RadixJournal - Depeche Mode： Ultra

00:00:00.000 Transcription by CastingWords

00:00:30.000 Transcription by CastingWords

00:01:00.000 Transcription by CastingWords

00:01:30.000 Transcription by CastingWords

00:01:59.980 In other words, I liked it on third listen more than I liked it on the first listen.

00:02:06.280 And I also got deeper into meanings of the songs or at least how they resonated.

00:02:15.560 I think it's actually pretty brilliant in retrospect, but I'm not sure what I thought of it when I bought it as a teenager still at the time.

00:02:30.540 I was in high school when it came out in 1997.

00:02:33.540 And I think I liked Home and It's No Good, but was a little curious about the rest of it.

00:02:41.460 And I was learning about Dave Gahan's personal downfall.

00:02:46.860 One thing I would say, and this was the summing up that I came to, is that songs like Never Let Me Down Again are about the experience of drug use, of being high, of transcending yourself, going to another world, etc.

00:03:09.580 And I think Ultra is about the experience of being a junkie.

00:03:15.480 And I say that, I guess, a bit as a criticism in the sense that it's not a fun album.

00:03:27.480 It's not a nice album.

00:03:28.940 I think it's, in a way, a vindictive album.

00:03:32.840 And at least in retrospect, after reading the chapters in Stripped, this chronicle that I've been referencing throughout these podcasts,

00:03:44.900 every song resonated with Dave Gahan's ordeal of heavy drug use, collapsing marriage, living like a low life, which I don't think we can even underestimate.

00:04:04.580 He was carrying around a .38 caliber pistol, wherever he went.

00:04:08.900 And he would check into the Sunset Marquee Hotel and never leave, as they say.

00:04:16.020 Interesting hotel named Sunset Boulevard Hotel, California.

00:04:21.220 Anyway, it was resonances.

00:04:23.580 And he attempted suicide, actually, at one point, whether he really wanted to go through with it

00:04:32.860 or was making a desperate plea for help or attention or remains to be seen.

00:04:43.220 During the making of this album, which lasted 15 months, which is pretty incredible because of the breaks they needed to take,

00:04:50.840 he actually died of a heart attack effectively brought on by drug use.

00:04:55.580 His drug of choice at this point was heroin and cocaine, speedball.

00:05:03.440 So you can imagine what that can do to you.

00:05:09.080 And his heart stopped for two minutes, apparently.

00:05:12.600 There was actually a poignant moment when he was calling out for help.

00:05:24.860 Dave Gahan says,

00:05:25.940 I woke up in the hospital hearing one of the paramedics saying, I think we lost him. 0.99

00:05:30.900 I sat up and said, no, you fucking haven't. 0.98

00:05:34.460 But I had the full cardiac arrest. 0.99

00:05:37.060 My heart had stopped for two minutes.

00:05:39.700 I've been dead, basically.

00:05:41.100 Later, a detective read me my rights.

00:05:44.480 I was arrested for possession of cocaine and needles.

00:05:47.360 I was handcuffed to a trolley.

00:05:49.460 Straight from hospital, they threw me into the county jail for a couple of nights in a cell

00:05:54.260 with about seven other guys.

00:05:57.220 A scary experience.

00:05:59.960 I guess he was thrown in jail for a little bit.

00:06:02.660 He never went to prison.

00:06:04.040 He was on probation.

00:06:07.520 Perhaps prison would have done him some good.

00:06:11.100 He would check into various clinics.

00:06:15.780 There was one clinic where, according to Stripped, when he checked out, Robert Downey Jr. checked in.

00:06:22.540 Anyway, pretty interesting time in the 90s.

00:06:24.720 But he would have relapses.

00:06:28.040 And he, I think the cardiac arrest by the police really was the end of it.

00:06:39.560 And he had reached rock bottom.

00:06:42.420 There is a bit of a whiff of Kurt Cobain that hangs over this album.

00:06:47.400 I think definitely, Dave, in these interviews that are collected, he's saying that explicitly, that he didn't want to become Kurt Cobain.

00:06:58.260 He wanted to be a survivor.

00:06:59.740 So I think he had a stronger will to live.

00:07:03.160 But he was certainly going down that track.

00:07:05.220 I think Kurt Cobain hangs over the album more generally.

00:07:11.900 If we want to sum up rock and pop music, you reach this nadir with punk and, let's say, the Sex Pistols, for example,

00:07:24.900 where they're slamming their guitars, playing three chords out of tune, screaming, screaming out of tune.

00:07:33.540 It's almost like music, or at least the music that resonates, has gotten so cacophonous and edgy that it almost can't go any further.

00:07:44.080 Like, the only thing after a hardcore punk would be silence or pure noise or something, or just a scream.

00:07:55.200 Some aspects of Wagner, Das Rheingold, where it eventuates into just actual screaming.

00:08:01.280 Interesting.

00:08:03.720 And so I think this album sounds like a 90s album.

00:08:09.160 And with a lot of it, even though you and I can pick up quintessential Martin Gore songwriting, and he wrote every song in this album,

00:08:22.240 you know, I think for someone who's heard Just Can't Get Enough or Enjoy the Silence or Personal Jesus,

00:08:30.440 I think they might not quite recognize Depeche Mode in this album.

00:08:36.120 It is a different thing altogether.

00:08:39.160 Whatever I've done, I've been staring at the barrel of a gun.

00:08:50.880 Whatever I've done.

00:08:56.080 I've been staring at the barrel of a gun.

00:09:02.560 Whatever I've done.

00:09:05.580 Whatever, whatever.

00:09:09.160 And it has that 90s quality of, first off, vindictiveness, the, you know,

00:09:21.160 don't say you love me, it's understood, it's no good.

00:09:27.340 Everything's been leading to a barrel of a gun.

00:09:29.720 And it has a kind of hip hop influenced, I would say, drum beat.

00:09:37.180 It's not the get up and go or kind of epic drum beat of never let me down again or enjoy the silence or something.

00:09:45.380 It's a slower album and a kind of messier album when it comes to instrumentation and so on.

00:09:56.720 So I think the everything about the 90s hung over this.

00:10:01.060 They were in their mid-30s.

00:10:03.100 They're getting a little bit too old to be rock stars.

00:10:06.880 And Dave is sinking into a very dark place.

00:10:11.660 And this just follows the end of the devotional tour after which Alan Wilder left the band for a variety of reasons.

00:10:23.660 I think we can talk about that in this podcast or we could save that for the next one.

00:10:29.760 We'll see how it goes.

00:10:32.080 But it is, the album, it's very interesting.

00:10:36.040 It is a kind of survival album.

00:10:38.560 It's not great in the way that Songs of Faith and Devotion was.

00:10:43.660 It was, it's not bad in the way that Exciter is, to give it credit.

00:10:51.080 It is definitely of its time, but it also demonstrates that Debeche Mode can keep going.

00:11:00.640 And I would just return to that initial thought about, you know, never let me down again is about the experience of being high,

00:11:09.680 whereas this is about the experience of being a junkie.

00:11:13.660 I think, with maybe an exception like Insight or maybe Free State,

00:11:22.720 I think every song is about Dave Gahan.

00:11:27.280 And every song is about Dave's descent into junkiedom.

00:11:34.040 And it's very interesting that, you know, Martin wrote all of these songs.

00:11:39.820 Dave isn't even writing songs yet.

00:11:41.720 Alan is gone.

00:11:43.660 And they seem to be about him channeling Dave's ordeal.

00:11:50.380 And perhaps experiencing it a bit himself.

00:11:54.420 But anyway, those are my opening thoughts.

00:11:56.900 Yeah, I mean, I think I agree with you that the album isn't exactly accessible upon first listen.

00:12:06.140 I think a lot of the tracks, like you said, are slower, a bit more like, I don't know, something like dazed about it or just almost gives you the feeling of like a hangover.

00:12:19.100 You know, I would describe this, if Songs of Faith and Devotion was the Bacchanal party, this was the hangover from it.

00:12:28.520 And when you said vindictive, that made me think, like, is this vindictive in the same way that like a broken frame might have been vindictive?

00:12:40.800 Like, us three, Dave, Martin and Fletch, we're going to prove to Vince that into the world that we can do this without Vince.

00:12:49.900 And in the similar way, like, us three, again, we're going to prove that we can do this without Alan, without all of his craftsmanship in the studio and his musicianship.

00:13:01.200 Yes, I can see that, but I actually mean it in another way as well, but you can continue.

00:13:06.900 But I think with Dave being like at his low, like, he's doing these interviews at the time with like, I don't know, E! News or whatever.

00:13:16.140 And he's just going on and on about how much of an addict he is.

00:13:21.900 And that was like their kind of promo.

00:13:23.740 And I think this album could have been called, like, Dave Gone 1993 to 1998 or something like that, you know, like, it really, yeah, I agree.

00:13:35.420 This is almost completely about him.

00:13:39.180 I guess Martin was suffering with his own alcoholism or whatever during this time and Fletch was recovering from some sort of breakdown.

00:13:48.660 But, yeah, I mean, he is the star of the show.

00:13:51.880 And it made me think that, I think with the previous album, in this case Songs of Faith and Devotion, that he had sort of, like, achieved this new persona.

00:14:03.600 He didn't necessarily need to have, but it just kind of goes to show that, like, all of these frontmen, David Lee Roth, Freddie Mercury, John Lennon, with very few exceptions,

00:14:16.620 are these frontmen, like, ever, and obviously Kurt Cobain, are any of these frontmen ever, like, well-adjusted people?

00:14:24.740 And I think Dave, as creative a person as he might be now, I don't think he was or is perhaps a well-adjusted person.

00:14:34.500 And that's not like a personal dig or anything.

00:14:36.660 I just think that would have contributed to his addictions and et cetera, but it also made him a really good frontman as well.

00:14:46.700 So, yeah, with you saying that you might not recognize, like, Depeche Mode in this album, I would agree also, because there is just something so fundamentally different.

00:14:58.700 There was, I think, actually a good balance of, like, live music and programmed music with, like, they brought in a bunch of different bassists and percussionists,

00:15:11.020 like the guy from Cannes whose name escapes me or anything.

00:15:14.540 It's like Jackie Feishaupt or something.

00:15:16.860 Anyway, and they're bringing in all these different musicians doing all of this stuff that Alan would have been doing.

00:15:25.900 He was playing bass on Songs of Faith and Devotion, and he was playing drums and recording these loops and getting these atmospheres together.

00:15:34.600 And so they needed someone like Tim Semenen, who had done remixes for the band before.

00:15:41.080 So, yeah, they really needed that.

00:15:43.380 But, I mean, as far as my impression of the album, I think Martin's songwriting peak was probably Violator's Songs of Faith and Devotion.

00:15:55.340 For me, at least.

00:15:56.420 And, like, this is kind of the bottom of that peak.

00:16:01.180 And I think it has these, they did channel interesting, like, jazz and hip-hop and these other genres that they didn't before.

00:16:14.000 And I think that was...

00:16:14.600 And some country in there for the first time.

00:16:15.900 Yes, yes.

00:16:17.180 And it was...

00:16:18.400 And blues...

00:16:19.160 Blues is still there, too.

00:16:20.820 Yeah.

00:16:21.060 But it was about...

00:16:22.040 You know, it was...

00:16:23.220 You know, like you said, it was of its time.

00:16:25.780 It was good that they did that.

00:16:27.560 And I think Martin's songs, though, really do drive...

00:16:31.160 As good as the production is and as interesting as it is and as expensive as it was for the band,

00:16:36.780 And I think that still his songs are driving this album.

00:16:44.320 Yeah.

00:16:45.500 So, this is just a little story.

00:16:48.760 So, Primal Scream...

00:16:50.920 And they were opening for Depeche Mode, I think, on the summer tour, which is called the Exotic Tour, I believe.

00:17:00.400 It's a kind of extension of the devotional tour.

00:17:03.700 Dave seemed to invite them precisely because they were into narcotics.

00:17:10.800 They're a Scottish band.

00:17:12.520 Yeah.

00:17:13.500 Primal Scream always took boxes of records and had a couple of decks in the dressing room, Perry continued.

00:17:21.020 So, there were all these people dancing.

00:17:23.420 And Dave Gahan sitting in the middle of the room in an armchair,

00:17:26.540 apparently shoveling cocaine up his nose at a frightening rate.

00:17:32.360 Suddenly, he seemed to realize that I was a journalist.

00:17:35.920 This is a story of...

00:17:38.340 Let's just call him Perry.

00:17:39.860 He's a journalist.

00:17:41.160 He told this.

00:17:42.100 Suddenly, he seemed to realize that I was a journalist.

00:17:44.620 And he pointed at me.

00:17:46.700 One of his big flunkies came over and got me.

00:17:50.400 I had to kneel down beside the armchair to make it possible for him to talk to me.

00:17:54.800 He started burbling on about how people didn't understand him.

00:17:59.840 But then his mood changed suddenly. 0.98

00:18:02.020 He said, I'm going to curse you. 0.98

00:18:03.620 And the next thing I know, he's bitten me on the neck. 0.61

00:18:07.440 By now, he was shouting and everybody was watching him until he stormed out of the room,

00:18:12.220 still yelling about putting a curse on me.

00:18:15.000 I assumed he was completely out of it.

00:18:17.480 But then on stage, he was totally together and professional.

00:18:20.580 Alan reported as well that, I mean, not that anyone there was a Puritan,

00:18:27.540 but someone like Alan just left the whole thing.

00:18:31.020 He seemed the best adjusted and was able to keep drinking and drug use under control.

00:18:39.340 But Dave fell into this state where, I mean, there's always been a little bit of a vampiric quality

00:18:48.380 to his teeth and black hair and slipping.

00:18:52.880 And it's funny how he just actually became a vampire at some point and was cursing.

00:18:57.840 The other thing is that, I mean, I heard a story about someone I know, actually,

00:19:05.620 who went into all of this despair, just malnutrition due to bulimia and then severe alcoholism.

00:19:17.200 And I have not spoken to this woman in years, like well over a decade.

00:19:24.060 And apparently, she is basically done.

00:19:28.420 She has early senility or dementia due to malnutrition combined with heavy alcohol use.

00:19:38.240 So, I mean, yeah.

00:19:39.500 I mean, she was a difficult person, but she certainly didn't deserve this.

00:19:42.980 I mean, she's my age and she's, you know, might as well be Joe Biden's age.

00:19:50.700 It is, I'm surprised in a way that he didn't have permanent brain damage or something like that

00:20:01.660 due to the heavy drug use, alcoholism and dying or some kind of personality disorder brought on by all this.

00:20:09.640 But I've seen a number of interviews of him in the 2000s and certainly with the release of the last album.

00:20:20.520 And, I mean, he seemed bright and well-adjusted and normal and friendly.

00:20:27.760 I mean, he seems to have actually survived this somehow.

00:20:33.120 And he's a very energetic performer.

00:20:36.540 I mean, he's 60 or however, and he's, you know, prancing around on stage for a year-long world tour.

00:20:44.680 I mean, it's pretty remarkable.

00:20:46.220 It's kind of an amazing thing that he survived this.

00:20:49.140 I mean, it's like this conventional tale of the rock star who, by necessity of the fact that he is a rock star,

00:20:56.560 is, you know, extroverted and outlandish and narcissistic, etc.

00:21:03.520 And then there's all of this temptation.

00:21:07.660 I mean, there were stories in here that I might have even mentioned in the Violator review of, you know,

00:21:15.200 the tour managers would pick out like 12 women at every concert and bring them in. 1.00

00:21:19.920 I mean, there was total debauchery. 0.90

00:21:23.900 He gave in to sin again and again.

00:21:27.040 I mean, and he, it's like that story from the 1960s through the 90s.

00:21:34.820 I mean, Kurt Cobain was part of it.

00:21:36.360 Jimi Hendrix, I mean, on and on.

00:21:40.000 You just do expect him to either complete his suicide attempt or to die of an OD.

00:21:48.040 And the band to end and people to look back on the albums.

00:21:52.940 But he somehow and they somehow kept going.

00:21:56.940 There was actually a poignant moment where I think Dave was at a very low point where he was talking to Martin.

00:22:06.940 And, you know, who knows, he might have been checked in to the Sunset Marquee or something like this.

00:22:13.080 And he felt that Martin didn't actually care about him.

00:22:18.280 And Martin and Fletch were just, they cared about Depeche Mode.

00:22:22.440 And it's like, we did this amazing amount of work.

00:22:26.980 We're already a classic band, in fact.

00:22:31.360 And we're not just kind of one hit wonders or one album wonders.

00:22:34.660 Like, we kept going and we kept getting better.

00:22:37.680 And we reached a peak of classic status.

00:22:40.460 If we, you know, if we retire now, we're a classic band.

00:22:44.340 But why retire?

00:22:45.340 Like, keep going.

00:22:47.140 And he felt that they didn't actually care about him.

00:22:51.480 But they cared about Depeche Mode as a brand or money-making venture and artistic venture as well.

00:23:02.280 Again, Martin has done solo albums, these counterfeit, you know, cover albums.

00:23:06.540 Alan had recoiled, then later Dave would have his solo projects.

00:23:12.560 But it didn't, if you don't have the legacy of Depeche Mode, it's not, you're not going to fill a stadium.

00:23:20.680 You're not going to bring it all together.

