RadixJournal - December 12, 2023


Depeche Mode: Delta Machine


Episode Stats


Length

42 minutes

Words per minute

124.49585

Word count

5,299

Sentence count

60

Harmful content

Misogyny

4

sentences flagged

Toxicity

17

sentences flagged

Hate speech

39

sentences flagged


Summary

Summaries generated with gmurro/bart-large-finetuned-filtered-spotify-podcast-summ .

In this episode of My World, I'm joined by my good friend and long-time Depeche Mode fan, Alan Alan Moore, to discuss the band's debut album, 1979's The Departure of Our Lord and Savior.

Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
00:00:00.000 Welcome to my world
00:00:13.920 Step right through the door
00:00:20.000 Leave your tranquilizers at home
00:00:26.760 You don't need them anymore
00:00:32.400 You know, I really don't know what to say about this album
00:00:41.500 because I don't dislike it
00:00:49.280 and I think that there are a lot of songs
00:00:53.420 that are quintessentially Depeche Mode
00:00:58.340 and that I like
00:01:01.080 and that I feel are part of the canon
00:01:04.360 in a way
00:01:05.780 and I would include like Goodbye
00:01:09.200 All That's Mine, I like
00:01:12.240 Heaven
00:01:13.160 Angel
00:01:15.020 Secret to the End
00:01:16.740 which kind of has like a hard driving scent
00:01:19.980 at least at the beginning
00:01:21.000 so there's nothing that I dislike about it
00:01:25.120 and secondly
00:01:26.100 the bluesy sound that they evoked
00:01:29.020 I like that quite a bit
00:01:30.900 and I think I've mentioned this
00:01:33.580 on one of our earlier conversations
00:01:35.120 about the Soul Savers
00:01:36.320 which was a
00:01:37.540 off-the-beaten-track band
00:01:40.100 that has some kind of relationship
00:01:42.700 with Dave Gahan
00:01:43.620 I'm sure they were fans
00:01:46.120 or influenced by him
00:01:47.080 they're probably friends
00:01:48.340 they've done a number of albums
00:01:49.760 particularly the first one
00:01:52.160 they did in 2012
00:01:53.140 I just think is a revelation
00:01:56.640 I mean, I think it's really a unique
00:01:58.940 sound that they created
00:02:00.860 and it's a kind of acoustic
00:02:02.720 digital blend
00:02:04.980 a blues and country
00:02:07.840 Americana
00:02:09.360 with Depeche Mode blend
00:02:12.420 I can feel the presence of God
00:02:16.800 in need of my attention
00:02:21.120 In this room and in your words
00:02:32.080 in too many ways
00:02:35.280 in too many ways
00:02:35.300 in too many ways
00:02:35.320 to mention
00:02:36.680 These thoughts torment me
00:02:44.280 Ain't more to shake me
00:02:47.760 There's a man that I should be
00:02:52.380 Oh, someone I could be
00:02:55.640 Nothing can break me
00:03:00.000 Oh, nothing that I see
00:03:03.080 You can't shake me
00:03:07.340 You can't shake me
00:03:11.080 So set me free
00:03:14.080 It works
00:03:18.020 And there's a lot of blues
00:03:19.540 in Martin Gore's writing
00:03:22.560 throughout his career
00:03:23.840 There's a lot of Elvis
00:03:26.820 in Martin Gore
00:03:28.120 Something that I think
00:03:29.980 is underappreciated
00:03:31.080 You know, a song like
00:03:31.960 Pleasure, Little Treasure
00:03:33.060 or something
00:03:33.480 I could almost imagine
00:03:34.580 Elvis singing
00:03:35.680 So I like the fact
00:03:39.040 that they went there
00:03:40.240 and, you know
00:03:42.440 You know, what is some of the
00:03:45.320 There's some great lines
00:03:46.760 on Goodbye
00:03:47.680 Like, I was always looking
00:03:50.440 Looking for someone
00:03:52.500 Someone to stick my hook in
00:03:55.140 And pull it out and run
00:03:56.640 Now I'm caught on your line
00:03:58.860 All my thoughts are entwined
00:04:01.240 In you
00:04:02.000 I was always looking
00:04:14.200 Looking for someone
00:04:16.760 Someone to stick my hook in
00:04:20.740 And pull it out and run
00:04:23.520 Now I'm caught on your line
00:04:29.780 All my thoughts are entwined
00:04:36.260 In you
00:04:39.360 You can hear a kind of almost
00:04:44.600 elaboration on Personal Jesus
00:04:47.460 as well
00:04:48.020 But at the end of the day
00:04:51.420 Personal Jesus is better 0.99
00:04:54.660 And I could do
00:04:58.700 Without the album
00:04:59.660 In some level
00:05:00.440 I don't know
00:05:01.300 Maybe that's too strong
00:05:02.800 A language to use
00:05:05.220 I mean
00:05:05.480 I like the album
00:05:06.920 I think a lot of
00:05:07.700 As I said
00:05:08.340 A lot of the songs
00:05:09.080 Are quintessentially
00:05:10.160 Depeche Mode
00:05:10.940 I like a lot of the songs
00:05:12.720 I'm not sure
00:05:13.240 I love one of them
00:05:14.580 And I don't think
00:05:15.500 They really added
00:05:16.620 Anything
00:05:17.660 Terribly new
00:05:21.060 Or terribly
00:05:23.180 Indispensable
00:05:24.720 To their body of work
00:05:27.760 So I guess I'm ambivalent
00:05:29.800 About this
00:05:30.440 I have mixed feelings
00:05:31.640 But you know
00:05:33.040 Do you know what I think it is
00:05:34.180 It's like there's an over
00:05:35.520 If there's an emotion
00:05:37.520 About this album
00:05:38.420 There's like an overwhelming
00:05:40.200 Sense of
00:05:41.480 Annoyance
00:05:43.340 Or ambivalence
00:05:44.640 You know
00:05:46.160 Not to all of the songs
00:05:48.140 But to too many of them
00:05:49.360 There's like
00:05:50.100 Almost a
00:05:50.920 This is a
00:05:52.640 Plaint
00:05:54.040 Or a complaint
00:05:54.960 And
00:05:56.400 I feel like
00:05:58.180 That didn't really
00:05:58.820 Take them into new directions
00:06:00.140 But
00:06:00.460 That's kind of like
00:06:01.440 The first layer of the onion
00:06:02.420 That's my
00:06:03.060 Overall thoughts
00:06:04.460 On the album
00:06:04.960 What about you?
00:06:07.480 I think that
00:06:08.460 The
00:06:08.960 The name
00:06:10.160 Delta Machine
00:06:11.320 Kind of says
00:06:12.200 It all
00:06:12.760 Because it invokes
00:06:14.320 Like the Mississippi
00:06:15.280 River Delta
00:06:16.260 Yeah
00:06:17.080 Which
00:06:17.380 Maybe a birthplace
00:06:19.600 Of
00:06:20.340 Blues
00:06:21.340 Might not
00:06:22.480 More so jazz
00:06:23.660 But
00:06:23.900 Nonetheless
00:06:24.820 The point
00:06:25.460 Comes across
00:06:26.300 Yeah
00:06:26.920 American
00:06:27.660 African American music
00:06:29.360 That's southern
00:06:30.980 That's coming out of poverty
00:06:32.560 In many ways
00:06:33.360 That's
00:06:34.220 Uniquely American
00:06:35.260 That is singing
00:06:36.480 About pain
00:06:37.300 I mean
00:06:37.600 There's
00:06:38.320 We
00:06:38.860 There's a natural
00:06:40.480 Dovetail
00:06:41.640 With Depeche Mode
00:06:42.640 In
00:06:43.620 In that music
00:06:44.580 And
00:06:44.940 And I can
00:06:45.460 I can
00:06:45.920 I know why
00:06:46.760 You know
00:06:47.300 Both Martin
00:06:47.900 Dave
00:06:48.300 Really
00:06:48.760 Care about that music
00:06:50.000 And want to evoke it
00:06:51.120 Like you said
00:06:52.880 With
00:06:53.240 With Martin's music
00:06:54.380 A lot of it
00:06:55.180 Is 0.88
00:06:56.160 Is this happy
00:06:57.060 Is it sad
00:06:57.760 It's probably sad
00:06:58.900 But
00:06:59.160 You still have that
00:07:00.640 Kind of questioning
00:07:01.280 And
00:07:01.520 That's
00:07:02.100 What
00:07:02.640 Blues is
00:07:03.640 To a large extent
