RadixJournal - Depeche Mode： Songs of Faith and Devotion

00:00:00.000 I feel you, Sonny Childs

00:00:30.000 I feel you, within my mind

00:00:41.000 You take me there, you take me where the kingdom comes

00:00:47.000 You take me to, you lead me through Babylon

00:00:54.000 This is the morning of our love

00:01:01.000 This is the morning of our love

00:01:09.000 I feel you, your heart it sinks

00:01:21.000 I feel you, the child breaks

00:01:32.000 We're heavyweights, let's go to games

00:01:35.000 Back again

00:01:38.000 You take me to, lead me through Babylon

00:01:44.000 This is the morning of our love

00:01:51.000 This is the morning of our love

00:01:55.000 Well, I think this is peak Depeche Mode for you, I would imagine.

00:02:06.000 Yes, absolutely

00:02:07.000 Yeah, I have a hard time saying that opinion

00:02:11.000 I feel like my claim that Black Celebration is their greatest album is my attempt to be edgy and contrarian 0.91

00:02:21.000 And it's hard to justify that when you listen to this whole thing

00:02:28.000 So you came to Depeche Mode later than I did

00:02:32.000 Yeah

00:02:33.000 So, you're listening to this all, like, over the past, say, five years or so

00:02:39.000 Is that the first time you've heard these songs?

00:02:40.000 Yes, yeah, probably about 2020 was the first time I actually sat down and listened to it, like, front to back

00:02:46.000 Yeah

00:02:47.000 And I was taken by it, definitely

00:02:49.000 I think, just the combination, you know, I think, for me, what it is about this album is the combination of having this programmed electronic music, but also, like, these live rock and roll, kind of grunge, bluesy aspects as well to the music

00:03:05.000 And it's all blended into a coherent album

00:03:09.000 I mean, that's another thing that I recognized, listening to the vinyl

00:03:14.000 I've listened to it a number of times, actually, now

00:03:17.000 And I would say this, as I was saying, like, listening to Exciter, I'm afraid to say, or I'm ashamed to say, felt a bit like homework

00:03:28.000 And this one, it really draws you in, you don't want to do anything else, and it is an amazingly coherent album, probably their best, I agree

00:03:43.000 It's right at the midpoint of their career, they've brought in rock, grunge, a little bit of record scratching, and they've somehow made it all work

00:03:57.000 I remember the first time I heard the album, so I, I mean, I was a fan, as I've said many times, even when I was quite young

00:04:05.000 And I was in high school, I would imagine, yeah, I was a freshman in high school in 1994

00:04:11.000 I remember hearing I Feel You on the radio

00:04:16.000 And I was taken aback by it, actually

00:04:21.000 And, you know, when I hear it now, I think it's their best opening track, actually

00:04:27.000 Because it just gets you into the record just immediately

00:04:33.000 Like, grabs you by the shirt collar, maybe by the throat

00:04:37.000 And just, like, takes you into the world

00:04:39.000 And I, I also think that record scratch, the

00:04:45.000 You know, and then the repetitive

00:04:47.000 It, yeah, it is

00:04:51.000 Debesh mode

00:04:53.000 It, it, and it also, I mean, it's kind of funny

00:04:55.000 Cause the record scratch

00:04:57.000 At the time, in the, you know, early to mid-90s

00:05:01.000 Records had died

00:05:03.000 And so, you know, there were tapes, eight-track

00:05:07.000 I remember my grandparents had an eight-track player, like, into the 90s

00:05:11.000 Perhaps in an old car, all these, like, funny albums from the 70s

00:05:15.000 But the cassette tape had replaced it

00:05:18.000 CDs had been the rage

00:05:20.000 And so, even the record scratch in that way

00:05:23.000 You know, the only time you heard a record scratch was hip-hop

00:05:26.000 Or, you know, like, the Fresh Prince of Bel-Air or something

00:05:30.000 Yeah

00:05:31.000 And it's this gimmick of

00:05:45.000 Like, this kind of thing

00:05:48.000 And, to bring it in as this dissonant, edgy

00:05:54.000 Like, it, it kind of like, you know, like a horror film

00:05:58.000 Where they'll, they'll have, like, the plucking the high strings

00:06:01.000 It, it's almost like that

00:06:02.000 It, it just grits your attention

00:06:03.000 It puts you on edge

00:06:04.000 It, it's not at a tone

00:06:06.000 So it, or it's at multiple tones

00:06:09.000 Or whatever

00:06:10.000 And it just kind of just makes you disconcerted, actually

00:06:14.000 So, yeah, I think it's the best use of record scratching

00:06:18.000 In all of popular music

00:06:20.000 I'll give it that

00:06:22.000 But, when I remember hearing it, it was on the radio

00:06:24.000 And it was announced

00:06:25.000 Because, I mean, this was at the peak of Depeche Mode's fame

00:06:29.000 Violator had cemented their reputation in America

00:06:34.000 Music for the Mass is the first kind of American album

00:06:37.000 This went number one in the United States and the UK

00:06:41.000 I mean, it, it's, it's, it, it was a remarkable thing

00:06:44.000 But, so people were kind of waiting for it and expecting it

00:06:47.000 And, at the time, I was, I guess a bit of a hipster even then

00:06:56.000 You know, I was listening to New Order, their album Substance

00:07:02.000 Which is a compilation, great album

00:07:05.000 And, I was almost expecting them to offer a kind of 80s synth-pop

00:07:14.000 And, for it to be, I don't know what I wanted

00:07:18.000 Maybe I wanted Speak and Spell or something

00:07:20.000 I just, or, or maybe Enjoy the Silence

00:07:23.000 As the kind of apotheosis of what synth-pop could be

00:07:28.000 And, it, it, it was quintessentially Depeche Mode, granted

00:07:33.000 But, it was also something quite different

00:07:37.000 And, it was 90s, it was grunge

00:07:39.000 I mean, you see all of these interviews with Dave

00:07:42.000 And he, he had moved away from the band

00:07:45.000 He was living in Los Angeles

00:07:46.000 He wanted to make a Jane's Addiction album

00:07:49.000 Or something like that

00:07:50.000 He was right in the midst of the Nirvana, Pearl Jam, Soundgarden, Jane's Addiction, etc.

00:07:58.000 This, this kind of 90s music that had replaced top of the charts

00:08:04.000 Pop with synthesizers, etc. Madonna or something

00:08:08.000 It, this had just wiped it away

00:08:10.000 Alternative music was becoming the mainstream

00:08:14.000 Next, ladies and gentlemen

00:08:16.000 We have three fine young men from Seattle

00:08:18.000 They're coming, hold on, they're coming

00:08:23.000 They're thoroughly alright and decent fellows

00:08:25.000 With their hit single, In Bloom

00:08:27.000 Here they are, Nirvana

00:08:30.000 You know, they are kind of doing a me too thing with that

00:08:46.000 They're following a trend, etc.

00:09:01.000 But, they make it their own

00:09:04.000 And so, and I think they bring something to grunge

00:09:10.000 If we want to use that word

00:09:12.000 That I don't think would exist otherwise

00:09:15.000 And that's not just synthesizers

00:09:17.000 Or string arrangements, etc.

00:09:20.000 I think they bring something

00:09:22.000 Quintessentially Martin Gore

00:09:24.000 And as I will discuss in this review

00:09:27.000 This is by far and away their most Christian album

00:09:33.000 And you see it in the title

00:09:36.000 Songs of Faith and Devotion

00:09:38.000 He is, Martin has gone there a few times

00:09:42.000 With sacred, you know, an obvious example

00:09:46.000 Personal Jesus may be an even more obvious

00:09:49.000 It's about having faith

00:09:51.000 Or, you know, lifting up a receiver

00:09:53.000 And finding your savior

00:09:55.000 This, I think, is Christian on an even deeper level 0.78

00:10:01.000 And American on a deeper level

00:10:04.000 And I think there's, you know, continuing with

00:10:06.000 What we'll talk about with the Ultra Review

00:10:08.000 There's this way that Martin seems to be channeling

00:10:12.000 Dave Gahan's like mind space

00:10:15.000 And I think that is fascinating

00:10:18.000 But as we'll go through

00:10:20.000 I think there's a Christian story in the album

00:10:24.000 And that the album is a kind of

00:10:27.000 I guess concept album

00:10:29.000 If that's the right term, you know

00:10:31.000 Like Sgt. Pepper's Lonely Hearts Club Band

00:10:33.000 Or, you know, I don't know

00:10:37.000 What I think of is Abba and Tim Rice

00:10:39.000 Created the concept album Chess

00:10:41.000 Which is like a musical

00:10:42.000 But it's not really a musical

00:10:44.000 It's a concept album where the whole thing

00:10:47.000 Tells a story and is coherent

00:10:50.000 And it's not like a one-to-one thing

00:10:52.000 It's not like a musical, say

00:10:54.000 Where, you know, one track leads to the other exactly

00:10:59.000 But it kind of does do that in certain ways

00:11:02.000 But I think it also tells a very Christian story

00:11:06.000 There have been albums that really cohered well

00:11:09.000 Black Celebration certainly being one 0.97

00:11:12.000 But I think this does it on a whole other level

00:11:16.000 So, yeah, I mean, to sum up my, you know, opener here

00:11:21.000 Yeah, you win

00:11:22.000 This is their greatest

00:11:25.000 Let's go

00:11:27.000 All right

00:11:28.000 I'm glad

00:11:29.000 Yeah, so just to provide like a

00:11:32.000 Just a little bit of background

00:11:33.000 I think after the World Violation Tour

00:11:35.000 Which was 90 shows

00:11:38.000 1990 to 91, I believe

00:11:40.000 The band is kind of

00:11:42.000 They want to take a different direction

00:11:44.000 And Martin was in interviews at the time saying

00:11:47.000 Like, people expect us to make like a hard dance album

00:11:50.000 And maybe that's what you were wanting from them around this time

00:11:54.000 Yeah

00:11:55.000 I think a lot of people were expecting like a Violator 2

00:11:58.000 And they were definitely not going to do that

00:12:01.000 Certainly not

00:12:02.000 Dave did not want to do Violator 2

00:12:05.000 I think he's

00:12:06.000 He's at that point

00:12:07.000 He had really shown like a

00:12:10.000 He's a different person

00:12:11.000 I mean, he's like Dark Dave

00:12:13.000 Like he's an augmented version of this

00:12:15.000 Ideal like rock star, you know

00:12:19.000 Yeah

00:12:20.000 He's obviously on heroin

00:12:22.000 His behavior is clearly more erratic

00:12:25.000 In interviews

00:12:26.000 I don't even know what he's talking about

00:12:28.000 He's very unfocused

00:12:30.000 But yeah, I mean a lot of them

00:12:32.000 Are all the band members are just changing

00:12:34.000 And becoming like adults

00:12:36.000 And in a way like becoming like, you know

00:12:40.000 Old and set in their ways

00:12:42.000 Martin around this time I believe has his first child

00:12:46.000 Fletch is almost like totally non-existent

00:12:49.000 As far as giving musical input

00:12:52.000 Might help out in the studio

00:12:54.000 But I was watching an interview with Paul Gambicini around this time

00:12:58.000 And he's basically saying like, yeah, I'm like the band's manager

00:13:01.000 You know, I'm not singing on anything

00:13:04.000 And it was very strange

00:13:07.000 And he was saying that that's actually how modern bands should work

00:13:10.000 Can't really disagree anymore

00:13:12.000 I think if you want to be a manager

00:13:14.000 You should be a manager

00:13:16.000 And I think Alan at this time is at his peak

00:13:20.000 This album in particular is why I stand for him so hard

00:13:24.000 Because he is just

00:13:26.000 Yeah, he's producing these soundscapes and these atmospheres

00:13:30.000 Which are so unique, I think, to them

00:13:34.000 And he's taking Martin's songs to another level

00:13:38.000 Yeah, I've never disagreed with any of your standing

00:13:42.000 For Alan

00:13:44.000 Yeah, this is from Strip

00:13:46.000 Just, I think it sums it up

00:13:48.000 So it's Paul Lester, Melody Maker

00:13:52.000 If you look at him, Dave Gahan

00:13:54.000 In 1980, 1981

00:13:56.000 He looked like the kind of kid that you'd see in Dulce's

00:13:59.000 Which is a shoe store in London, I guess

00:14:02.000 I've never heard of it

00:14:03.000 On a Saturday

00:14:04.000 Getting you the right size hush puppies 0.95

00:14:06.000 So I do know what hush puppies are 0.57

00:14:08.000 Those are shoes

00:14:10.000 You know, you have this just nice kid with the poofy hair

00:14:14.000 He looks younger than he is

00:14:16.000 If that's possible

00:14:18.000 And then Paul Morley

00:14:20.000 This is later on

00:14:22.000 And then when you came back from LA

00:14:24.000 He was Jesus

00:14:25.000 He was tattooed from head to toe

00:14:27.000 He was skinny

00:14:28.000 All the puppy fat had gone

00:14:30.000 He was incredibly intense

00:14:32.000 He was such a long way from the little beanie baby

00:14:36.000 He had been

00:14:37.000 This is kind of funny

00:14:39.000 But yeah, heroin had a lot to do with that weight loss

00:14:42.000 I've heard he weighed 120 pounds

00:14:44.000 I mean, Dave is fairly short

00:14:47.000 But still

00:14:49.000 He was skin and bones

00:14:51.000 He's a different persona

00:14:54.000 As well

00:14:55.000 I mean, I think it also shows how drugs

00:14:59.000 And not just drugs

00:15:01.000 But I think being a junkie

00:15:02.000 Living on drugs

00:15:04.000 Alter the personality

00:15:06.000 I mean

00:15:07.000 And I mean, I hate to even say this

00:15:09.000 But maybe for the best

00:15:12.000 In a horrible way

00:15:14.000 I mean, in the sense of

00:15:15.000 Like a sacrifice of Dave

00:15:19.000 I mean, this was a great

00:15:21.000 This was

00:15:22.000 It's their best album

00:15:23.000 Dave's vocal performance

00:15:25.000 Might be his best

00:15:27.000 And I mean, he's

00:15:29.000 He's always pointed out

00:15:30.000 His performance in Condemnation

00:15:32.000 Is great

00:15:33.000 I mean, I think all of it's great

00:15:34.000 He's now in his 30s

00:15:36.000 So he's mature

00:15:37.000 He's mature

00:15:38.000 He is embracing the baritone

00:15:43.000 In, you know, in a way that other bands

00:15:47.000 Can't do that

00:15:48.000 They can't have the low dark sound

00:15:50.000 In the way he does

00:15:52.000 And his persona is pretty mesmerizing

00:15:56.000 I mean, there's a video that's out there

00:15:59.000 It's on YouTube

00:16:00.000 I think it's a little bit hard to find

00:16:01.000 On streaming

00:16:03.000 Of the devotional tour

00:16:05.000 And there's a live album as well

00:16:07.000 And the persona is pretty mesmerizing

00:16:12.000 The concert that was, you know, I guess the first part of the tour

00:16:17.000 It's veiled, at least at the beginning

00:16:21.000 You have all of these curtains kind of moving in different directions

00:16:24.000 This is all, you know, Corbin

00:16:26.000 Anton Corbin's doing

00:16:28.000 And so you don't know what's going on

00:16:31.000 You see shadows

00:16:32.000 You can kind of vaguely see the shadow of a keyboard player

00:16:35.000 Then you see vaguely, you know, a shadow of Dave singing

00:16:40.000 And he comes out and he really is Jesus

00:16:44.000 And I mean, this will have highs and lows

00:16:47.000 You have that type of persona

00:16:49.000 He also had to

00:16:52.000 Quasi cancel a concert because he couldn't sing anymore

00:16:57.000 Not due to loss of voice

00:16:59.000 But due to just exhaustion, dehydration, drug use, etc.

00:17:03.000 He dove into the crowd at one point and cracked his ribs

00:17:08.000 I mean, that strikes me as just he's going mad, you know, in the conventional sense

00:17:14.000 But it's not quite as he will be performing elsewhere

00:17:22.000 And there was this moment in time, kind of early adulthood

00:17:28.000 When he just became another character

00:17:32.000 It's like Dark Dave, if you want to say that

00:17:34.000 It's just some other part of his psyche

00:17:36.000 And maybe one that's been skewed and transformed

00:17:41.000 But it is a different person on stage than you see in other concerts

