RadixJournal - March 08, 2024


Depeche Mode: Ultra


Episode Stats

Length

1 hour and 39 minutes

Words per Minute

117.12657

Word Count

11,684

Sentence Count

358

Misogynist Sentences

11

Hate Speech Sentences

49


Summary

Dave Gahan was a junkie in the 90s and early 2000s. He was addicted to drugs and alcohol, and his marriage was on the rocks. In order to deal with it, he turned to a life of crime, including drug and alcohol addiction, and turned to writing songs about it. In the process of writing and producing Never Let Me Down Again, he reached rock bottom.


Transcript

00:00:00.000 Transcription by CastingWords
00:00:30.000 Transcription by CastingWords
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00:01:30.000 Transcription by CastingWords
00:01:59.980 In other words, I liked it on third listen more than I liked it on the first listen.
00:02:06.280 And I also got deeper into meanings of the songs or at least how they resonated.
00:02:15.560 I think it's actually pretty brilliant in retrospect, but I'm not sure what I thought of it when I bought it as a teenager still at the time.
00:02:30.540 I was in high school when it came out in 1997.
00:02:33.540 And I think I liked Home and It's No Good, but was a little curious about the rest of it.
00:02:41.460 And I was learning about Dave Gahan's personal downfall.
00:02:46.860 One thing I would say, and this was the summing up that I came to, is that songs like Never Let Me Down Again are about the experience of drug use, of being high, of transcending yourself, going to another world, etc.
00:03:09.580 And I think Ultra is about the experience of being a junkie.
00:03:15.480 And I say that, I guess, a bit as a criticism in the sense that it's not a fun album.
00:03:27.480 It's not a nice album.
00:03:28.940 I think it's, in a way, a vindictive album.
00:03:32.840 And at least in retrospect, after reading the chapters in Stripped, this chronicle that I've been referencing throughout these podcasts,
00:03:44.900 every song resonated with Dave Gahan's ordeal of heavy drug use, collapsing marriage, living like a low life, which I don't think we can even underestimate.
00:04:04.580 He was carrying around a .38 caliber pistol, wherever he went.
00:04:08.900 And he would check into the Sunset Marquee Hotel and never leave, as they say.
00:04:16.020 Interesting hotel named Sunset Boulevard Hotel, California.
00:04:21.220 Anyway, it was resonances.
00:04:23.580 And he attempted suicide, actually, at one point, whether he really wanted to go through with it
00:04:32.860 or was making a desperate plea for help or attention or remains to be seen.
00:04:43.220 During the making of this album, which lasted 15 months, which is pretty incredible because of the breaks they needed to take,
00:04:50.840 he actually died of a heart attack effectively brought on by drug use.
00:04:55.580 His drug of choice at this point was heroin and cocaine, speedball.
00:05:03.440 So you can imagine what that can do to you.
00:05:09.080 And his heart stopped for two minutes, apparently.
00:05:12.600 There was actually a poignant moment when he was calling out for help.
00:05:24.860 Dave Gahan says,
00:05:25.940 I woke up in the hospital hearing one of the paramedics saying, I think we lost him.
00:05:30.900 I sat up and said, no, you fucking haven't.
00:05:34.460 But I had the full cardiac arrest.
00:05:37.060 My heart had stopped for two minutes.
00:05:39.700 I've been dead, basically.
00:05:41.100 Later, a detective read me my rights.
00:05:44.480 I was arrested for possession of cocaine and needles.
00:05:47.360 I was handcuffed to a trolley.
00:05:49.460 Straight from hospital, they threw me into the county jail for a couple of nights in a cell
00:05:54.260 with about seven other guys.
00:05:57.220 A scary experience.
00:05:59.960 I guess he was thrown in jail for a little bit.
00:06:02.660 He never went to prison.
00:06:04.040 He was on probation.
00:06:07.520 Perhaps prison would have done him some good.
00:06:11.100 He would check into various clinics.
00:06:15.780 There was one clinic where, according to Stripped, when he checked out, Robert Downey Jr. checked in.
00:06:22.540 Anyway, pretty interesting time in the 90s.
00:06:24.720 But he would have relapses.
00:06:28.040 And he, I think the cardiac arrest by the police really was the end of it.
00:06:39.560 And he had reached rock bottom.
00:06:42.420 There is a bit of a whiff of Kurt Cobain that hangs over this album.
00:06:47.400 I think definitely, Dave, in these interviews that are collected, he's saying that explicitly, that he didn't want to become Kurt Cobain.
00:06:58.260 He wanted to be a survivor.
00:06:59.740 So I think he had a stronger will to live.
00:07:03.160 But he was certainly going down that track.
00:07:05.220 I think Kurt Cobain hangs over the album more generally.
00:07:11.900 If we want to sum up rock and pop music, you reach this nadir with punk and, let's say, the Sex Pistols, for example,
00:07:24.900 where they're slamming their guitars, playing three chords out of tune, screaming, screaming out of tune.
00:07:33.540 It's almost like music, or at least the music that resonates, has gotten so cacophonous and edgy that it almost can't go any further.
00:07:44.080 Like, the only thing after a hardcore punk would be silence or pure noise or something, or just a scream.
00:07:55.200 Some aspects of Wagner, Das Rheingold, where it eventuates into just actual screaming.
00:08:01.280 Interesting.
00:08:03.720 And so I think this album sounds like a 90s album.
00:08:09.160 And with a lot of it, even though you and I can pick up quintessential Martin Gore songwriting, and he wrote every song in this album,
00:08:22.240 you know, I think for someone who's heard Just Can't Get Enough or Enjoy the Silence or Personal Jesus,
00:08:30.440 I think they might not quite recognize Depeche Mode in this album.
00:08:36.120 It is a different thing altogether.
00:08:39.160 Whatever I've done, I've been staring at the barrel of a gun.
00:08:50.880 Whatever I've done.
00:08:56.080 I've been staring at the barrel of a gun.
00:09:02.560 Whatever I've done.
00:09:05.580 Whatever, whatever.
00:09:09.160 And it has that 90s quality of, first off, vindictiveness, the, you know,
00:09:21.160 don't say you love me, it's understood, it's no good.
00:09:27.340 Everything's been leading to a barrel of a gun.
00:09:29.720 And it has a kind of hip hop influenced, I would say, drum beat.
00:09:37.180 It's not the get up and go or kind of epic drum beat of never let me down again or enjoy the silence or something.
00:09:45.380 It's a slower album and a kind of messier album when it comes to instrumentation and so on.
00:09:56.720 So I think the everything about the 90s hung over this.
00:10:01.060 They were in their mid-30s.
00:10:03.100 They're getting a little bit too old to be rock stars.
00:10:06.880 And Dave is sinking into a very dark place.
00:10:11.660 And this just follows the end of the devotional tour after which Alan Wilder left the band for a variety of reasons.
00:10:23.660 I think we can talk about that in this podcast or we could save that for the next one.
00:10:29.760 We'll see how it goes.
00:10:32.080 But it is, the album, it's very interesting.
00:10:36.040 It is a kind of survival album.
00:10:38.560 It's not great in the way that Songs of Faith and Devotion was.
00:10:43.660 It was, it's not bad in the way that Exciter is, to give it credit.
00:10:51.080 It is definitely of its time, but it also demonstrates that Debeche Mode can keep going.
00:11:00.640 And I would just return to that initial thought about, you know, never let me down again is about the experience of being high,
00:11:09.680 whereas this is about the experience of being a junkie.
00:11:13.660 I think, with maybe an exception like Insight or maybe Free State,
00:11:22.720 I think every song is about Dave Gahan.
00:11:27.280 And every song is about Dave's descent into junkiedom.
00:11:34.040 And it's very interesting that, you know, Martin wrote all of these songs.
00:11:39.820 Dave isn't even writing songs yet.
00:11:41.720 Alan is gone.
00:11:43.660 And they seem to be about him channeling Dave's ordeal.
00:11:50.380 And perhaps experiencing it a bit himself.
00:11:54.420 But anyway, those are my opening thoughts.
00:11:56.900 Yeah, I mean, I think I agree with you that the album isn't exactly accessible upon first listen.
00:12:06.140 I think a lot of the tracks, like you said, are slower, a bit more like, I don't know, something like dazed about it or just almost gives you the feeling of like a hangover.
00:12:19.100 You know, I would describe this, if Songs of Faith and Devotion was the Bacchanal party, this was the hangover from it.
00:12:28.520 And when you said vindictive, that made me think, like, is this vindictive in the same way that like a broken frame might have been vindictive?
00:12:40.800 Like, us three, Dave, Martin and Fletch, we're going to prove to Vince that into the world that we can do this without Vince.
00:12:49.900 And in the similar way, like, us three, again, we're going to prove that we can do this without Alan, without all of his craftsmanship in the studio and his musicianship.
00:13:01.200 Yes, I can see that, but I actually mean it in another way as well, but you can continue.
00:13:06.900 But I think with Dave being like at his low, like, he's doing these interviews at the time with like, I don't know, E! News or whatever.
00:13:16.140 And he's just going on and on about how much of an addict he is.
00:13:21.900 And that was like their kind of promo.
00:13:23.740 And I think this album could have been called, like, Dave Gone 1993 to 1998 or something like that, you know, like, it really, yeah, I agree.
00:13:35.420 This is almost completely about him.
00:13:39.180 I guess Martin was suffering with his own alcoholism or whatever during this time and Fletch was recovering from some sort of breakdown.
00:13:48.660 But, yeah, I mean, he is the star of the show.
00:13:51.880 And it made me think that, I think with the previous album, in this case Songs of Faith and Devotion, that he had sort of, like, achieved this new persona.
00:14:03.600 He didn't necessarily need to have, but it just kind of goes to show that, like, all of these frontmen, David Lee Roth, Freddie Mercury, John Lennon, with very few exceptions,
00:14:16.620 are these frontmen, like, ever, and obviously Kurt Cobain, are any of these frontmen ever, like, well-adjusted people?
00:14:24.740 And I think Dave, as creative a person as he might be now, I don't think he was or is perhaps a well-adjusted person.
00:14:34.500 And that's not like a personal dig or anything.
00:14:36.660 I just think that would have contributed to his addictions and et cetera, but it also made him a really good frontman as well.
00:14:46.700 So, yeah, with you saying that you might not recognize, like, Depeche Mode in this album, I would agree also, because there is just something so fundamentally different.
00:14:58.700 There was, I think, actually a good balance of, like, live music and programmed music with, like, they brought in a bunch of different bassists and percussionists,
00:15:11.020 like the guy from Cannes whose name escapes me or anything.
00:15:14.540 It's like Jackie Feishaupt or something.
00:15:16.860 Anyway, and they're bringing in all these different musicians doing all of this stuff that Alan would have been doing.
00:15:25.900 He was playing bass on Songs of Faith and Devotion, and he was playing drums and recording these loops and getting these atmospheres together.
00:15:34.600 And so they needed someone like Tim Semenen, who had done remixes for the band before.
00:15:41.080 So, yeah, they really needed that.
00:15:43.380 But, I mean, as far as my impression of the album, I think Martin's songwriting peak was probably Violator's Songs of Faith and Devotion.
00:15:55.340 For me, at least.
00:15:56.420 And, like, this is kind of the bottom of that peak.
00:16:01.180 And I think it has these, they did channel interesting, like, jazz and hip-hop and these other genres that they didn't before.
00:16:14.000 And I think that was...
00:16:14.600 And some country in there for the first time.
00:16:15.900 Yes, yes.
00:16:17.180 And it was...
00:16:18.400 And blues...
00:16:19.160 Blues is still there, too.
00:16:20.820 Yeah.
00:16:21.060 But it was about...
00:16:22.040 You know, it was...
00:16:23.220 You know, like you said, it was of its time.
00:16:25.780 It was good that they did that.
00:16:27.560 And I think Martin's songs, though, really do drive...
00:16:31.160 As good as the production is and as interesting as it is and as expensive as it was for the band,
00:16:36.780 And I think that still his songs are driving this album.
00:16:44.320 Yeah.
00:16:45.500 So, this is just a little story.
00:16:48.760 So, Primal Scream...
00:16:50.920 And they were opening for Depeche Mode, I think, on the summer tour, which is called the Exotic Tour, I believe.
00:17:00.400 It's a kind of extension of the devotional tour.
00:17:03.700 Dave seemed to invite them precisely because they were into narcotics.
00:17:10.800 They're a Scottish band.
00:17:12.520 Yeah.
00:17:13.500 Primal Scream always took boxes of records and had a couple of decks in the dressing room, Perry continued.
00:17:21.020 So, there were all these people dancing.
00:17:23.420 And Dave Gahan sitting in the middle of the room in an armchair,
00:17:26.540 apparently shoveling cocaine up his nose at a frightening rate.
00:17:32.360 Suddenly, he seemed to realize that I was a journalist.
00:17:35.920 This is a story of...
00:17:38.340 Let's just call him Perry.
00:17:39.860 He's a journalist.
00:17:41.160 He told this.
00:17:42.100 Suddenly, he seemed to realize that I was a journalist.
00:17:44.620 And he pointed at me.
00:17:46.700 One of his big flunkies came over and got me.
00:17:50.400 I had to kneel down beside the armchair to make it possible for him to talk to me.
