David Lee Corbo and Topolobster are joined by the creator of The Matrix, Tom Althouse, to discuss the possibility that the government is releasing poison into the world to kill us all. Sponsors! Best Fiends - Rate/subscribe in Apple Podcasts!
00:03:26.880We're joined today by Tom Althouse, who is the original creator of The Matrix.
00:03:31.680Before we even get into the details of that situation, everybody knows The Matrix comes up quite often on not only this show, but any conspiracy show.
00:03:40.920Let's first tell everybody, Tom, where they can find your work.
00:03:44.700I know we have your website pulled up here, TomAlthouse.com.
00:03:49.380TomAlthouse.com is where you can go to find it.
00:03:51.640And so that was done for me by a young woman who decided to take it on her own to create it and made it simple for me to be able to remember and follow for how people guide to it.
00:06:09.780If you want to start from the beginning there, let's first of all show the proof.
00:06:12.960Now, what's interesting is there's a movement right now to try to shut down the proof.
00:06:18.740That was really the main thrust of the strategy of the film companies along with the FBI was to make sure that evidence was never on record and would never be acknowledged.
00:06:28.000And so this right here is the original copyrighted screenplay.
00:06:32.940You can see the down here on the date.
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00:07:37.520This is the title, Warner Brothers Claims, along with HBO.
00:07:41.420Tom Hanks was actually, in a copyright entry you can find in 1998, ordered and commissioned to write this work in a three-page entry.
00:07:50.560Ordered and commissioned to write The Immortals.
00:07:52.800In fact, Warner Brothers has a letter to Sophia Stewart, who is claiming to be the mother of The Matrix, who was brought on by Warner Brothers to be a first claimant.
00:09:21.820So why would it say online you lost in court?
00:09:25.180Because they supplied all their attorneys to represent me, who are classmates of their attorneys, made sure, again, no evidence goes in, shuts down all your due process, all your discovery.
00:09:35.560We have them on tape saying they're not going to honor any discovery because their attorneys are representing both sides.
00:09:40.600And even if we win, they won't let us file it.
00:09:42.580So that's why, yeah, we didn't stand a chance in heaven or hell, but we have all the evidence still.
00:09:49.100And here's the catch before we move on.
00:09:50.960What happened just recently, three days before Easter, get this.
00:09:55.020The CIA, which actually is in the story of the original Matrix, Smith in the original story is in the backstory, an upper echelon CIA department head.
00:10:08.700We have the backstory all fleshed out.
00:10:11.140The Wachowskis took it all and lifted it into visual, like a visual storyboard, 600 page visual storyboard, which is what they did with Oblivion and Elysium, just visual storyboards to lift the work.
00:10:21.860And in there, they left out that connection, right?
00:10:25.760So what you have is the CIA, as I'm told by Michael Jaco now, who's an ex-CIA correspondent, our host, and also Navy SEALs, is these things I'm going to show you right now ended up in my home three days before Easter.
00:11:24.780He's classmates from the University of Berkeley with a lead attorney from Warner Brothers, Linda Burroughs.
00:11:29.400So what you have is a series of attorneys, all classmates, alumni, so they're loyal to each other, from the University of Berkeley Law School that come together to handle me, make sure my case is thrown.
00:11:39.340While they put Sophia Stewart in place to claim to the public as a first claimant that she wrote it.
00:11:44.300So what you have is a whole strategy employed.
00:11:47.180And so these things were taken by the attorney who supposedly those were representing me.
00:11:51.520Took them from my home and my own dining table.
00:11:54.300And when he said he had to take a call and I had to leave the room, well, all these were taken.
00:11:58.420Now, what's interesting is the CIA can get a hold of them and have them restored.
00:12:02.540They have a film department, Michael Jacobs says.
00:12:04.180So this one right here, what Warner Brothers was doing is getting rid of all drafts, getting rid of all drafts that are pre-96.
00:12:13.520You saw the 1998, you know, copyright on this one.
00:12:16.800Any drafts from 96, which I just showed you, that was 1993, the earlier one, were taken because the Wachowskis never were given the green light to claim a title until 1996.
00:12:28.220And that's when they came up with the matrix title off our letters.
00:12:30.360Because before that, they didn't choose the candidates that was going to be the ones to be given the, quote, science project.
00:12:42.840Wendy Wasserstein, a Jewish playwright, is tapped in copyright entries by HBO and Warner Brothers in the copyright office.
00:12:49.220This is very cerebral, but I know you guys can handle this.
00:12:51.440So what you have is all this combating and vying and jousting for power on who's going to get to have the stolen work from 93 to 96.
00:13:03.700So when they finally give it to the Wachowskis in 96 and green light them, they have to get rid of all the pre-96 and any witnesses that it was done in 93.
00:13:13.900So what you have here is the original draft, 93 draft that I worked with, Greg Mazur, and it actually has the notes still in here.
00:13:23.000They even gave me the note page where he wrote me back and said, and has an affidavit too about how this whole thing was a complete script, 128 pages, in 1993.
00:13:32.080And then you've got something really fascinating here, a screenplay, which is dated from 1995, another draft, returned by the, these are all in a stack on my bed three days before Easter.