00:17:47.000 Where he's, you know, the 101 tour

00:17:49.000 He's a bit Elvis-like, but kind of rocking

00:17:52.000 Excited, boisterous

00:17:55.000 Almost kind of like

00:17:57.000 A little bit of like frat bro or something

00:17:59.000 Like, you know, let's go type thing

00:18:01.000 There's just someone totally different that you see on stage

00:18:07.000 And I'm struggling

00:18:09.000 It's waif

00:18:10.000 I mean, I'm struggling to find a word for it

00:18:12.000 But other than just Jesus-like

00:18:14.000 It's like how you would imagine Jesus

00:18:16.000 He became his own personal Jesus

00:18:18.000 And I

00:18:20.000 It's remarkable

00:18:21.000 I mean, again

00:18:22.000 All I've read and then heard in these interviews

00:18:25.000 Is that the recording session was hellish

00:18:28.000 I mean, Alan left

00:18:29.000 Blood left

00:18:31.000 The band was not getting along

00:18:33.000 And Martin and Alan, who are the kind of creative forces

00:18:37.000 Are arguing vehemently

00:18:40.000 They're living in a villa together in Madrid for a time

00:18:44.000 And I think they go to Hamburg at some point

00:18:48.000 And it's

00:18:49.000 I don't know

00:18:50.000 You'll sometimes hear these tales of, you know

00:18:53.000 Like a movie set that was terrible

00:18:56.000 And everyone hates each other, but the movie works

00:18:58.000 We've heard more tales of when that leads to a disastrous result

00:19:02.000 But this chaos and dysfunction birthed their best album

00:19:11.000 And I think also like Dave's downward spiral

00:19:15.000 In some ways led him to his best performances

00:19:21.000 It's bizarre

00:19:24.000 I mean, I shouldn't

00:19:25.000 Maybe that's not the right word

00:19:27.000 It almost hurts me to say that

00:19:29.000 But it's almost true

00:19:31.000 It's like they had to, you know

00:19:34.000 Walk on broken glass or be dragged over coals

00:19:37.000 In order to produce this

00:19:39.000 But then the result is

00:19:43.000 Their greatest effort

00:19:46.000 It's remarkable stuff

00:19:48.000 Yeah, from what I understand

00:19:50.000 Violator was like a pretty happy album

00:19:53.000 Everybody was getting along

00:19:54.000 But then when it came to songs of faith and devotion

00:19:57.000 It's just three different people

00:19:59.000 With three different ideas

00:20:01.000 For an album

00:20:02.000 I think Martin wanted to remain

00:20:03.000 More on the electronic side

00:20:05.000 Dave definitely wanted to be

00:20:07.000 Like you said, Jane's addiction

00:20:09.000 And I think Alan wanted to

00:20:12.000 Be electronic

00:20:13.000 But have like a more atmospheric

00:20:15.000 Like basically reminiscent of the stuff that

00:20:18.000 He would have done on Recoil

00:20:20.000 Yeah, Dave is

00:20:21.000 He's darker 0.99

00:20:22.000 And he's tougher

00:20:23.000 And he's raspier

00:20:24.000 It's weird

00:20:25.000 Because he's got like

00:20:26.000 Some of his best and worst performances

00:20:28.000 On this tour

00:20:29.000 I mean, it is like all or nothing

00:20:31.000 He's going for it on every

00:20:34.000 Every live performance

00:20:35.000 He's going for it

00:20:36.000 Screaming 0.51

00:20:37.000 You can tell he's getting hoarse

00:20:39.000 When he's singing a song like Condemnation

00:20:42.000 When he's singing it live

00:20:43.000 Because my views

00:20:45.000 Was always debuting

00:20:47.000 That was my crime

00:20:50.000 Mitilation 0.95

00:20:53.000 Hard

00:21:00.000 To know I can trust this

00:21:02.000 In fact, on the second tour in 94

00:21:06.000 The exotic tour

00:21:07.000 Martin's actually singing Condemnation

00:21:10.000 Which is really a totally different song

00:21:12.000 When Martin sings it

00:21:14.000 It becomes something closer to one caress

00:21:17.000 Than the Condemnation that

00:21:19.000 We know on the record

00:21:20.000 Yeah

00:21:21.000 Condemnation

00:21:25.000 Drive

00:21:29.000 Near on the stand

00:21:31.000 With a book in my hand

00:21:33.000 Truth on my side

00:21:36.000 With a book in my hand

00:21:38.000 Truth on my side

00:21:41.000 Accusation

00:21:43.000 My overall impression

00:21:45.000 My overall impression of the album

00:21:47.000 Is that it's like a catharsis

00:21:49.000 Whether it's because of

00:21:50.000 The tension in the studio

00:21:52.000 And nobody can agree on anything

00:21:54.000 I mean, as I've heard before

00:21:56.000 Flood was saying that

00:21:57.000 If everybody agreed on one thing

00:21:59.000 Well, then I didn't agree on something

00:22:00.000 And if I didn't agree on something

00:22:02.000 Then Martin disagreed

00:22:03.000 Then Alan disagreed

00:22:04.000 It was

00:22:05.000 It never

00:22:06.000 Like there was never

00:22:07.000 A consensus on anything

00:22:09.000 And every little detail

00:22:12.000 Was quibbled over, I guess

00:22:14.000 But it also feels like cathartic

00:22:16.000 In the sense that

00:22:17.000 They finally reached number one

00:22:19.000 In America

00:22:20.000 Which they had been trying to break

00:22:21.000 Really since

00:22:22.000 Really since 1984

00:22:24.000 I'd say

00:22:25.000 It was about the closest

00:22:26.000 They had been

00:22:27.000 Before Violator

00:22:28.000 Well, before Music for the Masks

00:22:30.000 Cathartic in the sense that

00:22:32.000 They've done this work now

00:22:34.000 In the studio

00:22:35.000 And they've

00:22:36.000 Sonically come up

00:22:37.000 With this masterpiece

00:22:38.000 And it's just the biggest

00:22:40.000 Debauched party

00:22:42.000 For, what, 157 shows

00:22:44.000 Between the two tours

00:22:46.000 I would say

00:22:47.000 I would agree

00:22:48.000 Definitely with the American

00:22:49.000 Characterization

00:22:50.000 I definitely think

00:22:51.000 This is their most American album

00:22:52.000 Because we have influences

00:22:54.000 Of blues

00:22:55.000 Gospel

00:22:56.000 Even hip-hop

00:22:57.000 I'll say

00:22:58.000 With those record scratches

00:22:59.000 Like on a song

00:23:00.000 Get Right With Me

00:23:01.000 And then definitely grunge

00:23:02.000 But I would still

00:23:03.000 Nonetheless

00:23:04.000 Categorize this

00:23:05.000 As electronic

00:23:06.000 Everything does cohere

00:23:07.000 I think

00:23:08.000 A lot of that

00:23:09.000 Has to do with the fact

00:23:10.000 That they're like

00:23:11.000 Sampling guitar feedback

00:23:12.000 And they're sampling

00:23:13.000 All this like distortion

00:23:14.000 And running it through

00:23:16.000 Sequencers 0.94

00:23:17.000 And samplers

00:23:18.000 But I will say this

00:23:19.000 As well

00:23:20.000 That Martin

00:23:21.000 Martin has never had

00:23:22.000 A better

00:23:23.000 More consistent

00:23:24.000 Batch of songs

00:23:25.000 With which to work

00:23:26.000 And Alan has never

00:23:28.000 Been more consistent

00:23:29.000 With his production

00:23:30.000 Than this period

00:23:31.000 91 to 94

00:23:33.000 This I think

00:23:34.000 Is where everything

00:23:35.000 Just absolutely

00:23:36.000 Comes together

00:23:38.000 Everything came together

00:23:39.000 On Violator

00:23:40.000 But everything really

00:23:41.000 Comes together

00:23:42.000 On this album

00:23:43.000 And it's just

00:23:44.000 So much

00:23:45.000 Violator

00:23:46.000 It's dark

00:23:47.000 But it's like

00:23:48.000 Danceable

00:23:49.000 It's kind of

00:23:50.000 Like what'd you say

00:23:51.000 About world in my eyes

00:23:53.000 It was kind of like

00:23:54.000 Michael Jackson song

00:23:55.000 Or something like that

00:23:56.000 Yeah

00:23:57.000 But like this is just raw 0.99

00:23:59.000 And like kick ass 0.99

00:24:00.000 And it's like 0.99

00:24:01.000 Dave's like showing his soul

00:24:04.000 And just putting it out

00:24:05.000 On display for everybody

00:24:07.000 And the instrumentation

00:24:08.000 Is 0.88

00:24:09.000 I mean Alan playing the drums

00:24:12.000 Gives it

00:24:13.000 A fuller

00:24:14.000 Heavier

00:24:15.000 Rockier sound

00:24:16.000 And like I said

00:24:17.000 On our Ultra podcast

00:24:18.000 If Ultra is the hangover

00:24:19.000 Then Songs of Faith and Devotion

00:24:21.000 Is the party

00:24:22.000 And it's like

00:24:23.000 2am

00:24:24.000 And nobody's innocent

00:24:25.000 You know

00:24:26.000 It's just pure ecstasy

00:24:27.000 Yeah

00:24:28.000 And it's interesting

00:24:29.000 On tour

00:24:30.000 Alan was playing the drums

00:24:31.000 I mean you can see that

00:24:32.000 In this

00:24:33.000 This Corbin

00:24:35.000 Directed

00:24:37.000 Concert

00:24:38.000 Movie

00:24:39.000 And

00:24:40.000 It's

00:24:41.000 It's interesting

00:24:42.000 Because I think they

00:24:43.000 They've been doing

00:24:44.000 This

00:24:45.000 A lot of the same

00:24:47.000 They've been using

00:24:48.000 A lot of the same design

00:24:50.000 For their concerts

00:24:51.000 Beginning here

00:24:53.000 And so

00:24:54.000 As I mentioned earlier

00:24:55.000 The stage is veiled

00:24:57.000 At the beginning

00:24:58.000 They're opening numbers

00:24:59.000 Not

00:25:00.000 I feel you

00:25:01.000 But it's actually

00:25:02.000 Higher love

00:25:03.000 Which is interesting

00:25:04.000 Because it's a bit of a

00:25:05.000 You know

00:25:06.000 I don't know

00:25:07.000 Deep cut on the album

00:25:25.000 I can taste

00:25:26.000 More than feel

00:25:27.000 It's burning inside

00:25:28.000 It's so real

00:25:29.000 I can almost lay

00:25:30.000 My hands apart

00:25:31.000 A warm goal

00:25:38.000 It gling

00:25:39.000 Under the mountains

00:25:40.000 I can taste

00:25:41.000 More than feel

00:25:42.000 I can taste

00:25:43.000 More than feel

00:25:44.000 It's burning inside

00:25:45.000 It is so real

00:25:47.000 It's burning inside, it's so real

00:25:51.680 I can almost lay my hands apart

00:25:56.620 A warm glow that lingers on

00:26:01.700 Moved, lifted higher

00:26:08.060 Moved, my soul's on fire

00:26:17.000 Moved, my soul's on fire

00:26:46.980 It's a big Elvis-era guitar

00:26:48.760 And yeah, it's something that they'll continue to do later on

00:26:54.000 It really started here

00:26:56.120 And then also the iconography

00:26:59.080 Like with Walking in My Shoes

00:27:01.060 Of this masked figure

00:27:04.740 The giant nose

00:27:07.380 I don't even know what it is

00:27:08.820 It's like out of a kind of like the id

00:27:10.920 Or something archetypal image

00:27:13.720 And that's walking

00:27:15.400 Big bird that's walking

00:27:17.080 That's here

00:27:17.860 And then they're also doing

00:27:20.500 And I don't quite even know how they're doing it

00:27:22.680 I mean, they might just be projecting

00:27:24.120 Like recorded video

00:27:26.380 Or I guess film even

00:27:28.080 Probably video at that point

00:27:29.180 But there are these shadows

00:27:30.840 And these red squares

00:27:32.500 It's again

00:27:34.580 It's a really iconic concert

00:27:37.040 Where it's like a full production

00:27:39.620 And all of the

00:27:41.860 The atmosphere

00:27:43.760 In every concert that I've been to

00:27:46.140 Is kind of created at that point

00:27:47.960 By Corbin

00:27:49.360 Why don't we start with

00:27:53.060 I Feel You

00:28:19.360 I Feel You

00:28:47.060 Your sun is shining

00:28:49.940 I Feel You

00:28:59.640 You live in my mind

00:29:01.900 You take me there

00:29:07.320 You take me where

00:29:08.820 The king comes

00:29:10.480 You take me through

00:29:13.080 You take me through

00:29:14.560 I belong

00:29:15.760 I mean, this is a

00:29:32.940 Hard walking number

00:29:36.220 And I guess

00:29:37.000 We've heard this before

00:29:39.500 With personal Jesus

00:29:41.180 But I think also

00:29:43.820 This takes it to another level

00:29:45.100 I mean, personal Jesus

00:29:46.060 Is kind of about

00:29:47.380 Having faith

00:29:48.620 Or connecting with the Savior

00:29:51.080 Or maybe connected

00:29:52.140 With a televangelist

00:29:53.260 But I Feel You

00:29:56.140 Is about the experience of it

00:29:59.600 And I do also think

00:30:03.060 That this is getting at

00:30:04.840 What I've said a couple times

00:30:06.280 In these podcasts

00:30:07.020 Where there's this

00:30:08.580 Conflation between

00:30:11.220 Religion

00:30:13.300 And a particularly Christian experience 0.85

00:30:16.180 And then

00:30:17.260 Loving a woman

00:30:19.060 Or sexiness

00:30:20.500 Or mystery

00:30:21.480 She moves in mysterious ways

00:30:23.320 So to speak

00:30:24.520 And

00:30:25.680 It's interesting

00:30:27.440 Because if you look at these lyrics

00:30:28.880 Closely

00:30:30.160 Martin

00:30:31.880 Really is saying that

00:30:33.400 I don't think he's using words

00:30:34.980 Like kingdom come

00:30:36.400 And Babylon

00:30:37.260 And angels

00:30:39.280 And so on

00:30:39.740 Just kind of like

00:30:40.320 Throwing them out there

00:30:41.540 I think there's a

00:30:42.980 Deliberate

00:30:44.020 Use of these

00:30:45.180 To express

00:30:46.340 A kind of

00:30:46.860 A Christian experience 0.76

00:30:48.180 But it's one

00:30:49.600 Where you

00:30:50.500 Go through

00:30:52.580 Sin

00:30:53.320 And lust

00:30:53.940 And ecstasy

00:30:55.340 Etc

00:30:55.920 To

00:30:56.880 Heaven

00:30:57.800 So I mean

00:30:58.920 I'm sure many

00:30:59.640 Would find this

00:31:00.580 Blasphemous

00:31:01.420 But it is

00:31:02.440 What he's trying to do

00:31:03.540 So I mean

00:31:04.180 I feel you

00:31:05.660 Your sun

00:31:06.920 It shines

00:31:07.520 I feel you

00:31:08.340 Within my mind

00:31:09.420 You take me there

00:31:10.580 You take me where

00:31:11.440 The kingdom comes

00:31:12.760 You take me to

00:31:14.400 And lead me through

00:31:15.780 Babylon

00:31:16.340 So

00:31:17.420 It's

00:31:18.440 I think the through

00:31:19.520 Is an important word

00:31:21.080 So

00:31:21.480 It's

00:31:21.960 It's not like

00:31:23.540 You take me to Babylon

00:31:24.960 It's you take me

00:31:26.300 Through Babylon

00:31:27.400 So

00:31:27.900 Through

00:31:28.980 Full

00:31:29.980 Indulgence

00:31:30.980 In lust

00:31:32.020 You're getting

00:31:33.420 To a higher place

00:31:34.600 And

00:31:35.760 Then

00:31:37.320 You know

00:31:37.740 In the final stanza

00:31:38.760 It's

00:31:39.160 I feel you

00:31:40.160 Each move you make

00:31:41.040 I feel you

00:31:41.860 Each breath you take

00:31:42.840 Where angels sing

00:31:44.560 And spread their wings

00:31:45.620 My love's on high

00:31:46.860 You take me home

00:31:48.360 To glory's throne

00:31:49.500 By and by

00:31:50.360 So

00:31:51.320 He's gone

00:31:52.120 From Babylon

00:31:53.040 Which obviously

00:31:53.920 In the biblical imagination

00:31:55.480 Is a

00:31:56.120 You know

00:31:56.980 Tower of Babel

00:31:58.640 A place of sin

00:31:59.980 And debauchery

00:32:00.940 Competitor

00:32:03.720 To

00:32:04.300 Jerusalem

00:32:05.720 All that kind of stuff

00:32:06.820 And you take me

00:32:08.080 Through that

00:32:09.000 And then you finally

00:32:09.960 Take me home

00:32:11.220 To

00:32:11.700 Heaven

00:32:12.660 So

00:32:13.220 It is a

00:32:14.260 It's a song about 0.90

00:32:15.060 Lust and sex

00:32:16.020 Of course

00:32:16.440 But it's a 0.96

00:32:17.240 Lust and sex

00:32:18.480 Like 0.94

00:32:19.240 Through

00:32:20.000 A Christian

00:32:21.100 Imagination

00:32:21.920 And

00:32:23.020 You know

00:32:23.500 I find this

00:32:24.140 Interesting with Martin

00:32:25.060 Because

00:32:25.400 I've

00:32:25.860 I've watched

00:32:27.040 A lot of these

00:32:27.920 Documentaries

00:32:28.700 I'm sure

00:32:29.080 The same ones 0.57

00:32:29.720 You have

00:32:30.820 To prep for this

00:32:31.760 I've definitely

00:32:32.680 Seen a lot of

00:32:33.800 Interviews

00:32:34.480 With him

00:32:34.940 And if you just

00:32:36.460 Hear him

00:32:37.020 Talk in a

00:32:38.140 You know

00:32:39.480 Mundane fashion

00:32:40.520 Or answering

00:32:41.480 Interviews

00:32:42.540 You never get a

00:32:44.120 Sense

00:32:44.580 Of

00:32:45.620 His

00:32:47.300 Christianity

00:32:48.560 If that's the

00:32:49.440 Right way of saying it

00:32:50.200 At all

00:32:50.800 And he's

00:32:52.800 Just

00:32:52.980 Kind of

00:32:53.780 A

00:32:54.160 Goofy

00:32:55.720 Sensitive

00:32:56.320 Rock star

00:32:58.240 You know

00:32:59.700 And very

00:33:00.020 Kind of

00:33:00.340 Childlike

00:33:01.020 Even

00:33:01.340 Today

00:33:01.900 And

00:33:03.680 It is

00:33:04.760 I don't know

00:33:05.180 If anyone's

00:33:05.620 Ever probed him

00:33:06.580 On this

00:33:07.020 In fact

00:33:07.460 Because I

00:33:07.880 Think

00:33:08.220 Like

00:33:08.720 Popular music

00:33:10.220 Rock

00:33:10.860 Criticism

00:33:11.520 Is so

00:33:12.180 Lacking

00:33:13.120 That everyone

00:33:14.380 Just wants

00:33:14.760 To get

00:33:15.140 Anecdotes

00:33:15.880 About the

00:33:16.280 Tour

00:33:16.580 Or something

00:33:16.920 They don't

00:33:17.260 Want to

00:33:17.500 Probe

00:33:17.820 The song

00:33:18.360 But

00:33:19.180 You

00:33:20.340 Again

00:33:21.100 If you

00:33:21.480 Listen to him

00:33:22.380 Interviewed

00:33:23.120 You'd never

00:33:23.560 Get this

00:33:24.100 Sense

00:33:24.500 You just

00:33:25.220 Get the

00:33:25.560 Sense

00:33:25.800 That he's

00:33:26.100 Just some

00:33:26.580 Kind of

00:33:27.220 Goofy

00:33:28.020 Thoughtful

00:33:29.500 Smart

00:33:29.940 Child

00:33:30.760 Who writes

00:33:32.020 These songs

00:33:32.700 But I don't

00:33:33.880 Think he's

00:33:34.160 Ever really

00:33:34.620 Expressed

00:33:35.560 His

00:33:35.780 Christianity

00:33:36.300 But he's

00:33:37.420 Only expressed

00:33:38.180 It in his

00:33:38.840 Lyrics

00:33:39.340 But in

00:33:40.760 His lyrics

00:33:41.360 And again

00:33:41.900 As we go

00:33:42.460 Through these

00:33:43.160 It's

00:33:44.120 Unmistakable

00:33:45.200 And

00:33:45.640 Undeniable

00:33:46.720 Yeah

00:33:47.720 I think

00:33:48.220 That he's

00:33:49.160 Just kind

00:33:49.720 Of a 0.97

00:33:49.900 Dorky 0.63

00:33:50.720 Kind of

00:33:51.480 Band

00:33:51.920 Kid

00:33:52.240 He's like

00:33:52.860 The anti

00:33:53.560 Bono

00:33:54.120 Bono's

00:33:54.820 Out there

00:33:55.500 He's

00:33:56.440 Bold

00:33:57.380 He's

00:33:57.780 Stating

00:33:58.240 His

00:33:58.500 Message

00:33:59.200 He's

00:34:01.200 Almost like

00:34:01.780 A

00:34:02.020 Profit

00:34:02.880 In

00:34:03.040 Training

00:34:03.500 But

00:34:04.380 Martin's

00:34:05.220 Very

00:34:05.620 Timid

00:34:06.240 And

00:34:06.460 Like

00:34:06.700 Reserve

00:34:07.120 Yeah

00:34:07.620 Like you

00:34:07.980 Said

00:34:08.240 He's

00:34:08.480 Not

00:34:08.820 He does

00:34:09.780 Not

00:34:10.000 Wear

00:34:10.200 This

00:34:10.480 On

00:34:10.640 His

00:34:10.800 Sleeve

00:34:11.540 Whatsoever

00:34:12.480 As far

00:34:14.540 As I

00:34:15.220 Feel

00:34:15.500 You

00:34:15.780 Obviously

00:34:17.420 It's

00:34:17.840 It's

00:34:18.180 One of

00:34:18.500 The

00:34:18.760 Highlights

00:34:19.320 Of

00:34:19.460 The