00:17:54.800 He started burbling on about how people didn't understand him.
00:17:59.840 But then his mood changed suddenly.
00:18:02.020 He said, I'm going to curse you.
00:18:03.620 And the next thing I know, he's bitten me on the neck.
00:18:07.440 By now, he was shouting and everybody was watching him until he stormed out of the room,
00:18:12.220 still yelling about putting a curse on me.
00:18:15.000 I assumed he was completely out of it.
00:18:17.480 But then on stage, he was totally together and professional.
00:18:20.580 Alan reported as well that, I mean, not that anyone there was a Puritan,
00:18:27.540 but someone like Alan just left the whole thing.
00:18:31.020 He seemed the best adjusted and was able to keep drinking and drug use under control.
00:18:39.340 But Dave fell into this state where, I mean, there's always been a little bit of a vampiric quality
00:18:48.380 to his teeth and black hair and slipping.
00:18:52.880 And it's funny how he just actually became a vampire at some point and was cursing.
00:18:57.840 The other thing is that, I mean, I heard a story about someone I know, actually,
00:19:05.620 who went into all of this despair, just malnutrition due to bulimia and then severe alcoholism.
00:19:17.200 And I have not spoken to this woman in years, like well over a decade.
00:19:24.060 And apparently, she is basically done.
00:19:28.420 She has early senility or dementia due to malnutrition combined with heavy alcohol use.
00:19:38.240 So, I mean, yeah.
00:19:39.500 I mean, she was a difficult person, but she certainly didn't deserve this.
00:19:42.980 I mean, she's my age and she's, you know, might as well be Joe Biden's age.
00:19:50.700 It is, I'm surprised in a way that he didn't have permanent brain damage or something like that
00:20:01.660 due to the heavy drug use, alcoholism and dying or some kind of personality disorder brought on by all this.
00:20:09.640 But I've seen a number of interviews of him in the 2000s and certainly with the release of the last album.
00:20:20.520 And, I mean, he seemed bright and well-adjusted and normal and friendly.
00:20:27.760 I mean, he seems to have actually survived this somehow.
00:20:33.120 And he's a very energetic performer.
00:20:36.540 I mean, he's 60 or however, and he's, you know, prancing around on stage for a year-long world tour.
00:20:44.680 I mean, it's pretty remarkable.
00:20:46.220 It's kind of an amazing thing that he survived this.
00:20:49.140 I mean, it's like this conventional tale of the rock star who, by necessity of the fact that he is a rock star,
00:20:56.560 is, you know, extroverted and outlandish and narcissistic, etc.
00:21:03.520 And then there's all of this temptation.
00:21:07.660 I mean, there were stories in here that I might have even mentioned in the Violator review of, you know,
00:21:15.200 the tour managers would pick out like 12 women at every concert and bring them in.
00:21:19.920 I mean, there was total debauchery.
00:21:23.900 He gave in to sin again and again.
00:21:27.040 I mean, and he, it's like that story from the 1960s through the 90s.
00:21:34.820 I mean, Kurt Cobain was part of it.
00:21:36.360 Jimi Hendrix, I mean, on and on.
00:21:40.000 You just do expect him to either complete his suicide attempt or to die of an OD.
00:21:48.040 And the band to end and people to look back on the albums.
00:21:52.940 But he somehow and they somehow kept going.
00:21:56.940 There was actually a poignant moment where I think Dave was at a very low point where he was talking to Martin.
00:22:06.940 And, you know, who knows, he might have been checked in to the Sunset Marquee or something like this.
00:22:13.080 And he felt that Martin didn't actually care about him.
00:22:18.280 And Martin and Fletch were just, they cared about Depeche Mode.
00:22:22.440 And it's like, we did this amazing amount of work.
00:22:26.980 We're already a classic band, in fact.
00:22:31.360 And we're not just kind of one hit wonders or one album wonders.
00:22:34.660 Like, we kept going and we kept getting better.
00:22:37.680 And we reached a peak of classic status.
00:22:40.460 If we, you know, if we retire now, we're a classic band.
00:22:44.340 But why retire?
00:22:45.340 Like, keep going.
00:22:47.140 And he felt that they didn't actually care about him.
00:22:51.480 But they cared about Depeche Mode as a brand or money-making venture and artistic venture as well.
00:23:02.280 Again, Martin has done solo albums, these counterfeit, you know, cover albums.
00:23:06.540 Alan had recoiled, then later Dave would have his solo projects.
00:23:12.560 But it didn't, if you don't have the legacy of Depeche Mode, it's not, you're not going to fill a stadium.
00:23:20.680 You're not going to bring it all together.
00:23:23.220 And so there was a sense that, you know, we've reached super band status.
00:23:31.680 Yeah, it's a bit niche and it's marginal and so on because we're electronic and it's dark and all that kind of stuff.
00:23:40.100 But we have reached it.
00:23:41.800 So let's keep going.
00:23:42.880 And Dave, you know, whether it's out of genuine pain or maybe his own narcissism, it's kind of like, what about me?
00:23:53.220 Another thing I learned, this was reported.
00:23:56.560 I mean, unfortunately for Gahan, when he checked out of the $500 per night facility, it sounded like he was still pretty angry with the world.
00:24:05.560 I was serious about it when I was there.
00:24:08.120 But once I left, it was like, fuck this shit.
00:24:11.520 More than likely, that anger was compounded by Teresa Gahan's reaction to her husband's, quote, recovery, end quote.
00:24:20.100 When I came out, Teresa met me, Gahan recalled.
00:24:23.220 We went to get some lunch and she said, I'm not going to stop drinking or using drugs just because you have to.
00:24:29.520 I'll do whatever I want to do.
00:24:31.900 She didn't use like me regularly.
00:24:35.240 But in rehab, they said that if one of us wasn't going to give it up, it would be impossible for the other.
00:24:41.120 That's totally understandable.
00:24:42.660 You can't go clean and then your partner is whacked out of her mind.
00:24:47.460 At that point, I knew our relationship would have to be over if I was going to have any chance.
00:24:53.040 I thought we loved each other.
00:24:55.220 Now I think the love was pretty one-sided.
00:24:57.300 That kind of attitude of someone checking out of a hospital, telling him that I'm still going to use drugs and drink.
00:25:06.060 I mean, that may be the worst possible thing you could say in that situation.
00:25:13.520 Definitely.
00:25:14.520 And there's these other things, like displaying all the classic symptoms of drug-induced paranoia when the tooled-up Gahan was dealing with gun-toting lowlifes.
00:25:31.460 He was holed up at home watching the Weather Channel for up to 12 hours at a time.
00:25:36.260 There was another scene where his mother, I guess this was later on, but his son was coming over and he couldn't get clean.
00:25:45.900 And he asked his mother to join him to help him take care of him.
00:25:49.980 And he still lost it at one point.
00:25:53.980 And his mother went and threw out all of his drugs and paraphernalia and stuff.
00:26:02.160 And he learned about that and he raced out of the house and he found garbage bags around the street and took them in and emptied the garbage bags on the kitchen floor and was like rustling through them to find his heroin in front of his son.
00:26:18.000 And then he said, no, it's not what you think.
00:26:21.600 I need steroids for my voice because I've overused my voice.
00:26:25.280 And so I need this, again, typical kind of lying and excuses from drug users.
00:26:30.940 They do this all the time because they're desperate.
00:26:33.880 I mean, just imagine doing that.
00:26:36.840 I mean, you're walking out in your bathrobe to grab garbage bags and then pouring them on the floor.
00:26:43.560 I mean, he was at rock bottom.
00:26:48.000 And then there's a poignant scene of his son saying, I don't want you to be sick anymore.
00:26:51.780 And he was like, I don't want to either.
00:26:53.120 I mean, I don't know.
00:26:54.420 I don't think you can whitewash or kind of underestimate, first off, the miracle that he survived this, but also just the humiliation.
00:27:06.780 Yeah, that's a, I don't know what to say.
00:27:11.060 That's extremely tender and sad and pathetic and tragic.
00:27:18.480 Yeah.
00:27:19.160 Here's another anecdote, just real quick.
00:27:21.080 I mean, he, so this was with the wedding between himself and Teresa.
00:27:29.040 Primal Scream was, of course, there.
00:27:32.060 Teresa decided that she wanted to have a baby.
00:27:34.540 He told Q, that's Q magazine.
00:27:37.300 I said to her, Teresa, we're junkies because let's not kid ourselves.
00:27:42.080 When you're a junkie, you can't shit, piss, cum, nothing.
00:27:46.080 All those bodily functions go.
00:27:48.640 You're in this soulless body.
00:27:50.540 You're in a shell.
00:27:51.600 She didn't get it.
00:27:53.140 So anyway, a little bit of a defense of Teresa in the sense that it's hard to put up with someone who's like embraced junkiedom in that way.
00:28:04.180 And it almost became his own personal Jesus.
00:28:07.000 Like, I'm not like other men at this point because I've abused my body.
00:28:12.500 Anyway, I think you get the picture.
00:28:15.740 Yeah.
00:28:16.180 There does seem to be this kind of like a martyr complex to a lot of addicts.
00:28:20.460 It's like, like, fuck it.
00:28:22.440 I'm like, I know I'm going to die.
00:28:24.180 And, you know, I'm going to increase misery around me.
00:28:28.520 And, and, but it doesn't matter.
00:28:30.080 Look at me, I'm a sad case.
00:28:31.880 And I basically inspire pity.
00:28:33.340 You know, that was interesting to me, what you said about Dave's relationship with Martin and Fletch and saying, like, you guys don't care about me.
00:28:44.400 I kind of in like interviews, I kind of felt as though that that tension was there.
00:28:50.140 Like we're friends, but we're not like that close.
00:28:54.280 And again, Dave, the front man, Martin's the songwriter, Alan's the craftsman.
00:29:02.960 And like that specialization, it's not very friendly.
00:29:07.600 It's not very give and take.
00:29:09.260 You know, I think that maybe perhaps that's why it contributed to him feeling that way.
00:29:15.300 Like, all right, Dave, you go up there and sing my songs and, you know, I don't know.
00:29:21.260 I think there might be something to that, that specialization of where it seems almost like know your role and that's it.
00:29:28.740 And we're going to keep our heads down and keep grinding and keep touring or whatever.
00:29:33.480 I also do think he, you know, he's a tragic case in a lot of ways because he, his biological father wasn't around.
00:29:45.680 I think he met him, what, once or twice?
00:29:47.560 Didn't you have something about that?
00:29:49.260 Yeah.
00:29:49.860 And, you know, he was like a criminal.
00:29:52.320 He was like stealing cars and stuff.
00:29:54.320 And had not Depeche Mode happened, he probably, he could have, you know, been on drugs, but not famous and not had this recovery and stuff and could have been a, you know, career criminal or whatever.
00:30:09.360 Who knows?
00:30:10.420 But, yeah, it's just, I don't know, it's a terrible thing.
00:30:16.660 And it does remind me when you start talking about him, like rummaging through trash to look for bits of heroin, that's still like going on to this day.
00:30:27.980 And in some ways, like a more insidious way, if you think about the opioid crisis and how it's just like devastated a lot of, especially rural areas.
00:30:42.000 And I've seen that in my life and, you know, probably a dozen cases, not too personally, but in, in many people that I went to high school with, they just, they start messing around with like Xanax and then Xanax turns into opioid and opioid is what a couple of molecules different from heroin and they're on heroin.
00:31:06.860 I mean, I had, it was a shock to me to be in high school and have the drug dogs come through and have them find a neighbor's, a burnt spoon, a neighbor of mine.
00:31:22.560 They found her burnt spoon and heroin in her, in her locker.
00:31:27.760 I mean, that was a, that was a huge, that was like a tidal wave because I don't come from, you know, the ghetto or, or anything.
00:31:35.320 I don't come from 1970s Harlem, you know, this is a lily white suburb we're talking about.
00:31:40.440 And that was, but that's what this reminds me of.
00:31:43.600 That was a big change in my life.
00:31:46.020 Like, wow, we're actually closer to this stuff than you would think because of, you know, these, these opioids.
00:31:52.320 One more quote here, and then we can talk about the songs, but, and I think we'll save a lot more Alan Wilder talk for the next podcast on Songs of Faith and Devotion.
00:32:05.020 But this is something that Dave told the Q magazine.
00:32:08.880 Q seems to be the major source for a lot of these quotes.
00:32:13.220 Dave said, I didn't respond to his leaving as much as I now realize I wanted to.
00:32:19.480 The singer confessed, I really miss Alan's input on everything we now do musically, but I miss him as a friend.
00:32:27.960 He was probably the person I felt supported by the most in the band.
00:32:32.040 And I wish I'd fought harder for him to stay.
00:32:35.560 What Alan really wanted was for Martin to turn around and say, you've really contributed something great.
00:32:42.940 But Martin's not someone who hands out compliments.
00:32:47.000 Very true.
00:32:48.760 True. Yeah.
00:32:49.260 And I mean, I will, we'll get to it next time, but I mean, it's, there's that idea of putting so much effort into producing the album, creating the sound, making these choices, you know, this way or that, you know, like, for instance, to have and to hold is going to be this brooding song on nuclear annihilation in the Soviet Union, as opposed to the Spanish taster.