00:07:05.140 Because
00:07:05.580 You take
00:07:06.780 Like
00:07:07.000 I've said before
00:07:08.200 Major blues lines
00:07:09.520 There's this kind
00:07:10.700 Of
00:07:10.940 Flatted
00:07:11.540 Third
00:07:12.040 Or minor
00:07:13.300 Third
00:07:13.660 And major
00:07:14.220 Third
00:07:14.580 And minor
00:07:15.140 And major
00:07:15.580 Being
00:07:16.140 You know
00:07:17.080 Sad
00:07:18.100 And happy
00:07:19.040 And it kind
00:07:19.480 Of plays
00:07:20.060 With that
00:07:20.660 And so
00:07:21.260 You don't
00:07:21.760 Know
00:07:22.220 But you know
00:07:23.320 I think one of the things
00:07:24.340 That this album
00:07:25.140 Is missing
00:07:25.820 If it was going to go
00:07:27.320 For the
00:07:28.180 Sort of
00:07:29.260 Synth pop 0.97
00:07:29.980 Blues
00:07:30.400 Or electro pop
00:07:31.520 Industrial blues
00:07:32.980 Combination
00:07:33.760 I think it should have had
00:07:35.600 Which is my
00:07:36.720 Kind of long standing
00:07:37.740 Critique
00:07:38.340 Since the
00:07:40.280 Departure
00:07:41.180 Of our lord and savior
00:07:42.360 Alan Wilder
00:07:43.220 Is 0.88
00:07:44.100 The grooves
00:07:47.000 The grooves
00:07:47.680 Are not
00:07:48.320 Bluesy 0.68
00:07:49.260 They're
00:07:49.720 Rather
00:07:50.480 Stiff
00:07:51.220 They're too
00:07:51.860 Electro pop
00:07:52.860 Or
00:07:53.120 Synth pop 0.97
00:07:54.180 And they're
00:07:54.660 Not
00:07:55.200 Bluesy enough 0.92
00:07:56.180 I think that would have
00:07:57.040 Helped
00:07:57.500 To
00:07:58.300 Sort of
00:07:59.240 Give
00:07:59.700 A better feel
00:08:01.040 Yeah
00:08:01.940 To
00:08:02.480 To the
00:08:03.380 To the blues
00:08:04.220 Influence
00:08:04.840 And
00:08:05.860 I mean
00:08:06.760 Blues
00:08:07.220 In a lot of ways
00:08:08.860 Would kind of be
00:08:10.120 Strange if you said
00:08:12.500 On the surface level
00:08:13.880 It'd be strange if you said
00:08:14.920 Martin was
00:08:15.500 Influenced
00:08:16.300 By
00:08:17.340 Blues music
00:08:18.360 At least that's what I
00:08:19.620 Initially thought
00:08:20.600 And
00:08:21.120 But
00:08:22.380 You know
00:08:22.960 It does make sense
00:08:24.360 Because
00:08:24.740 With a lot of blues
00:08:26.720 I mean rock and roll
00:08:28.240 For example
00:08:28.840 The phrase is
00:08:29.740 Literally about 0.65
00:08:30.480 Having sex 0.93
00:08:31.320 And 0.90
00:08:31.760 But there's also
00:08:33.140 A sadness
00:08:33.640 With the word blues
00:08:34.800 Like a blue note
00:08:35.780 It literally means
00:08:37.380 Being blue
00:08:38.500 And
00:08:39.700 In Martin
00:08:40.840 It's about 0.98
00:08:41.660 Sex 0.98
00:08:42.720 A lot of
00:08:43.320 The two main themes
00:08:44.480 Are 0.67
00:08:45.740 Sex
00:08:46.600 And
00:08:47.280 You know
00:08:47.680 Kind of
00:08:48.060 Sadness
00:08:48.580 Or longing
00:08:49.200 You know
00:08:49.800 So
00:08:50.360 There is that
00:08:51.640 Kind of
00:08:52.060 Yin and yang
00:08:53.220 Quality
00:08:53.840 With
00:08:54.600 With Martin
00:08:55.580 Do you think
00:08:58.460 There's something
00:08:58.980 To this
00:08:59.420 So
00:08:59.720 Ben
00:09:00.660 Hillier
00:09:01.320 Who
00:09:01.660 Who's also
00:09:02.320 A
00:09:02.920 Music
00:09:04.020 And
00:09:05.840 Writer
00:09:06.760 He's a
00:09:07.920 He's English
00:09:08.900 As well
00:09:09.520 I don't know
00:09:10.560 When
00:09:10.940 His paths
00:09:11.820 His path
00:09:12.600 Crossed
00:09:13.240 With
00:09:13.520 Dave
00:09:14.020 Or
00:09:14.280 Or
00:09:15.540 Martin
00:09:15.920 But
00:09:16.340 He produced
00:09:17.300 Three albums
00:09:18.360 They're
00:09:18.900 They're
00:09:19.220 They're
00:09:19.420 In succession
00:09:20.220 One after another
00:09:21.220 Separated by
00:09:21.960 Three to four years
00:09:22.760 Playing the angel
00:09:23.700 Which I think
00:09:24.940 Has a lot
00:09:25.720 I mean
00:09:26.100 I think
00:09:26.660 Playing the angels
00:09:27.260 I like it
00:09:27.960 It has a lot
00:09:28.500 I can't wait
00:09:29.400 To revisit it
00:09:30.200 Because I
00:09:30.520 Might even
00:09:31.020 Have a different
00:09:31.460 Opinion on it
00:09:32.120 Sounds of the
00:09:33.200 Universe
00:09:33.700 A bit
00:09:35.240 Disappointing
00:09:36.100 Delta Machine
00:09:36.960 Interesting
00:09:38.220 But disappointing
00:09:39.000 More interesting
00:09:39.780 Than sounds of the
00:09:40.480 Universe
00:09:40.920 But still
00:09:42.040 Disappointing
00:09:43.300 And
00:09:44.300 I also feel
00:09:45.920 Like
00:09:46.400 The blues
00:09:47.040 Stuff
00:09:47.340 I mean
00:09:47.540 That
00:09:47.760 That
00:09:48.140 That's native
00:09:49.200 To Martin
00:09:49.800 But
00:09:51.000 It's almost
00:09:52.100 Like
00:09:52.400 They were
00:09:53.020 Reacting
00:09:53.680 To Soul
00:09:54.480 Savers
00:09:54.900 From the
00:09:55.420 Year
00:09:55.800 Before
00:09:56.340 I mean
00:09:56.620 If you
00:09:56.860 Imagine
00:09:57.180 That
00:09:57.500 They took
00:09:58.060 A break
00:09:58.460 After
00:09:58.700 Sounds of
00:09:59.200 The Universe
00:09:59.600 Tour
00:10:00.000 Tour
00:10:00.860 Of the
00:10:01.120 Universe
00:10:01.480 And then
00:10:02.280 Dave
00:10:03.240 Worked with
00:10:03.900 Soul
00:10:04.120 Savers
00:10:04.580 In
00:10:04.960 2010
00:10:06.440 11
00:10:07.300 And they
00:10:07.940 The album
00:10:08.640 Was released
00:10:09.060 In 2012
00:10:09.600 It's almost
00:10:11.160 Like
00:10:11.580 There was
00:10:12.560 A little
00:10:12.820 Jealousy
00:10:13.740 About the
00:10:14.460 Soul
00:10:14.660 Savers
00:10:14.960 Album
00:10:15.380 And
00:10:16.120 You know
00:10:17.660 Again
00:10:18.060 I feel
00:10:18.520 Like it
00:10:18.800 Was done
00:10:19.280 Better
00:10:19.680 With the
00:10:20.100 Soul
00:10:20.300 Savers
00:10:20.700 And
00:10:21.780 It was
00:10:22.060 Done
00:10:22.300 First
00:10:22.920 And
00:10:24.020 Again
00:10:24.460 Blues
00:10:25.000 Is native
00:10:25.460 To Martin
00:10:25.820 Gore
00:10:26.100 But
00:10:26.340 The
00:10:26.880 Soul
00:10:27.260 Savers
00:10:27.660 They've
00:10:28.160 Had like
00:10:28.500 A number
00:10:28.880 Of
00:10:29.280 Collaborations
00:10:30.120 With Dave
00:10:30.440 Gahan
00:10:30.720 Let me
00:10:31.160 Let me
00:10:32.180 Just call
00:10:32.740 Some of
00:10:33.100 Them up
00:10:33.580 The
00:10:34.760 Light
00:10:35.040 The Dead
00:10:36.160 The Dead
00:10:36.180 Sea
00:10:36.480 Angels
00:10:36.960 And
00:10:37.160 Ghosts
00:10:37.420 And
00:10:37.500 Imposter
00:10:37.960 Which
00:10:38.160 Album
00:10:38.420 Of
00:10:38.580 Covers
00:10:39.020 The
00:10:39.620 Light
00:10:39.940 The
00:10:40.120 Dead
00:10:40.340 Sea
00:10:40.820 S-E-E
00:10:41.960 So it's
00:10:43.220 The
00:10:43.380 Light
00:10:43.700 The
00:10:43.920 Dead
00:10:44.160 Sea
00:10:44.520 It's
00:10:45.040 Kind of
00:10:45.340 Ambiguous
00:10:46.120 S-E-A
00:10:47.260 And S-E-E
00:10:47.840 The
00:10:47.980 Light
00:10:48.140 The
00:10:48.280 Dead
00:10:48.400 Sea
00:10:48.580 They
00:10:49.180 They
00:10:49.520 Just
00:10:49.800 Went
00:10:50.140 You know
00:10:51.360 Head
00:10:52.020 First
00:10:52.420 Dive
00:10:53.120 Into
00:10:53.700 Americana
00:10:55.020 Blues
00:10:56.280 And
00:10:57.520 They
00:10:57.820 Just
00:10:58.080 Did
00:10:58.400 It
00:10:58.540 Better
00:10:58.960 And
00:11:00.080 I
00:11:00.280 There's
