Bonaventura, Lorenzo D. Bonaventura of Warner Brothers.

00:17:14.200 The exec from Warner Brothers.

00:17:15.480 Still claims in Wikipedia that he discovered and shepherded the Matrix story because I pitched it to him in full in June 93.

00:17:24.020 We have the submitting attorney, James Boyd in Norfolk, in his affidavit saying, in supplying all the materials, original script and everything, that he sent it in June 25th, 93, per Bonaventura's directions.

00:17:35.540 So what you have is proof of direct access.

00:17:38.880 Joel Silver gets it from Bonaventura and then enters it into the story department without the Wachowskis in 94 and then brings them in in 95 and 96.

00:17:48.140 So what you have is the tech and the story being worth a fortune.

00:17:52.560 And that's what Bonaventura told me during the pitch session.

00:17:55.200 This is revolutionary.

00:17:56.820 So go forward with your question.

00:17:58.460 Okay, I guess so that I just think it's interesting.

00:18:02.040 It seems like Hanks was a candidate and then they went away from him.

00:18:07.100 They went with these brothers or sisters, people because this guy, Tom Hanks, plays a weird role.

00:18:13.240 He does.

00:18:13.820 In whatever kind of global affairs are going on.

00:18:16.320 So he's one of these guys that is a player, but I guess they're like, not this role.

00:18:20.400 We need you for the kids.

00:18:22.280 Yeah, we need you for the kids.

00:18:23.400 The island movie was a good island movie.

00:18:24.980 Okay, so that happens there.

00:18:28.860 Another question.

00:18:29.900 When you approach the WB executives, is there any ignorance on your part on how to approach these guys at the time?

00:18:44.580 Great question.

00:18:46.360 Did they take advantage of you or did you have your stuff buttoned up?

00:18:50.700 100%.

00:18:51.220 No one's ever asked that question before.

00:18:52.660 And that's a brilliant question because, yes, they totally take advantage of you by being the authority for you on what you need to do and giving your marching orders and everything.

00:19:01.160 Submit it through attorneys and I'll push it through, Bonaventura says, because we've got to follow certain protocols.

00:19:08.000 Warner Bros. doesn't take on solicited work.

00:19:10.600 I'll make sure it gets through.

00:19:12.320 And, yes, they take advantage of your naivety completely.

00:19:15.060 And by assuring you, suaging you, that they're going to take care of everything, everything will be done for you.

00:19:21.280 Trust them.

00:19:22.100 So it's a brilliant question.

00:19:23.380 Absolutely, 100%.

00:19:24.280 Yes.

00:19:25.420 And I followed along.

00:19:26.860 I was excited.

00:19:27.640 You're drunk on the idea that, okay, they're making this.

00:19:30.100 This is huge.

00:19:30.660 You're going to celebrate.

00:19:31.720 They got you.

00:19:32.440 They got you misdirected because you're not looking at the safeties.

00:19:35.600 This is something that we see within both industries, Hollywood and the music industry.

00:19:39.880 Even in the podcast industry, you come with some certain idea.

00:19:43.560 This is at a very minor level, but I'm keenly aware of the people who are like, good, now put it here and then we'll take it.

00:19:50.760 We'll take it from here.

00:19:51.740 We got it.

00:19:52.240 You're the guy. 1.00

00:19:53.140 That kind of shit. 1.00

00:19:54.700 But this is just common practice. 0.99

00:19:56.440 So another question was this, how many, how many, uh, playwrights or stories have you written up until this point where you're, cause obviously this movie is kind of like, uh, this play that you're, you're writing or the script is kind of a stroke of genius.

00:20:11.420 So where, uh, do you have experience with this or like, where does it come from?

00:20:16.760 Great question.

00:20:17.300 I was at Pat Robertson's film school, uh, the televangelist.

00:20:20.420 And so when I was aware of what his plans were along with Cabal, when I realized what was going on, he confided in me because he was grooming me to be the face of the Christian coalition, to be that person that'll front for him to make sure he has a continued power.

00:20:35.620 And so he confided in certain things and the ideas were chilling and I didn't go along with it.

00:20:41.120 So I lost everything.

00:20:42.280 And that's why I whispered through art and this 128 page, um, thing.

00:20:46.420 So basically, first of all, yes, there was other works I have done in school and things like that, but this one was driven by a need to whisper through art.

00:20:54.420 I would say to let people know what's coming.

00:20:56.760 So this is a different animal.

00:20:58.280 The major story really was a documentary, if you will.

00:21:02.540 It was something to let people know future generations, especially that this was all going to happen, uh, what the plans were, including, uh, operation blue light.

00:21:11.100 So that's why you have the identical figures facing off at the end.

00:21:14.560 And everything's there, which incidentally, what Chosky's argued on set.

00:21:19.160 You can see this online, what Chosky's argued on set with the entire crew, apparently, and team that they're going to keep the exact ending, exact ending of what they did.

00:21:28.300 They kept exact ending of this.

00:21:30.620 Now, remember when I said they were getting rid of all the evidence of, uh, 93 pre 93 pre 96, I'm sorry.

00:21:36.300 Well, George Michael dies 2016 on Christmas.

00:21:40.140 I believe it in 2016, when our case is fully thrown by their attorneys that are planted, including the guy with a suspended license, they throw it all block it all.

00:21:48.160 And then they have George Michael murdered.

00:21:50.920 Now, George Michael was the best witness to this work until the CIA restored all these original drafts.

00:21:56.900 George Michael from wham.

00:21:58.460 We're talking.

00:21:58.980 George Michael.

00:21:59.640 Yes.

00:22:00.540 Watch the, let me show you a page at the end of this thing.

00:22:02.920 I'll make it illustrated.

00:22:04.200 It's going to be mind blowing, but yeah, watch this.

00:22:07.040 Greatest song ever made a Christmas song from wham.

00:22:09.920 Look at this.

00:22:11.120 Praying for time by George Michael.

00:22:13.680 Final credits.

00:22:14.400 This is the 1998 version, which was done in 93.

00:22:18.480 So that means that George Michael read the script in 1993 to vet it and to green light it that I could submit it through the attorneys, Boyd and Boyd of Norfolk in 1993 to Warner Brothers.

00:22:33.920 I let him read the script.

00:22:35.900 George Michael then, when he gives the permission, he's what he, his quote basically was to me, go ahead and send it in.

00:22:41.720 We'll see where it goes.

00:22:43.180 Fair enough.

00:22:44.400 Left it open.

00:22:45.580 And so that's why it says here, praying for time, which is the best ending credits for the matrix.

00:22:50.540 Think of it.

00:22:50.840 The wounded skies above what happened over here is over here.

00:22:54.780 God has no children.

00:22:55.860 He's not keeping score.

00:22:57.060 That kind of thing.

00:22:57.620 All that's in there.

00:22:58.300 Basically badly paraphrased by me, but praying for time means that George Michael read the full script is the best witness that the work was done in 1993.

00:23:07.200 So they tie up all their loose ends and eliminate him on Christmas in 2016, saying his heart gave out in Hollywood.

00:23:14.580 If your heart gives out in any show, that means you were murdered.

00:23:19.360 Look at black sales and everything else.

00:23:21.420 This is great.

00:23:21.840 I did not expect to learn today that George Michael died because of the matrix.

00:23:25.560 He died.

00:23:26.340 He's a hero.

00:23:27.200 He's a hero.

00:23:28.180 He's the one that stood by and said, yeah, go ahead, Tom.

00:23:31.380 And he would have been the best witness.

00:23:32.480 The reason he's killed is he would have stood up and verified all this.

00:23:36.060 So they had to get rid of him.

00:23:36.720 This story, Tom, did they change anything?

00:23:40.480 Did they take any creative liberties that you disagreed with?

00:23:43.260 Did they alter the story in any way, shape, or form?

00:23:45.580 How do you feel about, what's his name?

00:23:48.880 Keanu Reeves.

00:23:49.640 I love Keanu Reeves.

00:23:50.560 Oh, Keanu's an interesting character, especially given his reputation going forward.

00:23:53.880 He becomes the most lovable character in Hollywood.

00:23:56.920 Yeah, he's the best dude.

00:23:58.120 But let's stick with this.

00:24:01.280 Did they, and if they did, what did they change?

00:24:03.400 And how did it alter the fundamental message of what you were trying to get across?

00:24:07.540 It's a brilliant question.

00:24:08.740 Let's take a look at it.

00:24:09.660 I need to send you some of the clips, too, so you can have them as companions with our

00:24:13.060 interview.

00:24:13.700 Because what you're going to see is the architect, first of all, some of the changes.

00:24:19.300 They chop shopped everything by telling Warner Brothers that they were going to lift everything

00:24:25.440 they thought was cool into a visual storyboard.

00:24:28.500 Then they would get on set, make it up as they go along, reconstructing everything.

00:24:34.460 That's why you need to re-engineer it, reverse engineer it to understand all this.

00:24:38.880 Make it up on set with a visual storyboard and this script right here in hand.

00:24:44.740 This in hand, visual storyboard with the other.

00:24:46.980 And they thought, it takes small minds to think this, that you can create this on set?

00:24:52.860 That's why it's not tied together.

00:24:54.900 It's completely incongruent.

00:24:56.160 Incongruent is because they lifted everything they thought was cool and then shop shopped

00:25:00.180 it, like taking a Porsche, chopping it up in a garage and then trying to put it together

00:25:04.600 in a different way, different parts.

00:25:07.060 So here's an example.

00:25:08.960 Liquid mirrors in the original story are at the train station scene.

00:25:12.840 Liquid mirrors you can pass through if you take the red pill.

00:25:16.020 If you haven't, you cannot.

00:25:17.840 That's your barrier from entering the matrix.

00:25:21.940 Is you can go through the mirrors, like security mirrors, and there's crowds waiting to get

00:25:27.700 their kids through.

00:25:28.860 That's what the train station is.

00:25:30.800 They simplified the budget, first of all, and made it a single family.

00:25:34.120 Made it a wealthy family.

00:25:35.660 It's supposed to be haggard people who have a last hope and chance, shred of hope, that 1.00

00:25:41.080 if they put their children into the program by getting somebody who's a red pill to take

00:25:44.620 them, that maybe their children have a better lives than the hell they're living outside the

00:25:48.340 program.

00:25:48.620 Now they got that part right.

00:25:50.600 Yet they take the liquid mirrors and put it in Morpheus' smoking room.

00:25:54.840 Also, they reverse the red pill, blue pill.

00:25:57.800 The red pill is based on the blood of the children in the original story to make an immortal

00:26:01.780 program, matrix program.

00:26:03.780 And so what happens is the red pill is the bad pill.

00:26:06.680 The red pill shows up in the original story during the interrogation scene.

00:26:10.080 It's the only pill that is offered or actually demanded that Neo take in the interrogation.

00:26:15.780 They got that right.

00:26:16.400 So they're chopping it as they're copying it because they're not that smart.

00:26:20.580 So what happens is you're talking about guys that failed at everything, dropped out of

00:26:23.540 school, failed at painting contracts, everything.

00:26:25.620 Their mom said all they do is play video games.

00:26:27.520 So these guys are groupies stealing work.

00:26:30.020 The worst candidates to take the work to re-render it.

00:26:32.360 Now, so the red pill ends up with Morpheus in theirs holding a blue pill like Alice in

00:26:37.620 Wonderland.

00:26:38.220 Let's look at that.

00:26:39.620 Alice in Wonderland is there because they're making it up as they go along.

00:26:42.300 They told the suits they'll draw off of other work in order to fill in the gaps.

00:26:46.200 So like the DNA in Jurassic Park dinosaurs.

00:26:49.320 So what you've got is we're making it up as we go along.

00:26:51.640 Hey, it'd be cool to have the Alice in Wonderland imagery throughout it, stuck with it, stuck

00:26:56.880 in their head.

00:26:57.440 So we have drink me, eat me.

00:26:59.080 Instead of the original way, which is you only are offered the red pill.

00:27:03.940 Smith's not allowed to take Neo out.

00:27:06.100 Neo does not have Superman powers.

00:27:07.860 I'll explain in a second why.

00:27:09.740 He's told you take the red pill or you and your family are going to die.

00:27:12.980 So you have to take the red pill, which is the blood of the children, which is based on 0.95

00:27:18.060 for a mortal program.

00:27:19.640 So he does.

00:27:21.040 He does for the sake of his family.

00:27:23.000 And then later, when he's cut from the program, he's offered the blue pill in the underground

00:27:28.420 by Morpheus in the original work.

00:27:31.080 See, that's to allow him to get back into the program when he's been cut from it by the

00:27:34.980 architect.

00:27:36.020 So what you have is it's ruined where now they're saying red pill, blue pill, and to slap the

00:27:41.080 population's face of humanity, they reverse the meanings.

00:27:46.600 That's really interesting, Tom, because right now, if you look at the conspiracy truther community,

00:27:52.100 the red pill has become synonymous with seeking the truth.

00:27:56.320 Also, that element of the rabbit, you know, chasing the white rabbit, which you said was

00:28:00.660 injected via Alice in Wonderland.

00:28:05.760 It's got to be weird for you sitting here looking at the ripple effect that's been caused

00:28:10.200 by this film within, you know, the communities that are trying to find the truth.

00:28:13.140 And the two staples that pop up over and over again are the red pill, which is an inversion,

00:28:18.860 according to your original works.

00:28:20.520 It is.

00:28:21.200 And then this injection of Alice in Wonderland, which is prominent in following the white 1.00

00:28:26.720 rabbit.

00:28:27.260 Really alarming.

00:28:28.740 Yeah.

00:28:29.040 Well, let's go to...

00:28:29.660 Yeah, go ahead.

00:28:30.140 Go ahead.

00:28:30.400 Sorry.

00:28:30.680 Where do you get...

00:28:31.500 So where do you get this idea?

00:28:33.540 Where do you originally draw the idea of?

00:28:35.240 Because now we're talking about adrenochrome in a way.

00:28:37.820 Yeah.

00:28:38.080 And you're also like the idea of the mirror.

00:28:41.860 That is a really esoteric thing.

00:28:46.040 Like, you know, doorways, mirrors.

00:28:47.960 When we're talking about portals in a way, where do you draw from when you originally create

00:28:53.780 that?

00:28:54.040 That's a point.

00:28:54.660 Yeah.

00:28:54.920 That's such a brilliant question.

00:28:56.340 Again, the mirrors come from introspection, that anybody who has empathy needs to look

00:29:01.220 into themselves.

00:29:02.300 The blue pill comes from the author's eye.

00:29:04.700 It's the blue...

00:29:05.500 You'll see what the author saw to warn you about what's being planned for a one-world

00:29:10.180 order using a longevity program, the red pill, to get all the different world leaders and

00:29:14.860 their families to acquiesce and come together to agree to a one-world order.

00:29:18.120 You've got to have a sell point.

00:29:19.360 And it is the longevity program, which is now happening in our time.

00:29:22.640 The liquid mirrors, again, like you just said, liquid mirrors as a portal is what is

00:29:26.440 at the train station.

00:29:28.000 So they take it out and put it in the smoking room as if it's just an entertainment thing

00:29:31.880 for Neo to put his hand through in front of Morpheus.

00:29:34.440 You don't need the blue pill at that scene.

00:29:37.020 Only the red pill will suffice.

00:29:38.740 If he's not going to enter the program, you don't need a blue pill.

00:29:42.340 I mean, what is he going to do?

00:29:43.480 So what you have is back to the train station scene.

00:29:45.940 They drew from Alice in Wonderland.

00:29:47.520 They also drew from Ghost because what they did was they mixed in Ghost with a train man

00:29:51.620 from Ghost.

00:29:52.740 Train man doesn't belong in the original.

00:29:55.260 Doesn't at all.

00:29:56.620 And keep in mind that people that are trying to naysay what we have here, all this evidence,

00:30:01.340 which Warner Brothers said they knew it would surface at some point that they can't stop

00:30:04.720 it, but they can profit off as long as they can.

00:30:07.300 Well, other people try to say, this author has no idea what the matrix means.

00:30:11.600 Are you serious?

00:30:12.780 I know what the matrix means completely.

00:30:14.260 It's basically ABCs.

00:30:15.960 What they did with it is so juvenile and so disconnected.

00:30:19.360 But you put it back, I'm the author.

00:30:21.320 I know exactly how it ties together.

00:30:23.300 And the complexities when they're restored, when people see the way it's supposed to be,

00:30:26.380 there's layers.

00:30:27.220 I wrote it in layers.

00:30:28.400 That was to make it revolutionary.

00:30:29.920 And that's why Bonaventura said it was revolutionary.

00:30:32.080 Because you go back to that first pitch session in 95, where the execs at Warner Brothers,

00:30:36.820 and this article is being put in record, that they said to the Wachowskis and Joel Silver,

00:30:41.880 who was present, because Wachowskis didn't understand the work either, saying,

00:30:45.580 we know we have something cool, but we don't understand it.

00:30:47.900 Can you explain it to us?

00:30:49.140 Wachowskis couldn't. 1.00

00:30:50.120 They got off, according to the article, and Larry's screaming in the other room.

00:30:53.120 You can't do that because they were thinking of not having them because they couldn't explain it.

00:30:56.360 Joel Silver steps in the meeting in his record as he said, you know, it's robots in the program.

00:31:01.780 Think of this.

00:31:02.760 Robots in the program?

00:31:04.000 No, he got it wrong.

00:31:05.120 If you look at the original work, it's robot-like agents in the program.

00:31:09.420 Robot-like means the stakes are higher.

00:31:11.760 Robot-like, if the lazy man had read a little more detailed,

00:31:15.060 robot-like means that there's a room of monitors, which doesn't belong to the architect.

00:31:20.380 The room of monitors belongs to Smith.

00:31:22.760 The room of monitors is so we can monitor every single agent with vital signs shown.

00:31:28.340 If they show feelings, they're terminated.

00:31:31.800 If they're robots, we don't have to worry about them.

00:31:34.240 But if they're actually robot-like agents, which they put in oblivion later with Tom Cruise,

00:31:39.440 then it figures everything, then, yeah, that's a real struggle.

00:31:43.360 Now we can put ourselves in the shoes of the agents and realize they're going through hell.

00:31:48.100 CIA appreciated that, see?

00:31:50.160 So that's what you see is you see a precursor scene foreshadowing what will happen to anyone

00:31:55.300 who disconnects from the neural link, which is actually called the neural enhancer.

00:31:58.440 And so what happens is if you disconnect, you're terminated from that room of monitors,

00:32:02.800 not the architect's room.

00:32:05.220 What they did to answer the question how they changed it, and yes, it's infuriating,

00:32:09.880 they took the architect, put him in the room of monitors,

00:32:12.520 and gave him the silver pen, which is essential in the story,

00:32:15.960 which represents our creativity, freedom of choice.

00:32:19.940 It was given to Neo.

00:32:21.340 Neo has the silver pen in the original work, and it's destroyed by an agent.

00:32:25.840 It's symbolic.

00:32:26.520 So they gave it to the architect, and what does the architect do in the work?

00:32:29.500 They're going to mock you.

00:32:30.860 He uses it as a channel changer.

00:32:33.460 Go back to the matrix, look at the architect's original scene with the room of monitors,

00:32:37.760 and watch the first clip.

00:32:38.740 They put it right in your face, close up like this, and go click.

00:32:44.180 They're slapping your face.

00:32:45.760 The Wachowskis never understood the work. 1.00

00:32:48.160 So we're the only ones with a full copyright on the work.

00:32:52.320 But we still may not get justice in my lifetime because we've got a battery of attorneys and FBI also working on it, too.

