Bowden! - 8 - On the Genealogy of Morals
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Summary
Jonathan Bowden and Richard Spencer take a look at Nietzsche's On the Genealogy of Morals, published in 1887. In this episode, they discuss the history of the work, its origins, and what it means to be a slave to morality.
Transcript
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Welcome to Vanguard, a podcast of radical traditionalism.
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And welcome as well, Jonathan Bowden. Thanks for being back on the program.
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Well, today we're going to try something a little bit different.
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In previous podcasts, we've taken on big philosophical issues such as democracy, feminism, Nietzsche, so on and so forth.
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And today we're going to try to get a little closer to the text and focus in a little bit more.
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So today we're going to record a broadcast on Nietzsche's On the Genealogy of Morals, which was published in 1887.
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And I'm sure there are a couple of different ways that our listeners could use this podcast.
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If you've never encountered Nietzsche before, I think you could still profit from it as a taste of his thought.
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And also, if you are interested in studying Nietzsche, I'm sure you could either read the text before or perhaps after the broadcast
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and use the broadcast as a reader's guide or an interpretation.
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This is one of my favorite of Nietzsche's works.
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It's actually the first Nietzsche work that I read.
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And it's probably the best of his works that serves as an introduction in the sense that so much of the rest of his oeuvre is aphoristic.
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And in the case of Zarathustra, it's quite bombastic and maybe ironically so.
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But on the Genealogy of Morals, it seems more like philosophy.
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It deals with moral questions and historical questions.
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And it's written in a more straightforward style, at least straightforward for Nietzsche.
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But, Jonathan, why don't you give us a background of this text and some of your more general thoughts on it?
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And I'd mentioned that it is a moral inquiry, but it doesn't really look at morals in themselves.
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Indeed, it might treat morality on sich in itself as somewhat of an illusion.
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It doesn't try to find the origin of good and evil behind the world in another region, in heaven, in a godly realm.
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It actually tries to find the origins of good and evil in the world.
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And it's also a question of values, not only morality, but it's also a question of the value of values.
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That is, what does it mean that we treat un-egoistic, in Nietzsche's words, or selfless actions as good,
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and we treat actions that might express a superior, domineering manner as evil?
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What is the value of that value, and where does that value come from?
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When did this arise in the history of not just the West, but really the history of the world?
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So, Jonathan, maybe pick up on a few of those ideas and give us your general thoughts on what the genealogy of morals is and its background,
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Yes, I think he's trying to achieve an ethical superstructure for a radically aristocratic way of thinking,
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which is to return that to modernity insofar as it existed in the past.
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I also think he wants to get away from what is recorded as dualism,
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the idea that you have good and you have its counterpart evil,
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and that these are metaphysical certainties or metaphysical statements of intent and belief
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that are very ancient, and that are Manichaean in the Persian sense,
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which Paul took in early Christianity and grafted into the heart of the Christian religion.
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All three of the Hebraic faiths are very dualist in relation to morality
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and have a large pre-codified codex about what is moral and what is immoral.
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And his belief is that morality is in part socially derived and is culturally expressed.
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And in an aristocratic society, that which is good, beautiful, true, and so on,
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will be regarded as exalted and moral, as a self-evident prerequisite.
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And that which is low or mean or ugly or debased will be regarded as evil,
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or at the very least as bad, as the opposite of good.
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And he thinks that is an axiomatic and understandable way of looking at it.
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What he thinks has happened is that morality has become inverted
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by virtue of the morality of those who suffered or were enslaved in the ancient world.
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And he associates slave morality and the desire to eradicate it
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by in turn professing its nature to be part and parcel of the ethical substructure of Christianity
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and of the Judeoist Christian religion in particular.
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And he regards Christianity, ethically speaking,
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and as a revenge of the low-born upon the high-born
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and as a revenge almost against the ancient world itself,
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ushering in the Middle Ages where everything is valorized or everything is moralized
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and everything is divided into a good act or a good thought
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And that if mankind is to progress on from their stupor,
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then it has to return to more ancient verities and velities,
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more ancient feelings and areas of psychic force,
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depending upon whether they impinge upon whether something is high or low.