00:23:23.220 And so there was a sense that, you know, we've reached super band status.

00:23:31.680 Yeah, it's a bit niche and it's marginal and so on because we're electronic and it's dark and all that kind of stuff.

00:23:40.100 But we have reached it.

00:23:41.800 So let's keep going.

00:23:42.880 And Dave, you know, whether it's out of genuine pain or maybe his own narcissism, it's kind of like, what about me?

00:23:53.220 Another thing I learned, this was reported.

00:23:56.560 I mean, unfortunately for Gahan, when he checked out of the $500 per night facility, it sounded like he was still pretty angry with the world.

00:24:05.560 I was serious about it when I was there. 1.00

00:24:08.120 But once I left, it was like, fuck this shit. 1.00

00:24:11.520 More than likely, that anger was compounded by Teresa Gahan's reaction to her husband's, quote, recovery, end quote. 1.00

00:24:20.100 When I came out, Teresa met me, Gahan recalled.

00:24:23.220 We went to get some lunch and she said, I'm not going to stop drinking or using drugs just because you have to.

00:24:29.520 I'll do whatever I want to do.

00:24:31.900 She didn't use like me regularly. 0.70

00:24:35.240 But in rehab, they said that if one of us wasn't going to give it up, it would be impossible for the other.

00:24:41.120 That's totally understandable.

00:24:42.660 You can't go clean and then your partner is whacked out of her mind. 0.93

00:24:47.460 At that point, I knew our relationship would have to be over if I was going to have any chance.

00:24:53.040 I thought we loved each other.

00:24:55.220 Now I think the love was pretty one-sided.

00:24:57.300 That kind of attitude of someone checking out of a hospital, telling him that I'm still going to use drugs and drink.

00:25:06.060 I mean, that may be the worst possible thing you could say in that situation.

00:25:13.520 Definitely.

00:25:14.520 And there's these other things, like displaying all the classic symptoms of drug-induced paranoia when the tooled-up Gahan was dealing with gun-toting lowlifes.

00:25:31.460 He was holed up at home watching the Weather Channel for up to 12 hours at a time.

00:25:36.260 There was another scene where his mother, I guess this was later on, but his son was coming over and he couldn't get clean.

00:25:45.900 And he asked his mother to join him to help him take care of him.

00:25:49.980 And he still lost it at one point.

00:25:53.980 And his mother went and threw out all of his drugs and paraphernalia and stuff.

00:26:02.160 And he learned about that and he raced out of the house and he found garbage bags around the street and took them in and emptied the garbage bags on the kitchen floor and was like rustling through them to find his heroin in front of his son.

00:26:18.000 And then he said, no, it's not what you think.

00:26:21.600 I need steroids for my voice because I've overused my voice.

00:26:25.280 And so I need this, again, typical kind of lying and excuses from drug users.

00:26:30.940 They do this all the time because they're desperate.

00:26:33.880 I mean, just imagine doing that.

00:26:36.840 I mean, you're walking out in your bathrobe to grab garbage bags and then pouring them on the floor.

00:26:43.560 I mean, he was at rock bottom.

00:26:48.000 And then there's a poignant scene of his son saying, I don't want you to be sick anymore.

00:26:51.780 And he was like, I don't want to either.

00:26:53.120 I mean, I don't know.

00:26:54.420 I don't think you can whitewash or kind of underestimate, first off, the miracle that he survived this, but also just the humiliation.

00:27:06.780 Yeah, that's a, I don't know what to say. 0.96

00:27:11.060 That's extremely tender and sad and pathetic and tragic. 0.97

00:27:18.480 Yeah. 0.98

00:27:19.160 Here's another anecdote, just real quick.

00:27:21.080 I mean, he, so this was with the wedding between himself and Teresa.

00:27:29.040 Primal Scream was, of course, there.

00:27:32.060 Teresa decided that she wanted to have a baby.

00:27:34.540 He told Q, that's Q magazine.

00:27:37.300 I said to her, Teresa, we're junkies because let's not kid ourselves. 1.00

00:27:42.080 When you're a junkie, you can't shit, piss, cum, nothing. 1.00

00:27:46.080 All those bodily functions go. 1.00

00:27:48.640 You're in this soulless body.

00:27:50.540 You're in a shell.

00:27:51.600 She didn't get it.

00:27:53.140 So anyway, a little bit of a defense of Teresa in the sense that it's hard to put up with someone who's like embraced junkiedom in that way.

00:28:04.180 And it almost became his own personal Jesus.

00:28:07.000 Like, I'm not like other men at this point because I've abused my body.

00:28:12.500 Anyway, I think you get the picture.

00:28:15.740 Yeah.

00:28:16.180 There does seem to be this kind of like a martyr complex to a lot of addicts. 1.00

00:28:20.460 It's like, like, fuck it. 1.00

00:28:22.440 I'm like, I know I'm going to die. 1.00

00:28:24.180 And, you know, I'm going to increase misery around me.

00:28:28.520 And, and, but it doesn't matter.

00:28:30.080 Look at me, I'm a sad case.

00:28:31.880 And I basically inspire pity.

00:28:33.340 You know, that was interesting to me, what you said about Dave's relationship with Martin and Fletch and saying, like, you guys don't care about me.

00:28:44.400 I kind of in like interviews, I kind of felt as though that that tension was there.

00:28:50.140 Like we're friends, but we're not like that close.

00:28:54.280 And again, Dave, the front man, Martin's the songwriter, Alan's the craftsman.

00:29:02.960 And like that specialization, it's not very friendly.

00:29:07.600 It's not very give and take.

00:29:09.260 You know, I think that maybe perhaps that's why it contributed to him feeling that way.

00:29:15.300 Like, all right, Dave, you go up there and sing my songs and, you know, I don't know.

00:29:21.260 I think there might be something to that, that specialization of where it seems almost like know your role and that's it.

00:29:28.740 And we're going to keep our heads down and keep grinding and keep touring or whatever.

00:29:33.480 I also do think he, you know, he's a tragic case in a lot of ways because he, his biological father wasn't around.

00:29:45.680 I think he met him, what, once or twice?

00:29:47.560 Didn't you have something about that?

00:29:49.260 Yeah. 0.84

00:29:49.860 And, you know, he was like a criminal.

00:29:52.320 He was like stealing cars and stuff.

00:29:54.320 And had not Depeche Mode happened, he probably, he could have, you know, been on drugs, but not famous and not had this recovery and stuff and could have been a, you know, career criminal or whatever.

00:30:09.360 Who knows?

00:30:10.420 But, yeah, it's just, I don't know, it's a terrible thing.

00:30:16.660 And it does remind me when you start talking about him, like rummaging through trash to look for bits of heroin, that's still like going on to this day.

00:30:27.980 And in some ways, like a more insidious way, if you think about the opioid crisis and how it's just like devastated a lot of, especially rural areas.

00:30:42.000 And I've seen that in my life and, you know, probably a dozen cases, not too personally, but in, in many people that I went to high school with, they just, they start messing around with like Xanax and then Xanax turns into opioid and opioid is what a couple of molecules different from heroin and they're on heroin.

00:31:06.860 I mean, I had, it was a shock to me to be in high school and have the drug dogs come through and have them find a neighbor's, a burnt spoon, a neighbor of mine.

00:31:22.560 They found her burnt spoon and heroin in her, in her locker.

00:31:27.760 I mean, that was a, that was a huge, that was like a tidal wave because I don't come from, you know, the ghetto or, or anything.

00:31:35.320 I don't come from 1970s Harlem, you know, this is a lily white suburb we're talking about.

00:31:40.440 And that was, but that's what this reminds me of.

00:31:43.600 That was a big change in my life.

00:31:46.020 Like, wow, we're actually closer to this stuff than you would think because of, you know, these, these opioids.

00:31:52.320 One more quote here, and then we can talk about the songs, but, and I think we'll save a lot more Alan Wilder talk for the next podcast on Songs of Faith and Devotion.

00:32:05.020 But this is something that Dave told the Q magazine.

00:32:08.880 Q seems to be the major source for a lot of these quotes.

00:32:13.220 Dave said, I didn't respond to his leaving as much as I now realize I wanted to.

00:32:19.480 The singer confessed, I really miss Alan's input on everything we now do musically, but I miss him as a friend.

00:32:27.960 He was probably the person I felt supported by the most in the band.

00:32:32.040 And I wish I'd fought harder for him to stay.

00:32:35.560 What Alan really wanted was for Martin to turn around and say, you've really contributed something great.

00:32:42.940 But Martin's not someone who hands out compliments.

00:32:47.000 Very true.

00:32:48.760 True. Yeah.

00:32:49.260 And I mean, I will, we'll get to it next time, but I mean, it's, there's that idea of putting so much effort into producing the album, creating the sound, making these choices, you know, this way or that, you know, like, for instance, to have and to hold is going to be this brooding song on nuclear annihilation in the Soviet Union, as opposed to the Spanish taster.

00:33:12.640 Or, you know, like, that's a choice, you know, like, that's a choice, you know, and he did that.

00:33:20.600 I even think that in this album, Ultra, a lot of the, you know, instrumental music or kind of connection music, like use link, and it almost strikes me as doodling.

00:33:38.140 I mean, not that it's bad or anything, but it, it might strike me as like failure to make a strong aesthetic choice about something.

00:33:49.800 I mean, not that it's bad or anything.

00:34:19.780 Yeah, I'm not a huge fan of, of either of these, was it jazz thieves and then use link. 0.99

00:34:44.760 I'm not a fan of either one of the instrumental tracks.

00:34:48.640 And I do, I kind of just see them as, you can call them transition songs, but they're kind of fillers.

00:34:55.860 And actually, they do have B-sides that could have been on the album, like Surrender, for example, should have been on there.

00:35:06.640 I mean, Slow Blow could have been on there.

00:35:11.240 I don't know if only When I Lose Myself was recorded.

00:35:14.220 I think it was recorded a little bit, maybe like a year later or something.

00:35:18.020 But yeah, that could have been on there as well.

00:35:20.200 Laying on your holy bed by the hallowed door

00:35:38.900 Feeling like an infidel, not worthy of your fault. 1.00

00:35:48.800 Tempted by your innocence, beckoned to my fate.

00:35:55.800 I'm a man of flesh and bone

00:36:09.240 Ratchet, rushing through my veins

00:36:13.500 Passion, flaming in my heart

00:36:17.640 Heavenly surrender once again

00:36:22.600 Yeah

00:36:24.100 I don't know, just starting with like Barrel of a Gun

00:36:32.000 Like, it's a good, it's a good intro.

00:36:35.860 It's pretty, like, rocky, but it's also kind of funky with, like, these, like, hip-hop drums.

00:36:41.780 It's definitely, like, got this distorted kind of wah guitar on it.

00:36:47.640 And I think that Dave's voice does emerge like anew.

00:36:52.200 It's, it's more, it's a little bit softer.

00:36:55.180 It's more violator than it is Songs of Faith and Devotion.

00:36:58.700 There's still a little bit of rasp to it.

00:37:00.780 I think this is another point in his, in his vocal maturation.

00:37:07.100 And, you know, I think the song itself has got this

00:37:10.120 Kind of, like, haunting synth or guitar

00:37:13.460 Kind of, like, descending in the chorus.

00:37:15.420 What is it you want from me?

00:37:19.600 You know, going, going down like that.

00:37:21.900 But, yeah, it's just very obviously about his struggles with, with heroin and, and being a junkie in those, in those years.

00:37:32.880 Like, yeah.

00:37:33.160 Yeah, and ridden by Martin.

00:37:34.440 Again, I mean, I think that's why, it's this weird relationship they have.

00:37:38.600 You mean this horny creep set upon weary feet who looks in need of sleep that doesn't come.

00:37:46.460 This, and I even hear a little bit of that, that doesn't come. 0.55

00:37:49.320 I mean, it, it, it, that sleep that doesn't come or also that doesn't come.

00:37:52.660 Just in, in his description of, like, the junkie's body just being nothing. 0.92

00:37:57.780 You know, you don't, you don't eat or shit or piss or, you're just this weirdly Jesus-like in, in a very horrible way. 0.97

00:38:07.480 Like, this twisted, tortured mess, this bed of sinfulness who's longing for some rest and feeling numb. 0.99

00:38:15.700 And then, again, why I get this kind of vindictive quality, you see this as well in the love themes, but it's this, whatever, you know, whatever I've done, I've been staring down the barrel of the gun.

00:38:25.580 I mean, it's, it's almost this, like, embrace of your whole life trajectory going towards either being shot by one of these junkies or turning the gun on yourself.

00:38:38.380 Right, yeah.

00:38:41.060 Dave slid his wrist when he attempted suicide, however committed he was to that or not, but it's a dark image.

00:38:51.480 And, and, and it does have this, yeah, I mean, I, it's kind of vague to say 90s quality to it, but it, it's this hip-hop drum, negative lyrics, embracing despair.

00:39:07.840 It's a tough song.

00:39:09.200 I mean, this was the single they chose, the album, the first single.

00:39:13.040 Yeah.

00:39:21.480 Vicious appetite visits me tonight.

00:39:34.740 Be satisfied, won't be denied.

00:39:43.260 Vicious appetite visits me tonight.

00:39:48.760 Is satisfied, won't be denied.

00:39:51.480 An unbearable pain

00:39:55.380 Feeding in my brain

00:39:57.580 At least a mark of pain

00:39:59.740 Right here inside

00:40:01.480 What am I supposed to do

00:40:09.720 When everything that I've done

00:40:15.980 Is living the two things

00:40:19.980 I'm not the one

00:40:26.840 Whatever I've done

00:40:31.780 It's standing in the barrel of a gun

00:40:36.940 Whatever I've done

00:40:43.440 It's standing in the barrel of a gun

00:40:49.980 Whatever I've done

00:40:54.920 Whatever, whatever

00:40:56.840 Is there something you need for me

00:41:06.840 Yeah, I have a quote from Martin actually on this.