00:13:43.940This means the CIA wants us to win now.
00:13:46.760They want to be known as the good guys now.
00:13:49.040So what they're doing is restoring the work so we can finally win.
00:13:52.640October, 19, you can see that up there.
00:13:56.160Notice the cover page on these other entries that were restored.
00:13:58.820The cover page is missing because I already had the cover page.
00:14:02.080Tony Rankin, the attorney that was supplied by Warner Brothers, ripped the cover page off of this and stuffed it down my child's art box in 2012 when he was over for dinner and took our poor man's patent and pulled the full script out, which is now right here, returned also in the stack, from the patent, the poor man's patent, which is an envelope you mailed to yourself to prove you get it on a certain date, time stamp by the post office.
00:14:28.140So the reason you don't have a cover page on this important copy from 95 is because Mr. Rankin ripped it off and shoved it down my child's art box.
00:14:36.820So, you know, because he wanted this proof of this date on here removed and taken to Warner Brothers offices in California.
00:14:43.960So right now we've got all this restored, which begs the questions.
00:14:52.860Well, this is very, very key because what you have is not only the intellectual property involved here, but the tech involved, the neural link, jacks the neck.
00:15:03.640And remember I said how the Wachowskis finally got the rights to take it in 96 when Joel Silver auditioned him with Bound.
00:15:38.500We want to claim neural link, which I call neural enhancer, all through the immortals.
00:15:43.220So what they did was they slapped him down and said, you can't have neural enhancer.
00:15:46.840What we're going to do is we're going to pick a candidate for the tech and we'll control the tech through an in-house candidate and we'll control the story with you guys in-house.
00:15:57.280So they gave it to Elon Musk and groomed him by having him in Iron Man 2, grooming him, showing him in Iron Man 2.
00:16:22.740So before they give Elon the neural link, which they took from our work, they're going to go ahead and groom him and say, we're establishing Elon Musk was with us.
00:16:35.800Elon Musk was not allowed to claim it until we already had claimed it and destroyed the author and the inventor.
00:16:42.080So we're destroying the author and now we're going to give it to him.
00:16:44.400So let's stop there for a second because this is mind-blowing.
00:17:15.480Still claims in Wikipedia that he discovered and shepherded the Matrix story because I pitched it to him in full in June 93.
00:17:24.020We have the submitting attorney, James Boyd in Norfolk, in his affidavit saying, in supplying all the materials, original script and everything, that he sent it in June 25th, 93, per Bonaventura's directions.
00:17:35.540So what you have is proof of direct access.
00:17:38.880Joel Silver gets it from Bonaventura and then enters it into the story department without the Wachowskis in 94 and then brings them in in 95 and 96.
00:17:48.140So what you have is the tech and the story being worth a fortune.
00:17:52.560And that's what Bonaventura told me during the pitch session.
00:18:51.220No one's ever asked that question before.
00:18:52.660And that's a brilliant question because, yes, they totally take advantage of you by being the authority for you on what you need to do and giving your marching orders and everything.
00:19:01.160Submit it through attorneys and I'll push it through, Bonaventura says, because we've got to follow certain protocols.
00:19:08.000Warner Bros. doesn't take on solicited work.
00:19:56.440So another question was this, how many, how many, uh, playwrights or stories have you written up until this point where you're, cause obviously this movie is kind of like, uh, this play that you're, you're writing or the script is kind of a stroke of genius.
00:20:11.420So where, uh, do you have experience with this or like, where does it come from?
00:20:17.300I was at Pat Robertson's film school, uh, the televangelist.
00:20:20.420And so when I was aware of what his plans were along with Cabal, when I realized what was going on, he confided in me because he was grooming me to be the face of the Christian coalition, to be that person that'll front for him to make sure he has a continued power.
00:20:35.620And so he confided in certain things and the ideas were chilling and I didn't go along with it.
00:20:42.280And that's why I whispered through art and this 128 page, um, thing.
00:20:46.420So basically, first of all, yes, there was other works I have done in school and things like that, but this one was driven by a need to whisper through art.
00:20:54.420I would say to let people know what's coming.
00:20:58.280The major story really was a documentary, if you will.
00:21:02.540It was something to let people know future generations, especially that this was all going to happen, uh, what the plans were, including, uh, operation blue light.
00:21:11.100So that's why you have the identical figures facing off at the end.
00:21:14.560And everything's there, which incidentally, what Chosky's argued on set.
00:21:19.160You can see this online, what Chosky's argued on set with the entire crew, apparently, and team that they're going to keep the exact ending, exact ending of what they did.
00:21:30.620Now, remember when I said they were getting rid of all the evidence of, uh, 93 pre 93 pre 96, I'm sorry.
00:21:36.300Well, George Michael dies 2016 on Christmas.
00:21:40.140I believe it in 2016, when our case is fully thrown by their attorneys that are planted, including the guy with a suspended license, they throw it all block it all.
00:21:48.160And then they have George Michael murdered.
00:21:50.920Now, George Michael was the best witness to this work until the CIA restored all these original drafts.