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This also leads to a hierarchical value in terms of morality
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where actions are perceived as cascading from on high,
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like a sort of devouring fountain or something,
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He's also very much opposed to the idea of instantaneous valorization,
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You put forward a statement and there's a click-click response,
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And although he's more keen on good-bad disjunction
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He's very opposed to televisual morality in a strange sort of way,
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and that all of one's judgments are then colored
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it branches out into all these interesting directions.
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You know, one way that Nietzsche talks about this
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and a good example that works well with English
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virtue, and that is it obviously originates from,
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and it originates with the original Latin of virtus,
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which, of course, connotes manliness, being a man,
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like courage in battle, steadfastness, and so forth.
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a word doesn't hold its meaning throughout time.
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to the point that virtue now means female chastity,
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is something that is very important to Nietzsche.
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And so, Jonathan, let's put a little pressure on this
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before we talk about the reevaluation of values
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a utilitarian view of the like of Herbert Spencer,
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were simply connoting something that's useful or not.
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I mean, language is extraordinarily important to Nietzsche,
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not just because he was a master of the German of his day,
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So he would look at the ancient origins of words
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and trace through over centuries their change over time
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where many words meant masculine or masculine beauty
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or war-like ardor or chivalry or courage under stress
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And these words would have themselves changed over time,
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to mean something that was approximately its opposite
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in which words are wrenched out of their context
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partly just a sort of natural selection and wordplay,
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but also much more subtle ideological repositionings
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So he basically considers the good and the good life
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to be that which tends towards aristocratic virtue
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They're good for a particular class of persons.
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that goes with that aristocratic class of persons.
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and therefore, in effect, they're reverse utilitarian.
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They're sort of futilitarian in utilitarian terms
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They don't really go with the flow of majority desires at all.
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I've just seen the British film of Shakespeare's Carolinus
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and Carolinus always strikes me as a particular text
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It's a sort of genealogy of the morals of which Nietzsche approved,
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where you have this extraordinary arrogance towards the Roman plebs.
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You have the consul, as in a sense, set above the people,
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And you have an aristocratic morality to court,
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but rooted in the words that it chooses to use,
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and rooted in a maximalization of particularism
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Nietzsche personifies good and evil and good and bad
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And in terms of, I want to talk about the Jewish issue,
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which is a very complex one, a little bit later.
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But first, I just want to talk about his idea of the originators of good.
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it certainly had little to do with what it means to be good now,
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like you might hear in church or something like that.
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But it was the aristocratic leader's kind of expression
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of their own joy in themselves and things like this.
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And let me just read a little bit from Nietzsche's text
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because he had a very distinct idea of the originators of the word good
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to the point that he thought of them really as a people.
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There they savor the freedom from all social constraints.
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for the tension engendered by protected confinement
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They go back to the innocent conscious of the beast of prey
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from the disgusting process of murder, arson, rape, and torture,
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One cannot fail to see at the bottom of all these noble races
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the splendid blonde beast prowling about avidly
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This hidden core needs to erupt from time to time.
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The animal has to get out again and go back to the wilderness.
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The Roman, Arabian, Germanic, Japanese nobility,
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It is the noble races that have left behind them
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the concept of barbarian wherever they have gone.
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Even their highest culture betrays a consciousness of it
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For example, when Pericles says to his Athenians
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our boldness has gained access to every land and sea,
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certainly disturb Nietzsche's liberal defenders
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like Walter Kaufman, who, you know, to give him credit,
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certainly did a lot of good in bringing Nietzsche
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Yes, yes, Kaufman is a liberal revisionist, really,
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I suppose he had to emerge at a particular time
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And it's possible that without people like Kaufman,
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I doubt he would have gone down the memory hole,
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but he might not have the present talented notoriety
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For example, the blonde beast is meant to mean a lion
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But, of course, that's just one of many meanings
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Yes, this creation of the Codex as a master morality,
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as being the inner morality of the Grecian aristocracy
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such as the Persian, Scandinavian, Japanese, and so forth.