00:11:01.620 Just
00:11:01.760 Something
00:11:02.240 Again
00:11:02.740 Disappointing
00:11:03.640 When you
00:11:04.000 Know
00:11:04.140 About
00:11:04.320 This
00:11:04.520 Album
00:11:04.820 In
00:11:05.120 Succession
00:11:05.800 Of
00:11:07.320 You know
00:11:08.520 The
00:11:08.780 Best
00:11:09.180 Depeche
00:11:09.640 Mode
00:11:09.940 Was
00:11:10.140 Actually
00:11:10.540 Done
00:11:11.620 Under
00:11:12.060 A
00:11:12.220 Different
00:11:12.420 Name
00:11:12.880 And
00:11:14.500 That's
00:11:14.960 Just
00:11:15.120 Never
00:11:15.420 A
00:11:15.820 Good
00:11:16.080 Thought
00:11:17.160 In
00:11:17.360 A
00:11:17.460 Way
00:11:17.620 Like
00:11:17.860 You
00:11:18.020 Want
00:11:18.520 If
00:11:19.540 Dave
00:11:20.040 And
00:11:20.360 Marta
00:11:20.620 Want
00:11:20.860 To
00:11:21.140 Branch
00:11:21.840 Off
00:11:22.160 They
00:11:22.340 Should
00:11:22.700 Do
00:11:22.920 Something
00:11:23.340 That's
00:11:24.260 Totally
00:11:24.760 Different
00:11:25.220 And
00:11:25.480 That
00:11:25.660 Is 0.88
00:11:26.060 You know
00:11:26.940 Shouldn't
00:11:27.460 Be
00:11:27.680 Under
00:11:27.940 A
00:11:28.100 Depeche
00:11:28.420 Mode
00:11:28.700 Label
00:11:29.420 But
00:11:30.440 Instead
00:11:31.920 They
00:11:32.180 Created
00:11:32.860 A
00:11:33.120 Better
00:11:33.400 Depeche
00:11:33.840 Mode
00:11:34.060 Album
00:11:34.420 And
00:11:34.760 That's
00:11:35.340 Or
00:11:35.660 Dave
00:11:36.100 Did
00:11:36.280 At
00:11:36.420 Least
00:11:36.660 And
00:11:36.880 That's
00:11:37.320 That
00:11:38.680 Just
00:11:38.860 Makes
00:11:39.060 The
00:11:39.220 Whole
00:11:39.360 Thing
00:11:39.640 A
00:11:39.880 Little
00:11:40.040 Disappointing
00:11:40.800 And
00:11:40.900 Unfortunate
00:11:41.340 But
00:11:41.800 I
00:11:42.420 Don't
00:11:42.520 Know
00:11:42.600 I
00:11:42.680 Don't
00:11:42.820 Want
00:11:42.940 To
00:11:43.040 Bash
00:11:43.360 It
00:11:43.500 Too
00:11:43.760 Hard
00:11:44.160 Because
00:11:44.440 I
00:11:45.160 Feel
00:11:45.360 Like
00:11:45.560 I
00:11:45.840 I've
00:11:46.300 Listened
00:11:46.800 To
00:11:46.960 This
00:11:47.200 Album
00:11:47.560 A
00:11:47.780 Number
00:11:47.980 Of
00:11:48.160 Times
00:11:48.700 Particularly
00:11:50.800 When
00:11:51.060 It
00:11:51.160 Came
00:11:51.440 Out
00:11:51.740 I
00:11:51.920 Was
00:11:52.060 Just
00:11:52.200 Waiting
00:11:52.480 For
00:11:52.820 It
00:11:52.960 I
00:11:53.060 Was
00:11:53.180 Excited
00:11:53.700 I
00:11:53.920 Listened
00:11:54.420 To
00:11:54.540 It
00:11:54.640 A
00:11:54.740 Lot
00:11:54.980 When
00:11:55.240 I
00:11:55.420 You
00:11:56.360 Know
00:11:56.580 On
00:11:57.020 Headphones
00:11:57.520 Walking
00:11:57.920 Around
00:11:58.400 I've
00:11:58.880 Listened
00:11:59.100 To
00:11:59.180 It
00:11:59.280 On
00:11:59.420 Vinyl
00:11:59.900 Now
00:12:01.480 Although
00:12:01.980 I
00:12:02.140 Ordered
00:12:02.500 A
00:12:02.620 Used
00:12:02.920 Copy
00:12:03.380 And
00:12:03.820 The
00:12:04.060 Record's
00:12:04.500 Kind
00:12:04.700 Of
00:12:04.820 Bent
00:12:05.240 It's
00:12:06.240 Having
00:12:06.460 A
00:12:06.700 Lot
00:12:06.880 Of
00:12:07.040 Issues
00:12:07.680 So
00:12:08.100 Disappointing
00:12:08.920 Wasting
00:12:09.440 $30
00:12:10.120 Like
00:12:10.820 That
00:12:11.160 Just
00:12:11.940 Makes
00:12:12.200 You
00:12:12.380 Want
00:12:12.580 To
00:12:12.780 Jump
00:12:13.860 Into
00:12:14.040 The
00:12:14.220 Grave
00:12:14.580 But
00:12:14.860 Anyway
00:12:16.160 Yeah
00:12:18.440 You
00:12:18.980 Can
00:12:19.320 Hear
00:12:19.480 It
00:12:19.600 In
00:12:19.660 My
00:12:19.800 Voice
00:12:20.160 It's
00:12:20.600 Just
00:12:20.940 Not
00:12:21.520 Quite
00:12:22.940 There
00:12:23.500 Even
00:12:24.160 Though
00:12:24.680 It's
00:12:27.140 Like
00:12:27.320 One
00:12:27.500 Of
00:12:27.580 Those
00:12:27.740 Feelings
00:12:28.220 Where
00:12:28.480 The
00:12:28.680 Song
00:12:28.920 Comes
00:12:29.180 On
00:12:29.480 And
00:12:29.640 I
00:12:29.760 Know
00:12:30.040 It
00:12:30.280 You
00:12:30.720 Know
00:12:30.800 I
00:12:30.960 Have
00:12:31.240 Listened
00:12:31.540 To
00:12:31.620 This
00:12:31.780 Album
00:12:32.080 Numerous
00:12:33.080 Times
00:12:33.340 Over
00:12:33.600 And
00:12:33.720 Over
00:12:33.900 Again
00:12:34.240 But
00:12:34.880 It's
00:12:35.280 Also
00:12:35.520 A
00:12:35.840 Little
00:12:36.000 Bit
00:12:36.180 For
00:12:36.400 It
00:12:36.880 Is 0.88
00:12:37.360 A
00:12:37.460 Little
00:12:37.580 Bit
00:12:37.740 Forgettable
00:12:38.220 Wow
00:12:38.520 The
00:12:38.900 More
00:12:39.060 I
00:12:39.180 Talk
00:12:39.520 About
00:12:39.780 It
00:12:39.940 The
00:12:40.080 More
00:12:40.300 Critical
00:12:40.740 I
00:12:40.940 Am
00:12:41.100 Of
00:12:41.220 This
00:12:41.380 Album
00:12:41.700 Let
00:12:44.260 Me
00:12:44.420 Read
00:12:44.800 There
00:12:45.000 There's
00:12:45.300 There's
00:12:45.580 An
00:12:45.680 Interesting
00:12:46.060 Review
00:12:46.460 That
00:12:46.680 Came
00:12:46.980 Out
00:12:47.300 10
00:12:47.820 Years
00:12:48.080 Ago
00:12:48.400 I
00:12:48.580 Mean
00:12:48.660 It's
00:12:48.880 Funny
00:12:49.140 How
00:12:49.360 Time
00:12:49.620 Flies
00:12:50.240 You
00:12:51.300 You
00:12:51.520 Know
00:12:51.640 You
00:12:51.820 Think
00:12:52.160 You
00:12:53.660 Know
00:12:53.840 Five
00:12:54.420 Years
00:12:54.960 Is 0.88
00:12:55.460 Separating
00:12:56.180 You
00:12:57.020 Know
00:12:57.220 A
00:12:57.540 Broken
00:12:58.120 Frame
00:12:58.640 And
00:12:58.980 Music
00:12:59.360 For
00:12:59.540 The
00:12:59.640 Masses
00:13:00.040 Or
00:13:00.160 Something
00:13:00.380 And
00:13:00.580 You
00:13:00.700 See
00:13:00.920 This
00:13:01.060 Massive
00:13:01.520 Transformation
00:13:02.120 And
00:13:02.580 Then
00:13:02.740 Now
00:13:03.060 Ten
00:13:03.520 Years
00:13:03.860 Is 0.88
00:13:04.040 Separating
00:13:04.440 These
00:13:04.780 And
00:13:05.120 It
00:13:05.860 Does
00:13:06.060 Feel
00:13:06.420 Like
00:13:06.740 They're
00:13:07.660 Running
00:13:08.860 Out
00:13:09.120 Of
00:13:09.240 Gas
00:13:09.780 They
00:13:10.480 Even
00:13:10.680 Sing
00:13:11.100 About
00:13:11.420 This
00:13:11.840 The
00:13:12.520 Well
00:13:12.820 Is 0.88
00:13:13.020 Dry
00:13:13.560 And
00:13:16.060 The
00:13:16.600 Field
00:13:16.900 Lies 1.00
00:13:17.200 Fallow
00:13:17.760 My
00:13:18.260 Tongue
00:13:18.560 Is 0.88
00:13:18.700 Tied
00:13:19.180 And
00:13:19.360 My
00:13:19.500 Body
00:13:19.840 Aching
00:13:20.400 Now
00:13:21.100 I'm
00:13:21.300 Open
00:13:21.480 Wide
00:13:21.920 And
00:13:22.100 Afraid
00:13:22.460 Of
00:13:22.640 Breaking
00:13:46.060 I
00:13:52.480 Just
00:13:52.720 Want
00:13:53.060 To
00:13:53.180 Be
00:13:53.380 Part
00:13:53.920 Of
00:13:54.080 The
00:13:54.260 Light
00:13:54.740 Of
00:13:54.920 The
00:13:55.100 Light
00:13:55.540 Of
00:13:55.760 The
00:13:55.960 Light
00:13:56.380 Of
00:13:56.600 The
00:13:56.820 Light
00:13:57.260 Of
00:13:57.460 The
00:13:57.620 Light
00:13:58.080 In
00:13:58.320 Your
00:13:58.540 Eyes
00:13:59.680 Are
00:14:00.700 They
00:14:00.840 Singing
00:14:01.180 About
00:14:01.480 Their
00:14:01.720 Own
00:14:02.060 Exhaustion
00:14:04.200 This
00:14:05.460 Is 0.88
00:14:05.580 From
00:14:05.740 A
00:14:05.860 Review
00:14:06.220 In
00:14:06.620 Pitchfork
00:14:07.480 By
00:14:08.060 Douglas
00:14:08.760 Wolk
00:14:09.720 No
00:14:10.560 Idea
00:14:10.820 Who