00:33:12.640 Or, you know, like, that's a choice, you know, like, that's a choice, you know, and he did that.
00:33:20.600 I even think that in this album, Ultra, a lot of the, you know, instrumental music or kind of connection music, like use link, and it almost strikes me as doodling.
00:33:38.140 I mean, not that it's bad or anything, but it, it might strike me as like failure to make a strong aesthetic choice about something.
00:33:49.800 I mean, not that it's bad or anything.
00:34:19.780 Yeah, I'm not a huge fan of, of either of these, was it jazz thieves and then use link.
00:34:44.760 I'm not a fan of either one of the instrumental tracks.
00:34:48.640 And I do, I kind of just see them as, you can call them transition songs, but they're kind of fillers.
00:34:55.860 And actually, they do have B-sides that could have been on the album, like Surrender, for example, should have been on there.
00:35:06.640 I mean, Slow Blow could have been on there.
00:35:11.240 I don't know if only When I Lose Myself was recorded.
00:35:14.220 I think it was recorded a little bit, maybe like a year later or something.
00:35:18.020 But yeah, that could have been on there as well.
00:35:20.200 Laying on your holy bed by the hallowed door
00:35:38.900 Feeling like an infidel, not worthy of your fault.
00:35:48.800 Tempted by your innocence, beckoned to my fate.
00:35:55.800 I'm a man of flesh and bone
00:36:09.240 Ratchet, rushing through my veins
00:36:13.500 Passion, flaming in my heart
00:36:17.640 Heavenly surrender once again
00:36:22.600 Yeah
00:36:24.100 I don't know, just starting with like Barrel of a Gun
00:36:32.000 Like, it's a good, it's a good intro.
00:36:35.860 It's pretty, like, rocky, but it's also kind of funky with, like, these, like, hip-hop drums.
00:36:41.780 It's definitely, like, got this distorted kind of wah guitar on it.
00:36:47.640 And I think that Dave's voice does emerge like anew.
00:36:52.200 It's, it's more, it's a little bit softer.
00:36:55.180 It's more violator than it is Songs of Faith and Devotion.
00:36:58.700 There's still a little bit of rasp to it.
00:37:00.780 I think this is another point in his, in his vocal maturation.
00:37:07.100 And, you know, I think the song itself has got this
00:37:10.120 Kind of, like, haunting synth or guitar
00:37:13.460 Kind of, like, descending in the chorus.
00:37:15.420 What is it you want from me?
00:37:19.600 You know, going, going down like that.
00:37:21.900 But, yeah, it's just very obviously about his struggles with, with heroin and, and being a junkie in those, in those years.
00:37:32.880 Like, yeah.
00:37:33.160 Yeah, and ridden by Martin.
00:37:34.440 Again, I mean, I think that's why, it's this weird relationship they have.
00:37:38.600 You mean this horny creep set upon weary feet who looks in need of sleep that doesn't come.
00:37:46.460 This, and I even hear a little bit of that, that doesn't come.
00:37:49.320 I mean, it, it, it, that sleep that doesn't come or also that doesn't come.
00:37:52.660 Just in, in his description of, like, the junkie's body just being nothing.
00:37:57.780 You know, you don't, you don't eat or shit or piss or, you're just this weirdly Jesus-like in, in a very horrible way.
00:38:07.480 Like, this twisted, tortured mess, this bed of sinfulness who's longing for some rest and feeling numb.
00:38:15.700 And then, again, why I get this kind of vindictive quality, you see this as well in the love themes, but it's this, whatever, you know, whatever I've done, I've been staring down the barrel of the gun.
00:38:25.580 I mean, it's, it's almost this, like, embrace of your whole life trajectory going towards either being shot by one of these junkies or turning the gun on yourself.
00:38:38.380 Right, yeah.
00:38:41.060 Dave slid his wrist when he attempted suicide, however committed he was to that or not, but it's a dark image.
00:38:51.480 And, and, and it does have this, yeah, I mean, I, it's kind of vague to say 90s quality to it, but it, it's this hip-hop drum, negative lyrics, embracing despair.
00:39:07.840 It's a tough song.
00:39:09.200 I mean, this was the single they chose, the album, the first single.
00:39:13.040 Yeah.
00:39:21.480 Vicious appetite visits me tonight.
00:39:34.740 Be satisfied, won't be denied.
00:39:43.260 Vicious appetite visits me tonight.
00:39:48.760 Is satisfied, won't be denied.
00:39:51.480 An unbearable pain
00:39:55.380 Feeding in my brain
00:39:57.580 At least a mark of pain
00:39:59.740 Right here inside
00:40:01.480 What am I supposed to do
00:40:09.720 When everything that I've done
00:40:15.980 Is living the two things
00:40:19.980 I'm not the one
00:40:26.840 Whatever I've done
00:40:31.780 It's standing in the barrel of a gun
00:40:36.940 Whatever I've done
00:40:43.440 It's standing in the barrel of a gun
00:40:49.980 Whatever I've done
00:40:54.920 Whatever, whatever
00:40:56.840 Is there something you need for me
00:41:06.840 Yeah, I have a quote from Martin actually on this.
00:41:13.500 I think that after Alan left the band
00:41:15.840 And after an absence of four years
00:41:17.500 We all individually came to the conclusion
00:41:19.360 That it would be a good idea to release something
00:41:21.600 That was a bit more of a challenge
00:41:23.160 Something that wasn't necessarily so Depeche Mode-like
00:41:25.960 We felt that barrel of a gun
00:41:27.860 Was probably about the furthest
00:41:29.360 From what we've done in the past
00:41:31.280 I think it was me
00:41:32.460 Who first tentatively suggested
00:41:34.340 That maybe barrel of a gun
00:41:35.500 Should be released as a single
00:41:36.640 I expected a lot of resistance
00:41:38.360 And expected all the others
00:41:39.840 To be arguing for days
00:41:41.040 Saying you must be mad
00:41:42.380 But immediately they said
00:41:43.580 We've actually been thinking the same
00:41:45.340 So it was such an easy decision to make
00:41:47.940 I think we're all really pleased
00:41:49.820 We took that route
00:41:50.760 And didn't release
00:41:51.820 It's no good
00:41:52.700 As the first single
00:41:53.780 But I kind of disagree
00:41:55.880 I mean that
00:41:56.440 I think barrel of a gun
00:41:57.760 Is still like
00:41:58.780 That's kind of par for the course
00:42:00.540 For Depeche Mode
00:42:01.340 It's still like negative
00:42:03.360 And dirty
00:42:04.820 And maybe
00:42:07.020 I don't know
00:42:08.000 I don't think they've sung something
00:42:09.720 Or produced something this vicious
00:42:11.860 Yeah, okay
00:42:13.440 I mean like
00:42:13.820 Blasphemous Rumors
00:42:15.300 Is very poetic
00:42:16.460 And theological
00:42:19.360 And thoughtful
00:42:21.020 And barrel of the gun
00:42:24.220 Is like
00:42:25.520 You know I'm going to end up
00:42:28.660 Shooting myself in the head
00:42:30.260 I mean it's just
00:42:31.160 It's just like
00:42:32.860 I mean and I don't think
00:42:34.600 There's any other meaning
00:42:35.540 To this song
00:42:36.460 No
00:42:37.240 I mean it's like
00:42:37.760 My entire life
00:42:39.040 Has been leading up
00:42:40.140 To this
00:42:40.940 I mean it was maybe
00:42:42.560 And I think again
00:42:44.040 Knowing that Martin wrote it
00:42:45.720 For Dave to sing
00:42:47.160 I mean there's something
00:42:48.320 A little bit vindictive in that
00:42:50.420 My mind
00:42:51.360 Hmm
00:42:53.080 Yeah
00:42:54.220 I would go there
00:42:55.640 I mean there's just
00:42:56.540 It's kind of nasty
00:42:57.520 To make
00:42:58.080 Dave sing this song
00:43:00.840 Oh okay
00:43:02.020 I see
00:43:02.400 I see what you're getting at
00:43:03.220 Yeah
00:43:03.500 Wow
00:43:04.040 Hmm
00:43:04.620 That is
00:43:05.840 Yeah I don't know
00:43:08.500 Because
00:43:08.720 That's what I kind of mean
00:43:10.160 Is like
00:43:10.500 I kind of think that
00:43:11.860 Martin
00:43:13.100 Almost like
00:43:13.840 Uses Dave
00:43:14.620 You know
00:43:16.020 It's like
00:43:16.440 This is
00:43:16.840 I'm going to speak through you
00:43:18.220 For certain things
00:43:19.320 But now
00:43:19.900 Like with this song
00:43:20.660 Like I'm going to make you sing
00:43:22.120 About your own
00:43:22.940 Fucking tragedy
00:43:24.300 Like that's
00:43:25.220 I don't know
00:43:26.080 That's sick
00:43:26.720 Yeah
00:43:27.220 Yeah
00:43:27.580 It is a little bit
00:43:28.640 But you know
00:43:29.120 Such is the way of the artist
00:43:31.540 Mm-hmm
00:43:32.800 You find your material
00:43:34.040 But
00:43:34.440 I
00:43:35.260 I don't know
00:43:36.720 I mean I don't
00:43:37.260 I don't think you can really
00:43:38.380 Think of it
00:43:40.120 In any other way
00:43:41.120 Um
00:43:41.700 The Love Thieves
00:43:43.740 Is the next song
00:43:45.580 And
00:43:46.300 Uh
00:43:46.860 I liked this one
00:43:49.120 But
00:43:49.460 Again
00:43:50.860 This
00:43:52.580 Vindictive
00:43:53.860 Quality
00:43:54.360 So I mean
00:43:54.720 Let me
00:43:55.440 Read some of
00:43:56.500 The lyrics
00:43:57.300 Because they're good
00:43:58.700 Um
00:43:59.280 Oh the tears
00:44:00.260 That you weep
00:44:01.060 For the poor
00:44:02.080 Tortured souls
00:44:03.140 Who fall at your feet
00:44:04.480 With their love
00:44:05.420 Begging bulls
00:44:06.680 All the clerks
00:44:08.120 And the tailors
00:44:08.980 All the sharks
00:44:09.720 And the sailors
00:44:10.500 All good at their trades
00:44:12.760 But they'll always be failures
00:44:14.440 So it's
00:44:16.200 You're holding court
00:44:17.780 With your lips
00:44:18.500 And your smile
00:44:19.240 Your body is a halo
00:44:20.500 So this is a theme
00:44:21.580 He'll return to
00:44:22.380 Three or four times
00:44:24.120 I guess
00:44:24.620 Their minds
00:44:25.920 Are on trial
00:44:26.800 Sure as Adam is Eve
00:44:28.780 Sure as Jonah turned whaler
00:44:30.220 There are crooked love thieves
00:44:32.620 And you are their jailer
00:44:34.400 Love needs its martyrs
00:44:36.720 Needs its sacrifices
00:44:37.880 They live for your beauty
00:44:39.960 And pay for their vices
00:44:41.960 Love will be the death
00:44:43.800 Of my lonely soul brothers
00:44:46.460 But their spirit shall live on
00:44:48.780 In the hearts of all lovers
00:44:50.780 You get a little bit of like
00:44:52.180 Goodnight lovers
00:44:53.080 Themes going on there from
00:44:55.420 Exciter
00:44:57.200 The next album
00:44:57.880 Which you know
00:44:58.500 Was kind of our favorite song
00:44:59.760 From that album
00:45:00.600 Right
00:45:01.840 But
00:45:02.220 It
00:45:03.300 I just imagine
00:45:05.200 Like
00:45:05.960 An idol
00:45:07.540 Of beauty
00:45:08.480 Or even a
00:45:10.520 Virgin Mary
00:45:11.660 Icon
00:45:12.420 Being worshipped
00:45:13.400 By all these people
00:45:14.300 And
00:45:14.680 You know
00:45:15.560 As opposed to a kind of
00:45:16.840 Sing songy
00:45:18.880 You know
00:45:19.400 One's a baker
00:45:20.920 One's a tailor
00:45:21.760 One's a shoemaker
00:45:22.700 Or something like that
00:45:23.580 It's like they're all failures
00:45:25.200 And
00:45:26.540 They're paying for their own vices
00:45:28.580 While idolizing you
00:45:31.560 Arms for the poor
00:45:40.180 For the wretched disciples
00:45:44.940 And the love that they swore
00:45:50.020 With their hearts on the Bible
00:45:54.940 Beseeching the honour
00:45:58.940 To sit at your table
00:46:03.940 And feast on your holiness
00:46:08.940 As long as they're able
00:46:13.780 Love needs its martyrs
00:46:18.940 Needed sacrifices
00:46:23.940 They live for your beauty
00:46:28.700 And pay for their vices
00:46:34.060 Love will be the death of
00:46:39.060 My lonely soul brothers
00:46:43.780 That their spirit shall be brought in
00:46:48.780 The hearts of all lovers
00:46:53.780 You're holding court
00:46:59.860 With your lips and your smile
00:47:04.460 Your body's a halo
00:47:09.300 Their minds are on trial
00:47:14.340 Sure as Adam is Eve
00:47:17.940 Sure as Jonathan Waila
00:47:23.140 It's a bit of a twisted
00:47:26.120 And again vindictive
00:47:29.120 Look at idealization
00:47:31.860 And maybe it is about Dave as well
00:47:33.940 I mean I kind of threw that out there
00:47:35.200 Each and every song
00:47:36.560 On this album
00:47:37.680 Is about Dave Gahan
00:47:38.960 March and writing about Dave
00:47:40.380 And Dave as an idol
00:47:44.420 You know
00:47:45.920 Which he definitely was becoming
00:47:47.740 By the devotional tour album
00:47:50.060 You know
00:47:50.420 That was the height of fame
00:47:53.780 Dave had gone into a new place
00:47:56.260 And had become a sort of idol
00:47:57.860 Idol in his way
00:47:59.460 Long hair
00:48:01.100 Jesus-like looks
00:48:02.700 And he's singing about
00:48:05.500 That idolization
00:48:07.340 By the
00:48:08.160 You know
00:48:09.260 Failures
00:48:10.140 And vice-ridden
00:48:12.140 Mediocrities
00:48:13.460 Who love rock stars
00:48:14.820 Yeah
00:48:16.860 I got a little bit
00:48:18.040 Of a different interpretation
00:48:19.140 From it
00:48:19.920 I was kind of just thinking
00:48:20.900 Of like
00:48:21.320 These people who are
00:48:23.760 Clerks and tailors
00:48:25.640 Or whatever
00:48:26.020 I get that they're
00:48:28.640 Like failures
00:48:29.520 But I was just thinking of
00:48:31.020 This love thief
00:48:33.120 Who's like
00:48:34.080 Like the sufferer
00:48:37.940 Or something like that
00:48:38.780 In a relationship maybe
00:48:40.000 Or even
00:48:41.540 Like
00:48:42.320 It's kind of like
00:48:44.180 The love thief
00:48:45.100 As this
00:48:46.100 Poor
00:48:46.960 Or sick
00:48:47.680 Or meek person
00:48:48.660 That inspires pity
00:48:50.060 And drains
00:48:51.040 You know
00:48:51.660 Happy people
00:48:52.520 Of their energy
00:48:53.320 Do you know what I mean?
00:48:54.200 Almost like flipping
00:48:55.200 Christian morality