00:22:14.400This is the 1998 version, which was done in 93.
00:22:18.480So that means that George Michael read the script in 1993 to vet it and to green light it that I could submit it through the attorneys, Boyd and Boyd of Norfolk in 1993 to Warner Brothers.
00:22:58.300Basically badly paraphrased by me, but praying for time means that George Michael read the full script is the best witness that the work was done in 1993.
00:23:07.200So they tie up all their loose ends and eliminate him on Christmas in 2016, saying his heart gave out in Hollywood.
00:23:14.580If your heart gives out in any show, that means you were murdered.
00:23:19.360Look at black sales and everything else.
00:33:07.220So, yeah, and I have all the original drafts.
00:33:11.240We got their attorneys on tape saying, we have no original drafts, so it's a mute point to ask for any discovery.
00:33:17.940And the reason I have that tape is the guy with a suspended license who represented me, that was Warner Brothers' classmate working for them,
00:33:24.200taped it and gave me the wrong tape recorder back.
00:33:27.040And we got them on tape saying they have no working drafts.
00:33:29.260Yeah, we can win in court easily when it's a fair venue.
00:33:32.800I want to get into this idea of the timing, you know, for the significance of right now, Elon Musk, Neuralink, all these different things, the CIA.
00:33:44.120But before we do, we're at the 30-minute mark.
00:33:46.640We're going to go live, guys, exclusively to Patreon.com.
00:33:48.940If you're watching now and you want to continue watching, head on over to Patreon.com forward slash Nephilim Death Squad.
00:33:54.020Otherwise, give it about a week, and this episode will release in its entirety.
00:33:57.600So, but before we get into that, I want to kind of ask you about these elements that have become lionized within the Matrix, and those are elements of Gnosticism.
00:34:12.300So this idea that, of the Demiurge, let's say, if you watch the Matrix film now, I hadn't watched it in quite some time,
00:34:21.900and then, you know, it's one of those things that kind of, it's a gift that keeps on giving.
00:34:26.360If you have fresh eyes and you go back to it, you might catch something new or an element that you didn't see before.
00:34:31.200And what I'm seeing is an alignment with this sort of Gnosticism, this idea of ancient AI,
00:34:38.400the idea of being in a prison planet, and that the god of this realm is the Demiurge.
00:34:43.880And then I think, I want to say that it's even the Matrix film that has allowed Gnostics to begin to speculate about the nature of AI
00:34:54.120and incorporate ideas of ancient AI, so that the Demiurge, the god of this prison realm that we inhabit,
00:35:01.600is actually synonymous with this idea of ancient artificial intelligence.
00:35:05.860And, of course, once you have that lens, you see that element within the robotic, you know,
00:35:11.960imprisoners and things of that nature.
00:35:15.100Was that something that was in your original script?
00:35:18.600Do you see that in the Matrix currently?
00:35:22.140Or do you think that this is one of those things where, as a theory arises,
00:35:28.060you can kind of look back to another work and see it in that work where it didn't really exist before?
00:38:26.740I was at a dinner with John Walsh or whatever and FBI heads.
00:38:30.940So when I was at Robertson's group, the FBI was in my circle also giving me protection doesn't say something.
00:38:37.420But what's interesting is that 9-11 was actually in the original work, a false flag, which was a detonation of a hospital.
00:38:48.360So what they did in Dark Knight, the Christopher Nolan, I think it was, was a big theft, big thief in this thing.
00:38:55.720They did the hospital and did all the angles of the hospital blowing up because that was the original 9-11 that I was warning about as I took it.
00:39:03.760And I put it forward as a hospital because it says in there, we've got to give these people something to worry about.
00:39:09.260The population needs to be distracted by something they can worry about.
00:39:12.460So we're going to stage a false flag in order to galvanize them.
00:39:16.120And that's what I was warning through the art.
00:39:18.360So the, yes, the 9-11 element is definitely in there.
00:39:21.580And it's one of the reasons they wanted to launch the script.
00:39:26.180This is the part that perplexes me because it's an important movie in so many different ways.
00:39:32.460And they, they initially see your script and they go, like, I just wonder when they decided this guy has tapped into something that maybe we've been trying to say for a while, or maybe he's, he's channeled a vehicle that we need.
00:40:01.540Which is wild because a lot of scripts come across tables and, and, you know, these people think that it's going to be brilliant one way or another.
00:40:07.360And then you cannot help when the industry, you know, when, when, when it flops, when it comes out.
00:40:13.200And, but these people were tenacious in their, their willingness to, uh, you know, sort of pry it out of your fingers and present it as their own.
00:40:23.620And they had a tremendous amount of faith in this product.
01:01:35.060Before you go into Elon, I got another question.
01:01:37.800Does it ever give you pause that they took the idea of the red pill, inverted it, and the right-wing movement along with these ideas of, I guess you would call it white hat, black hat, kind of like within the government, within Hollywood, within your major institutions.
01:01:59.300There are actors that are good, actors that are bad.
01:02:02.920The good actors would lean towards this idea of the red pill.
