Red Ice TV - March 24, 2024


London’s Fourth Plinth To Get Fat Black “Everywoman” Statue

Topics
fat black every woman statue
Hosted by
Henrik Palmgren Lana Lokteff
Mentioned
Luke Susson Colston Martin Luther King Trafalgar Square Tashibala Self George Floyd William IV Sadiq Khan Ikau Ishun Mein Kampf Fitzwilliam Constable Cezanne Monet
The Great Invasion, Individualistic White Men, Candace Owens Fired - FF Ep252 Baltimore Bridge DEI’d & Coeur d’Alene Hate Hoax - FF Ep253

Episode Stats


Length

15 minutes

Words per minute

160.02

Word count

2,478

Sentence count

235

Harmful content

Misogyny

17

sentences flagged

Toxicity

47

sentences flagged

Hate speech

21

sentences flagged


Summary

Summaries generated with gmurro/bart-large-finetuned-filtered-spotify-podcast-summ .

The 4th Plinth in Trafalgar Square in central London was originally intended to hold an equestrian statue of William IV, but remained empty due to lack of funds. In 1998, the Royal Society for the Encouragement of Arts decided it was better to showcase sculptures temporarily on the plinth rather than settle permanently on one figure or idea, but they settled on one idea: progressive anti-whiteism.