00:41:13.500 I think that after Alan left the band

00:41:15.840 And after an absence of four years

00:41:17.500 We all individually came to the conclusion

00:41:19.360 That it would be a good idea to release something

00:41:21.600 That was a bit more of a challenge

00:41:23.160 Something that wasn't necessarily so Depeche Mode-like

00:41:25.960 We felt that barrel of a gun

00:41:27.860 Was probably about the furthest

00:41:29.360 From what we've done in the past

00:41:31.280 I think it was me

00:41:32.460 Who first tentatively suggested

00:41:34.340 That maybe barrel of a gun

00:41:35.500 Should be released as a single

00:41:36.640 I expected a lot of resistance

00:41:38.360 And expected all the others

00:41:39.840 To be arguing for days

00:41:41.040 Saying you must be mad

00:41:42.380 But immediately they said

00:41:43.580 We've actually been thinking the same

00:41:45.340 So it was such an easy decision to make

00:41:47.940 I think we're all really pleased

00:41:49.820 We took that route

00:41:50.760 And didn't release

00:41:51.820 It's no good

00:41:52.700 As the first single

00:41:53.780 But I kind of disagree

00:41:55.880 I mean that

00:41:56.440 I think barrel of a gun

00:41:57.760 Is still like

00:41:58.780 That's kind of par for the course

00:42:00.540 For Depeche Mode

00:42:01.340 It's still like negative

00:42:03.360 And dirty 0.88

00:42:04.820 And maybe 0.77

00:42:07.020 I don't know

00:42:08.000 I don't think they've sung something

00:42:09.720 Or produced something this vicious

00:42:11.860 Yeah, okay

00:42:13.440 I mean like

00:42:13.820 Blasphemous Rumors

00:42:15.300 Is very poetic

00:42:16.460 And theological

00:42:19.360 And thoughtful

00:42:21.020 And barrel of the gun

00:42:24.220 Is like

00:42:25.520 You know I'm going to end up 0.99

00:42:28.660 Shooting myself in the head 1.00

00:42:30.260 I mean it's just 0.99

00:42:31.160 It's just like

00:42:32.860 I mean and I don't think

00:42:34.600 There's any other meaning

00:42:35.540 To this song

00:42:36.460 No

00:42:37.240 I mean it's like

00:42:37.760 My entire life

00:42:39.040 Has been leading up

00:42:40.140 To this

00:42:40.940 I mean it was maybe

00:42:42.560 And I think again

00:42:44.040 Knowing that Martin wrote it

00:42:45.720 For Dave to sing

00:42:47.160 I mean there's something

00:42:48.320 A little bit vindictive in that

00:42:50.420 My mind

00:42:51.360 Hmm

00:42:53.080 Yeah

00:42:54.220 I would go there

00:42:55.640 I mean there's just

00:42:56.540 It's kind of nasty

00:42:57.520 To make

00:42:58.080 Dave sing this song

00:43:00.840 Oh okay

00:43:02.020 I see

00:43:02.400 I see what you're getting at

00:43:03.220 Yeah

00:43:03.500 Wow

00:43:04.040 Hmm

00:43:04.620 That is

00:43:05.840 Yeah I don't know

00:43:08.500 Because

00:43:08.720 That's what I kind of mean

00:43:10.160 Is like

00:43:10.500 I kind of think that

00:43:11.860 Martin

00:43:13.100 Almost like

00:43:13.840 Uses Dave

00:43:14.620 You know

00:43:16.020 It's like

00:43:16.440 This is

00:43:16.840 I'm going to speak through you

00:43:18.220 For certain things

00:43:19.320 But now

00:43:19.900 Like with this song

00:43:20.660 Like I'm going to make you sing

00:43:22.120 About your own 1.00

00:43:22.940 Fucking tragedy 1.00

00:43:24.300 Like that's 1.00

00:43:25.220 I don't know

00:43:26.080 That's sick

00:43:26.720 Yeah

00:43:27.220 Yeah

00:43:27.580 It is a little bit

00:43:28.640 But you know

00:43:29.120 Such is the way of the artist

00:43:31.540 Mm-hmm

00:43:32.800 You find your material

00:43:34.040 But

00:43:34.440 I

00:43:35.260 I don't know

00:43:36.720 I mean I don't

00:43:37.260 I don't think you can really

00:43:38.380 Think of it

00:43:40.120 In any other way

00:43:41.120 Um

00:43:41.700 The Love Thieves

00:43:43.740 Is the next song

00:43:45.580 And

00:43:46.300 Uh

00:43:46.860 I liked this one

00:43:49.120 But

00:43:49.460 Again

00:43:50.860 This

00:43:52.580 Vindictive

00:43:53.860 Quality

00:43:54.360 So I mean

00:43:54.720 Let me

00:43:55.440 Read some of

00:43:56.500 The lyrics

00:43:57.300 Because they're good

00:43:58.700 Um

00:43:59.280 Oh the tears

00:44:00.260 That you weep

00:44:01.060 For the poor

00:44:02.080 Tortured souls

00:44:03.140 Who fall at your feet

00:44:04.480 With their love

00:44:05.420 Begging bulls 0.89

00:44:06.680 All the clerks

00:44:08.120 And the tailors

00:44:08.980 All the sharks

00:44:09.720 And the sailors

00:44:10.500 All good at their trades

00:44:12.760 But they'll always be failures

00:44:14.440 So it's

00:44:16.200 You're holding court

00:44:17.780 With your lips

00:44:18.500 And your smile

00:44:19.240 Your body is a halo

00:44:20.500 So this is a theme

00:44:21.580 He'll return to

00:44:22.380 Three or four times

00:44:24.120 I guess

00:44:24.620 Their minds

00:44:25.920 Are on trial

00:44:26.800 Sure as Adam is Eve

00:44:28.780 Sure as Jonah turned whaler 0.56

00:44:30.220 There are crooked love thieves 0.54

00:44:32.620 And you are their jailer 0.95

00:44:34.400 Love needs its martyrs

00:44:36.720 Needs its sacrifices

00:44:37.880 They live for your beauty

00:44:39.960 And pay for their vices 0.95

00:44:41.960 Love will be the death

00:44:43.800 Of my lonely soul brothers

00:44:46.460 But their spirit shall live on

00:44:48.780 In the hearts of all lovers

00:44:50.780 You get a little bit of like

00:44:52.180 Goodnight lovers

00:44:53.080 Themes going on there from

00:44:55.420 Exciter

00:44:57.200 The next album

00:44:57.880 Which you know

00:44:58.500 Was kind of our favorite song

00:44:59.760 From that album

00:45:00.600 Right

00:45:01.840 But

00:45:02.220 It

00:45:03.300 I just imagine

00:45:05.200 Like

00:45:05.960 An idol

00:45:07.540 Of beauty

00:45:08.480 Or even a

00:45:10.520 Virgin Mary

00:45:11.660 Icon

00:45:12.420 Being worshipped

00:45:13.400 By all these people

00:45:14.300 And

00:45:14.680 You know

00:45:15.560 As opposed to a kind of

00:45:16.840 Sing songy

00:45:18.880 You know

00:45:19.400 One's a baker

00:45:20.920 One's a tailor 0.94

00:45:21.760 One's a shoemaker

00:45:22.700 Or something like that

00:45:23.580 It's like they're all failures

00:45:25.200 And

00:45:26.540 They're paying for their own vices 0.99

00:45:28.580 While idolizing you

00:45:31.560 Arms for the poor

00:45:40.180 For the wretched disciples

00:45:44.940 And the love that they swore

00:45:50.020 With their hearts on the Bible

00:45:54.940 Beseeching the honour

00:45:58.940 To sit at your table

00:46:03.940 And feast on your holiness

00:46:08.940 As long as they're able

00:46:13.780 Love needs its martyrs

00:46:18.940 Needed sacrifices

00:46:23.940 They live for your beauty

00:46:28.700 And pay for their vices 0.95

00:46:34.060 Love will be the death of

00:46:39.060 My lonely soul brothers

00:46:43.780 That their spirit shall be brought in

00:46:48.780 The hearts of all lovers

00:46:53.780 You're holding court

00:46:59.860 With your lips and your smile

00:47:04.460 Your body's a halo

00:47:09.300 Their minds are on trial

00:47:14.340 Sure as Adam is Eve

00:47:17.940 Sure as Jonathan Waila

00:47:23.140 It's a bit of a twisted

00:47:26.120 And again vindictive

00:47:29.120 Look at idealization

00:47:31.860 And maybe it is about Dave as well

00:47:33.940 I mean I kind of threw that out there

00:47:35.200 Each and every song

00:47:36.560 On this album

00:47:37.680 Is about Dave Gahan

00:47:38.960 March and writing about Dave

00:47:40.380 And Dave as an idol

00:47:44.420 You know

00:47:45.920 Which he definitely was becoming

00:47:47.740 By the devotional tour album

00:47:50.060 You know

00:47:50.420 That was the height of fame

00:47:53.780 Dave had gone into a new place

00:47:56.260 And had become a sort of idol

00:47:57.860 Idol in his way

00:47:59.460 Long hair

00:48:01.100 Jesus-like looks

00:48:02.700 And he's singing about

00:48:05.500 That idolization

00:48:07.340 By the

00:48:08.160 You know

00:48:09.260 Failures

00:48:10.140 And vice-ridden

00:48:12.140 Mediocrities

00:48:13.460 Who love rock stars

00:48:14.820 Yeah

00:48:16.860 I got a little bit

00:48:18.040 Of a different interpretation

00:48:19.140 From it

00:48:19.920 I was kind of just thinking

00:48:20.900 Of like

00:48:21.320 These people who are

00:48:23.760 Clerks and tailors

00:48:25.640 Or whatever

00:48:26.020 I get that they're

00:48:28.640 Like failures

00:48:29.520 But I was just thinking of

00:48:31.020 This love thief

00:48:33.120 Who's like 0.94

00:48:34.080 Like the sufferer 0.77

00:48:37.940 Or something like that

00:48:38.780 In a relationship maybe

00:48:40.000 Or even

00:48:41.540 Like

00:48:42.320 It's kind of like

00:48:44.180 The love thief

00:48:45.100 As this

00:48:46.100 Poor

00:48:46.960 Or sick

00:48:47.680 Or meek person

00:48:48.660 That inspires pity

00:48:50.060 And drains

00:48:51.040 You know

00:48:51.660 Happy people

00:48:52.520 Of their energy

00:48:53.320 Do you know what I mean?