00:48:56.700 On its head
00:48:57.340 Like I get a little bit
00:48:58.480 Of that
00:48:58.920 Like
00:48:59.300 These people are
00:49:00.800 Failures
00:49:01.860 That's definitely
00:49:02.560 In the first stanza
00:49:03.820 I totally agree
00:49:05.260 For the poor
00:49:07.680 Tortured souls
00:49:08.760 Who fall at your feet
00:49:09.780 Yeah
00:49:10.080 Alms for the poor
00:49:11.340 For the wretched disciples
00:49:12.580 Right
00:49:12.880 And the love
00:49:14.020 That they swore
00:49:14.680 With their hearts
00:49:15.280 In the Bible
00:49:15.860 Yeah I think
00:49:17.060 That's there too
00:49:17.940 It's a curious thing
00:49:19.840 I think
00:49:20.220 I kind of agree
00:49:21.420 With both readings
00:49:22.680 I think both are
00:49:23.540 Both are in there
00:49:24.980 But yeah
00:49:25.340 It's a
00:49:25.740 It's a rather
00:49:26.620 Vindictive look
00:49:28.480 At the people
00:49:29.640 Who idolize
00:49:30.620 Also this song
00:49:32.940 He's opening up
00:49:34.300 With some
00:49:34.760 Of the
00:49:35.400 Bigger chords
00:49:36.560 That he
00:49:37.220 Wasn't using
00:49:38.500 On previous albums
00:49:40.240 Like
00:49:41.140 In this song
00:49:42.400 He's using a B flat
00:49:43.380 Major 7
00:49:43.960 Which
00:49:44.240 I mean
00:49:44.760 Depeche Mode
00:49:45.280 Generally doesn't use
00:49:46.520 7th chords
00:49:47.400 Of any kind
00:49:48.560 Really
00:49:48.980 Like they might use
00:49:50.060 Like a D7
00:49:51.060 You know
00:49:51.920 These kind of
00:49:52.380 Like blues chords
00:49:53.340 Or whatever
00:49:53.820 But they're not
00:49:55.460 Like this
00:49:56.340 Even goes into
00:49:57.420 B flat minor
00:49:59.060 Major 7
00:49:59.960 To a G7
00:50:01.700 To a B flat minor 6
00:50:03.400 And an F minor 6
00:50:04.500 Like these things
00:50:05.520 You know
00:50:06.660 The extensions
00:50:07.880 Are sort of
00:50:09.440 Coming in now
00:50:10.320 And I think that
00:50:11.040 It's about time
00:50:12.900 Actually
00:50:13.340 That Martin
00:50:14.660 You know
00:50:15.260 Would have
00:50:15.580 Would have started
00:50:16.220 To use like
00:50:16.800 More exotic chords
00:50:18.540 Because
00:50:19.220 Though there was
00:50:20.520 Nothing wrong
00:50:21.180 With the simple
00:50:22.120 Bold chords
00:50:23.360 That he's
00:50:24.060 You know
00:50:24.540 Known for
00:50:25.120 I think
00:50:25.920 Just to change up
00:50:26.900 The sound
00:50:27.320 Was a good choice
00:50:28.780 Artistically
00:50:29.860 Yeah
00:50:30.740 You know
00:50:32.660 If we go to
00:50:33.100 Home
00:50:33.520 I think this
00:50:35.040 Song
00:50:36.780 Might very well
00:50:38.180 Be misunderstood
00:50:38.920 But
00:50:39.840 Or at least
00:50:41.240 It's misunderstood
00:50:42.100 By
00:50:43.380 The video
00:50:44.840 Of it
00:50:45.500 I remember
00:50:46.180 Seeing the
00:50:46.840 Video
00:50:47.080 Because
00:50:47.280 They're
00:50:47.440 They're
00:50:48.000 Almost
00:50:48.300 In this
00:50:48.960 Postmodern
00:50:50.000 Beautiful
00:50:51.360 Place
00:50:52.280 And there's
00:50:52.700 Rain outside
00:50:53.680 It's a
00:50:54.380 Martin song
00:50:55.220 But Dave
00:50:56.040 Is there
00:50:56.780 And the song
00:50:58.040 As well
00:50:58.360 It was
00:50:58.820 Arranged for
00:50:59.680 Strings
00:51:00.360 By Dave
00:51:02.180 Clayton
00:51:02.740 I mean
00:51:03.100 And it has
00:51:03.900 A bit
00:51:05.020 Of an
00:51:05.300 Epic
00:51:05.560 Quality
00:51:06.560 To it
00:51:07.720 And
00:51:08.820 I'm surprised
00:51:09.720 This wasn't
00:51:10.340 The single
00:51:10.820 I mean
00:51:11.360 I
00:51:11.640 I don't know
00:51:12.920 Why in a way
00:51:13.520 I mean
00:51:13.740 It's
00:51:14.280 I've heard
00:51:14.960 Them play
00:51:15.260 This live
00:51:15.980 It's
00:51:16.620 A great
00:51:17.280 Song
00:51:17.760 It's both
00:51:18.520 Kind of a
00:51:19.420 Quiet
00:51:19.880 Martin Gore
00:51:22.280 Song
00:51:22.620 But then also
00:51:23.140 An epic
00:51:23.900 Song
00:51:24.240 At the same
00:51:24.600 Time
00:51:24.940 But
00:51:25.240 I think
00:51:26.000 It is
00:51:26.280 Misunderstood
00:51:27.380 It is
00:51:38.220 A song
00:51:38.940 From the
00:51:40.120 Wrong
00:51:40.480 Side
00:51:41.340 Of town
00:51:42.100 Where I'm
00:51:43.320 Bound
00:51:43.800 To the
00:51:44.800 Ground
00:51:45.340 By the
00:51:46.500 Loneliest
00:51:47.940 Sound
00:51:48.640 That
00:51:49.560 Hounds
00:51:50.400 From
00:51:50.840 Within
00:51:51.640 And
00:51:52.540 Is
00:51:52.840 Pinning
00:51:53.980 Me
00:51:54.380 Down
00:51:54.980 Here is
00:52:10.220 A page
00:52:11.000 From
00:52:11.620 The
00:52:12.200 Emptiest
00:52:13.620 Stage
00:52:14.360 A cage
00:52:15.840 Of a
00:52:16.900 Hand
00:52:17.400 Beas
00:52:18.420 Cross
00:52:19.080 Ever
00:52:19.860 Made
00:52:20.660 A
00:52:21.540 Gauge
00:52:22.560 Of
00:52:22.920 The
00:52:23.340 Deadliest
00:52:24.740 Trap
00:52:25.360 Ever
00:52:26.240 Laid
00:52:27.740 And
00:52:28.200 I
00:52:28.480 Thank
00:52:29.120 You
00:52:29.880 For
00:52:31.520 Bringing
00:52:32.200 Me
00:52:32.880 Here
00:52:34.120 For
00:52:34.600 Showing
00:52:35.640 Me
00:52:36.060 Home
00:52:37.200 For
00:52:37.800 Singing
00:52:38.520 These
00:52:39.160 Tears
00:52:40.380 Finally
00:52:41.700 Here is a
00:52:55.620 Song from
00:52:56.400 The
00:52:56.560 Wrong
00:52:56.900 Side
00:52:57.240 Of town
00:52:57.760 Where I'm
00:52:58.880 Bound
00:52:59.320 To the
00:52:59.880 Ground
00:53:00.360 By the
00:53:01.220 Loneliest
00:53:01.760 Sound
00:53:02.280 That
00:53:02.560 Pounds
00:53:03.100 From
00:53:03.360 Within
00:53:03.820 And
00:53:04.040 Is
00:53:04.200 Pinning
00:53:05.300 Me
00:53:05.480 Down
00:53:05.880 Here
00:53:08.000 Here is a
00:53:08.340 Page
00:53:08.740 From
00:53:08.920 The
00:53:09.040 Emptiest
00:53:09.500 Stage
00:53:10.060 Cage
00:53:10.900 Where the
00:53:11.960 Heaviest
00:53:12.420 Cross
00:53:12.920 Ever
00:53:13.160 Made
00:53:13.600 A
00:53:13.860 Gauge
00:53:14.320 Of
00:53:15.260 The
00:53:15.440 Deadliest
00:53:15.920 Trap
00:53:16.520 Ever
00:53:16.820 Laid
00:53:17.360 And I
00:53:18.600 Thank you
00:53:19.040 For
00:53:19.240 Bringing
00:53:19.620 Me
00:53:19.840 Here
00:53:20.200 For
00:53:20.420 Showing
00:53:20.800 Me
00:53:20.960 Home
00:53:21.340 For
00:53:21.580 Singing
00:53:21.980 These
00:53:22.340 Tears
00:53:22.660 Finally
00:53:23.080 I
00:53:23.400 Found
00:53:23.880 That
00:53:24.140 I
00:53:24.320 Belong
00:53:24.780 Here
00:53:25.160 Maybe
00:53:26.220 Just
00:53:26.500 Listening
00:53:27.020 To
00:53:27.260 The
00:53:27.400 Music
00:53:27.860 And
00:53:29.360 The
00:53:30.540 Title
00:53:31.000 Home
00:53:31.580 And
00:53:32.040 And so
00:53:32.660 On
00:53:32.900 Thinking
00:53:33.260 Of
00:53:33.500 It
00:53:33.740 As
00:53:34.280 Dave's
00:53:35.580 Recovery
00:53:36.140 Or
00:53:37.320 As
00:53:38.580 Something
00:53:38.820 Like
00:53:39.060 That
00:53:39.380 I
00:53:40.360 Don't
00:53:40.680 Think
00:53:41.000 It's
00:53:41.180 About
00:53:41.480 That
00:53:41.840 It's
00:53:42.520 A
00:53:42.680 Song
00:53:43.020 From
00:53:43.280 The
00:53:43.420 Wrong
00:53:43.660 Side
00:53:43.920 Of
00:53:44.040 Town
00:53:44.280 I
00:53:44.460 Think
00:53:44.600 It's
00:53:44.740 About
00:53:44.940 The
00:53:45.160 Sunset
00:53:45.780 Marquee
00:53:46.500 Hotel
00:53:46.920 Dave
00:53:49.320 Would
00:53:49.760 Go
00:53:50.280 And
00:53:51.380 Feel
00:53:52.140 At
00:53:52.460 Home
00:53:52.880 When
00:53:53.160 He
00:53:53.280 Would
00:53:53.460 Relapse
00:53:54.120 And
00:53:55.700 I
00:53:55.980 Think
00:53:56.180 It's
00:53:56.400 Kind
00:53:56.720 Of
00:53:56.900 Like
00:53:57.360 The
00:53:57.560 Reverse
00:53:58.280 Of
00:53:58.920 What
00:53:59.420 I
00:53:59.520 Thought
00:53:59.860 This
00:54:00.080 Song
00:54:00.360 Was
00:54:00.500 About
00:54:00.660 I
00:54:00.780 Thought
00:54:00.940 This
00:54:01.120 Song
00:54:01.300 Was
00:54:01.420 A
00:54:01.540 Kind
00:54:01.660 Of
00:54:01.760 Homey
00:54:02.180 Song
00:54:02.480 Or
00:54:02.620 Like
00:54:02.800 Here
00:54:03.800 Is
00:54:03.940 The
00:54:04.080 House
00:54:04.440 Or
00:54:05.260 Something
00:54:05.620 Like
00:54:05.880 This
00:54:06.200 Or
00:54:06.860 Our
00:54:07.160 House
00:54:07.600 Whatever
00:54:08.380 Yeah
00:54:09.240 He
00:54:09.840 Said
00:54:10.260 That
00:54:10.500 That
00:54:10.520 That
00:54:10.720 Song
00:54:11.200 For
00:54:11.500 Him
00:54:11.900 Was
00:54:12.240 About
00:54:12.660 For
00:54:13.680 Him
00:54:13.860 Personally
00:54:14.280 Was
00:54:14.760 He
00:54:15.640 Basically
00:54:16.100 Thought
00:54:16.440 He
00:54:16.640 Was
00:54:16.880 Going
00:54:17.160 To
00:54:17.360 Die
00:54:17.720 Now
00:54:18.520 I
00:54:18.600 Don't
00:54:18.680 Know
00:54:18.900 If
00:54:19.100 That
00:54:19.280 Necessarily
00:54:19.860 Meant
00:54:20.120 By
00:54:20.300 His
00:54:20.480 Own
00:54:20.660 Hands
00:54:21.120 Or
00:54:21.940 Due
00:54:23.060 To
00:54:23.160 His
00:54:23.320 Alcoholism
00:54:24.120 Or
00:54:24.440 Whatever
00:54:24.900 But
00:54:25.340 He
00:54:26.960 Said
00:54:27.260 It
00:54:27.440 Is
00:54:27.660 About
00:54:27.980 You
00:54:28.600 Know
00:54:28.700 Going
00:54:28.960 Home
00:54:29.160 So
00:54:29.340 I
00:54:29.980 Kind
00:54:30.260 Of
00:54:30.380 Get
00:54:30.580 I
00:54:30.720 Understand
00:54:31.040 Definitely
00:54:31.620 About
00:54:31.980 And I
00:54:32.560 Didn't
00:54:32.760 Know
00:54:32.960 About
00:54:33.220 That
00:54:33.520 Sunset
00:54:34.040 Marquee
00:54:34.540 That
00:54:34.740 Actually
00:54:35.100 That's
00:54:35.480 A
00:54:35.720 Interesting
00:54:36.720 Interpretation
00:54:39.140 But
00:54:39.460 When I
00:54:41.680 Had
00:54:41.860 Heard
00:54:42.160 Him
00:54:42.620 In
00:54:42.740 An
00:54:42.880 Interview
00:54:43.160 Say
00:54:43.540 That
00:54:43.820 That
00:54:44.060 Song
00:54:44.400 He
00:54:44.540 Was
00:54:44.660 Just
00:54:44.820 Asked
00:54:45.120 By
00:54:45.280 A
00:54:45.420 Crowd
00:54:45.680 Member
00:54:46.020 On
00:54:46.440 This
00:54:46.660 New
00:54:47.040 York
00:54:47.220 Times
00:54:47.680 Interview
00:54:48.300 And
00:54:49.420 He
00:54:50.140 Said
00:54:50.400 It's
00:54:50.940 Basically
00:54:51.520 About
00:54:51.960 Me
00:54:52.600 Thinking
00:54:53.240 That
00:54:53.480 I
00:54:53.580 Didn't
00:54:53.720 Have
00:54:53.980 That
00:54:54.140 Much
00:54:54.340 Longer
00:54:54.780 To
00:54:54.920 Live
00:54:55.320 And
00:54:55.700 That
00:54:56.040 I
00:54:56.160 Was
00:54:56.280 Going
00:54:56.420 To
00:54:56.540 Die
00:54:56.820 Pretty
00:54:57.100 Soon
00:54:57.440 And
00:54:57.960 Like
00:54:58.140 The
00:54:58.300 Audience
00:54:58.720 Like
00:54:59.040 Gives
00:54:59.240 This
00:54:59.420 Awkward
00:54:59.820 Applause
00:55:00.320 Which
00:55:00.760 Is
00:55:00.860 Kind
00:55:01.000 Of
00:55:01.080 Funny
00:55:01.360 A
00:55:04.640 Very
00:55:04.820 Special
00:55:05.140 Song
00:55:05.440 To
00:55:05.620 Me
00:55:05.800 Is
00:55:06.120 Home
00:55:06.560 Thank
00:55:09.040 You
00:55:09.260 Talk
00:55:09.540 A
00:55:09.680 Little
00:55:09.780 Bit
00:55:10.000 About
00:55:10.340 How
00:55:10.740 That
00:55:11.040 Came
00:55:11.260 About
00:55:11.700 What's
00:55:12.180 Behind
00:55:12.600 It
00:55:12.960 The
00:55:13.320 Meaning
00:55:13.700 Oh
00:55:17.720 God
00:55:20.060 I
00:55:21.800 Know
00:55:22.740 What
00:55:22.920 He's
00:55:23.080 Going
00:55:23.180 To
00:55:23.260 Say
00:55:23.600 Do
00:55:24.180 You
00:55:24.200 Do
00:55:24.840 You
00:55:25.040 Please
00:55:26.040 Well
00:55:27.100 I
00:55:27.400 Always
00:55:27.800 Thought
00:55:28.180 It
00:55:28.340 Was
00:55:28.480 About
00:55:28.800 Home
00:55:29.460 Going
00:55:30.000 Home
00:55:30.540 Etc
00:55:31.040 Etc
00:55:31.340 And
00:55:31.780 Then
00:55:33.060 Marty
00:55:33.440 Said
00:55:33.740 It's
00:55:33.960 Not
00:55:34.220 About
00:55:34.520 That
00:55:34.780 It's
00:55:35.020 About
00:55:35.320 Death
00:55:35.860 Is
00:55:38.140 That
00:55:38.260 True
00:55:38.540 Kind
00:55:39.860 Of
00:55:40.020 Yeah
00:55:40.220 I
00:55:40.340 Mean
00:55:40.480 I
00:55:40.580 Was
00:55:40.700 Going
00:55:40.960 Through
00:55:41.460 A
00:55:42.260 Very
00:55:43.480 Dark
00:55:44.300 Period
00:55:44.800 At
00:55:44.980 That
00:55:45.160 Time
00:55:45.500 And
00:55:47.080 You
00:55:48.240 Know
00:55:48.340 I
00:55:48.460 Just
00:55:48.660 Imagine
00:55:49.060 That
00:55:49.500 I
00:55:51.420 Was
00:55:51.600 Heading
00:55:51.940 For
00:55:52.440 An
00:55:53.040 Early
00:55:53.240 Grave
00:55:53.760 And
00:55:55.140 Kind
00:55:55.600 Of
00:55:55.680 Accepting
00:55:56.260 That
00:55:56.460 At
00:55:56.580 That
00:55:56.740 Point
00:55:57.020 Thank
00:56:01.180 You
00:56:01.840 Got
00:56:02.820 Pat
00:56:03.480 For
00:56:03.660 That
00:56:03.860 Thanks
00:56:09.080 A lot
00:56:09.460 But
00:56:14.180 Yeah
00:56:14.880 I
00:56:15.320 Think
00:56:15.780 That
00:56:16.100 I
00:56:18.100 Think
00:56:18.380 Around
00:56:19.420 The Time
00:56:19.820 Of
00:56:19.960 Spirit
00:56:20.420 Delta
00:56:21.060 Machines
00:56:21.500 Okay
00:56:21.780 Yeah
00:56:23.080 I'll
00:56:23.480 Have
00:56:23.640 To
00:56:23.820 Send
00:56:24.220 It
00:56:24.340 To
00:56:24.500 But
00:56:24.820 Yeah
00:56:25.180 I
00:56:25.500 Think
00:56:25.820 That
00:56:26.160 That
00:56:27.740 Makes
00:56:28.040 Sense
00:56:28.320 I
00:56:28.420 Mean
00:56:28.540 It's
00:56:28.760 Kind
00:56:29.000 Of
00:56:29.080 Like
00:56:29.220 Soul
00:56:29.580 With
00:56:29.840 Me
00:56:30.160 On
00:56:30.520 Memento
00:56:31.000 Mori
00:56:31.440 It's
00:56:31.800 Got
00:56:31.900 The
00:56:32.040 Same
00:56:32.280 Kind
00:56:32.560 Of
00:56:33.240 Power
00:56:34.180 Ballad
00:56:34.940 Very
00:56:35.400 I
00:56:36.400 Don't
00:56:36.520 Know
00:56:36.740 Like
00:56:37.060 Maybe
00:56:37.800 Anthemics
00:56:38.320 The
00:56:38.460 Word
00:56:38.620 There's
00:56:38.900 Something
00:56:39.100 Bold
00:56:39.660 About
00:56:40.020 It
00:56:40.660 Definitely
00:56:41.240 Yeah
00:56:41.880 Triumphant
00:56:42.920 With
00:56:43.120 The
00:56:43.220 Strings
00:56:43.860 I
