Episode 984 Scott Adams: Talking About Those Disagreeing Doctors, Pelosi's Insults, Artistic Breakthroughs
Episode Stats
Words per Minute
153.38896
Summary
In this episode, I talk about a cool thing that happens in the life of creators, and why you should be lucky if it happens to you once in your life. And I also talk about the time I saw the name of my character, Dilbert, and it changed my life.
Transcript
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Okay, all you have to do is find yourself a cupper, mugger, a glass of tanker, chalice, or stand, a canteen jugger, a flask, a vessel of any kind, fill it with your favorite liquid.
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And join me now for the unparalleled pleasure, the dopamine hit of the day, the thing that makes everything better, including the damn pandemic.
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It's called the simultaneous sip, and it happens now.
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I can feel the zinc being delivered to my ACE2 inhibitors.
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So, as people are pouring in, let me tell you about a cool thing that happens in the life of artists or creators.
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I usually don't call myself an artist, because that's just that word, I don't know.
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There's something wrong with the word artist that just rubs me wrong.
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And there's a cool thing that happens in the life of creators, and you're lucky if it would happen to you once in your life.
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And I'll tell you one of the times that happened.
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Once was, I was in my cubicle in 1988 at Pacific Bell.
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And I was drawing little comics on my whiteboard in my cubicle, and I started developing this character, Dilbert.
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He was just a sort of a technology worker in a big company, like the people I was working with.
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So I put a little label that says, name the nerd.
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And I drew the picture of what would become Dilbert.
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And people would come into my cubicle all day long, and they'd say, huh, he looks like he'd be an Irving.
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And every time I'd see a name, I'd look at it, and I'd go, no, no, he's not a Bruce.
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And one day, my boss at the time came in, and he goes, I got it.
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And he walks over, and I can remember it like it was today.
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You know, I'm sitting in my chair, and the picture is just so amazingly burned into my memory.
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And he goes, that's the name of your character.
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Because I actually felt my entire body go down a tunnel, like I had just gone forward in time, into the future.
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And I saw the name on the character and felt it like I had experienced the future.
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And as he starts talking, I felt myself going back down the tunnel, the other direction, bam.
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And I just looked at that name, and I looked at it on the board, and I thought, what just happened?
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From about that moment on, I could not have been talked out of Dilbert working.
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But it felt like I was just following the path that I had just seen.
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Now, if you could have that happen once in your life, it's amazing.
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There are these moments of creative or artistic clarity when things just happen.
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Now, of course, you could always explain it as false memory, or I'm making up the story or something.
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So there's no way that you would fully appreciate what that did to my head.
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Because it really messed me up to see reality just get turned inside out like that.
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The base reality probably didn't change at all.
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There was a point when I launched the comic, and it wasn't really successful.
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So it was another comic that was going to get launched, do a few years, and disappear.
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But people kept emailing me and saying, you know, Dilbert should be in the office.
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And the moment I realized that I could turn it into an office comic,
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all of the tumblers of the gears came together, and it was like, click, click, click.
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If I just make this an office comic, it's easier to write.
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You know, it's going to relate to these people.
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So that was like a second moment when I had this creative clarity.
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So it can bump around being almost right forever, and it'll never catch on.
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But there's that moment where it locks in, and you go, ah, there's the voice.
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And the voice is, let's say in the case of the Dilbert comic, it's the pointy-haired boss's perspective versus the cubicle worker.
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So once you understand it as pointy-haired management versus, you know, employee, that's the voice.
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I've been playing with this comic called Robots Read News, where it's just a static picture.
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Three pictures of a robot, always the same, but he's reading the news.
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And I've been doing it for a few years now, like off and on.
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I'd trot it out and try it, and it was all right.
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You know, every once in a while, it'd be a good one, but not really.
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And the other day, I was playing with it, and I realized that if all I do is make the Robots Read News the way CNN does,
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And the moment that locked in, you can't believe how easy it is to write these comics now.
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Just as an experiment with about three minutes before I went live,
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I wanted to see if I could write one from scratch in three minutes.
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And all I did was I looked at the CNN homepage,
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and I just scanned the headlines for their most ridiculous story.
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And I just made a comic that basically says what they say.
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you know, I'm keeping most of those comics will be for subscribers on Locals.
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And I didn't plan it that way, but I just sort of, I tested this at the same time I was testing Locals,
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and I thought, well, I guess that'll be its main home.
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And the other thing is that I can make the characters say anything I want.
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So I can make them curse, I can make them be offensive.
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Do you know how long I've waited for this moment?
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How long I've waited, as a creator, to be able to write a comic
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in which the only thing that matters is that what they say is funny.
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Now, of course, I'll do a little bit of self-censorship,
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because, you know, my own sensibilities are not so extreme
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that it needs to be, you know, gross or something.
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But the fact that I don't ever have to control my first impulse of what would be hilarious
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is a freeing experience that I can't even explain.
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To have it happen again, well, really, for the first time,
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I'm so happy I can't even stand it on that one front.
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All right, so that's just a little tour of what...
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Oh, let me give you some other examples of that.
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There are moments when, for example, I was writing my book,
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When I wrote Win Bigly, those of you who read it know,
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that it's a series of persuasion lessons about how to persuade,
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but it didn't come together until I realized I could wrap it around the story of the election.
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And once I understood it as something that would layer on top of a story,
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and my experience of it, it was like, ding, ding, ding, it all came together.
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So those are the moments that the creator can almost see the future.
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Now, of course, the big story today is Trump saying he was going to take...
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that he is taking hydroxychloroquine and zinc, the important part.
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Now, I did a more detailed video on this last night.
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If you want to see my opinion of all the hydroxychloroquine,
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I did, I think, a good job of laying out the thinking last night.
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If you find yourself getting into online battles
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about whether the president is being crazy and reckless
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and ruining the world by announcing that he's taking this unproven drug.
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Here are some things to say to defend yourself online.
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Number one, this unproven drug has been taken by many people
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for various conditions for decades and decades.
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showing the number of people who are dying from it?
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I'd like to see the URL, you know, just something that shows
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You will first notice it's really hard to find that.
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It's because somebody did look for it and couldn't find it.
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It's like, do you have some data that would suggest it's dangerous?
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But what would be, for example, a source of information?
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Because I know you like your science, don't you?
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You don't want to be listening to old orange man bad.
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So instead of listening to Trump on this medical condition,
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why don't I listen to you, dear Troll on Twitter?
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that describes the number of people, statistics specifically,
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of the people who have been damaged by this drug?
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Because now that we have decades of experience of it,
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we probably have a pretty good idea how many thousands is killed.
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Now, if somebody could find that link, it would be interesting.
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So first you want to go after their sense of certainty.
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you can show me your risk management calculation
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that the president's making a poor medical decision,
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And the president is making a cost-benefit decision.
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Because it's really just a math question, right?
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the risk of taking it is X versus something else.
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to simply put that little spreadsheet together.
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I don't know how many numbers on the spreadsheet.
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Maybe a dozen different numbers and assumptions.