00:34:19.560 Album

00:34:19.900 I

00:34:20.840 Think

00:34:21.220 The

00:34:21.740 Sound

00:34:22.080 Is 0.88

00:34:22.260 Interesting

00:34:22.620 With

00:34:22.860 The

00:34:23.140 Panning

00:34:24.120 Of

00:34:24.260 The

00:34:24.400 Bass

00:34:24.720 Which

00:34:24.920 You

00:34:25.020 See

00:34:25.240 A lot

00:34:25.640 Especially

00:34:26.400 On a

00:34:26.680 Song

00:34:26.860 Like

00:34:27.080 In

00:34:27.260 Your

00:34:27.420 Room

00:34:27.740 I

00:34:29.140 Think

00:34:29.320 It's

00:34:29.500 A

00:34:29.720 Very

00:34:30.140 American

00:34:30.660 Sounding

00:34:31.420 Song

00:34:31.940 Because

00:34:32.260 Of

00:34:32.440 The

00:34:32.640 Blue

00:34:33.140 Shuffle

00:34:33.620 Rhythm

00:34:33.980 The

00:34:34.880 Usage

00:34:35.440 Of

00:34:35.580 The

00:34:35.700 Phrase

00:34:36.060 I

00:34:36.260 Feel

00:34:36.680 You

00:34:37.000 That

00:34:37.340 You

00:34:37.500 Hear

00:34:37.780 A lot

00:34:38.140 Of

00:34:38.280 American

00:34:38.560 Blacks 1.00

00:34:39.120 Use 0.98

00:34:39.500 Though

00:34:40.080 He's

00:34:40.320 Not

00:34:40.460 Using

00:34:40.740 It

00:34:40.880 This

00:34:41.040 Way

00:34:47.420 Just

00:34:47.980 The

00:34:48.140 Fact

00:34:48.380 That

00:34:48.540 He

00:34:48.680 Is 0.88

00:34:48.960 Using

00:34:49.260 It

00:34:49.540 Caught

00:34:50.360 My

00:34:50.680 Ear

00:34:51.600 And

00:34:52.920 I

00:34:53.080 Think

00:34:53.540 The

00:34:53.720 Band

00:34:54.080 Is 0.88

00:34:55.300 Certainly

00:34:55.600 This

00:34:56.640 Is 0.88

00:34:56.800 One

00:34:56.940 Of

00:34:57.020 The

00:34:57.120 Tracks

00:34:57.380 That

00:34:57.520 I

00:34:57.700 Pegged

00:34:58.340 As

00:34:58.460 Very

00:34:58.860 American

00:34:59.400 Because

00:35:00.120 Of

00:35:00.420 That

00:35:00.680 Grungy

00:35:01.840 Bluesy 0.68

00:35:02.500 And

00:35:06.740 It's

00:35:07.060 I

00:35:07.360 Think

00:35:07.520 Every

00:35:07.800 Single

00:35:08.040 One

00:35:08.220 Of

00:35:08.300 These

00:35:08.460 Songs

00:35:08.980 Including

00:35:10.200 This

00:35:10.500 One

00:35:10.760 Had

00:35:11.740 This

00:35:12.040 Lord

00:35:13.000 And

00:35:13.200 Lady

00:35:13.580 Dichotomy

00:35:14.460 That

00:35:15.240 You

00:35:16.000 Know

00:35:16.140 We've

00:35:16.620 Talked

00:35:16.840 About

00:35:17.060 Before

00:35:17.480 Or

00:35:18.600 Maybe

00:35:18.900 Lord

00:35:19.480 And

00:35:19.680 Lust

00:35:20.080 Dichotomy

00:35:21.140 That

00:35:21.480 Martin

00:35:21.960 Always

00:35:22.780 Uses

00:35:23.200 Where

00:35:24.060 One

00:35:25.080 Doesn't

00:35:25.380 Know

00:35:25.580 If

00:35:25.720 Martin

00:35:26.040 Is 0.88

00:35:26.240 Talking

00:35:26.540 About

00:35:26.880 A

00:35:27.340 Woman 0.99

00:35:27.560 Or

00:35:27.740 God

00:35:28.100 I

00:35:28.220 Mean

00:35:28.340 Take

00:35:28.620 Me

00:35:28.800 Through

00:35:29.060 And

00:35:30.360 Lead

00:35:30.640 Or

00:35:30.880 Take

00:35:31.100 Me

00:35:31.260 To

00:35:31.440 And

00:35:31.600 Lead

00:35:31.740 Me

00:35:31.860 Through

00:35:32.160 Oblivion

00:35:32.840 Sort

00:35:33.760 Of

00:35:33.900 Like

00:35:34.160 Gave

00:35:34.800 Me

00:35:35.160 Again

00:35:35.620 These

00:35:35.860 Kind

00:35:36.020 Of

00:35:36.440 Armageddon

00:35:37.220 Or

00:35:37.540 Revelation

00:35:38.480 Type

00:35:39.000 Of

00:35:39.240 Sentiments

00:35:40.360 Yeah

00:35:40.860 But

00:35:41.920 I

00:35:42.020 Was

00:35:42.140 Curious

00:35:42.460 What

00:35:42.640 You

00:35:42.720 Thought

00:35:42.920 About

00:35:43.100 Heaven

00:35:44.060 Yes

00:35:45.140 But

00:35:45.680 I

00:35:45.740 Was

00:35:45.840 Curious

00:35:46.080 What

00:35:46.240 You

00:35:46.320 Thought

00:35:46.520 About

00:35:46.700 Your

00:35:46.880 Rising

00:35:47.180 Son

00:35:47.580 Is 0.88

00:35:48.720 That

00:35:48.900 Their

00:35:49.080 Most

00:35:49.400 Apollonian

00:35:50.380 Lyric

00:35:50.840 I

00:35:51.500 Say

00:35:52.280 That

00:35:52.480 Yeah

00:35:52.720 Yeah

00:35:53.840 I

00:35:54.620 Would

00:35:55.580 Take

00:35:55.840 That

00:35:56.160 In

00:35:56.440 Jest

00:35:56.720 Yeah

00:35:56.940 I

00:35:57.080 Mean

00:35:57.220 It

00:35:57.520 It's

00:35:57.720 It's

00:35:57.740 A

00:35:58.100 I

00:35:59.080 I'm

00:35:59.180 Not

00:35:59.340 Sure

00:35:59.580 He's

00:35:59.860 Really

00:36:00.260 Going

00:36:00.780 For

00:36:01.000 That

00:36:01.160 Because

00:36:01.420 I

00:36:01.640 But

00:36:02.020 Right

00:36:02.400 Yeah

00:36:02.700 But

00:36:04.660 Yeah

00:36:05.000 I

00:36:05.100 Mean

00:36:05.220 The

00:36:05.380 Predominant

00:36:06.660 Theme

00:36:07.980 Is 0.88

00:36:09.000 Going

00:36:09.420 Through

00:36:09.780 Lust

00:36:10.340 Babylon

00:36:10.860 Going

00:36:11.260 Through

00:36:11.420 Death

00:36:11.800 Oblivion

00:36:12.840 Oblivion

00:36:13.620 And

00:36:14.700 You

00:36:15.200 Know

00:36:15.400 Ending

00:36:15.880 Up

00:36:16.080 In

00:36:16.260 Heaven

00:36:16.580 And

00:36:17.800 I

00:36:19.400 That

00:36:20.060 That's

00:36:20.440 The

00:36:20.680 Primary

00:36:21.320 Motive

00:36:22.140 I

00:36:22.280 Would

00:36:22.420 Say

00:36:22.700 But

00:36:23.540 Yeah

00:36:23.740 Even

00:36:24.120 The

00:36:24.280 Rising

00:36:24.600 Sun

00:36:24.940 To

00:36:25.100 Describe

00:36:25.440 A

00:36:25.640 Woman 0.99

00:36:26.020 Or

00:36:26.280 Jesus

00:36:27.420 I

00:36:28.500 Mean

00:36:28.600 Jesus

00:36:28.900 Has

00:36:29.500 Been

00:36:29.780 Connected

00:36:30.780 With

00:36:30.940 The

00:36:31.120 Rising

00:36:31.360 Sun

00:36:31.740 Yes

00:36:32.740 Quite

00:36:33.220 A

00:36:33.400 Bit

00:36:33.660 You

00:36:33.880 Know

00:36:34.060 Winter

00:36:35.180 Solstice

00:36:35.900 The

00:36:36.120 Sun

00:36:36.340 Starts

00:36:36.640 The

00:36:36.840 Sun

00:36:36.980 Rises

00:36:37.420 Again

00:36:37.840 And

00:36:38.160 All

00:36:38.280 That

00:36:38.400 Kind

00:36:38.560 Of

00:36:38.640 Stuff

00:36:38.860 Sun

00:36:40.480 And

00:36:40.660 Sun

00:36:41.080 Is 0.88

00:36:41.320 An

00:36:41.440 Interesting

00:36:41.760 Pun

00:36:42.180 S

00:36:42.560 U

00:36:42.720 S

00:36:43.060 O

00:36:43.180 N

00:36:43.400 Kind

00:36:44.960 Of

00:36:45.080 Unintentional

00:36:46.040 I

00:36:46.160 Guess

00:36:46.320 But

00:36:46.520 Interesting

00:36:46.880 And

00:36:47.660 Yeah

00:36:48.740 I

00:36:50.000 I

00:36:50.560 Think

00:36:50.960 That's

00:36:51.320 There

00:36:51.560 But

00:36:51.760 I

00:36:52.060 Again

00:36:53.420 I

00:36:53.640 Don't

00:36:54.060 Think

00:36:54.260 The

00:36:54.420 Song

00:36:54.740 Has

00:36:55.180 The

00:36:55.560 Hold

00:36:56.900 On

00:36:57.120 Your

00:36:57.240 Imagination

00:36:57.980 Unless

00:36:58.500 You

00:36:58.720 Understand

00:36:59.220 It's

00:36:59.600 Christian

00:37:00.600 Quality

00:37:01.040 Now

00:37:01.440 I

00:37:02.100 This

00:37:02.680 Might

00:37:02.860 Be

00:37:02.980 An

00:37:03.200 Opportunity

00:37:04.020 To

00:37:04.740 Talk

00:37:05.020 About

00:37:05.260 A

00:37:05.420 Subject

00:37:05.820 Which

00:37:06.400 I

00:37:06.520 Think

00:37:06.680 We

00:37:06.840 Probably

00:37:07.600 Addressed

00:37:08.240 In

00:37:08.420 The

00:37:08.580 Spirit

00:37:08.920 Review

00:37:09.340 Which

00:37:10.720 Was

00:37:11.540 Martin

00:37:13.320 Gore

00:37:13.740 Blackness 1.00

00:37:14.840 Let

00:37:16.500 Let

00:37:16.520 Let

00:37:16.660 Me

00:37:16.720 Just

00:37:16.920 Read

00:37:17.440 This

00:37:17.760 This

00:37:18.840 A

00:37:19.120 Couple 0.60

00:37:21.760 So

00:37:22.600 It

00:37:22.880 Was

00:37:23.060 An

00:37:23.200 Exhausted

00:37:23.900 Gore

00:37:24.340 Who

00:37:24.680 Hold

00:37:25.080 Up

00:37:25.380 At

00:37:26.680 His

00:37:27.040 Harpenden

00:37:28.480 House

00:37:29.040 At

00:37:29.360 The

00:37:29.480 Conclusion

00:37:30.000 Of

00:37:30.200 The

00:37:30.320 World

00:37:30.520 Violation

00:37:31.100 Tour

00:37:31.340 With

00:37:31.540 His

00:37:31.680 Pregnant 0.65

00:37:32.240 Texas

00:37:32.640 Girlfriend

00:37:33.280 Suzanne

00:37:34.700 Boisvert

00:37:36.760 Or

00:37:37.940 Boisvert

00:37:38.640 Or

00:37:38.960 However

00:37:39.400 You

00:37:39.560 Pronounce

00:37:39.860 It

00:37:40.060 Whom

00:37:40.620 He

00:37:40.740 Had

00:37:40.860 Met

00:37:41.060 In

00:37:41.220 Paris

00:37:41.680 Of

00:37:41.960 All

00:37:42.100 Places

00:37:42.520 Around

00:37:43.560 That

00:37:43.740 Time

00:37:44.100 Gore

00:37:44.500 Was

00:37:44.880 Understandably

00:37:45.700 Shocked

00:37:46.320 The

00:37:46.540 Revelation

00:37:47.060 That

00:37:47.660 The

00:37:47.840 Man

00:37:48.180 He

00:37:48.340 Had

00:37:48.440 Always

00:37:48.800 Thought

00:37:49.320 Was

00:37:49.820 His

00:37:49.980 Father

00:37:50.320 Was

00:37:50.720 In

00:37:51.020 Fact

00:37:51.460 His

00:37:51.740 Stepfather

00:37:52.420 Martin

00:37:54.080 Rang 0.71

00:37:54.420 Me

00:37:54.600 Up

00:37:54.800 One

00:37:55.020 Day

00:37:55.380 In

00:37:55.720 A

00:37:55.880 Fair

00:37:56.200 Old

00:37:56.720 Lava

00:37:57.240 An

00:37:57.780 Old

00:37:58.020 School

00:37:58.420 Friend

00:37:58.840 Revealed

00:37:59.380 But

00:37:59.960 With

00:38:00.140 Martin

00:38:00.540 You

00:38:00.940 Have

00:38:01.140 To

00:38:01.260 Wait

00:38:01.600 Until

00:38:01.880 You

00:38:02.080 Get

00:38:02.300 To

00:38:02.480 A

00:38:02.640 Point

00:38:02.980 Where

00:38:03.320 You

00:38:03.540 Can

00:38:03.700 Say

00:38:04.020 So

00:38:04.460 What

00:38:04.720 Happened

00:38:05.220 And

00:38:05.920 He

00:38:06.040 Said

00:38:06.220 Suzanne

00:38:06.780 Was

00:38:07.000 Carrying

00:38:07.520 Their

00:38:07.740 First

00:38:08.060 Child

00:38:08.580 Viva

00:38:09.180 Lee

00:38:09.580 It's

00:38:10.680 Funny

00:38:10.860 This

00:38:11.040 Text

00:38:11.280 Is 0.88

00:38:11.460 Viva

00:38:11.680 Lee

00:38:12.080 And

00:38:12.800 Then

00:38:12.900 He

00:38:13.020 Said

00:38:13.340 You're

00:38:13.740 Not

00:38:13.920 Going

00:38:14.160 To

00:38:14.380 Believe

00:38:14.760 This

00:38:15.080 But

00:38:15.240 By

00:38:15.440 Old

00:38:15.820 Man

00:38:16.220 A 0.93

00:38:16.480 Black 0.64

00:38:16.880 Man

00:38:17.220 Basically

00:38:18.320 Martin's

00:38:18.940 Mom

00:38:19.380 Went

00:38:19.820 Out

00:38:20.060 With

00:38:20.260 This

00:38:20.440 Guy

00:38:20.820 They

00:38:21.200 Weren't

00:38:21.500 Married

00:38:21.940 And

00:38:22.180 Martin

00:38:22.560 Was

00:38:22.980 The

00:38:23.140 Offshoot

00:38:23.800 Of

00:38:23.940 It

00:38:24.020 All

00:38:24.260 But

00:38:25.180 The

00:38:25.320 Strange

00:38:25.820 Thing

00:38:26.020 About

00:38:26.320 It

00:38:26.480 Was

00:38:26.700 That

00:38:26.980 His

00:38:27.200 Nickname

00:38:27.720 At

00:38:27.900 School

00:38:28.280 Was

00:38:28.640 Curly

00:38:29.260 Because

00:38:29.580 Of

00:38:29.720 His

00:38:29.840 Curly

00:38:30.300 Locks

00:38:30.940 And

00:38:31.600 He's

00:38:31.760 Got

00:38:31.920 A

00:38:32.100 Big

00:38:32.380 Long

00:38:32.880 Brown 0.70

00:38:33.360 Knob

00:38:34.060 That's

00:38:35.080 A 1.00

00:38:35.260 Penis 1.00

00:38:35.840 He 1.00

00:38:36.800 Used

00:38:41.680 Hell

00:38:42.180 That

00:38:42.860 Ain't

00:38:43.000 The

00:38:43.160 Same

00:38:43.320 Color

00:38:43.640 As

00:38:43.840 Mine

00:38:44.220 Anyway

00:38:45.160 The

00:38:45.980 Only

00:38:46.180 Reason

00:38:46.580 Martin's

00:38:47.080 Mom

00:38:47.300 Told

00:38:47.700 Him

00:38:48.000 About

00:38:48.380 His

00:38:48.520 Biological 0.65

00:38:49.020 Father

00:38:49.480 Was

00:38:50.140 That

00:38:50.320 Suzanne

00:38:50.900 Who's

00:38:51.280 A

00:38:51.400 White

00:38:51.660 Texan

00:38:52.240 Was

00:38:52.900 Having

00:38:53.260 His

00:38:53.460 Baby

00:38:53.760 And

00:38:54.040 She

00:38:54.180 Didn't

00:38:54.520 Want

00:38:54.840 Them

00:38:55.000 To

00:38:55.140 Have

00:38:55.320 A

00:38:55.480 Little

00:38:55.660 Black 0.64

00:38:56.140 Baby

00:38:56.500 And

00:38:56.720 Not

00:38:56.920 Know

00:38:57.160 About

00:38:57.460 It

00:38:57.680 This

00:38:58.320 Is 0.88

00:38:58.440 A

00:38:58.580 Bit

00:38:58.720 Politically

00:38:59.180 Incorrect

00:38:59.680 But

00:38:59.860 I

00:39:00.000 Guess

00:39:00.220 Genetically

00:39:01.540 Accurate

00:39:02.340 While

00:39:03.100 Gore

00:39:03.400 Remained

00:39:04.180 Ostensibly

00:39:04.860 Caucasian

00:39:05.540 In

00:39:05.660 Appearance

00:39:06.240 There

00:39:06.880 Was

00:39:07.000 The

00:39:07.140 Possibility

00:39:07.820 Of

00:39:07.980 His

00:39:08.100 Parents

00:39:08.360 Mixed

00:39:08.840 Race

00:39:09.080 Union

00:39:09.460 Having

00:39:09.760 A

00:39:09.960 Profound

00:39:10.500 Physical

00:39:11.080 Effect

00:39:11.520 On

00:39:11.700 His

00:39:11.820 Own

00:39:11.960 Offspring

00:39:12.460 Viva

00:39:13.960 Lee

00:39:14.300 Gore

00:39:14.760 Was

00:39:15.100 Born

00:39:15.420 On

00:39:16.040 June

00:39:16.400 6

00:39:16.780 1991

00:39:17.460 In

00:39:19.220 The

00:39:19.340 Event

00:39:19.700 Such

00:39:20.000 Concerns

00:39:20.580 Proved

00:39:20.980 Unfounded

00:39:21.760 And

00:39:22.520 I

00:39:22.620 Would

00:39:22.800 Underline

00:39:23.380 That

00:39:23.780 Gore

00:39:24.920 Biological 0.65

00:39:25.560 Father

00:39:25.940 Had

00:39:26.140 Been

00:39:26.260 An

00:39:26.420 American

00:39:26.760 GI

00:39:27.160 Stationed

00:39:27.780 In

00:39:27.860 The

00:39:27.980 UK

00:39:28.260 When

00:39:28.600 He

00:39:28.700 Met

00:39:28.920 Martin's

00:39:29.420 Mother

00:39:29.700 With

00:39:30.020 Unplanned

00:39:30.520 Consequences

00:39:31.340 The

00:39:32.060 Same

00:39:32.520 Unnamed

00:39:33.140 Source

00:39:33.560 Reveals

00:39:34.120 That

00:39:34.320 Although

00:39:34.820 Martin

00:39:35.180 Did

00:39:35.460 Eventually

00:39:35.920 Meet

00:39:36.360 His

00:39:36.520 Father

00:39:36.900 Reading

00:39:37.860 Between

00:39:38.180 The

00:39:38.360 Lines

00:39:38.700 It

00:39:38.840 Was

00:39:38.960 Not

00:39:39.320 Under

00:39:39.580 Pleasant

00:39:39.940 Circumstances

00:39:40.860 This

00:39:42.100 Is 0.88

00:39:42.300 Gore

00:39:42.920 He

00:39:43.260 Lived

00:39:43.600 In

00:39:43.720 A

00:39:43.840 Shotgun

00:39:44.340 Shack

00:39:44.740 Somewhere

00:39:45.040 In

00:39:45.220 The

00:39:45.300 Deep

00:39:45.480 South

00:39:45.840 He

00:39:46.620 Still

00:39:46.940 Lived

00:39:47.240 With

00:39:47.360 His

00:39:47.500 Own

00:39:47.660 Father

00:39:48.080 Grandpappy

00:39:48.900 And

00:39:49.480 I

00:39:49.600 Think

00:39:49.800 There

00:39:50.020 Was

00:39:50.180 An

00:39:50.320 Element

00:39:50.700 Of

00:39:50.920 This

00:39:51.080 Guy

00:39:51.320 Having

00:39:51.580 Found

00:39:51.940 His

00:39:52.140 Long

00:39:52.420 Lost

00:39:52.680 Son

00:39:53.060 Who

00:39:53.340 Is 0.88

00:39:53.420 Famous

00:39:53.880 And

00:39:54.060 Very

00:39:54.300 Very

00:39:54.580 Rich

00:39:54.980 I

00:39:55.660 Remember

00:39:55.880 The

00:39:56.020 Last

00:39:56.260 Drunken

00:39:56.640 Conversation

00:39:57.280 We

00:39:57.460 Had

00:39:57.700 And

00:39:57.820 I

00:39:57.940 Said

00:39:58.160 Did

00:39:58.580 You

00:39:58.720 Ever

00:39:58.900 Get

00:39:59.080 In

00:39:59.240 Touch

00:39:59.520 With

00:39:59.700 Your

00:39:59.900 Dad

00:40:00.180 Again

00:40:00.500 And

00:40:00.740 Martin

00:40:00.940 Said

00:40:01.260 No

00:40:02.300 It

00:40:02.640 Didn't

00:40:02.840 Work

00:40:03.060 Out

00:40:03.240 In

00:40:03.340 The

00:40:03.460 End

00:40:03.720 I

00:40:05.380 Have

00:40:06.680 Trouble

00:40:07.300 Believing

00:40:08.060 This

00:40:08.360 Story

00:40:08.800 And

00:40:09.200 I'm

00:40:09.400 Not

00:40:09.780 Saying

00:40:10.360 That

00:40:10.820 You

00:40:12.160 Know

00:40:12.360 Due

00:40:12.660 To

00:40:12.780 My

00:40:12.980 Own

00:40:13.340 You

00:40:14.520 Know

00:40:14.740 Notorious

00:40:16.380 Convictions

00:40:17.200 About

00:40:17.500 Things

00:40:17.860 If

00:40:20.480 Martin

00:40:21.180 Gore

00:40:21.600 Were

00:40:22.320 As 0.96

00:40:23.140 Black 0.64

00:40:23.800 As

00:40:23.980 Night

00:40:24.380 Or

00:40:25.420 If

00:40:25.640 He

00:40:25.740 Were

00:40:25.900 Indian

00:40:26.440 Or

00:40:26.920 Chinese

00:40:28.260 I

00:40:29.020 Would

00:40:29.280 Not

00:40:29.560 Care

00:40:29.980 I

00:40:30.280 Am

00:40:30.460 Able

00:40:30.880 To

00:40:31.340 See

00:40:33.280 Something

00:40:33.680 That

00:40:33.940 Transcends 0.91

00:40:35.040 You

00:40:35.920 Know

00:40:36.020 Circumstance

00:40:36.900 And

00:40:37.140 Race

00:40:37.640 And

00:40:37.780 All

00:40:37.880 That

00:40:38.020 Kind

00:40:38.160 Of

00:40:38.260 Stuff

00:40:38.500 I

00:40:40.360 Just

00:40:40.660 Simply

00:40:41.200 Don't

00:40:41.760 Believe

00:40:42.140 This

00:40:42.420 Story

00:40:42.820 Because

00:40:43.320 From

00:40:44.280 The

00:40:44.640 Reporting

00:40:45.800 That

00:40:46.900 Martin

00:40:47.320 Gave

00:40:47.780 About

00:40:48.060 Going

00:40:48.340 Somewhere

00:40:48.720 In

00:40:48.900 The

00:40:49.060 Deep

00:40:49.320 South

00:40:49.840 And

00:40:50.220 Like

00:40:50.400 A

00:40:50.560 Shotgun

00:40:51.100 Shack

00:40:51.660 And

00:40:51.900 You

00:40:52.960 Know

00:40:53.260 Living

00:40:53.500 With

00:40:53.720 Grandpappy

00:40:54.480 And

00:40:54.760 All

00:40:54.960 That

00:40:55.100 I

00:40:55.540 Just

00:40:55.820 Get

00:40:56.140 The

00:40:56.360 Very

00:40:56.760 Strong

00:40:57.200 Sense

00:40:57.680 That

00:40:58.100 This

00:40:58.500 Man

00:40:58.920 Is 0.88

00:40:59.300 Not

00:40:59.900 A

00:41:00.120 Mulatto

00:41:00.620 Or

00:41:01.000 Something

00:41:01.240 Like

00:41:01.460 That

00:41:01.660 I

00:41:01.820 Bet

00:41:02.020 He

00:41:02.200 Was

00:41:02.440 Drafted

00:41:04.600 Into

00:41:04.760 The

00:41:04.960 Service

00:41:05.460 Spent

00:41:06.840 Some

00:41:07.000 Time

00:41:07.260 In

00:41:07.380 The

00:41:07.500 UK

00:41:07.820 Or

00:41:10.600 Maybe

00:41:10.860 Not

00:41:11.060 Drafted

00:41:11.540 But

00:41:11.660 Joined

00:41:11.960 Up

00:41:12.260 And

00:41:13.360 I

00:41:14.600 Don't

00:41:15.480 Doubt

00:41:15.900 That

00:41:16.120 His

00:41:16.300 Mother

00:41:16.600 Might

00:41:16.980 Have

00:41:17.100 Had

00:41:17.480 A

00:41:17.700 Sort

00:41:17.960 Of

00:41:18.180 Relationship

00:41:19.100 With

00:41:19.280 Him

00:41:19.560 Fleeting

00:41:20.820 As

00:41:21.020 It

00:41:21.140 Is 0.88

00:41:21.440 But

00:41:21.840 And

00:41:22.380 Also

00:41:22.780 It's

00:41:23.040 Undeniable

00:41:23.620 That

00:41:24.300 Martin

00:41:25.020 Has

00:41:25.260 Curly

00:41:25.700 Hair

00:41:26.080 That

00:41:27.200 Is 0.88

00:41:27.460 I

00:41:28.120 Guess

00:41:28.260 Somewhat

00:41:28.600 Unusual

00:41:29.160 Apparently

00:41:29.820 With

00:41:30.800 Regard

00:41:31.060 To

00:41:31.340 His

00:41:31.620 Mother

00:41:32.140 And

00:41:32.980 There's

00:41:33.280 The 1.00

00:41:33.420 Penis 0.99

00:41:33.800 Thing 0.95

00:41:34.140 I

00:41:34.320 Mean

00:41:34.420 I

00:41:34.620 Don't

00:41:34.780 Even

00:41:34.920 Know

00:41:35.060 What

00:41:35.180 To