00:56:44.160 Think
00:56:44.380 Yeah
00:56:44.620 Yes
00:56:44.920 Particularly
00:56:45.420 The
00:56:45.660 Arrangement
00:56:46.100 That
00:56:46.260 Really
00:56:46.500 Changes
00:56:46.960 It
00:56:47.240 But
00:56:49.140 Yeah
00:56:49.580 It
00:56:50.960 Is
00:56:51.140 A
00:56:51.280 Great
00:56:51.740 Song
00:56:52.100 It
00:56:52.200 Is
00:56:52.400 It's
00:56:53.000 Like
00:56:53.320 One
00:56:54.240 Of
00:56:54.440 My
00:56:54.840 Favorites
00:56:55.880 Of
00:56:56.120 All
00:56:56.520 Time
00:56:56.860 For
00:56:57.140 Sure
00:56:57.540 To
00:56:58.340 Me
00:56:58.480 It's
00:56:58.720 Flawless
00:56:59.400 Yeah
00:57:14.920 It's
00:57:29.880 It's
00:57:29.920 No
00:57:30.080 Good
00:57:30.420 Is
00:57:30.600 The
00:57:30.700 Next
00:57:30.900 Song
00:57:31.300 Now
00:57:31.880 This
00:57:32.220 Is
00:57:32.380 The
00:57:32.540 One
00:57:32.860 Where
00:57:33.260 It
00:57:34.100 Captures
00:57:34.740 The
00:57:34.900 Whole
00:57:35.040 Mood
00:57:35.360 Of
00:57:35.480 The
00:57:35.600 Album
00:57:35.980 It's
00:57:36.880 No
00:57:37.080 Good
00:57:37.440 I
00:57:38.140 Think
00:57:38.480 This
00:57:38.660 One
00:57:39.160 Might
00:57:40.560 Actually
00:57:40.900 Not
00:57:41.260 Be
00:57:41.480 About
00:57:41.740 Drug
00:57:42.040 Use
00:57:42.300 And
00:57:42.520 Despair
00:57:43.060 I
00:57:43.640 Think
00:57:44.000 It
00:57:44.120 Is
00:57:44.260 A
00:57:44.400 Relationship
00:57:45.160 Song
00:57:45.660 And
00:57:46.260 At
00:57:46.680 Least
00:57:46.900 How
00:57:47.080 It
00:57:47.240 Resonated
00:57:47.900 For
00:57:48.300 Me
00:57:48.720 Was
00:57:49.460 The
00:57:50.860 You
00:57:52.340 Know
00:57:52.560 The
00:57:52.940 Relationship
00:57:53.540 That
00:57:53.700 Doesn't
00:57:53.940 Go
00:57:54.180 Anywhere
00:57:54.700 But
00:57:55.740 Then
00:57:56.220 You
00:57:57.340 Each
00:57:57.560 Say
00:57:58.020 I
00:57:58.540 Love
00:57:58.800 You
00:57:59.080 And
00:57:59.280 So
00:57:59.440 On
00:57:59.580 But
00:57:59.760 It's
00:57:59.960 Don't
00:58:00.500 Say
00:58:00.760 You
00:58:00.940 Need
00:58:02.220 Me
00:58:02.400 Don't
00:58:02.620 Say
00:58:02.760 You
00:58:02.880 Love
00:58:03.060 Me
00:58:03.180 It's
00:58:03.340 Understood
00:58:03.800 Don't
00:58:04.800 Say
00:58:04.980 You're
00:58:05.140 Happy
00:58:05.460 Out
00:58:05.700 There
00:58:05.860 Without
00:58:06.100 Me
00:58:06.440 I
00:58:06.840 Know
00:58:07.020 You
00:58:07.200 Can't
00:58:07.620 Be
00:58:07.780 So
00:58:07.980 There's
00:58:08.180 A
00:58:08.300 Bit
00:58:09.540 Of
00:58:09.920 Narcissism
00:58:12.280 I guess
00:58:12.700 In
00:58:12.900 There
00:58:13.120 As
00:58:13.360 Well
00:58:13.560 You
00:58:13.760 Can't
00:58:14.060 Be
00:58:14.200 Happy
00:58:14.480 Out
00:58:15.480 There
00:58:15.640 Without
00:58:15.820 Me
00:58:16.060 Because
00:58:16.340 It's
00:58:16.660 No
00:58:16.840 Good
00:58:17.220 But
00:58:17.780 I
00:58:18.040 Do
00:58:18.420 Think
00:58:18.760 That
00:58:19.060 It's
00:58:19.700 A
00:58:19.820 Cool
00:58:20.160 Song
00:58:20.660 I
00:58:20.840 Like
00:58:21.020 The
00:58:21.180 Baseline
00:58:21.900 It's
00:58:22.940 A
00:58:23.160 Driving
00:58:23.700 Baseline
00:58:24.240 I'm
00:58:24.720 Not
00:58:24.840 Sure
00:58:24.960 If
00:58:25.080 This
00:58:25.220 Could
00:58:25.420 Go
00:58:25.680 On
00:58:25.860 Any
00:58:26.120 Other
00:58:26.340 Album
00:58:26.660 Actually
00:58:27.060 Because
00:58:27.280 It
00:58:27.400 Really
00:58:27.780 Sounds
00:58:28.180 Like
00:58:28.360 Ultra
00:58:28.660 Up
00:58:58.660 I have all the time in the world to make you mine
00:59:08.960 It is written in the stars above
00:59:16.380 To God's decree
00:59:18.720 You'll be right here by my side
00:59:26.140 Right next to me
00:59:28.180 You can run, but you cannot hide
00:59:35.820 Don't say you want me
00:59:38.340 Don't say you need me
00:59:40.780 Don't say you love me
00:59:43.380 It's understood
00:59:45.820 Don't say you're happy
00:59:47.900 Out there without me
00:59:50.380 I know you can't be
00:59:52.880 Cause it's no good
00:59:56.400 It definitely is more upbeat and danceable and singable and et cetera
01:00:06.380 But that's, it's just again kind of fascinating that he's singing about this
01:00:15.720 It's not somebody or anything else
01:00:19.320 It's a very different mentality
01:00:22.300 It's not even caring in a way
01:00:27.320 Like knowing someone loves you, but in a way not caring
01:00:31.000 And just saying, well, this goes nowhere
01:00:33.480 It's no good
01:00:34.180 Yeah, I basically have like the same understanding
01:00:40.520 It's a decent song to karaoke too as well
01:00:43.660 But yeah, I mean the
01:00:48.000 I don't know
01:00:49.660 It's probably the most lighthearted on the album
01:00:53.280 Like especially if you watch like the music video for it
01:00:57.440 And like they're this, in the music video
01:01:00.740 They're dressed up as like these kind of like disco junkies
01:01:05.800 Or something like that
01:01:06.640 And they're performing to some bar crowd
01:01:11.620 You know, just a few people in the club
01:01:14.160 And it's all kind of haphazard
01:01:16.660 But yeah, it's almost a way for them to like relax a little bit on the album
01:01:22.840 Yeah, make fun of themselves a little bit
01:01:26.920 Yeah
01:01:27.280 And then again, useless
01:01:30.460 I think this is a heartfelt plea from Martin to Dave
01:01:36.940 All my useless advice, all my hanging around
01:01:39.760 All your cutting down to size
01:01:41.980 All my bringing you down
01:01:43.500 All your stupid ideals
01:01:46.120 You've got your head in the clouds
01:01:47.800 You should see how it feels with your feet on the ground
01:01:50.940 You know, here I stand
01:01:53.340 The accused with your fist in my face
01:01:55.580 Feeling tired and bruised with the bitterest taste
01:01:58.700 Just kind of
01:02:01.320 Once again, this like
01:02:04.280 Sort of despairing, vindictive
01:02:08.740 Look at Dave
01:02:20.940 Well, it's about time
01:02:41.020 It's beginning to hurt
01:02:51.660 Time you made up your mind
01:03:01.660 Just what is it all
01:03:10.420 Just what is it all
01:03:10.700 All my useless advice
01:03:17.980 All my hanging around
01:03:23.980 All your cutting down to size
01:03:29.260 All my bringing you down
01:03:36.780 The emotion of this song is almost like
01:03:52.360 Well, yeah, you can go fall off a cliff if you want to
01:03:56.720 That's where you're headed
01:03:57.780 You know, like him writing these songs
01:04:03.160 And making these songs basically for Dave
01:04:05.880 Or kind of like taking this very negative and dark inspiration from Dave
01:04:12.180 It reminds me of like Paul McCartney wrote
01:04:15.140 When he was with the Beatles
01:04:16.460 He wrote Hey Jude and Penny Lane
01:04:18.620 And those were both songs inspired from John
01:04:22.080 I mean, Hey Jude is basically like
01:04:24.120 About Julian Lennon
01:04:26.520 And about his parents getting divorced
01:04:29.800 And about how his life's basically going to suck
01:04:32.240 But I think that's like the same kind of relationship
01:04:36.160 That Martin and Dave have
01:04:37.500 Is like Dave being like the front man
01:04:43.740 And in some ways like the more daring
01:04:48.360 Or the fuck up or whatever you want to say
01:04:50.860 The addict, the mess
01:04:53.280 But like Martin kind of using that as inspiration
01:04:56.740 Because, you know, he's not that messed up
01:05:01.100 Or he's got his own demons
01:05:02.560 But he's not actually as bad as Dave
01:05:05.160 Who almost can't articulate these things
01:05:07.140 Yeah
01:05:08.040 For himself
01:05:09.040 Yeah
01:05:11.980 Sister of night
01:05:34.900 In your saddest dress
01:05:40.240 As you walk through the lights
01:05:45.760 You're desperate to impress
01:05:51.400 So you slide to the floor
01:05:55.660 Feeling insecure
01:06:00.240 Sister of night
01:06:04.620 Sister of night
01:06:06.680 With the loneliest eyes
01:06:12.200 Tell yourself it's alright
01:06:16.660 You'll make such a perfect price
01:06:23.340 But the cold light of day
01:06:27.720 We'll give the game away
01:06:32.100 We'll give the game away
01:06:32.240 Oh sister
01:06:36.840 Come for me
01:06:39.980 Embrace me
01:06:42.720 Assure me
01:06:45.360 Hey sister
01:06:46.520 Hey sister
01:06:47.520 I feel it too
01:06:50.880 Sweet sister
01:06:58.300 Just feel me
01:07:01.400 I'm trembling
01:07:03.560 You heal me
01:07:06.800 Hey sister
01:07:07.960 Hey sister
01:07:08.960 I feel it too
01:07:13.240 Sister of night
01:07:31.340 I'm trembling
01:08:00.460 You heal me
01:08:01.380 Now again
01:08:02.480 There are some quotes
01:08:05.100 That I found of Dave saying
01:08:07.680 Like I don't want to die
01:08:09.140 I don't want to be even a junkie
01:08:10.960 I don't want to be Kurt Cobain
01:08:12.240 I want to keep going
01:08:14.000 I want to make another album
01:08:15.380 After all
01:08:15.820 They did make it
01:08:16.720 I mean
01:08:16.960 This extended time in the studio
01:08:19.440 But they got it done
01:08:20.840 At the end of the day
01:08:21.440 So there has to be some drive
01:08:22.620 So you could kind of think of it that way
01:08:24.940 But I don't
01:08:25.860 The eternal flame
01:08:27.320 I
01:08:27.580 Again
01:08:28.420 I don't think it's an eternal flame
01:08:29.940 In that sense
01:08:30.800 I think it's
01:08:31.860 You know
01:08:32.720 It's
01:08:33.000 It's 10pm
01:08:34.180 And night has fallen
01:08:35.760 And LA
01:08:36.680 And
01:08:37.440 You're desiring heroin
01:08:40.340 And
01:08:42.540 You're
01:08:43.360 You have this hunger
01:08:44.760 And pain
01:08:46.200 And
01:08:47.200 This sweet sister
01:08:49.020 You know
01:08:49.560 Descends and heals you
01:08:51.060 With
01:08:52.360 You know
01:08:53.020 A hair of the dog
01:08:53.800 Dog that bit you
01:08:54.780 I mean
01:08:55.020 It
01:08:55.220 I
01:08:55.940 I think
01:08:56.440 Once again
01:08:57.580 It is
01:08:58.420 A song about the experience
01:09:01.060 Of being a junkie
01:09:02.280 Yeah
01:09:04.240 And
01:09:04.800 I think
01:09:05.520 Actually
01:09:06.020 This is probably
01:09:06.700 The best vocal performance
01:09:08.260 From Dave
01:09:10.120 On the album
01:09:10.880 It's
01:09:12.020 And
01:09:12.580 What's funny is that
01:09:13.840 He says
01:09:14.800 The only vocal
01:09:16.120 On Ultra
01:09:16.740 That I recorded
01:09:17.440 At Electric Lady Studios
01:09:18.960 The only vocal
01:09:19.820 I performed high
01:09:20.960 Was Sister of Night
01:09:22.080 I can hear
01:09:22.980 How scared I was
01:09:24.040 I'm glad
01:09:24.760 It's there
01:09:25.160 To remind me
01:09:25.900 I could see
01:09:26.660 The pain
01:09:27.120 I was causing
01:09:27.740 Everybody
01:09:28.220 I mean
01:09:30.060 There
01:09:31.000 Yeah
01:09:31.600 And your body's
01:09:32.340 A fire
01:09:32.760 And inferno
01:09:33.400 That never ends
01:09:34.240 I mean
01:09:34.520 From what I understand
01:09:35.960 That's basically
01:09:36.720 How it feels
01:09:37.340 To be on heroin
01:09:38.100 Is like
01:09:38.640 That
01:09:39.040 Warm
01:09:40.200 Kind of burning
01:09:41.320 Feeling
01:09:41.760 In your body
01:09:42.920 Like totally
01:09:43.720 So
01:09:45.120 I think
01:09:46.400 Yeah
01:09:47.360 It's a
01:09:47.920 It's definitely
01:09:49.120 One of their best songs
01:09:50.180 It's totally
01:09:51.120 Underrated
01:09:51.820 And
01:09:52.480 Yeah
01:09:53.940 He embodies it
01:09:54.860 I mean
01:09:55.280 He's
01:09:56.320 How perfect
01:09:57.500 Could it be
01:09:58.100 He's literally
01:09:59.360 On heroin
01:10:00.300 Singing about
01:10:01.520 The experience
01:10:02.300 Of
01:10:02.860 Heroin
01:10:03.860 Being controlled
01:10:06.440 By it
01:10:06.860 Yeah
01:10:07.920 Um
01:10:09.700 Free State's
01:10:11.280 Another interesting one
01:10:12.440 Because you
01:10:12.900 You see them
01:10:14.160 Going into the mode
01:10:16.280 Of
01:10:16.540 I guess I called it
01:10:17.940 Like Americana
01:10:18.860 There's a little bit
01:10:19.820 Of country music
01:10:20.680 In there
01:10:21.080 There's a little bit
01:10:21.660 Of blues
01:10:22.360 I can taste
01:10:31.520 The tears
01:10:32.680 Falling
01:10:34.060 The bitterness
01:10:36.260 Inside you
01:10:37.840 Calling
01:10:38.960 The yearning
01:10:41.280 For liberation
01:10:43.860 Emotional
01:10:46.440 Emancipation
01:10:49.200 Let yourself go
01:10:53.760 Let yourself go
01:10:56.760 Let your senses overflow
01:11:06.140 Step out of your cage
01:11:13.880 And onto the stage
01:11:18.240 It's time to start
01:11:23.960 Playing your part
01:11:28.220 Freedom awaits
01:11:34.180 Open the gates
01:11:38.620 Open your mind
01:11:44.260 Freedom's a stance
01:11:48.720 Freedom's a stance
01:11:48.780 This was recorded
01:12:08.460 At Abbey Road
01:12:09.320 But also recorded
01:12:10.120 In New York City
01:12:10.920 At some point
01:12:11.580 But this is when
01:12:14.100 Dave is spending
01:12:14.980 Time in LA
01:12:16.020 He's really
01:12:17.040 Seeing all that
01:12:18.260 America has to offer
01:12:19.480 You have that
01:12:20.680 Kind of move
01:12:21.920 In towards
01:12:22.400 An American mode
01:12:23.940 You know
01:12:24.180 You see that
01:12:24.940 With the Elvis
01:12:25.540 And Music for the Masses
01:12:26.900 Or Personal Jesus
01:12:27.700 But then this is
01:12:29.080 Like a direct
01:12:30.000 Going in slide guitar
01:12:31.400 And
01:12:31.780 And
01:12:32.720 And things like that
01:12:33.800 Um
01:12:34.320 I
01:12:36.420 I don't know
01:12:37.040 I mean
01:12:37.240 I
01:12:37.580 I don't want to
01:12:38.260 Force reading
01:12:39.060 That every song
01:12:40.000 Here is about Dave
01:12:40.780 But
01:12:41.560 It
01:12:42.360 Um
01:12:43.200 You could imagine
01:12:44.100 The song is also
01:12:45.120 About Dave
01:12:45.720 You
01:12:45.940 You
01:12:46.460 You also get
01:12:47.140 This Martin Gore
01:12:48.040 This
01:12:49.800 This kind of
01:12:51.000 Version of Martin Gore