00:33:00.780 I've been shut away by SWAT teams six times because he thinks he wrote the matrix.

00:33:06.340 I'm the only one with a copyright.

00:33:07.220 So, yeah, and I have all the original drafts.

00:33:11.240 We got their attorneys on tape saying, we have no original drafts, so it's a mute point to ask for any discovery.

00:33:17.940 And the reason I have that tape is the guy with a suspended license who represented me, that was Warner Brothers' classmate working for them,

00:33:24.200 taped it and gave me the wrong tape recorder back.

00:33:27.040 And we got them on tape saying they have no working drafts.

00:33:29.260 Yeah, we can win in court easily when it's a fair venue.

00:33:31.800 Go ahead.

00:33:32.800 I want to get into this idea of the timing, you know, for the significance of right now, Elon Musk, Neuralink, all these different things, the CIA.

00:33:44.120 But before we do, we're at the 30-minute mark.

00:33:46.640 We're going to go live, guys, exclusively to Patreon.com.

00:33:48.940 If you're watching now and you want to continue watching, head on over to Patreon.com forward slash Nephilim Death Squad.

00:33:54.020 Otherwise, give it about a week, and this episode will release in its entirety.

00:33:57.600 So, but before we get into that, I want to kind of ask you about these elements that have become lionized within the Matrix, and those are elements of Gnosticism.

00:34:12.300 So this idea that, of the Demiurge, let's say, if you watch the Matrix film now, I hadn't watched it in quite some time,

00:34:21.900 and then, you know, it's one of those things that kind of, it's a gift that keeps on giving.

00:34:26.360 If you have fresh eyes and you go back to it, you might catch something new or an element that you didn't see before.

00:34:31.200 And what I'm seeing is an alignment with this sort of Gnosticism, this idea of ancient AI,

00:34:38.400 the idea of being in a prison planet, and that the god of this realm is the Demiurge.

00:34:43.880 And then I think, I want to say that it's even the Matrix film that has allowed Gnostics to begin to speculate about the nature of AI 0.80

00:34:54.120 and incorporate ideas of ancient AI, so that the Demiurge, the god of this prison realm that we inhabit,

00:35:01.600 is actually synonymous with this idea of ancient artificial intelligence.

00:35:05.860 And, of course, once you have that lens, you see that element within the robotic, you know,

00:35:11.960 imprisoners and things of that nature.

00:35:15.100 Was that something that was in your original script?

00:35:18.600 Do you see that in the Matrix currently?

00:35:22.140 Or do you think that this is one of those things where, as a theory arises,

00:35:28.060 you can kind of look back to another work and see it in that work where it didn't really exist before?

00:35:33.480 You just hit something so important.

00:35:36.200 First of all, the layers.

00:35:37.620 Like I said about the layers, and excuse the cats, they're having a good time.

00:35:40.560 The layers, really, so, like, that's what I was doing, was trying to make it so that it would immerse audiences

00:35:46.440 by leaving a lot of the backstories out and things, but it would allow you to incorporate any element

00:35:51.440 of your belief system into it, that it becomes your own, that you can make it your own.

00:35:56.900 So it becomes a framework for you to insert your personal life, that it becomes yours.

00:36:01.300 It was also supposed to be a springboard in that thinking, in that way of methodology,

00:36:07.360 to make it so that people would be inspired to create their own work off of it.

00:36:12.180 My intention was to open up the copyright for every man, woman, and child so they can do their own versions of it,

00:36:18.660 and I can enjoy that too, to encourage creativity, lift the ceiling on what's possible.

00:36:23.640 And to do that, you've got to make it so it's a service to humanity.

00:36:27.640 You're making a gift to humanity, and it infuriates me, they ripped it off, because I felt it was perfect

00:36:33.460 when I pitched it and gave it, because it just had just the right balance of enough backstory out,

00:36:38.760 which could be explained and covered, where I could let others fill their own personal experiences in,

00:36:43.500 if that makes any sense, to create it, to make it their story.

00:36:46.020 That way, people would turn to each other and go, what do you think it means?

00:36:48.900 What do you think it means?

00:36:49.720 You also hit it on the head that, yes, it was meant to be so you'd watch it again,

00:36:53.560 watch it again, be very complex with layers, that you watch it again and get something out of it each time,

00:36:58.520 and maybe even take you down a road where you rethink your own orientation.

00:37:02.320 One of the purposes in that was that me as the author was thinking,

00:37:07.100 I celebrate your faith, not your religion. 1.00

00:37:09.640 Therefore, your journey in your faith, that spark of faith, which I believe is attached to creativity.

00:37:16.060 So in faith, I will celebrate every step of your life,

00:37:19.660 no matter what you believe or what turn you take.

00:37:22.380 And in the end, I'm right there with you, because I celebrate your ability for faith, not your religion.

00:37:28.320 So therefore, this piece was to illustrate that, that your change of thinking with this piece and saying,

00:37:34.700 I think it means this, I would say, you're right.

00:37:37.480 Then you come back later and say, well, I think it means this, you're right.

00:37:41.460 Well, I think it means this, you're right.

00:37:43.600 And that's how we bring our styles together.

00:37:45.860 We cannot throw the puzzle pieces off the table.

00:37:48.000 So there's a lot of depth in it.

00:37:50.680 And that's why I'm just furious that they gave it to monkeys, not to insult monkeys.

00:37:57.380 Did you plan for the original script to incorporate that moment where Neo's license reads 9-11?

00:38:06.260 Ah, great question.

00:38:07.680 Not the license reading 9-11, but get this.

00:38:12.360 I love you asked that.

00:38:14.260 It was a false flag warning.

00:38:17.060 When I was at Pat Robertson's group and with the FBI giving that one,

00:38:20.620 they gave me that one card that said, please extend every courtesy to Tom Althouse from the Sheriff's Department.

00:38:25.460 It was the FBI that did that.

00:38:26.740 I was at a dinner with John Walsh or whatever and FBI heads.

00:38:30.940 So when I was at Robertson's group, the FBI was in my circle also giving me protection doesn't say something.

00:38:37.420 But what's interesting is that 9-11 was actually in the original work, a false flag, which was a detonation of a hospital.

00:38:48.360 So what they did in Dark Knight, the Christopher Nolan, I think it was, was a big theft, big thief in this thing.

00:38:55.720 They did the hospital and did all the angles of the hospital blowing up because that was the original 9-11 that I was warning about as I took it.

00:39:03.760 And I put it forward as a hospital because it says in there, we've got to give these people something to worry about.

00:39:09.260 The population needs to be distracted by something they can worry about.

00:39:12.460 So we're going to stage a false flag in order to galvanize them.

00:39:16.120 And that's what I was warning through the art.

00:39:18.360 So the, yes, the 9-11 element is definitely in there.

00:39:21.580 And it's one of the reasons they wanted to launch the script.

00:39:25.420 That's it.

00:39:26.180 This is the part that perplexes me because it's an important movie in so many different ways.

00:39:32.460 And they, they initially see your script and they go, like, I just wonder when they decided this guy has tapped into something that maybe we've been trying to say for a while, or maybe he's, he's channeled a vehicle that we need.

00:39:48.360 To push all of this stuff forward. 0.56

00:39:50.080 And now you're like, screw this guy.

00:39:53.280 Like, it's finally been presented to. 0.97

00:39:55.440 It almost feels like a weird form of prophecy.

00:39:58.400 Like they knew what it was when they saw it.

00:40:00.100 And then they, and then they move.

00:40:01.540 Which is wild because a lot of scripts come across tables and, and, you know, these people think that it's going to be brilliant one way or another.

00:40:07.360 And then you cannot help when the industry, you know, when, when, when it flops, when it comes out.

00:40:12.780 Yeah.

00:40:13.200 And, but these people were tenacious in their, their willingness to, uh, you know, sort of pry it out of your fingers and present it as their own.

00:40:23.620 And they had a tremendous amount of faith in this product.

00:40:28.220 Absolutely.

00:40:28.820 That's what Bonaventura made clear at the pitch session.

00:40:31.540 He was like, this is revolutionary.

00:40:32.960 He already had the script.

00:40:34.080 It was given to him by Lenny Coco.

00:40:35.840 And we got a tape of Lenny Coco, who's, um, one of the famous singers of all time on the top billboard charts.

00:40:42.720 Lenny Coco and the chimes had a big ballad in the sixties or something.

00:40:46.100 And so he was best friends with Bonaventura from Warner brothers.

00:40:49.340 And what's interesting is he, we have a tape of him saying, yes, you were here.

00:40:53.780 Yes.

00:40:54.380 Um, I would like you to write my story.

00:40:55.820 Yes.

00:40:56.400 It blew the attorneys away because they were on the phone.

00:40:59.440 Like you're vindicated.

00:41:00.480 You're vindicated.

00:41:01.020 Never allowed to be into evidence.

00:41:02.300 Let me give you something too, of how you throw a case.

00:41:06.380 If you really are scared and you have no evidence to refute as studios, here's what you do.

00:41:12.200 Let me show you these documents right here, which are just mind blowing.

00:41:16.200 Okay.

00:41:16.720 So we've got these pieces right here.

00:41:20.000 I'm going to show you something.

00:41:21.340 These were also restored to my home.

00:41:23.500 These are the original entries.

00:41:27.060 Um, look at the, look at the pink marking on this.

00:41:29.000 So it's a stack.

00:41:30.060 This stack right here is all matrix matchups.

00:41:35.880 Now you're seeing the writing of the attorney that was supplied me, the attorney, Tony Rankin,

00:41:41.820 who had a suspended license at this time since 1982 to make sure that I wouldn't have legitimate

00:41:48.180 representation was also classmates of theirs.

00:41:51.080 So, so, so Sophia Stewart gets on the phone with me when the news first breaks that this

00:41:55.560 author has been brought forward and says, you're the missing link.

00:42:00.060 I have that call recorded somewhere.

00:42:02.060 You're the missing link.

00:42:03.540 I wrote matrix one, you're two and three.

00:42:06.300 This is done by the studios.

00:42:08.420 She has a letter from a Kate Chilton, who's a top exec at Warner brothers and Netflix now

00:42:14.480 to launder the work in charge of litigation content control.

00:42:17.300 So she was at Warner brothers and my deposition.

00:42:20.760 She was the one that hired Sophia Stewart. 0.78

00:42:23.380 She's the female architect, if you will, promising her five to $7 million in a letter.

00:42:27.960 If she'll handle the author original author.

00:42:30.800 And so Sophia Stewart's on the phone telling me in 2012, you're the missing link brands

00:42:36.460 me right away.

00:42:37.080 We'll do interviews together.

00:42:39.140 You claim a matrix one.

00:42:41.100 You can claim two and three.

00:42:42.820 Now, why was she doing that? 0.99

00:42:44.060 And why was Tony ranking saying you can't claim matrix one?

00:42:47.680 Look at this draft right here.

00:42:49.380 These are our similarities.

00:42:51.100 190 similarities.

00:42:53.160 Look at these circles and question marks and X's only matrix one.

00:42:57.500 So the guy game was this, take all these 190 match-ups from the original work.

00:43:04.360 That's a slam dunk win in court and say, all right, you can't claim matrix one.

00:43:10.040 And then anything in matrix one cannot be carried over to matrix two and three.

00:43:14.800 You can't claim it then.

00:43:15.680 So no match-ups unbelievable until it surfaces by a guy and stay with me inside

00:43:21.800 Warner brothers story department that contacts me right after Sophia Stewart does

00:43:26.000 and says, guess what?

00:43:28.320 I'm with the story department.

00:43:29.440 He doesn't give his name.

00:43:30.480 He says, if you go to the interrogation scene, first scene they wrote, first scene I wrote,

00:43:34.620 first scene they did, you're going to see a graphic where your high school, your birthday,

00:43:38.940 your dad's name, your name is all in the work by the Wachowskis inserted.

00:43:43.760 They're slapping back at Warner brothers.

00:43:45.380 It's all there.

00:43:46.120 Go look it up.

00:43:47.480 And I did.

00:43:48.260 It was all there.

00:43:49.240 And Sophia Stewart blew a gasket. 1.00

00:43:50.760 She was screaming and yelling. 1.00

00:43:51.980 And even the BBC had me on an interview with her when I brought this forward and said,

00:43:56.760 it's been discovered and brought to my attention.

00:43:58.840 And she cut the interview off.

00:44:00.460 Sophia Stewart was with me on it.

00:44:02.060 She was supposed to handle me.

00:44:02.860 She was a handler.

00:44:04.000 And so all these entries from matrix one, all these match-ups, that's how they throw the

00:44:09.180 case too.

00:44:10.380 They go, you can't claim matrix one.

00:44:12.560 I want to claim matrix one.

00:44:14.640 So I never got to claim matrix one yet.

00:44:16.600 So now here we are.

00:44:19.540 And now we're told that we can go forward and make a claim because of the duress, fraud,

00:44:25.580 harassment, everything that stopped me when I wanted to, and was willing all these years

00:44:29.840 to do it.

00:44:30.740 There is room here to wiggle.

00:44:33.280 So that's how they threw it.

00:44:35.440 Don't let them claim matrix one in a coordinating effort between Sophia Stewart supplied by Kate

00:44:40.480 children of Warner brothers and also the attorney.

00:44:42.940 It's very important to understand that when you look up online, Tom Oldhouse lost his case.

00:44:46.900 Tom Oldhouse never had a chance because all the evidence was being shot down and they

00:44:51.060 killed George Michael and they turned witnesses away and made sure nothing ever came to light.

00:44:56.000 You don't have, um, was there anything in your original scripts that started to lay the

00:44:59.420 groundwork for like, let's say matrix two?

00:45:02.100 Absolutely.

00:45:03.140 What you have is, um, of course, very important question.

00:45:06.840 You just asked Warner brothers is now saying they want to go back and read, do over, do

00:45:12.100 over, do a do over on matrix two because the Wachowskis did it so badly.

00:45:17.540 They want to do a do over with a different writer.

00:45:20.000 It was a massive departure.

00:45:22.000 Like it was, uh, you know, it was, it was jarring how different it was.

00:45:25.360 It was, it was similar to, uh, well, uh, if you paid attention to the game of thrones,

00:45:29.680 the very last season, those books aren't even finished yet.

00:45:34.180 They'll probably never be finished.

00:45:35.220 So George R.

00:45:35.840 Martin could only give a direction.

00:45:39.080 Yeah. 0.98

00:45:39.420 And then you have the directors there that kind of just fill in the gaps and it was garbage. 0.68

00:45:43.620 Yeah. 0.97

00:45:43.980 You know, for this.

00:45:44.820 Okay.

00:45:45.020 Ready for this.

00:45:45.900 This is very important.

00:45:46.780 You just raised something so important.

00:45:47.920 Uh, on that copyright with Tom Hanks and then the one with Wendy Washington, look up, if

00:45:55.060 you get a chance sometime, I can send it to you, look up at the copyright office webpage,

00:45:59.380 Tom Hanks, Immortals. 0.74

00:46:01.540 And look what you see ordered and commissioned by HBO and Warner brothers.

00:46:06.520 JJ Martin is an in-house employee for HBO and he was commissioned to steal work.

00:46:13.500 And in game of thrones, you're going to see it all through it.

00:46:15.840 It's an extension of the ripoff of, um, uh, matrix story.

00:46:21.000 And so believe it or not, I know it sounds like a stretch.

00:46:23.860 King Tomlin commits suicide as the King off the top.

00:46:28.660 You've got the whole thing with the, um, oh my God, it's all through it.

00:46:32.840 Um, it's such a stab in the back that they had this guy who was an in-house employee elevated

00:46:38.580 to some great writer.

00:46:40.980 The reason the stories aren't finished is they don't need the book finished.

00:46:44.460 They don't need it now.

00:46:45.580 Just like Joel Silver did with oblivion.

00:46:47.600 When our case was thrown, Disney held on to oblivion for Joel Silver and he got it right.

00:46:53.780 He didn't have robot like agents.

00:46:55.240 I mean, sorry, robots in the program, he had robot like agents.

00:46:58.340 And so the identical figures facing off the stadium scene, everything's in there because

00:47:01.720 he got to take it with a win with the case thrown and steal with impunity.

00:47:06.620 That's within oblivion?

00:47:08.520 Oblivion.

00:47:09.080 Yes.

00:47:09.300 And so they said in the article that there was no need to finish the graphic novel novel.

00:47:14.380 The graphic novel for oblivion will never be completed just like J.R.

00:47:17.720 Martin's work because it was a theft device.

00:47:20.280 So they could have instead of the script, something that people could then follow.

00:47:24.000 Then they turn it into a book if it needs to be a plausible back source to claim that's

00:47:29.600 where it came from.

00:47:30.540 And they hire in-house employees to render it.

00:47:33.340 J.R.

00:47:33.700 Martin is not a genius.

00:47:34.780 He had it done with a team with him and he got to be the front guy.

00:47:38.240 Just like the Wachowskis are failures. 1.00

00:47:39.780 He got to be the front guy.

00:47:40.920 We have been snowed our entire lives.

00:47:43.780 How much of Hollywood is this mechanism by which you just steal?

00:47:49.720 It's all tinsel and plastic.

00:47:51.060 It's all tinsel and plastic held together by gravy.

00:47:54.960 What you got is everybody has to sell their souls and sell themselves out basically to

00:47:59.580 a degree in order to be part of the club.

00:48:02.700 And the club is a group of monkeys that are devouring a carcass and dividing it up amongst 0.91

00:48:08.400 themselves.

00:48:08.820 It has been stolen, stolen, stolen, stolen, stolen throughout time.

00:48:14.480 They don't want legitimate people coming forward and actually showing they own the work because

00:48:18.080 that means they'll have influence.

00:48:19.920 That's where the agencies come involved.

00:48:21.580 They don't want people having influence that are outside their way of thinking.

00:48:25.840 So if you're benevolent and empathetic, you are supposed to be removed. 0.96

00:48:29.620 You're weak.

00:48:30.500 And they claim that the laws of nature apply, that the strong feed on the weak.

00:48:34.940 If you care, you're weak.

00:48:37.160 I was told that by a honeypot wife. 1.00

00:48:39.340 So they'll take what you have because that's what the laws of nature say, take from the

00:48:43.620 weak to make the strong stronger.

00:48:45.320 That's what they apply.

00:48:46.760 It's an interesting thing because, you know, I said that I wanted to get to this idea of

00:48:52.200 almost like the tides turning, right?

00:48:54.080 Like the time for the CIA to then favor your story seems to be, you know, relevant.

00:49:02.480 And it's alarming, but it's also weird because Hollywood and maybe I'm wrong.

00:49:07.740 Maybe this is just maybe I'm so exhausted with all like the woke insertions and all the

00:49:11.960 crap, but it looks like Hollywood is dying in a huge way. 0.66

00:49:17.260 It hasn't recovered since COVID. 0.99

00:49:19.500 And, um, and, and, and so now it just adds to this moment where it feels like we're pivoting

00:49:27.100 in one way or another.

00:49:28.360 And then what's happening now is independent media is taking off in a big way.

00:49:33.100 That's why you're seeing a lot of independent media.

00:49:35.960 I mean, it starts in news.

00:49:37.160 I think it's the best example where we can look at these journalists who are being honeypotted.

00:49:42.580 Like these are just regular people at some point they're elevated.

00:49:45.680 They're given Epstein files, marched out by the white house, embarrassed, but this is

00:49:49.900 the same process that has happened to people that worked for CNN previously, or like Fox

00:49:54.540 news, large agencies.

00:49:56.100 Now it's just on a small, the game has changed.

00:49:58.660 So I think we're watching that.

00:50:01.100 And I guess you're getting, maybe you're getting vindication from these people.

