Worshipping Migration： Neocon Warmongers & Anti-White Leftists Agree
Episode Stats
Words per Minute
169.05661
Summary
A migrant boat was launched into the audience at Glastonbury and used as an art piece during the band's set. I don't know who's behind it, but it's pretty obvious that the left are worshiping the idea of immigration as a virtue.
Transcript
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Migration as a concept in and of itself is basically being worshipped.
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It has been for a while, but right now it's reaching a pinnacle.
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Because at the same time, you're seeing the pushback against it.
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So it means that the left-wingers and the anti-whites and the white genociders
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are going to lift this up as the greatest virtue of all times.
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They're worshipping obviously migrants in and of themselves as well,
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but also migration, like this is the greatest act ever.
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And part of proof of that happened at Glastonbury Music Festival in the UK
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here over the weekend, where a horrible music, by the way,
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And a little stunt happened, and we'll get to who's behind it here in a moment,
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but a little stunt happened when all of a sudden a migrant boat,
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like an inflatable, I guess, exhibit or art piece, whatever you want to call it,
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And it was being, you know, kind of pushed around as like some, you know,
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So the other thing, by the way, with that song, I saw the lyrics.
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And the guy who had these tweets on X, on Twitter, the guy who had these posts and videos,
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Because I guess people are pointing out how shitty the music were.
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And it looked like it was boring at Glastonbury.
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But the paraphrase of it was basically, some Ukrainian had come to the UK.
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And so this guy sings a song because they're blood brothers because he's an immigrant.
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But the other, and that's what I'm getting to, the other part then of the lyric was basically
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And it was like they were bringing in all these Africans.
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But anyway, the point is, Banksy is the guy who launched this inflatable migrant boat as
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It would have been way cooler if they just set it on fire.
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Someone should have popped it, you know, whatever.
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I mean, it looked like it kind of disappeared at the end there.
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Band says they were unaware of the stunt by artists until after their set headlining the
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Remember he had an artwork on, what is that high, there's a super mega wealthy people go
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there for auctions and shit like this, like the highest elite among British society.
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I forget what the auction firm is called, whatever the house, yeah.
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I remember it was like, I forget the number now, so I'll probably look like a fool saying
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But it was like tens of millions of pounds or something like that.
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It was at least a million pounds or probably more.
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But anyway, my point is, he comes, he's anti-war, he's this big left, oh, pro-migrants, oh,
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Have these people ever said anything about like neocons or who's driving the wars or why
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These punk rockers still think they're fucking edgy.
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That's going to be, yeah, no, like the conservatives aren't pushing that, haven't pushed that.
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Someone pointed out here, too, that Glastonbury Festival has an eight-mile-long, 20-foot-high
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See, we got to protect ourselves when we're, you know, shitly, but whatever.
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And then all these idiots don't realize like, oh, your crowd is white people when they're
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going to be replaced or not replacing themselves.
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And it's just a bunch of migrants who think your immigrant friends are going to support you?
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Mohammed, if you think fertilized eggs are people, but parents who crossed the oceans
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with their kids aren't, stop pretending your concerns are religious.
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Well, first of all, I mean, OK, well, first of all, fertilized eggs.
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He means he's tying in like religious anti-abortion activists into this.
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Why do you have to cross the fucking oceans to get help by us when, like, your neighbors, like, over in this country that you fled from, the other way from, won't even let you in?
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But that says everything you need to know right there.
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Why is it our concern to protect you, to take care of your kids, to save you, to help you?
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Like, as I said, literally, we don't care about your tears.
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And all this is designed to do, all this, these, I mean, I'm not saying this is a problem.
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This just took off, whatever, because people are shit libs are agreeing with it.
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And other people are angry about it or, you know, replying back to it.
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But Mohammed, the point is, this is propaganda, sap propaganda, as I call it, in order to have the borders remain open for as long as possible.
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Why? So that his fucking people can rape our daughters and gang, you know, go after our, rob our grandparents, try to kill us, try to piss in the faces of our sons and film it and laugh at it because they think it's funny.
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Like, we've reached a point where we literally don't care.
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And that's not because we don't have humanity anymore.
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It's because, in fact, you have proven that your people do not have it.
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And so the only correct response is, is to act with intolerance against you, to protect our own, to protect those who we love.