00:41:35.300 Make

00:41:35.500 That

00:41:35.940 He

00:41:36.240 He's

00:41:38.000 Such

00:41:38.180 A

00:41:38.320 Kind

00:41:38.460 Of

00:41:38.540 Child

00:41:38.980 Like

00:41:39.300 Person

00:41:39.640 It's

00:41:39.840 Kind

00:41:39.940 Funny

00:41:40.360 To

00:41:40.640 Imagine

00:41:41.020 He's

00:41:41.360 Got

00:41:41.520 A

00:41:41.640 Big 0.99

00:41:41.820 Dick 0.96

00:41:42.120 But 0.98

00:41:42.340 Whatever

00:41:42.820 It

00:41:44.220 Just

00:41:44.380 Doesn't

00:41:44.640 Matter

00:41:45.520 The

00:41:47.780 Fact

00:41:48.200 Is 0.88

00:41:48.600 People

00:41:49.360 Who

00:41:49.600 Are

00:41:49.720 Half

00:41:50.220 Mixed

00:41:50.660 Race

00:41:50.960 Who

00:41:51.140 Are

00:41:51.220 Half

00:41:51.480 Black 0.64

00:41:51.840 Look 0.91

00:41:52.160 Like

00:41:52.400 Barack

00:41:52.780 Obama

00:41:53.200 And

00:41:54.620 It

00:41:55.180 Is 0.88

00:41:55.340 Possible

00:41:56.040 That

00:41:57.340 You

00:41:58.380 Could

00:41:59.000 Just

00:41:59.840 Have

00:42:00.320 A

00:42:00.720 Seemingly

00:42:01.540 White

00:42:02.200 Child

00:42:02.800 With

00:42:03.640 A 0.59

00:42:03.800 Black 0.64

00:42:04.100 Man 0.91

00:42:04.300 It's

00:42:04.520 Certainly

00:42:04.840 Possible

00:42:05.280 If

00:42:05.480 He's

00:42:05.760 Of

00:42:05.880 Mixed

00:42:06.120 Race

00:42:06.320 Too

00:42:06.580 There's

00:42:06.900 It's

00:42:07.120 A

00:42:07.220 You

00:42:07.300 Know

00:42:07.400 Genetic

00:42:07.840 Lottery

00:42:08.300 And

00:42:08.480 Just

00:42:08.640 The

00:42:08.900 Genes

00:42:09.820 Line

00:42:10.080 Up

00:42:10.320 And

00:42:10.460 You

00:42:10.560 Produce

00:42:10.860 Martin

00:42:11.200 I

00:42:12.200 Remember

00:42:12.520 Some

00:42:12.780 Story

00:42:13.380 A

00:42:13.820 While

00:42:14.060 Back

00:42:14.440 That

00:42:14.620 Was

00:42:14.720 In

00:42:14.840 One

00:42:14.980 Of

00:42:15.080 Those

00:42:15.280 Terrible 0.99

00:42:16.300 British

00:42:16.800 Newspaper

00:42:17.360 About

00:42:17.740 This

00:42:18.540 Mixed

00:42:18.940 Race

00:42:19.140 Couple 0.60

00:42:19.580 And

00:42:20.040 They

00:42:20.180 Had

00:42:20.580 Fraternal

00:42:21.580 Twins

00:42:22.180 So

00:42:23.300 You

00:42:23.980 Know

00:42:24.220 Separate

00:42:25.640 Eggs

00:42:26.040 That

00:42:26.240 Had

00:42:26.360 Both

00:42:26.660 Been

00:42:26.860 Fertilized

00:42:27.560 And

00:42:32.800 Race

00:42:33.160 And

00:42:33.300 The

00:42:33.420 Woman 0.99

00:42:33.620 Is 0.88

00:42:33.800 White

00:42:34.120 And

00:42:34.400 So

00:42:34.560 It

00:42:34.760 Just

00:42:34.960 Kind

00:42:35.300 Of

00:42:35.420 Ended

00:42:36.020 Up

00:42:36.220 Looking

00:42:36.620 That

00:42:36.900 Way

00:42:37.160 But

00:42:37.780 It's

00:42:38.600 Again

00:42:38.900 It's

00:42:39.180 It's

00:42:39.360 Like

00:42:39.540 Thousands

00:42:40.580 Of

00:42:40.980 Hundreds

00:42:41.980 Of

00:42:42.220 Thousands

00:42:42.480 Of

00:42:42.720 Genes

00:42:43.220 Alighting

00:42:44.200 It's

00:42:44.860 It's

00:42:45.100 Not

00:42:45.220 Like

00:42:45.360 There's

00:42:45.560 One

00:42:45.860 Gene

00:42:46.300 Like

00:42:46.640 You 0.95

00:42:46.940 White 0.83

00:42:47.300 Like 0.63

00:42:47.600 You 0.99

00:42:47.740 Black 0.99

00:42:48.140 Or

00:42:48.540 Something

00:42:48.800 You

00:42:48.980 Know

00:42:49.100 Like

00:42:49.320 On

00:42:49.620 Off

00:42:49.900 Switch

00:42:50.260 It's

00:42:50.960 It's

00:42:51.160 A

00:42:51.320 You

00:42:51.820 Know

00:42:51.980 Varied

00:42:52.660 Combination

00:42:53.300 And

00:42:53.500 So

00:42:53.580 You

00:42:53.720 Do

00:42:53.880 Have

00:42:54.020 Someone

00:42:54.280 Like

00:42:54.500 Barack

00:42:54.880 Obama

00:42:55.300 Who

00:42:56.540 Looks

00:42:57.120 Definitely

00:42:57.940 Different

00:42:58.340 Than

00:42:58.580 His

00:42:58.720 Father

00:42:59.000 But

00:42:59.340 Is 0.88

00:42:59.800 Unmistakably

00:43:01.280 Of

00:43:01.560 African

00:43:02.120 American

00:43:02.520 You

00:43:02.760 Know

00:43:02.820 African

00:43:03.140 Descent

00:43:03.580 Yeah

00:43:04.440 I

00:43:05.140 Don't

00:43:05.580 Believe

00:43:05.980 This

00:43:06.380 And

00:43:06.920 I

00:43:08.260 Also

00:43:08.860 Think

00:43:09.140 It

00:43:09.260 Would

00:43:09.420 Have

00:43:09.520 Shown

00:43:10.100 In

00:43:10.560 Viva

00:43:10.980 Lee's

00:43:11.600 You

00:43:13.820 Know

00:43:13.940 Outward

00:43:14.340 Characteristics

00:43:15.120 Physiogamy

00:43:15.800 I

00:43:17.720 Just

00:43:18.180 I

00:43:18.520 Think

00:43:18.880 Her

00:43:19.160 His

00:43:19.660 Mother

00:43:20.220 Probably

00:43:21.620 Was

00:43:22.000 Sleeping

00:43:22.480 Around

00:43:23.060 And

00:43:24.720 She

00:43:25.080 Might

00:43:25.360 Have

00:43:25.460 Even

00:43:25.660 Genuinely

00:43:26.200 Believed

00:43:26.720 This

00:43:27.140 Or

00:43:27.540 She

00:43:27.820 Might

00:43:28.140 Have

00:43:28.380 Been

00:43:30.020 Embarrassed

00:43:30.680 About

00:43:30.840 The

00:43:31.020 Man

00:43:31.260 Who

00:43:31.420 Actually

00:43:31.700 Is 0.88

00:43:31.980 Martin's

00:43:32.420 Father

00:43:32.680 And

00:43:34.200 Made

00:43:34.640 Up

00:43:34.780 A

00:43:34.960 Story

00:43:35.320 That

00:43:35.780 By

00:43:36.100 The

00:43:36.300 90s

00:43:36.960 Was

00:43:37.460 Actually

00:43:38.080 Politically

00:43:38.680 Correct

00:43:39.200 Particularly

00:43:40.760 Now

00:43:41.120 That

00:43:41.300 Martin

00:43:41.620 Is 0.88

00:43:41.860 Rich

00:43:42.240 And

00:43:42.380 Famous

00:43:42.760 And

00:43:43.020 You

00:43:43.300 Know

00:43:43.400 Nothing

00:43:43.640 Can

00:43:43.920 Really

00:43:44.160 Slow

00:43:44.420 Him

00:43:44.580 Down

00:43:44.880 I

00:43:46.400 Think

00:43:47.060 That

00:43:47.480 Is 0.88

00:43:47.680 What

00:43:48.020 Is 0.88

00:43:48.300 Happening

00:43:48.820 And

00:43:49.100 I

00:43:49.240 Think

00:43:49.420 There

00:43:49.600 Is 0.88

00:43:49.760 A

00:43:50.040 Different

00:43:51.080 Curly

00:43:51.860 Haired

00:43:52.280 Man

00:43:52.700 Who

00:43:53.580 Had

00:43:55.500 The

00:43:55.720 Encounter

00:43:56.540 With

00:43:56.840 Martin

00:43:57.180 Cors

00:43:57.460 Mother

00:43:57.860 At

00:43:58.540 Some

00:43:58.820 Point

00:43:59.160 And

00:43:59.380 That

00:43:59.560 Produced

00:43:59.940 Martin

00:44:00.260 Maybe

00:44:00.640 She's

00:44:00.900 Embarrassed

00:44:01.360 About

00:44:01.520 That

00:44:01.820 Maybe

00:44:02.360 She's

00:44:02.680 Kind of

00:44:03.020 Fantasizing

00:44:03.820 About

00:44:04.140 Martin's

00:44:04.780 Father

00:44:05.320 But

00:44:06.120 I

00:44:06.540 Just

00:44:06.780 Have

00:44:07.200 An

00:44:07.500 Exceedingly

00:44:08.300 Hard

00:44:08.680 Time

00:44:09.180 Believing

00:44:09.720 That

00:44:11.020 His

00:44:11.840 Father

00:44:12.300 Is 0.88

00:44:12.800 An

00:44:12.940 African

00:44:13.320 American

00:44:13.820 Guy

00:44:14.860 And

00:44:15.120 It

00:44:15.220 Would

00:44:15.440 Have

00:44:15.560 Shown

00:44:15.860 Up

00:44:16.180 But

00:44:16.680 That

00:44:16.920 Is 0.88

00:44:17.080 Just

00:44:17.240 Simply

00:44:17.680 My

00:44:19.020 Opinion

00:44:19.620 It's

00:44:19.980 Speculation

00:44:20.740 Martin

00:44:21.720 Didn't

00:44:22.220 Bond

00:44:22.560 With

00:44:22.760 Him

00:44:22.960 And

00:44:23.520 You

00:44:24.680 Know

00:44:24.740 I

00:44:24.860 Know

00:44:24.960 He

00:44:25.060 Had

00:44:25.160 Never

00:44:25.320 Met

00:44:25.560 Him

00:44:25.680 Before

00:44:25.980 But

00:44:26.200 You

00:44:26.920 Know

00:44:27.120 The

00:44:27.600 Call

00:44:27.820 Of

00:44:27.980 Blood

00:44:28.260 It's

00:44:28.500 Pretty

00:44:28.680 Strong

00:44:29.000 You

00:44:29.160 Probably

00:44:29.360 Would

00:44:29.580 Have

00:44:29.700 Bonded

00:44:30.120 With

00:44:30.420 Your

00:44:31.220 Father

00:44:31.560 At

00:44:31.760 Some

00:44:32.040 Level

00:44:32.700 I

00:44:33.320 Wonder

00:44:33.840 If

00:44:34.040 They

00:44:34.160 Had

00:44:34.420 Like

00:44:34.640 Even

00:44:34.820 Like

00:44:34.980 The

00:44:35.160 Same

00:44:35.460 You

00:44:35.780 Know

00:44:35.880 How

00:44:36.060 Twins

00:44:37.220 Separated

00:44:37.820 Obviously

00:44:38.180 They're

00:44:38.380 Not

00:44:38.500 Twins

00:44:38.740 But

00:44:38.920 Twins

00:44:39.160 Separated

00:44:39.580 At

00:44:39.720 Birth

00:44:39.960 Will

00:44:40.100 Have

00:44:40.260 Like

00:44:40.440 Similar

00:44:40.780 Mannerisms

00:44:41.500 And

00:44:41.780 Stuff

00:44:42.000 Like

00:44:42.160 That

00:44:42.340 They

00:44:42.540 If

00:44:42.920 One

00:44:43.080 Bites

00:44:43.340 Their

00:44:43.540 Nails

00:44:43.760 The

00:44:43.900 Other

00:44:44.020 One

00:44:44.200 I

00:44:44.420 Wonder

00:44:44.620 If

00:44:44.740 They

00:44:44.860 Had

00:44:45.160 Anything

00:44:45.520 Like

00:44:45.960 Like

00:44:46.680 That

00:44:47.040 But

00:44:48.140 As

00:44:48.660 Far

00:44:48.820 As

00:44:48.920 I

00:44:49.000 Understand

00:44:49.280 Though

00:44:49.480 You

00:44:49.700 Saying

00:44:50.020 In

00:44:50.220 That

00:44:50.380 Passage

00:44:50.860 This

00:44:51.140 Was

00:44:51.340 Not

00:44:51.700 Substantiated

00:44:52.700 Correct

00:44:53.000 Like

00:44:53.360 No

00:44:54.400 There's

00:44:54.640 No

00:44:54.800 I

00:44:55.120 There's

00:44:56.100 Not

00:44:56.300 There's

00:44:56.540 Not

00:44:56.660 Been

00:44:56.800 Like

00:44:56.980 DNA

00:44:57.300 Test

00:44:57.760 Or

00:44:57.920 Anything

00:44:58.120 Like

00:44:58.360 That

00:44:58.480 Yeah

00:44:58.780 Interesting

00:45:00.160 I

00:45:00.800 Mean

00:45:00.920 Maybe

00:45:01.220 If

00:45:01.680 The

00:45:01.880 Guy

00:45:02.120 Wanted

00:45:02.540 Money

00:45:02.960 Or

00:45:03.180 Something

00:45:03.460 He

00:45:03.660 Might

00:45:03.860 Do

00:45:04.060 I

00:45:04.280 Don't

00:45:04.500 I

00:45:04.660 Don't

00:45:04.980 Think

00:45:05.180 Martin

00:45:05.940 Owes 1.00

00:45:06.680 Him

00:45:06.860 Any

00:45:07.040 Money

00:45:07.300 It

00:45:07.480 Would

00:45:07.500 Be

00:45:07.620 The

00:45:08.060 Reverse

00:45:08.660 Like

00:45:08.960 You

00:45:09.120 Would

00:45:09.280 Prove

00:45:10.200 Paternity 1.00

00:45:10.760 For

00:45:11.080 Child

00:45:11.420 Support

00:45:11.760 Or

00:45:11.920 Something

00:45:12.200 But

00:45:13.700 Maybe

00:45:13.920 He

00:45:14.080 Wanted

00:45:14.580 Again

00:45:20.220 It's

00:45:21.540 Just

00:45:21.740 A

00:45:21.920 Weird

00:45:22.220 Thing

00:45:22.720 And

00:45:23.140 I

00:45:23.320 Just

00:45:23.540 Simply

00:45:23.880 Don't

00:45:24.160 Believe

00:45:24.420 It

00:45:24.620 And

00:45:25.280 The

00:45:26.000 Other

00:45:26.160 Thing

00:45:26.400 It

00:45:26.640 I

00:45:27.220 Think

00:45:27.460 I'm

00:45:27.800 Not

00:45:27.940 The

00:45:28.080 Only

00:45:28.320 One

00:45:28.680 Who

00:45:28.840 Is 0.88

00:45:28.980 Highly

00:45:29.260 Skeptical

00:45:29.760 Of

00:45:29.920 This

00:45:30.080 Because

00:45:30.400 Whenever

00:45:31.480 I

00:45:31.700 Hear

00:45:31.960 About

00:45:32.200 Martin

00:45:32.460 Gore

00:45:32.780 Like

00:45:33.080 Read

00:45:33.360 Read

00:45:34.340 Something

00:45:34.640 About

00:45:34.980 Him

00:45:35.200 Or

00:45:35.360 It's

00:45:36.080 Never

00:45:36.340 Mentioned

00:45:36.820 I

00:45:37.240 Think

00:45:37.400 Basically

00:45:37.880 Most

00:45:38.660 Everyone

00:45:39.020 Comes

00:45:39.340 To

00:45:39.440 The

00:45:39.560 Same

00:45:39.740 Conclusion

00:45:40.280 That

00:45:40.460 I

00:45:40.600 Do

00:45:40.780 Which

00:45:41.020 Is 0.88

00:45:41.160 That

00:45:41.440 Martin

00:45:41.940 Gore

00:45:42.200 Mother

00:45:42.640 There's

00:45:43.400 Some

00:45:43.580 Story

00:45:44.120 There

00:45:44.480 That

00:45:44.720 She's

00:45:45.060 Trying

00:45:45.420 To

00:45:45.620 Avoid

00:45:46.060 Something

00:45:46.840 I

00:45:47.040 Don't

00:45:47.220 Know

00:45:47.420 Yeah

00:45:47.840 Well

00:45:49.060 I

00:45:49.240 Mean

00:45:49.940 How

00:45:50.200 Many

00:45:50.380 Irish

00:45:50.780 People

00:45:51.200 Or

00:45:51.860 Maybe

00:45:52.760 Even

00:45:53.000 Some

00:45:53.220 English

00:45:53.440 You

00:45:53.600 Have

00:45:53.880 Curly

00:45:54.340 Hair

00:45:54.600 Like

00:45:54.920 I

00:45:55.980 Don't

00:45:56.160 Know

00:45:56.420 It's

00:45:57.200 That's

00:45:57.560 Great

00:45:57.780 Or

00:45:58.100 A 1.00

00:45:58.540 Fucking 0.99

00:45:58.860 Big 1.00

00:45:59.220 Dick 0.98

00:45:59.480 Like 0.98

00:45:59.720 It's

00:46:00.100 Not

00:46:00.380 Right

00:46:01.000 Impossible

00:46:01.860 That's

00:46:02.980 Interesting

00:46:03.400 Yeah

00:46:03.680 He

00:46:03.820 Just

00:46:04.060 He

00:46:04.400 Just

00:46:05.260 Doesn't

00:46:05.660 Match

00:46:06.160 Up

00:46:06.340 Like

00:46:06.480 He's

00:46:06.640 Got

00:46:06.760 A

00:46:06.900 Bridge

00:46:07.120 In

00:46:07.240 His 0.81

00:46:07.380 Nose

00:46:07.780 He's

00:46:08.280 Got

00:46:08.420 Very

00:46:08.720 Pale

00:46:09.060 Skin

00:46:09.480 Yeah

00:46:10.780 It's

00:46:12.380 Unbelievable

00:46:12.880 Basically

00:46:13.700 But

00:46:14.620 You

00:46:14.920 Know

00:46:15.100 It

00:46:15.360 Kind

00:46:15.760 Of

00:46:15.860 Adds

00:46:16.240 To

00:46:16.360 The

00:46:16.500 Legend

00:46:16.820 And

00:46:17.160 It

00:46:17.640 Does

00:46:18.060 Make

00:46:18.600 I

00:46:19.680 Don't

00:46:19.860 Know

00:46:20.000 It

00:46:20.120 Adds

00:46:20.400 Like

00:46:20.580 A

00:46:20.880 It

00:46:22.060 Adds

00:46:22.480 A

00:46:22.600 Layer

00:46:22.840 I

00:46:23.000 Mean

00:46:23.100 If

00:46:23.260 You

00:46:23.420 Imagine

00:46:23.920 That

00:46:24.160 Martin

00:46:24.520 Might

00:46:25.020 Believe

00:46:25.500 This

00:46:25.960 Again

00:46:26.940 He

00:46:27.340 Doesn't

00:46:27.620 Talk

00:46:27.900 About

00:46:28.140 It

00:46:28.280 So

00:46:28.420 I'm

00:46:28.580 Not

00:46:28.740 Even

00:46:28.920 Sure

00:46:29.140 He

00:46:29.300 Believes

00:46:29.620 In

00:46:29.740 Himself

00:46:30.180 But

00:46:31.360 It

00:46:32.460 Does

00:46:32.940 Add

00:46:33.520 A

00:46:33.680 Little

00:46:33.840 Bit

00:46:34.000 Of

00:46:34.100 A

00:46:34.260 Layer

00:46:34.600 Sure

00:46:35.160 Yeah

00:46:35.740 Yeah

00:46:36.360 The

00:46:36.500 Bluesy 0.68

00:46:37.000 Songs

00:46:37.520 The

00:46:37.800 African

00:46:38.140 American

00:46:38.640 Songs

00:46:39.800 The

00:46:40.160 Like

00:46:41.760 All

00:46:42.080 You

00:46:42.800 Know

00:46:43.060 Soul

00:46:43.440 Sisters

00:46:43.860 And

00:46:44.160 Soul

00:46:44.320 Brothers

00:46:44.680 I

00:46:44.860 Mean

00:46:44.980 It

00:46:45.300 Adds

00:46:45.740 A

00:46:45.820 Little

00:46:45.940 Layer

00:46:46.300 But

00:46:46.660 That's

00:46:49.240 About

00:46:49.520 All

00:46:50.980 I

00:46:51.140 Would

00:46:51.280 Say

00:46:52.180 About

00:46:52.460 It

00:46:52.660 As

00:46:53.540 Long

00:46:53.680 As

00:46:53.780 We're

00:46:53.860 On

00:46:53.960 The

00:46:54.060 Topic

00:46:54.440 Though

00:46:54.640 Real

00:46:54.900 Quick

00:46:55.160 I

00:46:55.340 Know

00:46:55.680 That

00:46:55.940 I

00:46:56.400 Think

00:46:56.820 I

00:46:56.920 Said

00:46:57.060 This

00:46:57.200 In

00:46:57.280 Our

00:46:57.380 First

00:46:57.620 Podcast

00:46:57.940 But

00:46:58.260 Dave's

00:46:58.860 Biological 0.65

00:46:59.420 Father

00:46:59.900 Was

00:47:00.480 Like

00:47:00.620 A

00:47:00.780 Malay

00:47:01.200 Indian

00:47:01.540 Or

00:47:01.700 Something

00:47:01.880 Like

00:47:02.040 An

00:47:02.240 Indian

00:47:02.500 From

00:47:02.740 Malaysia

00:47:03.160 I

00:47:03.600 Believe

00:47:03.900 And

00:47:04.360 That

00:47:04.560 I

00:47:04.700 Can

00:47:04.860 Actually

00:47:05.240 See

00:47:05.680 Dave's

00:47:06.500 He's

00:47:07.420 Like

00:47:07.520 The

00:47:07.640 Darkest

00:47:08.040 In

00:47:08.140 The

00:47:08.240 Band

00:47:08.520 And

00:47:08.900 I

00:47:09.060 Was

00:47:09.200 Saying

00:47:09.460 On

00:47:09.920 Twitter

00:47:11.060 How

00:47:11.340 He

00:47:11.580 Kind

00:47:11.780 Of

00:47:11.900 Looks

00:47:12.200 Like

00:47:12.780 In

00:47:13.460 His

00:47:13.620 Elder 0.69

00:47:14.400 Age

00:47:14.840 He

00:47:14.940 Kind

00:47:15.060 Looks

00:47:15.240 Like

00:47:15.380 Ben

00:47:15.660 Kingsley

00:47:16.060 Playing

00:47:16.480 Gandhi

00:47:17.140 A

00:47:17.260 Little

00:47:17.380 Bit

00:47:17.560 He

00:47:17.820 Just

00:47:17.980 Kind

00:47:18.120 Of

00:47:18.180 Looks

00:47:18.320 Like

00:47:18.520 Ben

00:47:19.120 Kingsley

00:47:19.480 Anyway

00:47:19.760 But

00:47:20.080 Yeah

00:47:20.360 It

00:47:20.520 Is 0.88

00:47:20.700 That

00:47:21.900 Is 0.88

00:47:22.120 Actually

00:47:22.520 Pretty

00:47:24.320 Interesting

00:47:24.760 Yeah

00:47:26.100 That

00:47:26.580 I

00:47:26.740 Can

00:47:26.900 Believe

00:47:27.340 I

00:47:29.120 Think

00:47:29.500 We

00:47:29.740 Talked

00:47:30.320 A

00:47:30.420 Little

00:47:30.540 Bit

00:47:30.740 About

00:47:30.980 This

00:47:31.240 With

00:47:31.660 Ultra

00:47:32.320 But

00:47:32.820 Dave

00:47:35.240 Walking

00:47:35.380 In

00:47:35.880 His

00:47:36.040 Father's

00:47:36.580 Shoes

00:47:37.060 So

00:47:37.760 To

00:47:37.920 Speak

00:47:38.220 I

00:47:38.400 Mean

00:47:38.520 There

00:47:38.700 So

00:47:39.240 He

00:47:39.520 Has

00:47:40.040 Three

00:47:40.520 Wives

00:47:41.100 There's

00:47:41.860 Joanne

00:47:42.520 From

00:47:42.960 Basildon

00:47:43.740 There's

00:47:45.180 Teresa

00:47:45.700 And

00:47:46.740 Then

00:47:47.880 Jennifer

00:47:48.400 And

00:47:49.140 They're

00:47:50.400 Kind

00:47:50.720 Of

00:47:50.820 Three

00:47:51.200 Stages

00:47:51.740 Of

00:47:51.940 His

00:47:52.080 Life

00:47:52.540 So

00:47:52.840 There's

00:47:53.080 The

00:47:53.220 Basildon

00:47:53.740 Girl 0.91

00:47:54.040 They

00:47:54.280 Were

00:47:54.380 Married

00:47:54.640 For

00:47:54.780 About

00:47:54.920 Six

00:47:55.140 Years

00:47:55.360 They

00:47:55.520 Have

00:47:55.720 A

00:47:55.840 Child

00:47:56.200 Teresa

00:47:58.300 Just

00:47:58.620 Seems

00:47:58.920 To

00:47:59.140 To

00:47:59.160 Be

00:47:59.600 Toxic

00:48:00.700 And

00:48:02.200 I

00:48:02.640 Mentioned

00:48:03.120 To

00:48:03.200 Her

00:48:03.340 A

00:48:03.540 Little

00:48:03.680 Bit

00:48:03.980 With

00:48:04.200 Ultra

00:48:04.640 She

00:48:06.040 Apparently

00:48:07.640 Had

00:48:09.060 Some

00:48:09.980 Sort

00:48:10.320 Of

00:48:10.460 Foreign

00:48:10.980 Career

00:48:11.480 She

00:48:12.320 Was

00:48:12.500 Their

00:48:12.640 American

00:48:13.060 Publicist

00:48:13.980 And

00:48:14.500 You

00:48:14.900 Know

00:48:15.120 This

00:48:15.940 Was

00:48:16.100 At

00:48:16.220 Their

00:48:16.340 Height

00:48:16.600 Of

00:48:16.700 Their

00:48:16.840 Fame

00:48:17.280 And

00:48:17.520 Also

00:48:17.820 When

00:48:18.900 They're

00:48:19.060 Still

00:48:19.260 Young

00:48:19.680 They're

00:48:20.520 Probably

00:48:20.840 You

00:48:21.200 Know

00:48:21.340 Sleeping

00:48:21.820 With

00:48:22.240 Everything

00:48:22.560 That

00:48:22.740 Has

00:48:22.900 A

00:48:23.060 Skirt