00:50:04.940 And I, I'm just like, like, why do they, why even bother now?

00:50:09.700 Why are they doing this?

00:50:10.800 Weird ass moment where, uh, you know, speaking of Tom Hank, cause somebody, somebody, um, and 0.74

00:50:15.760 it's like, uh, right after COVID, he got really jammed up it seemed and he was wrapped up in 0.98

00:50:21.480 all of these, uh, sort of child sex trafficking accusations.

00:50:24.840 And then they whisked them off to like Spain or something like that.

00:50:28.000 And there was all these cryptic, uh, situations where he was posting pictures.

00:50:32.720 Yeah, he's posting pictures to his, uh, uh, Instagram.

00:50:36.420 And one of them is like near the location where they think Isaac Cappy died or something like

00:50:40.620 that.

00:50:41.040 Everything got really weird for Hollywood and then it stopped producing, not to the level

00:50:48.840 that it was, you know, before 2020, um, it just kind of hemorrhaged and now we're in

00:50:55.960 this really weird place and it does feel, so I wonder, um, maybe we, maybe we should get

00:51:00.640 into this.

00:51:01.140 Yeah.

00:51:01.620 Like as it's dying, it's like, they're, they're restoring, they're restoring you.

00:51:05.840 And I'm just like, well, why, and I'm going to let you go, Tom, I'm sorry, but it feels

00:51:10.260 like we're at this, uh, turning heel point where, um, turning point USA.

00:51:16.020 Well, well, what's Disney just fired Kimmel, you know, more or less.

00:51:20.480 Right.

00:51:20.700 I mean, Disney owns ABC, ABC gets rid of Kimmel.

00:51:24.920 Um, Disney does the same thing back in the day with Gina Carano. 0.89

00:51:27.740 So you've got polar opposite ends of the spectrum, the cultural spectrum, the political spectrum,

00:51:32.040 but the same actions.

00:51:34.080 Uh, I kind of thought we were turning a corner when I saw the Deadpool and Wolverine film,

00:51:39.840 because it seemed to be mocking some of these like LGBTQ, whatever ideologies.

00:51:45.560 And I said, interesting, not a, not a move to overlook when it comes to Hollywood willing

00:51:51.180 to, uh, poke that part of the, the cultural spectrum.

00:51:55.800 And, and so now with this firing of Kimmel, I can't help, but feel like, are we really,

00:52:01.820 they're going to follow wherever the money is.

00:52:03.580 I think it's more than that, but let's just say something people can grasp.

00:52:06.540 You're going to go wherever the money is.

00:52:08.380 And the cultural paradigm is shifting towards conservatism.

00:52:10.960 Again, the pendulum is swung.

00:52:12.780 Are, is the industry getting ready to pivot?

00:52:15.760 Also, why does it take a blood sacrifice to do that?

00:52:17.900 Cause I think you're right.

00:52:19.220 I think we are like, everyone's been feeling it.

00:52:21.620 We're, we're feeling a movement and now it's like full swing, but I'm like, yeah,

00:52:25.740 it looks like they did a blood.

00:52:26.920 Like, do you have to do a blood sacrifice to change things and mark the occasion?

00:52:31.000 Why not just do it?

00:52:31.940 What are your, what are your thoughts on that?

00:52:33.440 So many, these are great questions.

00:52:35.280 This has been very enjoyable for me to be here right now because it's just, you guys

00:52:38.700 are smart.

00:52:39.640 I love it.

00:52:40.200 It's nice.

00:52:42.020 No, I'm like it.

00:52:43.540 I like it.

00:52:43.920 I'm not trying to blow smoke.

00:52:44.820 I'm just saying it's nice for me.

00:52:46.780 This is like on the other end of sides, other end of it all, because you're saying like,

00:52:50.560 it's now changing.

00:52:51.620 This is what I've been waiting for, waiting for like dialogues like this, because I was

00:52:55.580 told that I was groomed to lead inside the cabal, but that grooming to lead inside the

00:53:00.740 cabal.

00:53:01.700 Now they're looking at, maybe I can lead in a good way in the good side of things where

00:53:06.260 we turn it around.

00:53:07.020 I was told by paparazzi, lead paparazzi, Rick leaks and others that are like lead on Maui

00:53:11.600 and California.

00:53:12.160 They said, dangerous people in Hollywood are looking, are supporting you now, Tom, and just

00:53:17.780 stay alive.

00:53:18.480 Your orders are just stay alive.

00:53:19.660 A new Hollywood is forming because of you.

00:53:21.840 What happened was because of all the inserted material I talked about, if you go to the

00:53:25.340 website and look it out, look it up.

00:53:26.820 What's in there?

00:53:27.580 Fiance's birthday is Nia's birthday. 0.66

00:53:29.020 My birthday is above it.

00:53:30.100 My high school, all that stuff stuck in there.

00:53:31.900 That means that I have a mantle of responsibility to see this through.

00:53:35.740 I'd like to be writing or farming, but I have to see this through because my work is what

00:53:40.140 they put all the inserts in. 1.00

00:53:41.860 And thank God the Wachowskis were so dumb. 1.00

00:53:44.440 And so they stuck all that in to mock and to, you know, mock the authors, what I was 1.00

00:53:47.880 told.

00:53:48.580 Now we can show and turn this around with the right venue and the right vehicle and the

00:53:53.360 right people and prove and have that influence.

00:53:56.200 Disney says it's all about power.

00:53:57.660 But now they're seeing also, if you have success, they want to get on your bandwagon.

00:54:02.420 And so now they consider me successful because I stayed alive and to stay alive.

00:54:07.120 I let Disney know.

00:54:08.380 And I recall recorded when I said, I have 17 more drafts of other work.

00:54:13.940 One is an improvement on the matrix one, the immortals.

00:54:17.100 And they're like, I said, if anything happens to my last surviving son, my other two were killed.

00:54:21.240 I said, if anything happens to my last son, I'm destroying that work.

00:54:24.120 And they go, you can't do that.

00:54:25.240 I found the leverage card.

00:54:26.520 I found what they wanted so badly that would keep me and my last son alive.

00:54:30.960 And it was their greed for the other work I have, because they know they'll always come

00:54:35.700 up and they'll say, we know you're the one that wrote it.

00:54:38.180 Even their attorneys will take breaks and go, you're really a cool guy.

00:54:40.820 We know you wrote it.

00:54:41.660 We're just doing our job.

00:54:42.920 So the enemy is complimenting you off record.

00:54:46.840 The enemy is saying, you're the guy.

00:54:48.640 We like what you did, but we're just doing our job.

00:54:51.440 We have to bring you down, you know?

00:54:53.640 So isn't that interesting?

00:54:54.960 So now they can't contain it.

00:54:57.000 So now they're saying, we want to choose those people to lead that actually had the guts and

00:55:03.240 the ability and the courage to survive everything we threw.

00:55:06.180 It amazes them that I'm still walking around in others like me, because I was supposed to

00:55:10.860 have a living death that I would take my own life, or they would take my life and say 0.82

00:55:15.340 it was plausible he would take his life, because he was in misery.

00:55:19.220 He wasn't happy.

00:55:20.520 So what you have is a situation where finally we saw it through.

00:55:25.360 We lasted.

00:55:26.240 The greater will wins.

00:55:27.540 We have all the proof.

00:55:28.900 They know it's going to come out now.

00:55:30.620 Roseanne Barr doing her show, she did that on the kindness of her heart and just made it

00:55:34.880 fly.

00:55:35.260 She got the biggest numbers off of it because she framed it properly.

00:55:39.780 She brought it, let me say, about the red pill, blue, reverse, brought her evidence.

00:55:42.860 She said, I'm going to give you legitimacy. 0.69

00:55:45.180 I'm going to let the world see this is real.

00:55:47.380 And she said that Trump even said from when she got off the platform at that one engagement

00:55:51.760 that she was a keynote speaker at his thing in Florida, that he says it's the greatest

00:55:56.180 story.

00:55:56.620 His whole family knows your story.

00:55:58.220 It's the greatest story.

00:55:58.960 And they're waiting for the right time to bring it all forward.

00:56:01.300 So I'm being vindicated by the top people now.

00:56:04.760 And but I still feel responsibility that I need to see this through to the right way and

00:56:10.820 steer it the right way.

00:56:11.820 And if I'm called to serve, I'll serve.

00:56:14.620 If I'm called to be in the sidelines, I'll be on the sidelines, whatever it takes.

00:56:18.640 The work, I believe, will do the job.

00:56:20.640 The work being out there and shown, if you share the website, that's what's going to do

00:56:24.640 the job.

00:56:25.760 Not anything I say.

00:56:27.020 It's going to be the work that I believe God gave me.

00:56:29.940 What do you I got?

00:56:31.100 So I guess a personal one more personal question.

00:56:34.020 When you're writing these things, are you are you meditating?

00:56:39.740 Are you what?

00:56:42.520 What is your inspiration when you're drawing much of the ether?

00:56:45.780 Where are you?

00:56:46.340 What are you aimed at?

00:56:47.180 Because I'm a big fan of how many ideas are actually our own.

00:56:50.720 And I'm not I'm not quite sure, but it seems like things come to you when you allow them

00:56:57.400 to.

00:56:57.640 So what are you what are you looking at when you're when you're getting this stuff that

00:57:00.540 they want to protect?

00:57:01.380 This question is so I'm getting teary right now and getting teary.

00:57:05.400 This question is so important at the core of everything that humanity needs to understand

00:57:11.000 to proceed us to the next level.

00:57:13.080 It's so important as the writer.

00:57:14.220 You hit a vein, you hit a big vein, an artery.

00:57:18.060 Humility and compassion is essential to equipping great work to make it happen, to facilitate it.

00:57:24.180 It's humility, treating your audience as a service to them.

00:57:28.020 That's what creates great art.

00:57:29.300 I explain this to Bob Iger at Disney.

00:57:31.380 You need to do it as a service, not as what you're going to gain.

00:57:35.420 Like the Wachowski said, they're going to get wine, women, fame.

00:57:38.220 No, it's about doing something that lifts humanity and valuing it as with compassion and empathy

00:57:45.100 for all.

00:57:46.100 That's where your great work comes from.

00:57:48.460 And so this is where this came from.

00:57:50.160 So what I'm writing it, I'm in tears.

00:57:52.520 I'm laughing.

00:57:53.140 It's like a private party.

00:57:54.580 I'm getting this down low where I'm seeing it visually.

00:57:56.880 I'm hearing it.

00:57:57.700 It's all like Mozart where it's in layers at once, where I'm hearing the

00:58:01.260 chorus and the orchestra.

00:58:03.020 I'm not pasting and putting it together like piecing it.

00:58:06.860 The interrogation scene flowed.

00:58:11.140 Like that.

00:58:12.380 I was just a scribe.

00:58:14.220 And it was tight.

00:58:15.560 And I'm still making discoveries from my work.

00:58:17.200 Like you guys said, that you go back and you see it again, you get more.

00:58:20.520 The author's still doing that.

00:58:22.560 I still learn more.

00:58:23.940 And it lines up.

00:58:24.960 Is it prophetic?

00:58:25.680 It sure seems to be.

00:58:26.800 But that's not a feather in my hat.

00:58:28.980 That means that I'm on the right track to maybe encourage others to be on the right track

00:58:33.040 to do great creative work where we can use the creative work, not for fame or celebrity

00:58:37.920 status, but great work to maybe lift humanity to the next level and free us from this prison.

00:58:44.560 Yeah, we're in a prison.

00:58:46.220 We need to get out. 0.99

00:58:47.440 And there have been schmucks that have been controlling the keys. 0.98

00:58:50.320 It's time to get the keys from them. 0.99

00:58:52.080 They know we're smarter.

00:58:53.460 They know we're better.

00:58:54.480 And they put it all in the Game of Thrones.

00:58:57.080 In the end, Tyrion Lannister says, what makes a great king?

00:59:01.100 What is it?

00:59:02.080 Armies?

00:59:03.280 Power?

00:59:04.620 You know, popularity?

00:59:06.340 A good story.

00:59:08.100 They haven't put it there.

00:59:09.060 A good story.

00:59:09.900 We have that good story.

00:59:11.140 We have many.

00:59:12.240 And just think, if this one screenplay that I held up, and here's those drafts.

00:59:16.040 If I, this one screenplay that they say, that the attorneys say, change the world.

00:59:20.580 Their own attorneys say, you change the world.

00:59:23.240 But if one did that, and we release it to make it freed up where everybody can do their

00:59:29.000 take on it, how many people live in the world right now?

00:59:32.140 That means there's how many variations, and the optimum response would be if they all did

00:59:37.260 it.

00:59:38.060 That's how many new works.

00:59:40.280 So is there a ceiling on what is possible?

00:59:42.900 We just broke it.

00:59:43.960 The glass ceiling.

00:59:45.020 When I got a call from a NASA scientist after I did one program, he called me from NASA,

00:59:48.940 and he said, oh my God, I'm talking to Tom.

00:59:50.960 Oh my God.

00:59:51.480 You're the one.

00:59:51.900 I said, I'm talking to a rocket scientist.

00:59:53.420 Oh my God.

00:59:54.180 And he's like, okay.

00:59:55.280 And he's like, he expressed the one fear they had was they're going to get all the answers.

01:00:00.360 And he's like, we don't have anything to live for after that.

01:00:02.600 I'm like, yes, you do.

01:00:03.340 They'll never be all the answers because like when I wrote the work, like when you astutely

01:00:07.720 pointed out, it's always going to answer, ask more questions.

01:00:12.000 Life will always be a dynamic.

01:00:14.240 And so it'll never end in simulation and fascination.

01:00:18.220 So I'm looking forward to longevity and sharing a world where we do bring peace.

01:00:25.240 And we look at art as a service to help us learn together.

01:00:30.040 And no one has the wrong answer.

01:00:31.800 And whatever your faith walk is, I celebrate it.

01:00:34.360 And I'll be there in the end, right by your side, no matter what you choose as your religion.

01:00:39.460 I'll be there.

01:00:40.520 If you change your mind, I'll be there.

01:00:42.380 And if you have faith, I'll be there.

01:00:43.920 And I celebrate that.

01:00:44.940 So everybody has worth because you have the ability for faith.

01:00:48.320 The one thing that can destroy it is the Neuralink.

01:00:51.220 And it wasn't Elon Musk that came up with the name Neuralink.

01:00:53.660 It was Warner Brothers and Paramount in Star Trek Discovery.

01:00:57.900 That's when they have Neural Enhancer, Neural Enhancer, Episode 6, Season 1, Star Trek Discovery.

01:01:03.480 They have my name, Neural Enhancer, Neural Enhancer.

01:01:06.080 Then they name it Neuralink before they give it to Elon Musk.

01:01:11.020 Elon Musk is beholden to Warner Brothers and the FBI to do whatever they say, to do whatever they say.

01:01:18.000 And then otherwise, they can yank it back and give it to somebody else.

01:01:22.780 The Neural Enhancer is in his property.

01:01:25.180 Well, this is actually perfect because this is where I wanted to go.

01:01:27.500 You had mentioned before this idea that Elon was groomed for this situation.

01:01:31.040 And we're aware of that moment, right?

01:01:33.300 Iron Man 2.

01:01:34.340 Hey, Dave.

01:01:34.740 I'm sorry.

01:01:35.060 Before you go into Elon, I got another question.

01:01:37.800 Does it ever give you pause that they took the idea of the red pill, inverted it, and the right-wing movement along with these ideas of, I guess you would call it white hat, black hat, kind of like within the government, within Hollywood, within your major institutions.

01:01:59.300 There are actors that are good, actors that are bad.

01:02:02.920 The good actors would lean towards this idea of the red pill.

01:02:07.900 Like that's synonymous with if you're thinking about a right-wing or a conservative movement or like along the lines of Donald Trump or like things like that.

01:02:16.520 Yeah, it used to be conspiracy.

01:02:17.860 Now it's culture.

01:02:19.040 Now it's culture.

01:02:19.660 And they, you know, this is also explicitly left-wing.

01:02:24.160 The Wachowski brothers, sisters, whatever it is, what they are doing now, their ideology is specifically left-wing.

01:02:32.160 And that's correlated deeply with the blue pill, whether they like it or not.

01:02:35.640 Like that is known rhetoric.

01:02:37.840 They inverted it, though, for a reason.

01:02:40.500 And it's almost like they slurred themselves.

01:02:43.680 It's bizarre.

01:02:44.240 The amazing thing is they inverted it so that we all are compliant.

01:02:50.260 And when we speak it, that if I say I'm red-pilled, I have just gone along with the idea of the ingestion of the blood of the children for a longevity program.

01:03:00.800 I have just gone along with that idea.

01:03:03.900 Now, involuntarily, if I'm ignorant to what it means, but it doesn't matter by saying it.

01:03:10.320 So that's what they've done is they get us to agree by putting it in.

01:03:15.180 Yeah, basically, that's it.

01:03:17.020 And that's their world.

01:03:18.180 And they're also trying to prove that the population is not intelligent.

01:03:21.900 I wrote the piece when I felt guided to because I wanted to treat the audience as intelligent. 0.99

01:03:26.720 If you watch any Spielberg film, you're going to see the local public portrayed as morons. 0.96

01:03:33.900 You go to men in black where they break in the living room and get the weapons out of the back living room wall. 1.00

01:03:37.920 The dad doesn't stand up and say, what are you doing in my home? 1.00

01:03:40.080 And where those are, he just says, go like, yeah, you know, like they're drooling idiots. 1.00

01:03:46.880 So what you have is like your intro talked about morons running the show and they're mocking the actual smart people. 1.00

01:03:54.720 Public's not stupid. 1.00

01:03:56.680 And when you said about the actors being black and white, I believe basically actors are gray. 0.80

01:04:01.720 I could meet with an actor and talk them into certain ideas and they'll probably agree because like, oh, yeah, you wrote this thing.

01:04:07.640 But it's like they're they're malleable.

01:04:10.740 No.

01:04:11.020 So it's like it depends on who's influencing them.

01:04:14.180 And that's why you have this huge battle over influence.

01:04:16.560 And that's why a new Hollywood is forming, according to Paparazzi, saying, just stay alive.

01:04:20.940 If I'm alive, I represent something, represent the author.

01:04:24.020 It isn't interesting that with J.J.

01:04:25.920 Martin, wherever they've created somebody who's like their backroom guy, employee to wear stardom.

01:04:32.080 They keep doing this.

01:04:33.380 Failed people become their poster voice. 1.00

01:04:36.120 It's because you say it when I every time I've read his books for like a decade and every time I look at him, I'm like, this guy looks like an asshole. 0.99

01:04:44.080 Like he's just like his beards falling out of his face. 1.00

01:04:47.280 He talks like real stupid. 1.00

01:04:49.080 And it's like but he's writing this fictional piece of work that, in my opinion, is genius. 1.00

01:04:52.720 It calls back to I mean, all the way to, you know, isn't that kind of the same thing with Stephen King?

01:04:57.540 He's a I think Stephen King is I think he also he might be channeling.

01:05:01.540 He's plugged in.

01:05:02.100 Yeah, but then there's other this it's like that's like Neil deGrasse Tyson or.

01:05:06.780 Right.

01:05:07.380 I don't see.

01:05:08.040 They said Stephen Hawking.

01:05:09.420 I don't even know Stephen Hawking was a genius.

01:05:11.940 I think there's in front of us.

01:05:13.660 There's a lot of people that are marched out in front of us that are probably actors and we're supposed to believe that they've done some unbelievable things.

01:05:20.880 Well, that's so that's what I was getting at with this whole Elon Musk thing is.