00:14:11.000 He
00:14:11.140 Is 0.88
00:14:11.480 Being
00:14:12.720 That
00:14:12.860 It's
00:14:12.980 Called
00:14:13.120 Pitchfork
00:14:13.600 I
00:14:13.760 Imagine
00:14:14.060 This
00:14:14.280 Is 0.88
00:14:14.420 Some
00:14:14.640 Sort
00:14:14.920 Of
00:14:15.040 Leftist
00:14:15.420 Mag
00:14:15.700 Delta
00:14:18.060 Machine
00:14:18.420 Like
00:14:18.660 Playing
00:14:18.880 The
00:14:19.040 Angel
00:14:19.320 And
00:14:19.480 Sounds
00:14:19.680 Of
00:14:19.800 The
00:14:19.860 Universe
00:14:20.060 Before
00:14:20.380 It
00:14:20.540 Was
00:14:20.680 Produced
00:14:21.020 By
00:14:21.180 Ben
00:14:21.400 Hillier
00:14:21.880 Includes
00:14:23.860 Three
00:14:24.180 Songs
00:14:24.660 With
00:14:25.820 Lyrics
00:14:26.140 By
00:14:26.380 Gahan
00:14:26.840 This
00:14:28.040 Is 0.88
00:14:28.200 A
00:14:28.360 Double
00:14:28.620 Album
00:14:29.060 And
00:14:29.760 It
00:14:30.740 Sounds
00:14:30.980 Like
00:14:31.160 It
00:14:31.280 Could
00:14:31.400 Be
00:14:31.500 A
00:14:31.640 Set
00:14:31.820 Of
00:14:31.960 Outtakes
00:14:32.620 From
00:14:32.820 Songs
00:14:33.180 Of
00:14:33.360 Faith
00:14:33.560 And
00:14:33.700 Devotion
00:14:34.140 The
00:14:35.120 Word
00:14:35.340 Soul
00:14:35.740 Appears
00:14:36.220 In
00:14:36.380 Five
00:14:36.740 Of
00:14:36.920 Gore's
00:14:37.280 Songs
00:14:37.580 Here
00:14:37.840 Not
00:14:38.080 Including
00:14:38.400 Angel
00:14:38.780 Or
00:14:38.960 Heaven
00:14:39.260 Which
00:14:40.080 Shouldn't
00:14:40.300 Be
00:14:40.420 Confused
00:14:40.800 With
00:14:40.960 The
00:14:41.040 Halo
00:14:41.800 Or
00:14:42.180 Judas
00:14:42.560 Or
00:14:42.800 Sacred
00:14:43.140 Or
00:14:43.400 Jezebel
00:14:43.820 Or
00:14:44.020 Martyr
00:14:44.520 It's
00:14:45.320 Old
00:14:45.500 News
00:14:45.760 That
00:14:45.940 Gore's
00:14:46.200 Favorite
00:14:46.520 Lyric
00:14:47.040 Lyrical
00:14:47.740 Topic
00:14:48.180 Is 0.88
00:14:48.360 Sin
00:14:48.640 And
00:14:48.820 Salvation
00:14:49.320 And
00:14:50.000 That's
00:14:50.200 Historically
00:14:50.620 Been
00:14:50.820 A
00:14:50.940 Pretty
00:14:51.140 Fertile
00:14:51.560 Topic
00:14:52.040 For
00:14:52.240 Songwriting
00:14:52.760 In
00:14:53.040 General
00:14:53.440 Unfortunately
00:14:54.260 There's
00:14:54.860 No
00:14:55.100 Line
00:14:55.580 Here
00:14:55.920 As
00:14:56.180 Strange
00:14:57.340 Love
00:14:57.820 I
00:14:58.860 Give
00:14:59.100 Into
00:14:59.340 Sin
00:14:59.700 Because
00:15:00.060 You
00:15:00.260 Have
00:15:00.420 To
00:15:00.520 Make
00:15:00.820 This
00:15:01.500 Life
00:15:01.780 Liveable
00:15:02.300 And
00:15:02.820 No
00:15:03.000 Sense
00:15:03.260 That
00:15:03.440 Gore's
00:15:03.760 Idea
00:15:04.080 Of
00:15:04.300 Sin
00:15:04.620 Extends
00:15:05.200 To
00:15:05.360 Anything
00:15:05.660 Other
00:15:06.060 Than
00:15:06.320 Mildly
00:15:06.880 Kinky 0.99
00:15:07.260 Sex 0.99
00:15:07.800 Ouch 0.63
00:15:08.960 Then
00:15:11.260 There's
00:15:11.540 The
00:15:11.680 Blues
00:15:11.980 Stuff
00:15:12.400 I
00:15:12.600 Loops
00:15:13.060 Of
00:15:13.220 Bluesy 0.68
00:15:13.640 Guitar
00:15:13.960 Licks
00:15:14.440 As
00:15:15.200 On
00:15:15.380 Goodbye
00:15:15.800 Which
00:15:16.260 Might
00:15:16.480 Just
00:15:16.680 As
00:15:16.840 Well
00:15:17.000 Be
00:15:17.140 Called
00:15:17.300 Personal
00:15:17.740 Jesus
00:15:18.280 14
00:15:19.280 The
00:15:19.600 Personalizing
00:15:20.460 Another
00:15:21.400 One
00:15:22.540 Turns
00:15:22.860 Up
00:15:23.080 And
00:15:23.240 Slow
00:15:23.660 Repeating
00:15:24.600 Endlessly
00:15:25.060 As
00:15:25.260 Gahan
00:15:25.560 Sings 1.00
00:15:25.840 Gore's
00:15:26.200 Lyrics
00:15:26.520 About
00:15:26.820 Taking
00:15:27.180 It
00:15:27.340 Nice
00:15:27.660 And
00:15:27.800 Easy
00:15:28.140 In
00:15:28.360 Bed
00:15:28.560 These
00:15:28.840 Days
00:15:29.180 The
00:15:29.780 Requisite
00:15:30.140 Gore
00:15:30.480 Vocal
00:15:30.860 Here
00:15:31.080 The
00:15:31.320 Child
00:15:31.640 Inside
00:15:32.140 Might
00:15:33.280 Have
00:15:33.440 The
00:15:33.560 Most
00:15:33.760 Embarrassing
00:15:34.580 Extended
00:15:35.360 Metaphor
00:15:35.860 He's
00:15:36.180 Committed
00:15:36.500 To
00:15:36.700 Date
00:15:37.080 Tears
00:15:38.320 Turn
00:15:38.580 Into
00:15:38.800 A
00:15:39.000 River
00:15:39.220 That
00:15:39.400 Overflows
00:15:39.960 And
00:15:40.160 Drowns
00:15:40.560 The
00:15:40.700 Loved
00:15:40.960 One's
00:15:41.320 Inner
00:15:41.660 Child
00:15:42.220 As
00:15:43.220 For
00:15:43.420 Gone's
00:15:43.840 Own
00:15:43.980 Song
00:15:44.160 Yeah
00:15:44.420 It's
00:15:45.520 Not
00:15:45.680 Totally
00:15:46.000 Dull
00:15:46.260 Record
00:15:46.620 Gore
00:15:46.980 Gahan
00:15:47.580 And
00:15:47.760 Gore
00:15:47.960 Are
00:15:48.160 Singing
00:15:48.440 As
00:15:48.900 Well
00:15:49.240 And
00:15:49.680 Hyper
00:15:50.040 Dramatically
00:15:50.560 As
00:15:50.880 They
00:15:50.980 Ever
00:15:51.180 Have
00:15:51.560 My
00:15:52.280 Little
00:15:52.480 Universe
00:15:52.820 Is 0.88
00:15:53.020 A
00:15:53.140 Clever
00:15:53.320 Piece
00:15:53.580 Of
00:15:53.720 Minimalist
00:15:54.440 Still
00:15:55.560 What
00:15:56.080 Made
00:15:56.480 Depeche
00:15:56.800 Mode
00:15:57.020 Work
00:15:57.440 When
00:15:57.760 They
00:15:57.940 Worked
00:15:58.300 Wasn't
00:15:58.660 Just
00:15:58.860 The
00:15:59.020 Contrast
00:15:59.600 Between
00:15:59.920 Gore's
00:16:00.600 Dry
00:16:01.220 Detachment
00:16:01.800 And
00:16:02.200 Gahan's 0.50
00:16:02.740 Dorky
00:16:03.180 Innocence
00:16:03.800 Up to
00:16:04.580 Say Music
00:16:05.180 For The
00:16:05.460 Masses
00:16:05.940 That's
00:16:06.580 An
00:16:06.700 Interesting
00:16:07.060 Thing
00:16:07.360 To
00:16:07.520 Say
00:16:07.820 I
00:16:08.540 Think
00:16:08.700 That's
00:16:08.960 Definitely
00:16:09.420 True
00:16:10.040 Of
00:16:10.780 The
00:16:11.060 Very
00:16:11.540 Early
00:16:12.000 Gahan
00:16:12.660 As
00:16:13.060 Being
00:16:13.300 An
00:16:13.460 Almost 0.92
00:16:13.820 Dorky 0.85
00:16:14.880 Kid 0.98
00:16:15.300 Up
00:16:15.620 There
00:16:15.780 Dancing
00:16:16.260 Around
00:16:16.680 But
00:16:17.700 He
00:16:18.320 Quickly
00:16:19.400 Became
00:16:19.800 Something
00:16:20.080 Else
00:16:20.360 By
00:16:20.520 The
00:16:20.640 Mid
00:16:20.800 80s
00:16:21.220 But
00:16:21.940 They
00:16:22.080 Stopped
00:16:22.360 Pushing
00:16:22.660 Forward
00:16:23.000 Long
00:16:23.260 Ago
00:16:23.600 And
00:16:23.840 Now
00:16:24.000 They
00:16:24.160 Don't
00:16:24.380 Even
00:16:24.580 Bother
00:16:24.900 Pretending
00:16:25.540 Technology
00:16:26.220 Has
00:16:26.480 Opened
00:16:26.880 Up
00:16:27.020 Any
00:16:27.180 Possibilities
00:16:27.840 For
00:16:28.100 Recorded
00:16:28.640 Sound
00:16:28.920 In
00:16:29.060 The
00:16:29.140 Past
00:16:29.300 20
00:16:29.540 Years
00:16:29.920 Now
00:16:30.940 They're
00:16:31.160 Just
00:16:31.440 Extruding
00:16:32.420 A
00:16:32.660 New
00:16:34.120 Album
00:16:34.500 Once
00:16:34.840 In
00:16:34.980 A
00:16:35.060 While
00:16:35.320 Reconfiguring
00:16:36.160 The
00:16:36.340 Grooves
00:16:36.760 And
00:16:36.920 Keywords
00:16:37.440 Of
00:16:37.580 The
00:16:37.680 Album
00:16:38.000 From
00:16:38.220 The
00:16:38.360 Period
00:16:38.760 When
00:16:39.400 They
00:16:39.540 Were
00:16:39.680 A
00:16:39.820 Force
00:16:40.080 And
00:16:40.220 Pop