00:48:23.380 And

00:48:25.100 Or

00:48:25.420 A

00:48:25.560 Pulse

00:48:25.900 And

00:48:27.020 She

00:48:27.640 Is 0.88

00:48:27.840 Part

00:48:28.180 Of

00:48:28.340 That

00:48:28.680 And

00:48:29.040 As

00:48:29.400 I

00:48:29.540 Mentioned

00:48:29.900 With

00:48:30.040 Ultra

00:48:30.300 I

00:48:30.520 Think

00:48:30.660 She

00:48:30.820 Was

00:48:31.080 Actually

00:48:31.460 Really

00:48:31.940 Toxic

00:48:32.500 And

00:48:33.320 In

00:48:33.940 Some

00:48:34.340 Ways

00:48:34.820 She's

00:48:35.960 She offers

00:48:37.500 A little

00:48:37.800 Bit of

00:48:38.080 Defense

00:48:38.700 For

00:48:39.840 Dave

00:48:40.360 For

00:48:40.940 Abandoning

00:48:41.640 His

00:48:41.820 Child

00:48:42.300 With

00:48:42.740 Joanne

00:48:43.260 So

00:48:43.620 When

00:48:44.300 He

00:48:44.440 Got

00:48:44.800 Out

00:48:45.000 Of

00:48:45.140 Rehab

00:48:45.600 I

00:48:45.820 Think

00:48:46.140 It

00:48:46.240 Was

00:48:46.340 The

00:48:46.480 First

00:48:46.720 Time

00:48:47.180 She

00:48:47.460 Said

00:48:47.680 Just

00:48:47.920 Because

00:48:48.140 You

00:48:48.420 Have

00:48:48.560 To

00:48:48.700 Stop

00:48:49.160 Drinking

00:48:49.800 And

00:48:49.980 Drugging

00:48:50.320 Doesn't

00:48:50.580 Mean

00:48:50.740 I

00:48:51.000 Have

00:48:51.240 To

00:48:51.440 I

00:48:51.660 Won't

00:48:52.220 And

00:48:53.660 That

00:48:54.500 Is 0.88

00:48:54.860 As I

00:48:56.220 Mentioned

00:48:56.540 Quite

00:48:57.000 Possibly

00:48:57.660 The

00:48:57.860 Worst

00:48:58.160 Thing

00:48:58.460 You

00:48:58.820 Could

00:48:59.000 Do

00:48:59.300 For

00:48:59.760 Someone

00:49:00.080 Who

00:49:00.400 Is 0.88

00:49:00.640 On

00:49:00.980 Death's

00:49:01.380 Door

00:49:01.620 And

00:49:03.080 So

00:49:03.420 She

00:49:03.780 Was

00:49:03.980 Almost

00:49:04.200 Expressed

00:49:04.960 His

00:49:05.400 Descent

00:49:06.520 Into

00:49:07.180 Lust

00:49:08.720 I

00:49:08.980 Mean

00:49:09.080 They

00:49:09.240 When

00:49:09.440 They

00:49:09.560 Got

00:49:09.700 Married

00:49:10.160 It

00:49:10.320 Was

00:49:10.460 It

00:49:10.740 Was

00:49:10.920 In

00:49:11.060 Vegas

00:49:11.560 None

00:49:12.140 Of

00:49:12.240 The

00:49:12.320 Other

00:49:12.500 Band

00:49:12.780 Members

00:49:13.080 Were

00:49:13.240 There

00:49:13.480 It

00:49:13.600 Was

00:49:13.680 This

00:49:13.920 Elvis

00:49:14.580 Themed

00:49:15.180 You

00:49:15.600 Know

00:49:15.800 Debacle

00:49:16.540 Luckily

00:49:19.980 He

00:49:20.260 Got

00:49:20.420 Away

00:49:20.640 From

00:49:20.860 Her

00:49:21.140 And

00:49:21.980 When

00:49:22.180 He

00:49:22.300 Describes

00:49:22.980 Jennifer

00:49:23.520 From

00:49:23.860 Arizona

00:49:24.280 He

00:49:24.680 Says 0.93

00:49:24.880 She

00:49:25.020 Doesn't

00:49:25.320 Even

00:49:25.460 Care

00:49:25.700 About

00:49:25.860 Her

00:49:25.980 Music

00:49:26.300 She

00:49:26.580 Just

00:49:26.740 Cares

00:49:26.920 About

00:49:27.140 Me

00:49:27.300 She

00:49:27.780 Seems

00:49:28.100 I

00:49:29.060 Don't

00:49:29.480 Know

00:49:29.720 Much

00:49:30.180 About

00:49:30.620 Her

00:49:30.760 At

00:49:30.880 All

00:49:31.060 But

00:49:31.240 She

00:49:31.380 Just

00:49:31.600 Seems

00:49:31.960 Stable

00:49:32.620 And

00:49:33.120 Normal

00:49:34.720 Someone

00:49:35.180 Who

00:49:35.380 Would

00:49:35.640 Never

00:49:35.920 Have

00:49:36.440 Any

00:49:36.620 Interest

00:49:37.060 In

00:49:37.220 Heroin

00:49:37.720 And

00:49:38.540 That

00:49:39.100 Yeah

00:49:39.740 It's

00:49:40.060 Interesting

00:49:40.400 On

00:49:40.900 Instagram

00:49:42.580 And

00:49:42.920 She

00:49:43.480 Looks

00:49:43.860 Like

00:49:44.300 She

00:49:45.000 Could

00:49:45.180 Be

00:49:45.420 His

00:49:45.720 Sister

00:49:46.640 Or

00:49:46.840 Something

00:49:47.000 I

00:49:47.280 Mean

00:49:47.660 I'm

00:49:47.800 Not

00:49:47.980 Making

00:49:48.240 Fun

00:49:48.480 Of

00:49:48.580 Them

00:49:48.720 It's

00:49:48.920 Just

00:49:49.120 Kind

00:49:49.960 Of

00:49:50.060 Funny

00:49:50.260 How

00:49:50.400 That

00:49:50.560 Worked

00:49:51.220 But

00:49:51.500 I

00:49:52.060 Guess

00:49:52.300 It's

00:49:52.520 A

00:49:52.800 Win

00:49:53.180 For

00:49:53.400 The

00:49:53.680 Ortho

00:49:54.360 Bros 0.97

00:49:54.680 Because

00:49:55.020 She

00:49:55.840 She's

00:49:56.040 Greek

00:49:56.640 And

00:49:56.940 I

00:49:57.180 Believe

00:49:57.460 There's

00:49:57.860 A

00:49:58.040 Photo

00:49:58.380 Around

00:49:58.920 There

00:49:59.200 Around

00:49:59.960 The

00:50:00.120 Internet

00:50:00.360 Somewhere

00:50:00.720 Of

00:50:01.240 Them

00:50:02.460 Getting

00:50:03.060 Married

00:50:03.460 In

00:50:03.680 A

00:50:03.920 Orthodox

00:50:05.900 Church

00:50:06.500 In

00:50:06.760 New York

00:50:07.360 City

00:50:07.640 So

00:50:07.980 Yeah

00:50:08.300 Oh

00:50:08.860 Interesting

00:50:09.420 But

00:50:11.160 This

00:50:11.380 Is 0.88

00:50:11.680 Dave

00:50:12.300 My

00:50:12.700 Dad

00:50:13.040 Left

00:50:13.340 Me

00:50:13.640 And

00:50:13.860 My

00:50:14.020 Young

00:50:14.240 Sister

00:50:14.680 When

00:50:15.440 We

00:50:15.580 Were

00:50:15.700 Very

00:50:15.960 Young

00:50:16.420 And

00:50:16.660 I've

00:50:16.880 Done

00:50:17.040 The

00:50:17.220 Same

00:50:17.440 To

00:50:17.620 Jack

00:50:18.020 I

00:50:19.300 Was

00:50:19.480 With

00:50:19.740 Joanne

00:50:20.120 For

00:50:20.280 A

00:50:20.400 Long

00:50:20.600 Time

00:50:21.100 And

00:50:21.360 We're

00:50:21.500 Great

00:50:21.760 Friends

00:50:22.200 But

00:50:22.500 What

00:50:22.740 Happened

00:50:23.100 Was

00:50:23.280 90%

00:50:24.000 My

00:50:24.460 Fault

00:50:24.860 But

00:50:26.640 To

00:50:26.840 See

00:50:26.980 Jack

00:50:27.260 As

00:50:27.400 Much

00:50:27.560 As

00:50:27.680 I

00:50:27.800 Can

00:50:28.140 Thankfully

00:50:28.660 Joanne

00:50:29.120 Understands

00:50:29.860 Well

00:50:30.560 I mean

00:50:31.000 She

00:50:31.220 Is 0.88

00:50:31.460 Quite

00:50:31.920 Understanding

00:50:32.480 But

00:50:33.760 You

00:50:34.100 Know

00:50:34.260 It

00:50:34.680 Is 0.88

00:50:34.820 What

00:50:35.000 It

00:50:35.120 Is 0.88

00:50:35.440 It's

00:50:36.300 A

00:50:36.540 Common

00:50:38.540 Story

00:50:39.040 And

00:50:39.860 As

00:50:40.080 We

00:50:40.180 Were

00:50:40.280 Talking

00:50:40.560 About

00:50:40.800 With

00:50:40.960 Ultra

00:50:41.260 It's

00:50:41.820 Almost

00:50:42.120 Like

00:50:42.400 He

00:50:42.640 Played

00:50:43.920 The

00:50:44.060 Part

00:50:44.600 Of

00:50:44.960 The

00:50:45.300 Rock

00:50:46.180 Star

00:50:46.540 Descending

00:50:47.220 Into

00:50:47.980 Drugs

00:50:50.360 Suicide

00:50:51.080 And

00:50:51.460 Overdose

00:50:52.220 You

00:50:52.980 Know

00:50:53.100 It's

00:50:53.460 Almost

00:50:53.620 Like

00:50:53.820 That

00:50:54.060 Archetype

00:50:54.700 Existed

00:50:55.200 He

00:50:55.380 Just

00:50:55.580 Stepped

00:50:55.940 Into

00:50:56.200 It

00:50:56.520 But

00:50:56.980 It's

00:50:57.160 Not

00:50:57.540 It's

00:50:57.800 Certainly

00:50:58.080 Not

00:50:58.320 Something

00:50:58.620 You

00:50:58.760 Would

00:50:58.860 Imagine

00:50:59.280 With

00:50:59.520 This

00:50:59.680 Bright

00:51:00.340 You

00:51:01.340 Know

00:51:01.460 Almost

00:51:01.720 Nerdy

00:51:02.740 Kid

00:51:03.840 From

00:51:05.480 Speak

00:51:05.780 And

00:51:05.940 Spell

00:51:06.340 And

00:51:06.560 It's

00:51:06.880 Definitely

00:51:07.480 Not

00:51:08.500 Even

00:51:08.660 Something

00:51:08.940 You

00:51:09.080 Would

00:51:09.180 Imagine

00:51:09.560 You

00:51:10.100 Know

00:51:10.240 With

00:51:10.460 Music

00:51:10.740 For

00:51:10.900 The

00:51:10.980 Masses

00:51:11.340 Or

00:51:11.460 Something

00:51:11.740 A

00:51:11.940 Kind

00:51:12.120 Of

00:51:12.360 Rocking

00:51:13.660 Gung 0.86

00:51:13.980 Ho 0.81

00:51:14.300 Guy

00:51:15.240 But

00:51:16.220 It's

00:51:16.500 Definitely

00:51:16.760 Something

00:51:17.120 You

00:51:17.320 Can

00:51:17.440 Imagine

00:51:17.780 When

00:51:18.220 You

00:51:18.320 See

00:51:18.480 The

00:51:18.640 Personal

00:51:18.980 Transformation

00:51:19.700 With

00:51:20.140 Songs

00:51:20.760 Of

00:51:20.920 Faith

00:51:21.060 And

00:51:21.180 Devotion

00:51:51.420 But the Lord himself always blush

00:51:55.400 The canvas piece laid at my feet

00:51:59.620 Forbidden fruits for me to eat

00:52:02.340 But I think your pulse would start to rush

00:52:05.660 Now I'm not looking for absolution

00:52:12.080 Forgiveness for the things I do

00:52:16.960 But before you come to any conclusion

00:52:22.360 Try walking in my shoes

00:52:26.960 Try walking in my shoes

00:52:31.680 Yes, I'm pulling my footsteps

00:52:34.780 Keep the same appointments I can't

00:52:40.960 Even try walking in my shoes

00:52:45.460 If you try walking in my shoes

00:52:50.860 Walking in my shoes

00:52:56.660 This is where I would suggest

00:53:00.520 there's a little bit of a courtroom drama, so to speak

00:53:04.140 with three songs in a row and maybe four

00:53:09.000 but it's interesting

00:53:11.300 And again, you don't get this from interviews of Martin

00:53:14.380 But he, I don't know

00:53:18.000 When I hear this song and read the lyrics

00:53:20.860 I almost imagine a southern courtroom

00:53:24.580 with the fan overhead moving

00:53:29.680 and people fanning themselves on the jury

00:53:33.140 Or maybe a scene from Dead Man Walking

00:53:38.440 where the murderer is being put to death

00:53:41.480 And that's the vibe I get from these three songs

00:53:47.580 Walking in my shoes, Condemnation, and Mercy in You

00:53:50.040 He wants to be understood

00:53:52.080 But he doesn't want to be absolved

00:53:56.320 No, I'm not looking for absolution

00:53:58.180 Forgiveness for the things I do

00:53:59.900 But before you come to any conclusions

00:54:01.440 Try walking in my shoes

00:54:02.820 You'll stumble in my footsteps

00:54:04.560 Keep the same appointments I kept

00:54:06.600 You're walking in my shoes

00:54:08.240 So morality would frown upon

00:54:10.380 Decency looked down upon

00:54:11.860 The scapegoat's fate made of me

00:54:13.800 So he's kind of putting it off

00:54:15.240 You know, it's not necessarily his fault

00:54:16.920 But I promise now my judge and jurors

00:54:18.840 My intentions couldn't have been pure

00:54:21.020 My case is easy to see

00:54:22.820 So I think that's kind of an underappreciated aspect of it

00:54:28.000 He's a man on trial in a courtroom

00:54:34.340 Who's done something bad

00:54:37.400 And he's basically saying

00:54:40.100 You don't really understand me

00:54:42.460 You can't until you walk in my shoes

00:54:44.340 You can't understand why I left my son maybe

00:54:47.020 Or why I've become a junkie

00:54:50.580 Until you keep the appointments that I kept

00:54:53.820 Yeah, and with you saying that

00:54:57.180 Him being on trial

00:54:59.180 Kind of reinforces the Christ-like image as well

00:55:03.580 With like Christ being, you know, on trial in some sense

00:55:07.180 By the Romans

00:55:10.160 The lyrics are kind of saying like

00:55:12.560 Pretty subversive

00:55:14.540 Because he's saying something like

00:55:16.900 I've been through more than the Lord has almost

00:55:19.120 Like that the Lord himself all would blush

00:55:22.320 And I think Martin, in a way, is getting at a

00:55:26.380 It's like with the

00:55:28.180 I'm not looking for absolution

00:55:30.080 It's like reinforcing a Christian message

00:55:32.780 Or the original sin perspective of like

00:55:35.120 Some don't want to be saved

00:55:36.960 And this is like

00:55:37.880 I'm proving it to you because I don't want to be saved

00:55:40.480 So it's almost like

00:55:41.400 Reinforcing that Christian understanding of human nature

00:55:46.560 If you try walking in my shoes

00:55:49.380 Like you wouldn't last

00:55:50.580 It's a rather resentful lyric

00:55:52.860 And I do think the

00:55:53.980 Scapegoat's

00:55:55.680 Scapegoat Fates Made of Me

00:55:57.480 Is perhaps one of his best lyrics

00:55:59.660 Of all time

00:56:01.300 I think that's a really interesting lyric

00:56:03.920 Because there's

00:56:04.700 It kind of illustrates how Martin feels like

00:56:07.180 As a victim

00:56:08.840 But by two different sort of cosmologies

00:56:11.640 By like

00:56:12.200 You know, with faith

00:56:14.020 There's this idea of like destiny

00:56:15.280 And things are going to happen

00:56:16.320 It's kind of like free will

00:56:17.220 Versus determinism sort of thing

00:56:19.200 I think that's a really interesting

00:56:20.660 Yet simple way

00:56:22.340 That he just put that together

00:56:23.800 With the scapegoat

00:56:25.080 That Fates Made of Me

00:56:26.260 But

00:56:27.140 And he's kind of like

00:56:28.420 Having these sins placed on him

00:56:30.380 Which also in a strange way

00:56:32.820 Invokes

00:56:33.420 Images of like Atlas or something

00:56:36.360 Like I'm holding

00:56:37.540 I'm holding everybody's problems

00:56:40.280 And it's all

00:56:41.520 On me

00:56:42.860 But I'd like to

00:56:44.100 Read a quote

00:56:45.080 About the construction

00:56:46.860 Or the sound

00:56:48.520 For this song

00:56:49.240 Because Alan was asked about it

00:56:50.880 By a fan

00:56:52.180 And he says

00:56:54.480 It was constructed

00:56:55.340 Using an unusual method for us

00:56:57.660 I.e. jamming together

00:56:59.380 Martin played the guitar

00:57:00.500 I played the bass

00:57:01.480 And we ran a rhythm machine

00:57:03.500 This was just to get

00:57:04.540 The basic feel for the track

00:57:06.280 And after much trial and error

00:57:07.620 The chorus bass line

00:57:08.900 And guitar pattern

00:57:09.700 Fell into place

00:57:10.500 From that point onwards

00:57:11.880 Flood and I began to construct

00:57:13.260 The various drum loops

00:57:14.340 The string arrangements

00:57:15.420 The main riff

00:57:16.280 Which combined a piano

00:57:17.600 And harpsichord

00:57:18.440 Through a distorted guitar amp

00:57:20.080 And all the other bits and pieces

00:57:22.040 By contrast

00:57:22.900 The bass line for the verses

00:57:24.200 Was much more problematic

00:57:25.440 And in fact

00:57:26.380 Didn't get written

00:57:27.100 Until the very last moment

00:57:28.760 And that bass line

00:57:29.740 Actually is one of

00:57:30.560 I think one of their

00:57:31.500 More iconic

00:57:33.100 Bass lines

00:57:35.100 Or sounds

00:57:35.880 On this album

00:57:36.640 It sounds like

00:57:39.560 Alan wrote this song

00:57:41.060 Yeah

00:57:42.700 And it's

00:57:45.440 One of their

00:57:46.660 Best

00:57:47.400 I mean

00:57:47.740 It's a classic

00:57:49.440 You can't

00:57:50.660 Do a concert

00:57:51.800 Without it

00:57:52.520 I would say

00:57:54.100 No

00:57:55.320 I totally agree

00:57:56.580 Yeah

00:57:57.620 It's

00:57:57.960 That's

00:57:58.900 I read that as well

00:58:00.540 About the jam session

00:58:01.740 Being very unusual

00:58:02.780 And they came up with this

00:58:04.680 But it almost sounds like

00:58:06.100 Alan wrote it

00:58:07.240 Yeah

00:58:08.740 I mean

00:58:09.360 That's sort of the thing

00:58:10.380 Like I've said

00:58:11.220 A dozen times now

00:58:12.400 It's like

00:58:12.740 He is just

00:58:13.500 That much better

00:58:14.440 At realizing

00:58:15.220 So like

00:58:16.160 He might not

00:58:16.660 Be able to come up

00:58:17.480 With the lyrics

00:58:18.180 Which is like

00:58:19.260 Brian Jones

00:58:21.440 From the Rolling Stones

00:58:22.260 Was like that too

00:58:23.020 Like he couldn't write a song

00:58:24.180 But he could kind of realize

00:58:25.600 A song

00:58:27.000 And

00:58:27.440 Figure out

00:58:28.940 Kind of what direction

00:58:30.900 To take it in

00:58:31.720 So

00:58:32.540 Yeah

00:58:32.820 Bono would do that as well

00:58:34.960 He would

00:58:35.240 They would get

00:58:37.440 A riff

00:58:38.700 Or a rhythm section

00:58:39.780 Or some basic idea

00:58:41.560 And he

00:58:42.880 Kind of in this like

00:58:44.640 Fury

00:58:45.700 Come up with

00:58:46.900 The theme of the song

00:58:47.980 He'd like find it in the music

00:58:49.380 Which is pretty interesting

00:58:50.820 I'm not looking for a clearer conscience

00:58:56.100 Peace of mind

00:58:57.940 After what I've been through

00:59:00.320 And before we talk of any repentance

00:59:05.760 Try walking in my shoes

00:59:10.260 Try walking in my shoes

00:59:14.980 You're stumbling my footsteps

00:59:17.520 If you try walking in my shoes

00:59:28.380 Oh yeah

00:59:41.940 So

00:59:58.220 Condemnation is next

01:00:00.320 This seems to follow

01:00:01.600 Immediately after the trial

01:00:03.140 Or he's still on trial

01:00:04.360 Again

01:00:05.200 This is where I think

01:00:06.180 There are these like little

01:00:07.140 I guess kind of like

01:00:09.260 Response songs

01:00:10.500 Or like a little opera

01:00:13.380 You could say

01:00:14.140 Within the album

01:00:15.140 So condemnation

01:00:16.160 Tried

01:00:16.980 Here on the stand

01:00:18.380 With the book in my hand

01:00:19.400 And truth on my side

01:00:20.640 Accusations

01:00:21.560 Lies 1.00

01:00:22.380 Hand me my sentence

01:00:23.920 I'll show no repentance

01:00:25.220 I'll suffer with pride

01:00:26.600 If you see purity

01:00:28.220 As immaturity

01:00:29.480 Well it's no surprise

01:00:30.740 If for kindness

01:00:32.640 You substitute blindness

01:00:33.920 Please open your eyes

01:00:35.260 So it's basically

01:00:36.380 The man

01:00:37.040 Perhaps at the end

01:00:38.220 Of his trial

01:00:38.820 Recognizing

01:00:39.620 That he's going to be

01:00:40.280 Found guilty

01:00:41.060 And saying

01:00:42.320 I'm not going to show

01:00:43.360 Repentance

01:00:44.440 So they just kind of

01:00:46.480 Follow

01:00:46.900 Right

01:00:48.340 One from the other

01:00:51.100 Really amazing

01:00:52.720 Blues

01:00:53.900 Quality to it

01:00:55.800 As Dave said

01:00:57.660 This was his best

01:00:58.520 Vocal performance

01:00:59.600 I mean he's

01:01:00.440 Really letting it out

01:01:02.260 Being a real singer

01:01:04.120 And not just

01:01:05.200 You know

01:01:06.300 The front man

01:01:06.960 Of a synth pop outfit

01:01:08.180 And yeah

01:01:10.400 I would say

01:01:10.980 It's one of their

01:01:11.580 Best songs

01:01:12.640 On the album

01:01:13.620 Maybe in general

01:01:14.960 It's classic

01:01:16.040 Condemnation

01:01:21.440 Try

01:01:25.280 Here on the stand

01:01:43.860 With a book

01:01:44.860 With a book in my hand

01:01:46.080 Truth on my side

01:01:49.080 Accusations

01:01:52.640 Lies 1.00

01:01:58.360 Hand me my sentence

01:02:00.420 I'll show no repentance

01:02:02.460 I'll suffer with pride

01:02:05.860 If for honesty

01:02:08.960 You want apologies

01:02:11.140 I don't sympathize

01:02:15.760 For kindness

01:02:17.000 You substitute

01:02:18.120 Blindness

01:02:19.480 Please open your eyes

01:02:26.140 Condemnation

01:02:28.520 Condemnation

01:02:41.520 Why?