01:05:24.160 Yeah, we are.

01:05:25.300 He is our our beacon of, you know, the highest potential IQ.

01:05:29.000 He is a modern day in the flesh, Tony Stark.

01:05:34.460 And, you know, that was highlighted in this Iron Man 2 film where Tony is at the Stark Expo and he lands and there's, you know, the X is very prominent in the background.

01:05:46.420 And then when he later on in the film is at a party, Elon Musk cameo.

01:05:52.020 And isn't it also interesting that his son, I guess, his oldest son is also trans.

01:05:57.100 Yeah.

01:05:57.480 Yeah.

01:05:57.860 Like it's almost like.

01:05:58.860 Yeah.

01:05:59.640 That's part of the program.

01:06:00.780 That's part of the program.

01:06:01.620 Elon Musk isn't that bright.

01:06:03.300 He's not. 0.99

01:06:04.060 He's a failed engineer.

01:06:04.920 And the question is this, why would what engine like I had an engineer, a very gifted engineer, talked to me recently after a program.

01:06:11.380 He said, engineers don't come up with this tech.

01:06:14.520 Visionaries do.

01:06:15.460 And the engineers are given the tech.

01:06:16.800 And he explained it very well.

01:06:17.660 He said, engineers are focused in on solutions and creating off the vision.

01:06:23.220 They don't have broad scheme vision.

01:06:25.880 They are there.

01:06:27.160 There's talents are focusing in on the directive or problem are creating.

01:06:32.200 So they don't come up with a vision.

01:06:34.040 So they give it to a failed engineer because it seems plausible to the public, just like they give it to Tom Hanks, an actor, not a writer.

01:06:41.780 See?

01:06:42.660 And so what you have is this spell casting again, basically, isn't it?

01:06:46.220 Where you're duping the public.

01:06:48.840 Elon Musk failed and he would take any bone thrown to him.

01:06:52.460 He's trying to repopulate the earth with his own sperm.

01:06:54.880 He's like trying to be a playboy. 0.95

01:06:56.520 He even says it.

01:06:57.080 The Epstein situation.

01:06:58.460 Yeah, absolutely.

01:06:59.200 So they bring in these guys like Zuckerberg, everybody, to take the credit off the actual people to shut down the idea that people with empathy and compassion are actually the powerful ones in the creative realm.

01:07:11.700 They don't want that.

01:07:12.140 You know what's really funny?

01:07:12.900 They do this thing, too, where they will bring out like, you know, Stephen Hawking's, which I believe and maybe I'm too conspiratorial.

01:07:19.340 I don't think that he was really I think they would wheel out a man who was disabled in front of us and, you know, who was controlling the speaker on the on the.

01:07:28.400 But I think the same thing.

01:07:30.240 So so you look at him and you go, there's there's something so out of the norm about him that you're willing to accept the idea that he's a super genius.

01:07:38.220 It's the same thing with Elon Musk, where he his cadence is such that he'll have these long pauses that are so insane and no one in their right mind would behave this way.

01:07:48.940 You go, certainly that's the hallmark of a genius.

01:07:50.740 And it's kind of like when you hear a British person talk. 0.87

01:07:52.540 Yeah, people narrate all the documentaries.

01:07:55.180 So so this idea that he's groomed is very fascinating to me because he is a bizarre character.

01:08:02.540 And I watch him now.

01:08:05.020 He has his finger on the cultural scale in a in a massive way.

01:08:10.520 And he is bought the influence of Twitter now X.

01:08:16.180 And and he is which he has blocked from.

01:08:19.440 He blocked me from Twitter.

01:08:20.720 Really?

01:08:21.500 Yeah.

01:08:22.140 I can't have access to my own account.

01:08:23.720 Oh, that's interesting.

01:08:26.620 That's very interesting.

01:08:29.500 He he seems to be much more concerned these days from what I could actually track him doing with with steering cultural sentiment.

01:08:39.480 And and and that cultural sentiment plugs into this pivot point that we keep talking about.

01:08:45.420 It seems like the the pendulum will always swing from left to right, given enough time.

01:08:50.560 But Elon has made it his purpose in very many ways to to steer the pendulum back towards conservatism.

01:08:58.020 But it's almost like he strapped a rocket to it.

01:09:00.680 This is his focus these days.

01:09:02.720 And we're talking about this, this pivot in, in, you know, I guess, Hollywood, all these different elements that we've highlighted throughout this discussion.

01:09:11.960 And and I can see him expediting that process.

01:09:16.340 He's he's he's making it more dramatic.

01:09:18.320 He's making it turn faster.

01:09:20.600 And I wonder because, you know, you're talking about how we're going to need a new Hollywood soon.

01:09:27.440 And and I go, it certainly is happening.

01:09:30.900 I would agree with that 100 percent.

01:09:33.120 But I also have my hesitations because I go an institution like Disney, which to me was birthed out of an operation paperclip.

01:09:40.460 We have these Nazi scientists that we take over and they and it to me, it is a massive propaganda machine. 0.84

01:09:45.900 It's now the biggest multimedia conglomeration on Earth.

01:09:48.680 It owns all these it's like taking it's like taking Epstein's Temple of Moloch and building a megachurch on.

01:09:55.280 I'm like, does that work?

01:09:56.200 I don't know.

01:09:56.700 Can you do that?

01:09:57.340 Great question.

01:09:58.100 Does it work?

01:09:59.260 Should we not be burning these institutions to the ground?

01:10:02.500 Does Disney deserve to stick around a rebrand?

01:10:05.580 It fires fires a Gina Carano.

01:10:07.680 We all gasp.

01:10:09.040 It then fires a Jimmy Kimmel.

01:10:10.600 We all applaud.

01:10:12.360 But meanwhile, it's making money on both sides of the spectrum here.

01:10:16.760 What is the worth?

01:10:17.700 I don't know.

01:10:18.420 I mean, in a sense, Tom, though, the the response to these actions is kind of like a Stephen, a Stephen Spielberg movie where the the spectator, the father is just like, oh, yeah.

01:10:32.080 And we watch it.

01:10:33.220 And I like to think that people are more than that.

01:10:36.000 But I think maybe people are just trusting, you know, people don't want to look at that.

01:10:39.760 So they'd rather be in that state.

01:10:41.260 Well, can we have a beautiful, important piece of art reach the people that it should reach without the machinations of a Disney or like we see the the, you know, arrival of Angel Studios?

01:10:54.400 And that has some impact.

01:10:56.140 And it seems to be able to do decently well.

01:10:59.880 But I don't really I haven't seen those films.

01:11:03.560 I hear people watch the films.

01:11:04.960 I don't know.

01:11:06.320 Can we even reach people?

01:11:07.800 Because because the art is important and the message is important.

01:11:11.220 Yeah.

01:11:11.440 Can we reach these people?

01:11:12.500 I don't know.

01:11:12.960 It's a strange time.

01:11:14.460 Everything's hijacked right now.

01:11:15.580 Basically, even Angel Studios was a failed studios.

01:11:18.300 And then they were brought in with the agencies to create a piece called Sound of Freedom.

01:11:21.860 Sound of Freedom was supposed to make it look like the agencies are good guys and that everything happens outside the U.S.

01:11:27.060 when the U.S. is leading traffickers with the agencies.

01:11:29.440 So it was all smoke and mirrors.

01:11:31.940 All of this.

01:11:33.280 And when watch for ego, if someone is like Sound of Freeman directors and stuff like that, look at their look at the ego.

01:11:40.380 It's like you can see the egos at work.

01:11:42.740 That's your clue.

01:11:43.340 Look at the eyes of Elon Musk when he's talking.

01:11:45.560 There's that one clip where he's walking along and this guy is just coming up saying like, hey, there's Elon.

01:11:50.460 Hey, Elon.

01:11:51.020 Elon.

01:11:51.580 And he just has this look at disdain.

01:11:53.520 Elon's got this look at this looking back like he's walking on.

01:11:56.280 It's like you are nothing.

01:11:57.260 You are lower.

01:11:58.820 I think people need to realize you can tell how a person feels.

01:12:02.340 Look for compassion and humility, you know.

01:12:05.460 And that's one of the things that will key in if a person actually is going to be benevolent in the end.

01:12:10.120 And they talk about this.

01:12:11.320 They talk about, you know, you're not the material that Hollywood wants because you care too much.

01:12:17.360 Caring too much means weakness in their world.

01:12:20.280 Caring too much means that you're outside the laws of nature where the strong devour the weak.

01:12:24.540 And they put that all through their films.

01:12:26.140 They put all this stuff in the films, including mocking those that they don't want to have influence or have influence restored throughout.

01:12:36.320 And that's why they put all my stuff in the Matrix.

01:12:38.760 But they also mocked the death of my sons.

01:12:41.400 And Steven Spielberg was primarily involved in that.

01:12:44.120 And so if you know Philip K. Dick, you know, the novels Philip K. Dick did, Minority Report, Man in the High Castle, that's all Philip K. Dick original work that is spawning that series.

01:12:57.640 And Philip K. Dick, from I understand, had said, I don't want my work altered in any way upon my death.

01:13:02.900 I don't want anything altered.

01:13:04.360 Well, Steven Spielberg and the rest come in and they alter it.

01:13:06.860 And they say, I think he'll be able to approve.

01:13:08.860 He said he didn't want it altered.

01:13:10.460 I don't think he would approve.

01:13:11.840 So they use it as a vehicle to also steal other work by inserting into Philip K. Dick's work what they want to steal.

01:13:18.400 Isn't that something?

01:13:19.180 And so with Minority Report, you have Tom Cruise playing a character, Captain John Anderton.

01:13:24.840 Captain is my dad's rank.

01:13:26.380 John is his name.

01:13:27.500 Anderton is Anderson off of that.

01:13:29.360 So they have it in Matrix.

01:13:30.500 They have it in that.

01:13:31.000 That was not in Philip K. Dick's novel, that rank of captain and everything.

01:13:34.900 Also, they changed the story completely.

01:13:36.480 Steven Spielberg did it in Minority Report, where it's about the death of a son that causes Tom Cruise's character to be hunted down and put in status for pre-crime.

01:13:44.260 That was not in Philip K. Dick's work.

01:13:46.220 So what's the name of the son that caused this to happen?

01:13:49.080 Sean.

01:13:49.800 My son, Sean, was murdered.

01:13:51.520 And what's interesting and chilling is Spielberg does a piece about pre-crime when my work was taken and stolen and then makes it where it's my dad's name and rank.

01:14:01.000 And then puts my son dying and that the person will be put away and hunted down.

01:14:05.840 I was put away after Sean was murdered.

01:14:08.180 So he did it.

01:14:09.480 He did a pre-crime thing with the film.

01:14:11.500 Then in Saving Private Ryan, they have fictitious names for the Ryan brothers.

01:14:16.300 This is all fabricated.

01:14:17.720 Sure.

01:14:18.220 Based on possible events combined.

01:14:20.040 But what you have is, get this, they have Jim as the main guy by Matt Damon.

01:14:26.600 And Jim is the main character that Neo is called in my script.

01:14:29.920 Then you have Sean, which is, again, my son's name.

01:14:33.000 Spielberg sticks it in there again, killed in action.

01:14:35.760 And you have Kirk Daniel, my other son's name, killed.

01:14:39.420 And then what you have is the man who takes it from the secretaries at the office where they receive the war reports.

01:14:46.420 It takes it.

01:14:47.360 The man that takes it and takes it to the colonel is named Boyd.

01:14:51.080 The submitting attorney that submitted my screenplay in 1993 was named Boyd.

01:14:57.160 Spielberg is rubbing it in.

01:14:58.600 I got a call from his best friend Peter saying, Spielberg hates you. 0.99

01:15:01.980 You're a dead man if you come to Hollywood. 0.98

01:15:03.800 So he's been rubbing it in my face ever since. 0.99

01:15:06.040 He's part of the theft with Disney.

01:15:07.640 And so they stick it in there.

01:15:09.420 In Good Place, in the Good Place, they have an entry in the Good Place.

01:15:13.320 The man, it's actually hell called the Good Place.

01:15:15.960 And people that see it think what you said earlier, like it's like it doesn't seem to be a film, like I said about Matrix 4 or 5.

01:15:21.760 It doesn't seem to be a film.

01:15:23.980 It seems to be just someone playing something on someone.

01:15:27.380 Well, it is.

01:15:28.240 In the Good Place, you've got the train station, which is the way you get between worlds like in ours.

01:15:31.960 And you also have the architect of it named Sean and Michael.

01:15:37.460 My son's name was Sean Michael that was killed.

01:15:39.860 And then you've got the main character sitting in front of the Sean Michael character going, my birthday is October 14, 1982.

01:15:47.680 My son, Sean Michael, who was killed, was born in October 14, 1982.

01:15:52.580 October 14 is a crazy date.

01:15:54.260 I don't know if you're aware of this, but that's like Charlie Kirk and George Floyd's birthday as well.

01:15:59.940 That's very interesting, yeah.

01:16:01.300 Yeah.

01:16:02.000 So is there a benevolent power that has orchestrated all this to let us know he's there?

01:16:07.300 In the working of my work, I believe there is.

01:16:09.680 I believe that there is that benevolent power.

01:16:13.520 I don't want to isolate into names.

01:16:15.520 I'm just saying I was working off that idea that if you're there, Gat, then, you know, he puts the clues all through.

01:16:22.980 Look at the names of the attorneys involved in throwing my case.

01:16:26.140 Burroughs, like down the rabbit hole. 1.00

01:16:28.000 Rankin, like stench.

01:16:29.480 Rios, like up the river.

01:16:31.000 And my main character, Smith's name was Kirk Berenger.

01:16:34.880 So they have an attorney that takes me on in the whole pool of attorneys named Kirk Bessinger.

01:16:39.720 Did God orchestrate all this?

01:16:41.540 I mean, is this all here to let us know he has already laid the groundwork for our place ahead, taken now the architect with the option of free will?

01:16:50.220 Do we have free will?

01:16:51.360 Are we on a path that's set?

01:16:52.540 Are the fates, the three of them, spinning the thread?

01:16:55.320 Or are we able to have free will?

01:16:57.560 So that's one of the things I was working on when I wrote the Matrix story.

01:17:01.300 It was the idea that we can, if we remain unpredictable, if you're going to head down one path and consciously choose right then to go the other way.

01:17:11.260 And, of course, people can layer on going, well, that might have been factored into the decision making in the beginning, you know, that you would do that.

01:17:17.200 Not necessarily slow.

01:17:18.760 So, not necessarily so.

01:17:20.180 We can put ourselves in a frame of mind where we make ourselves unpredictable to ourselves.

01:17:25.340 Then we free ourselves up from any predictable pattern.

01:17:28.640 And that is the way you free yourself from the Matrix.

01:17:32.060 You break the predicted pattern.

01:17:33.600 That's interesting.

01:17:36.200 That's, I've heard that kind of a mindset before.

01:17:39.960 And I think you, I've even seen, there was a piece of film that I was watching.

01:17:45.760 I forgot what it was.

01:17:46.880 But they did that.

01:17:48.160 They had to do something like that to break because it was something that was aware of their internal monologue and the directions that they were going.

01:17:55.620 And in order to deviate from that, they had to make these really impulsive decisions that even they didn't know where they were going to go.

01:18:01.040 I forgot what that was.

01:18:02.140 I think you even see that kind of played off of in like Yes Man, right?

01:18:07.700 This idea that when this realm petitions you with choices, saying yes will continually open up these paths that, you know, I guess maybe that is a little bit more predetermined.

01:18:21.540 But I mean, it gets, that gets into the idea of Calvinism, which is predeterminism.

01:18:26.140 I don't necessarily agree with, but even thoughts of that I've been having recently, like they take a blood type off of the Shroud of Turin and whether that's accurate or not.

01:18:35.200 But they're saying that Jesus' blood type is A, B.

01:18:38.300 And I was like, well, why specifically this very, it was a very rare type of blood.

01:18:42.920 I was like, why that?

01:18:43.700 It's like, is there, are there specific building blocks within this realm that you need to transmute?

01:18:48.280 Like, do we need to have certain characteristics?

01:18:50.680 Are they located in people?

01:18:52.000 Are there names?

01:18:53.140 Because these names things.

01:18:54.420 Oh, yeah.

01:18:54.960 They happen so much.

01:18:56.940 Anthony Wiener, his laptop, Bernie Madoff with all your money.

01:19:00.500 It's too many.

01:19:01.160 There are too many instances for me to go.

01:19:03.920 That's just a coincidence.

01:19:05.360 That's great.

01:19:05.780 It's like, is it named because of that or is it named before that?

01:19:09.040 Is that person helpless to stop their fate?

01:19:12.820 Are they moving towards this thing no matter what?

01:19:15.620 And that sort of thing piles up to the degree that I would show some real hesitation to attribute that to a man, right?

01:19:21.920 Like an individual who's pulling the strings one way or the other couldn't possibly have orchestrated this because you know that.

01:19:28.060 But they might know they might these might be clues.

01:19:31.360 Like if you're clued into what what this is and you see specific maybe birth dates, maybe specific blood types, maybe names, maybe just little things.

01:19:40.080 They have certain dates in certain times.

01:19:42.780 Yeah, we know who to sort of keep an eye on this person.

01:19:45.920 I think I think it's clues to us that we're not alone and that everything is going to be OK, that we have to do our parts as we feel guided and as simplistic as that sounds.

01:19:56.560 But I also believe that if I were to believe in a God, I would want to believe in the one that treats me as his child and allows me to be do free thinking and please by having choice to do it and choose which way I want to go.

01:20:14.540 So if there was an end time event, and of course, in the end, they put Neo with a gold cross and is just mocking the whole idea that this was a second coming faked by the architect because he needed to have stimulation of his mind in the original piece.

01:20:28.560 He needs stimulation of his mind.

01:20:29.640 So that's why the untainted people of Zion are brought out by the ambiguous Oracle to see him come back as Christ.

01:20:35.040 But actually, the real one shows up and you have dental figures facing off.

01:20:37.660 Isn't it interesting they kept the scene with Neo where in mind you have a Christ figure facing off the architect looking like the Christ architect son looking like Christ and at that last thing where the crater pulse wave comes out renewing the earth and the little girl and all that's there.

01:20:50.820 They kept the same ending.

01:20:51.600 They argued on set.

01:20:52.220 They're going to keep the same ending.

01:20:53.140 But in that scene, I had the Christ figure shot by the architect son looking like Christ and only his palms bleed and he looks up slowly.

01:21:01.740 Well, that has meaning when it's a Christ figure, but they kept it.

01:21:04.540 They have Neo pummeled with his palms dripping blood and looking up doesn't mean anything with Chosky's. 0.83

01:21:09.460 If it doesn't have the meaning of the Christ story attached, that doesn't mean anything.

01:21:14.040 So what his palms are bleeding could be his nose bleeding.

01:21:16.080 It doesn't have any more meaning.

01:21:17.900 So it's like they but they carry everything over and disconnect the purpose of it.

01:21:23.180 So you think that they would have removed that element because of its Christ.

01:21:27.340 Everybody wanted to.

01:21:28.540 Everybody wanted to blow up the matrix.

01:21:31.080 They said, look at the articles, look up online.

01:21:33.100 They're saying that everybody on set, they're saying all inclusive, said to blow up the matrix to end it.

01:21:39.300 Yeah.

01:21:39.540 If you chop shop it and rip the screenplay apart, if you're ripping the screenplay apart in a visual storyboard and lifting all the images you think are cool and then making up as you go along, you're not going to have a spine to your story anymore.

01:21:51.660 And you asked me how I felt about it early on the beginning of the program.