Transcript

Transcript generated with Whisper (turbo).
Misogyny classifications generated with MilaNLProc/bert-base-uncased-ear-misogyny .
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Topics generated with Qwen2.5-3B-Instruct.
Hosts, guests, and mentioned names generated with spaCy (en_core_web_sm), reconciled against Wikidata.
00:00:00.000 The fourth plinth in Trafalgar Square in central London was originally intended to hold an
00:00:05.180 equestrian statue of William IV, but remained empty due to lack of funds.
00:00:10.900 So for over 150 years, its use was debated.
00:00:14.580 Well, in 1998, the Royal Society for the Encouragement of Arts decided it was better to showcase
00:00:20.220 sculptures temporarily on the plinth rather than settle permanently on one figure or idea.
00:00:26.180 But they have settled on one idea, progressive anti-whiteism.
00:00:31.740 The artwork that stands at London's most famous public space, Trafalgar Square, is modern, 0.78
00:00:37.420 ugly, and anti-English.
00:00:39.560 So how is this art chosen?
00:00:41.240 Commissions are chosen through public consultation and decision-making by the fourth plinth commissioning
00:00:47.140 group, which is an independent, they say, panel of artists and journalists, our favorite,
00:00:52.780 and curators.
00:00:53.460 The mayor approves the winning artist based on the recommendations of this group.
00:00:58.840 The mayor of London today, of course, is Sadiq Khan, who also is very anti-white.
00:01:04.220 Let's look at the art that was chosen for 2024.
00:01:07.020 It's all modern and multicultural, nothing that honors English heritage, something from Burma, 1.00
00:01:14.640 South America, and of course, something about black women. 0.99
00:01:18.180 And who will be showcased on the plinth this year and in 2026? 0.95
00:01:22.220 The fat, black, every woman in blue will be showcased this year. 1.00
00:01:27.860 No, that is not every woman. 1.00
00:01:29.960 It's a black woman. 0.99
00:01:31.200 And the artist is a black woman living in America. 0.87
00:01:33.760 She doesn't even live in England.
00:01:35.760 The description of this art reads,
00:01:37.660 This sculpture pays homage to a young metropolitan woman of color, much like the many one might
00:01:43.960 encounter in today's London.
00:01:45.960 She's a symbol of our shared present and future ambitions, the aspirations of equity
00:01:51.280 through representation, recognition, and action.
00:01:54.400 A world where all global citizens are appreciated for their unique contributions.
00:01:59.500 It is inspired by a desire to bring a contemporary every woman to the square, a walking icon of
00:02:06.560 the everyday rather than an idol representing the adulation of one.
00:02:11.380 Oh, no, it is an idol that represents just one.
00:02:14.140 A black woman. 1.00
00:02:15.920 Let's look at the other artwork by Tashibala Self, who will have her Lady in Blue showcased
00:02:21.180 on the fourth plinth, one of the world's most famous public art commissions.
00:02:26.280 All her art is of black people, and she's got lots of other large black women. 1.00
00:02:32.060 There's a couple sculptures that have been put up of large black women. 0.99
00:02:35.700 This is her thing.
00:02:36.880 No, it's every woman. 1.00
00:02:38.460 No, it's just a black woman and black culture and black heritage. 1.00
00:02:43.680 What does this have anything to do with London?
00:02:47.000 And this is a woman living in America. 0.98
00:02:49.340 It's ridiculous. 0.94
00:02:50.020 The sculpture to be put up in 2026 is this creepy, disturbing one called Untitled. 0.90
00:02:56.920 Wow, that's creative.
00:02:58.120 The description of it reads, the hollow, life-sized equestrian statue is covered in a shroud
00:03:04.020 and cast in slime green resin.
00:03:07.220 It was made by a Romanian woman.
00:03:09.520 This slime green monstrosity is so much better than a beautiful equestrian statue of a victorious
00:03:16.100 European man on a majestic horse. 0.99
00:03:18.540 Because that would be white supremacists. 0.84
00:03:21.060 Well, slime green is actually very appropriate. 0.93
00:03:23.940 It's a good symbol for the current state of a multicultural anti-white UK who jails whites 1.00
00:03:28.920 for putting up stickers that bring attention to the forced population replacement of English
00:03:33.480 people in their own country.
00:03:35.880 By the way, here's the chairman of the commissioning group for the fourth plinth in Trafalgar Square.
00:03:40.800 Yep, there he is.