01:02:44.600 Because my duty

01:02:50.120 Was always the beauty

01:02:52.260 That was my crime

01:02:55.260 Feel elation

01:02:57.640 Feel elation

01:02:58.440 I

01:03:01.200 Kind of got my gears turning

01:03:07.240 When you started to talk

01:03:08.100 About these songs

01:03:08.780 In succession

01:03:09.460 And it

01:03:10.500 Kind of

01:03:11.300 Is starting to be

01:03:12.640 Like a

01:03:13.180 Mini little

01:03:14.220 Passion of the

01:03:15.220 Christ

01:03:16.020 I think

01:03:16.440 If

01:03:16.640 Yes

01:03:18.000 Yeah

01:03:19.040 That will continue

01:03:20.500 Yeah

01:03:21.440 That's interesting

01:03:22.200 But again

01:03:23.860 Though

01:03:24.180 With the

01:03:24.580 American

01:03:25.360 And the

01:03:26.580 Blackness 1.00

01:03:27.380 I mean 0.92

01:03:27.620 This is their

01:03:28.120 First gospel record

01:03:29.260 Yeah

01:03:30.420 That's incredible

01:03:31.700 To me

01:03:32.080 What's even more

01:03:32.960 Incredible

01:03:33.340 Is that

01:03:33.920 Martin and Alan

01:03:35.320 Are the ones

01:03:36.540 Singing these

01:03:37.380 Harmonies

01:03:38.560 And they're

01:03:39.620 Doing it in their

01:03:40.640 Own way

01:03:41.080 With the

01:03:41.440 Like

01:03:41.680 Yeah

01:03:45.700 And it's

01:03:46.300 Like

01:03:46.520 It's

01:03:48.000 The chords

01:03:49.320 Themselves

01:03:49.800 Aren't very

01:03:50.540 Unique

01:03:51.380 Like

01:03:51.740 It's C

01:03:52.760 To E

01:03:53.480 To F

01:03:53.960 To G

01:03:54.520 To F

01:03:55.500 To A minor

01:03:56.100 And E

01:03:56.520 To C

01:03:56.760 There's a couple

01:03:57.360 Lifts in there

01:03:58.680 With that E major

01:03:59.620 But

01:03:59.900 I mean

01:04:01.040 Nothing

01:04:01.620 None of this

01:04:02.320 Is like

01:04:02.640 Really

01:04:03.080 It's none of

01:04:04.380 It's too crazy

01:04:05.140 And they're still

01:04:06.380 Finding a way

01:04:07.040 To make it sound

01:04:07.840 Like Depeche mode

01:04:09.060 With these like

01:04:09.620 Dissonant like

01:04:10.400 Harmonies

01:04:11.400 And

01:04:12.240 Yeah

01:04:13.100 Again

01:04:13.800 It's another

01:04:14.860 Like I said

01:04:16.160 Earlier

01:04:16.780 Lord and lady

01:04:17.640 Kind of

01:04:18.360 Positioning with the

01:04:20.240 Lyrics

01:04:20.620 You know

01:04:22.240 If you want

01:04:22.760 Honesty

01:04:23.440 If for honesty

01:04:24.760 You want apologies

01:04:25.600 I don't sympathize

01:04:26.760 It's kind of like

01:04:27.600 Asking

01:04:28.620 The court

01:04:30.280 I guess in this case

01:04:31.160 To like

01:04:31.680 Open their eyes

01:04:32.420 To his goodness

01:04:33.340 At least that's the way

01:04:34.440 That I'm taking it

01:04:35.900 It's great

01:04:36.940 I think

01:04:37.620 One of the best

01:04:38.240 Lyrics is

01:04:38.780 If for kindness

01:04:39.700 You substitute

01:04:40.360 Blindness

01:04:41.020 Please open your eyes

01:04:42.040 It's kind of like

01:04:42.680 The turning the other cheek

01:04:44.720 Like form of cowardice

01:04:46.060 Basically

01:04:46.440 Or go along

01:04:47.100 To get along

01:04:47.760 In a relationship

01:04:48.980 Yeah

01:04:50.140 And then this is followed

01:04:51.920 By yet another

01:04:53.500 Perspective

01:04:55.040 Of the

01:04:55.800 Condemned man

01:04:57.280 Or prisoner

01:04:57.900 Whatever his name was

01:04:59.500 Like Johnny Lee Ray

01:05:00.640 Or whatever 0.96

01:05:01.540 He's going to be executed 0.96

01:05:02.560 In Dead Man Walking 0.99

01:05:03.560 Which came out

01:05:04.400 Around this time

01:05:05.000 By the way

01:05:05.400 Great film

01:05:06.800 Mercy

01:05:07.840 In you

01:05:08.360 You know what I need

01:05:09.600 When my heart bleeds

01:05:11.440 I suffer from greed

01:05:12.620 A longing to feed

01:05:13.900 On the mercy

01:05:14.940 In you

01:05:15.380 So he's begging

01:05:16.040 For mercy

01:05:16.680 And he

01:05:18.180 Again

01:05:19.000 Martin's lyrics

01:05:19.720 Describe it

01:05:20.440 In the most

01:05:20.920 Martin Gore

01:05:21.760 Type way

01:05:22.320 I'm begging

01:05:22.860 To feed

01:05:23.800 On the mercy

01:05:24.780 In you

01:05:25.360 And then there's

01:05:27.040 This like

01:05:27.420 Part of

01:05:28.280 I guess

01:05:29.240 Self-deprecation

01:05:30.400 Or introspection

01:05:31.820 I would do it

01:05:32.680 All again

01:05:33.180 Lose my way

01:05:34.400 And fall again

01:05:35.200 Just so I could

01:05:35.900 Call again

01:05:36.600 On the mercy

01:05:37.220 In you

01:05:37.700 So I'm losing

01:05:38.980 My way

01:05:39.580 I'm

01:05:39.940 You know

01:05:40.620 I'm ending up

01:05:41.660 In a

01:05:42.540 LA hotel

01:05:44.020 Strung out

01:05:45.120 On heroin

01:05:45.600 Just so I could

01:05:47.220 Call on you

01:05:47.840 To save me

01:05:48.620 It's great work

01:05:51.640 Definitely

01:05:52.920 You know

01:06:07.140 What I need

01:06:08.360 When my heart bleeds

01:06:11.020 I suffer from greed

01:06:13.440 I love to feed

01:06:15.940 On the mercy

01:06:20.020 In you

01:06:22.300 I can't conceal

01:06:28.020 The way I'm healed

01:06:30.780 The pleasure I feel

01:06:33.260 When I have to deal

01:06:36.040 With a mercy

01:06:39.900 In you

01:06:42.280 I would do it all again

01:06:54.640 I would do it all again

01:06:54.660 Lose my way

01:06:57.560 And fall again

01:06:59.000 Just so I could

01:07:02.680 Call the game

01:07:04.660 On the mercy

01:07:07.240 The mercy in you

01:07:09.240 The mercy in you

01:07:10.240 The mercy in you

01:07:14.240 The mercy in you

01:07:18.240 When here in my mind

01:07:20.680 I see you kind

01:07:22.700 Do I treat you all kind

01:07:25.380 I have faith in your mind

01:07:28.180 The mercy in you

01:07:29.180 The mercy in you

01:07:35.180 The mercy in you

01:07:35.660 The mercy in you

01:07:36.660 I would do it all again

01:07:39.140 I would do it all again

01:07:40.140 There's something about this track

01:07:41.900 That's like

01:07:42.640 It's like all like major chords

01:07:45.360 But a lot of them

01:07:46.800 Don't have anything

01:07:47.460 To do with each other

01:07:48.440 And there's like

01:07:49.060 These big lifts

01:07:50.020 Like for example

01:07:50.740 From like

01:07:51.360 A flat to C

01:07:52.820 Is kind of a

01:07:53.820 Strange

01:07:54.880 Lift

01:07:56.720 You know

01:07:57.240 And then

01:07:57.720 Yeah

01:07:58.160 It's definitely

01:07:59.700 They do that

01:08:01.100 That chorus of like

01:08:02.800 I would do it all again

01:08:05.180 So they're going from

01:08:06.140 An A flat minor

01:08:07.480 To C major

01:08:08.240 Is that what they're doing

01:08:08.880 Or A flat major

01:08:09.560 To C major

01:08:09.820 I think it's just

01:08:10.240 A flat major

01:08:10.980 At least the chords

01:08:11.740 That I have

01:08:12.280 They're not official

01:08:13.100 But the chords

01:08:14.400 That I have

01:08:14.760 Every single chord

01:08:15.700 In the song

01:08:17.120 Is major

01:08:18.040 Yeah

01:08:19.280 I guess that's right

01:08:20.380 It is a major song

01:08:21.400 It's interesting

01:08:22.020 One of the very few

01:08:22.960 But yeah

01:08:23.780 That is a major shift

01:08:25.460 Going up a third

01:08:26.520 And you know

01:08:27.560 But

01:08:29.360 And you can feel it

01:08:30.400 He does that

01:08:30.880 A couple of times

01:08:31.640 In this kind of

01:08:32.160 Dramatic key change

01:08:33.480 Yeah

01:08:34.000 In the chorus

01:08:35.100 When here in my mind

01:08:40.180 I have been blind

01:08:42.480 Emotionally behind

01:08:45.000 I'll have faith

01:08:46.440 I will find

01:08:47.640 I will find

01:08:48.960 The mercy

01:08:51.780 The mercy

01:08:56.780 So Judas

01:09:17.040 Is next

01:09:18.620 And it's interesting

01:09:19.960 That it's called Judas

01:09:22.680 But I think

01:09:24.720 The song

01:09:25.480 Is from the perspective

01:09:26.540 Of Jesus

01:09:27.120 And

01:09:29.320 You know

01:09:31.400 Mercy in you

01:09:32.500 It's the sinner

01:09:33.720 Or the condemned man

01:09:35.120 Almost calling for mercy

01:09:37.060 And loving mercy

01:09:38.100 Feeding on mercy

01:09:39.060 Needing this

01:09:39.920 I don't know

01:09:40.860 I'm just imagining

01:09:41.560 A woman 0.57

01:09:42.000 Maybe Lady Justice 1.00

01:09:42.980 Who knows

01:09:43.400 But Judas

01:09:44.620 I think

01:09:45.760 It's a fascinating song

01:09:47.300 And it has this kind of

01:09:48.940 Stripped down

01:09:50.680 Quality to it

01:09:53.160 But is

01:09:54.400 And it just sounds like

01:09:56.520 Something

01:09:57.060 It's Martin Gore's

01:09:58.500 Jesus

01:09:58.780 Or maybe Dave

01:09:59.860 Is simplicity best

01:10:01.460 Or simply the easiest

01:10:02.820 The narrowest path

01:10:04.700 Is always the holiest

01:10:06.100 So walk

01:10:07.340 Unbarefoot for me

01:10:08.780 Suffer some misery

01:10:10.100 If you want 0.98

01:10:10.880 My love

01:10:11.620 It's not

01:10:14.280 Necessarily

01:10:15.680 The Jesus

01:10:16.440 From

01:10:16.820 That you meet

01:10:17.960 In the gospels

01:10:18.640 But it's definitely

01:10:19.980 Someone who's asking

01:10:21.280 These rhetorical questions

01:10:23.200 To try to

01:10:23.840 Reframe things

01:10:25.000 In your mind

01:10:25.680 Like Jesus

01:10:26.960 And

01:10:28.240 He's calling

01:10:29.640 On his disciples

01:10:31.480 To suffer

01:10:32.940 For him

01:10:34.520 Man will survive

01:10:36.700 The harshest conditions

01:10:37.700 And stay alive

01:10:38.580 Through difficult decisions

01:10:39.660 So make up

01:10:41.320 Your mind

01:10:41.720 For me

01:10:42.180 Walk the line

01:10:43.040 For me

01:10:43.400 If you want

01:10:43.780 My love

01:10:44.320 And then this

01:10:44.940 Idle talk

01:10:46.360 And it's a key change

01:10:47.900 For the chorus

01:10:48.420 And hollow promises

01:10:50.660 Cheating Judas's

01:10:52.820 Doubting Thomas's

01:10:54.140 I think this is a place

01:10:56.520 Where again

01:10:57.040 He's not just

01:10:57.740 Martin is not just

01:10:58.680 Writing about

01:10:59.600 Say something

01:11:00.560 That's sacred

01:11:01.320 He's putting himself

01:11:03.880 In the position

01:11:04.960 Of Jesus

01:11:05.500 In a way

01:11:06.020 That the song

01:11:06.640 Is sung

01:11:08.440 From the mouth

01:11:09.020 Of Jesus

01:11:09.480 And again

01:11:10.200 It's not something

01:11:11.360 He would have

01:11:11.700 Tried earlier

01:11:12.320 And I think

01:11:12.720 It's remarkable

01:11:13.660 Is simplicity best

01:11:32.700 Or simply the easiest

01:11:36.760 The narrowest path

01:11:40.500 Is always the holiest

01:11:44.460 To walk on barefoot

01:11:47.600 For me

01:11:48.360 Suffer some misery 0.78

01:11:51.920 If you want 0.94

01:11:53.980 If you want

01:11:54.020 If you want

01:11:56.920 If you want

01:11:57.820 My love

01:12:00.200 Man will survive

01:12:06.760 The harshest conditions

01:12:10.580 And stay alive

01:12:14.580 Through difficult decisions

01:12:18.320 Through difficult decisions

01:12:18.420 To make up your mind

01:12:21.960 For me

01:12:22.960 Walk the line

01:12:25.480 For me

01:12:26.480 If you want

01:12:28.320 My love

01:12:30.320 If you want

01:12:32.040 My love

01:12:34.120 Judas

01:12:36.080 I think

01:12:37.260 I think

01:12:37.280 It's a fascinating song

01:12:38.800 And it has this

01:12:39.920 Kind of

01:12:40.420 Stripped down

01:12:42.180 Quality to it

01:12:44.660 But is

01:12:45.900 And it just

01:12:47.220 Sounds like

01:12:48.020 Something

01:12:48.600 It's Martin Gore

01:12:49.800 As Jesus

01:12:50.280 Or maybe Dave

01:12:51.380 Is simplicity best

01:12:52.980 Or simply the easiest

01:12:54.320 The narrowest path

01:12:56.160 Is always the holiest

01:12:57.560 So walk

01:12:58.800 On barefoot

01:12:59.760 For me

01:13:00.240 Suffer some misery 0.78

01:13:01.560 If you want 0.98

01:13:02.340 My love

01:13:03.080 It's not

01:13:05.720 Necessarily

01:13:07.140 The Jesus

01:13:07.820 From

01:13:08.280 That you meet

01:13:09.420 In the gospel

01:13:09.780 Someone who's asking

01:13:11.240 These rhetorical questions

01:13:13.160 To try to

01:13:13.800 Reframe things

01:13:14.960 In your mind

01:13:15.640 Like Jesus

01:13:16.920 And he's

01:13:18.920 Calling

01:13:19.560 On his

01:13:20.800 Disciples

01:13:21.560 To suffer

01:13:22.900 For him

01:13:24.480 Man will survive

01:13:26.660 The harshest conditions

01:13:27.660 And stay alive

01:13:28.540 Through difficult decisions

01:13:29.640 So make up your mind

01:13:31.680 For me

01:13:32.160 Walk the line

01:13:33.000 From me

01:13:33.380 If you want

01:13:33.740 My love

01:13:34.280 And then this

01:13:34.900 Idle talk

01:13:36.320 And it's a key change

01:13:37.860 For the chorus

01:13:38.380 And hollow promises

01:13:40.620 Cheating Judas's

01:13:42.780 Doubting Thomas's

01:13:44.100 I think this is a place

01:13:46.420 Where again

01:13:46.940 He's not just

01:13:47.620 Martin is not just

01:13:48.580 Writing about

01:13:49.480 Say something

01:13:50.460 That's sacred

01:13:51.220 He's

01:13:52.700 Putting himself

01:13:53.900 In the position

01:13:54.980 Of Jesus

01:13:55.520 In a way that

01:13:56.160 The song is

01:13:56.880 Sung from the mouth

01:13:59.060 Of Jesus

01:13:59.500 And again

01:14:00.220 It's not something

01:14:01.380 He would have tried earlier

01:14:02.340 And I think

01:14:02.740 It's remarkable

01:14:03.680 Yeah

01:14:05.600 The narrowest path

01:14:06.720 Is always the holiest

01:14:07.880 I think that's

01:14:08.800 That sums up

01:14:10.340 A lot of what he's saying

01:14:11.420 Like that's a big theme

01:14:12.600 For Martin

01:14:13.140 Because a lot of the

01:14:14.880 Lyrical themes

01:14:16.040 Are about like

01:14:16.900 Not deferring

01:14:18.500 Your gratification

01:14:20.000 I think

01:14:20.520 With that lyric

01:14:21.340 That is about

01:14:22.160 Deferring your gratification

01:14:23.180 The narrowest path

01:14:24.020 Is always the holiest

01:14:25.000 You know

01:14:26.760 A lot of the

01:14:27.480 The tunes are like

01:14:29.020 You know

01:14:29.580 Like the track

01:14:30.560 Prior

01:14:30.960 I would do it all again

01:14:32.200 Lose my way

01:14:32.900 And fall again

01:14:33.500 Like in other words

01:14:34.120 I would not defer

01:14:35.240 My gratification

01:14:35.960 I would go

01:14:36.700 For the present

01:14:37.840 Joy

01:14:39.180 And take the pain

01:14:40.020 Later

01:14:40.420 And

01:14:41.380 Yeah

01:14:42.640 I think

01:14:43.340 With the

01:14:44.240 Idol talk

01:14:45.460 And

01:14:46.080 Hollow promises

01:14:47.980 It's kind of like

01:14:49.200 A criticism

01:14:50.220 Of

01:14:50.680 Cheating

01:14:52.120 Judases 0.89

01:14:52.640 And doubting

01:14:53.220 Thomases

01:14:53.720 It's almost like

01:14:54.460 An atheist critique

01:14:56.180 Or something like

01:14:56.760 Don't just stand there

01:14:58.380 And shout it

01:14:58.880 Do something about it

01:14:59.660 Like

01:14:59.820 Don't talk about

01:15:00.880 You know

01:15:01.600 Your goodness

01:15:02.180 Or whatever

01:15:02.620 Just be about it

01:15:03.880 Like if you believe

01:15:04.820 Well I don't think

01:15:05.820 It's an atheist critique 0.83

01:15:06.940 It's Jesus' critique 0.83

01:15:08.240 Right

01:15:08.860 You've got to do that

01:15:10.120 I mean

01:15:10.360 Because one of the

01:15:11.120 Ironies of the Gospels

01:15:12.360 Is that the

01:15:13.040 I mean

01:15:14.200 This shows up in John

01:15:15.160 Like no one knows

01:15:16.260 What's happened

01:15:17.000 They haven't

01:15:17.640 They haven't read

01:15:18.500 The scripture

01:15:19.040 They don't believe it

01:15:20.240 They're hiding away

01:15:21.220 And Jesus has to

01:15:23.080 Show them

01:15:23.860 His wounds

01:15:24.600 And he is

01:15:26.260 Challenging them

01:15:27.180 In a way

01:15:27.680 It's like

01:15:28.540 I know you're

01:15:29.400 Going to cheat

01:15:29.920 I know you're

01:15:30.620 Going to doubt

01:15:31.120 But you've got

01:15:32.600 To do something

01:15:33.160 About it

01:15:33.480 You've got to

01:15:33.840 Walk this path

01:15:34.960 To be with me

01:15:36.840 That will survive

01:15:40.400 The harshest

01:15:43.560 Conditions

01:15:44.800 And stay

01:15:47.600 Your life

01:15:48.700 Through difficult decisions

01:15:52.200 So make up your mind

01:15:55.980 For me

01:15:56.820 Walk the line

01:15:59.420 For me

01:16:00.140 If you want my love

01:16:04.200 If you want my love

01:16:08.180 I will talk

01:16:16.720 And

01:16:18.160 Harrow promises

01:16:20.720 Cheating Jesus

01:16:24.500 Doubt your promises

01:16:28.200 Don't just stand there and shout it

01:16:32.400 Do something about us

01:16:36.380 Do something about us

01:16:36.440 Just skip ahead real quick

01:16:54.040 I'll skip in your room

01:16:55.540 Just for a little bit

01:16:56.240 So we're now on the

01:16:57.160 B side of the record

01:16:59.040 I think the B side

01:16:59.940 Is even greater than

01:17:00.920 The A side

01:17:02.400 If that's possible

01:17:03.960 I think

01:17:06.860 Get right with me

01:17:07.920 It's a companion song

01:17:09.200 To Judas

01:17:09.680 And it's again

01:17:10.540 Sung

01:17:11.320 From the perspective

01:17:12.600 Of Jesus

01:17:13.180 It's kind of interesting

01:17:15.160 Because you have

01:17:15.520 Some of the sentiment

01:17:16.240 From like

01:17:16.860 People are people

01:17:17.840 Or even people

01:17:18.520 Are good

01:17:19.060 From

01:17:19.400 Memento Mori

01:17:20.700 I will have faith

01:17:23.220 In man

01:17:23.820 That is hard

01:17:24.660 To understand

01:17:25.480 Show some humility

01:17:27.760 You have the ability

01:17:29.180 Get right with me

01:17:30.440 Friends

01:17:31.780 If you've lost your way

01:17:32.840 You will find it again