01:02:07.900Like that's synonymous with if you're thinking about a right-wing or a conservative movement or like along the lines of Donald Trump or like things like that.
01:02:44.240The amazing thing is they inverted it so that we all are compliant.
01:02:50.260And when we speak it, that if I say I'm red-pilled, I have just gone along with the idea of the ingestion of the blood of the children for a longevity program.
01:03:00.800I have just gone along with that idea.
01:03:03.900Now, involuntarily, if I'm ignorant to what it means, but it doesn't matter by saying it.
01:03:10.320So that's what they've done is they get us to agree by putting it in.
01:04:33.380Failed people become their poster voice.
01:04:36.120It's because you say it when I every time I've read his books for like a decade and every time I look at him, I'm like, this guy looks like an asshole.
01:04:44.080Like he's just like his beards falling out of his face.
01:05:13.660There's a lot of people that are marched out in front of us that are probably actors and we're supposed to believe that they've done some unbelievable things.
01:05:20.880Well, that's so that's what I was getting at with this whole Elon Musk thing is.
01:05:25.300He is our our beacon of, you know, the highest potential IQ.
01:05:29.000He is a modern day in the flesh, Tony Stark.
01:05:34.460And, you know, that was highlighted in this Iron Man 2 film where Tony is at the Stark Expo and he lands and there's, you know, the X is very prominent in the background.
01:05:46.420And then when he later on in the film is at a party, Elon Musk cameo.
01:05:52.020And isn't it also interesting that his son, I guess, his oldest son is also trans.
01:06:34.040So they give it to a failed engineer because it seems plausible to the public, just like they give it to Tom Hanks, an actor, not a writer.
01:06:59.200So they bring in these guys like Zuckerberg, everybody, to take the credit off the actual people to shut down the idea that people with empathy and compassion are actually the powerful ones in the creative realm.
01:07:12.900They do this thing, too, where they will bring out like, you know, Stephen Hawking's, which I believe and maybe I'm too conspiratorial.
01:07:19.340I don't think that he was really I think they would wheel out a man who was disabled in front of us and, you know, who was controlling the speaker on the on the.
01:07:30.240So so you look at him and you go, there's there's something so out of the norm about him that you're willing to accept the idea that he's a super genius.
01:07:38.220It's the same thing with Elon Musk, where he his cadence is such that he'll have these long pauses that are so insane and no one in their right mind would behave this way.
01:07:48.940You go, certainly that's the hallmark of a genius.
01:07:50.740And it's kind of like when you hear a British person talk.
01:07:52.540Yeah, people narrate all the documentaries.
01:07:55.180So so this idea that he's groomed is very fascinating to me because he is a bizarre character.
01:09:02.720And we're talking about this, this pivot in, in, you know, I guess, Hollywood, all these different elements that we've highlighted throughout this discussion.
01:09:11.960And and I can see him expediting that process.
01:09:16.340He's he's he's making it more dramatic.
01:10:18.420I mean, in a sense, Tom, though, the the response to these actions is kind of like a Stephen, a Stephen Spielberg movie where the the spectator, the father is just like, oh, yeah.
01:10:41.260Well, can we have a beautiful, important piece of art reach the people that it should reach without the machinations of a Disney or like we see the the, you know, arrival of Angel Studios?
01:12:11.320They talk about, you know, you're not the material that Hollywood wants because you care too much.
01:12:17.360Caring too much means weakness in their world.
01:12:20.280Caring too much means that you're outside the laws of nature where the strong devour the weak.
01:12:24.540And they put that all through their films.
01:12:26.140They put all this stuff in the films, including mocking those that they don't want to have influence or have influence restored throughout.
01:12:36.320And that's why they put all my stuff in the Matrix.
01:12:38.760But they also mocked the death of my sons.
01:12:41.400And Steven Spielberg was primarily involved in that.
01:12:44.120And so if you know Philip K. Dick, you know, the novels Philip K. Dick did, Minority Report, Man in the High Castle, that's all Philip K. Dick original work that is spawning that series.
01:12:57.640And Philip K. Dick, from I understand, had said, I don't want my work altered in any way upon my death.
01:13:31.000That was not in Philip K. Dick's novel, that rank of captain and everything.
01:13:34.900Also, they changed the story completely.
01:13:36.480Steven Spielberg did it in Minority Report, where it's about the death of a son that causes Tom Cruise's character to be hunted down and put in status for pre-crime.
01:13:44.260That was not in Philip K. Dick's work.
01:13:46.220So what's the name of the son that caused this to happen?
01:13:51.520And what's interesting and chilling is Spielberg does a piece about pre-crime when my work was taken and stolen and then makes it where it's my dad's name and rank.
01:14:01.000And then puts my son dying and that the person will be put away and hunted down.
01:14:05.840I was put away after Sean was murdered.
01:16:41.540I mean, is this all here to let us know he has already laid the groundwork for our place ahead, taken now the architect with the option of free will?
01:16:57.560So that's one of the things I was working on when I wrote the Matrix story.
01:17:01.300It was the idea that we can, if we remain unpredictable, if you're going to head down one path and consciously choose right then to go the other way.