00:03:41.800 His name is Ikau Ishun and his parents came to the UK from Ghana. 0.97
00:03:47.220 And surprise, surprise, all he cares about is blacks. 0.88
00:03:51.060 He has released art books titled Black Fantastic and Africa State of Mind and Black Gold of the Sun.
00:03:57.920 And he's been a presenter on BBC films such as A History of Afrofuture.
00:04:03.740 History of the Afrofuture and also White Mischief. 1.00
00:04:08.260 This is all for BBC. 0.99
00:04:09.680 Very incredibly anti-white and black supremacist. 0.98
00:04:13.380 Everything he works on is a complaint against white culture, people in history. 0.98
00:04:17.320 Yet he doesn't leave England.
00:04:19.000 None of them ever do. 0.99
00:04:21.480 Back to the black fat woman that's going to be on the fourth plinth here for a little bit. 1.00
00:04:25.020 That same artist have already done, put up her other, look at this, other art. 0.96
00:04:29.180 Have you seen this?
00:04:29.740 Is that a seaside, seaside town in the UK, Bexel on Sea. 0.98
00:04:34.080 So one isn't enough, they need a second one, a second fat black woman in the UK? 1.00
00:04:37.800 Everywhere, everywhere, preferably, right? 0.99
00:04:39.620 Vandals. 1.00
00:04:39.980 We used to joke about, sorry, we used to joke though about it's just going to be a big fat black butt. 1.00
00:04:44.260 We're almost there, we're almost there. 1.00
00:04:45.600 It's a big fat black woman for now, but it will be updated, right? 0.80
00:04:49.120 And yeah, so apparently some people sprayed white paint on this beautiful sculpture. 0.96
00:04:54.920 And of course, cucked Brits out on the seaside showed up through the tune of hundreds to help to clean this up. 0.98
00:05:01.960 Oh my God.
00:05:03.520 Okay, well then you deserve this.
00:05:06.220 Like, what do you say?
00:05:07.060 What about the statues that have been vandalized? 0.63
00:05:09.760 Your English statues that are being vandalized by these anti-whites? 0.91
00:05:13.800 Yeah.
00:05:19.120 When hearing Colston come down, I made my way there really quickly and saw Colston on the floor, spray-painted red, with a box of jamming juice on his chest and an Afro pic on his forehead. 0.73
00:05:36.000 And it was just a very surreal, but a very joyous moment.
00:05:42.000 The crowds were going wild.
00:05:43.960 Everybody was really elated.
00:05:45.260 And there are other examples, too.
00:05:49.920 I mean, it's obvious, and I know many of you guys know that, right?
00:05:53.520 But you have to keep in mind, it's an invasion into the public space.
00:05:58.580 And it's in Western countries.
00:05:59.940 Now, some of these examples will be from the United States.
00:06:02.120 But you can find these now in Australia and in New Zealand and in Netherlands and Belgium and Sweden and blah, blah, blah.
00:06:08.640 It's just Africans everywhere, like some young woman screaming. 1.00
00:06:12.720 Remember, this one is another every woman. 0.93
00:06:14.700 And, like, sweatpants.
00:06:16.520 Yeah, but wasn't the one her just standing with her cell phone or something was one of them?
00:06:22.240 Really brave.
00:06:23.540 Here, this is the updated one, right?
00:06:25.220 There's your equestrian right there.
00:06:27.680 Yeah, the Afro-equestrian. 1.00
00:06:29.880 That's what they're known for, right?
00:06:31.720 And, of course, who can forget the legendary turd? 1.00
00:06:34.600 Or maybe it's a penis. 0.99
00:06:35.680 Was that supposed to be Martin Luther King or something? 1.00
00:06:37.860 It looked like a piece of shit. 1.00
00:06:38.680 George Floyd, right, that made a drug addict, a fentanyl-ridden pornographic drug addict, the hero of the day. 1.00
00:06:47.200 Here's another one, up high on Manhattan law building or something like that.
00:06:53.120 This is a beautiful one.
00:06:54.300 Check that out.
00:06:54.800 Oh, my gosh.
00:06:55.480 I'm not even sure what that is.
00:06:57.080 I think someone.
00:06:58.540 Cheat.
00:06:59.500 That's what that one's called.
00:07:01.080 Oh, gosh.
00:07:01.880 And this one, I think this is New York also, like it's some oversized, it's like some Easter Island-esque, but obviously Afro features and whatnot. 0.99
00:07:12.100 It's like they don't even put statues in like this in Africa because they can't seem to make them.
00:07:16.360 They just put them in our countries.
00:07:18.900 You have to have white people educate blacks or you have to have white people making them to begin with, right? 0.98
00:07:23.860 But, yeah, these are weapons. 0.98
