Red Ice TV - September 16, 2022
Disney Is "Reimagining" Classic European Stories Without White People
Episode Stats
Words per Minute
131.74748
Summary
Every time a European person is reimagined, retold, or retold by diversity and Europhobia, a surge of opposition speaks loudly. We know what's going on and I will tell you exactly why they do this.
Transcript
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There's a trend in Hollywood, replace white people in classic European fairy tales
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and even in historical accounts. But every time a European person is reimagined, retold
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by diversity and Europhobia, a surge of opposition speaks loudly. We know what's going on and I will
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tell you exactly why they do this. But first, I was very happy to see the big wave of opposition
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against the reimagined classic European story of The Little Mermaid where fair-skinned, flowing,
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red-haired Ariel is replaced by an African girl with fake red matted hair and hip-hop vocals.
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Why not get a real redhead to play the part? Oh, because diversity and racism. Never mind
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that redheads are a tiny minority in the world. Well, one guy used AI and fixed her back into a
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cute white ginger-haired girl and the woke mob peed their pants. FYI, the screenplay was written by
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Jane Goldman, who started as a progressive journalist. Look, mermaids, water nymphs,
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and sirens are part of European folklore and legend. Celtic, Slavic, and Nordic. It belongs
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to us. And the story of The Little Mermaid in particular is a Danish story written by Hans
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Christian Andersen in 1837. None have sailed the seas and mapped the globe like us. Our guys have
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spent a lot of time on the water and have many stories to tell. When you say mermaid, everyone
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pictures a beautiful European woman with long flowing hair. European fine artists have been
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depicting mermaids for hundreds of years. To replace an iconic European archetype with a
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non-European is contrived and cringe, embarrassing, like a white girl playing a voodoo queen. Africans
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claim to have a mermaid-like creature called Mami Wata. It appears to be a recent thing after contact
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with Europeans. Well, great, then go make a movie about Mami Wata without the help of Disney.
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Reimagining fairy tales or historical people only works in one direction, the not-white
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direction. If they can reimagine Queen Anne Boleyn and Thor as African, then let us reimagine Nelson
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Mandela and communist Martin Luther King with someone like Alexander Skarsgård. Let's retell
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Genghis Khan, an Aztec ruler, a famous Indian chief, or Mohammed. Let's add some diversity to Asian
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fables, African folktales, and aboriginal legend. How about an adorable, blonde, blue-eyed Russian
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girl in the fantasy of Anne Frank? See how it works? They say things like, you don't care that the
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little mermaid is black. You care that black people are happy. Actually, yes, we do care that the
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mermaid is black because it's part of our culture and folklore, not Africa's. The entire point is that
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you should be creating or retelling your own stories, not stealing and reimagining ours. Go be happy with
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your own culture, folklore, and mythology, and stop appropriating ours and saying that it belongs to
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everyone and how white people don't have a culture. Funny how haters keep reimagining our culture while
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telling us we don't have one. Not only do they want to reimagine our classics, but they also want to have
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things that are all their own with zero diversity. The girl LARPing as Ariel went on to do a remake of
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The Color Purple, a movie starred by blacks, written by blacks, and the only white people in it are evil
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bad slave owners. Well, sadly, you could say that movies about slavery have become the only mythology
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and folklore of African Americans. Let me run through a few other European classics coming out
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that replaced the main white character. The 19th century fairy tale written by the German Brothers
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Grimm, Snow White, is being reimagined without the white part. We also saw backlash against the
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diversifying of Tolkien's Lord of the Rings, the Rings of Power. Elves, dwarves, and hobbits,
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these are all part of European folklore. We already covered this cringe series, so check it out.
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The classic European story of Peter Pan, who interacts with fairies, mermaids, and pirates,
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white people things, written by Scottish novelist J. M. Bari, is also getting a diversity remake in
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Peter Pan and Windy. A Sri Lankan boy is replacing iconic Peter from London. Windy is still European,
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but you need some race-mixing propaganda after all. Don't worry, there's plenty of black characters in
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this one including the classic fairy we all know, Tinkerbell, who is going to be played by
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this woman. She was also in this extremely anti-white series called Black-ish.
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And then there's the Pinocchio remake that came out this year. The Blue Fairy went from this
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to this. It's called progress. Well then Disney's Pocahontas should also be reimagined. We should go
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from this to this. By the way, the Blue Fairy also played in a movie about the greatly exaggerated
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It says here you're five and a half feet tall. You ain't more than five feet.
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I come to get you. Bring all of you to freedom. So don't you tell me what I can't do.
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This thief. And burn her at the stake. Burn her at the stake.
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I will give every last drop of blood in my veins
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It's about as real as Tinkerbell and a slew of other black-themed movies.
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European fairy tales, legends, and mythology are part of our European cultural heritage.
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Do you ask an American Indian why their legends and folktales are important to them?
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Do we ask any other group of people to make their culture and mythology more diverse and inclusive?
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Language and folklore is one of the most beautiful assets of a nation of people
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and one of its most distinctive characteristics that set them apart.
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Within classic fairy tales, folklore, and mythology is the telling of a people's values,
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It is the most important aspect of our culture to carry on to our children.
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Beautiful folktales and stories from our people's history inspire children instilling pride, culture, and heritage.
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This is especially important in a time when our European culture and identity is being attacked and singled out for eradication.
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This is why they take our classics and insert people who are not us.
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To rewrite, demean, and replace our cultural heritage with an anti-white version.
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We live in a society that says the worst thing a white child can have is pride for their people.
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We live in a society that teaches our white children lies that they have no culture and everything was stolen.
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Meanwhile, everything is being stolen from them.
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They retell the anti-white version to get white children to be used to it.
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Classic European traditional stories are being retold, rewritten to push anti-whiteness, gayness, feminism, and progressive values.
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Song and dance that accompanies fairy tales is a vital aspect of folklore, used to teach children our values and traditions, our history.
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While we can do this without movies, the fact is film captures the minds and souls of the masses, shaping culture, shaping what a child thinks and feels.
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It's our responsibility to keep our people's folklore and fairy tales alive for future generations.
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It's not just about a black mermaid or fairy, but the agenda it represents.
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Those who intentionally do this know why they do it, and we know it too.
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If they truly loved us and wanted to include us, they wouldn't purposefully replace historical figures and fairy tale icons with non-white ones.
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It was never about inclusivity, but always about the destruction of white European unity, culture, and identity.
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That's what reimagined classics are really about.
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