01:17:11.260And, of course, people can layer on going, well, that might have been factored into the decision making in the beginning, you know, that you would do that.
01:17:48.160They had to do something like that to break because it was something that was aware of their internal monologue and the directions that they were going.
01:17:55.620And in order to deviate from that, they had to make these really impulsive decisions that even they didn't know where they were going to go.
01:18:02.140I think you even see that kind of played off of in like Yes Man, right?
01:18:07.700This idea that when this realm petitions you with choices, saying yes will continually open up these paths that, you know, I guess maybe that is a little bit more predetermined.
01:18:21.540But I mean, it gets, that gets into the idea of Calvinism, which is predeterminism.
01:18:26.140I don't necessarily agree with, but even thoughts of that I've been having recently, like they take a blood type off of the Shroud of Turin and whether that's accurate or not.
01:18:35.200But they're saying that Jesus' blood type is A, B.
01:18:38.300And I was like, well, why specifically this very, it was a very rare type of blood.
01:19:05.780It's like, is it named because of that or is it named before that?
01:19:09.040Is that person helpless to stop their fate?
01:19:12.820Are they moving towards this thing no matter what?
01:19:15.620And that sort of thing piles up to the degree that I would show some real hesitation to attribute that to a man, right?
01:19:21.920Like an individual who's pulling the strings one way or the other couldn't possibly have orchestrated this because you know that.
01:19:28.060But they might know they might these might be clues.
01:19:31.360Like if you're clued into what what this is and you see specific maybe birth dates, maybe specific blood types, maybe names, maybe just little things.
01:19:40.080They have certain dates in certain times.
01:19:42.780Yeah, we know who to sort of keep an eye on this person.
01:19:45.920I think I think it's clues to us that we're not alone and that everything is going to be OK, that we have to do our parts as we feel guided and as simplistic as that sounds.
01:19:56.560But I also believe that if I were to believe in a God, I would want to believe in the one that treats me as his child and allows me to be do free thinking and please by having choice to do it and choose which way I want to go.
01:20:14.540So if there was an end time event, and of course, in the end, they put Neo with a gold cross and is just mocking the whole idea that this was a second coming faked by the architect because he needed to have stimulation of his mind in the original piece.
01:20:29.640So that's why the untainted people of Zion are brought out by the ambiguous Oracle to see him come back as Christ.
01:20:35.040But actually, the real one shows up and you have dental figures facing off.
01:20:37.660Isn't it interesting they kept the scene with Neo where in mind you have a Christ figure facing off the architect looking like the Christ architect son looking like Christ and at that last thing where the crater pulse wave comes out renewing the earth and the little girl and all that's there.
01:21:39.540If you chop shop it and rip the screenplay apart, if you're ripping the screenplay apart in a visual storyboard and lifting all the images you think are cool and then making up as you go along, you're not going to have a spine to your story anymore.
01:21:51.660And you asked me how I felt about it early on the beginning of the program.
01:22:11.540In the ending, if there's a God and he comes back and we are restored, like let's say the ending where the pulse wave comes out, everything's turned to green and there he is before us.
01:22:21.420I'd rather him say, you don't have to worship me.
01:22:26.620I would rather have that than saying, worship me.
01:22:30.540I think the way we're created, if we're created in God's image, if this is so, if this is so, whatever religion you believe, that I couldn't imagine saying to my son, worship me, worship me, only me, or you're going to hell.
01:22:44.520I would say, I'm delighted to be your father.
01:22:48.160I'm excited to see where your journey takes you.
01:22:50.400And I'm going to be with you every step of the way.
01:22:51.980And I can't wait to be reunited with you and say, well done.
01:22:55.240I think that's the ending in my mind, whether that was changed at the Council of 400 AD or whatever it was.
01:23:02.080I don't know what was been stripped and put in front of us and saying we're not allowed to change or look at it differently.
01:23:06.740But I was asking when I put this together, I believed I was asking God, let us prove ourselves as your children.
01:23:13.540If you're there, let us prove ourselves.
01:23:15.600And I believe I was handed the Job story on a plate with hors d'oeuvres and had to live it as an answer.
01:23:27.260Because I think this is prophetic in a great way.
01:23:30.360Where it's all, even from the standpoint of Hollywood being so drunk on the work that they did not only so many derivatives of it, but they copied it so much that it became part of our world.
01:23:40.980Even the fake Oval Office is in the original work.
01:23:54.320Even to the standpoint of having a, you know, 10 minutes of film and then your intro comes in with teasers for what might, you know, how will this all tie together, this collage of imagery?
01:24:06.660How will it tie together in the end to hook people in to watch for it?
01:24:10.380Look for Walking Dead, all these other shows.
01:24:12.060Because now it's common where you have your film starts and the credits come in after about 10 minutes or five minutes.
01:25:39.340So producers are still calling and saying, we're still following that model you did.
01:25:43.880You know, so I'm accredited inside the cabal, inside Hollywood, I'm accredited where even the stunt bat, Batman stuntman from Warner Brothers named Quentin did a check all through Warner Brothers.