01:21:55.200 I'm infuriated.

01:21:56.100 It's like you're ruining the whole story because it was tight.

01:21:59.460 I couldn't change a page without her having a ray organ and everything else. 1.00

01:22:04.580 It was that tight.

01:22:05.720 And so what they did was make it all convoluted.

01:22:08.520 Now they say it's supposed to be so.

01:22:10.080 But here's my thought.

01:22:11.540 In the ending, if there's a God and he comes back and we are restored, like let's say the ending where the pulse wave comes out, everything's turned to green and there he is before us.

01:22:21.420 I'd rather him say, you don't have to worship me.

01:22:25.480 I just want to be your father.

01:22:26.620 I would rather have that than saying, worship me.

01:22:30.540 I think the way we're created, if we're created in God's image, if this is so, if this is so, whatever religion you believe, that I couldn't imagine saying to my son, worship me, worship me, only me, or you're going to hell.

01:22:44.520 I would say, I'm delighted to be your father.

01:22:48.160 I'm excited to see where your journey takes you.

01:22:50.400 And I'm going to be with you every step of the way.

01:22:51.980 And I can't wait to be reunited with you and say, well done.

01:22:55.240 I think that's the ending in my mind, whether that was changed at the Council of 400 AD or whatever it was.

01:23:02.080 I don't know what was been stripped and put in front of us and saying we're not allowed to change or look at it differently.

01:23:06.740 But I was asking when I put this together, I believed I was asking God, let us prove ourselves as your children.

01:23:13.540 If you're there, let us prove ourselves.

01:23:15.600 And I believe I was handed the Job story on a plate with hors d'oeuvres and had to live it as an answer.

01:23:22.220 Okay, you'll go through this.

01:23:23.380 But the work came out of that.

01:23:24.840 Was the suffering worth it?

01:23:26.400 Yeah.

01:23:27.260 Because I think this is prophetic in a great way.

01:23:30.360 Where it's all, even from the standpoint of Hollywood being so drunk on the work that they did not only so many derivatives of it, but they copied it so much that it became part of our world.

01:23:40.980 Even the fake Oval Office is in the original work.

01:23:44.620 And they imitated that in real life.

01:23:45.920 When I get contacted by attorneys and others like our studio heads, they'll say, you really did change the industry.

01:23:52.440 Yeah, you did.

01:23:53.200 And we're still following your work.

01:23:54.320 Even to the standpoint of having a, you know, 10 minutes of film and then your intro comes in with teasers for what might, you know, how will this all tie together, this collage of imagery?

01:24:06.660 How will it tie together in the end to hook people in to watch for it?

01:24:10.380 Look for Walking Dead, all these other shows.

01:24:12.060 Because now it's common where you have your film starts and the credits come in after about 10 minutes or five minutes.

01:24:19.080 They don't do it.

01:24:19.880 And that was, think back to the time that was not done originally.

01:24:23.780 It wasn't even conceivable.

01:24:24.160 Do you know what's funny about that, Tom?

01:24:25.380 I will watch a film that, you know, is from the 90s or something like that.

01:24:30.460 And I actually find it, it doesn't flow right when it just starts with like music and like, you know, they're doing credits.

01:24:40.640 They'll do like a title scene.

01:24:41.540 They'll do credits.

01:24:42.240 And then the movie will start.

01:24:43.260 And I go, man, that felt weird.

01:24:44.700 Dog Space Jam.

01:24:45.420 I just watched Space Jam again.

01:24:46.840 And it was like three minutes of intro.

01:24:49.420 And I was like, right.

01:24:50.760 Yeah, it feels weird.

01:24:52.000 And now that whole idea of like getting straight into the movie, you know, fading into a scene and having something compelling happen.

01:25:00.160 And then you get lost in the movie and then a moment happens and you go, and then it starts, you know, the title screen will start.

01:25:07.940 That's a much better, a much better mode.

01:25:11.060 See the page number?

01:25:12.340 Page 12.

01:25:12.980 12, yeah.

01:25:13.800 So in Hollywood and back in the day, a page is a minute of film.

01:25:19.280 So 12 minutes in, you start your credits.

01:25:22.760 There you go.

01:25:23.500 And the credits are tantalizing things.

01:25:24.760 And so now they'll try to have people come forward and argue, well, this was done before.

01:25:29.020 I don't think it was done before 1993.

01:25:32.620 So no.

01:25:34.080 And it was standard to just, like you said, roll the music.

01:25:36.500 And it's jolting, isn't it?

01:25:38.240 It is jolting, yeah.

01:25:39.340 So producers are still calling and saying, we're still following that model you did.

01:25:43.880 You know, so I'm accredited inside the cabal, inside Hollywood, I'm accredited where even the stunt bat, Batman stuntman from Warner Brothers named Quentin did a check all through Warner Brothers.

01:25:58.120 And he asked all these different personnel, what about Tom Althouse, the Wachowskis, and the Matrix story?

01:26:04.280 And they said, we're not supposed to talk about it, Tom Althouse, or Diane Bellis, the former head of the story department.

01:26:09.560 No one's supposed to talk about it.

01:26:10.820 But yeah, we all know it was stolen.

01:26:12.060 So therefore, you have this climate, almost the Matrix itself, with a different world within Hollywood, where the people inside know the story was taken. 0.98

01:26:22.940 And then outside, they're left in the dark because they want to treat audiences as dumb.

01:26:28.480 And so every time someone argues, and you watch, watch it happen, there are people that are paid to shout down. 0.96

01:26:34.620 And they'll even say to you, didn't you vet your guest?

01:26:37.220 Why did you have your guest on? 0.92

01:26:38.720 He's obviously a fraud. 0.86

01:26:39.860 He's slick. 0.99

01:26:40.540 He's talking.

01:26:41.020 It's like, we're showing the evidence.

01:26:43.440 And you can have it anytime you want.

01:26:45.020 But that's their job, to keep the lid and keep people in the Matrix.

01:26:50.400 If you take the red pill, go ahead.

01:26:52.820 No, I'm saying it's done on every level.

01:26:55.460 We've seen it.

01:26:56.000 I mean, we often talk about our friend Tim Pool.

01:26:59.260 He's done it.

01:27:00.480 And it's on purpose.

01:27:02.480 Someone comes in and they're speaking a counter-narrative.

01:27:05.380 He shouts them down, even though he doesn't necessarily believe it.

01:27:08.320 It's just because he has to.

01:27:09.380 And it's like, this is a low level of entertainment, in my opinion.

01:27:13.240 And it's also got to be a terrible place to be, is the person that has to do the shouting down.

01:27:18.060 Because I think that grinds on your spirit.

01:27:20.600 Yeah, go ahead.

01:27:22.440 Sorry.

01:27:22.680 Go ahead, Tom.

01:27:23.520 I was saying this to bring us all down.

01:27:24.860 Remember how if you argue with somebody who's not that bright, you're down at their level kind of idea, as far as the eyes of others.

01:27:31.120 And so that's what it's supposed to do, is bring us all down to a lower level.

01:27:34.080 And we can't go down there.

01:27:35.520 What helps is when others stand up and do it for you and go, look, he has the proof or she has the proof and let them be, stop interrupting.

01:27:43.840 That is built in humanity's nature.

01:27:47.380 That if the person doing the shouting down, who usually wants to be noticed and matter and have popularity, is silenced or a group says, no, we're not doing it, the bully leaves the sandbox.

01:27:59.880 So it's like, and then you go back to examining facts again.

01:28:02.740 So it really is up to the audiences to control flow of truth out.

01:28:08.100 What's been happening, though, is they've been creating the perception.

01:28:10.640 So they'll shout you down and then they'll create the perception of like a social pressure.

01:28:15.100 Like this is what everybody else thinks, too.

01:28:16.700 And so if you believe that that's what everybody else thinks, then you're likely to sidestep and then run that narrative, too.

01:28:22.260 But it's only after, I guess, especially if you're all plugged into the Internet, nobody's actually going outside, having these real conversations with individuals.

01:28:28.240 Then you believe that that perception that's propagated by the person who's doing the shouting down is real.

01:28:34.680 And if it's real, then you don't want to be the person that's outside of the group.

01:28:38.700 The masters of manipulation and psychology.

01:28:41.380 Yeah, they're manipulating it.

01:28:42.260 I wanted to bring up something, just a point and then had a question as well.

01:28:47.040 But the idea of God where you're saying that you don't want that he demands worship.

01:28:53.500 And he does demand worship when you read about him.

01:28:58.500 He demands it.

01:28:59.200 But I think it's because if you understand the human condition, we're going to worship something.

01:29:05.260 And no matter what you do, if you if you empty that space of God, something will fill that.

01:29:12.460 Yeah, we've had people on the show where they're like, we were worshiping like amiibo toys.

01:29:16.900 Like he had like his set of toys.

01:29:19.220 Maybe it's a poster.

01:29:20.060 Maybe it's a thing.

01:29:21.080 Something will fill that spot.

01:29:22.380 I'm worshiping Star Wars.

01:29:23.560 I'm worshiping Marvel films.

01:29:24.880 I'm worshiping.

01:29:25.620 Yeah.

01:29:25.760 When you worship something, who knows what's behind that?

01:29:28.680 People worship the Matrix movie.

01:29:30.100 People worship money.

01:29:31.680 Yeah.

01:29:31.960 Yeah.

01:29:32.120 So there is an idea of that that hole being filled and it will be filled by something.

01:29:38.540 So I think the idea of demanding it is something that we should consider rather than like this kind of like boisterous me now.

01:29:48.200 It's like, no, no, no.

01:29:49.060 Trust me.

01:29:49.680 It's almost like there's a deeper understanding of the human condition at the root of that request.

01:29:56.140 Well, the human condition is constantly to exalt, give worship to something.

01:30:01.500 And the worship, the idea of worship is like when you're exalting something, when you're giving it your attention.

01:30:06.420 We have mythology after mythology about entities, demigods, fallen angels vying for that thing.

01:30:14.080 They want that.

01:30:14.940 Even humans want it.

01:30:16.480 You know, we want when we're celebrated for something that we do, but it's poison.

01:30:20.080 Well, that's brilliantly explained, brilliantly explained.

01:30:23.680 And it's like, I like the way you put it.

01:30:25.660 I think that we're going to develop and evolve.

01:30:28.940 And if there's God, I think he's going to allow us to advance to where we don't need to be demanded to worship him that we'll have a different type of relationship with our father.

01:30:40.480 So I think that's going to happen where you'll allow us to evolve into that right now.

01:30:45.480 I mean, if you look at humanity right now, it's just we're a cave people.

01:30:48.800 I mean, we have not gotten out of the box at all.

01:30:51.260 And just the way it's like people fighting in a cave that don't know where they out, don't know the way out.

01:30:55.060 But they all want to be experts on the way out.

01:30:56.680 And they're all banging on solid wall.

01:30:58.740 They don't want to actually hold the candle together to find a way out.

01:31:02.080 They all want to be popular, right, and matter and carve their initials on the wall rather than find an exit.

01:31:08.620 So I think that, you know, to be remembered, everybody wants to be remembered pretty much.

01:31:12.200 But I think we're going to get to the point.

01:31:13.980 I'm so glad you said this because I think this is what my journey's been is that he doesn't need to demand my worship.

01:31:21.480 He knows that my desire of my heart is for him to simply say, well done.

01:31:26.360 That's all I want.

01:31:27.620 At the end, just say, well done.

01:31:29.680 I don't need anything else.

01:31:30.720 But, you know, just that I did it well.

01:31:34.500 That's it.

01:31:35.460 And that drives us.

01:31:36.940 I think an image helps us, too, if we lock into an image.

01:31:39.800 My image that kept me going, because when you go through the darkest times that are throwing everything at you, including the death of your sons, what are you going to hold on to, right?

01:31:46.800 In my case, I was told they wanted my life to be worse than a death, that I'd live a living hell, that I would either take myself out, like I said, or they would do it for me and then claim I did.

01:31:58.780 And they had people in place to do that.

01:32:00.160 But I think that the image I was holding was a father holding his daughter who had died from war in his arms.

01:32:08.940 And that image would last through any torturous moment.

01:32:15.000 I could hold on to an image that I would not lose my compassion, humility, and focus.

01:32:20.720 And we need that.

01:32:21.820 We need something that will never allow us to be shaken from.

01:32:24.680 And the neural link, though, the neural link could do anything.

01:32:29.160 I mean, there could be blockers in there to keep us from feeling faith.

01:32:32.380 There could be blockers in there for, in fact, what I understand is they're going to take the tech that I believe God gave me in the work so we can have control of it.

01:32:40.520 And we're taking steps to get control back that they would make a version for the elite that was enhanced and the enhancer.

01:32:48.700 And then they would have a less one for the general population saying it'd be safer for them not to oversee.

01:32:53.240 So you're going to have a higher elite with a more efficient thinking system and justifying a lower system for the rest of the public to see what's going on.

01:33:02.560 And so that's planned.

01:33:04.200 That's planned.

01:33:05.020 Just like they said exactly what was predicted in the work, that it wouldn't be available for the general public just for the elite.

01:33:10.760 Yeah, I think if we did, if the general public got one, it would be, there'd be a really heavy focus on entertainment.

01:33:18.920 So you would get your, yeah, you would get your bread and circus pumped through there in a really immaculate way to the degree that you wouldn't want to unplug.

01:33:28.080 So it would, it would serve as, you'd probably have some function to be able to Google a thing pretty rapidly or whatever, but, but not whatever they had access to.

01:33:35.700 And the main function of what you would have would be, is like a pleasure stimulator.

01:33:39.780 Yeah, you just hit it so, so strong right there is that I'd never thought of this before.

01:33:45.680 The entertainment section would be attached to it too.

01:33:48.080 Never thought of it in a way to keep it down and then justifying, you know, oh, you have the better one because it has entertainment in it.

01:33:54.020 So, yeah.

01:33:55.680 Tom, so one, one question, this is completely off the wall.

01:33:59.440 Philip K. Dick, I have, I had like some brief studies on him because he is a prolific sci-fi writer.

01:34:04.140 He had early, like before his sci-fi career, he was, he was coordinating or communicating with like a pink ray of light.

01:34:15.860 Oh, yeah, that's right.

01:34:16.800 They said it was triggered by dental surgery.

01:34:18.960 Is that anything like that happened to you?

01:34:21.700 Like a dental surgery triggering pink, pink ray of light, alien stuff, anything kind of crazy?

01:34:27.520 It's so funny you said that because it's like, yes, teeth, dental, very much involved in all this.

01:34:33.320 In fact, it goes back to that old movie, Marathon Man, where you have that terrible scene where if you ever go back to that old, old film, they drill into the nerve in his tooth, you know?

01:34:42.000 One of the devices to control people is, you know, through the mouth.

01:34:45.780 What year is that?

01:34:46.720 What year is that film?

01:34:47.540 Just look up Marathon Man.

01:34:48.760 It'll show up in your Google search.

01:34:50.080 And it's probably back in the 70s, but it's in that they are torturing him by drilling into his teeth to hit the nerves.

01:34:58.440 And they've got this like, yeah, so they got this like stuff that dulls the pain.

01:35:02.560 He says, here's the pleasure, here's the pain, basically the idea.

01:35:06.020 And so they're able to give him that.

01:35:08.240 And they take and fake rescue him, drive off to get information that he knows, then take him right back again.

01:35:13.120 Like in Game of Thrones, Game of Thrones is actually drawing off of things that are already done with a team of writers.

01:35:18.780 So just to tie that in, just so you know.

01:35:21.160 And their best work comes from mocking other work and other people.

01:35:25.460 So Game of Thrones is mocking other work, and it allowed them to be interested in the project, they're full of writers, and stimulated them into it.

01:35:35.180 The best work they could do if you're not feeling a service-oriented mindset to your public is if you're enjoying tantalizing.

01:35:44.060 And that's exactly what the guy said from Warner Brothers' story department.

01:35:49.440 He said when he called me and told me all these things are in there.

01:35:51.860 And even their graphic designer, Susanna Bolgin, did an article where she said it.

01:35:56.180 She said that the Wachowski stuck these things in there to keep the project interesting for them because it's not their work.

01:36:02.200 So to keep the project interesting, you know, in fact, that's why they didn't write the drafts.

01:36:06.900 That's why there's no working drafts, is they didn't want to.

01:36:10.020 And in fact, they tried to, when Matrix 1 was a success, they went back and tried to write Matrix 2, not all by work.

01:36:17.260 And they came up with the idea, but they couldn't stop from mocking.

01:36:21.020 So they put Thomas A, where Smith, it's a common theme.

01:36:25.000 They have Thomas A, where they take, I guess, DNA from Thomas A and create Gregory, who's a clone of Thomas A and train him to defeat Thomas A, Neo. 0.96

01:36:37.460 But the thing is, they're so stupid because Gregory is my, right here, Gregory is dear Greg. 0.95

01:36:46.220 Here it is, Greg. 1.00

01:36:47.660 And that sheet is right here.

01:36:50.540 Tom, signed Greg.

01:36:53.040 Greg is the guy I worked the battle sequences with.

01:36:55.960 So they put Gregory and Thomas A against each other.

01:36:59.740 And now they scrapped it when I resubmitted my work in 2001.

01:37:03.460 And they then scrapped it, and they said it never existed.

01:37:09.200 But we have a copy of this badly done second one, where they stuck the ghost program in, I have, and everything else.

01:37:15.340 And it's so juvenile in their mindset.

01:37:18.660 What they have is it opens up with, they're thinking it's going to be cool, a motorcycle going across a desert highway, I guess, you know, motorcycle.

01:37:26.620 And Trinity's holding on to Neo on the motorcycle.

01:37:29.820 This is the opener.

01:37:31.240 Apparently, I think this is really cool.

01:37:32.400 And then the motorcycle disintegrates, but they're still going through the air like they're riding the motorcycle.

01:37:38.840 Well, I'm sorry, guys.

01:37:40.440 You know, it's pretty juvenile.

01:37:41.880 But it's like, that's their thing.

01:37:43.780 You know, they thought everything was about being cool.

01:37:46.380 It was all about being cool.

01:37:48.360 And that's why they could rip the screenplay apart.

01:37:50.800 You know, their whole device was what?

01:37:52.540 Everything they think was cool.

01:37:54.440 That's actually, Tom, did you ever interpret, I mean, intend for that aesthetic to be part of the Matrix?

01:38:01.300 When you envision the Matrix making it, you know, to its big screen adaptation?

01:38:05.320 Leather jackets.

01:38:05.860 There's like leather trench coats.

01:38:08.240 And was that ever part of what you envisioned?

01:38:11.280 Thank you.

01:38:11.680 Thank you for asking that question.

01:38:13.260 It's reversed.

01:38:14.880 The agents wear the cool outfits.

01:38:17.540 The Neo and Trinity characters are trying to blend in with the general public.

01:38:23.380 That's how you hide.

01:38:24.380 You camouflage. 0.97

01:38:25.720 And so that's why it's dumb for them to wear the black shiny stuff. 0.98

01:38:29.580 You're standing out. 0.87

01:38:30.860 Yeah.

01:38:31.300 You're standing out.

01:38:32.400 No.

01:38:32.760 So, yes, I'm glad you asked that.

01:38:34.760 It's reversed.

01:38:36.360 In fact, the scene, one of the opening scenes with the agents is there's three of them dressed in black with the long coats and everything.

01:38:42.780 They're the ones that have the cool outfits.

01:38:45.080 So, and the CIA like that, too.

01:38:47.540 But get this.

01:38:48.100 Isn't it?

01:38:48.520 Elon Musk.

01:38:49.100 Isn't it crazy?