01:12:51.880 That will come up
01:12:52.700 In its cider
01:12:53.300 Of like
01:12:53.660 Free love
01:12:54.500 Or like
01:12:54.940 You know
01:12:55.900 Just
01:12:56.160 You go on stage
01:12:57.440 And you reach
01:12:58.040 This state of mind
01:12:59.160 Of pure freedom
01:13:00.040 And here we are
01:13:00.860 I think he's
01:13:02.520 Kind of headed
01:13:03.040 In that direction
01:13:04.080 With free state
01:13:06.180 Um
01:13:07.200 I can hear
01:13:08.240 But you could
01:13:09.020 Think of it
01:13:09.480 As about Dave
01:13:10.180 I can hear
01:13:10.620 Your soul crying
01:13:11.480 Listen to your
01:13:12.680 Spirit sighing
01:13:13.740 I can feel
01:13:14.320 Your desperation
01:13:15.240 Emotional
01:13:15.820 Deprivation
01:13:17.140 Let yourself go
01:13:18.180 Let yourself go
01:13:19.120 Let your feelings show
01:13:21.020 And then
01:13:22.440 Step out of your cage
01:13:23.840 And onto the stage
01:13:24.800 It's time to start
01:13:25.620 Playing your part
01:13:26.580 Freedom awaits
01:13:28.000 Open the gates
01:13:29.000 Open your mind
01:13:30.180 Freedom's a state
01:13:31.360 Freedom's a state
01:13:33.800 And that state
01:13:34.740 Is New Hampshire
01:13:35.520 Uh
01:13:36.640 But
01:13:36.920 You could
01:13:37.720 Kind of see him
01:13:38.880 Like
01:13:39.940 Imagining
01:13:40.720 Dave
01:13:42.100 You know
01:13:43.140 Being in despair
01:13:44.560 And then
01:13:45.600 Because look
01:13:47.320 He was
01:13:47.740 On heroin
01:13:48.800 Throughout
01:13:49.480 The
01:13:51.320 Devotional tour
01:13:52.960 So I mean
01:13:53.400 This is not
01:13:53.920 Something new
01:13:54.820 Just when they were
01:13:55.460 Recording this album
01:13:56.240 And he could
01:13:56.740 Martin could see
01:13:57.780 This happening
01:13:58.400 And
01:13:59.740 You go on
01:14:01.340 To the stage
01:14:02.180 And you're free
01:14:03.140 I mean
01:14:03.380 That was
01:14:03.780 With that
01:14:04.300 Journalist
01:14:04.840 Who was
01:14:05.040 Bidden by
01:14:05.680 Dave
01:14:06.420 Gohan said
01:14:07.140 Is that
01:14:07.500 This guy
01:14:08.100 Was a madman
01:14:09.200 Like
01:14:09.960 Just
01:14:10.240 Should be
01:14:11.700 Um
01:14:12.200 Committed
01:14:12.760 And
01:14:13.960 Yet
01:14:15.020 An hour later
01:14:16.160 He would go on stage
01:14:17.140 And would
01:14:17.560 Play his part
01:14:18.600 And be a
01:14:18.960 Professional
01:14:19.460 Performer
01:14:20.300 And
01:14:21.220 I think
01:14:21.960 You know
01:14:22.440 Again
01:14:22.720 This could be
01:14:23.700 About a number
01:14:24.260 Of different things
01:14:24.980 But I
01:14:25.360 It resonates
01:14:26.820 For me
01:14:27.520 Is about
01:14:28.160 Dave
01:14:28.800 As kind of
01:14:29.320 Escaping that
01:14:30.300 Pain
01:14:30.660 And being
01:14:31.420 A
01:14:31.740 You know
01:14:32.680 Angel
01:14:33.180 On stage
01:14:34.420 Yeah
01:14:36.480 Uh
01:14:37.200 I
01:14:37.420 You know
01:14:38.160 I didn't really
01:14:38.880 Care for this song
01:14:40.020 That much
01:14:40.380 It was okay
01:14:41.060 To me
01:14:41.500 But
01:14:41.800 Um
01:14:42.880 I just
01:14:44.340 Kind of got
01:14:44.940 The understanding
01:14:45.980 That
01:14:46.380 You know
01:14:47.040 There's like
01:14:47.480 Freedom
01:14:48.200 In sobriety
01:14:49.460 Or something
01:14:49.980 That's
01:14:50.480 About all
01:14:51.580 I could
01:14:51.920 Really
01:14:52.340 You know
01:14:52.840 Gather
01:14:53.320 From it
01:14:53.860 Um
01:14:54.340 It's okay
01:14:55.340 It's definitely
01:14:55.860 Kind of
01:14:56.380 Um
01:14:56.920 Hip hoppy
01:14:57.860 Still
01:14:58.280 There's definitely
01:14:59.300 This is probably
01:15:00.120 Their most
01:15:00.700 Hip hop
01:15:01.560 Album
01:15:02.220 I would say
01:15:02.900 Actually
01:15:03.340 Just
01:15:03.840 Uh
01:15:05.080 In total
01:15:05.640 Most like
01:15:06.400 Jazz influenced
01:15:07.740 Uh
01:15:08.200 As well
01:15:08.600 Especially when
01:15:09.160 You get to
01:15:09.720 Uh
01:15:10.100 Like bottom line
01:15:11.320 With the bass
01:15:12.620 With the upright
01:15:13.720 Bass
01:15:14.240 And those
01:15:14.760 Like jazz vibes
01:15:15.940 Like
01:15:16.600 The xylophone
01:15:17.880 Or whatever
01:15:18.360 Yeah
01:15:18.840 It's a
01:15:19.500 It's a much
01:15:21.160 More interesting
01:15:21.680 Track
01:15:22.320 I think
01:15:22.920 Like a cat
01:15:38.740 Dragged in
01:15:39.480 From the rain
01:15:40.740 Who goes
01:15:41.800 Straight back
01:15:42.800 Out
01:15:43.240 To do it
01:15:44.240 All over
01:15:45.080 Again
01:15:45.920 I'll be back
01:15:48.540 For more
01:15:49.740 It's something
01:15:53.000 That is out
01:15:53.920 Of our hands
01:15:55.380 Something
01:15:56.580 We will
01:15:57.780 Never
01:15:58.460 Understand
01:15:59.740 It's a
01:16:02.540 Hidden
01:16:03.020 Lord
01:16:04.920 The apple
01:16:06.580 Falls
01:16:08.800 Destiny
01:16:10.240 Goes
01:16:11.860 I follow
01:16:14.260 You
01:16:15.700 Like a
01:16:21.260 Pawn
01:16:21.600 On the
01:16:21.980 Eternal
01:16:22.760 Board
01:16:23.900 It's got
01:16:25.560 These
01:16:25.880 Like very
01:16:27.400 Minimal drums
01:16:28.460 Like they're
01:16:29.200 Kind of
01:16:29.800 Separate from
01:16:31.520 Each other
01:16:31.960 Like the
01:16:32.600 Snare
01:16:33.320 Feels like
01:16:34.460 Distinct from
01:16:35.320 The kick
01:16:35.760 It doesn't feel
01:16:36.420 Like it's just
01:16:37.500 Played with
01:16:38.400 On an actual
01:16:39.820 Kit
01:16:40.240 Necessarily
01:16:41.000 All at
01:16:42.340 All at once
01:16:42.600 All at once
01:16:42.620 Is what I'm
01:16:43.000 Trying to say
01:16:43.440 And
01:16:44.260 Yeah I mean
01:16:45.760 The Martin
01:16:46.560 Gore's voice
01:16:47.500 On it
01:16:47.960 Sounds
01:16:48.340 Excellent
01:16:49.460 And
01:16:50.100 Yeah it's a
01:16:52.020 It's a good
01:16:52.520 Song
01:16:52.900 And about
01:16:54.480 The lyrics
01:16:54.980 Though of
01:16:55.520 The bottom
01:16:56.980 Bottom line
01:16:57.320 I don't know
01:16:58.260 About like
01:16:59.280 Being like
01:16:59.740 Hopelessly
01:17:00.240 Addicted to
01:17:00.800 Something
01:17:01.240 Yeah
01:17:01.900 I'm dying
01:17:03.500 To with the
01:17:04.360 Double
01:17:04.580 Entendre
01:17:05.240 Like I'm dying
01:17:05.880 To fall in
01:17:06.360 Love or
01:17:06.680 Dying to
01:17:07.240 Do heroin
01:17:07.920 Or
01:17:08.260 And I'm
01:17:09.320 Might be
01:17:10.020 Also dying
01:17:10.940 From
01:17:11.420 Heroin
01:17:13.380 You know
01:17:13.860 I mean
01:17:14.100 Yeah I mean
01:17:14.920 Every song
01:17:16.140 Is about
01:17:16.560 Being a junkie
01:17:17.300 I mean
01:17:17.620 It's
01:17:18.100 Like a cat
01:17:19.220 Dragged in
01:17:19.680 From the
01:17:20.040 Rain
01:17:20.380 Who goes
01:17:21.400 Straight back
01:17:22.240 Out to do
01:17:23.020 It all over
01:17:23.540 Again
01:17:23.920 I'll be
01:17:24.400 Back for
01:17:24.900 More
01:17:25.180 Yeah I mean
01:17:25.840 It's
01:17:26.220 This is what
01:17:27.840 It's about
01:17:28.300 It was really
01:17:29.500 Well written
01:17:30.120 Like a pawn
01:17:31.000 On the
01:17:31.660 Eternal board
01:17:32.540 Who's never
01:17:33.560 Quite sure
01:17:34.280 What he's
01:17:35.000 Moved
01:17:35.380 Towards
01:17:35.720 So it's
01:17:35.980 Like being
01:17:36.580 You know
01:17:37.920 Losing autonomy
01:17:38.780 And being
01:17:39.900 A pawn
01:17:40.220 Being moved
01:17:40.880 Somewhere
01:17:41.340 Beyond your
01:17:42.280 Intention
01:17:43.440 I mean
01:17:43.720 Yeah it's
01:17:44.820 Great writing
01:17:45.620 But again
01:17:48.180 Like a moth
01:17:48.960 On love's
01:17:49.500 Bright light
01:17:50.000 You just
01:17:50.320 Keep going
01:17:50.920 Back to
01:17:51.400 Get burned
01:17:52.000 Again
01:17:54.020 In the
01:17:54.680 Context of
01:17:55.320 The whole
01:17:55.580 Album
01:17:55.900 I don't
01:17:56.480 See it
01:17:56.840 As being
01:17:57.280 About anything
01:17:58.400 Other than
01:17:58.800 Drug use
01:17:59.220 I mean
01:17:59.500 Is it
01:18:00.760 You know
01:18:01.140 You're always
01:18:01.620 In love
01:18:02.000 With this
01:18:02.280 Girl and
01:18:02.640 You keep
01:18:02.880 Going back
01:18:03.360 Sure
01:18:03.660 Whatever
01:18:04.160 This is
01:18:06.720 This album
01:18:07.860 Is
01:18:09.040 Incredible
01:18:09.700 It's a
01:18:10.480 Document
01:18:10.940 Of
01:18:11.580 Surviving
01:18:13.260 Addiction
01:18:13.720 Yeah
01:18:15.180 Oh yeah
01:18:16.180 Definitely
01:18:16.660 What do
01:18:21.000 You think
01:18:21.300 About
01:18:21.500 Insight
01:18:22.060 Interpretation
01:18:23.740 I have
01:18:24.200 Is about
01:18:24.540 Like
01:18:24.820 Kind of
01:18:25.300 Getting
01:18:25.600 A glimpse
01:18:26.860 Into like
01:18:27.340 Gore
01:18:27.820 Or Dave's
01:18:29.240 Like psyche
01:18:30.860 And kind of
01:18:32.000 Like overcoming
01:18:32.920 Whatever his
01:18:34.640 Trials and
01:18:35.080 Tribulations
01:18:35.600 Were
01:18:36.180 In 1997
01:18:38.100 In 1990
01:18:38.940 You know
01:18:39.460 When he's
01:18:40.000 In court
01:18:42.040 And stuff
01:18:42.740 And on
01:18:43.560 Probation
01:18:44.020 I believe
01:18:44.560 He almost
01:18:44.920 Got kicked
01:18:45.280 Out of
01:18:45.520 The country
01:18:45.960 Yeah
01:18:47.040 As well
01:18:47.800 Yeah
01:18:48.260 So
01:18:48.780 You can get
01:18:49.820 Kicked out
01:18:50.280 Of America
01:18:51.060 For a
01:18:51.580 Depraved
01:18:52.220 Crime
01:18:52.660 And
01:18:54.000 So you
01:18:56.580 Know
01:18:56.760 They're not
01:18:57.220 Going to
01:18:57.440 Kick you
01:18:57.900 Out for
01:18:58.440 Not getting
01:19:00.960 Your car
01:19:01.360 Registered
01:19:02.000 But you
01:19:03.260 Know
01:19:03.420 Heroin
01:19:04.220 Overtoes
01:19:04.960 I think
01:19:05.320 Might kind
01:19:05.880 Of
01:19:06.020 Hit the
01:19:06.480 Bill
01:19:06.700 I mean
01:19:07.020 I
01:19:07.320 I assume
01:19:08.180 He's
01:19:08.520 Is Dave
01:19:09.120 Gone a
01:19:09.520 Citizen of
01:19:10.040 The United
01:19:10.280 States
01:19:10.540 I don't
01:19:11.740 I assume
01:19:12.280 He just
01:19:12.520 Has a
01:19:12.780 Green card
01:19:13.260 Or something
01:19:13.600 Maybe he's
01:19:13.980 Just on a
01:19:14.360 Tourist visa
01:19:14.940 Who knows
01:19:15.440 What he's
01:19:15.780 Doing
01:19:16.060 He lives
01:19:17.200 In New
01:19:17.700 York City
01:19:18.140 Now and
01:19:18.560 I know
01:19:18.800 Martin
01:19:19.120 Lives in
01:19:19.460 California
01:19:19.920 I would
01:19:20.340 Figure by
01:19:20.800 Now
01:19:21.200 They would
01:19:21.920 Have
01:19:22.040 Citizenship
01:19:22.720 Become
01:19:23.140 Citizens
01:19:23.640 Yeah
01:19:23.940 20
01:19:24.780 Some years
01:19:25.500 You know
01:19:25.960 Yeah
01:19:26.960 I mean
01:19:27.940 This I
01:19:28.600 Think is
01:19:28.940 A more
01:19:29.180 Positive
01:19:29.700 Version
01:19:30.100 Of a
01:19:30.380 Fire
01:19:30.720 I'm
01:19:31.300 Talking to
01:19:31.680 You
01:19:31.800 Now
01:19:34.960 Whatever
01:19:36.160 You do
01:19:36.580 Now
01:19:36.940 You've
01:19:37.440 Got to
01:19:37.760 Give
01:19:37.960 Love
01:19:38.360 The world
01:19:38.780 Still
01:19:39.040 Turns
01:19:39.440 I'm
01:19:39.760 Talking
01:19:40.060 To
01:19:40.260 You
01:19:40.440 Now
01:19:40.680 I
01:19:41.420 I
01:19:41.740 Think
01:19:42.680 Again
01:19:43.180 This is
01:19:43.700 About
01:19:44.080 Martin
01:19:44.840 Kind of
01:19:45.220 Intervening
01:19:46.180 And Dave
01:19:46.940 And saying
01:19:48.120 Let's
01:19:48.400 Keep
01:19:48.620 Going
01:20:04.960 This is
01:20:06.300 This is
01:20:08.400 A strange
01:20:09.840 Life
01:20:11.180 I'm
01:20:13.960 Taking
01:20:14.780 My
01:20:19.400 True
01:20:20.340 Will
01:20:22.080 Carries
01:20:24.500 Me
01:20:25.440 Long
01:20:27.080 This is
01:20:30.940 A
01:20:31.300 Soil
01:20:32.340 This is
01:20:44.260 The first
01:20:45.640 To put
01:20:48.140 Things
01:20:48.840 Right
01:20:51.140 Moving
01:20:53.640 On
01:20:56.680 Guided
01:20:58.260 By
01:20:59.320 The
01:20:59.660 Light
01:21:01.220 And
01:21:03.220 The
01:21:03.400 Spirit
01:21:03.860 Of
01:21:04.480 Love
01:21:05.160 Is
01:21:06.100 Rising
01:21:06.680 Within
01:21:07.360 Me
01:21:08.360 Talking
01:21:09.420 To
01:21:09.920 You
01:21:10.480 Now
01:21:11.280 Telling
01:21:12.560 You
01:21:12.840 Clearly
01:21:13.700 The
01:21:14.680 Fire
01:21:15.120 Still
01:21:15.920 Burst
01:21:18.100 You
01:21:26.080 Can
01:21:26.240 Go
01:21:26.440 Back
01:21:26.880 To
01:21:27.480 The
01:21:28.200 80s
01:21:28.960 With
01:21:29.480 A
01:21:30.660 Broken
01:21:30.980 Frame
01:21:31.540 I mean
01:21:31.900 What
01:21:32.140 Was
01:21:32.500 That
01:21:32.660 Song
01:21:33.060 That
01:21:33.220 Was
01:21:33.320 At
01:21:34.260 Least
01:21:34.500 Interpreted
01:21:35.300 To
01:21:35.540 Be
01:21:35.700 About
01:21:36.060 Vince
01:21:36.820 Clark
01:21:37.260 Leaving
01:21:38.000 Leave
01:21:38.880 In
01:21:39.060 Silence
01:21:39.440 Is
01:21:39.740 The
01:21:39.860 First
01:21:40.080 Song
01:21:40.400 I
01:21:41.340 Think
01:21:42.080 Martin
01:21:43.040 Said
01:21:43.460 That
01:21:43.620 This
01:21:43.780 Wasn't
01:21:44.260 About
01:21:44.500 Vince
01:21:44.760 But
01:21:44.940 Who
01:21:45.160 Knows
01:21:45.420 I
01:21:45.600 Don't
01:21:45.780 Trust
01:21:46.120 Any
01:21:46.360 Artist
01:21:46.680 Who
01:21:46.920 Describes
01:21:47.520 What
01:21:48.200 His
01:21:48.360 Song
01:21:48.620 Is
01:21:48.780 Actually
01:21:49.080 About
01:21:49.520 Reached
01:21:53.440 Our
01:21:53.620 Natural
01:21:54.000 Conclusion
01:21:54.680 Outlived
01:21:55.260 The
01:21:55.460 Illusion
01:21:55.960 I
01:21:56.260 Hate
01:21:56.500 Being
01:21:56.780 In
01:21:56.920 These
01:21:57.080 Situations
01:21:57.840 That
01:21:58.080 Call
01:21:58.280 For
01:21:58.460 Diplomatic
01:21:59.040 Relations
01:21:59.700 If
01:22:00.640 Only
01:22:00.800 I
01:22:00.960 Knew
01:22:01.060 The
01:22:01.200 Answer
01:22:01.640 Thought
01:22:02.080 We
01:22:02.220 Had
01:22:02.360 To
01:22:02.480 Chance