00:48:54.200 Almost like flipping

00:48:55.200 Christian morality

00:48:56.700 On its head

00:48:57.340 Like I get a little bit

00:48:58.480 Of that

00:48:58.920 Like

00:48:59.300 These people are

00:49:00.800 Failures

00:49:01.860 That's definitely

00:49:02.560 In the first stanza

00:49:03.820 I totally agree

00:49:05.260 For the poor

00:49:07.680 Tortured souls

00:49:08.760 Who fall at your feet

00:49:09.780 Yeah

00:49:10.080 Alms for the poor 0.80

00:49:11.340 For the wretched disciples

00:49:12.580 Right

00:49:12.880 And the love

00:49:14.020 That they swore

00:49:14.680 With their hearts

00:49:15.280 In the Bible

00:49:15.860 Yeah I think

00:49:17.060 That's there too

00:49:17.940 It's a curious thing

00:49:19.840 I think

00:49:20.220 I kind of agree

00:49:21.420 With both readings

00:49:22.680 I think both are

00:49:23.540 Both are in there

00:49:24.980 But yeah

00:49:25.340 It's a

00:49:25.740 It's a rather

00:49:26.620 Vindictive look

00:49:28.480 At the people

00:49:29.640 Who idolize

00:49:30.620 Also this song

00:49:32.940 He's opening up

00:49:34.300 With some

00:49:34.760 Of the

00:49:35.400 Bigger chords

00:49:36.560 That he

00:49:37.220 Wasn't using

00:49:38.500 On previous albums

00:49:40.240 Like

00:49:41.140 In this song

00:49:42.400 He's using a B flat

00:49:43.380 Major 7

00:49:43.960 Which

00:49:44.240 I mean

00:49:44.760 Depeche Mode

00:49:45.280 Generally doesn't use

00:49:46.520 7th chords

00:49:47.400 Of any kind

00:49:48.560 Really

00:49:48.980 Like they might use

00:49:50.060 Like a D7 1.00

00:49:51.060 You know

00:49:51.920 These kind of

00:49:52.380 Like blues chords

00:49:53.340 Or whatever

00:49:53.820 But they're not

00:49:55.460 Like this

00:49:56.340 Even goes into

00:49:57.420 B flat minor

00:49:59.060 Major 7

00:49:59.960 To a G7

00:50:01.700 To a B flat minor 6

00:50:03.400 And an F minor 6

00:50:04.500 Like these things

00:50:05.520 You know

00:50:06.660 The extensions

00:50:07.880 Are sort of

00:50:09.440 Coming in now

00:50:10.320 And I think that

00:50:11.040 It's about time

00:50:12.900 Actually

00:50:13.340 That Martin

00:50:14.660 You know

00:50:15.260 Would have

00:50:15.580 Would have started

00:50:16.220 To use like

00:50:16.800 More exotic chords

00:50:18.540 Because

00:50:19.220 Though there was

00:50:20.520 Nothing wrong

00:50:21.180 With the simple

00:50:22.120 Bold chords

00:50:23.360 That he's

00:50:24.060 You know

00:50:24.540 Known for

00:50:25.120 I think

00:50:25.920 Just to change up

00:50:26.900 The sound

00:50:27.320 Was a good choice

00:50:28.780 Artistically

00:50:29.860 Yeah

00:50:30.740 You know

00:50:32.660 If we go to

00:50:33.100 Home

00:50:33.520 I think this

00:50:35.040 Song

00:50:36.780 Might very well

00:50:38.180 Be misunderstood

00:50:38.920 But

00:50:39.840 Or at least

00:50:41.240 It's misunderstood

00:50:42.100 By

00:50:43.380 The video

00:50:44.840 Of it

00:50:45.500 I remember

00:50:46.180 Seeing the

00:50:46.840 Video

00:50:47.080 Because

00:50:47.280 They're

00:50:47.440 They're

00:50:48.000 Almost

00:50:48.300 In this

00:50:48.960 Postmodern

00:50:50.000 Beautiful

00:50:51.360 Place

00:50:52.280 And there's

00:50:52.700 Rain outside

00:50:53.680 It's a

00:50:54.380 Martin song

00:50:55.220 But Dave

00:50:56.040 Is there

00:50:56.780 And the song

00:50:58.040 As well

00:50:58.360 It was

00:50:58.820 Arranged for

00:50:59.680 Strings

00:51:00.360 By Dave

00:51:02.180 Clayton

00:51:02.740 I mean

00:51:03.100 And it has

00:51:03.900 A bit

00:51:05.020 Of an

00:51:05.300 Epic

00:51:05.560 Quality

00:51:06.560 To it

00:51:07.720 And

00:51:08.820 I'm surprised

00:51:09.720 This wasn't

00:51:10.340 The single

00:51:10.820 I mean

00:51:11.360 I

00:51:11.640 I don't know

00:51:12.920 Why in a way

00:51:13.520 I mean

00:51:13.740 It's

00:51:14.280 I've heard

00:51:14.960 Them play

00:51:15.260 This live

00:51:15.980 It's

00:51:16.620 A great

00:51:17.280 Song

00:51:17.760 It's both

00:51:18.520 Kind of a

00:51:19.420 Quiet

00:51:19.880 Martin Gore

00:51:22.280 Song

00:51:22.620 But then also

00:51:23.140 An epic

00:51:23.900 Song

00:51:24.240 At the same

00:51:24.600 Time

00:51:24.940 But

00:51:25.240 I think

00:51:26.000 It is

00:51:26.280 Misunderstood

00:51:27.380 It is

00:51:38.220 A song

00:51:38.940 From the

00:51:40.120 Wrong

00:51:40.480 Side

00:51:41.340 Of town

00:51:42.100 Where I'm

00:51:43.320 Bound

00:51:43.800 To the

00:51:44.800 Ground

00:51:45.340 By the

00:51:46.500 Loneliest

00:51:47.940 Sound

00:51:48.640 That

00:51:49.560 Hounds

00:51:50.400 From

00:51:50.840 Within

00:51:51.640 And

00:51:52.540 Is 0.88

00:51:52.840 Pinning

00:51:53.980 Me

00:51:54.380 Down

00:51:54.980 Here is

00:52:10.220 A page

00:52:11.000 From

00:52:11.620 The

00:52:12.200 Emptiest

00:52:13.620 Stage

00:52:14.360 A cage

00:52:15.840 Of a

00:52:16.900 Hand

00:52:17.400 Beas

00:52:18.420 Cross

00:52:19.080 Ever

00:52:19.860 Made

00:52:20.660 A

00:52:21.540 Gauge

00:52:22.560 Of

00:52:22.920 The

00:52:23.340 Deadliest

00:52:24.740 Trap

00:52:25.360 Ever

00:52:26.240 Laid

00:52:27.740 And

00:52:28.200 I

00:52:28.480 Thank

00:52:29.120 You

00:52:29.880 For

00:52:31.520 Bringing

00:52:32.200 Me

00:52:32.880 Here

00:52:34.120 For

00:52:34.600 Showing

00:52:35.640 Me

00:52:36.060 Home

00:52:37.200 For

00:52:37.800 Singing

00:52:38.520 These

00:52:39.160 Tears

00:52:40.380 Finally

00:52:41.700 Here is a

00:52:55.620 Song from

00:52:56.400 The

00:52:56.560 Wrong

00:52:56.900 Side

00:52:57.240 Of town

00:52:57.760 Where I'm

00:52:58.880 Bound

00:52:59.320 To the

00:52:59.880 Ground

00:53:00.360 By the

00:53:01.220 Loneliest

00:53:01.760 Sound

00:53:02.280 That

00:53:02.560 Pounds

00:53:03.100 From

00:53:03.360 Within

00:53:03.820 And

00:53:04.040 Is 0.88

00:53:04.200 Pinning

00:53:05.300 Me

00:53:05.480 Down

00:53:05.880 Here

00:53:08.000 Here is a

00:53:08.340 Page

00:53:08.740 From

00:53:08.920 The

00:53:09.040 Emptiest

00:53:09.500 Stage

00:53:10.060 Cage

00:53:10.900 Where the

00:53:11.960 Heaviest

00:53:12.420 Cross

00:53:12.920 Ever

00:53:13.160 Made

00:53:13.600 A

00:53:13.860 Gauge

00:53:14.320 Of

00:53:15.260 The

00:53:15.440 Deadliest

00:53:15.920 Trap

00:53:16.520 Ever

00:53:16.820 Laid

00:53:17.360 And I

00:53:18.600 Thank you

00:53:19.040 For

00:53:19.240 Bringing

00:53:19.620 Me

00:53:19.840 Here

00:53:20.200 For

00:53:20.420 Showing

00:53:20.800 Me

00:53:20.960 Home

00:53:21.340 For

00:53:21.580 Singing

00:53:21.980 These

00:53:22.340 Tears

00:53:22.660 Finally

00:53:23.080 I

00:53:23.400 Found

00:53:23.880 That

00:53:24.140 I

00:53:24.320 Belong 0.59

00:53:24.780 Here

00:53:25.160 Maybe

00:53:26.220 Just

00:53:26.500 Listening

00:53:27.020 To

00:53:27.260 The

00:53:27.400 Music

00:53:27.860 And

00:53:29.360 The

00:53:30.540 Title

00:53:31.000 Home

00:53:31.580 And

00:53:32.040 And so

00:53:32.660 On

00:53:32.900 Thinking

00:53:33.260 Of

00:53:33.500 It

00:53:33.740 As

00:53:34.280 Dave's

00:53:35.580 Recovery

00:53:36.140 Or

00:53:37.320 As

00:53:38.580 Something

00:53:38.820 Like

00:53:39.060 That

00:53:39.380 I

00:53:40.360 Don't

00:53:40.680 Think

00:53:41.000 It's

00:53:41.180 About

00:53:41.480 That

00:53:41.840 It's

00:53:42.520 A

00:53:42.680 Song

00:53:43.020 From

00:53:43.280 The

00:53:43.420 Wrong

00:53:43.660 Side

00:53:43.920 Of

00:53:44.040 Town

00:53:44.280 I

00:53:44.460 Think

00:53:44.600 It's

00:53:44.740 About

00:53:44.940 The

00:53:45.160 Sunset

00:53:45.780 Marquee

00:53:46.500 Hotel

00:53:46.920 Dave

00:53:49.320 Would

00:53:49.760 Go

00:53:50.280 And

00:53:51.380 Feel

00:53:52.140 At

00:53:52.460 Home

00:53:52.880 When

00:53:53.160 He

00:53:53.280 Would

00:53:53.460 Relapse

00:53:54.120 And

00:53:55.700 I

00:53:55.980 Think

00:53:56.180 It's

00:53:56.400 Kind

00:53:56.720 Of

00:53:56.900 Like

00:53:57.360 The

00:53:57.560 Reverse

00:53:58.280 Of

00:53:58.920 What

00:53:59.420 I

00:53:59.520 Thought

00:53:59.860 This

00:54:00.080 Song

00:54:00.360 Was

00:54:00.500 About

00:54:00.660 I

00:54:00.780 Thought

00:54:00.940 This

00:54:01.120 Song

00:54:01.300 Was

00:54:01.420 A

00:54:01.540 Kind

00:54:01.660 Of

00:54:01.760 Homey

00:54:02.180 Song

00:54:02.480 Or

00:54:02.620 Like

00:54:02.800 Here

00:54:03.800 Is 0.88

00:54:03.940 The

00:54:04.080 House

00:54:04.440 Or

00:54:05.260 Something

00:54:05.620 Like

00:54:05.880 This

00:54:06.200 Or

00:54:06.860 Our

00:54:07.160 House

00:54:07.600 Whatever

00:54:08.380 Yeah

00:54:09.240 He

00:54:09.840 Said

00:54:10.260 That

00:54:10.500 That

00:54:10.520 That

00:54:10.720 Song

00:54:11.200 For

00:54:11.500 Him

00:54:11.900 Was

00:54:12.240 About

00:54:12.660 For

00:54:13.680 Him

00:54:13.860 Personally

00:54:14.280 Was

00:54:14.760 He

00:54:15.640 Basically

00:54:16.100 Thought

00:54:16.440 He

00:54:16.640 Was

00:54:16.880 Going

00:54:17.160 To 0.99

00:54:17.360 Die 1.00

00:54:17.720 Now 0.99

00:54:18.520 I

00:54:18.600 Don't

00:54:18.680 Know

00:54:18.900 If

00:54:19.100 That

00:54:19.280 Necessarily

00:54:19.860 Meant

00:54:20.120 By

00:54:20.300 His

00:54:20.480 Own

00:54:20.660 Hands

00:54:21.120 Or

00:54:21.940 Due

00:54:23.060 To

00:54:23.160 His

00:54:23.320 Alcoholism

00:54:24.120 Or

00:54:24.440 Whatever

00:54:24.900 But

00:54:25.340 He

00:54:26.960 Said

00:54:27.260 It

00:54:27.440 Is 0.88

00:54:27.660 About

00:54:27.980 You

00:54:28.600 Know

00:54:28.700 Going

00:54:28.960 Home

00:54:29.160 So

00:54:29.340 I

00:54:29.980 Kind

00:54:30.260 Of

00:54:30.380 Get

00:54:30.580 I

00:54:30.720 Understand

00:54:31.040 Definitely

00:54:31.620 About

00:54:31.980 And I

00:54:32.560 Didn't

00:54:32.760 Know

00:54:32.960 About

00:54:33.220 That

00:54:33.520 Sunset

00:54:34.040 Marquee

00:54:34.540 That

00:54:34.740 Actually

00:54:35.100 That's

00:54:35.480 A

00:54:35.720 Interesting

00:54:36.720 Interpretation

00:54:39.140 But

00:54:39.460 When I

00:54:41.680 Had

00:54:41.860 Heard

00:54:42.160 Him

00:54:42.620 In

00:54:42.740 An

00:54:42.880 Interview

00:54:43.160 Say

00:54:43.540 That

00:54:43.820 That

00:54:44.060 Song

00:54:44.400 He

00:54:44.540 Was

00:54:44.660 Just

00:54:44.820 Asked

00:54:45.120 By

00:54:45.280 A

00:54:45.420 Crowd

00:54:45.680 Member

00:54:46.020 On

00:54:46.440 This

00:54:46.660 New

00:54:47.040 York

00:54:47.220 Times

00:54:47.680 Interview

00:54:48.300 And

00:54:49.420 He

00:54:50.140 Said

00:54:50.400 It's

00:54:50.940 Basically

00:54:51.520 About

00:54:51.960 Me

00:54:52.600 Thinking

00:54:53.240 That

00:54:53.480 I

00:54:53.580 Didn't

00:54:53.720 Have

00:54:53.980 That

00:54:54.140 Much

00:54:54.340 Longer

00:54:54.780 To

00:54:54.920 Live

00:54:55.320 And

00:54:55.700 That

00:54:56.040 I

00:54:56.160 Was

00:54:56.280 Going

00:54:56.420 To 0.99

00:54:56.540 Die 0.95

00:54:56.820 Pretty

00:54:57.100 Soon

00:54:57.440 And

00:54:57.960 Like

00:54:58.140 The

00:54:58.300 Audience

00:54:58.720 Like

00:54:59.040 Gives

00:54:59.240 This

00:54:59.420 Awkward

00:54:59.820 Applause

00:55:00.320 Which

00:55:00.760 Is 0.88

00:55:00.860 Kind

00:55:01.000 Of

00:55:01.080 Funny

00:55:01.360 A

00:55:04.640 Very

00:55:04.820 Special

00:55:05.140 Song

00:55:05.440 To

00:55:05.620 Me

00:55:05.800 Is 0.88

00:55:06.120 Home

00:55:06.560 Thank

00:55:09.040 You

00:55:09.260 Talk

00:55:09.540 A

00:55:09.680 Little

00:55:09.780 Bit

00:55:10.000 About

00:55:10.340 How

00:55:10.740 That

00:55:11.040 Came

00:55:11.260 About

00:55:11.700 What's

00:55:12.180 Behind

00:55:12.600 It

00:55:12.960 The

00:55:13.320 Meaning

00:55:13.700 Oh

00:55:17.720 God

00:55:20.060 I

00:55:21.800 Know

00:55:22.740 What

00:55:22.920 He's

00:55:23.080 Going

00:55:23.180 To

00:55:23.260 Say

00:55:23.600 Do

00:55:24.180 You

00:55:24.200 Do

00:55:24.840 You

00:55:25.040 Please

00:55:26.040 Well

00:55:27.100 I

00:55:27.400 Always

00:55:27.800 Thought

00:55:28.180 It

00:55:28.340 Was

00:55:28.480 About

00:55:28.800 Home

00:55:29.460 Going

00:55:30.000 Home

00:55:30.540 Etc

00:55:31.040 Etc

00:55:31.340 And

00:55:31.780 Then

00:55:33.060 Marty

00:55:33.440 Said

00:55:33.740 It's

00:55:33.960 Not

00:55:34.220 About

00:55:34.520 That

00:55:34.780 It's

00:55:35.020 About

00:55:35.320 Death

00:55:35.860 Is 0.88

00:55:38.140 That

00:55:38.260 True

00:55:38.540 Kind

00:55:39.860 Of

00:55:40.020 Yeah

00:55:40.220 I

00:55:40.340 Mean

00:55:40.480 I

00:55:40.580 Was

00:55:40.700 Going

00:55:40.960 Through

00:55:41.460 A

00:55:42.260 Very

00:55:43.480 Dark 0.57

00:55:44.300 Period

00:55:44.800 At

00:55:44.980 That

00:55:45.160 Time

00:55:45.500 And

00:55:47.080 You

00:55:48.240 Know

00:55:48.340 I

00:55:48.460 Just

00:55:48.660 Imagine

00:55:49.060 That

00:55:49.500 I

00:55:51.420 Was

00:55:51.600 Heading

00:55:51.940 For

00:55:52.440 An

00:55:53.040 Early

00:55:53.240 Grave

00:55:53.760 And

00:55:55.140 Kind

00:55:55.600 Of

00:55:55.680 Accepting

00:55:56.260 That

00:55:56.460 At

00:55:56.580 That

00:55:56.740 Point

00:55:57.020 Thank

00:56:01.180 You

00:56:01.840 Got

00:56:02.820 Pat

00:56:03.480 For

00:56:03.660 That

00:56:03.860 Thanks

00:56:09.080 A lot

00:56:09.460 But

00:56:14.180 Yeah

00:56:14.880 I

00:56:15.320 Think

00:56:15.780 That

00:56:16.100 I

00:56:18.100 Think

00:56:18.380 Around

00:56:19.420 The Time

00:56:19.820 Of

00:56:19.960 Spirit

00:56:20.420 Delta

00:56:21.060 Machines

00:56:21.500 Okay

00:56:21.780 Yeah

00:56:23.080 I'll

00:56:23.480 Have

00:56:23.640 To

00:56:23.820 Send

00:56:24.220 It

00:56:24.340 To

00:56:24.500 But

00:56:24.820 Yeah

00:56:25.180 I

00:56:25.500 Think

00:56:25.820 That

00:56:26.160 That

00:56:27.740 Makes

00:56:28.040 Sense

00:56:28.320 I

00:56:28.420 Mean

00:56:28.540 It's

00:56:28.760 Kind

00:56:29.000 Of

00:56:29.080 Like

00:56:29.220 Soul

00:56:29.580 With

00:56:29.840 Me

00:56:30.160 On

00:56:30.520 Memento

00:56:31.000 Mori

00:56:31.440 It's

00:56:31.800 Got

00:56:31.900 The

00:56:32.040 Same

00:56:32.280 Kind

00:56:32.560 Of

00:56:33.240 Power

00:56:34.180 Ballad

00:56:34.940 Very

00:56:35.400 I

00:56:36.400 Don't

00:56:36.520 Know

00:56:36.740 Like

00:56:37.060 Maybe

00:56:37.800 Anthemics

00:56:38.320 The

00:56:38.460 Word

00:56:38.620 There's

00:56:38.900 Something

00:56:39.100 Bold

00:56:39.660 About

00:56:40.020 It

00:56:40.660 Definitely

00:56:41.240 Yeah

00:56:41.880 Triumphant

00:56:42.920 With

00:56:43.120 The

00:56:43.220 Strings

00:56:43.860 I

00:56:44.160 Think

00:56:44.380 Yeah

00:56:44.620 Yes

00:56:44.920 Particularly

00:56:45.420 The

00:56:45.660 Arrangement

00:56:46.100 That

00:56:46.260 Really

00:56:46.500 Changes

00:56:46.960 It

00:56:47.240 But

00:56:49.140 Yeah

00:56:49.580 It

00:56:50.960 Is 0.88

00:56:51.140 A

00:56:51.280 Great

00:56:51.740 Song

00:56:52.100 It

00:56:52.200 Is 0.88

00:56:52.400 It's

00:56:53.000 Like

00:56:53.320 One

00:56:54.240 Of

00:56:54.440 My

00:56:54.840 Favorites

00:56:55.880 Of

00:56:56.120 All

00:56:56.520 Time

00:56:56.860 For

00:56:57.140 Sure

00:56:57.540 To

00:56:58.340 Me

00:56:58.480 It's

00:56:58.720 Flawless

00:56:59.400 Yeah

00:57:14.920 It's

00:57:29.880 It's

00:57:29.920 No

00:57:30.080 Good

00:57:30.420 Is 0.88

00:57:30.600 The

00:57:30.700 Next

00:57:30.900 Song

00:57:31.300 Now

00:57:31.880 This

00:57:32.220 Is 0.88

00:57:32.380 The

00:57:32.540 One

00:57:32.860 Where

00:57:33.260 It

00:57:34.100 Captures

00:57:34.740 The

00:57:34.900 Whole

00:57:35.040 Mood

00:57:35.360 Of

00:57:35.480 The

00:57:35.600 Album

00:57:35.980 It's

00:57:36.880 No

00:57:37.080 Good

00:57:37.440 I

00:57:38.140 Think

00:57:38.480 This

00:57:38.660 One

00:57:39.160 Might

00:57:40.560 Actually

00:57:40.900 Not

00:57:41.260 Be

00:57:41.480 About

00:57:41.740 Drug

00:57:42.040 Use

00:57:42.300 And

00:57:42.520 Despair

00:57:43.060 I

00:57:43.640 Think

00:57:44.000 It

00:57:44.120 Is 0.88

00:57:44.260 A

00:57:44.400 Relationship

00:57:45.160 Song

00:57:45.660 And

00:57:46.260 At

00:57:46.680 Least

00:57:46.900 How

00:57:47.080 It

00:57:47.240 Resonated

00:57:47.900 For

00:57:48.300 Me

00:57:48.720 Was

00:57:49.460 The

00:57:50.860 You

00:57:52.340 Know

00:57:52.560 The

00:57:52.940 Relationship

00:57:53.540 That

00:57:53.700 Doesn't

00:57:53.940 Go

00:57:54.180 Anywhere

00:57:54.700 But

00:57:55.740 Then

00:57:56.220 You

00:57:57.340 Each

00:57:57.560 Say

00:57:58.020 I

00:57:58.540 Love

00:57:58.800 You

00:57:59.080 And

00:57:59.280 So

00:57:59.440 On

00:57:59.580 But

00:57:59.760 It's

00:57:59.960 Don't

00:58:00.500 Say

00:58:00.760 You

00:58:00.940 Need

00:58:02.220 Me

00:58:02.400 Don't

00:58:02.620 Say

00:58:02.760 You

00:58:02.880 Love

00:58:03.060 Me

00:58:03.180 It's

00:58:03.340 Understood

00:58:03.800 Don't

00:58:04.800 Say

00:58:04.980 You're

00:58:05.140 Happy

00:58:05.460 Out

00:58:05.700 There

00:58:05.860 Without

00:58:06.100 Me

00:58:06.440 I

00:58:06.840 Know

00:58:07.020 You

00:58:07.200 Can't

00:58:07.620 Be

00:58:07.780 So

00:58:07.980 There's

00:58:08.180 A

00:58:08.300 Bit

00:58:09.540 Of

00:58:09.920 Narcissism

00:58:12.280 I guess

00:58:12.700 In

00:58:12.900 There

00:58:13.120 As

00:58:13.360 Well

00:58:13.560 You

00:58:13.760 Can't

00:58:14.060 Be

00:58:14.200 Happy

00:58:14.480 Out

00:58:15.480 There

00:58:15.640 Without

00:58:15.820 Me

00:58:16.060 Because

00:58:16.340 It's

00:58:16.660 No

00:58:16.840 Good

00:58:17.220 But

00:58:17.780 I

00:58:18.040 Do

00:58:18.420 Think

00:58:18.760 That

00:58:19.060 It's

00:58:19.700 A

00:58:19.820 Cool

00:58:20.160 Song

00:58:20.660 I

00:58:20.840 Like

00:58:21.020 The

00:58:21.180 Baseline

00:58:21.900 It's

00:58:22.940 A

00:58:23.160 Driving

00:58:23.700 Baseline

00:58:24.240 I'm

00:58:24.720 Not

00:58:24.840 Sure

00:58:24.960 If

00:58:25.080 This

00:58:25.220 Could

00:58:25.420 Go

00:58:25.680 On

00:58:25.860 Any

00:58:26.120 Other

00:58:26.340 Album

00:58:26.660 Actually

00:58:27.060 Because

00:58:27.280 It

00:58:27.400 Really

00:58:27.780 Sounds

00:58:28.180 Like

00:58:28.360 Ultra

00:58:28.660 Up

00:58:58.660 I have all the time in the world to make you mine

00:59:08.960 It is written in the stars above

00:59:16.380 To God's decree

00:59:18.720 You'll be right here by my side

00:59:26.140 Right next to me

00:59:28.180 You can run, but you cannot hide

00:59:35.820 Don't say you want me

00:59:38.340 Don't say you need me

00:59:40.780 Don't say you love me

00:59:43.380 It's understood

00:59:45.820 Don't say you're happy

00:59:47.900 Out there without me

00:59:50.380 I know you can't be

00:59:52.880 Cause it's no good

00:59:56.400 It definitely is more upbeat and danceable and singable and et cetera

01:00:06.380 But that's, it's just again kind of fascinating that he's singing about this

01:00:15.720 It's not somebody or anything else

01:00:19.320 It's a very different mentality

01:00:22.300 It's not even caring in a way

01:00:27.320 Like knowing someone loves you, but in a way not caring

01:00:31.000 And just saying, well, this goes nowhere

01:00:33.480 It's no good

01:00:34.180 Yeah, I basically have like the same understanding

01:00:40.520 It's a decent song to karaoke too as well

01:00:43.660 But yeah, I mean the

01:00:48.000 I don't know

01:00:49.660 It's probably the most lighthearted on the album

01:00:53.280 Like especially if you watch like the music video for it

01:00:57.440 And like they're this, in the music video

01:01:00.740 They're dressed up as like these kind of like disco junkies

01:01:05.800 Or something like that

01:01:06.640 And they're performing to some bar crowd

01:01:11.620 You know, just a few people in the club

01:01:14.160 And it's all kind of haphazard

01:01:16.660 But yeah, it's almost a way for them to like relax a little bit on the album