00:07:28.600 It's a spiritual, psychic, psycho-spiritual weapon that they're inserting into the public space.
00:07:35.260 It's like an ugliness to it.
00:07:38.260 And then, of course, it's the anti-white layer on top of it.
00:07:41.100 Meanwhile.
00:07:41.880 British art, older classical British art is bad, right?
00:07:46.400 British countryside can evoke, quote, dark nationalist feelings in paintings, warns museum.
00:07:54.320 Yeah, those nature shots.
00:07:55.680 Oh, my God.
00:07:56.520 So evil and dark.
00:07:58.260 Which, of course, is what they're supposed to do.
00:08:00.380 They're literally about evoking your sense of soil, right?
00:08:03.920 Like as in blood and soil.
00:08:06.300 This is part of it.
00:08:07.000 The reason why the lands our ancestors lived in are sacred is because their actual ashes in many regards or their remains are scattered all throughout the landscape, right?
00:08:18.840 It's actually us in the soil.
00:08:20.920 But anyway, Cambridge University's Fitzwilliam Institution overhauls displays with visitors informed that landscape images can stir dark emotions.
00:08:32.720 It says here, the museum owned by the University of Cambridge has undertaken an overhaul of its displays in a move its director insists was not woke.
00:08:42.920 Luke Susson said last week, quote, I would love to think that there's a way of telling these larger, more inclusive histories that doesn't feel as if it requires a pushback from those who try to suggest that any interest at all in this work is what would now be called woke.
00:09:01.640 The new signage states that pictures of rolling English hills can stir feelings of pride towards a homeland.
00:09:08.820 Oh, my God.
00:09:09.860 It's only wrong when we do it, right?
00:09:11.380 When they do it, it's fine.
00:09:12.460 When it's precious Israel or Pakistan or Africa, then it's all good. 1.00
00:09:17.400 It states that this national sentiment comes with, quote, the implication that only those with a historical tie to the land have a right to belong.
00:09:27.040 Yeah, that's what it is.
00:09:28.740 And that's how it always.
00:09:29.900 Otherwise, they would have loved colonialism.
00:09:32.040 Then why don't you accept colonialism?
00:09:34.200 Yeah.
00:09:34.680 Their lands, where they come from, is still all theirs.
00:09:37.320 Yes.
00:09:37.480 Right?
00:09:37.660 With these foreigners, these invaders, right? 1.00
00:09:39.860 But ours is for them, too.
00:09:41.640 Paintings at the Fitzwilliam have been reordered into themed categories in a shakeup the museum's director hopes will make the gallery's displays, quote,
00:09:49.640 inclusive and representative. 0.87
00:09:54.840 It's glass and clouds where they need to see a bunch of blacks. 1.00
00:09:59.020 Bad nationalist art over here. 0.98
00:10:00.820 And here's the good black brown artists making their art.
00:10:05.120 Categories include men looking at women, identity, migration and movement, and nature, which includes English landscapes by a couple of classics, you know, Constable, Gainsborough, and Palmer, and French scenes by Pissarro, Renoir, Monet, and Cezanne.
00:10:20.120 Cezanne, a sign for the nature gallery, states, quote, landscape paintings were also always entangled with the national identity.
00:10:28.180 I wonder why.
00:10:29.020 The countryside was seen as a direct link to the past and therefore a true reflection of the essence of a nation.
00:10:36.800 Paintings showing rolling English hills or lush French fields reinforced loyalty and pride towards a homeland.
00:10:43.280 They don't like, like, the girl, the blonde girl in the wheat field images, right? 0.73
00:10:48.240 Like, that's what they're thinking.
00:10:50.060 Not even that.
00:10:51.140 Evil.
00:10:51.740 Not even, just the farmer, like, working the field or something. 0.98
00:10:55.120 It's just so vehemently anti-white.
00:10:57.380 It's just so clear.
00:10:58.160 They don't want us to have anything that is our own or anything that is beautiful or anything that reminds us of our ancestors and our beautiful culture and history and past.
00:11:08.000 Yeah.
00:11:08.480 So evil.
00:11:09.220 A sign for the new identity gallery informs visitors that portraits of uniformed and wealthy sitters become vital tools in reinforcing the social order of a white ruling class, leaving very little room for representations of people of color, the working classes, and or other marginalized people.
00:11:30.520 Yeah, because they should have painted trannies in wheelchairs right away. 1.00