01:17:33.860 Someday

01:17:34.700 Come down from your pedestals

01:17:36.600 And open your mouth

01:17:37.760 That's all

01:17:38.440 Get right with me

01:17:39.940 Now open your mouth

01:17:40.820 Is interesting

01:17:41.500 Is it singing a gospel song

01:17:44.080 Or is it taking in

01:17:46.020 The wafer of the Eucharist

01:17:47.620 I think it's kind of

01:17:49.580 Both

01:17:51.060 People take my advice 0.53

01:17:52.860 I already told you

01:17:53.520 Once or twice

01:17:54.160 Don't waste your energy

01:17:55.220 Making apologies

01:17:56.280 Get right with me

01:17:57.380 Get right with Jesus

01:17:58.720 And you'll go to heaven

01:17:59.640 I mean I

01:18:00.100 I think that is

01:18:01.140 What is happening

01:18:01.920 In this song

01:18:02.600 As well

01:18:03.600 I will have faith

01:18:15.600 In man

01:18:19.440 That is hard to

01:18:22.840 Understand

01:18:25.720 Show some humility

01:18:29.600 You have the ability

01:18:33.060 Get right with me

01:18:37.060 Friends

01:18:44.260 If you've lost your way

01:18:47.720 You will find it

01:18:51.720 For the gate

01:18:53.380 For the gate

01:18:53.460 For the gate

01:18:53.480 For the gate

01:18:53.520 For the gate

01:18:54.560 Some day

01:18:55.300 Come down from your pedestals

01:18:59.080 Open your mouth

01:19:01.600 That's all

01:19:03.060 Get right with me

01:19:06.100 Life

01:19:13.840 Life is such a sure thing

01:19:17.120 That I cannot comprehend

01:19:23.440 But if this life

01:19:29.120 Burner for the gate

01:19:30.460 For the gate

01:19:31.960 There are ways

01:19:35.920 I know

01:19:36.840 It may

01:19:37.460 There are ways

01:19:37.880 I know

01:19:38.460 It may

01:19:39.460 People take my advice 0.53

01:19:49.800 Already told you once

01:19:52.460 Yeah

01:19:53.760 Yeah

01:19:53.800 The song is

01:19:54.780 Yeah

01:19:55.460 I love it

01:19:56.800 I love the sound of it

01:19:57.800 I don't think it's just a filler

01:19:59.800 I mean it is not

01:20:00.940 It's not a single

01:20:01.620 But yeah

01:20:02.120 It's a great

01:20:02.780 It's a great song

01:20:04.120 Very gospel-y

01:20:05.620 Very

01:20:06.020 Yeah

01:20:06.620 Hip-hop-y

01:20:07.220 With the record scratches

01:20:09.120 Yeah

01:20:10.000 They did it in the best way

01:20:12.480 Because you don't

01:20:13.280 Like if you listen to

01:20:14.340 The Fresh Prince of Bel-Air

01:20:15.760 Or something

01:20:16.100 It's really obvious

01:20:17.140 And just very

01:20:17.960 Like early 90s

01:20:19.040 But then this includes that

01:20:21.220 But it's just done so well

01:20:24.980 It's integrated into the whole song

01:20:26.740 And it sounds

01:20:27.620 It's cool

01:20:28.500 Yeah

01:20:29.600 Definitely

01:20:30.180 And it's not

01:20:30.780 I don't think any

01:20:31.780 Another thing I'll say about this record

01:20:33.020 Is I don't think any of this

01:20:34.000 Sounds really dated

01:20:35.740 Like whatsoever

01:20:36.520 I think you could play this

01:20:37.660 No

01:20:38.180 In, you know

01:20:39.500 2023

01:20:40.160 1993

01:20:41.120 2003

01:20:42.100 Yeah

01:20:42.600 Definitely

01:20:43.960 Exciter sounds dated

01:20:46.080 Actually

01:20:46.680 Yeah

01:20:47.480 It sounds like

01:20:49.060 George W. Bush album

01:21:08.180 In your room

01:21:17.880 In your room

01:21:30.960 Where time stands still

01:21:35.420 We let the morning come soon

01:21:46.640 We leave me lying here

01:21:53.140 In your favorite darkness

01:21:57.600 Your favorite heart light

01:22:03.060 Your favorite consciousness

01:22:07.460 Your favorite sleigh

01:22:12.580 In your room

01:22:20.280 In your room

01:22:36.280 Where souls disappear

01:22:40.460 Okay

01:22:42.460 In your room

01:22:44.200 In your room

01:22:44.240 In your room

01:22:44.300 In your room

01:22:44.460 Might be my favorite song

01:22:46.180 On here

01:22:46.680 And

01:22:47.500 I think

01:22:50.380 This

01:22:51.320 Is 0.88

01:22:52.300 Amazing

01:22:53.640 so there's an in your room

01:22:56.600 song also called that by the

01:22:58.600 bangles and it's about kind of

01:23:00.600 what you think it would be about

01:23:02.120 you know meeting a guy

01:23:04.340 in his room

01:23:05.220 I think this is much deeper

01:23:22.620 and I think this song

01:23:26.340 is actually about hell

01:23:27.700 and it is

01:23:30.580 one of the best

01:23:32.360 poetic expressions

01:23:34.660 of hell

01:23:35.420 that I've ever heard

01:23:38.600 and I think it's one of their

01:23:40.800 greatest songs

01:23:41.800 in their entire body

01:23:44.980 of work because of this

01:23:46.440 but if you just listen to it

01:23:48.480 in your room where time stands still

01:23:50.960 now time standing still

01:23:52.940 that's a common trope of

01:23:54.940 you know

01:23:55.780 you're in love

01:23:56.740 or love making

01:23:57.500 or something like that

01:23:58.980 I think in

01:23:59.480 for whom the bell tolls

01:24:01.880 there's like the earth stood still

01:24:03.480 scene

01:24:04.020 or love scene

01:24:04.700 or something like that

01:24:05.260 anyway

01:24:05.620 where time stands still

01:24:07.700 that could also mean

01:24:08.540 you're never leaving

01:24:09.400 or moves at your will

01:24:12.180 will you let the morning

01:24:13.960 come soon

01:24:14.840 as the rise of the sun

01:24:17.000 will you leave me lying here

01:24:19.380 in your favorite darkness

01:24:20.880 your favorite half life

01:24:23.380 your favorite consciousness

01:24:25.460 your favorite slave

01:24:27.780 I mean if you're anything 0.99

01:24:29.380 in hell 0.99

01:24:30.200 you're Satan's slave 1.00

01:24:32.100 in your room 1.00

01:24:33.820 where souls disappear

01:24:35.480 only you exist here

01:24:38.080 in a way you're separated

01:24:39.680 from Jesus

01:24:40.240 but you're with the devil

01:24:42.200 will you lead me 0.97

01:24:43.700 to your armchair

01:24:44.780 it's kind of curious

01:24:45.880 will you leave me lying here

01:24:48.000 your favorite innocence

01:24:49.360 your favorite prize

01:24:51.120 your favorite smile

01:24:52.620 your favorite slave

01:24:53.820 again

01:24:54.560 a lot of this could be read

01:24:56.620 as

01:24:57.840 you know

01:24:59.280 it's a drug song

01:25:00.320 or it's maybe a little bit

01:25:01.620 of master and servant

01:25:02.580 thrown in there

01:25:03.460 yeah I think that's true

01:25:05.420 but I think those are like

01:25:06.340 the outer layer

01:25:07.680 of what this is really about

01:25:09.660 I'm hanging on your words

01:25:11.600 living on your breath

01:25:12.680 feeling with your skin

01:25:13.900 will I always be here

01:25:16.000 in your room

01:25:18.480 your burning eyes

01:25:19.640 cause flames to arise

01:25:21.260 all right

01:25:21.620 now it's getting maybe obvious

01:25:22.920 now

01:25:23.420 again

01:25:24.100 you could read that

01:25:25.080 as like lustful

01:25:26.400 I'm here drugged out

01:25:27.860 you're my favorite lover

01:25:29.440 I don't think that's

01:25:30.580 what it's about

01:25:31.220 will you let the fire

01:25:33.600 die down soon

01:25:34.560 or will I always be here

01:25:36.440 your favorite passion

01:25:37.660 your favorite game

01:25:38.900 your favorite mirror

01:25:40.520 I mean I love that line

01:25:43.560 your favorite

01:25:45.820 I don't even know

01:25:46.720 quite what it means

01:25:47.700 it's just highly visual

01:25:49.280 and evocative

01:25:50.160 your favorite slave

01:25:52.200 I'm hanging on your words 0.86

01:25:53.300 living on your breath

01:25:54.220 feeling with your skin

01:25:55.360 will I always be here

01:25:56.980 and yeah

01:25:59.240 it's a question

01:25:59.960 the answer is yes

01:26:01.160 in your room

01:26:14.720 your burning eyes

01:26:19.800 cause flames to arise

01:26:24.420 will you let the fire

01:26:28.080 die down soon

01:26:30.080 will you let the fire die down soon

01:26:30.140 oh I always be here

01:26:37.160 your favorite passion

01:26:41.300 your favorite moon

01:26:45.940 your favorite mirror

01:26:50.820 your favorite slave

01:26:55.760 your favorite slave

01:26:57.860 I'm hanging on your words 0.86

01:27:01.900 living on your breath

01:27:04.200 feeling with your skin

01:27:06.740 will I always be here

01:27:09.840 I'm hanging on your words

01:27:11.720 living on your breath

01:27:14.020 feeling with your skin

01:27:16.620 will I always be here

01:27:19.620 Hanging on your words, living on your breath, feeling with your skin, will I always be?

01:27:49.620 Even the Favorite Slave. I mean, again, you could write that off as like, you know, once again, Martin Gore is interested in SM or something. I think it's so much deeper than that.

01:27:59.740 Yes, I agree.

01:28:01.820 I, it's creepy.

01:28:05.120 I have a quote here that Martin actually, I thought was pretty interesting that Martin was talking about. He recalls filming the music video.

01:28:14.880 The worst memory about In Your Room is the making of the video. We spent a whole day in the studio filming and I probably had lunch at some point, but it was just something really small, like half a sandwich.

01:28:25.460 We finished filming at about eight o'clock and went back to the hotel and I forgot to eat. We went to the bar and I didn't eat.

01:28:31.200 We went out to a club, met some guy who gave me some stuff. So I was up all night until probably nine or 10 in the morning.

01:28:37.400 We had a band meeting at 12 o'clock and I managed to sleep for about an hour. Then I got up and I've never felt so dreadful in my life. I managed to literally crawl to this meeting.

01:28:46.720 I had to lay on the floor just saying yes or no. That was all I could muster. And that was when I went into a seizure. So whenever I think of this video, I just think, oh God, it brings back terrible memories.

01:28:58.480 So yeah, he was in hell while doing it. That's interesting.

01:29:07.400 We'll be right back.

01:29:37.400 What do you think Rush is about? Is it a drug song? I mean, is that obvious?

01:30:06.000 Yeah, I think so.

01:30:08.160 I like it, but it doesn't quite fit in my interpretation of the album as this little passion play of...

01:30:15.780 No, I agree. I think it's about when I come up, I rush for you. I get high for you or get high with you or head rush, something like that.

01:30:27.680 But I think it's kind of intentionally confusing a drug experience for a religious experience.

01:30:33.760 And it's definitely a banger of a song. Like, that is such a great song to listen to them play live. I mean, it's a great song in the studio version as well. But to hear them play this live is like, oh man.

01:30:48.300 Well, I'm down on my knees again.

01:31:00.300 And I pray to the only one who has the strength to bear the pain, to forgive all the things that I have done.

01:31:11.180 Oh girl, lead me into your darkness when this world is trying its hardest to leave me unimpressed.

01:31:26.540 Just one caress, you and I am blessed.

01:31:34.540 One caress, it's interesting. This reminds me quite a bit of Little Fifteen in terms of the orchestration, the strings.

01:32:00.480 But I think it, I remember you mentioned a couple podcasts back of this, this almost like dark female figure who's taking you away to death, like kind of almost like a female grim reaper or something.

01:32:15.500 I think that is in here because, you know, well, I'm down on my knees again. So he's praying. So you could, you know, kind of think of the mercy in you and things like that.

01:32:26.980 And I pray to the only one who has the strength to bear the pain, to forgive all the things that I've done.

01:32:32.420 So very similar sentiment to mercy in you. There's almost these like companion aspects to it.

01:32:37.880 But I think it's a little bit different. Oh girl, lead me into your darkness when the world is trying its hardest to leave me unimpressed.

01:32:46.420 Just one caress from you and I'm blessed.

01:32:49.040 It almost strikes me as like the depressive song. The world is nothing. It leaves me unimpressed.

01:32:58.880 And there's almost like a theme of this dark female figure, maybe death that will take you out of it.

01:33:05.940 But that's the feeling I got.

01:33:10.240 Yeah. Would that be dressed in black, right?

01:33:12.600 I'm dressed in black again.

01:33:14.740 Yeah.

01:33:15.040 Yeah. From Black Celebration.

01:33:16.400 There's definitely an aspect to that.

01:33:17.720 But you know, a different song on Black Celebration that this reminded me of is It Doesn't Matter 2.

01:33:23.200 They're both very stripped down ballads, but they both do this tritone jump from A minor to E flat.

01:33:36.160 Well, in the case of It Doesn't Matter 2, it's E flat to A minor.

01:33:40.860 But yeah, I mean, this kind of jump that is a pretty big lift, you know, in songs that you can tell that A minor and E flat don't belong together.

01:33:53.200 As I lay here with you, the shame lies with us.

01:34:14.040 We talk of love and trust that doesn't matter.

01:34:19.280 Though we may be...

01:34:24.580 Also, when essentially Martin Gore lyric, I have to believe that sin can make a better man.

01:34:30.760 Yeah, that's what I was going to mention.

01:34:32.660 Yeah.

01:34:33.340 It's almost like he's saying like sometimes things have to get ugly before they can get better.

01:34:39.560 Like you have to sin, you have to get weak in order to get strong.

01:34:42.680 I always loved the night, and now you are for me, eternal darkness.

01:34:54.200 Well, I have to believe that sin can make a better man.

01:35:06.680 It's the mood that I am in, it's left us back where we began.

01:35:14.420 Oh, girl, lead me into your darkness. 0.99

01:35:20.440 When this world is trying its hardest to leave me unimpressed.

01:35:29.540 Just one grace from you and I am blessed.

01:35:36.140 Higher love is the final song, and it, you know, what is it about exactly?

01:35:50.480 I do think that it is questing for some kind of religion.

01:35:57.960 And it's interesting that they close the album with that and open the concert on the devotional tour.

01:36:07.700 I can taste more than feel.

01:36:09.900 This burning inside is so real.

01:36:11.800 I can almost lay my hands upon the warm glow that lingers on.

01:36:16.260 Moved, lift me higher.

01:36:18.140 My soul's on fire by a higher love.

01:36:20.820 It does seem to express the, you know, charismatic religious experience in these lyrics.

01:36:30.340 And so it kind of ends the album with going to God or going to a religious community to find him, etc.

01:36:43.760 I mean, again, I think all of these songs can kind of be read as rock songs, I guess.

01:36:49.800 I mean, this is kind of the period we're in.

01:36:51.720 But I don't think that's all there is.

01:36:54.440 Or at the very least, it's a drug song that all of the metaphors are Christian. 0.84

01:36:59.120 Heaven bound on the wings of love.

01:37:01.080 There's so much that you can rise above.

01:37:02.940 Heaven bound on the wings of love.

01:37:18.860 There's so much that you can rise above.

01:37:24.580 Moved, lift me higher.

01:37:30.500 Moved.

01:37:55.040 Moved.

01:37:55.520 I surrender

01:38:04.900 Heart and soul

01:38:07.600 Sacrifice to a higher

01:38:11.200 Nose

01:38:15.340 Come on! 0.61

01:38:25.520 Come on! 0.61

01:38:55.520 Christian music.

01:38:58.860 They get older, they've grown,

01:39:02.240 but they're willing to do that.

01:39:05.940 They're not just singing love songs.

01:39:08.800 You know, Martin can write good love songs

01:39:10.900 like Somebody or Something,

01:39:12.260 but it's a Christian song,

01:39:14.740 and it's about trying to get in touch

01:39:19.120 with God as a force of universal love.

01:39:24.300 But it's, you know,

01:39:25.920 it sounds a little bit clunky maybe when I say it,

01:39:28.120 but it's a very sincere song,

01:39:30.620 and they have the confidence to do that.

01:39:33.900 Yeah, it's definitely, you know,

01:39:38.520 like this song just kind of speaks devotional,

01:39:42.440 sounds like Gregorian chants.

01:39:44.860 Like, I mean, it kind of takes you back

01:39:47.140 to like the 9th century or 11th century.

01:39:49.900 Something like, you know,

01:39:50.880 it's middle ages, dark ages kind of vibes

01:39:54.040 from it for sure.

01:39:56.620 It's, I think actually this is my favorite song

01:39:59.220 on the album.

01:40:00.220 I love that long intro,

01:40:02.400 and it just builds up to this,

01:40:05.060 and it's got a little bit of a key change there

01:40:07.420 from A minor to C minor.

01:40:09.940 Yeah, it's a,

01:40:11.180 I think it's a beautiful song.

01:40:12.760 And like I said before,

01:40:14.040 and I'm not sure which podcast,

01:40:15.920 when I was in Chicago watching Depeche Mode,

01:40:19.760 the guy next to me was like,

01:40:21.300 oh man, I hope they play High or Love.

01:40:23.160 And I was like, yeah, me too,

01:40:24.380 but they're definitely not going to play that song.

01:40:27.220 And this actually was contested as a single,

01:40:31.280 but obviously it was outvoted.

01:40:33.800 So.

01:40:34.220 What were the singles?

01:40:34.900 I Feel You, Walking in My Shoes,

01:40:36.460 and Condemnation?

01:40:38.100 Yeah.

01:40:38.920 And then Rushed and In Your Room?

01:40:39.840 Wow, they had.

01:40:41.160 No, so it would have been Condemnation,

01:40:45.600 I Feel You, Walking in My Shoes,

01:40:47.520 it's three, there's a four of,

01:40:49.760 In Your Room.

01:40:50.460 In Your Room, yeah.

01:40:51.700 And, but even One Caress,

01:40:53.700 like I said, gets a,

01:40:54.860 it's a B-side,

01:40:55.740 but it still gets a music video.

01:40:57.480 I mean, again,

01:40:58.460 Yeah.

01:40:59.020 Martin is just so on

01:41:01.060 as far as songwriting

01:41:02.620 during this time period.

01:41:04.200 We're on!