00:16:40.560 Without
00:16:41.160 The
00:16:41.440 Push 0.64
00:16:41.840 Towards
00:16:42.300 New
00:16:42.740 Noises
00:16:43.380 And
00:16:43.660 Uncertain
00:16:44.140 Feelings
00:16:44.700 That
00:16:44.880 Made
00:16:45.080 The
00:16:45.200 Music
00:16:45.400 Powerful
00:16:46.040 There
00:16:46.780 Is 0.88
00:16:46.900 Not
00:16:47.020 A
00:16:47.160 Single
00:16:47.420 Moment
00:16:47.720 Of
00:16:47.860 Shock
00:16:48.440 Or
00:16:48.640 Freshness
00:16:49.220 In
00:16:49.360 Delta
00:16:49.560 Machine
00:16:49.880 And
00:16:50.140 It's
00:16:50.280 Enormously
00:16:50.720 Frustrating
00:16:51.260 To
00:16:51.460 Hear
00:16:51.780 What
00:16:52.220 Was
00:16:52.340 Once
00:16:52.560 A
00:16:52.700 Band
00:16:52.920 Of
00:16:53.080 Futurists
00:16:53.660 So
00:16:53.820 Deeply
00:16:54.160 Mired
00:16:54.500 In
00:16:54.660 Resisting
00:16:55.140 Change
00:16:55.660 It's
00:16:56.600 A
00:16:56.720 Bit
00:16:56.860 Much
00:16:57.200 Maybe
00:16:57.480 It's
00:16:57.800 Highly
00:16:58.260 Critical
00:16:58.600 But
00:16:58.860 I
00:16:59.040 Have
00:16:59.200 A
00:16:59.400 Hard
00:16:59.740 Time
00:17:00.120 Disagreeing
00:17:01.160 With
00:17:01.640 What
00:17:01.800 They're
00:17:01.960 Saying
00:17:02.360 And
00:17:03.140 I'm
00:17:03.680 Just
00:17:03.860 Reminded
00:17:04.660 Of
00:17:05.340 These
00:17:06.500 You
00:17:07.480 Know
00:17:07.580 Some
00:17:07.740 Of
00:17:07.820 These
00:17:08.000 Very
00:17:08.360 Good
00:17:08.600 Documentaries
00:17:09.360 That
00:17:09.520 Have
00:17:09.620 Been
00:17:09.840 Released
00:17:11.000 On
00:17:11.180 YouTube
00:17:17.420 Of
00:17:17.620 The
00:17:17.740 Band
00:17:18.100 From
00:17:18.820 The
00:17:18.940 Early
00:17:19.200 80s
00:17:19.740 And
00:17:20.060 You
00:17:20.580 Know
00:17:20.700 They're
00:17:21.020 Sampling
00:17:21.780 Like
00:17:23.140 Found
00:17:23.700 Footage
00:17:24.440 Basically
00:17:25.140 Like
00:17:25.940 The
00:17:26.340 The
00:17:26.700 Rock
00:17:27.280 Drop
00:17:27.900 Down
00:17:28.140 A
00:17:28.320 Gutter
00:17:28.640 They
00:17:28.880 Like
00:17:29.080 Drop
00:17:29.280 A
00:17:29.460 Rock
00:17:29.820 Down
00:17:30.060 A
00:17:30.220 Gutter
00:17:30.500 And
00:17:30.700 They
00:17:30.800 Record
00:17:31.080 It
00:17:31.200 For
00:17:32.740 Blasphemous
00:17:33.480 Rumors
00:17:47.420 Certainly
00:17:56.760 You
00:17:58.020 Know
00:17:58.120 Everything
00:17:58.440 Counts
00:17:59.120 In
00:17:59.240 Construction
00:17:59.640 Time
00:17:59.960 Again
00:18:00.220 It
00:18:00.380 Has
00:18:00.560 A
00:18:00.680 Lot
00:18:00.780 Of
00:18:00.860 That
00:18:01.000 Found
00:18:01.420 Sound
00:18:01.960 That
00:18:02.200 You
00:18:02.960 Know
00:18:05.160 They're
00:18:05.380 Actually
00:18:05.920 Scraping
00:18:06.620 A
00:18:07.660 Like
00:18:09.480 An
00:18:09.620 Aluminum
00:18:10.080 Siding
00:18:10.500 Board
00:18:10.860 Or
00:18:11.040 Something
00:18:11.280 Like
00:18:11.500 That
00:18:11.620 To
00:18:11.780 Get
00:18:12.100 That
00:18:12.560 Sound
00:18:13.240 And
00:18:14.400 Even
00:18:15.020 You
00:18:15.340 Know
00:18:15.520 It's
00:18:16.320 Almost
00:18:16.560 Like
00:18:16.880 Passé
00:18:17.400 Now
00:18:17.900 But
00:18:18.340 It's
00:18:19.020 It's
00:18:19.400 Cool
00:18:20.160 And
00:18:20.620 It's
00:18:20.780 An
00:18:20.960 Interesting
00:18:21.540 Thing
00:18:21.920 To
00:18:22.100 Do
00:18:22.460 It's
00:18:23.280 An
00:18:23.640 Expansion
00:18:24.500 On
00:18:25.120 Electronic
00:18:25.780 Music
00:18:26.420 Where
00:18:27.160 It's
00:18:27.440 Not
00:18:27.640 Just
00:18:27.840 Having
00:18:28.240 A
00:18:28.540 Backing
00:18:29.060 Track
00:18:29.540 Playing
00:18:30.400 On
00:18:30.660 Stage
00:18:31.200 And
00:18:31.360 A
00:18:31.460 Recording
00:18:31.960 On
00:18:32.160 Stage
00:18:32.540 And
00:18:32.720 It's
00:18:32.840 Not
00:18:32.980 Just
00:18:33.140 Playing
00:18:33.520 Synthesizers 0.97
00:18:34.320 It's
00:18:35.340 Using
00:18:35.880 Noise
00:18:36.340 Like
00:18:36.620 This
00:18:36.940 And
00:18:37.620 That
00:18:37.820 Was
00:18:38.380 An
00:18:38.660 Example
00:18:39.220 Of
00:18:39.460 These
00:18:39.680 20
00:18:40.240 Year
00:18:40.500 Olds
00:18:41.020 Trying
00:18:42.680 To
00:18:43.280 Find
00:18:44.520 Something
00:18:45.020 New
00:18:45.460 Very
00:18:46.000 Genuinely
00:18:46.540 And
00:18:47.260 Even though
00:18:49.020 I like
00:18:49.840 The
00:18:50.360 Harkening
00:18:51.060 Back
00:18:51.480 To
00:18:51.880 Americana
00:18:52.680 Blues
00:18:53.260 You know
00:18:54.920 It is
00:18:55.320 A
00:18:55.460 Kind
00:18:55.680 Of
00:18:55.780 Expression
00:18:56.420 There's
00:18:56.860 Nowhere
00:18:57.360 To
00:18:57.520 Go
00:18:57.880 But
00:18:59.040 Backwards
00:18:59.660 Or
00:19:00.220 There's
00:19:00.500 Nowhere
00:19:00.840 To
00:19:01.000 Go
00:19:01.200 But
00:19:01.420 Towards
00:19:01.700 Pastiche
00:19:02.480 Yeah
00:19:05.680 I feel
00:19:06.520 Like
00:19:06.820 I think
00:19:08.160 I can
00:19:08.560 Count
00:19:09.140 About
00:19:09.380 Five
00:19:09.820 Different
00:19:10.120 Examples
00:19:10.540 Where
00:19:10.980 They're
00:19:11.300 Kind
00:19:11.540 Of
00:19:11.660 Calling
00:19:12.000 On
00:19:12.360 Old
00:19:13.200 Depeche
00:19:13.680 Mode
00:19:13.940 And
00:19:14.800 I
00:19:15.580 Think
00:19:16.180 For
00:19:16.440 Example
00:19:16.940 The
00:19:17.220 Opening
00:19:17.540 Track
00:19:18.020 Welcome
00:19:18.440 To
00:19:18.680 My
00:19:18.880 World
00:19:19.240 I
00:19:20.600 Just
00:19:20.820 Think
00:19:21.100 Of
00:19:21.340 My
00:19:21.940 Cosmos
00:19:22.400 Is 0.88
00:19:22.620 Mine
00:19:22.960 Yeah
00:19:23.880 And
00:19:25.060 World
00:19:25.480 In
00:19:25.620 My
00:19:25.840 Eyes
00:19:26.180 I
00:19:26.340 Mean
00:19:26.480 It's
00:19:26.920 Those
00:19:27.240 Are
00:19:27.500 And
00:19:27.860 They're
00:19:27.980 All
00:19:28.200 Openers
00:19:28.760 On
00:19:29.080 Each
00:19:29.420 Album
00:19:30.460 You
00:19:31.080 Know
00:19:31.180 I
00:19:31.320 Just
00:19:31.660 Feel
00:19:31.900 Like
00:19:32.060 This
00:19:32.280 Album
00:19:32.660 They
00:19:32.980 Were
00:19:33.120 Just
00:19:33.340 Looking
00:19:33.640 Back
00:19:34.000 To
00:19:34.200 Their
00:19:34.360 Old
00:19:34.620 Stuff
00:19:34.960 And
00:19:35.220 Kind
00:19:35.480 Of
00:19:35.600 Copying
00:19:36.220 It
00:19:36.460 Whether
00:19:36.700 Or
00:19:36.840 Not
00:19:37.000 They
00:19:37.180 Realize
00:19:37.740 It
00:19:37.960 On
00:19:38.840 Angel
00:19:39.400 The
00:19:40.220 Song
00:19:40.500 Angel
00:19:40.960 The
00:19:42.300 Rhythm
00:19:42.740 Of
00:19:43.260 It
00:19:43.500 With
00:19:43.800 That
00:19:43.940 Triplet
00:19:44.340 Kind
00:19:44.560 Of
00:19:44.680 Blues
00:19:44.960 Rhythm
00:19:45.280 The
00:19:45.680 Angel
00:19:49.280 Of
00:19:49.580 Love
00:19:49.820 Was
00:19:50.040 Upon
00:19:50.540 Me
00:19:51.140 And
00:19:51.500 Lord
00:19:52.020 I
00:19:52.240 Felt
00:19:52.480 So
00:19:52.680 Small
00:19:53.380 Yeah
00:19:54.180 That
00:20:20.040 Rhythm
00:20:20.440 The
00:20:21.100 Bass
00:20:21.620 With
00:20:21.960 It's
00:20:22.240 Kind
00:20:22.380 Of
00:20:22.440 Like
00:20:22.540 The
00:20:22.660 Data
00:20:22.900 Like
00:20:23.240 That
00:20:23.620 That
00:20:24.180 On
00:20:25.540 The
00:20:25.680 Offbeat
00:20:26.160 The
00:20:26.880 Guitar
00:20:27.280 Rhythm
00:20:27.680 That
00:20:28.440 Minor
00:20:28.820 Blues