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Maybe the British imperial aristocracy in its heyday,
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which could be analogous to the Elizabethan period
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the 19th century too stultifying and too moralistic.
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and was very close to the Renaissance sensibility,
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who he regarded as untainted by Christian morality
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So talk a little bit about how the Jews function
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loathes and reviles pity for oneself and for others
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and assert their own tribal and cultural independence
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to be one of the great blasphemies of human history
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uh just one more passage and that is uh with the french
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profound and decisive sense uh and then he goes on and he
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talks about again dialectically he talks about how
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this triumph of the french revolution kind of turned into its
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opposite and did it rather quickly uh like a like a last signpost to the
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other path napoleon appeared the most isolated and late born man there has
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ever been and in him the problem of the noble ideal as such made flesh one
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napoleon the synthesis of the inhuman and the superhuman
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uh so obviously it's a a mesmerizing passage uh it's one that i i i find
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to um uh let's say you you have the uh you you you you you're now allowed to let
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your hair down a little bit uh what do you think of the
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antichrist like uh like nietzsche viewed napoleon as
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as as arising um in the in the ruins of the old christian world
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yes so there's a similar spirit at the end of spengler's the decline of the west
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when in 1918 he preaches the fact that there will be a new caesarism abroad
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in europe uh something that was sort of well around the way and discernible
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uh at that time it's difficult to see it now at the moment but whenever chaos and radical
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revolutionary change comes abroad these ideas inevitably return um the sort of uh the left
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wing version of dictatorial tyrannists the red czars that were thrown up by certain social and
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political revolutions on the european continent themselves increasingly came to resemble often in
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a sort of um macabrely comic way the aristocratic noblesse of the past and it was even more
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pronounced in authoritarian structures which were on the other side yet as of this moment in time
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it's difficult to see where the napoleons of this world will come from yet napoleon of course
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conquered most of europe and on the flags of his armies uh was the slogan liberty equality fraternity
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and yet conquest is what was happening and uh they were flying a revolutionary flag the tricolor
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uh tricolor which consists of three colors the blue and the red of paris and the white of versailles
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the red and the blue having captured the old monarchical dispensation at versailles when the monarch
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was forcibly dragged back from versailles to the capital paris where traditionally the bourbons had
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never felt particularly comfortable um i don't know if you've ever seen gonze's enormous five to
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seven hour film napoleon which is a silent film from the 1920s no i haven't where napoleon is depicted
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as a sort of superman and the film's been restored several times and it was
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the concept was an admirer of mussolini and there's a strong element of um
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restorationist imperial aristocracy about the nature of the film and it's quite funny in some ways
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because napoleon's depicted as very thin and aesthetic he's not the sort of portly dictator
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that uh the later portraits by david and that sort of thing and that napoleon's most remembered in
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in image but napoleons will always emerge in a period of radical and absolute change
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and that can only occur if there's socioeconomic breakdown uh of a sort threatened by the implosion
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of the european union over its economic difficulties um however i i personally think the very fact that
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nietzsche remains so important intellectually and theoretically is the harbinger of the fact
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that such ideas are not dead um the fact that if you go into the philosophy dissection of any
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bookshop in the western world nietzsche will be there and all sorts of other philosophers will not
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be there indeed even marx will not be there his children may be there uh theoretically speaking but
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he may not be and the very fact that the genealogy morals and the similar texts are widely on sale
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you don't have to go very far to get them if you're interested um indicates to me that there's part of the
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spectrum part of the human brain scan is still uh out there and still open towards these sorts of
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opinions opinions which are elitist and which are inegalitarian and which uh have a streak of hubris
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about them in the ancient sense and uh aristo-oriented and are morally aristocratic without necessarily
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being sociologically so and the very fact that these ideas are still there despite the fact that the
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valency is against them on every other respect in every other respect they're crowded from the spectrum
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or shouted down and yet nietzsche's complicated enough virile enough uh epigrammatic enough
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not really to have escaped the census mark and to still be there um arguing for views which at one
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level of reckoning are two thousand years old jonathan i think we just scratched the surface
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of the genealogy of morals and he's just not in general but thank you for being with us once again