01:01:22.840 Yeah, make fun of themselves a little bit

01:01:26.920 Yeah 0.99

01:01:27.280 And then again, useless

01:01:30.460 I think this is a heartfelt plea from Martin to Dave 0.99

01:01:36.940 All my useless advice, all my hanging around 0.88

01:01:39.760 All your cutting down to size 0.99

01:01:41.980 All my bringing you down 1.00

01:01:43.500 All your stupid ideals 1.00

01:01:46.120 You've got your head in the clouds 1.00

01:01:47.800 You should see how it feels with your feet on the ground

01:01:50.940 You know, here I stand

01:01:53.340 The accused with your fist in my face

01:01:55.580 Feeling tired and bruised with the bitterest taste

01:01:58.700 Just kind of

01:02:01.320 Once again, this like

01:02:04.280 Sort of despairing, vindictive

01:02:08.740 Look at Dave

01:02:20.940 Well, it's about time

01:02:41.020 It's beginning to hurt

01:02:51.660 Time you made up your mind

01:03:01.660 Just what is it all

01:03:10.420 Just what is it all 0.91

01:03:10.700 All my useless advice 0.97

01:03:17.980 All my hanging around 0.99

01:03:23.980 All your cutting down to size

01:03:29.260 All my bringing you down

01:03:36.780 The emotion of this song is almost like

01:03:52.360 Well, yeah, you can go fall off a cliff if you want to

01:03:56.720 That's where you're headed

01:03:57.780 You know, like him writing these songs

01:04:03.160 And making these songs basically for Dave

01:04:05.880 Or kind of like taking this very negative and dark inspiration from Dave