01:25:58.120And he asked all these different personnel, what about Tom Althouse, the Wachowskis, and the Matrix story?
01:26:04.280And they said, we're not supposed to talk about it, Tom Althouse, or Diane Bellis, the former head of the story department.
01:26:12.060So therefore, you have this climate, almost the Matrix itself, with a different world within Hollywood, where the people inside know the story was taken.
01:26:22.940And then outside, they're left in the dark because they want to treat audiences as dumb.
01:26:28.480And so every time someone argues, and you watch, watch it happen, there are people that are paid to shout down.
01:26:34.620And they'll even say to you, didn't you vet your guest?
01:27:35.520What helps is when others stand up and do it for you and go, look, he has the proof or she has the proof and let them be, stop interrupting.
01:27:47.380That if the person doing the shouting down, who usually wants to be noticed and matter and have popularity, is silenced or a group says, no, we're not doing it, the bully leaves the sandbox.
01:27:59.880So it's like, and then you go back to examining facts again.
01:28:02.740So it really is up to the audiences to control flow of truth out.
01:28:08.100What's been happening, though, is they've been creating the perception.
01:28:10.640So they'll shout you down and then they'll create the perception of like a social pressure.
01:28:15.100Like this is what everybody else thinks, too.
01:28:16.700And so if you believe that that's what everybody else thinks, then you're likely to sidestep and then run that narrative, too.
01:28:22.260But it's only after, I guess, especially if you're all plugged into the Internet, nobody's actually going outside, having these real conversations with individuals.
01:28:28.240Then you believe that that perception that's propagated by the person who's doing the shouting down is real.
01:28:34.680And if it's real, then you don't want to be the person that's outside of the group.
01:28:38.700The masters of manipulation and psychology.
01:30:23.680And it's like, I like the way you put it.
01:30:25.660I think that we're going to develop and evolve.
01:30:28.940And if there's God, I think he's going to allow us to advance to where we don't need to be demanded to worship him that we'll have a different type of relationship with our father.
01:30:40.480So I think that's going to happen where you'll allow us to evolve into that right now.
01:30:45.480I mean, if you look at humanity right now, it's just we're a cave people.
01:30:48.800I mean, we have not gotten out of the box at all.
01:30:51.260And just the way it's like people fighting in a cave that don't know where they out, don't know the way out.
01:30:55.060But they all want to be experts on the way out.
01:30:56.680And they're all banging on solid wall.
01:30:58.740They don't want to actually hold the candle together to find a way out.
01:31:02.080They all want to be popular, right, and matter and carve their initials on the wall rather than find an exit.
01:31:08.620So I think that, you know, to be remembered, everybody wants to be remembered pretty much.
01:31:12.200But I think we're going to get to the point.
01:31:13.980I'm so glad you said this because I think this is what my journey's been is that he doesn't need to demand my worship.
01:31:21.480He knows that my desire of my heart is for him to simply say, well done.
01:31:36.940I think an image helps us, too, if we lock into an image.
01:31:39.800My image that kept me going, because when you go through the darkest times that are throwing everything at you, including the death of your sons, what are you going to hold on to, right?
01:31:46.800In my case, I was told they wanted my life to be worse than a death, that I'd live a living hell, that I would either take myself out, like I said, or they would do it for me and then claim I did.
01:31:58.780And they had people in place to do that.
01:32:00.160But I think that the image I was holding was a father holding his daughter who had died from war in his arms.
01:32:08.940And that image would last through any torturous moment.
01:32:15.000I could hold on to an image that I would not lose my compassion, humility, and focus.
01:32:21.820We need something that will never allow us to be shaken from.
01:32:24.680And the neural link, though, the neural link could do anything.
01:32:29.160I mean, there could be blockers in there to keep us from feeling faith.
01:32:32.380There could be blockers in there for, in fact, what I understand is they're going to take the tech that I believe God gave me in the work so we can have control of it.
01:32:40.520And we're taking steps to get control back that they would make a version for the elite that was enhanced and the enhancer.
01:32:48.700And then they would have a less one for the general population saying it'd be safer for them not to oversee.
01:32:53.240So you're going to have a higher elite with a more efficient thinking system and justifying a lower system for the rest of the public to see what's going on.
01:33:05.020Just like they said exactly what was predicted in the work, that it wouldn't be available for the general public just for the elite.
01:33:10.760Yeah, I think if we did, if the general public got one, it would be, there'd be a really heavy focus on entertainment.
01:33:18.920So you would get your, yeah, you would get your bread and circus pumped through there in a really immaculate way to the degree that you wouldn't want to unplug.
01:33:28.080So it would, it would serve as, you'd probably have some function to be able to Google a thing pretty rapidly or whatever, but, but not whatever they had access to.
01:33:35.700And the main function of what you would have would be, is like a pleasure stimulator.
01:33:39.780Yeah, you just hit it so, so strong right there is that I'd never thought of this before.
01:33:45.680The entertainment section would be attached to it too.
01:33:48.080Never thought of it in a way to keep it down and then justifying, you know, oh, you have the better one because it has entertainment in it.
01:34:16.800They said it was triggered by dental surgery.