00:20:29.160 Guitar
00:20:29.520 And
00:20:30.140 Even
00:20:30.480 Dave's
00:20:30.980 Voice
00:20:31.300 Which
00:20:31.560 Is 0.88
00:20:31.700 Like
00:20:31.900 Bordering
00:20:32.380 On
00:20:32.600 Yelling
00:20:33.100 And
00:20:33.720 Singing
00:20:34.460 Is 0.88
00:20:35.200 Sounds
00:20:36.560 Like
00:20:36.840 I Feel
00:20:37.320 You
00:20:37.540 Off
00:20:37.880 Of
00:20:38.120 Songs
00:20:39.220 Of
00:20:39.360 Faith
00:20:39.520 And
00:20:39.640 Devotion
00:20:40.000 And
00:20:53.440 This
00:20:54.540 And
00:20:55.820 I mean
00:20:56.500 In the
00:20:56.920 Song
00:20:57.260 Should
00:20:57.540 Be
00:20:57.680 Higher
00:20:58.040 I mean
00:20:58.460 Some
00:20:58.740 Of
00:20:58.820 These
00:20:58.960 I
00:20:59.180 Am
00:20:59.400 Kind
00:20:59.620 Of
00:20:59.700 Reaching
00:21:00.020 But
00:21:00.220 These
00:21:00.400 Are
00:21:00.500 Both
00:21:01.340 Lyrical
00:21:01.920 And
00:21:02.400 Production
00:21:03.940 Examples
00:21:04.460 That
00:21:04.640 I
00:21:04.740 Could
00:21:04.900 Find
00:21:05.320 Where
00:21:06.640 It
00:21:07.060 Seemed
00:21:07.300 Like
00:21:07.480 They
00:21:07.600 Were
00:21:07.720 Calling
00:21:08.020 Back
00:21:08.380 I
00:21:08.500 Mean
00:21:08.580 Should
00:21:08.760 Be
00:21:08.900 Higher
00:21:09.340 Dave
00:21:10.840 Says 0.93
00:21:11.100 This
00:21:11.400 Lyric
00:21:11.800 That's
00:21:12.140 Reminiscent
00:21:12.620 Of
00:21:12.780 Policy
00:21:13.340 Of
00:21:13.480 Truth
00:21:13.660 Like
00:21:13.880 Lies 1.00
00:21:14.480 Are
00:21:14.600 More
00:21:14.780 Attractive
00:21:15.280 Than
00:21:15.420 Truth
00:21:15.820 Yeah
00:21:16.480 Maybe
00:21:16.640 That's
00:21:16.980 A
00:21:17.080 Stretch
00:21:17.360 But
00:21:17.680 Or
00:21:18.300 You
00:21:18.700 Know
00:21:18.840 Lie
00:21:19.180 To
00:21:19.400 Me
00:21:19.700 As
00:21:20.000 Well
00:21:20.340 Yeah
00:21:20.880 You
00:21:21.020 Know
00:21:45.820 Your
00:21:46.840 Lies 1.00
00:21:47.780 Are
00:21:48.040 More
00:21:48.500 Attractive
00:21:49.760 Than
00:21:50.240 The
00:21:50.420 Truth
00:21:50.940 But
00:21:51.380 That's
00:21:52.020 Almost
00:21:52.520 Explicating
00:21:55.000 The
00:21:56.100 Sense
00:21:56.680 Of
00:21:57.600 Lie
00:21:58.500 To
00:21:58.680 Me
00:21:58.820 You
00:21:59.000 Know
00:21:59.140 It's
00:21:59.640 That
00:22:00.000 Old
00:22:00.480 Phrase
00:22:00.780 Of
00:22:00.940 Show
00:22:01.320 Don't
00:22:01.680 Tell
00:22:02.020 You
00:22:02.800 Tell
00:22:04.620 When
00:22:05.300 You're
00:22:05.460 Writing
00:22:05.820 An
00:22:06.140 Essay
00:22:06.660 But
00:22:07.580 You
00:22:07.740 Show
00:22:08.320 When
00:22:08.780 You're
00:22:08.960 Writing
00:22:09.300 Poetry
00:22:10.100 Or
00:22:10.360 A
00:22:10.480 Play
00:22:10.880 Or
00:22:11.500 Lyrics
00:22:12.720 Or
00:22:13.360 A
00:22:13.640 Novel
00:22:14.060 Or
00:22:14.300 Something
00:22:14.560 You
00:22:14.720 Don't
00:22:14.940 Tell
00:22:15.500 The
00:22:16.220 Audience
00:22:16.600 What
00:22:16.980 This
00:22:17.260 Is 0.88
00:22:17.380 About
00:22:17.760 And
00:22:18.120 It's
00:22:18.340 Your
00:22:18.840 Lie
00:22:19.280 It's
00:22:19.520 Like
00:22:19.660 Lie
00:22:20.180 To
00:22:20.420 Me
00:22:20.780 But
00:22:21.240 Do
00:22:21.540 It
00:22:21.740 With
00:22:21.960 Sincerity
00:22:23.140 That's
00:22:24.400 A
00:22:24.700 Great
00:22:25.040 Rhyme
00:22:25.640 And
00:22:26.240 It's
00:22:26.400 Real
00:22:26.580 Simple
00:22:27.100 But
00:22:27.860 Now
00:22:28.420 We're
00:22:28.960 At
00:22:29.400 You
00:22:29.700 Know
00:22:29.800 Your
00:22:30.040 Lies 1.00
00:22:30.820 Are
00:22:31.060 More
00:22:31.500 Attractive
00:22:32.760 Than
00:22:33.320 The
00:22:33.500 Truth
00:22:34.060 And
00:22:35.440 It's
00:22:35.760 Like
00:22:35.900 You're
00:22:36.040 Just
00:22:36.220 Explaining
00:22:37.140 To
00:22:37.500 The
00:22:37.660 Audience
00:22:38.120 What
00:22:38.580 This
00:22:38.780 Is 0.88
00:22:38.900 About
00:22:39.180 Right
00:22:40.720 Love
00:22:41.320 Is 0.88
00:22:42.100 All
00:22:42.420 I
00:22:42.740 Want
00:22:43.200 About
00:22:43.780 You
00:22:44.400 You
00:22:45.060 Know
00:22:45.200 Again
00:22:45.800 God
00:22:47.120 I
00:22:47.420 I
00:22:47.800 Will
00:22:47.900 Just
00:22:48.060 Say
00:22:48.280 This
00:22:48.460 Though
00:22:48.560 I
00:22:48.700 Don't
00:22:49.000 Dislike
00:22:49.520 It
00:22:49.740 Though
00:22:50.040 No
00:22:51.520 No
00:22:51.540 It's
00:22:52.400 Just
00:22:52.580 You
00:22:52.980 Know
00:22:53.140 It
00:22:53.500 Is 0.88
00:22:53.700 A
00:22:53.860 Little
00:22:54.000 Bit
00:22:54.240 Of
00:22:54.520 A
00:22:54.640 Let
00:22:54.840 Down
00:22:55.100 In
00:22:55.320 Total
00:22:55.560 Because
00:22:55.840 You're
00:22:56.020 Like
00:22:56.160 I
00:22:56.320 Want
00:22:56.560 That
00:22:56.760 Song
00:22:57.140 That's
00:22:57.600 Gonna
00:22:57.760 Make
00:22:58.100 That's
00:22:58.380 Gonna
00:22:58.520 Like
00:22:58.800 Sink 0.52
00:22:59.440 Its 0.56
00:22:59.640 Teeth
00:22:59.940 Into
00:23:00.120 Me
00:23:00.320 And
00:23:00.440 I'm
00:23:00.540 Just
00:23:00.660 Gonna
00:23:00.740 Be
00:23:00.840 Like
00:23:01.160 Hearing
00:23:01.900 It
00:23:02.140 In
00:23:02.240 My
00:23:02.380 Head
00:23:02.760 Throughout
00:23:03.560 The
00:23:03.740 Day
00:23:04.060 That
00:23:04.640 Kind
00:23:04.840 Of
00:23:04.940 Thing
00:23:05.140 Like
00:23:05.380 All
00:23:06.520 The
00:23:06.740 Old
00:23:07.060 You
00:23:08.200 Know
00:23:08.380 The
00:23:08.620 Classic
00:23:09.140 Stuff
00:23:09.800 We're
00:23:10.420 Holding
00:23:10.560 My
00:23:10.800 Eyes
00:23:11.020 Whatever
00:23:11.320 I
00:23:11.560 Mean
00:23:11.640 That
00:23:11.920 Will
00:23:12.800 Sink 0.52
00:23:13.260 Will
00:23:13.520 Penetrate
00:23:14.580 Your
00:23:14.740 Brain
00:23:15.120 And
00:23:15.380 Then
00:23:15.680 You
00:23:16.260 Know
00:23:16.440 The
00:23:16.660 Other
00:23:16.860 Songs
00:23:17.140 That
00:23:17.280 You're
00:23:17.340 Not
00:23:17.520 So
00:23:17.820 Hot
00:23:18.380 About
00:23:18.680 Will
00:23:19.340 Eventually
00:23:19.780 Later
00:23:20.160 On
00:23:20.580 Penetrate
00:23:21.780 And
00:23:22.100 Then
00:23:22.360 You're
00:23:23.180 You're
00:23:24.080 Really
00:23:24.300 Involved
00:23:24.900 In
00:23:25.020 The
00:23:25.140 Whole
00:23:25.320 Album
00:23:25.660 And
00:23:25.840 You
00:23:25.960 Can
00:23:26.100 See
00:23:26.340 It
00:23:26.480 As
00:23:26.640 A
00:23:26.800 Cohesive
00:23:27.420 Piece
00:23:28.060 But
00:23:28.760 This
00:23:29.060 Album
00:23:29.380 There
00:23:29.640 Wasn't
00:23:30.040 One
00:23:30.460 Song
00:23:31.060 That
00:23:31.700 Really
00:23:32.040 Like
00:23:32.380 Oh
00:23:32.700 Man
00:23:32.920 I'm
00:23:33.280 Really
00:23:33.540 Like
00:23:33.940 I'm
00:23:34.540 Really
00:23:34.720 Feeling
00:23:35.000 This
00:23:35.240 One
00:23:35.400 I'm
00:23:35.620 Really
00:23:35.840 Persuaded
00:23:37.080 By
00:23:37.360 It
00:23:37.540 Or
00:23:37.780 You
00:23:38.020 Know
00:23:38.160 But
00:23:38.500 Yeah
00:23:39.040 It
00:23:40.040 Was
00:23:40.140 Just
00:23:40.320 Kind
00:23:40.720 Of
00:23:41.080 The
00:23:42.080 Other
00:23:42.700 Example
00:23:43.120 I
00:23:43.260 Had
00:23:43.620 Was
00:23:43.960 In
00:23:44.600 Secret
00:23:45.780 To
00:23:46.000 The
00:23:46.140 End
00:23:46.380 There's
00:23:46.680 A
00:23:46.860 Synth
00:23:47.160 Line
00:23:47.520 That
00:23:48.200 Is 0.88
