#137: How to Be Funnier With Peter McGraw
Episode Stats
Summary
What makes something funny? Why do we laugh at immoral things and yet we react with anger and outrage when immoral things are laughed at? Why is that the case, and why is it that people react to immoral things in a funny way?
Transcript
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brett mckay here and welcome to another edition of the art of manliness podcast so here's a
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question that's played philosopher since aristotle he actually grappled with this question what makes
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something funny and for that matter why do we laugh in the first place because if you take a
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step back laughing is kind of weird right you're smiling you're making these weird noises you're
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breathing heavy what's going on there well my guest today went on a worldwide tour to uncover the
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answers to these questions his name is peter mcgraw he is a behavioral scientist out of the
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university of colorado and he co-wrote a book called the humor code and in it he highlights all this
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research that's being done about humor and as well as his own research that he's done on humor what
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figuring out what makes things funny and is he actually created a humor lab at the university
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of colorado to figure out scientifically what makes things funny and he highlights this all in
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his book it's a really fun book and also you get some really great insights about humor and what you
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can do to become funnier so today in the podcast we're going to discuss some of the research that
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peter has uncovered and we'll also talk about some practical tips that you can implement today
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to be a funnier man without further ado peter mcgraw the humor code
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peter mcgraw welcome to the show thanks for having me all right so you are a psychologist
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behavioral scientist who uh has spent some time studying humor how did you get involved like what
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made you decide i'm going to study figure out like what makes something funny how did that happen
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uh well i wish i could tell you that i had this like lifetime passion about comedy and uh although
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i i knew that i couldn't become like a stand-up comic i thought i would i would i would understand
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it from a scientific standpoint but it's it's really not that interesting a story it actually
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just really comes down to being asked a question in a talk in which i had no i had no answer for
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so i i was giving a talk at tillane university this is now eight years ago and and presented a
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funny story about someone engaging in immoral behavior and the audience laughed and someone
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raised their hand and said why are we laughing at that you just said this is immoral and that people
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react with anger and outrage at immoral things and yet we're we're experiencing positive emotion why is
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that the case and i at that point i had been studying emotions for more than 10 years
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claimed to be an expert and couldn't answer that that question and that's set me off on this uh this
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sort of amazing ride um studying humor and traveling the world and and and trying my hand at stand-up
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comedy actually yeah yeah we're gonna get to that your your your attempt your your yeah your stand-up
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comedy experience um but i was surprised in your book the humor code is that there's actually like
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some serious scholarship being done about humor i'm not and i'm by serious i mean like really serious
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um can can you talk about some of this research that goes on about humor sure yeah um it is a little
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bit of a juxtaposition right so to to approach such a light-hearted topic in in a serious way and
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there and there are serious debates actually this is this question is an age-old question uh it goes
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back 2500 years to plato and aristotle and frankly people a lot smarter than me have been trying to
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crack the humor code since you know greek philosophy um so freud wrote about it hobbes wrote about it
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emmanuel kant wrote about it you know even even um humorists like mark twain and and uh mel brooks have
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written about it um and so it's it really is a puzzling question there's a small set of scholars
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in modern day um they actually have their own professional society the international society
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for humor studies uh that take this this topic very seriously and and and debate this stuff and
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review each other's papers and and so on um those people some of them are behavioral scientists like me
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some some of them are are linguists and and uh and historians and um philosophers and so on it's
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actually a sort of quite diverse group of people um i'm really an outsider uh relative to those folks
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but but they operate just like this just like the physicists and the psychologists and the sociologists
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who are trying to explain um you know hard science or soft science puzzles yeah and i guess it's they're
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still puzzling with that that question or grappling with it uh yeah i mean i believe that if they
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listen to me they could move on yeah okay there you go i just need to read the humor code they said
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you just read my papers um i'm obviously i'm exaggerating um but i i do think that there was
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uh i i felt like when when i approached this this question i i felt like i had one
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no that's not true i had two advantages um compared to to this uh to people who've tried to
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to understand humor historically and and the people who are trying to understand it in present day
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so relative to the people who are trying to understand it historically i could run experiments
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right so so i even created a lab a behavioral lab called the humor research lab designed
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to be able to run experiments and experiments is what differentiates psychology from philosophy
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right you're going from doing thought experiments to doing real experiments and that's a huge
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advantage because you can actually test your ideas the second advantage that i had was that i was an
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outsider that is that i hadn't no one had ever sat and taught taught me on day one of graduate school
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what people believed made things funny and so i actually had 10 years to sort of try to understand
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emotions uh more broadly and then got to approach this question from that perspective and that that
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has proven to be a to be a really valuable um advantage i believe yeah so you didn't have to deal
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with the the humor dogma that might exist out there exactly yeah you know like there's there's like