01:38:50.000 That has influenced that aesthetic, that style, has influenced like almost every school shooter.

01:38:56.220 Yeah.

01:38:56.600 Like they're coming in with a long.

01:38:58.820 It is.

01:38:59.700 This movie has just pervaded every aspect of the world.

01:39:04.200 Yeah.

01:39:05.100 Because it feeds off that idea of what's cool and what's revolutionary new.

01:39:08.160 That's why Bonaventura said this is revolutionary.

01:39:10.740 We're making it at the pitch session because he couldn't believe.

01:39:14.120 They thought everything had been done under the sun.

01:39:15.860 And here we have 190 plus new concepts that are now becoming iconic, right?

01:39:21.680 But it's like, yeah.

01:39:22.940 So, yeah.

01:39:25.480 The other thing, too, about the agents, what I was going to say, was that they become the good guys in the end.

01:39:30.340 In the end, yes, the architect goes to purge the agents because he doesn't need them anymore.

01:39:35.760 It's about, they lift this out.

01:39:37.320 They lift this out.

01:39:38.400 The real crust that drives the story in the end is the architect needs to have stimulation of the mind in an immortal program.

01:39:47.140 Therefore, he has already planned for everything.

01:39:49.740 He's not trying six attempts at Zion and failing and redoing it.

01:39:54.060 No.

01:39:54.940 In fact, they admitted on their fan page, the Wachowskis admit that they were wrong to do six generations.

01:39:59.600 It should have been one.

01:40:00.120 It's one in the original.

01:40:01.420 The architect knows he has set aside untainted humanity to come and stimulate his mind by coming back as a fake second coming.

01:40:10.640 The blue beam.

01:40:11.060 So, you have that before blue beam was really being talked about.

01:40:14.780 And so, that's stimulated the architect's mind.

01:40:17.800 And instead, it gets screwed up by an oracle that's supposed to be ambivalent, actually turns out to know exactly what he's doing and working with underground.

01:40:26.760 They didn't know what to do with that.

01:40:28.660 Were you familiar with these ideas before you wrote it or did this, you said it came as a download and you just.

01:40:33.940 It did.

01:40:34.980 I was familiar with, it's a great question again.

01:40:37.300 You guys are good.

01:40:37.740 I was familiar with the plans, partly, spotty, plans that Robertson, the cabal, FBI, all of them had, the cabal, different facets, how to institute a one world order.

01:40:49.520 I was familiar with that.

01:40:51.280 And then I just opened it up to the flow.

01:40:53.300 And that's where you get the interrogation scene, which actually happened that was an interrogation scene.

01:40:57.380 I drew off of that, my own life, like Shakespeare in love.

01:41:00.060 But it just flowed, all the entries.

01:41:02.080 And entries are all in there about, if I read the interrogation scene to you sometime, it's like, oh, there, the crust, the core of what's going on, how to formulate a one world society is you have to offer across international boundaries, the elite from different, different ideologies to come together.

01:41:21.180 How do you do that?

01:41:22.640 Longevity for them and their families.

01:41:24.460 And then you no longer need the massive population, which you're planning to eliminate anyway, right?

01:41:30.520 That's why Elon puts the X up.

01:41:33.060 Let's put that up there.

01:41:34.500 The X is the final solution.

01:41:36.480 Every time he flashes this, he's doing his job for those that allow him to have the neural link.

01:41:42.380 X, the final solution.

01:41:44.340 What was added to the letters to make a mortal's matrix.

01:41:47.900 Elon Musk is the harbinger.

01:41:49.880 He has been put in place.

01:41:51.040 I was tapped to do it, and I said, no, I said, I will not do it.

01:41:55.660 Therefore, you won't have the rewards and will destroy you and make an example of you. 0.80

01:41:59.100 So be it.

01:42:00.140 I did do what Elon did.

01:42:01.940 So Elon took over my position and basically my identity.

01:42:06.720 So I am the creator of the neural link and other things in it.

01:42:10.480 I do have the vision for it.

01:42:11.720 He doesn't tell you what's bad about it.

01:42:13.040 I can tell you what's bad about it.

01:42:14.320 There's tons of things bad with the neural link.

01:42:16.240 It's basically a Pandora's box we need to put the lid back on.

01:42:18.620 And that's why I believe I'm now being tapped to put claims in, post claims, for the entries to show that, yes, I published it before their claims when they stole it.

01:42:31.220 So I have a published book.

01:42:32.420 What do you think, Tom, about the idea that the neural link could lead to something like the Mark of the Beast or even potentially?

01:42:39.720 Yes.

01:42:40.040 Yes, absolutely.

01:42:43.020 Also, I've been kicking around this idea that it has the ability to reanimate potentially a corpse.

01:42:49.140 But if you have your personality backed up in some AI, whatever personality, which I think Elon has a few of these characters kind of floating around Twitter or X, that you could reanimate a corpse and you could make it convincing as if it is actually still the individual.

01:43:07.760 But all you would have was the AI that you've uploaded to now this reanimated.

01:43:12.380 Right.

01:43:12.680 You could reactivate the system, but it wouldn't be the soul.

01:43:15.880 Yeah, absolutely.

01:43:17.220 So, yeah.

01:43:18.220 I mean, all these things we've, you know, in the work, it's echoed all through it.

01:43:21.820 That's why at pitch sessions, I think one of the reasons they went for it so fast was because at the pitch session, Bonaventura's just going like, oh, my God, where'd you get this?

01:43:32.000 How'd you understand?

01:43:32.860 Where'd you put this together?

01:43:34.240 So we took the plans of the cabal that we didn't even know what God's doing is tapping in and going, okay, take this work.

01:43:42.020 And now I'm going to control, like God's going to control, I believe, the dissemination of it and what happens.

01:43:48.440 I believe we're on a hijacked timeline that you can't hijack a timeline forever.

01:43:53.580 Eventually, the talents and abilities and the goodness of certain people is going to allow that time train line to come back together.

01:44:01.140 You can't stop genius.

01:44:03.820 You can't stop it.

01:44:05.860 So I think we're going to right now you're seeing that change.

01:44:09.680 It was inevitable.

01:44:11.500 Their side knows it.

01:44:12.680 They're resigning.

01:44:13.960 They're getting scared.

01:44:15.020 They have the audacity to call me and say, I had a call not long ago where a party said to me, who's on the inside, you're where you are because of the journey we put you on.

01:44:29.020 Don't even go there.

01:44:31.040 I can't bring my sons back.

01:44:33.060 And I didn't need to be on the hijacked timeline.

01:44:37.180 We do fine without them.

01:44:38.660 And I think they're realizing they're not needed.

01:44:41.080 In the Game of Thrones, again, the one queen of the roses is told by that sparrow leader of the cult religion.

01:44:50.860 Once the masses figure out we don't need you, we don't have to supply your food, your fabrics, your fine shoes, you're done for.

01:44:57.780 Or they're echoing their own fears through hack writers that they put up as poster people of what they're afraid of.

01:45:05.300 And that's a reaction to fear.

01:45:07.140 If we say it and spell it out what our fears are, maybe we can keep people from coming at us.

01:45:14.160 Maybe we have some form of control over those fears being actually implemented into something terrible.

01:45:20.000 So they will put it in their own work what they fear most.

01:45:23.760 Pay attention.

01:45:24.980 Watch their films.

01:45:25.720 It's all there.

01:45:27.740 And that's why also they stuck my entries in.

01:45:30.260 They have opened the door for us to get justice at some point.

01:45:33.180 I may not see it during my lifetime.

01:45:34.820 Not with how they monkeyed everything and took advantage of my naivety.

01:45:38.240 But my son may see the justice.

01:45:41.020 And I am comfortable with that.

01:45:42.140 Over the last five to six years, we've seen a lot of CEOs, various corporate kind of fat cat characters who have positions in all sorts of different companies, especially media conglomerations, banks, who are just mysteriously resigning.

01:46:02.200 I mean, we've been subjected to a ton of resignations.

01:46:06.540 And it's weird because it kind of goes over people's heads or under the radar.

01:46:12.820 But it's like, if you really look at that, what are these people doing?

01:46:16.600 Where are they stepping down from?

01:46:17.800 Why are they resigning in droves?

01:46:21.920 It's in the screenplay.

01:46:23.340 It's actually in the screenplay that I pitched.

01:46:26.360 In the screenplay, here's what happens in the screenplay.

01:46:28.780 I'm not saying it's necessarily tied to what's happening right now and all these conditions that you're naming.

01:46:33.620 But here's the deal.

01:46:34.960 In the screenplay, you have a longevity program.

01:46:37.560 That's your matrix.

01:46:38.900 Okay, longevity program.

01:46:40.440 And we know about the red pill is the way they got longevity.

01:46:42.920 Experimenting on growth hormones and blocking proteins, things like that.

01:46:46.860 We got it right.

01:46:47.860 We got it right.

01:46:48.640 Okay, way back in 93.

01:46:51.520 So the idea is that if there's a longevity program, I just lost my train of thought.

01:47:00.840 Oh, my gosh, there's a first.

01:47:03.340 I just lost the train of thought.

01:47:03.720 Well, I was saying that all these resignations are taking place.

01:47:07.320 Yes, thank you.

01:47:08.160 So sorry.

01:47:08.760 I don't usually do that because I think when I get on the layers, it's like, oops.

01:47:12.920 But it's like, yeah, so I was trying to track it verbally.

01:47:15.820 So in this story, you have longevity program.

01:47:18.980 And so the different world leaders are offered their families and them longevity if they agreed

01:47:22.860 to the one world order and how it's going to be structured through the U.S.

01:47:25.440 And the CIA will become the one security program central.

01:47:29.460 But the rest of it is how it's spelled out in the original story.

01:47:31.960 Therefore, they don't want the general public to see people no longer aging because these

01:47:35.800 people are on the longevity program.

01:47:37.300 So they make them just disappear from work, from all the place, their homes, make it mysterious

01:47:42.120 where they're set aside.

01:47:43.400 So the rest of the population doesn't see that doesn't get to see them not aging anymore.

01:47:47.940 That's interesting.

01:47:49.000 Yeah, that's the backstory.

01:47:50.200 You get a weird kind of sample of that, too, where it's like these celebrities will you'll

01:47:56.180 notice you'll be like, you ever notice this celebrity doesn't age at all?

01:47:59.820 And they'll show them like throughout the decades.

01:48:01.620 But then all of a sudden they'll age after that conversation goes viral.

01:48:05.540 They'll age and they'll age rapidly.

01:48:07.900 And it's like I've noticed that pattern has emerged several times where it's like, you

01:48:12.400 know, they're trudging along and somebody goes, hey, is so-and-so a vampire?

01:48:16.120 Because I swear they look the same for the past 30 years.

01:48:18.700 30 years they look the same.

01:48:19.860 Somehow they look even a little bit younger than they used to look.

01:48:24.400 And then right after that happens, give it about a year or so, that person will age rapidly.

01:48:28.500 Johnny Depp was one of them.

01:48:29.900 Right, right.

01:48:31.160 Well, that goes into a whole other layer, too.

01:48:32.760 We could talk forever because it's like there's there's a lot to this where I was given that

01:48:37.500 I would have my youth restored.

01:48:39.200 Well, that's the whole thing that's in the screenplay.

01:48:42.120 And when they were trying to buy me out, they were talking about the red batch.

01:48:46.940 So longevity does exist.

01:48:48.660 Stanford, IBM, look it up.

01:48:49.880 They've been working on this and they believe that they've achieved great results now where

01:48:56.280 it's just for the elite, though.

01:48:57.600 And they're trying to tell the rest of the population it's for their own good that you

01:49:01.360 don't have this.

01:49:02.340 It's just for the elite.

01:49:03.460 Really?

01:49:04.180 Seriously?

01:49:05.340 Somebody in the chat said, when I was a teenager, Jared Leto was older than me.

01:49:09.140 Now I'm older than Jared Leto.

01:49:12.420 And he's a really weird one, man.

01:49:14.040 He's a really weird one because he had that moment where he he's in this band, 30 Seconds

01:49:19.460 of Mars.

01:49:19.860 They have this particular song, The Kill, that is done entirely like a Stanley Kubrick

01:49:25.200 film.

01:49:25.560 And it's almost like he's signaled to somebody that he is talented enough, but also in the

01:49:30.380 know enough and that he's willing to play ball.

01:49:32.780 And then after that, Jared Leto becomes sort of a Hollywood darling and ceases to age.

01:49:39.160 He even plays a vampire, interestingly enough, in in the Marvel films.

01:49:43.340 Yeah, it's it is strange.

01:49:45.140 Um, and for a lack of, uh, better explanation that when you start to have these conversations

01:49:54.140 about longevity technology or procedures or things of that nature, you start, you're really

01:50:00.540 at a lack of any other lens to look at this phenomenon through.

01:50:03.080 And that one works really well.

01:50:05.360 Well, that's the really interesting thing to just raised up that hit me on a layer was

01:50:09.420 that, um, why am I still alive?

01:50:11.660 There's an accusation going around, like, why is he still alive?

01:50:14.260 He must be on the inside.

01:50:15.320 It's like, I'm alive because what I described, what I talked about with Disney, um, I found

01:50:19.600 the card that mattered most to them and was able to reverse play.

01:50:23.440 So basically a poker move, but also they are not able to think and conceptualize.

01:50:29.520 Probably a lot of people in chat understand this and are able to do this in layers.

01:50:33.120 When you think in layers, you're able to create like Mozart did.

01:50:36.960 And it's like, they don't understand that they don't have that ability.

01:50:39.720 The thing that kills that ability of layered conception and a fact, like almost like minority

01:50:45.340 part moving things around.

01:50:46.640 Yeah.

01:50:47.140 The thing that kills it is, um, uh, a darkness.

01:50:51.000 Like if you were focused on gains, if I sat down to write a screenplay right now and I'm

01:50:56.060 focusing on what I'm going to get out of it, if I'm going to be famous or if I'm going

01:50:59.520 to have money or if I'm going to get laid, then say goodbye to creativity because you just

01:51:04.720 shut it off. 0.98

01:51:05.360 You're in a different brain that's back to lizards. 0.73

01:51:08.700 If you are going to actually create any from a composite compassion, empathy, feeling different

01:51:15.520 positive feelings and layers, your creativity is going to kick in.

01:51:19.440 It's going to flow because you know, your mind is made.

01:51:24.000 I believe to, uh, be honest and if we're with ourselves, it's going to flow and function.

01:51:30.040 Well, if we put negativity into our psyche and go, let's say I'm going to go like, um,

01:51:35.280 oh, he's wearing a white shirt.

01:51:36.500 I don't like that white shirt.

01:51:37.940 I, he doesn't deserve it.

01:51:39.120 If I start going a negative thing where I put inputs about you, um, into my mind, I have

01:51:44.320 put Nick, my mind's going to work on those inputs.

01:51:47.260 I can't put a weight value on it to my mind.

01:51:51.820 My mind's going to go input received.

01:51:53.740 Let's chew on this and figure out a solution.

01:51:56.340 Say goodbye to my creativity.

01:51:57.780 I'm not concerned about your shirt, so I'm not going to be able to creativity.

01:52:01.360 These long-term things we put in hostilities, grudges, that's the death of creativity.

01:52:06.860 If you clear those out and they know this, the other side knows his comments on that.

01:52:13.160 When I'm dragged in to be interrogated by SWAT teams, because I think he wrote the matrix,

01:52:18.640 they're seeing they're not able to get into my head because I'm able to see a different

01:52:24.820 layers.

01:52:25.500 I, I, one part of me, it's like when you do good acting on stage, I can see the audience.

01:52:29.940 I can figure what they're thinking.

01:52:31.260 I can figure what my character's feeling.

01:52:32.720 I can figure what I feel with a script and I can feel all these different ones at once

01:52:36.820 and employ them into composites.

01:52:39.140 What they don't understand is if they're trying to get me to focus on something, I am

01:52:43.520 observing them, their behaviors, what might be possible, what options are all at the same

01:52:47.840 time.

01:52:48.520 So they're never able to narrow you into a point of control.

01:52:51.200 If people can learn this, they can defeat the neural link idea.

01:52:54.740 The neural link, when it's implied, well, yeah, it'll be like a computer interface, which

01:52:59.220 was intended, but it's, it's for narrowed thinking, a computer interface, which doesn't

01:53:04.920 have layers, layered thinking, natural thinking, natural feeling in layers.

01:53:10.160 If I feel compassion, hope, adoration, generosity, all those at the same time, then I'm already

01:53:21.040 way above the capabilities of the neural link.

01:53:23.780 The neural link will be one train.

01:53:25.680 We have many tracks in our natural thinking and we're going to evolve to it.

01:53:30.200 We're going to have that neural link outdated very soon where people will learn to think

01:53:34.320 in layers and feel in layers.

01:53:36.340 Think of looking at a loved one, feeling all these positive things at once.

01:53:39.920 You don't even need words.

01:53:41.780 You'll be showing it in your eyes.

01:53:43.280 Think of a child looking up at their father and their father feels compassion, empathy,

01:53:48.580 adoration, hope, love all at the same time.

01:53:53.060 And they don't want us to experience this because the neural link will be in the trash

01:53:57.680 pile at that point.

01:53:58.700 It won't be able to serve us like our natural mind will.

01:54:02.060 And that's in the screenplay.

01:54:05.040 It's in the screenplay.

01:54:07.560 And that is so, that is so true.

01:54:09.200 Neural answer to adapt Smith's.

01:54:11.780 And he has to adapt adaptive collar to have Smith's memories to find the cortex building

01:54:16.160 in the dome.

01:54:16.740 Yes, the dome using Smith's memories, but he only has Smith's memories.

01:54:22.060 He's told he's going to choose three and try to hold onto those because he'll no longer

01:54:25.940 have that device.

01:54:26.860 He's become dependent on through ages.

01:54:29.340 He'll lose all his memories and now have to work with Smith's memories, which will affect

01:54:33.200 him.

01:54:33.840 Just know the future will be bright.

01:54:36.120 The natural equipment we have is sufficient and we're going to learn to use it more and

01:54:41.300 more in a better and better way.

01:54:43.620 And it'll be enjoyable.

01:54:45.400 It'll be a brilliant world.

01:54:46.640 We'll get to share this together.

01:54:47.780 Everybody's going to matter.

01:54:49.480 That's a white pill.

01:54:50.640 Yeah, that's nice.

01:54:51.560 Not to steal from your work, but it's true.

01:54:54.420 We often think, I think about neural link and you're like, man, once these guys get this

01:54:58.600 in their head, we're not going to be able to compete.

01:54:59.980 But there is that, it's like, sure, maybe not on like information recall, but on just

01:55:05.920 like emotion or even things like prophecy.

01:55:09.380 That's not going to allow that.

01:55:10.920 There are barriers put up, constrictions.

01:55:13.660 Like when we're being funny, we do, this show sometimes is like comedy.

01:55:17.740 If I came in yesterday, the day before we did comedy, if I come in and I'm angry and 0.91

01:55:24.400 I'm mad at Tom and I'm going to make fun of you, Tom, it's going to suck. 0.94

01:55:28.720 It's just going to come off as mean and nasty. 0.98

01:55:30.040 It's going to be mean.

01:55:30.860 It's going to be clunky.

01:55:31.640 It's going to be rigid.

01:55:32.460 People are going to tell and they're going to go and turn it off.

01:55:34.960 Yep.

01:55:35.300 But if I actually like Tom and I want to, if we want to have fun, then I can really do

01:55:41.320 things that are meaningful.

01:55:42.400 You know what I mean?

01:55:42.800 Because I'm like, I'm clear.