01:34:18.960Is that anything like that happened to you?
01:34:21.700Like a dental surgery triggering pink, pink ray of light, alien stuff, anything kind of crazy?
01:34:27.520It's so funny you said that because it's like, yes, teeth, dental, very much involved in all this.
01:34:33.320In fact, it goes back to that old movie, Marathon Man, where you have that terrible scene where if you ever go back to that old, old film, they drill into the nerve in his tooth, you know?
01:34:42.000One of the devices to control people is, you know, through the mouth.
01:35:08.240And they take and fake rescue him, drive off to get information that he knows, then take him right back again.
01:35:13.120Like in Game of Thrones, Game of Thrones is actually drawing off of things that are already done with a team of writers.
01:35:18.780So just to tie that in, just so you know.
01:35:21.160And their best work comes from mocking other work and other people.
01:35:25.460So Game of Thrones is mocking other work, and it allowed them to be interested in the project, they're full of writers, and stimulated them into it.
01:35:35.180The best work they could do if you're not feeling a service-oriented mindset to your public is if you're enjoying tantalizing.
01:35:44.060And that's exactly what the guy said from Warner Brothers' story department.
01:35:49.440He said when he called me and told me all these things are in there.
01:35:51.860And even their graphic designer, Susanna Bolgin, did an article where she said it.
01:35:56.180She said that the Wachowski stuck these things in there to keep the project interesting for them because it's not their work.
01:36:02.200So to keep the project interesting, you know, in fact, that's why they didn't write the drafts.
01:36:06.900That's why there's no working drafts, is they didn't want to.
01:36:10.020And in fact, they tried to, when Matrix 1 was a success, they went back and tried to write Matrix 2, not all by work.
01:36:17.260And they came up with the idea, but they couldn't stop from mocking.
01:36:21.020So they put Thomas A, where Smith, it's a common theme.
01:36:25.000They have Thomas A, where they take, I guess, DNA from Thomas A and create Gregory, who's a clone of Thomas A and train him to defeat Thomas A, Neo.
01:36:37.460But the thing is, they're so stupid because Gregory is my, right here, Gregory is dear Greg.
01:36:53.040Greg is the guy I worked the battle sequences with.
01:36:55.960So they put Gregory and Thomas A against each other.
01:36:59.740And now they scrapped it when I resubmitted my work in 2001.
01:37:03.460And they then scrapped it, and they said it never existed.
01:37:09.200But we have a copy of this badly done second one, where they stuck the ghost program in, I have, and everything else.
01:37:15.340And it's so juvenile in their mindset.
01:37:18.660What they have is it opens up with, they're thinking it's going to be cool, a motorcycle going across a desert highway, I guess, you know, motorcycle.
01:37:26.620And Trinity's holding on to Neo on the motorcycle.
01:38:36.360In fact, the scene, one of the opening scenes with the agents is there's three of them dressed in black with the long coats and everything.
01:38:42.780They're the ones that have the cool outfits.
01:40:11.060So, you have that before blue beam was really being talked about.
01:40:14.780And so, that's stimulated the architect's mind.
01:40:17.800And instead, it gets screwed up by an oracle that's supposed to be ambivalent, actually turns out to know exactly what he's doing and working with underground.
01:40:26.760They didn't know what to do with that.
01:40:28.660Were you familiar with these ideas before you wrote it or did this, you said it came as a download and you just.
01:40:37.740I was familiar with the plans, partly, spotty, plans that Robertson, the cabal, FBI, all of them had, the cabal, different facets, how to institute a one world order.
01:41:02.080And entries are all in there about, if I read the interrogation scene to you sometime, it's like, oh, there, the crust, the core of what's going on, how to formulate a one world society is you have to offer across international boundaries, the elite from different, different ideologies to come together.
01:42:14.320There's tons of things bad with the neural link.
01:42:16.240It's basically a Pandora's box we need to put the lid back on.
01:42:18.620And that's why I believe I'm now being tapped to put claims in, post claims, for the entries to show that, yes, I published it before their claims when they stole it.
01:42:43.020Also, I've been kicking around this idea that it has the ability to reanimate potentially a corpse.
01:42:49.140But if you have your personality backed up in some AI, whatever personality, which I think Elon has a few of these characters kind of floating around Twitter or X, that you could reanimate a corpse and you could make it convincing as if it is actually still the individual.
01:43:07.760But all you would have was the AI that you've uploaded to now this reanimated.
01:43:18.220I mean, all these things we've, you know, in the work, it's echoed all through it.
01:43:21.820That's why at pitch sessions, I think one of the reasons they went for it so fast was because at the pitch session, Bonaventura's just going like, oh, my God, where'd you get this?
01:44:15.020They have the audacity to call me and say, I had a call not long ago where a party said to me, who's on the inside, you're where you are because of the journey we put you on.
01:45:42.140Over the last five to six years, we've seen a lot of CEOs, various corporate kind of fat cat characters who have positions in all sorts of different companies, especially media conglomerations, banks, who are just mysteriously resigning.
01:46:02.200I mean, we've been subjected to a ton of resignations.