01:22:02.940 Where
01:22:03.900 I
01:22:04.040 Could
01:22:04.180 Stop
01:22:04.520 This
01:22:04.780 I
01:22:04.900 Would
01:22:05.040 Stop
01:22:05.300 This
01:22:05.540 Thing
01:22:05.860 From
01:22:06.120 Spreading
01:22:06.560 Like
01:22:06.740 Cancer
01:22:07.140 I
01:22:07.300 Mean
01:22:07.400 It
01:22:07.600 Is
01:22:07.920 This
01:22:08.240 Sense
01:22:09.540 Of
01:22:10.140 Breakdown
01:22:11.060 I
01:22:12.060 Know
01:22:13.740 I
01:22:16.140 Told
01:22:16.380 Myself
01:22:16.820 So
01:22:17.060 Many
01:22:17.480 Times
01:22:18.140 Before
01:22:18.900 But
01:22:20.300 This
01:22:20.580 Time
01:22:20.880 I
01:22:21.080 Think
01:22:21.380 I
01:22:21.600 Mean
01:22:21.900 It
01:22:22.080 For
01:22:22.280 Sure
01:22:22.660 We
01:22:24.340 Have
01:22:24.620 Reached
01:22:25.100 A
01:22:25.340 Full
01:22:25.780 Star
01:22:26.340 Nothing's
01:22:28.120 Gonna
01:22:28.380 Save
01:22:28.880 Us
01:22:29.040 From
01:22:29.360 The
01:22:29.580 Big
01:22:30.620 Drop
01:22:31.320 Reached
01:22:32.380 A
01:22:32.600 Natural
01:22:32.940 Conclusion
01:22:34.060 Out
01:22:36.560 In
01:22:36.800 The
01:22:37.080 Illusion
01:22:37.960 I
01:22:40.060 Ain't
01:22:40.560 Been
01:22:41.040 In
01:22:41.280 These
01:22:41.540 Situations
01:22:43.080 That
01:22:44.280 Call
01:22:44.660 For
01:22:44.980 Diplomatic
01:22:45.840 Relations
01:22:47.040 If
01:22:48.280 I
01:22:48.520 Only
01:22:48.860 Knew
01:22:49.220 The
01:22:49.440 Answer
01:22:49.800 I
01:22:50.420 Thought
01:22:50.680 We
01:22:50.920 Had
01:22:51.240 A
01:22:51.360 Chance
01:22:51.740 Or
01:22:52.020 I
01:22:52.220 Could
01:22:52.380 Stop
01:22:52.740 This
01:22:53.000 I
01:22:53.220 Would
01:22:53.380 Stop
01:22:53.740 This
01:22:53.980 Thing
01:22:54.180 From
01:22:54.380 Spreading
01:22:54.940 Like
01:22:55.240 A
01:22:55.440 Cancer
01:22:56.040 You
01:23:05.060 Know
01:23:05.200 Then
01:23:05.500 At
01:23:05.660 The
01:23:05.780 End
01:23:06.040 The
01:23:06.240 Sun
01:23:06.360 Of
01:23:06.460 The
01:23:06.540 Rainfall
01:23:07.100 A
01:23:07.380 Kind
01:23:07.580 Of
01:23:07.780 Declaration
01:23:08.860 That
01:23:09.260 They're
01:23:09.380 Moving
01:23:09.640 On
01:23:10.020 And
01:23:10.280 I
01:23:10.620 Think
01:23:10.820 Insight
01:23:11.440 You
01:23:11.760 Know
01:23:11.880 It's
01:23:12.060 A
01:23:12.440 Fairly
01:23:12.980 Good
01:23:13.320 Track
01:23:14.240 I
01:23:14.780 Think
01:23:14.940 It
01:23:15.040 Is
01:23:15.160 About
01:23:15.380 That
01:23:15.700 The
01:23:16.560 Fire
01:23:16.880 Still
01:23:17.240 Burns
01:23:17.720 But
01:23:17.960 It's
01:23:18.160 Not
01:23:18.340 The
01:23:18.540 Fire
01:23:18.840 Of
01:23:19.060 Heroin
01:23:19.900 Addiction
01:23:20.300 So
01:23:22.040 What
01:23:22.900 Is
01:23:23.120 Your
01:23:23.360 Opinion
01:23:23.940 I
01:23:24.100 Mean
01:23:24.260 Where
01:23:26.320 Do
01:23:26.460 You
01:23:26.580 Think
01:23:26.900 This
01:23:27.220 Ranks
01:23:27.920 Roughly
01:23:29.280 In
01:23:30.020 The
01:23:31.320 Body
01:23:31.640 Of
01:23:31.820 Work
01:23:32.120 It's
01:23:32.360 It's
01:23:32.560 A
01:23:32.660 Pretty
01:23:32.820 Unique
01:23:33.400 Album
01:23:33.840 I
01:23:34.020 Would
01:23:34.160 Say
01:23:34.320 That
01:23:34.680 It's
01:23:37.360 A
01:23:37.420 Good
01:23:37.500 Question
01:23:37.900 Yeah
01:23:38.380 It's
01:23:38.680 Definitely
01:23:39.020 Transitional
01:23:39.880 I
01:23:41.620 Would
01:23:41.780 Say
01:23:42.100 For
01:23:42.920 Me
01:23:43.380 Somewhere
01:23:43.980 In
01:23:44.800 The
01:23:45.080 Middle
01:23:45.500 Maybe
01:23:45.820 Upper
01:23:46.320 Middle
01:23:46.860 Cause
01:23:47.700 I
01:23:48.700 Really
01:23:49.040 Enjoy
01:23:49.380 The
01:23:49.540 Production
01:23:49.840 I
01:23:50.020 Really
01:23:50.260 Enjoy
01:23:50.580 The
01:23:50.800 Songs
01:23:51.260 It's
01:23:52.620 Not
01:23:52.900 You
01:23:53.300 Know
01:23:53.420 Like
01:23:53.600 You
01:23:53.720 Said
01:23:53.860 It's
01:23:53.960 Not
01:23:54.080 A
01:23:54.220 Happy
01:23:54.460 Album
01:23:54.780 Probably
01:23:55.320 Somewhere
01:23:55.680 Around
01:23:56.180 Like
01:23:56.620 Construction
01:23:58.660 Time
01:23:59.220 Again
01:23:59.500 Or
01:23:59.720 Something
01:23:59.920 Like
01:24:00.080 That
01:24:00.260 For
01:24:00.420 Me
01:24:00.600 So
01:24:01.940 Let's
01:24:02.540 Say
01:24:02.840 Eight
01:24:04.100 Nine
01:24:04.660 Seven
01:24:05.380 Something
01:24:05.740 Like
01:24:05.880 That
01:24:06.100 Yeah
01:24:07.220 I
01:24:07.580 Mean
01:24:07.700 I
01:24:07.860 Think
01:24:08.000 I
01:24:08.160 Think
01:24:08.320 It
01:24:08.420 Is
01:24:08.580 Somewhere
01:24:08.900 Like
01:24:09.780 That
01:24:10.060 For
01:24:10.260 Me
01:24:10.560 It's
01:24:11.200 I
01:24:12.500 Think
01:24:12.920 It
01:24:13.100 You
01:24:13.660 Know
01:24:13.860 It's
01:24:14.180 It's
01:24:14.360 Kind
01:24:14.700 Of
01:24:14.860 A
01:24:15.180 B
01:24:16.040 Tier
01:24:16.460 Classic
01:24:17.040 In
01:24:17.320 A
01:24:17.420 Way
01:24:17.680 Which
01:24:20.000 Is
01:24:20.160 Surprising
01:24:20.780 Because
01:24:21.980 I
01:24:23.100 Remember
01:24:23.640 Being a
01:24:24.200 Little
01:24:24.380 Bit
01:24:24.580 Disappointed
01:24:25.160 When I
01:24:25.500 Purchased
01:24:26.000 This
01:24:26.380 And
01:24:27.100 And
01:24:28.680 Was
01:24:28.920 Listening
01:24:29.200 To
01:24:29.380 It
01:24:29.480 On CD
01:24:29.980 When I
01:24:30.360 Was
01:24:30.460 In
01:24:30.560 High
01:24:30.760 School
01:24:31.040 When it
01:24:31.380 Came
01:24:31.580 Out
01:24:31.920 And
01:24:32.080 Kind of
01:24:32.340 Feeling
01:24:32.640 That
01:24:32.840 It was
01:24:33.020 A bit
01:24:33.600 I
01:24:34.920 I
01:24:34.940 I
01:24:34.960 I
01:24:34.980 Wanted
01:24:35.740 Violator
01:24:36.340 Back
01:24:36.780 Basically
01:24:37.820 Which
01:24:38.820 You
01:24:39.040 Know
01:24:39.120 I
01:24:39.240 Probably
01:24:39.560 Played
01:24:40.400 Until
01:24:40.700 The
01:24:40.900 CD
01:24:41.220 Was
01:24:41.660 You
01:24:42.440 Know
01:24:42.600 Burned
01:24:43.160 To
01:24:43.260 A
01:24:43.420 Crisp
01:24:43.740 By
01:24:43.920 The
01:24:44.040 Laser
01:24:44.320 Or
01:24:44.500 Whatever
01:24:44.660 You
01:24:44.860 Know
01:24:45.000 I
01:24:45.520 Just
01:24:45.700 Wanted
01:24:46.240 That
01:24:46.700 I
01:24:46.920 Wanted
01:24:47.180 Black
01:24:47.480 Celebration
01:24:48.080 I
01:24:48.220 Wanted
01:24:48.480 Something
01:24:48.900 Like
01:24:49.360 That
01:24:49.720 And
01:24:50.780 This
01:24:52.040 Wasn't
01:24:52.660 Really
01:24:52.940 Giving
01:24:53.260 Giving
01:24:53.700 It
01:24:53.840 To
01:24:53.960 Me
01:24:54.080 And
01:24:54.180 It
01:24:54.460 Was
01:24:54.600 It
01:24:54.800 Was
01:24:54.980 A
01:24:55.080 Kind
01:24:55.260 Of
01:24:55.360 Little
01:24:55.560 Two
01:24:56.000 Nineties
01:24:56.680 In
01:24:57.560 A
01:24:57.660 Way
01:24:58.000 But
01:25:00.060 I
01:25:01.060 And
01:25:02.000 When I
01:25:02.340 First
01:25:02.680 Listened
01:25:02.960 I've
01:25:03.100 Listened
01:25:03.380 Again
01:25:03.580 I
01:25:03.760 Mentioned
01:25:04.340 This
01:25:04.440 I've
01:25:04.600 Listened
01:25:04.820 To
01:25:04.880 It
01:25:04.960 About
01:25:05.060 Three
01:25:05.260 Times
01:25:05.660 And
01:25:05.860 I
01:25:06.560 I
01:25:07.420 Kind
01:25:08.420 Of
01:25:08.580 Wasn't
01:25:08.960 Very
01:25:09.780 Getting
01:25:10.120 Into
01:25:10.460 It
01:25:10.680 When I
01:25:10.880 First
01:25:11.080 Listened
01:25:11.380 To
01:25:11.520 It
01:25:11.700 Then
01:25:12.280 You
01:25:12.360 Listen
01:25:12.540 To
01:25:12.640 It
01:25:12.740 Again
01:25:12.980 And
01:25:13.120 Again
01:25:13.320 You
01:25:13.520 Get
01:25:13.780 Into
01:25:14.180 It
01:25:14.500 And
01:25:14.860 This
01:25:15.380 Song
01:25:15.760 Starts
01:25:16.120 Speaking
01:25:16.480 You
01:25:16.740 Speaking
01:25:17.220 To
01:25:17.440 You
01:25:17.640 To
01:25:17.820 A
01:25:17.900 Little
01:25:18.060 More
01:25:19.060 I
01:25:19.620 Mean
01:25:19.760 It
01:25:20.020 Is
01:25:20.160 As
01:25:20.960 I
01:25:21.100 Said
01:25:21.320 It's
01:25:21.480 A
01:25:21.800 Document
01:25:22.240 Of
01:25:22.520 Addiction
01:25:22.920 I
01:25:23.140 It's
01:25:23.540 It's
01:25:23.760 Almost
01:25:23.940 Like
01:25:24.180 An
01:25:24.300 Essential
01:25:24.780 Album
01:25:25.260 To
01:25:25.440 Understand
01:25:26.040 This
01:25:26.340 Band
01:25:26.720 It
01:25:28.480 Is
01:25:28.800 An
01:25:28.920 Album
01:25:29.220 Of
01:25:29.460 Survival
01:25:30.160 And
01:25:30.340 Overcoming
01:25:30.960 You
01:25:33.160 Know
01:25:33.300 Dave
01:25:33.660 Died
01:25:34.160 And
01:25:34.320 Was
01:25:34.500 Resurrected
01:25:35.400 And
01:25:35.960 Alan
01:25:36.700 Departed
01:25:37.340 And
01:25:38.140 Fletch
01:25:39.660 Remains
01:25:40.360 The
01:25:41.420 Fletch
01:25:41.800 Abides
01:25:42.320 I
01:25:42.800 Mean
01:25:42.900 It's
01:25:43.160 Just
01:25:43.320 This
01:25:43.700 You
01:25:45.360 Know
01:25:45.580 But
01:25:46.860 He
01:25:47.080 Was
01:25:47.320 I
01:25:47.440 Mean
01:25:47.560 You
01:25:47.720 Know
01:25:47.820 Not
01:25:48.000 To
01:25:48.120 Be
01:25:48.220 Too
01:25:48.380 Rude
01:25:48.600 But
01:25:48.780 He
01:25:49.200 Was
01:25:49.380 Suffering
01:25:49.780 From
01:25:49.980 His
01:25:50.120 Own
01:25:50.300 Depression
01:25:50.760 And
01:25:51.280 He
01:25:51.400 Was
01:25:51.600 Also
01:25:52.080 I
01:25:52.920 Think
01:25:53.040 Voluntarily
01:25:53.800 Committed
01:25:54.320 In
01:25:55.440 Some
01:25:55.700 Way
01:25:56.020 And
01:25:56.620 Came
01:25:57.960 Out
01:25:58.160 Of
01:25:58.280 It
01:25:58.480 But
01:25:59.160 I
01:25:59.360 Think
01:25:59.700 It's
01:25:59.920 A
01:26:00.180 Document
01:26:00.580 Of
01:26:00.740 Drug
01:26:00.980 Use
01:26:01.360 It's
01:26:01.640 A
01:26:01.840 Band
01:26:02.860 They're
01:26:03.300 Kind
01:26:03.660 Of
01:26:03.760 Like
01:26:03.940 Looking
01:26:04.420 At
01:26:05.120 Themselves
01:26:05.860 And
01:26:06.040 Not
01:26:06.160 Really
01:26:06.380 It's
01:26:07.140 Influenced
01:26:07.600 By
01:26:07.760 90s
01:26:08.140 Music
01:26:08.440 But
01:26:08.700 It's
01:26:09.160 They're
01:26:09.580 Kind
01:26:09.780 Of
01:26:09.860 Like
01:26:10.020 Examining
01:26:10.780 The
01:26:11.500 Band
01:26:11.860 Itself
01:26:12.340 It's
01:26:12.520 About
01:26:12.980 Dave
01:26:13.520 Gohan
01:26:14.060 In
01:26:14.840 My
01:26:15.040 Reading
01:26:15.380 Every
01:26:15.720 Song
01:26:16.140 Is
01:26:16.280 About
01:26:16.600 Dave
01:26:17.140 And
01:26:17.620 So
01:26:17.960 That's
01:26:18.440 Interesting
01:26:19.060 Yeah
01:26:20.540 It's
01:26:20.840 A
01:26:20.940 More
01:26:21.140 Mature
01:26:21.580 Album
01:26:21.980 And
01:26:22.200 It's
01:26:22.420 Like
01:26:22.920 If
01:26:24.460 It
01:26:24.580 Didn't
01:26:24.780 Have
01:26:24.960 The
01:26:25.160 Songs
01:26:25.720 That
01:26:27.380 Martin
01:26:27.820 Wrote
01:26:28.160 During
01:26:28.400 This
01:26:28.580 Period
01:26:28.860 Which
01:26:29.080 Are
01:26:29.260 All
01:26:29.560 Or
01:26:30.220 At
01:26:30.540 Least
01:26:30.760 The
01:26:31.120 Vast
01:26:31.620 Majority
01:26:31.940 Of
01:26:32.020 Them
01:26:32.120 Very
01:26:32.380 Good
01:26:32.700 It
01:26:33.300 Would
01:26:33.460 Have
01:26:33.580 Turned
01:26:33.880 Out
01:26:34.140 Like
01:26:34.460 Exciter
01:26:34.920 To
01:26:35.080 Me
01:26:35.280 I
01:26:35.720 Just
01:26:36.040 Don't
01:26:36.380 I
01:26:36.520 Think
01:26:36.780 First
01:26:38.080 And
01:26:38.320 Foremost
01:26:39.000 The
01:26:39.220 Songs
01:26:39.600 Are
01:26:39.940 That
01:26:40.620 Important
01:26:41.000 I
01:26:41.300 Do
01:26:41.580 Think
01:26:41.940 The
01:26:42.100 Production
01:26:42.460 Is
01:26:42.840 Very
01:26:43.120 Good
01:26:43.620 But
01:26:44.260 I
01:26:45.920 Don't
01:26:47.960 That's
01:26:48.180 Why
01:26:48.340 I
01:26:48.620 Can't
01:26:49.180 Say
01:26:49.320 It's
01:26:49.460 Like
01:26:49.580 A
01:26:49.780 Great
01:26:50.360 Album
01:26:50.640 I
01:26:50.780 Would
01:26:50.900 Say
01:26:51.060 It's
01:26:51.220 Like
01:26:51.400 A
01:26:51.760 Very
01:26:52.080 Good
01:26:52.400 Album
01:26:52.840 Yeah
01:26:54.080 I
01:26:54.380 Don't
01:26:54.860 Yeah
01:26:55.080 I
01:26:55.480 Don't
01:26:55.660 It's
01:26:57.780 What
01:26:57.920 It is
01:26:58.140 But
01:26:58.300 Also
01:26:58.660 You
01:26:58.900 Know
01:26:59.040 With
01:26:59.460 Alan
01:26:59.760 Leaving
01:27:00.180 As
01:27:00.720 Big
01:27:00.900 Of
01:27:01.020 A
01:27:01.180 Stan
01:27:01.480 As
01:27:01.680 I
01:27:01.820 Am
01:27:02.060 For
01:27:02.540 Mr.
01:27:03.640 Wilder
01:27:04.120 I
01:27:04.380 Will
01:27:04.580 Say
01:27:04.960 Like
01:27:05.300 Him
01:27:06.140 Leaving
01:27:06.640 In
01:27:07.300 1995
01:27:08.420 Is
01:27:09.380 By
01:27:11.220 This
01:27:11.500 Point
01:27:11.760 They
01:27:12.020 Are
01:27:12.160 At
01:27:12.380 Like
01:27:12.640 Mature
01:27:13.120 Or
01:27:13.820 Going
01:27:14.180 Toward
01:27:14.540 Mature
01:27:14.900 Veteran
01:27:15.560 Status
01:27:16.360 So
01:27:17.360 That
01:27:18.120 Kind
01:27:18.540 Of
01:27:18.800 Puts
01:27:19.560 Them
01:27:19.660 At
01:27:19.780 A
01:27:19.880 Disadvantage
01:27:20.340 That's
01:27:20.500 Why
01:27:20.620 A
01:27:20.720 Lot
01:27:20.820 Of
01:27:20.920 People
01:27:21.140 Will
01:27:21.360 Say
01:27:21.620 Oh
01:27:22.380 Well
01:27:22.660 You
01:27:23.160 Know
01:27:23.240 They've
01:27:23.520 Never
01:27:23.700 Been
01:27:24.020 The
01:27:24.300 Same
01:27:24.580 Since
01:27:24.980 Alan
01:27:25.440 Left
01:27:26.180 Or
01:27:26.320 Whatever
01:27:26.580 Well
01:27:27.020 Yeah
01:27:27.640 But
01:27:27.860 What
01:27:28.340 I
01:27:28.720 Don't
01:27:28.860 Know
01:27:29.040 That
01:27:29.280 Even
01:27:29.560 If
01:27:29.700 Alan
01:27:29.920 Was
01:27:30.100 In
01:27:30.220 The
01:27:30.340 Band
01:27:30.720 That
01:27:31.220 They
01:27:31.360 Would
01:27:31.520 Still
01:27:31.800 Be
01:27:32.000 Making
01:27:32.340 Those
01:27:32.860 Classics
01:27:33.980 The
01:27:34.540 Black
01:27:35.480 Celebrations
01:27:36.300 Some
01:27:37.040 Great
01:27:37.260 Rewards
01:27:37.720 Or
01:27:37.820 Whatever