01:04:12.180 It reminds me of like Paul McCartney wrote

01:04:15.140 When he was with the Beatles

01:04:16.460 He wrote Hey Jude and Penny Lane

01:04:18.620 And those were both songs inspired from John

01:04:22.080 I mean, Hey Jude is basically like

01:04:24.120 About Julian Lennon

01:04:26.520 And about his parents getting divorced 0.79

01:04:29.800 And about how his life's basically going to suck

01:04:32.240 But I think that's like the same kind of relationship

01:04:36.160 That Martin and Dave have

01:04:37.500 Is like Dave being like the front man

01:04:43.740 And in some ways like the more daring 0.94

01:04:48.360 Or the fuck up or whatever you want to say 0.98

01:04:50.860 The addict, the mess 0.99

01:04:53.280 But like Martin kind of using that as inspiration

01:04:56.740 Because, you know, he's not that messed up

01:05:01.100 Or he's got his own demons

01:05:02.560 But he's not actually as bad as Dave

01:05:05.160 Who almost can't articulate these things

01:05:07.140 Yeah

01:05:08.040 For himself

01:05:09.040 Yeah

01:05:11.980 Sister of night

01:05:34.900 In your saddest dress

01:05:40.240 As you walk through the lights

01:05:45.760 You're desperate to impress

01:05:51.400 So you slide to the floor

01:05:55.660 Feeling insecure

01:06:00.240 Sister of night

01:06:04.620 Sister of night

01:06:06.680 With the loneliest eyes

01:06:12.200 Tell yourself it's alright

01:06:16.660 You'll make such a perfect price

01:06:23.340 But the cold light of day

01:06:27.720 We'll give the game away

01:06:32.100 We'll give the game away

01:06:32.240 Oh sister

01:06:36.840 Come for me

01:06:39.980 Embrace me

01:06:42.720 Assure me

01:06:45.360 Hey sister

01:06:46.520 Hey sister

01:06:47.520 I feel it too

01:06:50.880 Sweet sister

01:06:58.300 Just feel me

01:07:01.400 I'm trembling

01:07:03.560 You heal me

01:07:06.800 Hey sister

01:07:07.960 Hey sister

01:07:08.960 I feel it too

01:07:13.240 Sister of night

01:07:31.340 I'm trembling

01:08:00.460 You heal me

01:08:01.380 Now again

01:08:02.480 There are some quotes

01:08:05.100 That I found of Dave saying

01:08:07.680 Like I don't want to die

01:08:09.140 I don't want to be even a junkie

01:08:10.960 I don't want to be Kurt Cobain

01:08:12.240 I want to keep going

01:08:14.000 I want to make another album

01:08:15.380 After all

01:08:15.820 They did make it

01:08:16.720 I mean

01:08:16.960 This extended time in the studio

01:08:19.440 But they got it done

01:08:20.840 At the end of the day

01:08:21.440 So there has to be some drive

01:08:22.620 So you could kind of think of it that way

01:08:24.940 But I don't

01:08:25.860 The eternal flame

01:08:27.320 I

01:08:27.580 Again

01:08:28.420 I don't think it's an eternal flame

01:08:29.940 In that sense

01:08:30.800 I think it's

01:08:31.860 You know

01:08:32.720 It's

01:08:33.000 It's 10pm

01:08:34.180 And night has fallen

01:08:35.760 And LA

01:08:36.680 And

01:08:37.440 You're desiring heroin

01:08:40.340 And

01:08:42.540 You're

01:08:43.360 You have this hunger

01:08:44.760 And pain

01:08:46.200 And

01:08:47.200 This sweet sister

01:08:49.020 You know

01:08:49.560 Descends and heals you

01:08:51.060 With

01:08:52.360 You know

01:08:53.020 A hair of the dog

01:08:53.800 Dog that bit you

01:08:54.780 I mean

01:08:55.020 It

01:08:55.220 I

01:08:55.940 I think

01:08:56.440 Once again

01:08:57.580 It is

01:08:58.420 A song about the experience

01:09:01.060 Of being a junkie

01:09:02.280 Yeah

01:09:04.240 And

01:09:04.800 I think

01:09:05.520 Actually

01:09:06.020 This is probably

01:09:06.700 The best vocal performance

01:09:08.260 From Dave

01:09:10.120 On the album

01:09:10.880 It's

01:09:12.020 And

01:09:12.580 What's funny is that

01:09:13.840 He says

01:09:14.800 The only vocal

01:09:16.120 On Ultra

01:09:16.740 That I recorded

01:09:17.440 At Electric Lady Studios

01:09:18.960 The only vocal

01:09:19.820 I performed high

01:09:20.960 Was Sister of Night

01:09:22.080 I can hear

01:09:22.980 How scared I was

01:09:24.040 I'm glad

01:09:24.760 It's there

01:09:25.160 To remind me

01:09:25.900 I could see

01:09:26.660 The pain

01:09:27.120 I was causing

01:09:27.740 Everybody

01:09:28.220 I mean

01:09:30.060 There

01:09:31.000 Yeah

01:09:31.600 And your body's

01:09:32.340 A fire

01:09:32.760 And inferno

01:09:33.400 That never ends

01:09:34.240 I mean

01:09:34.520 From what I understand

01:09:35.960 That's basically

01:09:36.720 How it feels

01:09:37.340 To be on heroin

01:09:38.100 Is like

01:09:38.640 That

01:09:39.040 Warm

01:09:40.200 Kind of burning

01:09:41.320 Feeling

01:09:41.760 In your body

01:09:42.920 Like totally

01:09:43.720 So

01:09:45.120 I think

01:09:46.400 Yeah

01:09:47.360 It's a

01:09:47.920 It's definitely

01:09:49.120 One of their best songs

01:09:50.180 It's totally

01:09:51.120 Underrated

01:09:51.820 And

01:09:52.480 Yeah

01:09:53.940 He embodies it

01:09:54.860 I mean

01:09:55.280 He's

01:09:56.320 How perfect

01:09:57.500 Could it be

01:09:58.100 He's literally

01:09:59.360 On heroin

01:10:00.300 Singing about

01:10:01.520 The experience

01:10:02.300 Of

01:10:02.860 Heroin

01:10:03.860 Being controlled

01:10:06.440 By it

01:10:06.860 Yeah

01:10:07.920 Um

01:10:09.700 Free State's

01:10:11.280 Another interesting one

01:10:12.440 Because you

01:10:12.900 You see them

01:10:14.160 Going into the mode

01:10:16.280 Of

01:10:16.540 I guess I called it

01:10:17.940 Like Americana 0.50

01:10:18.860 There's a little bit

01:10:19.820 Of country music

01:10:20.680 In there

01:10:21.080 There's a little bit

01:10:21.660 Of blues

01:10:22.360 I can taste

01:10:31.520 The tears

01:10:32.680 Falling

01:10:34.060 The bitterness

01:10:36.260 Inside you

01:10:37.840 Calling

01:10:38.960 The yearning

01:10:41.280 For liberation

01:10:43.860 Emotional

01:10:46.440 Emancipation

01:10:49.200 Let yourself go

01:10:53.760 Let yourself go

01:10:56.760 Let your senses overflow

01:11:06.140 Step out of your cage

01:11:13.880 And onto the stage

01:11:18.240 It's time to start

01:11:23.960 Playing your part

01:11:28.220 Freedom awaits

01:11:34.180 Open the gates

01:11:38.620 Open your mind

01:11:44.260 Freedom's a stance

01:11:48.720 Freedom's a stance

01:11:48.780 This was recorded

01:12:08.460 At Abbey Road

01:12:09.320 But also recorded

01:12:10.120 In New York City

01:12:10.920 At some point

01:12:11.580 But this is when

01:12:14.100 Dave is spending

01:12:14.980 Time in LA

01:12:16.020 He's really

01:12:17.040 Seeing all that

01:12:18.260 America has to offer

01:12:19.480 You have that

01:12:20.680 Kind of move

01:12:21.920 In towards

01:12:22.400 An American mode

01:12:23.940 You know

01:12:24.180 You see that

01:12:24.940 With the Elvis

01:12:25.540 And Music for the Masses

01:12:26.900 Or Personal Jesus

01:12:27.700 But then this is

01:12:29.080 Like a direct

01:12:30.000 Going in slide guitar

01:12:31.400 And

01:12:31.780 And

01:12:32.720 And things like that

01:12:33.800 Um

01:12:34.320 I

01:12:36.420 I don't know

01:12:37.040 I mean

01:12:37.240 I

01:12:37.580 I don't want to

01:12:38.260 Force reading

01:12:39.060 That every song

01:12:40.000 Here is about Dave

01:12:40.780 But

01:12:41.560 It

01:12:42.360 Um

01:12:43.200 You could imagine

01:12:44.100 The song is also

01:12:45.120 About Dave

01:12:45.720 You

01:12:45.940 You

01:12:46.460 You also get

01:12:47.140 This Martin Gore

01:12:48.040 This

01:12:49.800 This kind of

01:12:51.000 Version of Martin Gore

01:12:51.880 That will come up

01:12:52.700 In its cider

01:12:53.300 Of like

01:12:53.660 Free love

01:12:54.500 Or like

01:12:54.940 You know

01:12:55.900 Just

01:12:56.160 You go on stage

01:12:57.440 And you reach

01:12:58.040 This state of mind

01:12:59.160 Of pure freedom

01:13:00.040 And here we are

01:13:00.860 I think he's

01:13:02.520 Kind of headed

01:13:03.040 In that direction

01:13:04.080 With free state

01:13:06.180 Um

01:13:07.200 I can hear

01:13:08.240 But you could

01:13:09.020 Think of it

01:13:09.480 As about Dave

01:13:10.180 I can hear

01:13:10.620 Your soul crying

01:13:11.480 Listen to your

01:13:12.680 Spirit sighing

01:13:13.740 I can feel

01:13:14.320 Your desperation

01:13:15.240 Emotional

01:13:15.820 Deprivation

01:13:17.140 Let yourself go

01:13:18.180 Let yourself go

01:13:19.120 Let your feelings show

01:13:21.020 And then

01:13:22.440 Step out of your cage

01:13:23.840 And onto the stage

01:13:24.800 It's time to start

01:13:25.620 Playing your part

01:13:26.580 Freedom awaits

01:13:28.000 Open the gates

01:13:29.000 Open your mind

01:13:30.180 Freedom's a state

01:13:31.360 Freedom's a state

01:13:33.800 And that state

01:13:34.740 Is New Hampshire

01:13:35.520 Uh

01:13:36.640 But

01:13:36.920 You could

01:13:37.720 Kind of see him

01:13:38.880 Like

01:13:39.940 Imagining

01:13:40.720 Dave

01:13:42.100 You know

01:13:43.140 Being in despair

01:13:44.560 And then

01:13:45.600 Because look

01:13:47.320 He was

01:13:47.740 On heroin

01:13:48.800 Throughout

01:13:49.480 The

01:13:51.320 Devotional tour

01:13:52.960 So I mean

01:13:53.400 This is not

01:13:53.920 Something new

01:13:54.820 Just when they were

01:13:55.460 Recording this album

01:13:56.240 And he could

01:13:56.740 Martin could see

01:13:57.780 This happening

01:13:58.400 And

01:13:59.740 You go on

01:14:01.340 To the stage

01:14:02.180 And you're free

01:14:03.140 I mean

01:14:03.380 That was

01:14:03.780 With that

01:14:04.300 Journalist

01:14:04.840 Who was

01:14:05.040 Bidden by

01:14:05.680 Dave

01:14:06.420 Gohan said

01:14:07.140 Is that

01:14:07.500 This guy 0.98

01:14:08.100 Was a madman 0.99

01:14:09.200 Like 0.95

01:14:09.960 Just

01:14:10.240 Should be

01:14:11.700 Um

01:14:12.200 Committed

01:14:12.760 And

01:14:13.960 Yet

01:14:15.020 An hour later

01:14:16.160 He would go on stage

01:14:17.140 And would

01:14:17.560 Play his part

01:14:18.600 And be a

01:14:18.960 Professional

01:14:19.460 Performer

01:14:20.300 And

01:14:21.220 I think

01:14:21.960 You know

01:14:22.440 Again

01:14:22.720 This could be

01:14:23.700 About a number

01:14:24.260 Of different things

01:14:24.980 But I

01:14:25.360 It resonates

01:14:26.820 For me

01:14:27.520 Is about

01:14:28.160 Dave

01:14:28.800 As kind of

01:14:29.320 Escaping that

01:14:30.300 Pain

01:14:30.660 And being

01:14:31.420 A

01:14:31.740 You know

01:14:32.680 Angel

01:14:33.180 On stage

01:14:34.420 Yeah

01:14:36.480 Uh

01:14:37.200 I

01:14:37.420 You know

01:14:38.160 I didn't really

01:14:38.880 Care for this song

01:14:40.020 That much

01:14:40.380 It was okay

01:14:41.060 To me

01:14:41.500 But

01:14:41.800 Um

01:14:42.880 I just

01:14:44.340 Kind of got

01:14:44.940 The understanding

01:14:45.980 That

01:14:46.380 You know

01:14:47.040 There's like

01:14:47.480 Freedom

01:14:48.200 In sobriety

01:14:49.460 Or something

01:14:49.980 That's

01:14:50.480 About all

01:14:51.580 I could

01:14:51.920 Really

01:14:52.340 You know

01:14:52.840 Gather

01:14:53.320 From it

01:14:53.860 Um

01:14:54.340 It's okay

01:14:55.340 It's definitely

01:14:55.860 Kind of

01:14:56.380 Um

01:14:56.920 Hip hoppy

01:14:57.860 Still

01:14:58.280 There's definitely

01:14:59.300 This is probably

01:15:00.120 Their most

01:15:00.700 Hip hop

01:15:01.560 Album

01:15:02.220 I would say

01:15:02.900 Actually

01:15:03.340 Just

01:15:03.840 Uh

01:15:05.080 In total

01:15:05.640 Most like

01:15:06.400 Jazz influenced

01:15:07.740 Uh

01:15:08.200 As well

01:15:08.600 Especially when

01:15:09.160 You get to

01:15:09.720 Uh

01:15:10.100 Like bottom line

01:15:11.320 With the bass

01:15:12.620 With the upright

01:15:13.720 Bass

01:15:14.240 And those

01:15:14.760 Like jazz vibes

01:15:15.940 Like

01:15:16.600 The xylophone

01:15:17.880 Or whatever

01:15:18.360 Yeah

01:15:18.840 It's a

01:15:19.500 It's a much

01:15:21.160 More interesting

01:15:21.680 Track

01:15:22.320 I think

01:15:22.920 Like a cat

01:15:38.740 Dragged in

01:15:39.480 From the rain

01:15:40.740 Who goes

01:15:41.800 Straight back

01:15:42.800 Out

01:15:43.240 To do it

01:15:44.240 All over

01:15:45.080 Again

01:15:45.920 I'll be back

01:15:48.540 For more

01:15:49.740 It's something

01:15:53.000 That is out

01:15:53.920 Of our hands

01:15:55.380 Something

01:15:56.580 We will

01:15:57.780 Never

01:15:58.460 Understand

01:15:59.740 It's a

01:16:02.540 Hidden

01:16:03.020 Lord

01:16:04.920 The apple

01:16:06.580 Falls

01:16:08.800 Destiny

01:16:10.240 Goes

01:16:11.860 I follow

01:16:14.260 You

01:16:15.700 Like a

01:16:21.260 Pawn

01:16:21.600 On the

01:16:21.980 Eternal

01:16:22.760 Board

01:16:23.900 It's got

01:16:25.560 These

01:16:25.880 Like very

01:16:27.400 Minimal drums

01:16:28.460 Like they're

01:16:29.200 Kind of

01:16:29.800 Separate from 0.98

01:16:31.520 Each other

01:16:31.960 Like the

01:16:32.600 Snare

01:16:33.320 Feels like

01:16:34.460 Distinct from

01:16:35.320 The kick

01:16:35.760 It doesn't feel

01:16:36.420 Like it's just

01:16:37.500 Played with

01:16:38.400 On an actual

01:16:39.820 Kit

01:16:40.240 Necessarily

01:16:41.000 All at

01:16:42.340 All at once

01:16:42.600 All at once

01:16:42.620 Is what I'm

01:16:43.000 Trying to say

01:16:43.440 And

01:16:44.260 Yeah I mean

01:16:45.760 The Martin

01:16:46.560 Gore's voice

01:16:47.500 On it

01:16:47.960 Sounds

01:16:48.340 Excellent

01:16:49.460 And

01:16:50.100 Yeah it's a

01:16:52.020 It's a good

01:16:52.520 Song

01:16:52.900 And about

01:16:54.480 The lyrics

01:16:54.980 Though of

01:16:55.520 The bottom

01:16:56.980 Bottom line

01:16:57.320 I don't know

01:16:58.260 About like

01:16:59.280 Being like

01:16:59.740 Hopelessly

01:17:00.240 Addicted to

01:17:00.800 Something

01:17:01.240 Yeah

01:17:01.900 I'm dying

01:17:03.500 To with the

01:17:04.360 Double

01:17:04.580 Entendre

01:17:05.240 Like I'm dying

01:17:05.880 To fall in

01:17:06.360 Love or

01:17:06.680 Dying to

01:17:07.240 Do heroin

01:17:07.920 Or

01:17:08.260 And I'm

01:17:09.320 Might be

01:17:10.020 Also dying

01:17:10.940 From

01:17:11.420 Heroin

01:17:13.380 You know

01:17:13.860 I mean

01:17:14.100 Yeah I mean

01:17:14.920 Every song

01:17:16.140 Is about

01:17:16.560 Being a junkie

01:17:17.300 I mean

01:17:17.620 It's

01:17:18.100 Like a cat

01:17:19.220 Dragged in

01:17:19.680 From the

01:17:20.040 Rain

01:17:20.380 Who goes

01:17:21.400 Straight back

01:17:22.240 Out to do

01:17:23.020 It all over

01:17:23.540 Again

01:17:23.920 I'll be

01:17:24.400 Back for

01:17:24.900 More

01:17:25.180 Yeah I mean

01:17:25.840 It's

01:17:26.220 This is what

01:17:27.840 It's about

01:17:28.300 It was really

01:17:29.500 Well written

01:17:30.120 Like a pawn

01:17:31.000 On the

01:17:31.660 Eternal board

01:17:32.540 Who's never

01:17:33.560 Quite sure

01:17:34.280 What he's

01:17:35.000 Moved

01:17:35.380 Towards

01:17:35.720 So it's

01:17:35.980 Like being

01:17:36.580 You know

01:17:37.920 Losing autonomy

01:17:38.780 And being

01:17:39.900 A pawn

01:17:40.220 Being moved

01:17:40.880 Somewhere

01:17:41.340 Beyond your

01:17:42.280 Intention

01:17:43.440 I mean

01:17:43.720 Yeah it's

01:17:44.820 Great writing

01:17:45.620 But again

01:17:48.180 Like a moth

01:17:48.960 On love's

01:17:49.500 Bright light

01:17:50.000 You just

01:17:50.320 Keep going

01:17:50.920 Back to

01:17:51.400 Get burned

01:17:52.000 Again

01:17:54.020 In the

01:17:54.680 Context of

01:17:55.320 The whole

01:17:55.580 Album

01:17:55.900 I don't

01:17:56.480 See it

01:17:56.840 As being

01:17:57.280 About anything

01:17:58.400 Other than

01:17:58.800 Drug use

01:17:59.220 I mean

01:17:59.500 Is it

01:18:00.760 You know

01:18:01.140 You're always

01:18:01.620 In love

01:18:02.000 With this

01:18:02.280 Girl and

01:18:02.640 You keep

01:18:02.880 Going back

01:18:03.360 Sure

01:18:03.660 Whatever

01:18:04.160 This is

01:18:06.720 This album

01:18:07.860 Is 0.88

01:18:09.040 Incredible

01:18:09.700 It's a

01:18:10.480 Document

01:18:10.940 Of

01:18:11.580 Surviving

01:18:13.260 Addiction

01:18:13.720 Yeah

01:18:15.180 Oh yeah

01:18:16.180 Definitely

01:18:16.660 What do

01:18:21.000 You think

01:18:21.300 About

01:18:21.500 Insight

01:18:22.060 Interpretation

01:18:23.740 I have

01:18:24.200 Is about

01:18:24.540 Like

01:18:24.820 Kind of

01:18:25.300 Getting

01:18:25.600 A glimpse

01:18:26.860 Into like

01:18:27.340 Gore

01:18:27.820 Or Dave's

01:18:29.240 Like psyche

01:18:30.860 And kind of

01:18:32.000 Like overcoming

01:18:32.920 Whatever his

01:18:34.640 Trials and

01:18:35.080 Tribulations

01:18:35.600 Were

01:18:36.180 In 1997

01:18:38.100 In 1990

01:18:38.940 You know

01:18:39.460 When he's

01:18:40.000 In court

01:18:42.040 And stuff

01:18:42.740 And on

01:18:43.560 Probation

01:18:44.020 I believe

01:18:44.560 He almost

01:18:44.920 Got kicked

01:18:45.280 Out of

01:18:45.520 The country

01:18:45.960 Yeah

01:18:47.040 As well

01:18:47.800 Yeah

01:18:48.260 So

01:18:48.780 You can get 0.73

01:18:49.820 Kicked out 0.97

01:18:50.280 Of America 0.61

01:18:51.060 For a 0.99

01:18:51.580 Depraved

01:18:52.220 Crime

01:18:52.660 And

01:18:54.000 So you

01:18:56.580 Know

01:18:56.760 They're not

01:18:57.220 Going to

01:18:57.440 Kick you 1.00

01:18:57.900 Out for

01:18:58.440 Not getting

01:19:00.960 Your car

01:19:01.360 Registered