01:55:44.380 I'm clear.

01:55:45.260 Yeah.

01:55:45.500 Rather than having this thing in you.

01:55:47.160 And that's happened to us.

01:55:48.180 That's happened to me before recent events, betrayals.

01:55:51.660 Like I just can't be a certain way.

01:55:54.120 I guess that's creativity.

01:55:55.060 But for me, the creativity comes out as jokes or maybe sometimes drawings.

01:56:00.440 That's like my medium of what I do.

01:56:03.080 But yeah, when that emotion is there, it's blocked.

01:56:06.420 You feel it.

01:56:07.440 I think in order for us to get to this point, though, where they want to even make this appealing,

01:56:12.280 they first would have had to have convinced us that the software we have is flawed and

01:56:16.720 it's crappy. 1.00

01:56:17.460 You put shit in the food. 1.00

01:56:18.660 Oh, yeah. 1.00

01:56:19.080 You spray the skies.

01:56:20.360 You put it in our water.

01:56:21.380 You put it in our arms.

01:56:22.600 Yeah.

01:56:23.000 Yeah.

01:56:23.780 If you could slow it down, make it lose a step or two and then say, hey, we've got a

01:56:27.480 better thing here that maybe you could make it appealing.

01:56:30.200 But I agree, Tom.

01:56:31.760 And it's nice to be served up a white pill.

01:56:35.020 I can sense that you're very optimistic about the future.

01:56:38.240 And I am, too.

01:56:39.640 And it's crazy how far reaching just the idea of the pill, like this color pill.

01:56:43.660 I know, yeah.

01:56:44.940 Gray-pilled, white-pilled, black-pilled, red-pilled, blue-pilled.

01:56:48.940 This thing really got away from you, Tom.

01:56:52.900 Oh, Tom, you're muted.

01:56:54.020 You're muted.

01:56:56.240 I'm sorry.

01:56:56.800 The reason that it's a pill, right, is because the author didn't like shots.

01:57:01.320 That's why I had a pill.

01:57:02.860 That's interesting.

01:57:03.820 Yeah.

01:57:04.160 I didn't.

01:57:04.580 Because think of it.

01:57:05.460 It would have been an injection, right?

01:57:07.500 But I don't like injections.

01:57:09.140 I traumatized this child.

01:57:10.300 So I made it a pill.

01:57:11.640 And they went with it.

01:57:12.500 They went with it and they kept it.

01:57:14.320 Basically, they wanted to imitate genius.

01:57:16.600 So they kept everything.

01:57:18.120 And that's why the visual storyboard.

01:57:19.980 But yeah.

01:57:20.780 So there's so much I can tell you.

01:57:23.000 Neuralink can be applied if it's done for specific reasons.

01:57:27.340 The only ones that should actually keep Neuralink in permanently would be attorneys.

01:57:31.400 I mean, they could benefit because, you know, they can do that with their work.

01:57:34.820 What about the idea of like those who have suffered an injury that is

01:57:42.260 otherwise irreparable, you know?

01:57:44.200 As needed.

01:57:45.300 Yeah.

01:57:45.560 As needed.

01:57:46.380 So again, therapy for them would be, here's a Neuralink for a period of time,

01:57:50.680 but go back to your natural mind.

01:57:51.780 Don't lose it.

01:57:52.440 Don't become dependent on the Neuralink.

01:57:54.620 And that's what's all through this.

01:57:56.080 You could, one of the things in the future, the theft will be your loved one's Neuralink.

01:58:00.820 If they take your loved one's Neuralink, they have all your intimate moments,

01:58:03.660 all your creation, all your memories, everything.

01:58:05.700 They get pedophiles.

01:58:06.540 It'd be a dream for them.

01:58:07.400 So do not let, that would be the main thing they're going to steal.

01:58:11.560 It's like Inception.

01:58:13.360 So what you want is, you don't want to have that, but you can have a medical Neuralink.

01:58:18.340 Like one of the positive things I was saying was like a medical Neuralink,

01:58:21.060 where if a parent is in a car, it's in your first aid kit, and there's an accident,

01:58:25.680 your child's injured, you pop in the medical Neuralink,

01:58:28.180 and you have the knowledge of a John Hopkins surgeon, you know, and you'll be able to handle it.

01:58:33.140 So that was intended.

01:58:34.560 When they put the helicopter scene with Trinity downloading the program,

01:58:37.600 yeah, I didn't have as a helicopter, but yes, I had the instant learning.

01:58:42.120 And so it was like they wanted to steal it and make it cool.

01:58:45.200 So it, but that's one of the ones I'm not happy with is Carrie Ann Moss.

01:58:48.720 I'm very infuriated with her because she was just like lap it up like a dog. 1.00

01:58:52.820 She wanted to steal it all the way and, and enjoy the theft process. 0.84

01:58:56.840 And it's like, um, she even came up with the title matrix too, because I mean,

01:59:01.500 matrix, because it was used in a film earlier.

01:59:03.920 So when they thought about switching letters around, things like that,

01:59:06.540 she had been in a film earlier on something called matrix and a very pre thing

01:59:11.220 that had nothing to do with matrix, but that's why they cared.

01:59:13.960 And when they're looking for the title to use, she chimed in and said, let's use this.

01:59:18.200 So it's like, she was very much part of the theft.

01:59:21.140 So, yeah.

01:59:22.020 So I'm not happy with that.

01:59:22.780 Well, we're, I don't want to, I don't want to keep you forever.

01:59:25.960 I want to respect your time, but I got, I got just a couple of other questions.

01:59:30.080 Um, fun, a fun one.

01:59:32.140 If you were able to make this movie, would you have chosen Keanu Reeves?

01:59:37.000 No, not at all.

01:59:38.620 Keanu Reeves, Keanu Reeves, um, first of all, he was chosen by the suits, not Wachowski's.

01:59:44.140 The suits at Warner brothers wanted to save his career.

01:59:46.440 That should say something.

01:59:47.540 If the suits at Warner brothers that were orchestrating this theft wanted to save

01:59:50.780 Keanu Reeves career and demanded that he be the part, then something's dark with Keanu Reeves.

01:59:56.640 Something's wrong.

01:59:57.520 It's weird too.

01:59:58.180 Cause I don't want to believe it.

01:59:59.380 I hate it.

02:00:00.040 I know.

02:00:00.640 I know.

02:00:01.040 But yeah, he's thrilled to be this way.

02:00:03.240 Yeah.

02:00:03.420 Go ahead.

02:00:03.700 Fat Raven.

02:00:04.420 Very disrespectful name says, uh, brain dances from cyberpunk, which is basically a dystopian

02:00:09.640 future where we're all cybernetic hybrids.

02:00:12.640 Uh, literally the main character is Keanu Reeves in that game.

02:00:15.220 Yeah.

02:00:15.520 Very interesting.

02:00:16.060 But, um, Keanu, and I'm going to say it, and I don't, I don't know why people don't

02:00:19.640 say this is a weird actor.

02:00:22.040 He's not a good, he's a speech.

02:00:23.780 No, no, no.

02:00:24.160 I will say it.

02:00:25.160 His dialogue is very bizarre.

02:00:26.140 I'll say this.

02:00:26.760 He's a bad actor. 1.00

02:00:27.920 He's a miserable actor. 0.93

02:00:29.040 So is, but so is, uh, was his, uh, Nicolas Cage. 0.91

02:00:33.300 Nicolas Cage.

02:00:34.000 Yeah.

02:00:34.300 Bad actor.

02:00:34.540 But my favorite, cause they're so bad.

02:00:36.620 There's something about it.

02:00:37.720 They're so bizarre.

02:00:38.740 Um, I like who, who would you have picked?

02:00:41.880 Well, when I pitched it, people are on a cringe, but when I pitched it to Bonaventura

02:00:45.500 and he asked who I thought should be there.

02:00:47.280 First of all, he said that, um, oh, who was it?

02:00:51.540 Did it analyze this? 0.99

02:00:53.100 Um, he's in the meet the fuckers analyze this. 1.00

02:00:56.680 Ben's dog. 0.99

02:00:57.700 Uh, no, the, um, the CIA guy character.

02:01:01.260 Oh gosh.

02:01:02.260 Oh, Robert De Niro.

02:01:03.580 Yes.

02:01:04.720 Yes.

02:01:05.060 Robert De Niro.

02:01:05.600 Robert De Niro.

02:01:06.320 Yes.

02:01:06.680 Yes.

02:01:06.980 Anyway, they said, Robert De Niro's in town doing analyze this.

02:01:10.380 What do you think about him being the lead?

02:01:12.420 Very interesting.

02:01:13.260 They already had somebody they were going to put in.

02:01:15.120 That was their first choice, not Keanu Reeves.

02:01:17.160 So I said, well, I'm looking for somebody who can play the everyday man in a low key way,

02:01:22.460 which is interesting.

02:01:23.280 They pick Keanu Reeves later.

02:01:24.840 Uh, and I pitched Alec Baldwin at the time before he was caught in all this stuff.

02:01:28.320 So I said, Alec Baldwin might be the right look and right thing.

02:01:31.320 Cause I don't want people to be drawn into any kind of superhero thing.

02:01:34.100 I want them to see him as an everyday guy.

02:01:36.240 Cause it goes back to the point to Neo is not supposed to have Superman powers.

02:01:40.440 If you have Superman powers, the film's already over. 0.91

02:01:42.560 If he's able to bunch of beat up a pile of, um, Smith's, which is dumb making it even that. 0.95

02:01:48.120 So, uh, then what's the point, you know, and why is there phone booths in the matrix?

02:01:53.040 I mean, if you're trying to blend in, which is original work does not have phone booths,

02:01:56.760 but when I was at Bonaventura's pitch session, he said, okay, this is revolutionary.

02:02:01.080 We're making it.

02:02:02.040 What else do you got now?

02:02:03.040 Anybody out there that's pitched films to studios, they will usually use that phrase.

02:02:07.440 I think you can go along with me on this.

02:02:08.760 So they'll say, what else do you got, you know, as a compliment, you know, we're interested.

02:02:12.540 What else do you got?

02:02:13.500 So I said, the dream movie and the dream movie, you got guys being experimented on where their

02:02:17.780 dreams, what happens to them in dreams, uh, will happen to them in real life.

02:02:20.660 This is back in 93.

02:02:22.060 So, um, in that, uh, series, we have a character who learns in his dreams to fly, to escape danger.

02:02:28.580 Our main character learns to fly, to escape danger, which he's wanted to credit for everything.

02:02:33.040 So Bonaventura taped the whole pitch session.

02:02:35.940 He gives the Wachowskis, the Wachowskis go, let's mix the immortals with the dream movie. 1.00

02:02:40.940 So now we'll have Neo like Superman.

02:02:43.800 Yeah.

02:02:44.000 And if he's like Superman, we'll have phone booths like Superman.

02:02:46.800 They go into, isn't that cool?

02:02:48.420 And then I was Superman powers.

02:02:49.640 He can fly.

02:02:50.980 That's not supposed to happen.

02:02:52.520 It ruins the movie.

02:02:53.480 You ripped it apart just there because if you have them with Superman powers, yeah, I guess

02:02:58.200 in your juvenile brains, that's cool.

02:02:59.920 Wachowskis, but that's going to ruin the whole story because it's the architect.

02:03:02.900 That Smith is waiting for to give permission to Smith to take Neo out until he does.

02:03:08.740 You may not touch him.

02:03:10.640 That's what keeps Jim alive.

02:03:12.400 Just like what's kept me alive all this time.

02:03:15.860 As they said, they put me on story.

02:03:17.860 That's why I hate, that's why I hate Superman.

02:03:20.260 Oh yeah.

02:03:20.560 Cause he's just overpowered and it's uninteresting.

02:03:23.240 There's no character.

02:03:23.960 There's no strife.

02:03:24.940 There's no humanity.

02:03:26.100 If the phone booths are their connection back in rather than the train station, if the phone

02:03:30.860 booths or the jacking in are the way you got to go, then the Smiths could limit the number.

02:03:36.040 Architect could limit the number of phone booths.

02:03:37.820 He's supposed to be smart, right?

02:03:39.480 Number of phone booths.

02:03:40.540 Beat him up.

02:03:41.400 And just bug all the phone booths.

02:03:43.520 It just, you got no problem.

02:03:44.480 You just got the rats. 0.99

02:03:45.180 They're not that smart. 0.98

02:03:45.760 They're all going to run to phone booths. 1.00

02:03:47.220 So it's like, it's so stupid. 1.00

02:03:50.000 So how do I feel infuriated? 1.00

02:03:53.040 And I can't believe that people are going to go, oh, you didn't write it.

02:03:57.400 Um, hold on.

02:03:59.680 What's this?

02:04:00.700 It'll be lost in court.

02:04:02.180 Um, they supplied their own attorneys and they said right here, right here, anything, the

02:04:06.660 attorney went all through it.

02:04:07.720 Any matchups are lined out for matrix one.

02:04:10.500 Cause they're not letting me claim matrix one.

02:04:11.920 And you can't say this is a fraud, like Sophia Stewart said, a forgery, because the PA numbers

02:04:17.420 were right there.

02:04:19.340 Yeah.

02:04:20.820 I want to, I want to ask you one final question and I get the feeling it's a good time to ask

02:04:26.080 you this question.

02:04:26.620 If we were to have met you maybe five years ago and ask this question, before we ask that,

02:04:31.720 this is our favorite question.

02:04:33.040 Before we ask that, um, how, all right.

02:04:39.120 What, if this all plays out the way you think.

02:04:41.920 And these people are like, Hey, listen, we did wrong.

02:04:45.620 Rectify stuff in your lifetime.

02:04:47.780 Do you have anything in the works that, uh, would change something?

02:04:52.740 I mean, would move culture in this way and the way that you would have liked to see.

02:04:57.420 Yes.

02:04:57.920 And Disney knows it.

02:04:59.320 So the one piece out of the 17 that I have, which are very, they'll never find them.

02:05:05.460 I made sure check my last son.

02:05:06.880 Um, the one piece I am just so excited about that would be your matrix too, if you will.

02:05:12.260 And there's no way to differentiate on who's the good guy, who's the bad guy, because the

02:05:19.520 arc and the journey they take is going to cause people to take different viewpoints and different

02:05:24.960 sides on whether they're benevolent or not.

02:05:27.260 Especially for ladies to decide if they would accept a character. 1.00

02:05:32.340 I can't say much further, but it's like, you know, so it's like, it's going to be a real

02:05:38.860 quandary where people are definitely going to come together.

02:05:41.180 It will definitely change our world.

02:05:42.700 And my goal as I wrote the piece too, was to bring us together again.

02:05:47.400 Now the Wachowskis claim that they meant wrote the piece, but didn't even write it to bring 0.82

02:05:51.960 it together, bring the people together, you know?

02:05:54.040 So it's like, but they don't explain how, but I can tell you how, you know, with like leaving

02:05:59.180 out parts of the backstory, have you immerse your own personal story into it, and then

02:06:02.760 it becomes yours.

02:06:03.620 There's no more answers.

02:06:05.140 And so, yeah, sorry about that.

02:06:08.780 So I'm looking forward to people actually seeing this work.

02:06:12.580 If we succeed, this work will be made.

02:06:15.360 That's my card I'm playing on the other side.

02:06:17.720 If we're allowed to have our credit back, we'll make this film.

02:06:20.920 And I can't wait for the effect it'll have.

02:06:23.580 It is, you know, 10 times better than the Matrix one.

02:06:26.840 Well, I hope things move in the correct direction then, because I need something good to come

02:06:35.060 out of the film industry.

02:06:37.660 Not that there hasn't been some good things, but I long for the days of, you know, the early

02:06:42.680 2000s, the 90s, you know, the 80s.

02:06:45.320 We're going back and watching these films with my son, and he's loving them.

02:06:48.940 And he's asking me, he's 10 years old, how come these movies are better than the movies

02:06:52.300 that they make now?

02:06:53.140 And I go, I don't know what to tell you.

02:06:54.640 I mean, it's a long story, I suppose.

02:06:56.440 The world is primed right now for a good archetype, a good story to move it.

02:07:03.800 In whichever, because right, yeah, the bowl is like, it's teetering.

02:07:07.060 I mean, it looks like we're going this way.

02:07:08.960 Yeah, I would say definitively.

02:07:10.800 I mean, if I had to, if I was a betting man.

02:07:12.540 Yeah, but it's prime for somebody to come and just kick it in whatever direction.

02:07:19.260 I'm excited to see what happens.

02:07:21.120 Yeah.

02:07:21.420 Oh, thank you.

02:07:22.020 Yeah.

02:07:22.620 Well, Roseanne Barr, the president, you know, his family, they're all calling it the greatest

02:07:27.240 story.

02:07:27.640 That's not for me to have an ego burst.

02:07:29.820 That's for me to go, thank God, maybe we'll get through the woods now and get out of the

02:07:34.420 matrix and finally have a better world.

02:07:36.600 And it's almost like my background just lit up all white while I said that.

02:07:39.760 That was really cool.

02:07:40.860 But it's like, I believe it's going to happen.

02:07:42.920 And I believe there is that, that God, that benevolent force that he will say, well done

02:07:48.420 and I'll be thrilled.

02:07:50.300 And well done means we do go along this path.

02:07:54.020 Timelines converge.

02:07:55.100 We make the films that bring us together and defeat the idea that we're all dark.

02:07:59.600 Some of us are not dark.

02:08:01.460 Some of us have a compulsion for doing good.

02:08:03.900 And they put that in Black Sails. 0.98

02:08:06.420 In Black Sails about the pirates, they put that in there.

02:08:08.700 They put the name of the character named Thomas and in that, because the studios tell me they're

02:08:13.800 doing this all the time and because they're fascinated by the story.

02:08:17.800 So what happens is Thomas is referred to as a character that cannot do bad because he has

02:08:24.440 compulsion to do good.

02:08:26.340 And in Man in the High Castle, what they stick in in Man in the High Castle, go back and watch

02:08:29.620 Abernathy or whatever his name is, the Man in the High Castle filmmaker in the prison

02:08:36.100 with Smith.

02:08:37.360 What does he say?

02:08:38.700 He says this, and I'm not doing this for me.

02:08:41.220 I'm doing it for how they're responding to what we have.

02:08:45.700 He says, for God so loved the world that he gave his only begotten son, Tom.

02:08:52.760 What they're doing is they're saying, they're trying to get me to be dark, but I was contacted

02:08:58.500 and told, yeah, all this stuff is in there.

02:09:00.200 All these characters.

02:09:01.100 Juliana is the two names of my sisters put together.

02:09:03.340 John Smith, my dad's name, John Thomas, the son that dies.

02:09:07.960 Isn't that my name?

02:09:08.760 And it's like all through it is these things that are stuck in, in Man in the High Castle

02:09:14.080 and the boys series on Amazon.

02:09:16.900 The boys series on Amazon is overdone.

02:09:19.420 They even mock the idea of the blue pill and the red pill being reversed.

02:09:22.720 It doesn't matter.

02:09:23.420 They have the main character, the Wolverine kind of looking guy.

02:09:27.920 His wife's name was Becca.

02:09:30.820 That's the honeypot wife I supplied. 1.00

02:09:32.760 The other character he works with, the African-American guy that's so cool.

02:09:35.540 That character, you know, is so cool.

02:09:36.820 His loved one is Monica, which is the name of my Trinity, an original piece.

02:09:44.160 And it just goes on and on to a nauseating level of what they stuck in that.

02:09:49.400 And they even have it where the Germany experiments on the Jewish people to create the immortal program 0.97

02:09:56.000 and the superpowers.

02:09:57.420 They have that, that it came from the novel.