00:23:48.400 Identical
00:23:49.220 It
00:23:49.360 Might
00:23:49.480 Not
00:23:49.620 Be
00:23:49.740 In
00:23:49.820 The
00:23:49.940 Same
00:23:50.120 Key
00:23:50.360 But
00:23:50.560 It
00:23:50.700 Is 0.88
00:23:50.840 Identical
00:23:51.540 To
00:23:52.000 The
00:23:52.160 Opening
00:23:52.540 Melody
00:23:53.040 To
00:23:53.280 Sister
00:23:53.680 Of
00:23:53.860 Night
00:23:54.080 From
00:23:54.320 Ultra
00:23:54.780 Diagnose
00:23:55.360 Diagnose
00:23:58.200 Diagnose
00:24:04.900 Diagnose
00:24:11.200 Diagnose
00:24:11.420 Diagnose
00:24:12.220 Diagnose
00:24:16.260 Diagnose
00:24:17.540 Diagnose
00:24:19.840 Diagnose
00:24:20.460 Diagnose
00:24:20.840 Diagnose
00:24:22.440 pasa
00:24:22.500 not only are they going back you know as far as like let's do americana blues but with
00:24:38.040 you know uh since but it was also like let's kind of call back to whether i don't think that
00:24:45.360 was conscious but you know let's go back to our old stuff let's call on these old things and i
00:24:52.140 don't know there there's a part of me that can kind of get tired of the same themes over and over i'm
00:24:58.640 not saying martin gore has to write a song about being a hero instead of a martyr but right yeah i
00:25:04.540 mean i get that also might just come with you know having reviewed these uh weekly now yeah there's
00:25:11.520 another strange tendency in here and that is and i don't know if i've seen this tendency in their
00:25:19.720 other songs but this repeating something over and over again and i i don't know what they're
00:25:26.840 playing with but it it seems monotonous in a bad way i mean a lot of depeche mode music actually is
00:25:33.400 monotonous in a good way it's that driving sound but like should have been you should have been you
00:25:39.980 should have been you should have been you should have been you should have been you should have
00:25:44.300 been you if it had been me uh there's some other examples of this there's only one way to soothe my
00:25:52.060 so just this like repeating
00:25:53.900 i just wanna be part of the light of the light of the light of the light of the light of the light of
00:26:16.540 the light in your eyes this weird like repeating of the lyric over and over again and i don't know
00:26:30.060 what to say it just it's a it's a i guess maybe again it's like when it's when they repeat this repetition
00:26:39.500 throughout the album it becomes disappointing and just strange and i think that maybe is on the
00:26:48.800 producer as much as anyone actually but it it's just i don't know if it if it happened once and i
00:26:57.900 even like you know the like i want to i just want to be part of the light of your eyes and the light of
00:27:03.340 the light of your eyes like it's actually a cool image you know i don't again i don't dislike this
00:27:10.060 album and i don't dislike any of these songs i can kind of imagine like walking into a dark lounge or
00:27:19.100 something and you know with a drink and this music kind of playing in the background and it's not
00:27:26.040 it's not like electro synth enough to get you dancing or something like that and it's got a little
00:27:32.300 bluesy quality to it there's just something cool about it and there's some imagery that i like but
00:27:38.680 it just doesn't all it's ultimately as i've described it it's ultimately background music well
00:27:46.360 honestly i think my favorite song is the child inside it's martin's you know another one of his
00:27:56.520 most personal songs but that it just sounds good and that lyric uh about the tears or whatever that
00:28:04.760 that was kind of corny that that critic i didn't even touch that i i you know i think that was probably
00:28:11.580 the best produced song it had a good like sad atmosphere and i think it was kind of autobiographical
00:28:16.680 because he's talking about you know he described himself as being a loner as a child and not really
00:28:22.860 going out to play and presumably writing songs in his bedroom and you know there are lines in in that
00:28:30.980 song that you know we're basically saying why didn't you go out to play when when you were a child and and
00:28:38.800 all the other kids are on on such a nice day kind of thing because you know he's admitted he was like
00:28:44.500 a reclusive kind of lonely raised by a single mom uh kid you know unfortunately or maybe fortunately
00:28:52.400 for us as as fans but yeah i think that was probably their the best song on the album and
00:28:58.360 you know that could have just been on a martin gorse solo project
00:29:03.200 what have you got buried inside the shallow grave in your soul the ghosts they have taken control
00:29:18.760 you really should have dug a little deeper there body parts are starting to appear and scare the child inside away 0.67
00:29:48.760 i agree with the general sentiment of the pitch work review but i would say each tear that flows down
00:30:02.200 your face trickles and picks up the pace and turns to a river inside a river that will not subside
00:30:09.200 i can hear that dreadful overflowing sound and watching from afar i see a child is drowned the child inside your heart
00:30:16.760 yeah it's a little you know the inner child it's a massive cliche but that doesn't mean it's bad
00:30:27.100 um but again is this better than when they weren't quite explaining the metaphor to the audience
00:30:34.380 and a song like little 15 you know yeah who wants to drive away
00:30:40.720 i think that might be a function of age too because it's okay to be a bit pervy when you're about
00:30:48.640 you know 25 26 right but when you're in your 50s it's probably i don't know that this is fair enough
00:30:56.660 maybe they couldn't get away with it but i guess my my point is that yeah that song could be read in a
00:31:02.760 curvy way fair enough but i i don't read it in that way and the the sadness of the music and the piano
00:31:10.800 it strikes me as yeah there yeah there's a little bit of sex around the edges but it's actually a
00:31:17.240 really tragic song little 15
00:31:19.320 little 15
00:31:24.360 you help her forget
00:31:28.920 your world outside
00:31:33.460 you're not part of it yet
00:31:37.780 and if you could drive
00:31:42.420 you could drive her away
00:31:46.740 to a happier place
00:31:51.240 to a happier day
00:31:55.480 he's not like rolling stones singing brown sugar or something you know like this is this is a this is
00:32:05.040 like a hard sad weighty song with a little you know it's like a teenage prostitute or someone who's child
00:32:13.060 trafficked i mean there there is i i get i mean don't quote me on this there there's something kind of
00:32:18.480 sexy around the edges of it but it's a sex enwrapped in in pain and and and loss of innocence and
00:32:27.160 exploitation and regret and etc so uh yeah i mean i just i think it was better when they
00:32:35.020 when the lyric was in a way simpler and and kind of uh poppier
00:32:41.300 yeah uh i i would definitely uh agree i don't know i just overall just don't i think first and
00:32:51.340 foremost stints exciter on uh the production has not served the album and that does i would say
00:33:01.080 ultra does really serve those songs well the production really serves those songs very well