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And then they come in, they cry these crocodile tears, and then they come in, and then they're like, we're going to take over, and Muslims are going to take over, and caliphate, and, like, no.
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No, this is just the outward facade, this is just the tip of that spear to, like, poke through the wall.
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I literally don't care, and, in fact, when I see these pictures, I just can't stand them even more.
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Because you know what it represents, and you know what's on the flip side of that coin.
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You and your children are not our responsibility, and no one here asked you to come, okay?
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Go to another stand country to your east or whatever, and let them take care of you.
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Let me return back to Banksy, this artist who did that shitty art piece, the floating boat there, and just reflect on the fact that this guy, as far as I've heard anyway,
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has never pointed out, you know, the war on terror, or who's behind it, or despite being, you know, on the surface, anti-war.
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Banksy is a genius street artist from England, whose works everyone knows.
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He regularly devotes a significant part of his work to peace issues, criticising military conflicts, and political provocations.
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Such his works as Armed Dove of Peace, Girl with Bomb, Bouquet, which are known worldwide.
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Nowadays, Banksy continues to paint works relating to social themes.
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His graffiti, The Son of a Migrant from Syria, featuring Steve Jobs, is painted on the wall of a building near the refugee camp.
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Does he point out why these things have happened at all over the last few decades?
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They just avoid this, and they pretend that our only responsibility here is just to let in more migrants,
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which, of course, is what these very same people ultimately want as well, because they have an ethnic axe to grind, right?
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They have a grudge against Europeans, essentially.
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The war in Iraq was conceived by 25 neoconservative intellectuals, most of them Jewish,
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who are pushing President Bush to change the course of history.
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Two of them, journalist William Kristol and Charles Krauthammer, says it's possible.
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So let's switch over to a thread I saw about this here, too.
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The neoconservative movement was really just two dozen tight-knit guys.
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I would replace guys with Jews there, but yeah, okay, we got it.
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There was three that were not Jewish, maybe, something like that.
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Anyway, which makes it, of course, overwhelmingly Jewish,
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considering the low population number of Jews, in this case, in America.
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Nearly the entire foreign policy establishment was opposed to invading Iraq,
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Technically, it was Afghanistan first after 9-11, right?
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Then it was Iraq, but from there, it was, you know, Syria, and it was Sudan, and it was Libya,
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But it was overruled by this small coterie because they had Cheney's and Rumsfeld's ears.
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Those people had an idea to sell when September 11th came, and they sold it.
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Then they, of course, have to tie it together with the fact that there was a news that was going to happen,
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they might have been part of planning it, all these other questions,
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all of whom are at this moment within a five-block radius of this office,
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who, if you had exiled them to a desert island a year and a half ago,
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Joe Klein of Time, another former supporter of the war,
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argues that the neoconservatives led the U.S. into a foolish war with Iraq
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because they were using U.S. military power, U.S. lives, and money
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Without AIPAC's help, they would have struggled to secure the key advisory positions
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that enabled them to influence top decision-makers
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though the ultimate target of the lobby and the neoconservatives was Tehran.
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In other words, they want to go to war with Iran,
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which I think is still in the works, is in the cards, is coming down the pipe.
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The question remains, however, how a small band of neoconservatives
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managed to hijack the foreign policy of the world's preeminent power.
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The answer lies in the salient positions that the neoconservatives hold
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within a vast, or the vast, institutional network of the Israel lobby.
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Without the lobby's help, they would have struggled to secure
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to influence top decision-makers and neutralize dissenting government agencies,
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nor would they have been able to secure Congress's blessing
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The lobby's clout over Congress and its formidable organs of public influence
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Though the ultimate target of the lobby and the neoconservatives was Tehran,
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But before it was defanged in the 1991 Gulf War,
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plans that were adopted and assimilated by the neoconservatives.
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This is from a book here called The Road to Iraq, by the way.
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but it coincides with that Haaretz piece about the author,
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Neoconservatives operated more like, here we go, right?
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Informal networks bound by personal allegiances
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and a gravitational core around a handful figures.
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and use private information to steer official policy.
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whose close social bonds, ideological coherence,
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and infiltration of official and corporate spheres
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The new conservative core is a small band of ideological kin
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They have a tendency to personalize and bypass bureaucracy.
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or even hijacking multiple influential institutions.
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they wouldn't be able to do that without AIPAC.
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Those are the kinds of institutional centers of power,
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then technically you should be against immigration