00:11:33.520 Hundreds of years ago.
00:11:34.400 They came from Africa, obviously, right?
00:11:35.500 I love, too, how they're just attacking the countryside like crazy right now.
00:11:39.520 Do you notice that?
00:11:40.120 Yeah.
00:11:40.440 It's like they're not attacking city paintings in this.
00:11:43.280 It's the countryside.
00:11:44.160 It's almost like they're encouraging these anti-whites and non-whites, like, to move out into countryside.
00:11:49.240 And we know in the UK they are.
00:11:50.400 And then we just covered the Somali hikers thing recently.
00:11:54.200 Yeah.
00:11:54.360 No, I mean, they will force you off of – they want you to feel guilty when you're in nature.
00:12:00.620 That's basically what it is, so that you will not do it anymore.
00:12:03.100 You'll be easily managed, more controllable when you're in an urban environment or in some pod somewhere.
00:12:08.000 That's what this is about.
00:12:09.140 It adds that portraits were often entangled in complex ways with British imperialism and the institution of transatlantic slavery.
00:12:18.480 So it's always, you know, mis-slavery and that's what – oh, my God, these landscape pictures.
00:12:24.840 No, again, as you said, eventually they will just take these out altogether.
00:12:28.660 The problem for them now is there are enough classics, right?
00:12:32.220 They draw a crowd, but you can't – it's like reading Mein Kampf, the annotated version or something.
00:12:38.420 They can't just let you, like, decide or read it or look at it or enjoy it.
00:12:43.200 Because they know you'll like it.
00:12:44.500 They know you might like it.
00:12:45.560 They want to poison you before you see it.
00:12:48.480 Exactly.
00:12:49.120 They're going to interpret – this actually can be really bad for you to look at, so we'll see.
00:12:53.680 But, again, it's just they can bring up racism.
00:12:55.300 They can bring up nationalism.
00:12:56.260 They can bring up slavery. 0.98
00:12:58.580 What other countries in the world are guilty of this?
00:13:01.200 Like every country in the world.
00:13:02.700 But they'll only attack white countries for these things. 0.99
00:13:05.140 Yeah, and it goes on mentioning racist colonial legacies dominated by white people, white British cultural values, white spaces, blah, blah, blah, blah.
00:13:13.320 Well, they just don't live here. 0.86
00:13:14.320 Leave. 0.99
00:13:15.300 Then leave.
00:13:16.100 But they never do.
00:13:17.160 In this case, it seems that the guy, Luke Susson, who's the curator of this wing here in Cambridge, the Fitzwilliams, he just looks like a white guy, right?
00:13:27.120 Like a lefty.
00:13:27.760 Lefty, educated, obviously, in all the right ways.
00:13:30.600 And he also knows he has to say these things. 0.96
00:13:32.300 If you want to remain in this position, which is highly lucrative and, well, high status for me, you have to shit on other people that have status or had status in the past for some reason in order to sustain your status in the new pecking order of pox and, you know, victim classes, essentially. 0.99
00:13:48.020 Sick. 0.99
00:13:48.340 Sick and annoying. 0.99
00:13:50.100 And, again, remember their names. 0.98
00:13:52.560 Remember what they do. 0.98
00:13:53.540 I mean, hopefully they won't be taken down, but I figure at some point they will just start, they will just take all of this shit out of there. 0.99
00:13:58.680 Yeah, like that racist teacup right there. 0.99
00:14:00.360 You know, the privilege of having tea parties in English society.
00:14:03.320 This was a preview of our latest Western Warrior exclusive members show.
00:14:19.340 Watch the whole show at redicemembers.com.
00:14:21.960 Sign up, get access to all our exclusive members content.
00:14:25.320 We have an archive of thousands of shows, interviews, and videos.
00:14:29.180 You can also sign up for a membership at odyssey.com slash at redicetv or subscribestar.com slash redice.
00:14:37.200 We are indie media, 100% supported by you.
00:14:41.800 No commercials, no sponsors, no funny business.
00:14:45.120 For $10 a month, you can help us spread truth in a time of utter insanity and censorship.
00:14:50.820 We're in this together.
00:14:52.160 The time to stand our ground is now.
00:14:54.160 Go to redicemembers.com.
00:14:59.180 liveti
00:15:17.520 Yeah, we're in this together.
00:15:20.120 Bye.
00:15:21.120 Bye.
00:15:22.020 Bye.
00:15:22.700 Bye.
00:15:24.320 Bye.
00:15:24.620 Bye.
00:15:24.700 Bye.
00:15:25.400 Bye.
00:15:26.180 Bye.
00:15:27.420 Bye.
00:15:28.780 Bye.