00:33:08.080 yeah you know and i i don't even i don't blame martin or dave so much like i said i
00:33:14.360 it's uh just unfortunate that they haven't found somebody to really i think the closest
00:33:21.320 was uh ben hillier when he did playing the angel i think that's their best album of this uh century
00:33:28.180 but but yeah i i mean i think first and foremost because it has to be
00:33:34.020 listenable and uh it has to be almost addicting yeah precious is like up there in terms of
00:33:43.400 depeche mode anthems it's up there with like never let me down again enjoy the silence definitely
00:33:49.640 i mean it's it's up there it's equal to all of those songs and and it's actually very martin gory
00:33:56.540 it has a kind of personal message to it you know as well so it's it's not just like a typical pop song
00:34:02.340 or something so yeah i mean i i would praise them like that just to since we're focusing on lyrics
00:34:08.900 here just heaven um you know again i i think in a way like all of the negatives about this album
00:34:16.460 are some of the positives like it's it's disappointing it's you you're waiting for more
00:34:23.100 but then there actually is something great about it as well like um he's basically i dissolve and trust
00:34:31.580 so he's trusting the lord i will sing with joy i will end up dust just like adam dust you came from
00:34:39.080 dust you'll end up there i'm in heaven uh i i stand in golden rays radiantly i burn a fire of
00:34:45.980 love over and over reflecting endless light relentlessly i've embraced the flame forever
00:34:51.140 and ever i will scream the word jump into the void i will guide the herd up to heaven i mean there is
00:34:58.900 something i guess authentically american i mean dare i say it authentically black
00:35:04.000 lyrics um i mean i i i mean that seriously it's like cultural appropriation but but in a you know
00:35:16.980 really interesting form there's like you get to this like raw unrefined but but then also authentic
00:35:25.460 and in a way justified monotheism of america of of like not even really knowing the stories but
00:35:33.420 just remembering a few things like we're gonna all end up dust we're gonna yell the word the flame
00:35:38.920 will burn me up i'll lead the herd up to heaven um you know i want more but then at the same time like
00:35:47.400 i actually that is one of the best songs in the sense that it's like a just it's a it's like a
00:35:54.120 primitive depeche mode song and almost a primitive expression of monotheism
00:35:58.660 i stand in golden rays
00:36:07.860 ragingly
00:36:11.380 i burn a fire of love
00:36:16.460 over and over
00:36:20.780 over and over
00:36:22.780 reflect in endless endlessught
00:36:27.780 relentlessly
00:36:29.160 i have embraced a flame
00:36:36.220 forever and ever
00:36:40.220 i will scream
00:36:42.780 the word
00:36:47.780 Jump into the void
00:36:55.540 I will guide the earth
00:37:05.440 Up to heaven
00:37:09.700 If I'm permitted to say it, is it not Dionysian?
00:37:20.800 It's, you know, I will scream the word, jump into the void, I will guide the earth up to heaven.
00:37:27.600 It's just Christian. Yeah, I mean, it might be Dionysian. 0.99
00:37:30.900 The idea of like, just I'm going into dust, but I'm doing it in trust.
00:37:34.780 That's an interesting rhyme.
00:37:35.960 And I trust in the Lord, and then I'll just end up dust, and I'm going to lead everyone else up to heaven.
00:37:42.060 Because our best life is far away. It's the next one.
00:37:45.980 Yeah, it's kind of like surrendering, you know, it also sounds like it's surrendering to sex, and like, I'll get burned by this.
00:37:54.280 It's almost cautionary, like a kind of Augustinian, kind of, what's his quote about, make me chase Lord, just not yet.
00:38:04.520 Just not right now. Yeah, yeah, yeah, yeah.
00:38:06.680 Yeah, something like that.
00:38:07.800 And that's what I, and he's, jump into the void, guide the earth up to heaven.
00:38:14.080 I mean, that borders on like, you know, kind of death cult stuff.
00:38:18.600 Now, I'm not going to say, you know, Martin Gore is running a secret death cult, obviously not.
00:38:22.960 But that, you know, it's martyr-like, it's, you know, guiding the herd.
00:38:28.920 I guess you and I are part of the herd as his fans.
00:38:32.880 But seriously, though, it does sound a bit like, he's almost like making it sound like he's a saint to die in the fiery passion of lust or something.
00:38:45.400 It's, that's at least what I get from it.
00:38:48.700 But there is something remarkable about this, because it's not terribly surprising for Christian sentiments to make their way into pop music.
00:39:01.820 Like, just because, you know, America is a Christian country, you know, et cetera, et cetera.
00:39:06.920 It's the culture that people draw from.
00:39:09.800 And they're going to use terms like angel and heaven, and heaven is a place on earth, and all this kind of, yeah.
00:39:16.140 But this is more authentic.
00:39:19.340 Like, this gets to someone who knows at least the rudiments of the Bible.
00:39:25.840 And it is fascinating in a way that that type of sentiment is reproduced in this band that, yeah, they might just crank out an album every three to four years.
00:39:41.560 But they do, and they're good, and the fans are waiting for them, and they have massive tours to tens of thousands of people who experience a sort of community that they don't experience outside of that fandom.
00:39:56.840 And the fact that that basic primitive monotheism continues in this setting of, like, going to a stadium in Berlin or a basketball arena in Los Angeles or something, and yet they're continuing this tradition of, like, primitive Christianity is remarkable. 0.89
00:40:23.700 That tradition has continued in the musical arena, if not for most all of the people attending these concerts, you know, on Sunday at 10 a.m. at church.
00:40:38.580 There, yeah, there's something liturgical about their, I saw somebody in a YouTube comment say about the devotional concert.
00:40:48.840 He said, this isn't music, this is a religious experience.
00:40:51.880 I mean, and that's, you know, that's what their concerts feel like.
00:40:57.740 Yeah.
00:41:00.320 I dream of a day when I dare to believe you're the answer.
00:41:09.980 When the shame and the guilt are removed, and the truth of peace.
00:41:16.880 When the touch of your hand, I lose the word if I want to.
00:41:29.160 I try to resist but succumb to the bliss of your king.
00:41:35.660 You should be higher.
00:41:37.660 You should be higher.
00:41:42.520 I take you higher.
00:41:47.660 Don't be afraid.
00:41:52.240 You just have to pray.
00:41:55.660 A wind of a shock.
00:42:03.520 You should be higher.
00:42:03.560 You should be higher.
00:42:05.500 You and the truth.
00:42:09.160 You're one of your hearts.
00:42:10.000 You should be higher.
00:42:13.200 You're one of your hearts.
00:42:13.700 Your hearts are sulks.
00:42:14.540 You're there.
00:42:16.000 You're somebody's peace.
00:42:17.160 You're the traditional individual voice.
00:42:17.980 You're the danser of judgment.
00:42:19.360 You're the planning thing. 1.00
00:42:22.460 You're going toない to die. 0.98
00:42:24.180 Love is all I want 0.95