02:09:59.560 So they just piled it all in.

02:10:01.940 They've done an interesting thing with that series and that comic book.

02:10:04.920 Or, well, I think the reaction to it is kind of what you're describing about your, your second matrix,

02:10:09.960 where I find myself rooting for the bad guy or who they want to be the bad guy.

02:10:15.420 And I don't know if they're doing this on purpose, but like the, the response back from the people are like,

02:10:20.600 there's an affinity towards Homelander.

02:10:22.380 They can't figure out why they're like, clearly we've painted him as the bad guy,

02:10:25.400 but he's got this level of humanity, this interest.

02:10:28.000 I don't know if it's done on purpose, but they've, they've done that.

02:10:33.020 In ours, it's the same way.

02:10:34.920 In the original Matrix story, the Immortals, you have the architect going to purge Smith and the agents.

02:10:40.280 He's going to use Neo character to do it.

02:10:42.620 He allows Neo to go to underground.

02:10:44.700 He allows when Smith finally gets the green light to take out Neo.

02:10:48.840 The architect has planned that Neo will take out Smith.

02:10:51.640 He's sacrificing Smith because he wants Neo to be the one to do all that makes sense.

02:10:56.920 Which what happens to help purge the agents, to help him bring the people out of Zion, 0.82

02:11:01.040 because the architect has planned to use that stimulation.

02:11:04.680 So the architect ends up pushing himself as a second coming where he gets the pure power of worship.

02:11:10.940 He doesn't need to harm humanity any further.

02:11:12.800 He will appear as a benevolent because he just needs that stimulation of the mind.

02:11:17.040 The worship goes back to what I was talking about earlier.

02:11:19.700 It all comes back to worship, huh?

02:11:22.160 So Smith actually is doing what's needed for good to happen, but Neo is doing exactly what the architect wants him to do, to elevate himself.

02:11:32.520 And so people are catching on now going like, Neo wasn't the one that was actually doing the good.

02:11:37.240 It was actually the Smith character was doing it.

02:11:38.900 The architect organized that to happen that way.

02:11:41.600 Anyway, it's a mind blow.

02:11:43.500 That's why, go back to that article I told earlier, where the heads, the suits that Warner Brothers said,

02:11:48.620 we know we have something cool, we don't understand it.

02:11:50.600 Of course they didn't understand it.

02:11:52.180 They didn't understand any of it.

02:11:54.500 That's how that goes.

02:11:56.020 That's how that goes.

02:11:57.020 They have a parasitic relationship with the actual creators.

02:12:00.540 They facilitate the success.

02:12:01.900 They can provide you with the money, X, Y, Z, but they are not creatives themselves.

02:12:06.020 And if given the opportunity, they'll take what you have created and they'll say they did it.

02:12:12.380 I think that's what you know.

02:12:13.460 Yeah, go ahead.

02:12:14.560 Go ahead, Tom.

02:12:15.240 Sorry. 1.00

02:12:15.720 I was going to say, that's one of the stupidest things they did. 0.99

02:12:17.520 You have the suits sitting at a table asking the Wachowskis, who they brought in as failed writers to steal it, what it means. 0.99

02:12:23.640 You're going to get the reaction you got, where Larry gets up and leaves the room and is screaming into a phone because they're thinking of replacing him with another candidate.

02:12:31.940 I wonder if we could still find the...

02:12:34.220 Wasn't there an interview they did?

02:12:36.900 It was a live televised interview where they kind of like fumbled through a lot of the descriptives of it.

02:12:41.880 And it was like, you know, if you were really looking at it with a scrutinizing eye, you're like, these guys don't even know what they have or what they're doing or what they're made.

02:12:48.280 Once you know, that's right.

02:12:49.280 Elon Musk has a similar interview live with a Chinese scientist.

02:12:53.360 And they picked somebody who wasn't that bright to stand up post from him to make him look good.

02:12:57.000 But Elon couldn't explain Neuralink at all.

02:12:59.320 Not at all.

02:12:59.840 He doesn't understand it at all.

02:13:01.000 And he even put forward the idea of the pin, like, I mean, the filaments that would permeate or go into flesh or vital places like the brainstem.

02:13:11.100 And it's like, that's in the beginning part of the screenplay where the mole-like device interrogation scene is inserted into a recursive Neuralink.

02:13:19.600 And then in mine, it's later, it's done by harmonics, basically.

02:13:23.720 It's done by an adaptive collar that does not pierce vital tissue.

02:13:29.460 Oh, that's interesting.

02:13:30.100 Like a bone.

02:13:31.180 Yeah, like that.

02:13:32.440 That's how it's supposed to be.

02:13:33.780 So watch for him to do that in the future where before and now they're talking about filaments that he claims it'll do minimal damage.

02:13:39.700 It's not.

02:13:40.280 No, that's the beginning part of the script.

02:13:41.840 Read ahead.

02:13:42.360 And at the end, it's done by, like, that bone thing.

02:13:45.520 Yeah, like a bone-conductive frequency technology, man.

02:13:49.920 Yeah, brain collar.

02:13:51.120 I mean, an enhancer collar.

02:13:52.600 So that's...

02:13:53.080 You're ahead of it, man.

02:13:54.520 Yeah.

02:13:54.840 I mean, well, that's Tesla work, but still, like, you know, in the 90s, people, I don't think are really onto frequency technology.

02:14:01.860 Now it's kind of very popular.

02:14:03.660 Yeah, the cat's out of the bag in so many ways on that.

02:14:06.180 And look what, yeah, look at what Jossky's did with that.

02:14:08.480 They put the, in ours, it's just a small attachment that goes into the bag.

02:14:13.420 Oh, yeah, theirs was like a big murder dagger.

02:14:16.260 Everything overblown.

02:14:17.620 In Elysium, yes, we have the thing where he takes Smith's memories and he got that off into Elysium, too, where they didn't do a screenplay.

02:14:25.000 They just did a visual storyboard to show the guys.

02:14:27.320 And so in that one, they have a box attached to the back of his neck, which shows what he's thinking and seeing.

02:14:33.060 How are you going to go on a convert mission with a box on the back of your neck and showing what you're thinking?

02:14:38.580 It's supposed to be, no, you are using the memories by using Smith's adaptive collar, or adapted to you, to import those. 0.99

02:14:46.960 And so it's like, they're so stupid in Hollywood. 1.00

02:14:49.780 They're so dumb. 1.00

02:14:51.180 They just, they can't. 1.00

02:14:52.360 Well, I mean, like I said, it's one of the biggest things.

02:14:54.960 I mean, obviously, the concept was profound, even though they chopped it up and they made a Frankenstein version of it.

02:15:00.520 It's crazy.

02:15:00.800 They murdered it and it's still.

02:15:02.360 But all that kind of goofy stuff that they like, I guess what they did is they had a good read on like what people were going to think was cool.

02:15:10.300 So like the bullet time dodging stuff was cool.

02:15:14.560 And you know, it wasn't even theirs.

02:15:16.180 It wasn't even theirs.

02:15:17.180 Bullet time.

02:15:17.760 I had a patent attorney contact me who has the original guy that came up with it that the Wachowskis took it from. 1.00

02:15:23.040 Really?

02:15:23.520 Bullet time was taken from somebody else.

02:15:25.000 They didn't even.

02:15:25.700 Unbelievable.

02:15:26.620 And by the way, that changed a lot. 1.00

02:15:28.500 They do suck so bad. 1.00

02:15:29.600 Well, these ladies. 1.00

02:15:30.800 How dare you? 0.94

02:15:31.400 They they integrated that bullet time crap, though, into like every video game after that, every show. 0.96

02:15:37.280 And I show me a single kid who didn't try to run on the wall of a swimming pool.

02:15:43.400 Matrix style.

02:15:44.320 A hundred percent.

02:15:44.920 Yeah.

02:15:45.060 I mean, they did.

02:15:45.940 They they what they had an eye for was other people's creative ideas that that were going to work.

02:15:52.540 And I guess there's something to say about the aggregator of ideas.

02:15:55.860 But, Tom, we're bringing in for a landing here.

02:15:59.580 And I want to ask you one final question.

02:16:01.500 And this really pertains to not the conversation that we're having here, but your work and where you are in life.

02:16:08.320 This is something that we ask everybody as we come to a close.

02:16:10.620 Are you having fun?

02:16:11.740 Am I having fun?

02:16:14.580 I'm thinking about what's ahead and what the world is going to be like gives me elation and great peace. 0.97

02:16:21.940 I know it's going to work because the other side's so much dumber than we are. 0.72

02:16:27.780 And the more they mock us, it's interesting because they say that one of the things they had the Wachowskis do in TMZ owned by Warner Brothers was to say, 0.93

02:16:36.820 Tom Malt has just a here's just a hack showing their faces famous for nothing.

02:16:41.480 What they did was they made me memorable, which is so important to them being remembered, not forgotten by coming at me so hard because they were so afraid of what we had.

02:16:51.940 And the evidence we had that they actually made us memorable.

02:16:55.420 So it's like, I mean, they're instilling into us what they want to be remembered.

02:17:01.560 And the fact is, when all is washed and done, it'll be shown that we were the good guys and the good girls.

02:17:06.780 We were the ones that actually held it in there, not for fame or not for fortune, not what they were promised by Dino Laurentiis, the exec that wind and dine them before they were brought into Warner Brothers to steal the work, but because we knew it was the right thing to do.

02:17:19.920 And that's going to change our world.

02:17:21.440 So I am, am I having fun?

02:17:23.660 Yeah.

02:17:23.900 When I'm on shows like this, I'm having a blast because you guys, I mean, it's like, I mean, I was in that prison and it was like that far side cartoon where they show the orchestra leader or conductor suddenly in hell.

02:17:36.680 And he has all these overweight boys with tubas and that's his hell.

02:17:40.160 It's like people don't understand what I'm talking about, you know, and then they have the audacity to say he has no idea what the matrix means.

02:17:45.220 Because I understand what the matrix means and then some, and I understand what my work means in the layers of all of it.

02:17:50.560 And I can't wait to present that.

02:17:52.720 If, if we do get justice back, we'll present it the way it's supposed to be.

02:17:56.240 And you'll be able to amp in an amplified way, see just how ridiculous they did alter the work like the silver pen being used as a channel changer.

02:18:06.460 And one more thing, why would you have the defenses in Zion?

02:18:11.320 The thing that Joel Silver says that is their genius.

02:18:13.540 The one thing that he says he credits them for was having those walkers from aliens, like the walker lifters from aliens, from aliens, where you're strapped on bare chested basically.

02:18:24.260 And like no, no, no armor and the front of it.

02:18:27.100 And you can't even load it.

02:18:28.720 You need some juvenile kid that's supposed to load the fleet with these heavy things and run down all this corridor to get the reloads.

02:18:36.320 It's like, it makes no sense at all. 1.00

02:18:38.460 What are you stupid? 1.00

02:18:39.760 Yeah. 1.00

02:18:40.340 And so it's like, he gave him a model of it and it's in Joel Silver's office.

02:18:44.840 And he said, that's the genius of the Wachowskis.

02:18:47.660 What stealing the alien idea and having him exposed at the front of a thing going, ah, it's like.

02:18:54.260 Oh my God.

02:18:56.180 Yeah.

02:18:56.420 Anyway, it's strapped in front of a thing.

02:18:57.780 Well, hey, look, Tom, it takes a real sharp mind to know what's worth stealing.

02:19:03.920 Okay.

02:19:04.300 So let's give the Wachowski ladies or whatever they're due because, you know. 0.99

02:19:10.060 I'm feeling it like as the show like winds down, I'm really feeling the pain of like.

02:19:16.120 It's frustrating.

02:19:16.560 Having to watch.

02:19:17.540 I'm watching it again through your eyes and going, oh my God.

02:19:20.480 Imagine.

02:19:20.900 You must have been like audibly screaming.

02:19:22.920 You didn't see it in the theaters, did you?

02:19:25.840 Oh God.

02:19:26.200 No, I couldn't watch it through the theaters, but I'll tell you one thing.

02:19:29.620 Christopher Nolan, one of the worst of the worst of the worst of the worst.

02:19:32.860 He was told in film school that he was going to not make it.

02:19:35.880 And then Universal hires him.

02:19:38.120 And they put him in charge of the Star Trek projects.

02:19:40.220 And it's like Star Trek is a brilliant series.

02:19:42.540 But here comes Christopher Nolan in.

02:19:44.140 And what does he do?

02:19:44.760 He has Interstellar to mock the author. 0.87

02:19:49.360 Because the one scene I had said over and over during the court situation where they just had like a, you know, make a break a moran on steroids.

02:19:55.820 And it's like I said, they left out the best scene.

02:19:58.720 The one where the daughter's aged and Neo hasn't.

02:20:01.840 And he comes back.

02:20:02.600 He has a daughter.

02:20:03.120 That's a little girl represents the train station.

02:20:05.480 And they left, they took that out.

02:20:07.560 And it was the most brilliant scene.

02:20:09.300 So what does Christopher Nolan do?

02:20:11.780 He puts it in Interstellar and breaks my heart. 0.96

02:20:14.500 The hardest part I've ever seen in my life was Christopher Nolan, that bastard, doing my version of my favorite scene that touches me over the loss of my daughter. 0.92

02:20:24.340 And putting it in for himself in Interstellar with Matthew McConaughey. 0.85

02:20:28.940 I had no idea that that was supposed to be in The Matrix.

02:20:31.540 That would have been fantastic.

02:20:32.320 Is there anywhere that, can we read like the original screenplay somewhere?

02:20:36.120 I've never read it.

02:20:36.920 Yeah, I can.

02:20:37.620 I had it originally on my website.

02:20:39.200 And that website got struck by the attorneys that were brought on to handle me.

02:20:44.880 And they had said, you know, we need to get this down, get this down.

02:20:46.960 They didn't want any publicity or group out.

02:20:48.800 So that was part of their strategy.

02:20:50.460 So we're going to put it back up on our site.

02:20:52.280 We'll put it back up.

02:20:53.260 I originally had said many times I want to have people have the experience, you know, of the film.

02:20:58.800 But it's getting times ticking.

02:21:00.000 So maybe it's time that people won't have the experience of the film.

02:21:03.100 At least they can read it.

02:21:05.020 And it's already been stolen right, left, and down.

02:21:07.420 It would be fantastic to adapt it to a novel.

02:21:10.260 I mean, I would say hold out for the film.

02:21:12.180 I think it deserves the film, right?

02:21:14.740 But, you know, if that doesn't come to pass, then a novel would be fantastic.

02:21:18.680 I'm cool with whichever way you decide to go with it.

02:21:21.720 Let's show off that website, though, so people know where to go.

02:21:24.160 So we have you at TomAltHouse.com.

02:21:29.200 And one more time for the people, Tom, just let them know what can they expect from your website?

02:21:33.440 You're going to see a lot of the proofs we were talking about, like that interrogation scene.

02:21:37.300 It's worth going to see what the Wachowski stuck in.

02:21:40.660 You're going to see the original scene where they opened that folder.

02:21:43.120 And on there is all that information right in the first graphic.

02:21:46.980 You know, my high school, Central West.

02:21:49.500 My dad's name, John A.

02:21:51.240 My name, Thomas A.

02:21:52.220 They double named the character.

02:21:53.460 They gave him double birthdays.

02:21:54.580 My fiancee's birthday, who was at the pitch session with Bonaventura, is March 11th.

02:21:59.060 They give that to Neo as his birthday.

02:22:02.000 It's called stacking.

02:22:03.540 They stuck all those entries in.

02:22:04.880 It has to get by the clearance department.

02:22:06.720 But that's what the killer is.

02:22:08.320 And they were trying to shut that down from ever being known.

02:22:11.200 That's what caused Sophia Stewart to lose it. 0.52

02:22:13.120 Who doesn't have a screenplay.

02:22:14.360 She only has 33 pages.

02:22:16.580 That's not a screenplay.

02:22:17.060 How many?

02:22:17.940 33 pages.

02:22:19.620 Interesting.

02:22:20.240 There it goes.

02:22:20.840 And it's all based on the Bible and Star Wars mixed together.

02:22:24.520 That's what it is.

02:22:25.200 Nothing to do with Matrix or Terminator.

02:22:27.260 Interesting.

02:22:29.300 This is a crazy...

02:22:30.100 I'm going to re-watch this episode.

02:22:31.400 I don't usually do that, but...

02:22:33.020 Thank you, Tom.

02:22:33.700 Thank you for your time.

02:22:34.940 And thank you for sharing your story.

02:22:36.780 And I hope this is going the direction that it looks like it's going.

02:22:39.780 I agree with you.

02:22:40.620 I think we've got a lot of evidence that shows that we're at this cultural shift.

02:22:44.480 And I hope that your story is told.

02:22:47.580 It's great to do it within these podcasts.

02:22:50.600 But it deserves what it deserved all these years ago.

02:22:54.280 I wish we were Roseanne.

02:22:55.580 Yeah.

02:22:56.120 Sorry.

02:22:56.960 No, I think it's great you did this.

02:22:58.380 This is fantastic.

02:22:59.120 And I would ask people, if you want to shake up Hollywood, start saying you're blue-pilled.

02:23:03.460 Because they don't want that said.

02:23:05.120 They don't want that said.

02:23:05.620 I kind of want to, because the red-pilled community thing has been so hijacked and so 0.60

02:23:09.820 turned into something that doesn't even resemble itself, what it was in the early 2000s when

02:23:14.800 to be red-pilled was to be aware just, you know, of conspiracies.

02:23:18.160 Now it's a cultural thing.

02:23:20.120 It's the manosphere. 0.91

02:23:21.260 It's a bunch of goofy ideas all wrapped up.

02:23:23.500 And it's worth shifting.

02:23:24.780 Maybe it's what it was always supposed to be.

02:23:26.840 Maybe.

02:23:27.080 So now the timeline where we connect.

02:23:30.120 I mean, if you ask anybody, red or blue, child, ask a child what they think is right.

02:23:34.020 Red usually means danger.

02:23:35.660 Blue usually means serenity.

02:23:37.620 So not facing the blood of children with painful side effects.

02:23:41.200 So to use the blue pill meant you were sacrificing your own comfort.

02:23:45.240 It would be painful, slow aging to go back in a program to bring right for our world.

02:23:51.720 So blue pill.

02:23:53.400 Let's start saying that.

02:23:54.340 It's going to upset a lot of people.

02:23:55.520 And we won't explain either.

02:23:56.620 We're going to change it up for today's episode.

02:23:58.920 Yeah.

02:23:59.080 Thank you for tuning in again, guys.

02:24:01.520 Don't forget to obey, submit, and take the blue pill.

02:24:04.700 Ooh.

02:24:05.040 Very interesting.

02:24:06.580 See you later.

02:24:07.280 The greatest hypnotist on planet Earth is a oblong box in the corner of the room.

02:24:13.880 It is constantly telling us what to believe is real.

02:24:17.720 You can persuade us that what they see with their eyes is what there is to see.

02:24:23.060 Because they'll look in the face of an expedition that portrays the bigger picture of what they see with them.

02:24:30.960 And they have.

02:24:32.400 Thank you.

02:24:33.280 Oh, God.

02:24:35.180 Ooh, God.

02:24:36.720 Ooh.

02:24:37.320 Ooh, yeah.

02:24:39.160 See you later.

02:24:40.240 Ooh.

02:24:40.900 Yeah.

02:24:41.340 Of course.

02:24:42.140 But only sorrow is never entering between people who have had to be seen or who have died.

Nephilim Death Squad - September 29, 2025

225： Who Really Wrote The Matrix？ w⧸ Tom Althouse

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