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this long history of of i think pretty good theories but but they're not they're not they're not strong
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theories anymore and but if you if you're taught those it's hard to sort of unlearn them yeah and so
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so that was a that was a really useful thing i mean in science this happens all the time it's not the senior
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most you know it's not the 65 year old professor who's who needs to finish this puzzle right before he
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retires you know it's not that's not the person who has big insights it's actually the person who
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has enough knowledge but is still kind of fresh enough to take a a new perspective um and and i
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think that ended up being the case here gotcha so let's get into uh some of your findings um before
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we get to the the what and how of humor first question is like why why does humor exist in the
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first place like why do we laugh because like if you step back and look at it's kind of a weird thing
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right that we do we just sort of just make these weird noises gesticulations we smile
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breathe pant why do we have that it is yeah it i mean and so to answer that question you have to
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answer sort of a a broader question of like well why what is like the function of humor more generally
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like not just the behavioral expression of it laughter but also then why is it why does it feel so good
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you know what i mean and why is it that we we point at certain things and say that's funny
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and not point at other things and and and say the same thing and and it is that actually the idea of
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laughter is actually one of the great hints at at understanding what it is that makes things
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humorous because for instance the fact is that that you don't need language to indicate to someone
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else that something's funny you don't have to be able to say that's funny for someone to know that
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you're finding something amusing right and so um so not only do can you express this cross-culturally
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for instance but babies for instance can express this you know prior to the development of language and
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this is the real mind-blowing stuff is that other mammals do the same thing engage in this so you
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don't so this is a very primitive communication tool and it's it's one that we actually share
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uh with mammals most notably non-human primates like monkeys and apes and bonobos and so on so i'll give
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you my quick answer to why we laugh sure and it's this it's that we're signaling to others that a
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potentially threatening situation is actually safe we're signaling to others the situation that seems
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wrong is actually okay we're signaling to others that something that seemingly doesn't make sense
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actually makes sense or what we call in the humor research lab a benign violation gotcha and so this
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leads you this leads into like what makes something funny right or what makes a joke funny or a situation
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funny it's this whole benign violation theory yes that you have that there's these two appraisals that
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something's wrong yet okay and and not only is the theory really good at at kind of pointing to the
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things that are funny it actually does a nice job of of explaining when things are not funny when there
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will be no laughter and uh and that's actually a problem with a lot of the prior theorizing is that
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they were often very good theories that if you looked at only at funny things
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they seem to have those conditions but when you you know when you think about telling a joke
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you know telling a joke is not an easy thing because it's actually more likely than not you're going to
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fail because there's more ways to fail than there are to succeed you can offend your audience and is one
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way to fail and you can bore your audience uh is another way to fail and in one case you've you've
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created a situation that's just wrong there's nothing okay about it in the other situation you
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create a situation that's not wrong enough it's just okay so you're constantly finding this sweet spot
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as a joke teller uh or as a consumer of comedy trying to find the right sitcom or rom-com or the right
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comedian who's able to find that that sweet spot of wrong yet okay for for your particular tastes
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what's like sort of a a very brass tacks example of a comedic uh something that's wrong but not wrong
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okay so let's actually step back let's talk about our let's talk about our little furry friends
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all right so let's talk about about um apes and and let's well i guess they're not that small but
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let's talk about apes and let's talk about rats for a moment okay uh so they they also laugh
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it's not it's not actually uh laughter it's often called play panting um in the case of apes and in
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the case of rats i don't even know if there is a good good term for it you talked about in your book
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they like they tickle rats like they're scientists like what they do is that's what they do is they
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tickle rats and they get paid to do it yeah also yeah indeed um nowadays they're doing it um they're
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being paid by big pharma to tickle rats which is i think uh a very interesting fact um the backstory
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on that quickly is that that right now the pharmaceutical solutions for for depression are designed to
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kind of try to remove depression but there aren't pharmaceutical solutions that increase happiness
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and uh and the goal someday you know is to is to have happy pills that's brave new world stuff right
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it's totally brave new world stuff and and to but to do that you need to be able to understand what
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actually is happiness and so you so they they use rats to to try to they try to look at what makes
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rats happy with the goal of trying to mimic that that physiological process and one of the things that
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makes rats happy is tickling them and jostling them and kind of play fighting with them uh you know
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sort of flipping them over and kind of rubbing their bellies and stuff like that which uh which
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you or i can't do but the people who the rats know you know and trust can do and and when you do when
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they do that when these scientists do that with rats these these rats make this sort of chirping sound
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um it's an ultrasonic sound you can't hear it with the human ear but you can pick it up with a bat detector
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and uh and this is a signal of positive emotion and and it goes even beyond this this is absolutely