01:19:02.000 But you

01:19:03.260 Know

01:19:03.420 Heroin

01:19:04.220 Overtoes

01:19:04.960 I think

01:19:05.320 Might kind

01:19:05.880 Of

01:19:06.020 Hit the

01:19:06.480 Bill

01:19:06.700 I mean

01:19:07.020 I

01:19:07.320 I assume

01:19:08.180 He's

01:19:08.520 Is Dave

01:19:09.120 Gone a

01:19:09.520 Citizen of

01:19:10.040 The United

01:19:10.280 States

01:19:10.540 I don't

01:19:11.740 I assume

01:19:12.280 He just

01:19:12.520 Has a

01:19:12.780 Green card

01:19:13.260 Or something

01:19:13.600 Maybe he's

01:19:13.980 Just on a

01:19:14.360 Tourist visa

01:19:14.940 Who knows

01:19:15.440 What he's

01:19:15.780 Doing

01:19:16.060 He lives

01:19:17.200 In New

01:19:17.700 York City

01:19:18.140 Now and

01:19:18.560 I know

01:19:18.800 Martin

01:19:19.120 Lives in

01:19:19.460 California

01:19:19.920 I would

01:19:20.340 Figure by

01:19:20.800 Now

01:19:21.200 They would

01:19:21.920 Have

01:19:22.040 Citizenship

01:19:22.720 Become

01:19:23.140 Citizens

01:19:23.640 Yeah

01:19:23.940 20

01:19:24.780 Some years

01:19:25.500 You know

01:19:25.960 Yeah

01:19:26.960 I mean

01:19:27.940 This I

01:19:28.600 Think is

01:19:28.940 A more

01:19:29.180 Positive

01:19:29.700 Version

01:19:30.100 Of a

01:19:30.380 Fire

01:19:30.720 I'm

01:19:31.300 Talking to

01:19:31.680 You

01:19:31.800 Now

01:19:34.960 Whatever

01:19:36.160 You do

01:19:36.580 Now

01:19:36.940 You've

01:19:37.440 Got to

01:19:37.760 Give

01:19:37.960 Love

01:19:38.360 The world

01:19:38.780 Still

01:19:39.040 Turns

01:19:39.440 I'm

01:19:39.760 Talking

01:19:40.060 To

01:19:40.260 You

01:19:40.440 Now

01:19:40.680 I

01:19:41.420 I

01:19:41.740 Think

01:19:42.680 Again

01:19:43.180 This is

01:19:43.700 About

01:19:44.080 Martin

01:19:44.840 Kind of

01:19:45.220 Intervening

01:19:46.180 And Dave

01:19:46.940 And saying

01:19:48.120 Let's

01:19:48.400 Keep

01:19:48.620 Going

01:20:04.960 This is

01:20:06.300 This is

01:20:08.400 A strange

01:20:09.840 Life

01:20:11.180 I'm

01:20:13.960 Taking

01:20:14.780 My

01:20:19.400 True

01:20:20.340 Will

01:20:22.080 Carries

01:20:24.500 Me

01:20:25.440 Long

01:20:27.080 This is

01:20:30.940 A

01:20:31.300 Soil

01:20:32.340 This is

01:20:44.260 The first

01:20:45.640 To put

01:20:48.140 Things

01:20:48.840 Right

01:20:51.140 Moving

01:20:53.640 On

01:20:56.680 Guided

01:20:58.260 By

01:20:59.320 The

01:20:59.660 Light

01:21:01.220 And

01:21:03.220 The

01:21:03.400 Spirit

01:21:03.860 Of

01:21:04.480 Love

01:21:05.160 Is 0.88

01:21:06.100 Rising

01:21:06.680 Within

01:21:07.360 Me

01:21:08.360 Talking

01:21:09.420 To

01:21:09.920 You

01:21:10.480 Now

01:21:11.280 Telling

01:21:12.560 You

01:21:12.840 Clearly

01:21:13.700 The

01:21:14.680 Fire

01:21:15.120 Still

01:21:15.920 Burst

01:21:18.100 You

01:21:26.080 Can

01:21:26.240 Go

01:21:26.440 Back

01:21:26.880 To

01:21:27.480 The

01:21:28.200 80s

01:21:28.960 With

01:21:29.480 A

01:21:30.660 Broken

01:21:30.980 Frame

01:21:31.540 I mean

01:21:31.900 What

01:21:32.140 Was

01:21:32.500 That

01:21:32.660 Song

01:21:33.060 That

01:21:33.220 Was

01:21:33.320 At

01:21:34.260 Least

01:21:34.500 Interpreted

01:21:35.300 To

01:21:35.540 Be

01:21:35.700 About

01:21:36.060 Vince

01:21:36.820 Clark

01:21:37.260 Leaving

01:21:38.000 Leave

01:21:38.880 In

01:21:39.060 Silence

01:21:39.440 Is 0.88

01:21:39.740 The

01:21:39.860 First

01:21:40.080 Song

01:21:40.400 I

01:21:41.340 Think

01:21:42.080 Martin

01:21:43.040 Said

01:21:43.460 That

01:21:43.620 This

01:21:43.780 Wasn't

01:21:44.260 About

01:21:44.500 Vince

01:21:44.760 But

01:21:44.940 Who

01:21:45.160 Knows

01:21:45.420 I

01:21:45.600 Don't

01:21:45.780 Trust

01:21:46.120 Any

01:21:46.360 Artist

01:21:46.680 Who

01:21:46.920 Describes

01:21:47.520 What

01:21:48.200 His

01:21:48.360 Song

01:21:48.620 Is 0.88

01:21:48.780 Actually

01:21:49.080 About

01:21:49.520 Reached

01:21:53.440 Our

01:21:53.620 Natural

01:21:54.000 Conclusion

01:21:54.680 Outlived

01:21:55.260 The

01:21:55.460 Illusion

01:21:55.960 I

01:21:56.260 Hate

01:21:56.500 Being

01:21:56.780 In

01:21:56.920 These

01:21:57.080 Situations

01:21:57.840 That

01:21:58.080 Call

01:21:58.280 For

01:21:58.460 Diplomatic

01:21:59.040 Relations

01:21:59.700 If

01:22:00.640 Only

01:22:00.800 I

01:22:00.960 Knew

01:22:01.060 The

01:22:01.200 Answer

01:22:01.640 Thought

01:22:02.080 We

01:22:02.220 Had

01:22:02.360 To

01:22:02.480 Chance

01:22:02.940 Where

01:22:03.900 I

01:22:04.040 Could

01:22:04.180 Stop

01:22:04.520 This

01:22:04.780 I

01:22:04.900 Would

01:22:05.040 Stop

01:22:05.300 This

01:22:05.540 Thing

01:22:05.860 From

01:22:06.120 Spreading

01:22:06.560 Like

01:22:06.740 Cancer

01:22:07.140 I

01:22:07.300 Mean

01:22:07.400 It

01:22:07.600 Is 0.88

01:22:07.920 This

01:22:08.240 Sense

01:22:09.540 Of

01:22:10.140 Breakdown

01:22:11.060 I

01:22:12.060 Know

01:22:13.740 I

01:22:16.140 Told

01:22:16.380 Myself

01:22:16.820 So

01:22:17.060 Many

01:22:17.480 Times

01:22:18.140 Before

01:22:18.900 But

01:22:20.300 This

01:22:20.580 Time

01:22:20.880 I

01:22:21.080 Think

01:22:21.380 I

01:22:21.600 Mean

01:22:21.900 It

01:22:22.080 For

01:22:22.280 Sure

01:22:22.660 We

01:22:24.340 Have

01:22:24.620 Reached

01:22:25.100 A

01:22:25.340 Full

01:22:25.780 Star

01:22:26.340 Nothing's

01:22:28.120 Gonna

01:22:28.380 Save

01:22:28.880 Us

01:22:29.040 From

01:22:29.360 The

01:22:29.580 Big

01:22:30.620 Drop

01:22:31.320 Reached

01:22:32.380 A

01:22:32.600 Natural

01:22:32.940 Conclusion

01:22:34.060 Out

01:22:36.560 In

01:22:36.800 The

01:22:37.080 Illusion

01:22:37.960 I

01:22:40.060 Ain't

01:22:40.560 Been

01:22:41.040 In

01:22:41.280 These

01:22:41.540 Situations

01:22:43.080 That

01:22:44.280 Call

01:22:44.660 For

01:22:44.980 Diplomatic

01:22:45.840 Relations

01:22:47.040 If

01:22:48.280 I

01:22:48.520 Only

01:22:48.860 Knew

01:22:49.220 The

01:22:49.440 Answer

01:22:49.800 I

01:22:50.420 Thought

01:22:50.680 We

01:22:50.920 Had

01:22:51.240 A

01:22:51.360 Chance

01:22:51.740 Or

01:22:52.020 I

01:22:52.220 Could

01:22:52.380 Stop

01:22:52.740 This

01:22:53.000 I

01:22:53.220 Would

01:22:53.380 Stop

01:22:53.740 This

01:22:53.980 Thing

01:22:54.180 From

01:22:54.380 Spreading

01:22:54.940 Like

01:22:55.240 A

01:22:55.440 Cancer

01:22:56.040 You

01:23:05.060 Know

01:23:05.200 Then

01:23:05.500 At

01:23:05.660 The

01:23:05.780 End

01:23:06.040 The

01:23:06.240 Sun

01:23:06.360 Of

01:23:06.460 The

01:23:06.540 Rainfall

01:23:07.100 A

01:23:07.380 Kind

01:23:07.580 Of

01:23:07.780 Declaration

01:23:08.860 That

01:23:09.260 They're

01:23:09.380 Moving

01:23:09.640 On

01:23:10.020 And

01:23:10.280 I

01:23:10.620 Think

01:23:10.820 Insight

01:23:11.440 You

01:23:11.760 Know

01:23:11.880 It's

01:23:12.060 A

01:23:12.440 Fairly

01:23:12.980 Good

01:23:13.320 Track

01:23:14.240 I

01:23:14.780 Think

01:23:14.940 It

01:23:15.040 Is 0.88

01:23:15.160 About

01:23:15.380 That

01:23:15.700 The

01:23:16.560 Fire

01:23:16.880 Still

01:23:17.240 Burns

01:23:17.720 But

01:23:17.960 It's

01:23:18.160 Not

01:23:18.340 The

01:23:18.540 Fire

01:23:18.840 Of

01:23:19.060 Heroin

01:23:19.900 Addiction

01:23:20.300 So

01:23:22.040 What

01:23:22.900 Is 0.88

01:23:23.120 Your

01:23:23.360 Opinion

01:23:23.940 I

01:23:24.100 Mean

01:23:24.260 Where

01:23:26.320 Do

01:23:26.460 You

01:23:26.580 Think

01:23:26.900 This

01:23:27.220 Ranks

01:23:27.920 Roughly

01:23:29.280 In

01:23:30.020 The

01:23:31.320 Body

01:23:31.640 Of

01:23:31.820 Work

01:23:32.120 It's

01:23:32.360 It's

01:23:32.560 A

01:23:32.660 Pretty

01:23:32.820 Unique

01:23:33.400 Album

01:23:33.840 I

01:23:34.020 Would

01:23:34.160 Say

01:23:34.320 That

01:23:34.680 It's

01:23:37.360 A

01:23:37.420 Good

01:23:37.500 Question

01:23:37.900 Yeah

01:23:38.380 It's

01:23:38.680 Definitely

01:23:39.020 Transitional

01:23:39.880 I

01:23:41.620 Would

01:23:41.780 Say

01:23:42.100 For

01:23:42.920 Me

01:23:43.380 Somewhere

01:23:43.980 In

01:23:44.800 The

01:23:45.080 Middle 0.95

01:23:45.500 Maybe

01:23:45.820 Upper

01:23:46.320 Middle 0.95

01:23:46.860 Cause

01:23:47.700 I

01:23:48.700 Really

01:23:49.040 Enjoy

01:23:49.380 The

01:23:49.540 Production

01:23:49.840 I

01:23:50.020 Really

01:23:50.260 Enjoy

01:23:50.580 The

01:23:50.800 Songs

01:23:51.260 It's

01:23:52.620 Not

01:23:52.900 You

01:23:53.300 Know

01:23:53.420 Like

01:23:53.600 You

01:23:53.720 Said

01:23:53.860 It's

01:23:53.960 Not

01:23:54.080 A

01:23:54.220 Happy

01:23:54.460 Album

01:23:54.780 Probably

01:23:55.320 Somewhere

01:23:55.680 Around

01:23:56.180 Like

01:23:56.620 Construction

01:23:58.660 Time

01:23:59.220 Again

01:23:59.500 Or

01:23:59.720 Something

01:23:59.920 Like

01:24:00.080 That

01:24:00.260 For

01:24:00.420 Me

01:24:00.600 So

01:24:01.940 Let's

01:24:02.540 Say

01:24:02.840 Eight

01:24:04.100 Nine

01:24:04.660 Seven

01:24:05.380 Something

01:24:05.740 Like

01:24:05.880 That

01:24:06.100 Yeah

01:24:07.220 I

01:24:07.580 Mean

01:24:07.700 I

01:24:07.860 Think

01:24:08.000 I

01:24:08.160 Think

01:24:08.320 It

01:24:08.420 Is 0.88

01:24:08.580 Somewhere

01:24:08.900 Like

01:24:09.780 That

01:24:10.060 For

01:24:10.260 Me

01:24:10.560 It's

01:24:11.200 I

01:24:12.500 Think

01:24:12.920 It

01:24:13.100 You

01:24:13.660 Know

01:24:13.860 It's

01:24:14.180 It's

01:24:14.360 Kind

01:24:14.700 Of

01:24:14.860 A

01:24:15.180 B

01:24:16.040 Tier

01:24:16.460 Classic

01:24:17.040 In

01:24:17.320 A

01:24:17.420 Way

01:24:17.680 Which

01:24:20.000 Is 0.88

01:24:20.160 Surprising

01:24:20.780 Because

01:24:21.980 I

01:24:23.100 Remember

01:24:23.640 Being a

01:24:24.200 Little

01:24:24.380 Bit

01:24:24.580 Disappointed

01:24:25.160 When I

01:24:25.500 Purchased

01:24:26.000 This

01:24:26.380 And

01:24:27.100 And

01:24:28.680 Was

01:24:28.920 Listening

01:24:29.200 To

01:24:29.380 It

01:24:29.480 On CD

01:24:29.980 When I

01:24:30.360 Was

01:24:30.460 In

01:24:30.560 High

01:24:30.760 School

01:24:31.040 When it

01:24:31.380 Came

01:24:31.580 Out

01:24:31.920 And

01:24:32.080 Kind of

01:24:32.340 Feeling

01:24:32.640 That

01:24:32.840 It was

01:24:33.020 A bit

01:24:33.600 I

01:24:34.920 I

01:24:34.940 I

01:24:34.960 I

01:24:34.980 Wanted

01:24:35.740 Violator

01:24:36.340 Back

01:24:36.780 Basically

01:24:37.820 Which

01:24:38.820 You

01:24:39.040 Know

01:24:39.120 I

01:24:39.240 Probably

01:24:39.560 Played

01:24:40.400 Until

01:24:40.700 The

01:24:40.900 CD

01:24:41.220 Was

01:24:41.660 You

01:24:42.440 Know

01:24:42.600 Burned

01:24:43.160 To 0.98

01:24:43.260 A

01:24:43.420 Crisp

01:24:43.740 By

01:24:43.920 The

01:24:44.040 Laser

01:24:44.320 Or

01:24:44.500 Whatever

01:24:44.660 You

01:24:44.860 Know

01:24:45.000 I

01:24:45.520 Just

01:24:45.700 Wanted

01:24:46.240 That

01:24:46.700 I

01:24:46.920 Wanted 0.95

01:24:47.180 Black 0.64

01:24:47.480 Celebration

01:24:48.080 I

01:24:48.220 Wanted

01:24:48.480 Something

01:24:48.900 Like

01:24:49.360 That

01:24:49.720 And

01:24:50.780 This

01:24:52.040 Wasn't

01:24:52.660 Really

01:24:52.940 Giving

01:24:53.260 Giving

01:24:53.700 It

01:24:53.840 To

01:24:53.960 Me

01:24:54.080 And

01:24:54.180 It

01:24:54.460 Was

01:24:54.600 It

01:24:54.800 Was

01:24:54.980 A

01:24:55.080 Kind

01:24:55.260 Of

01:24:55.360 Little

01:24:55.560 Two

01:24:56.000 Nineties

01:24:56.680 In

01:24:57.560 A

01:24:57.660 Way

01:24:58.000 But

01:25:00.060 I

01:25:01.060 And

01:25:02.000 When I

01:25:02.340 First

01:25:02.680 Listened

01:25:02.960 I've

01:25:03.100 Listened

01:25:03.380 Again

01:25:03.580 I

01:25:03.760 Mentioned

01:25:04.340 This

01:25:04.440 I've

01:25:04.600 Listened

01:25:04.820 To

01:25:04.880 It

01:25:04.960 About

01:25:05.060 Three

01:25:05.260 Times

01:25:05.660 And

01:25:05.860 I

01:25:06.560 I

01:25:07.420 Kind

01:25:08.420 Of

01:25:08.580 Wasn't

01:25:08.960 Very

01:25:09.780 Getting

01:25:10.120 Into

01:25:10.460 It

01:25:10.680 When I

01:25:10.880 First

01:25:11.080 Listened

01:25:11.380 To

01:25:11.520 It

01:25:11.700 Then

01:25:12.280 You

01:25:12.360 Listen

01:25:12.540 To

01:25:12.640 It

01:25:12.740 Again

01:25:12.980 And

01:25:13.120 Again

01:25:13.320 You

01:25:13.520 Get

01:25:13.780 Into

01:25:14.180 It

01:25:14.500 And

01:25:14.860 This

01:25:15.380 Song

01:25:15.760 Starts

01:25:16.120 Speaking

01:25:16.480 You

01:25:16.740 Speaking

01:25:17.220 To

01:25:17.440 You

01:25:17.640 To

01:25:17.820 A

01:25:17.900 Little

01:25:18.060 More

01:25:19.060 I

01:25:19.620 Mean

01:25:19.760 It

01:25:20.020 Is 0.88

01:25:20.160 As

01:25:20.960 I

01:25:21.100 Said

01:25:21.320 It's

01:25:21.480 A

01:25:21.800 Document

01:25:22.240 Of

01:25:22.520 Addiction

01:25:22.920 I

01:25:23.140 It's

01:25:23.540 It's

01:25:23.760 Almost

01:25:23.940 Like

01:25:24.180 An

01:25:24.300 Essential

01:25:24.780 Album

01:25:25.260 To

01:25:25.440 Understand

01:25:26.040 This

01:25:26.340 Band

01:25:26.720 It

01:25:28.480 Is 0.88

01:25:28.800 An

01:25:28.920 Album

01:25:29.220 Of

01:25:29.460 Survival

01:25:30.160 And

01:25:30.340 Overcoming

01:25:30.960 You

01:25:33.160 Know

01:25:33.300 Dave

01:25:33.660 Died

01:25:34.160 And

01:25:34.320 Was

01:25:34.500 Resurrected

01:25:35.400 And

01:25:35.960 Alan

01:25:36.700 Departed

01:25:37.340 And

01:25:38.140 Fletch

01:25:39.660 Remains

01:25:40.360 The

01:25:41.420 Fletch

01:25:41.800 Abides 0.98

01:25:42.320 I

01:25:42.800 Mean

01:25:42.900 It's

01:25:43.160 Just

01:25:43.320 This

01:25:43.700 You

01:25:45.360 Know

01:25:45.580 But

01:25:46.860 He

01:25:47.080 Was

01:25:47.320 I

01:25:47.440 Mean

01:25:47.560 You

01:25:47.720 Know

01:25:47.820 Not

01:25:48.000 To

01:25:48.120 Be

01:25:48.220 Too

01:25:48.380 Rude

01:25:48.600 But

01:25:48.780 He

01:25:49.200 Was

01:25:49.380 Suffering

01:25:49.780 From

01:25:49.980 His

01:25:50.120 Own

01:25:50.300 Depression

01:25:50.760 And

01:25:51.280 He

01:25:51.400 Was

01:25:51.600 Also

01:25:52.080 I

01:25:52.920 Think

01:25:53.040 Voluntarily

01:25:53.800 Committed

01:25:54.320 In

01:25:55.440 Some

01:25:55.700 Way

01:25:56.020 And

01:25:56.620 Came

01:25:57.960 Out

01:25:58.160 Of

01:25:58.280 It

01:25:58.480 But

01:25:59.160 I

01:25:59.360 Think

01:25:59.700 It's

01:25:59.920 A

01:26:00.180 Document

01:26:00.580 Of

01:26:00.740 Drug

01:26:00.980 Use

01:26:01.360 It's

01:26:01.640 A

01:26:01.840 Band

01:26:02.860 They're

01:26:03.300 Kind

01:26:03.660 Of

01:26:03.760 Like

01:26:03.940 Looking

01:26:04.420 At

01:26:05.120 Themselves

01:26:05.860 And

01:26:06.040 Not

01:26:06.160 Really

01:26:06.380 It's

01:26:07.140 Influenced

01:26:07.600 By

01:26:07.760 90s

01:26:08.140 Music

01:26:08.440 But

01:26:08.700 It's

01:26:09.160 They're

01:26:09.580 Kind

01:26:09.780 Of

01:26:09.860 Like

01:26:10.020 Examining

01:26:10.780 The

01:26:11.500 Band

01:26:11.860 Itself

01:26:12.340 It's

01:26:12.520 About

01:26:12.980 Dave

01:26:13.520 Gohan

01:26:14.060 In

01:26:14.840 My

01:26:15.040 Reading

01:26:15.380 Every

01:26:15.720 Song

01:26:16.140 Is 0.88

01:26:16.280 About

01:26:16.600 Dave

01:26:17.140 And

01:26:17.620 So

01:26:17.960 That's

01:26:18.440 Interesting

01:26:19.060 Yeah

01:26:20.540 It's

01:26:20.840 A

01:26:20.940 More

01:26:21.140 Mature

01:26:21.580 Album

01:26:21.980 And

01:26:22.200 It's

01:26:22.420 Like

01:26:22.920 If

01:26:24.460 It

01:26:24.580 Didn't

01:26:24.780 Have

01:26:24.960 The

01:26:25.160 Songs

01:26:25.720 That

01:26:27.380 Martin

01:26:27.820 Wrote

01:26:28.160 During

01:26:28.400 This

01:26:28.580 Period

01:26:28.860 Which

01:26:29.080 Are

01:26:29.260 All

01:26:29.560 Or

01:26:30.220 At

01:26:30.540 Least

01:26:30.760 The

01:26:31.120 Vast

01:26:31.620 Majority

01:26:31.940 Of

01:26:32.020 Them

01:26:32.120 Very

01:26:32.380 Good

01:26:32.700 It

01:26:33.300 Would

01:26:33.460 Have

01:26:33.580 Turned

01:26:33.880 Out

01:26:34.140 Like

01:26:34.460 Exciter

01:26:34.920 To

01:26:35.080 Me

01:26:35.280 I

01:26:35.720 Just

01:26:36.040 Don't

01:26:36.380 I

01:26:36.520 Think

01:26:36.780 First

01:26:38.080 And

01:26:38.320 Foremost

01:26:39.000 The

01:26:39.220 Songs

01:26:39.600 Are

01:26:39.940 That

01:26:40.620 Important

01:26:41.000 I

01:26:41.300 Do

01:26:41.580 Think

01:26:41.940 The

01:26:42.100 Production

01:26:42.460 Is 0.88

01:26:42.840 Very

01:26:43.120 Good

01:26:43.620 But

01:26:44.260 I

01:26:45.920 Don't

01:26:47.960 That's

01:26:48.180 Why

01:26:48.340 I

01:26:48.620 Can't

01:26:49.180 Say

01:26:49.320 It's

01:26:49.460 Like

01:26:49.580 A

01:26:49.780 Great

01:26:50.360 Album

01:26:50.640 I

01:26:50.780 Would

01:26:50.900 Say

01:26:51.060 It's

01:26:51.220 Like

01:26:51.400 A

01:26:51.760 Very

01:26:52.080 Good

01:26:52.400 Album

01:26:52.840 Yeah

01:26:54.080 I

01:26:54.380 Don't

01:26:54.860 Yeah

01:26:55.080 I

01:26:55.480 Don't

01:26:55.660 It's

01:26:57.780 What

01:26:57.920 It is

01:26:58.140 But

01:26:58.300 Also

01:26:58.660 You

01:26:58.900 Know

01:26:59.040 With

01:26:59.460 Alan

01:26:59.760 Leaving

01:27:00.180 As

01:27:00.720 Big

01:27:00.900 Of

01:27:01.020 A

01:27:01.180 Stan

01:27:01.480 As

01:27:01.680 I

01:27:01.820 Am

01:27:02.060 For

01:27:02.540 Mr.