01:27:38.060 You
01:27:38.320 Know
01:27:38.400 I
01:27:38.540 Just
01:27:38.740 Think
01:27:38.960 Maybe
01:27:39.480 Even
01:27:40.220 If
01:27:45.560 There's
01:27:45.980 Nothing
01:27:46.180 You
01:27:46.360 Can
01:27:46.480 Do
01:27:46.680 To
01:27:46.920 Go
01:27:47.720 Back
01:27:47.940 And
01:27:48.060 Get
01:27:48.220 It
01:27:48.460 I'm
01:27:48.800 Not
01:27:48.940 Sure
01:27:49.160 Yeah
01:27:50.080 Well
01:27:50.880 I
01:27:51.140 Mean
01:27:51.280 This
01:27:52.080 Is
01:27:52.300 Interesting
01:27:53.720 So
01:27:54.160 When
01:27:54.580 Alan
01:27:54.940 Left
01:27:55.460 There
01:27:56.560 There
01:27:56.760 Are
01:27:56.860 Reports
01:27:57.320 That
01:27:57.560 He
01:27:57.700 Was
01:27:58.020 Invited
01:27:59.120 To
01:27:59.340 Join
01:27:59.700 The
01:27:59.880 Cure
01:28:00.320 Yes
01:28:01.700 Yeah
01:28:02.040 I
01:28:02.280 Was
01:28:02.380 Gonna
01:28:02.500 Mention
01:28:02.720 That
01:28:02.940 All
01:28:03.400 These
01:28:03.600 Kind
01:28:03.800 Of
01:28:03.920 Funny
01:28:04.160 Things
01:28:04.580 Like
01:28:04.800 That
01:28:05.000 It's
01:28:05.380 Kind
01:28:05.620 Of
01:28:05.780 And
01:28:06.260 He
01:28:06.420 Was
01:28:06.620 Basically
01:28:07.080 I
01:28:07.280 Mean
01:28:07.380 I
01:28:07.520 Think
01:28:07.680 He
01:28:07.800 Was
01:28:07.920 Kind
01:28:08.100 Of
01:28:08.160 An
01:28:08.280 Old
01:28:08.600 Soul
01:28:08.960 At
01:28:09.120 35
01:28:15.560 Another
01:28:15.900 Rock
01:28:16.240 Band
01:28:16.560 I
01:28:17.360 Wish
01:28:17.580 She
01:28:17.740 Had
01:28:17.960 I
01:28:18.080 Wish
01:28:18.220 She
01:28:18.340 Had
01:28:18.460 Stayed
01:28:18.780 With
01:28:18.880 Depeche
01:28:19.240 Mode
01:28:19.480 Or
01:28:19.680 Reconnected
01:28:20.500 Or
01:28:20.620 Something
01:28:20.920 I
01:28:21.180 I
01:28:21.700 Don't
01:28:21.980 Think
01:28:22.220 We
01:28:22.380 Would
01:28:22.500 Have
01:28:22.600 Had
01:28:22.900 The
01:28:23.080 Exciter
01:28:23.520 Album
01:28:23.960 And
01:28:25.220 No
01:28:25.660 I
01:28:26.000 Yeah
01:28:27.020 And
01:28:27.720 I
01:28:28.580 Think
01:28:28.920 He
01:28:29.100 Could
01:28:29.460 Have
01:28:29.620 Added
01:28:30.100 Something
01:28:30.500 To
01:28:31.100 It
01:28:31.320 I
01:28:31.460 Mean
01:28:31.580 It's
01:28:31.800 Very
01:28:32.040 Interesting
01:28:32.460 So
01:28:32.820 This
01:28:34.180 Is
01:28:34.400 Also
01:28:34.720 From
01:28:34.940 Stripped
01:28:35.320 And
01:28:35.440 Even
01:28:35.760 More
01:28:36.020 Bizarre
01:28:36.480 Twist
01:28:36.940 Vince
01:28:37.320 Clark
01:28:37.660 Apparently
01:28:38.140 Approached
01:28:38.820 Martin
01:28:39.260 Gore
01:28:39.560 About
01:28:39.820 Reforming
01:28:40.600 The
01:28:45.560 Quite
01:28:45.880 A
01:28:46.020 Few
01:28:46.120 Times
01:28:46.620 That
01:28:47.000 He
01:28:47.100 Wanted
01:28:47.340 To
01:28:47.460 Replace
01:28:47.880 Alan
01:28:48.640 And
01:28:49.280 Get
01:28:49.440 The
01:28:49.560 Original
01:28:50.020 Lineup
01:28:50.480 Back
01:28:50.680 Together
01:28:51.040 And
01:28:51.380 We
01:28:51.500 Laughed
01:28:51.920 About
01:28:52.140 It
01:28:52.340 For
01:28:53.380 About
01:28:53.580 The
01:28:53.740 First
01:28:53.940 15
01:28:54.400 Times
01:28:55.060 Who
01:28:55.480 Acclaimed
01:28:55.940 But
01:28:56.600 Every
01:28:56.880 Time
01:28:57.360 We
01:28:57.760 Met
01:28:58.140 He
01:28:58.320 Kept
01:28:58.620 Saying
01:28:59.080 It
01:28:59.300 And
01:28:59.440 Made
01:28:59.600 Us
01:28:59.760 Think
01:28:59.960 Maybe
01:29:00.320 He's
01:29:00.600 Serious
01:29:01.180 Then
01:29:03.840 Martin
01:29:04.500 Said
01:29:04.760 But
01:29:04.940 I
01:29:05.400 Think
01:29:05.780 Our
01:29:06.180 Respective
01:29:07.020 Music
01:29:07.320 Had
01:29:07.580 Gone
01:29:07.920 In
01:29:08.400 Such
01:29:08.600 Different
01:29:08.880 Ways
01:29:09.220 So
01:29:09.500 You
01:29:10.500 Know
01:29:10.680 Vince
01:29:11.540 Clark
01:29:11.860 Was
01:29:12.060 Much
01:29:12.340 More
01:29:12.820 Successful
01:29:15.560 In
01:29:15.960 The
01:29:16.100 First
01:29:16.420 Say
01:29:16.820 Like
01:29:17.080 Four
01:29:17.640 Years
01:29:18.280 Of
01:29:18.840 His
01:29:19.080 Leaving
01:29:19.480 So
01:29:19.860 He
01:29:20.460 Had
01:29:20.640 Yaz
01:29:21.200 Or
01:29:21.360 Yazoo
01:29:21.940 I
01:29:22.200 Forgot
01:29:22.420 Which
01:29:22.640 One
01:29:22.840 It's
01:29:23.020 Yaz
01:29:23.380 The
01:29:23.580 United
01:29:23.780 States
01:29:24.220 And
01:29:24.380 Yazoo
01:29:24.800 And
01:29:24.980 Britain
01:29:25.500 Or
01:29:25.700 Yeah
01:29:26.060 Cause
01:29:26.680 You
01:29:26.840 Can't
01:29:27.220 Have
01:29:27.500 There's
01:29:27.780 A
01:29:27.900 Punk
01:29:28.100 Band
01:29:28.320 Or
01:29:28.460 Something
01:29:28.720 With
01:29:28.960 That
01:29:29.120 Name
01:29:29.340 Yazoo
01:29:29.880 Right
01:29:30.660 So
01:29:30.880 It's
01:29:30.980 Like
01:29:31.120 Copyright
01:29:31.700 Or
01:29:31.980 Trademark
01:29:32.500 Or
01:29:32.660 Whatever
01:29:32.880 Regiment
01:29:33.500 And
01:29:34.660 And
01:29:34.680 And
01:29:35.280 Then
01:29:35.400 Erasure
01:29:35.860 Was
01:29:36.780 You
01:29:37.380 Know
01:29:37.500 Again
01:29:37.760 It's
01:29:37.920 A
01:29:37.980 Very
01:29:38.140 80s
01:29:38.620 Band
01:29:38.940 But
01:29:39.180 They
01:29:39.820 Really
01:29:40.100 Kind
01:29:40.360 Of
01:29:40.460 Collapsed
01:29:41.040 I
01:29:41.120 Mean
01:29:41.240 They
01:29:41.540 You
01:29:42.740 Know
01:29:42.840 The
01:29:43.060 Innocence
01:29:43.620 Album
01:29:44.080 I
01:29:44.420 Think
01:29:44.620 Is
01:29:44.840 Is
01:29:45.200 Great
01:29:45.660 Just
01:29:46.060 It's
01:29:46.580 Classic
01:29:47.220 80s
01:29:47.820 Synth
01:29:48.080 Pop
01:29:48.360 But
01:29:48.660 You
01:29:49.420 Keep
01:29:49.780 Doing
01:29:50.120 That
01:29:50.480 Over
01:29:50.760 And
01:29:50.920 Over
01:29:51.120 Again
01:29:51.460 And
01:29:51.840 It
01:29:51.960 Does
01:29:52.220 Feel
01:29:52.660 Dated
01:29:53.280 They
01:29:54.620 Had
01:29:54.860 An
01:29:55.000 Album
01:29:55.360 That's
01:29:55.760 A
01:29:56.020 Self
01:29:56.240 Titled
01:29:56.660 Album
01:29:57.060 Called
01:29:57.340 Erasure
01:29:57.920 And
01:29:58.640 It
01:29:59.540 Is
01:30:00.660 Deeper
01:30:01.900 You
01:30:02.620 Know
01:30:02.800 You
01:30:03.040 Could
01:30:03.220 Say
01:30:03.500 More
01:30:04.040 Like
01:30:04.580 Depeche
01:30:05.060 Mode
01:30:05.380 Than
01:30:05.740 Than
01:30:06.320 The
01:30:06.560 Hyper
01:30:07.940 Poppy
01:30:09.680 Almost
01:30:10.720 Too
01:30:11.560 Poppy
01:30:12.160 Kind
01:30:12.600 Of
01:30:12.820 Gay
01:30:13.500 Erasure
01:30:14.560 Sound
01:30:15.100 And
01:30:16.240 It
01:30:16.400 Wasn't
01:30:16.980 Doing
01:30:17.280 Well
01:30:17.660 And
01:30:17.840 It's
01:30:18.120 Kind
01:30:18.300 Of
01:30:18.400 Interesting
01:30:18.760 How
01:30:18.980 Vince
01:30:19.320 Maybe
01:30:19.740 Had
01:30:20.060 Regret
01:30:20.620 And
01:30:21.000 He
01:30:21.380 Underestimated
01:30:22.200 Martin
01:30:22.560 But
01:30:22.820 It's
01:30:23.380 Also
01:30:23.660 Hard
01:30:24.080 To
01:30:24.300 Imagine
01:30:24.780 The
01:30:25.780 Two
01:30:26.020 Of
01:30:26.180 Them
01:30:26.320 Working
01:30:26.640 Together
01:30:27.060 Again
01:30:27.600 I
01:30:27.800 Mean
01:30:27.900 It
01:30:28.360 Could
01:30:28.560 Be
01:30:28.700 Interesting
01:30:29.040 They
01:30:29.300 Put
01:30:29.760 Out
01:30:30.020 An
01:30:30.220 Instrumental
01:30:30.760 Dance
01:30:31.460 Album
01:30:31.880 A
01:30:33.200 Few
01:30:33.400 Years
01:30:33.680 Ago
01:30:33.860 I
01:30:33.960 Don't
01:30:34.040 Know
01:30:34.100 If
01:30:34.180 You
01:30:34.280 Ever
01:30:34.540 Caught
01:30:35.100 That
01:30:35.460 No
01:30:36.520 I'm
01:30:37.000 I'm
01:30:37.320 Not
01:30:37.580 A
01:30:37.760 Huge
01:30:38.200 I
01:30:38.900 Know
01:30:39.620 Their
01:30:39.940 Their
01:30:40.340 Hits
01:30:40.620 And
01:30:40.780 Stuff
01:30:41.020 Like
01:30:41.240 That
01:30:41.440 But
01:30:41.640 I'm
01:30:41.860 Not
01:30:42.140 A
01:30:42.960 Big
01:30:43.280 Erasure
01:30:43.980 Yeah
01:30:44.580 I mean
01:30:44.880 I
01:30:45.100 Like
01:30:45.640 Them
01:30:45.840 Too
01:30:46.120 It's
01:30:46.360 Just
01:30:46.520 Not
01:30:46.780 I
01:30:47.040 Don't
01:30:47.440 Love
01:30:47.700 Them
01:30:47.920 And
01:30:48.320 You
01:30:49.880 Know
01:30:50.080 Some
01:30:50.400 Of
01:30:50.580 Those
01:30:50.980 They
01:30:51.900 They
01:30:52.120 Put
01:30:52.380 Vince
01:30:53.440 Clark
01:30:53.760 And
01:30:53.960 Martin
01:30:54.300 Gore
01:30:54.520 Kind
01:30:54.740 Of
01:30:54.840 Did
01:30:55.060 A
01:30:55.320 Kind
01:30:56.400 Of
01:30:56.500 Side
01:30:56.920 Piece
01:30:57.440 Album
01:30:58.700 Together
01:30:59.160 And
01:31:04.520 Need
01:31:05.300 To
01:31:14.500 Get
01:31:14.600 To
01:31:15.120 Go
01:31:25.340 To
01:31:25.840 To
01:31:26.000 To
01:31:26.820 To
01:31:27.560 To
01:31:27.840 i think it was it was vcmg vince clark and martin gore it it's instrumental it's dance it's kind
01:31:40.600 of poppy and i don't know you know it's kind of interesting but not something i'd really want to
01:31:45.480 listen to um maybe i think they were maybe kind of experimenting with sounds but it wasn't very
01:31:51.120 interesting and it and it struck me as a vince clark album it's it's a poppy dance album that's
01:31:56.460 just what he does and so he was declining um and yeah maybe felt some regrets it's interesting but
01:32:03.800 i don't know i mean i wish i i wish alan would have remained totally yeah
01:32:12.280 maybe they can just get back together i know like everybody yeah like if you read like youtube
01:32:21.000 comments about documentaries or songs and i'm just like oh i miss alan this is why
01:32:26.280 they'll play like a exciter song this is why alan needs to be back in the band and you know the
01:32:33.720 the remix that he did uh for uh what's that the way you move like that was good it wasn't incredible but
01:32:43.420 um yeah i mean he's he just brought like that atmosphere and these like definitely more on the
01:32:52.200 industrial side of things than than martin uh and damn sure more than uh vince clark
01:33:00.300 you got me reaching for you
01:33:07.740 you got me singing to you
01:33:12.940 you got me singing to you
01:33:26.380 but yeah i'm glad they didn't decide to do something stupid like bring vince back into the
01:33:47.160 band because that just would have they would have gone back to speak and spell and that would have
01:33:53.300 been or worse like gay depeche mode i don't even know what that yeah you know what i mean like
01:33:58.740 yeah but uh yeah alan uh his his recoil project is it's interesting but he's he needs if he's not
01:34:08.360 going to be with depeche mode i think he needs to make um film soundtracks and and stuff like that for
01:34:14.440 any kind of movie uh thrillers action movie like yeah i think he would actually excel at something like
01:34:20.080 that but you can tell in in the difference between like he has some quote where he's talking about the
01:34:27.960 difference in sound between ultra and his uh album that came out the same year unsound methods and he's
01:34:34.120 like yeah these are pretty two good descriptions of our differences in in musical taste and uh which
01:34:42.940 direction we'll take songs in like i guess generally speaking i would say that alan is more atmospheric
01:34:49.240 they should expect to spend in jail and they go beyond the seven-way near jail and they should expect
01:34:57.120 possibly somebody to get killed
01:34:58.900 i'm so glad i'm here
01:35:08.780 i'm so glad i'm here
01:35:11.780 i'm so glad i'm here
01:35:14.560 i'm so glad i'm here
01:35:26.440 i'm so glad i'm here
01:35:31.440 i'm so glad i'm here
01:35:37.220 whereas martin leans towards uh more like melodic sounds or something like that that's roughly put
01:35:59.200 but i think there's you know truth to it
01:36:01.480 yeah
01:36:04.440 damn shame
01:36:07.760 yeah yeah it it really is
01:36:11.720 but you know they need like bands need that i think i think the beatles white album that's
01:36:18.240 that's a lot of people's favorite album uh by the beatles and they're just
01:36:23.040 they hate each other that whole all four of them can't stand each other they're quitting on different
01:36:28.280 songs and stuff uh pink floyd's dark side of the moon there were art that's when they started
01:36:32.740 arguing a lot and that's like their classic album and then the wall they hate each other even more
01:36:37.620 um i mean all these bands
01:36:40.420 you know they they had these notorious relationships where they just hate each other and then they also at
01:36:49.320 the same time produce this great music so i think if both martin and alan would have just
01:36:55.820 maybe not reconciled but just like took a breather or something and just came back uh they would have
01:37:02.680 had that kind of necessary fragile tension we'll say but but which is important though to make
01:37:11.400 these good uh classic records yeah
01:37:14.820 and your body's a fire
01:37:37.320 an inferno that never ends
01:37:43.320 an eternal flame
01:37:47.320 that burns in desire's name
01:37:53.320 sister
01:37:57.320 sister
01:38:01.320 when the longing returns
01:38:07.320 giving voice to the flame
01:38:11.320 calling you through flesh that burns
01:38:17.320 breaking down your will
01:38:21.320 to move in for the kill
01:38:27.320 oh sister
01:38:29.320 come for me
01:38:31.320 embrace me
01:38:33.320 embrace me
01:38:35.320 assure me
01:38:37.320 hey sister
01:38:39.320 i feel it too
01:38:43.320 sweet
01:38:49.320 sweet sister
01:38:51.320 just feel me
01:38:53.320 i'm trembling
01:38:55.320 you heal me
01:38:57.320 hey sister
01:38:59.320 i feel it too
01:39:03.320 i feel it too
01:39:13.320 i feel it too
01:39:15.320 i feel it too
01:39:17.320 i feel it too
01:39:19.320 i feel it too
01:39:20.320 i feel it too
01:39:39.320 oh
01:39:40.320 oh
01:39:41.320 i feel it too
01:39:43.320 through all of your nightmares