01:41:19.760 Walk with me

01:41:29.220 Open your sensitive mouth

01:41:33.740 Talk to me

01:41:35.240 Hold out your delicate hands

01:41:38.340 Feel me

01:41:39.660 Couldn't make any plans to conceal me

01:41:44.020 Open your sensitive mouth

01:41:47.280 Open your sensitive mouth

01:41:47.320 Open your sensitive mouth

01:41:47.520 Open your sensitive mouth

01:41:49.200 We're such a sensitive mouth

01:41:51.820 I'm easy to see

01:41:53.640 When I come up

01:41:58.280 When I'm lost

01:42:00.460 It's worth mentioning

01:42:14.580 this is Alan's

01:42:15.980 last

01:42:17.960 hurrah

01:42:19.740 with the band

01:42:20.640 And

01:42:21.960 He, he said

01:42:24.620 a few times

01:42:25.800 There are these

01:42:26.760 quotes from

01:42:27.960 Stripped

01:42:29.460 Just saying like

01:42:30.560 when he was recording this

01:42:31.680 This is not enjoyable

01:42:33.160 And

01:42:34.680 I don't want this

01:42:36.200 to ever

01:42:36.880 occur again

01:42:38.640 I don't know

01:42:40.360 if he has regrets

01:42:41.460 about that

01:42:42.180 I have regrets

01:42:45.100 I wish he would have stayed

01:42:47.860 But

01:42:48.440 I

01:42:49.520 And, you know

01:42:50.780 He doesn't express regrets

01:42:52.220 in an interview

01:42:52.740 But I wonder if he

01:42:53.980 really has them

01:42:56.600 Maybe

01:42:57.800 Yeah

01:42:59.040 Issued a statement

01:43:00.700 at the press

01:43:01.380 regarding the decision

01:43:02.300 to leave Depeche Mode

01:43:03.180 Due to increasing

01:43:04.500 dissatisfaction

01:43:05.600 with the internal relations

01:43:06.960 and working practices

01:43:08.080 of the group

01:43:08.720 It is with some sadness

01:43:10.340 that I have decided

01:43:11.160 to part company

01:43:11.840 from Depeche Mode

01:43:12.720 My decision to leave

01:43:14.120 the group

01:43:14.600 was not an easy one

01:43:15.720 particularly

01:43:16.180 as our last few albums

01:43:17.620 were an indication

01:43:19.080 of the full potential

01:43:20.320 that Depeche Mode

01:43:21.240 was realizing

01:43:22.980 Since joining

01:43:24.120 in 1982

01:43:24.820 I have continually

01:43:26.900 striven to give

01:43:27.980 total energy

01:43:29.040 enthusiasm

01:43:29.700 and commitment

01:43:30.320 to the furthering

01:43:31.300 of the group's success

01:43:32.220 And in spite

01:43:33.380 of a consistent imbalance

01:43:34.700 in the distribution

01:43:36.400 of the workload

01:43:37.300 willingly offered this

01:43:39.380 While I believe

01:43:41.200 that the caliber

01:43:41.760 of our musical output

01:43:42.620 has improved

01:43:43.380 the quality

01:43:43.980 of our association

01:43:45.160 has deteriorated

01:43:46.320 to the point

01:43:47.320 where I no longer feel

01:43:48.440 that the end

01:43:48.960 justifies the means

01:43:49.920 I have no wish

01:43:50.640 to cast aspersions

01:43:51.640 on any individual

01:43:52.520 Suffice it to say

01:43:54.000 that relations

01:43:54.660 have become

01:43:55.160 seriously strained

01:43:56.120 increasingly frustrating

01:43:57.300 and ultimately

01:43:58.260 in certain situations

01:43:59.360 intolerable

01:44:00.200 And I do think

01:44:02.500 that they've suffered

01:44:03.600 post-Allen

01:44:04.880 And even Dave said

01:44:07.080 personally

01:44:07.820 I mean he

01:44:08.300 obviously Allen left

01:44:09.580 while Dave was in

01:44:10.480 utter downward spiral

01:44:13.680 but he kind of

01:44:15.220 appreciates him

01:44:16.080 after the fact

01:44:17.020 and wish he could

01:44:18.180 have said that

01:44:19.720 to him

01:44:20.800 I mean what was it

01:44:22.840 I mean do you think

01:44:23.320 it was Fletch

01:44:23.960 also getting

01:44:24.720 a quarter

01:44:25.340 of the profits

01:44:26.440 and doing nothing

01:44:28.060 Totally

01:44:28.660 I mean was it

01:44:29.080 that simple

01:44:30.000 this is kind of

01:44:30.680 basic resentment

01:44:31.500 I don't think

01:44:32.500 it's that simple

01:44:33.380 but yeah

01:44:34.000 that's definitely

01:44:34.520 part of it

01:44:35.200 and if he's

01:44:36.660 the one

01:44:37.020 spending time

01:44:38.060 in the studio

01:44:38.740 like working

01:44:39.840 I mean there

01:44:40.460 there's interviews

01:44:41.180 where they're laughing

01:44:41.900 they're like

01:44:42.320 yeah we'll just

01:44:43.200 have Al do it

01:44:43.980 and Allen said

01:44:45.020 before I was the

01:44:45.760 only one who

01:44:46.180 attended the mixes

01:44:47.000 I was in the studio

01:44:48.560 to the bitter end

01:44:49.500 with Flood

01:44:50.440 and I guess

01:44:52.280 like things

01:44:52.900 have gotten so bad

01:44:53.960 with Allen

01:44:54.620 and Fletch

01:44:55.240 that Fletch said

01:44:56.140 this isn't one

01:44:57.380 of those documentaries

01:44:58.080 that Fletch said

01:44:58.840 I wasn't gonna

01:44:59.600 I told him I wasn't

01:45:00.640 gonna make another

01:45:01.220 album with him

01:45:02.000 again 0.99

01:45:02.520 who the fuck 1.00

01:45:03.380 are you dude 1.00

01:45:04.020 you don't do

01:45:04.660 you don't contribute

01:45:05.520 anything

01:45:06.640 you know

01:45:07.720 and

01:45:08.540 yeah

01:45:09.940 I would be

01:45:11.940 pretty upset

01:45:12.860 I mean

01:45:13.180 who was the one

01:45:14.360 when Fletch

01:45:15.500 on the exotic tour

01:45:17.360 took a break

01:45:19.100 because he was

01:45:19.920 clinically depressed

01:45:20.800 and I'm not making 0.69

01:45:21.880 fun of him for that

01:45:22.680 I'm just saying

01:45:23.220 who was the one

01:45:24.060 that took

01:45:25.320 Daryl Bomanti

01:45:26.940 their

01:45:27.360 one of their

01:45:28.160 tour managers

01:45:28.900 or roadies

01:45:29.900 and taught him

01:45:30.800 Fletch's parts

01:45:31.600 that was Allen

01:45:32.240 you know

01:45:33.120 yeah

01:45:33.460 and then that

01:45:34.700 that was during

01:45:35.520 a vacation in Hawaii

01:45:36.640 for two weeks

01:45:37.440 he was doing that

01:45:38.480 who was remixing

01:45:39.820 all these songs

01:45:40.680 I mean he didn't

01:45:41.080 have to

01:45:41.600 but he wanted

01:45:42.840 a better show

01:45:43.540 and for the exotic

01:45:45.280 tour

01:45:45.600 that was Allen

01:45:46.840 mostly

01:45:47.700 I mean definitely

01:45:48.500 Steve Lyon

01:45:49.220 was helping him

01:45:50.300 from what I understand

01:45:51.820 I think Dave

01:45:53.120 and Allen

01:45:53.580 had probably

01:45:54.600 the closest relationship

01:45:55.760 but I don't think

01:45:56.280 there were

01:45:56.660 I think there were

01:45:57.400 definitely two different

01:45:58.160 people

01:45:58.580 and it is a shame

01:46:00.540 that Dave never

01:46:01.280 reached out for him

01:46:02.180 but as far as I understand

01:46:04.320 at a certain point

01:46:06.560 each album

01:46:07.300 Allen started to exert

01:46:08.800 more and more control

01:46:09.780 which I don't

01:46:11.240 think is

01:46:12.240 controversial

01:46:13.000 because he's the one

01:46:14.040 in the studio

01:46:14.560 and so

01:46:16.340 that became

01:46:18.160 I guess

01:46:18.700 I remember

01:46:19.820 in one of those documentaries

01:46:21.320 Dave was saying

01:46:22.620 that Martin

01:46:23.380 was saying

01:46:24.180 that oh he's trying

01:46:24.920 to take over

01:46:25.580 and Dave was saying

01:46:27.300 like no

01:46:27.700 he's just really

01:46:28.260 just trying to get

01:46:28.900 his ideas across

01:46:29.900 but yeah

01:46:31.080 I mean this

01:46:31.660 out

01:46:32.220 this era

01:46:32.960 91 to 94

01:46:34.480 is where I think

01:46:35.800 Allen shines

01:46:36.620 you know

01:46:37.520 just

01:46:37.940 he's at his peak

01:46:39.000 because

01:46:39.900 I don't know

01:46:41.240 if you listen

01:46:41.740 to those

01:46:42.280 live shows

01:46:44.940 of the exotic tour

01:46:45.920 he's doing

01:46:46.780 he was the one

01:46:47.380 that rearranged

01:46:48.280 for example

01:46:48.720 Rush

01:46:49.180 Everything Counts

01:46:50.400 did a remix

01:46:51.000 to I Want You Now

01:46:52.340 A Question of Time

01:46:54.420 and even A Question of Lust

01:46:56.000 it's a little bit more

01:46:56.800 stripped down

01:46:57.460 but he's going

01:46:58.520 you know

01:46:59.480 and staying in the studio

01:47:00.800 hours on end

01:47:01.780 and really remaking

01:47:03.520 a lot of these songs

01:47:04.400 and making them

01:47:05.140 his own

01:47:06.360 and I think

01:47:07.440 it's actually

01:47:07.960 their peak

01:47:08.700 and it's a shame

01:47:09.560 that none of these

01:47:10.540 remixes

01:47:11.040 it's a shame

01:47:11.660 that the exotic

01:47:12.360 tour

01:47:12.960 the 94

01:47:14.160 tour

01:47:15.460 does not have

01:47:17.280 a live album

01:47:18.820 or something

01:47:19.420 like that

01:47:19.860 because

01:47:20.140 you have to get

01:47:20.760 like these

01:47:21.140 YouTube

01:47:21.500 like bootlegs

01:47:22.500 that have been

01:47:23.380 kind of processed

01:47:24.520 yeah

01:47:25.260 you sent me

01:47:26.220 some of these

01:47:26.660 bootlegs

01:47:27.420 they're really

01:47:28.560 fascinating

01:47:29.360 the songs

01:47:29.920 sound different

01:47:31.000 yeah

01:47:31.820 I would agree

01:47:32.580 darker

01:47:33.480 yeah

01:47:34.700 darker

01:47:35.420 even kind of

01:47:36.060 rocking

01:47:36.700 as well

01:47:37.420 like

01:47:37.720 playing

01:47:39.380 a

01:47:40.540 question of time

01:47:41.660 on a guitar

01:47:42.240 and

01:47:43.880 things like that

01:47:45.360 it's

01:47:45.760 it's amazing

01:47:46.280 it also does feel

01:47:47.360 like bootleg

01:47:47.940 I mean

01:47:48.160 Martin

01:47:48.940 kind of

01:47:49.300 sings out

01:47:49.740 of tune

01:47:50.180 in a couple

01:47:50.600 of places

01:47:51.120 as well

01:47:51.780 oh yeah

01:47:52.260 yeah

01:47:52.660 definitely

01:47:53.180 and he's

01:47:53.880 like about

01:47:54.360 to like

01:47:54.720 collapse

01:47:55.240 on all

01:47:56.020 these

01:47:56.300 on the devotional

01:47:58.920 tour

01:47:59.120 and the exotic

01:47:59.760 tour

01:48:00.060 and you

01:48:01.360 can see it

01:48:02.040 in the

01:48:02.840 devotional

01:48:03.480 tour

01:48:03.660 when he's

01:48:04.060 singing

01:48:04.300 Judas

01:48:04.760 it's like

01:48:05.200 at any

01:48:05.760 moment

01:48:06.000 he looks

01:48:06.320 like he

01:48:06.600 could just

01:48:06.880 keel over

01:48:07.580 and you

01:48:08.280 know

01:48:08.400 have another

01:48:09.100 seizure

01:48:09.460 or whatever

01:48:09.840 but

01:48:10.680 yeah

01:48:11.480 I guess

01:48:12.040 the 90

01:48:13.080 the exotic

01:48:13.940 tour

01:48:14.280 Fletch

01:48:14.820 and Martin

01:48:15.380 didn't want

01:48:15.840 to do it

01:48:16.220 and Dave

01:48:16.860 and Alan

01:48:17.400 were all

01:48:17.780 about it

01:48:18.340 and so

01:48:18.960 they ended

01:48:19.300 up doing

01:48:19.780 it

01:48:20.100 but

01:48:20.660 I think

01:48:21.700 like Daniel

01:48:22.320 Miller

01:48:22.560 said

01:48:22.960 like there

01:48:23.300 was a huge

01:48:23.980 disaster

01:48:24.840 of a tour

01:48:25.360 and I

01:48:25.960 have a little

01:48:26.800 bit of a quote

01:48:27.520 I want to read

01:48:28.020 about that tour

01:48:28.840 because I think

01:48:29.600 the devotional

01:48:30.220 tour gets a lot

01:48:30.960 of press

01:48:31.480 and rightfully

01:48:32.040 so

01:48:32.440 they have a

01:48:33.540 devotional

01:48:34.260 live album

01:48:35.040 but the exotic

01:48:35.760 tour

01:48:36.080 for me

01:48:36.720 is

01:48:37.560 is the peak

01:48:39.260 so Dave

01:48:40.120 says

01:48:40.360 we had a

01:48:40.700 fully paid

01:48:41.240 psychiatrist

01:48:41.880 on the road

01:48:42.460 as well

01:48:42.920 pretty funny

01:48:43.640 I never

01:48:43.960 went to see

01:48:44.480 him

01:48:44.620 I didn't

01:48:45.120 have any

01:48:45.480 of those

01:48:45.720 problems

01:48:46.100 ha ha ha

01:48:46.760 not psychological

01:48:47.900 anyway

01:48:48.380 I even took

01:48:49.200 it so far

01:48:49.720 as to be

01:48:50.040 desperate

01:48:50.400 to get

01:48:50.760 primal

01:48:51.160 primal scream

01:48:52.260 to come

01:48:52.680 on the road

01:48:53.080 with us

01:48:53.480 they were

01:48:53.940 perfect

01:48:54.340 absolutely

01:48:54.820 perfect

01:48:55.360 I love

01:48:56.040 that last

01:48:56.500 album

01:48:56.820 everything

01:48:57.220 about them

01:48:57.860 was what

01:48:58.300 I wanted

01:48:58.700 us to be

01:48:59.340 that was

01:48:59.800 my fantasy

01:49:00.340 we had

01:49:00.660 a lot

01:49:00.900 of fun

01:49:01.200 actually

01:49:01.500 a lot

01:49:01.740 of good

01:49:01.960 times

01:49:02.300 they'd

01:49:02.780 always

01:49:03.000 be in

01:49:03.260 my dressing

01:49:03.720 room

01:49:04.060 yeah

01:49:04.820 um

01:49:05.560 primal scream

01:49:08.820 is

01:49:09.080 they're

01:49:10.100 almost

01:49:10.320 to

01:49:10.580 blame

01:49:11.140 for

01:49:11.560 killing

01:49:12.360 Dave 0.92

01:49:12.820 yeah

01:49:15.280 i've got

01:49:27.720 to get

01:49:28.160 to you

01:49:28.620 first

01:49:29.200 before

01:49:31.740 they

01:49:32.000 do

01:49:32.600 it's just

01:49:34.780 the question

01:49:35.340 of time

01:49:36.300 before

01:49:38.300 they

01:49:38.520 lay down

01:49:39.160 hands

01:49:39.660 on you

01:49:40.480 they'll

01:49:41.560 make you

01:49:42.000 just like

01:49:42.480 rest

01:49:43.140 i've got

01:49:45.300 to get

01:49:45.720 to your

01:49:46.160 bus

01:49:46.660 it's just

01:49:48.840 a question

01:49:49.400 of time

01:49:50.480 i wish

01:50:08.760 there were

01:50:09.420 better

01:50:10.000 recordings

01:50:10.720 of that

01:50:11.060 you sent

01:50:11.480 me some

01:50:11.860 of these

01:50:12.060 bootlegs

01:50:12.540 on youtube

01:50:12.900 and it

01:50:13.900 is an

01:50:14.240 amazing

01:50:14.600 thing

01:50:15.060 very rough

01:50:15.980 around the

01:50:16.400 edges

01:50:16.780 as as

01:50:18.820 well

01:50:19.180 like clearly

01:50:19.900 but um

01:50:21.140 but really

01:50:22.620 good and

01:50:23.060 really interesting

01:50:23.660 did they use

01:50:24.640 the same

01:50:25.040 corbin set

01:50:26.040 or was that

01:50:26.700 different

01:50:27.600 i mean

01:50:27.880 the the

01:50:28.680 concert you

01:50:29.320 sent me

01:50:29.620 was from

01:50:29.880 san francisco

01:50:30.780 i guess

01:50:31.140 in 1994

01:50:31.740 yeah as

01:50:33.560 far as i

01:50:33.960 understand

01:50:34.440 they used

01:50:35.720 that same

01:50:36.260 set on

01:50:36.940 the exotic

01:50:37.740 tour but i

01:50:38.360 just know

01:50:38.740 that the

01:50:40.000 exotic tour

01:50:40.560 had a lot

01:50:40.980 more outdoor

01:50:41.900 venues i mean

01:50:42.500 they were going

01:50:42.800 to a lot

01:50:43.160 hotter places

01:50:44.100 too like

01:50:44.860 hawaii

01:50:45.820 australia

01:50:47.180 um south

01:50:48.420 america

01:50:48.920 that's i

01:50:49.620 think and

01:50:50.120 south africa

01:50:50.900 man that is

01:50:52.460 just a

01:50:53.620 hidden gem

01:50:54.200 for any

01:50:54.780 tepeche mode

01:50:55.840 fanatic i'd

01:50:57.000 say is that

01:50:57.600 tour but

01:50:58.720 the last thing

01:50:59.640 i want to say

01:51:00.060 is about

01:51:00.660 alan uh

01:51:01.600 is that i

01:51:02.140 wish at

01:51:02.900 least

01:51:03.500 he and

01:51:05.200 dave would

01:51:05.840 work together

01:51:06.480 on something

01:51:07.480 because i

01:51:07.900 think that

01:51:08.280 could be

01:51:08.680 really

01:51:08.940 interesting

01:51:09.280 and they

01:51:09.600 seem to

01:51:10.100 have had

01:51:11.240 a decent

01:51:12.680 enough

01:51:13.020 relationship

01:51:13.600 but i

01:51:14.640 don't it's

01:51:15.280 hard to

01:51:15.580 tell i

01:51:15.940 mean as

01:51:16.420 far as i

01:51:16.760 understand

01:51:17.040 alan's

01:51:17.480 quit the

01:51:17.780 music

01:51:18.200 industry

01:51:18.800 uh

01:51:19.580 all

01:51:19.800 together

01:51:20.180 i don't

01:51:22.000 think he's

01:51:22.340 released

01:51:22.620 anything

01:51:23.000 since uh

01:51:24.140 liquid in

01:51:24.640 2010

01:51:25.380 on recoil

01:51:26.600 but

01:51:27.000 that's

01:51:27.780 sad

01:51:28.180 when we

01:51:39.020 got closer

01:51:39.740 the pilot

01:51:41.580 said there

01:51:42.180 was something

01:51:42.700 on the radar

01:51:43.420 that he

01:51:44.320 hadn't seen

01:51:44.860 the day

01:51:45.220 before

01:51:45.720 and we

01:51:59.680 saw for the

01:52:00.080 first time

01:52:00.680 what had

01:52:00.980 happened

01:52:01.300 in the crater

01:52:02.300 we saw

01:52:05.980 nothing but

01:52:06.540 black eyes

01:52:08.800 covered with

01:52:11.500 ash

01:52:11.980 and water

01:52:13.980 with floating

01:52:14.780 ice plugs

01:52:15.640 and ash

01:52:16.920 at the bottom

01:52:17.460 i think there

01:52:36.040 was a struggle

01:52:36.860 session between

01:52:38.100 martin and

01:52:38.760 alan i mean

01:52:40.100 fletch was kind

01:52:41.100 of like the

01:52:41.460 more obvious

01:52:42.440 antagonist

01:52:43.720 but you know

01:52:45.840 it is interesting

01:52:46.820 because you

01:52:47.420 know with

01:52:48.440 construction

01:52:48.980 time again

01:52:49.960 alan is

01:52:51.180 contributing

01:52:51.860 songs he's

01:52:53.040 credited as a

01:52:53.540 songwriter i i

01:52:54.880 think none

01:52:56.320 of them were

01:52:56.700 as maybe as

01:52:57.560 good as

01:52:58.080 martin's best

01:52:59.720 but i i think

01:53:00.420 actually a lot

01:53:01.060 of them are

01:53:01.380 kind of like

01:53:01.820 hidden gems

01:53:02.640 and things

01:53:03.940 like that

01:53:04.500 and but he

01:53:06.300 gave that up

01:53:07.240 and so

01:53:08.680 black celebration

01:53:10.380 is a martin

01:53:11.260 gore album

01:53:12.040 music for the

01:53:13.800 masses and

01:53:14.320 martin gore

01:53:14.880 i mean he

01:53:15.340 is the sole

01:53:16.260 songwriting

01:53:16.960 credit

01:53:17.380 but it's

01:53:18.280 almost like

01:53:18.820 alan you

01:53:20.280 know put

01:53:20.640 his ego

01:53:21.000 aside a

01:53:21.580 little bit

01:53:21.940 gave up

01:53:22.420 on being

01:53:23.120 the songwriter

01:53:23.900 but then

01:53:24.880 became more

01:53:26.540 implement

01:53:27.140 influential as

01:53:28.320 the producer

01:53:29.400 and remixer

01:53:31.600 and arranger

01:53:32.260 etc

01:53:32.940 yeah and

01:53:34.800 never mind the

01:53:35.300 fact that he

01:53:36.020 could play

01:53:36.560 anything two

01:53:37.460 different things

01:53:38.000 with both

01:53:38.700 hands i mean

01:53:39.420 classically trained

01:53:41.400 like he had

01:53:42.300 yeah he had

01:53:43.420 it all

01:53:43.800 and i it's

01:53:45.800 a standard

01:53:46.480 comment but

01:53:47.340 yeah they

01:53:47.880 haven't been

01:53:48.280 the same

01:53:48.700 since since

01:53:50.000 he left

01:53:50.400 there's just

01:53:50.940 no question

01:53:52.040 they're silent

01:53:53.660 i'm saying

01:53:54.120 yes

01:53:55.440 death is everywhere

01:54:07.680 death is everywhere

01:54:20.800 there are flies

01:54:25.240 on the windscreen

01:54:26.640 for a start

01:54:28.800 reminding us

01:54:33.680 we could be torn

01:54:36.900 apart

01:54:38.020 tonight

01:54:40.160 think

01:54:47.060 well

01:54:47.880 you

01:54:49.560 you

01:54:50.180 you

01:54:50.860 yeah

01:54:51.980 you

01:54:53.280 you

01:55:01.140 We'll be right back.

01:55:31.140 We'll be right back.

01:56:01.140 We'll be right back.

01:56:31.120 I love that album, but this is their peak.

01:56:37.400 You can't get better.

01:56:38.800 I don't disagree.

01:56:41.000 It's great.

01:56:41.240 I'm knocking on this door.

01:57:01.800 Oh, Lord, take my rest.

01:57:08.280 I'm all blessed.

01:57:11.900 Father, are you waiting?

01:57:15.040 Father, are you facing?

01:57:17.480 I'm coming home.

01:57:29.020 I'm knocking on death's door.

01:57:34.060 I've come to take my rest.

01:57:40.540 In my Sunday best.

01:57:44.380 Mother, are you anxious?

01:57:47.600 Father, are you gracious?

01:57:50.840 I'm going home.

01:57:53.500 I've been away so long.

01:58:00.200 I've been away so long.

01:58:00.240 For so long, you get strong.

01:58:03.900 I've been away so long.

01:58:06.680 I know that I'm coming home.

01:58:11.680 I know that I'm in control, but I'm coming home.

01:58:12.360 I know that I'm coming home.

01:58:22.240 I'm knocking on death's door.

01:58:28.040 I've been away so long.

01:58:29.840 I'm knocking on death's door.

01:58:30.640 my rest

01:58:32.880 have I

01:58:34.300 lost the test

01:58:36.740 the mother of you

01:58:38.620 praying

01:58:40.100 the father I am saved

01:58:43.320 I'm coming

01:58:44.480 from home

01:58:46.480 thank you

01:59:16.480 thank you

01:59:46.480 thank you

02:00:16.480 thank you

02:00:46.480 thank you

02:00:48.480 thank you

02:00:50.480 thank you

02:00:52.480 thank you

02:00:54.480 thank you

02:00:56.480 thank you

RadixJournal - April 11, 2024

Depeche Mode： Songs of Faith and Devotion

Episode Stats

Summary

Transcript