01:27:03.640 Wilder

01:27:04.120 I

01:27:04.380 Will

01:27:04.580 Say

01:27:04.960 Like

01:27:05.300 Him

01:27:06.140 Leaving

01:27:06.640 In

01:27:07.300 1995

01:27:08.420 Is 0.88

01:27:09.380 By

01:27:11.220 This

01:27:11.500 Point

01:27:11.760 They

01:27:12.020 Are

01:27:12.160 At

01:27:12.380 Like

01:27:12.640 Mature

01:27:13.120 Or

01:27:13.820 Going

01:27:14.180 Toward

01:27:14.540 Mature

01:27:14.900 Veteran

01:27:15.560 Status

01:27:16.360 So

01:27:17.360 That

01:27:18.120 Kind

01:27:18.540 Of

01:27:18.800 Puts

01:27:19.560 Them

01:27:19.660 At

01:27:19.780 A

01:27:19.880 Disadvantage

01:27:20.340 That's

01:27:20.500 Why

01:27:20.620 A

01:27:20.720 Lot

01:27:20.820 Of

01:27:20.920 People

01:27:21.140 Will

01:27:21.360 Say

01:27:21.620 Oh

01:27:22.380 Well

01:27:22.660 You

01:27:23.160 Know

01:27:23.240 They've

01:27:23.520 Never

01:27:23.700 Been

01:27:24.020 The

01:27:24.300 Same

01:27:24.580 Since

01:27:24.980 Alan

01:27:25.440 Left

01:27:26.180 Or

01:27:26.320 Whatever

01:27:26.580 Well

01:27:27.020 Yeah

01:27:27.640 But

01:27:27.860 What

01:27:28.340 I

01:27:28.720 Don't

01:27:28.860 Know

01:27:29.040 That

01:27:29.280 Even

01:27:29.560 If

01:27:29.700 Alan

01:27:29.920 Was

01:27:30.100 In

01:27:30.220 The

01:27:30.340 Band

01:27:30.720 That

01:27:31.220 They

01:27:31.360 Would

01:27:31.520 Still

01:27:31.800 Be

01:27:32.000 Making

01:27:32.340 Those

01:27:32.860 Classics

01:27:33.980 The

01:27:34.540 Black 0.64

01:27:35.480 Celebrations

01:27:36.300 Some

01:27:37.040 Great

01:27:37.260 Rewards

01:27:37.720 Or

01:27:37.820 Whatever

01:27:38.060 You

01:27:38.320 Know

01:27:38.400 I

01:27:38.540 Just

01:27:38.740 Think

01:27:38.960 Maybe

01:27:39.480 Even

01:27:40.220 If

01:27:45.560 There's

01:27:45.980 Nothing

01:27:46.180 You

01:27:46.360 Can

01:27:46.480 Do

01:27:46.680 To

01:27:46.920 Go

01:27:47.720 Back

01:27:47.940 And

01:27:48.060 Get

01:27:48.220 It

01:27:48.460 I'm

01:27:48.800 Not

01:27:48.940 Sure

01:27:49.160 Yeah

01:27:50.080 Well

01:27:50.880 I

01:27:51.140 Mean

01:27:51.280 This

01:27:52.080 Is 0.88

01:27:52.300 Interesting

01:27:53.720 So

01:27:54.160 When

01:27:54.580 Alan

01:27:54.940 Left

01:27:55.460 There

01:27:56.560 There

01:27:56.760 Are

01:27:56.860 Reports

01:27:57.320 That

01:27:57.560 He

01:27:57.700 Was

01:27:58.020 Invited

01:27:59.120 To

01:27:59.340 Join

01:27:59.700 The

01:27:59.880 Cure

01:28:00.320 Yes

01:28:01.700 Yeah

01:28:02.040 I

01:28:02.280 Was

01:28:02.380 Gonna

01:28:02.500 Mention

01:28:02.720 That

01:28:02.940 All

01:28:03.400 These

01:28:03.600 Kind

01:28:03.800 Of

01:28:03.920 Funny

01:28:04.160 Things

01:28:04.580 Like

01:28:04.800 That

01:28:05.000 It's

01:28:05.380 Kind

01:28:05.620 Of

01:28:05.780 And

01:28:06.260 He

01:28:06.420 Was

01:28:06.620 Basically

01:28:07.080 I

01:28:07.280 Mean

01:28:07.380 I

01:28:07.520 Think

01:28:07.680 He

01:28:07.800 Was

01:28:07.920 Kind

01:28:08.100 Of

01:28:08.160 An

01:28:08.280 Old

01:28:08.600 Soul

01:28:08.960 At

01:28:09.120 35

01:28:15.560 Another

01:28:15.900 Rock

01:28:16.240 Band

01:28:16.560 I

01:28:17.360 Wish

01:28:17.580 She

01:28:17.740 Had

01:28:17.960 I

01:28:18.080 Wish

01:28:18.220 She

01:28:18.340 Had

01:28:18.460 Stayed

01:28:18.780 With

01:28:18.880 Depeche

01:28:19.240 Mode

01:28:19.480 Or

01:28:19.680 Reconnected

01:28:20.500 Or

01:28:20.620 Something

01:28:20.920 I

01:28:21.180 I

01:28:21.700 Don't

01:28:21.980 Think

01:28:22.220 We

01:28:22.380 Would

01:28:22.500 Have

01:28:22.600 Had

01:28:22.900 The

01:28:23.080 Exciter

01:28:23.520 Album

01:28:23.960 And

01:28:25.220 No

01:28:25.660 I

01:28:26.000 Yeah

01:28:27.020 And

01:28:27.720 I

01:28:28.580 Think

01:28:28.920 He

01:28:29.100 Could

01:28:29.460 Have

01:28:29.620 Added

01:28:30.100 Something

01:28:30.500 To

01:28:31.100 It

01:28:31.320 I

01:28:31.460 Mean

01:28:31.580 It's

01:28:31.800 Very

01:28:32.040 Interesting

01:28:32.460 So

01:28:32.820 This

01:28:34.180 Is 0.88

01:28:34.400 Also

01:28:34.720 From

01:28:34.940 Stripped

01:28:35.320 And

01:28:35.440 Even

01:28:35.760 More

01:28:36.020 Bizarre

01:28:36.480 Twist

01:28:36.940 Vince

01:28:37.320 Clark

01:28:37.660 Apparently

01:28:38.140 Approached

01:28:38.820 Martin

01:28:39.260 Gore

01:28:39.560 About

01:28:39.820 Reforming

01:28:40.600 The

01:28:45.560 Quite

01:28:45.880 A

01:28:46.020 Few

01:28:46.120 Times

01:28:46.620 That

01:28:47.000 He

01:28:47.100 Wanted

01:28:47.340 To

01:28:47.460 Replace

01:28:47.880 Alan

01:28:48.640 And

01:28:49.280 Get

01:28:49.440 The

01:28:49.560 Original

01:28:50.020 Lineup

01:28:50.480 Back

01:28:50.680 Together

01:28:51.040 And

01:28:51.380 We

01:28:51.500 Laughed

01:28:51.920 About

01:28:52.140 It

01:28:52.340 For

01:28:53.380 About

01:28:53.580 The

01:28:53.740 First

01:28:53.940 15

01:28:54.400 Times

01:28:55.060 Who

01:28:55.480 Acclaimed

01:28:55.940 But

01:28:56.600 Every

01:28:56.880 Time

01:28:57.360 We

01:28:57.760 Met

01:28:58.140 He

01:28:58.320 Kept

01:28:58.620 Saying

01:28:59.080 It

01:28:59.300 And

01:28:59.440 Made

01:28:59.600 Us

01:28:59.760 Think

01:28:59.960 Maybe

01:29:00.320 He's

01:29:00.600 Serious

01:29:01.180 Then

01:29:03.840 Martin

01:29:04.500 Said

01:29:04.760 But

01:29:04.940 I

01:29:05.400 Think

01:29:05.780 Our

01:29:06.180 Respective

01:29:07.020 Music

01:29:07.320 Had

01:29:07.580 Gone

01:29:07.920 In

01:29:08.400 Such

01:29:08.600 Different

01:29:08.880 Ways

01:29:09.220 So

01:29:09.500 You

01:29:10.500 Know

01:29:10.680 Vince

01:29:11.540 Clark

01:29:11.860 Was

01:29:12.060 Much

01:29:12.340 More

01:29:12.820 Successful

01:29:15.560 In

01:29:15.960 The

01:29:16.100 First

01:29:16.420 Say

01:29:16.820 Like

01:29:17.080 Four

01:29:17.640 Years

01:29:18.280 Of

01:29:18.840 His

01:29:19.080 Leaving

01:29:19.480 So

01:29:19.860 He

01:29:20.460 Had

01:29:20.640 Yaz

01:29:21.200 Or

01:29:21.360 Yazoo

01:29:21.940 I

01:29:22.200 Forgot

01:29:22.420 Which

01:29:22.640 One

01:29:22.840 It's

01:29:23.020 Yaz

01:29:23.380 The

01:29:23.580 United

01:29:23.780 States

01:29:24.220 And

01:29:24.380 Yazoo

01:29:24.800 And

01:29:24.980 Britain

01:29:25.500 Or

01:29:25.700 Yeah

01:29:26.060 Cause

01:29:26.680 You

01:29:26.840 Can't

01:29:27.220 Have

01:29:27.500 There's

01:29:27.780 A

01:29:27.900 Punk

01:29:28.100 Band

01:29:28.320 Or

01:29:28.460 Something

01:29:28.720 With

01:29:28.960 That

01:29:29.120 Name

01:29:29.340 Yazoo

01:29:29.880 Right

01:29:30.660 So

01:29:30.880 It's

01:29:30.980 Like

01:29:31.120 Copyright

01:29:31.700 Or

01:29:31.980 Trademark

01:29:32.500 Or

01:29:32.660 Whatever

01:29:32.880 Regiment

01:29:33.500 And

01:29:34.660 And

01:29:34.680 And

01:29:35.280 Then

01:29:35.400 Erasure

01:29:35.860 Was

01:29:36.780 You

01:29:37.380 Know

01:29:37.500 Again

01:29:37.760 It's

01:29:37.920 A

01:29:37.980 Very

01:29:38.140 80s

01:29:38.620 Band

01:29:38.940 But

01:29:39.180 They

01:29:39.820 Really

01:29:40.100 Kind

01:29:40.360 Of

01:29:40.460 Collapsed

01:29:41.040 I

01:29:41.120 Mean

01:29:41.240 They

01:29:41.540 You

01:29:42.740 Know

01:29:42.840 The

01:29:43.060 Innocence

01:29:43.620 Album

01:29:44.080 I

01:29:44.420 Think

01:29:44.620 Is 0.88

01:29:44.840 Is 0.88

01:29:45.200 Great

01:29:45.660 Just

01:29:46.060 It's

01:29:46.580 Classic

01:29:47.220 80s

01:29:47.820 Synth

01:29:48.080 Pop

01:29:48.360 But

01:29:48.660 You

01:29:49.420 Keep

01:29:49.780 Doing

01:29:50.120 That

01:29:50.480 Over

01:29:50.760 And

01:29:50.920 Over

01:29:51.120 Again

01:29:51.460 And

01:29:51.840 It

01:29:51.960 Does

01:29:52.220 Feel

01:29:52.660 Dated

01:29:53.280 They

01:29:54.620 Had

01:29:54.860 An

01:29:55.000 Album

01:29:55.360 That's

01:29:55.760 A

01:29:56.020 Self

01:29:56.240 Titled

01:29:56.660 Album

01:29:57.060 Called

01:29:57.340 Erasure

01:29:57.920 And

01:29:58.640 It

01:29:59.540 Is 0.88

01:30:00.660 Deeper

01:30:01.900 You

01:30:02.620 Know

01:30:02.800 You

01:30:03.040 Could

01:30:03.220 Say

01:30:03.500 More

01:30:04.040 Like

01:30:04.580 Depeche

01:30:05.060 Mode

01:30:05.380 Than

01:30:05.740 Than

01:30:06.320 The

01:30:06.560 Hyper

01:30:07.940 Poppy

01:30:09.680 Almost

01:30:10.720 Too

01:30:11.560 Poppy

01:30:12.160 Kind

01:30:12.600 Of 0.96

01:30:12.820 Gay 0.98

01:30:13.500 Erasure 0.89

01:30:14.560 Sound

01:30:15.100 And

01:30:16.240 It

01:30:16.400 Wasn't

01:30:16.980 Doing

01:30:17.280 Well

01:30:17.660 And

01:30:17.840 It's

01:30:18.120 Kind

01:30:18.300 Of

01:30:18.400 Interesting

01:30:18.760 How

01:30:18.980 Vince

01:30:19.320 Maybe

01:30:19.740 Had

01:30:20.060 Regret

01:30:20.620 And

01:30:21.000 He

01:30:21.380 Underestimated

01:30:22.200 Martin

01:30:22.560 But

01:30:22.820 It's

01:30:23.380 Also

01:30:23.660 Hard

01:30:24.080 To

01:30:24.300 Imagine

01:30:24.780 The

01:30:25.780 Two

01:30:26.020 Of

01:30:26.180 Them

01:30:26.320 Working

01:30:26.640 Together

01:30:27.060 Again

01:30:27.600 I

01:30:27.800 Mean

01:30:27.900 It

01:30:28.360 Could

01:30:28.560 Be

01:30:28.700 Interesting

01:30:29.040 They

01:30:29.300 Put

01:30:29.760 Out

01:30:30.020 An

01:30:30.220 Instrumental

01:30:30.760 Dance

01:30:31.460 Album

01:30:31.880 A

01:30:33.200 Few

01:30:33.400 Years

01:30:33.680 Ago

01:30:33.860 I

01:30:33.960 Don't

01:30:34.040 Know

01:30:34.100 If

01:30:34.180 You

01:30:34.280 Ever

01:30:34.540 Caught

01:30:35.100 That

01:30:35.460 No

01:30:36.520 I'm

01:30:37.000 I'm

01:30:37.320 Not

01:30:37.580 A

01:30:37.760 Huge

01:30:38.200 I

01:30:38.900 Know

01:30:39.620 Their

01:30:39.940 Their

01:30:40.340 Hits

01:30:40.620 And

01:30:40.780 Stuff

01:30:41.020 Like

01:30:41.240 That

01:30:41.440 But

01:30:41.640 I'm

01:30:41.860 Not

01:30:42.140 A

01:30:42.960 Big

01:30:43.280 Erasure

01:30:43.980 Yeah

01:30:44.580 I mean

01:30:44.880 I

01:30:45.100 Like

01:30:45.640 Them

01:30:45.840 Too

01:30:46.120 It's

01:30:46.360 Just

01:30:46.520 Not

01:30:46.780 I

01:30:47.040 Don't

01:30:47.440 Love

01:30:47.700 Them

01:30:47.920 And

01:30:48.320 You

01:30:49.880 Know

01:30:50.080 Some

01:30:50.400 Of

01:30:50.580 Those

01:30:50.980 They

01:30:51.900 They

01:30:52.120 Put

01:30:52.380 Vince

01:30:53.440 Clark

01:30:53.760 And

01:30:53.960 Martin

01:30:54.300 Gore

01:30:54.520 Kind

01:30:54.740 Of

01:30:54.840 Did

01:30:55.060 A

01:30:55.320 Kind

01:30:56.400 Of

01:30:56.500 Side

01:30:56.920 Piece

01:30:57.440 Album

01:30:58.700 Together

01:30:59.160 And

01:31:04.520 Need

01:31:05.300 To

01:31:14.500 Get

01:31:14.600 To

01:31:15.120 Go

01:31:25.340 To

01:31:25.840 To

01:31:26.000 To

01:31:26.820 To

01:31:27.560 To

01:31:27.840 i think it was it was vcmg vince clark and martin gore it it's instrumental it's dance it's kind

01:31:40.600 of poppy and i don't know you know it's kind of interesting but not something i'd really want to

01:31:45.480 listen to um maybe i think they were maybe kind of experimenting with sounds but it wasn't very

01:31:51.120 interesting and it and it struck me as a vince clark album it's it's a poppy dance album that's

01:31:56.460 just what he does and so he was declining um and yeah maybe felt some regrets it's interesting but

01:32:03.800 i don't know i mean i wish i i wish alan would have remained totally yeah

01:32:12.280 maybe they can just get back together i know like everybody yeah like if you read like youtube

01:32:21.000 comments about documentaries or songs and i'm just like oh i miss alan this is why

01:32:26.280 they'll play like a exciter song this is why alan needs to be back in the band and you know the

01:32:33.720 the remix that he did uh for uh what's that the way you move like that was good it wasn't incredible but

01:32:43.420 um yeah i mean he's he just brought like that atmosphere and these like definitely more on the

01:32:52.200 industrial side of things than than martin uh and damn sure more than uh vince clark

01:33:00.300 you got me reaching for you

01:33:07.740 you got me singing to you

01:33:12.940 you got me singing to you 0.97

01:33:26.380 but yeah i'm glad they didn't decide to do something stupid like bring vince back into the 0.93

01:33:47.160 band because that just would have they would have gone back to speak and spell and that would have 0.98

01:33:53.300 been or worse like gay depeche mode i don't even know what that yeah you know what i mean like

01:33:58.740 yeah but uh yeah alan uh his his recoil project is it's interesting but he's he needs if he's not

01:34:08.360 going to be with depeche mode i think he needs to make um film soundtracks and and stuff like that for

01:34:14.440 any kind of movie uh thrillers action movie like yeah i think he would actually excel at something like

01:34:20.080 that but you can tell in in the difference between like he has some quote where he's talking about the

01:34:27.960 difference in sound between ultra and his uh album that came out the same year unsound methods and he's

01:34:34.120 like yeah these are pretty two good descriptions of our differences in in musical taste and uh which

01:34:42.940 direction we'll take songs in like i guess generally speaking i would say that alan is more atmospheric

01:34:49.240 they should expect to spend in jail and they go beyond the seven-way near jail and they should expect

01:34:57.120 possibly somebody to get killed

01:34:58.900 i'm so glad i'm here

01:35:08.780 i'm so glad i'm here

01:35:11.780 i'm so glad i'm here

01:35:14.560 i'm so glad i'm here

01:35:26.440 i'm so glad i'm here

01:35:31.440 i'm so glad i'm here

01:35:37.220 whereas martin leans towards uh more like melodic sounds or something like that that's roughly put

01:35:59.200 but i think there's you know truth to it

01:36:01.480 yeah 0.99

01:36:04.440 damn shame 0.99

01:36:07.760 yeah yeah it it really is 0.98

01:36:11.720 but you know they need like bands need that i think i think the beatles white album that's

01:36:18.240 that's a lot of people's favorite album uh by the beatles and they're just

01:36:23.040 they hate each other that whole all four of them can't stand each other they're quitting on different

01:36:28.280 songs and stuff uh pink floyd's dark side of the moon there were art that's when they started

01:36:32.740 arguing a lot and that's like their classic album and then the wall they hate each other even more

01:36:37.620 um i mean all these bands

01:36:40.420 you know they they had these notorious relationships where they just hate each other and then they also at

01:36:49.320 the same time produce this great music so i think if both martin and alan would have just

01:36:55.820 maybe not reconciled but just like took a breather or something and just came back uh they would have

01:37:02.680 had that kind of necessary fragile tension we'll say but but which is important though to make

01:37:11.400 these good uh classic records yeah

01:37:14.820 and your body's a fire

01:37:37.320 an inferno that never ends

01:37:43.320 an eternal flame

01:37:47.320 that burns in desire's name

01:37:53.320 sister

01:37:57.320 sister

01:38:01.320 when the longing returns

01:38:07.320 giving voice to the flame

01:38:11.320 calling you through flesh that burns

01:38:17.320 breaking down your will 0.54

01:38:21.320 to move in for the kill 0.99

01:38:27.320 oh sister 0.97

01:38:29.320 come for me

01:38:31.320 embrace me

01:38:33.320 embrace me

01:38:35.320 assure me

01:38:37.320 hey sister

01:38:39.320 i feel it too

01:38:43.320 sweet

01:38:49.320 sweet sister

01:38:51.320 just feel me

01:38:53.320 i'm trembling

01:38:55.320 you heal me

01:38:57.320 hey sister

01:38:59.320 i feel it too

01:39:03.320 i feel it too

01:39:13.320 i feel it too

01:39:15.320 i feel it too

01:39:17.320 i feel it too

01:39:19.320 i feel it too

01:39:20.320 i feel it too

01:39:39.320 oh

01:39:40.320 oh

01:39:41.320 i feel it too

01:39:43.320 through all of your nightmares

RadixJournal - March 08, 2024

Depeche Mode： Ultra

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