01:46:06.540And it's weird because it kind of goes over people's heads or under the radar.
01:46:12.820But it's like, if you really look at that, what are these people doing?
02:11:22.160So Smith actually is doing what's needed for good to happen, but Neo is doing exactly what the architect wants him to do, to elevate himself.
02:11:32.520And so people are catching on now going like, Neo wasn't the one that was actually doing the good.
02:11:37.240It was actually the Smith character was doing it.
02:11:38.900The architect organized that to happen that way.
02:12:15.720I was going to say, that's one of the stupidest things they did.
02:12:17.520You have the suits sitting at a table asking the Wachowskis, who they brought in as failed writers to steal it, what it means.
02:12:23.640You're going to get the reaction you got, where Larry gets up and leaves the room and is screaming into a phone because they're thinking of replacing him with another candidate.
02:12:31.940I wonder if we could still find the...
02:12:36.900It was a live televised interview where they kind of like fumbled through a lot of the descriptives of it.
02:12:41.880And it was like, you know, if you were really looking at it with a scrutinizing eye, you're like, these guys don't even know what they have or what they're doing or what they're made.
02:13:01.000And he even put forward the idea of the pin, like, I mean, the filaments that would permeate or go into flesh or vital places like the brainstem.
02:13:11.100And it's like, that's in the beginning part of the screenplay where the mole-like device interrogation scene is inserted into a recursive Neuralink.
02:13:19.600And then in mine, it's later, it's done by harmonics, basically.
02:13:23.720It's done by an adaptive collar that does not pierce vital tissue.
02:14:17.620In Elysium, yes, we have the thing where he takes Smith's memories and he got that off into Elysium, too, where they didn't do a screenplay.
02:14:25.000They just did a visual storyboard to show the guys.
02:14:27.320And so in that one, they have a box attached to the back of his neck, which shows what he's thinking and seeing.
02:14:33.060How are you going to go on a convert mission with a box on the back of your neck and showing what you're thinking?
02:14:38.580It's supposed to be, no, you are using the memories by using Smith's adaptive collar, or adapted to you, to import those.
02:14:46.960And so it's like, they're so stupid in Hollywood.
02:15:02.360But all that kind of goofy stuff that they like, I guess what they did is they had a good read on like what people were going to think was cool.
02:15:10.300So like the bullet time dodging stuff was cool.
02:16:14.580I'm thinking about what's ahead and what the world is going to be like gives me elation and great peace.
02:16:21.940I know it's going to work because the other side's so much dumber than we are.
02:16:27.780And the more they mock us, it's interesting because they say that one of the things they had the Wachowskis do in TMZ owned by Warner Brothers was to say,
02:16:36.820Tom Malt has just a here's just a hack showing their faces famous for nothing.
02:16:41.480What they did was they made me memorable, which is so important to them being remembered, not forgotten by coming at me so hard because they were so afraid of what we had.
02:16:51.940And the evidence we had that they actually made us memorable.
02:16:55.420So it's like, I mean, they're instilling into us what they want to be remembered.
02:17:01.560And the fact is, when all is washed and done, it'll be shown that we were the good guys and the good girls.
02:17:06.780We were the ones that actually held it in there, not for fame or not for fortune, not what they were promised by Dino Laurentiis, the exec that wind and dine them before they were brought into Warner Brothers to steal the work, but because we knew it was the right thing to do.
02:17:23.900When I'm on shows like this, I'm having a blast because you guys, I mean, it's like, I mean, I was in that prison and it was like that far side cartoon where they show the orchestra leader or conductor suddenly in hell.
02:17:36.680And he has all these overweight boys with tubas and that's his hell.
02:17:40.160It's like people don't understand what I'm talking about, you know, and then they have the audacity to say he has no idea what the matrix means.
02:17:45.220Because I understand what the matrix means and then some, and I understand what my work means in the layers of all of it.
02:17:52.720If, if we do get justice back, we'll present it the way it's supposed to be.
02:17:56.240And you'll be able to amp in an amplified way, see just how ridiculous they did alter the work like the silver pen being used as a channel changer.
02:18:06.460And one more thing, why would you have the defenses in Zion?
02:18:11.320The thing that Joel Silver says that is their genius.
02:18:13.540The one thing that he says he credits them for was having those walkers from aliens, like the walker lifters from aliens, from aliens, where you're strapped on bare chested basically.
02:18:24.260And like no, no, no armor and the front of it.
02:19:44.760He has Interstellar to mock the author.
02:19:49.360Because the one scene I had said over and over during the court situation where they just had like a, you know, make a break a moran on steroids.
02:19:55.820And it's like I said, they left out the best scene.
02:19:58.720The one where the daughter's aged and Neo hasn't.
02:20:11.780He puts it in Interstellar and breaks my heart.
02:20:14.500The hardest part I've ever seen in my life was Christopher Nolan, that bastard, doing my version of my favorite scene that touches me over the loss of my daughter.
02:20:24.340And putting it in for himself in Interstellar with Matthew McConaughey.
02:20:28.940I had no idea that that was supposed to be in The Matrix.