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fascinating is that once these scientists sort of start roughhousing playing play fighting tickling
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these rats um the rats will will seek out this activity that is if the scientist moves his hand to the
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other side of the cage the rats will chase the hand trying to to elicit more of this experience
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and if you think about it from a rat's perspective this this experience is is a benign violation right
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it's it's threatening yet safe um and what they've done with these studies is if they if they make these
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sort of playful attacks not playful anymore they they get really aggressive the rats all of a sudden
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make a different noise they make the same noise that they make when they fight each other
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right you've just moved from it's the equivalent of i'm telling a joke and people are laughing and
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then i go too far i get too risque and then all of a sudden people are angry you get the groans you get
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you get yeah or or worse right people start throwing eggs at you or whatever it may be um or fire you
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in the case of people going too far on twitter or you know yeah in the workplace and so on
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and so same and the same is true for for non-human primates so so um they engage in play fighting
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again it has this element of the situation is kind of scary but safe and so um uh so when it comes to
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tickling tickling works in the same way with humans you can't tickle yourself no violation and if a creepy
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guy in a trench coat tried to tickle you nothing benign right it's only when you trust the person
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and it's done in a particular kind of way that that fits that taking that to the world of comedy
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it's now it's just it's not physical threats anymore but it's absurdities it's uh logic violations it's
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violations of cultural norms violations of social norms right when you think about it comedy plays on
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things that are wrong you don't have comedians who get up and say oh what a beautiful day i saw the
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best rainbow you know like they're what they're doing is they're talking about bad traffic and and
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airline food and um you know dumb people and so on and so forth right so so there are plenty of
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violations there it's just how do you find a way to not go too far right to to tell a joke about race
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that that offends yeah well that's a question like how do you know like how do you figure that out
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uh because on it's sort of weird on an abstract level like you're they're just words right so
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there's really no like you know if someone says like a really offensive joke there's nothing
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physically happening to you uh on a primal level i guess but yet we still there is a violation with
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words um there's a right and wrong yeah so how how does that line drawn uh it has it changed over
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time uh what what goes on there yeah so what you're highlighting is um is what makes my job as a
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scientist very difficult and what makes the job of the the wannabe funny person very difficult
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so so you could do what comics do which is uh use some combination of instinct
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um and you know experience and uh and actually testing empirical testing to figure out what's
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going to be funny and not so so if you ever go to a comedy club so when you see louis ck do an hour
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special uh it just seems like the man is just um naturally the most funny person that you you know among
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the most funny people in the world what you don't see is that for the previous 364 days
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louis has been honing that material trying that this joke night in and night out and and tweaking
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it here and there and seeing what gets bigger or lesser laughs with it and throwing out material that
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doesn't work and keeping all the best stuff so he so he's a very funny guy to begin with he's got
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great instincts but what he does is he writes hundreds of jokes and usually only one of a
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hundred make it and he just has to figure out which are the ones that are going to make it and he does
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it through a very rigorous even in many ways like unromantic testing process which is going to little
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you know little clubs and and trying these kinds of things out what what i think is interesting is is a
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theory may help cut that learning curve because the theory starts to explain a whole bunch of things
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right explains why one person's laughing another person's bored and another person's offended
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because they're each of those people see the world in a different way
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they're threatened to varying to differing degrees um by you pointing out what might be wrong with the
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world with yourself with them with politics and so on and so there are some i think hints at at ways
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that you might be able to try to uh find the kinds of topics that are more universally going to be
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accepted rather than um how do i say this rather than just saying like i'm just going to put this up
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out there scattershot and see what ends up working yeah that gets people into trouble like as you said
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like on twitter or whatever well yeah i mean nowadays this is a big problem is that comedy clubs used to
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be a very like we're always kind of a safe place that is that people were going they knew that there
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was some risk involved um and that a joke that would be told that bombed right you know a comic trying a
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new joke about a risque topic uh and that joke doesn't go over well he or she just moves on to the next
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joke no big deal people are momentarily upset and and a good comic can bring bring the audience back
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but now with twitter with youtube uh is that some it just takes someone recording that joke or tweeting
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about that joke or writing a blog about that joke that then it can become uh known to to not only um
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uh the people in that city but but the people all over the world right and that joke wasn't
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necessarily meant for a broad audience and it wasn't necessarily meant um it's being taken out
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of context and and all these kinds of things and so it it makes this world a little bit more difficult
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for the for the average stand-up are there are the comedians like doing anything to counteract that
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like banning cell phones or you do get yeah you do get comedians who sort of yell at audience members
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for for um you know for videotaping their bits uh that's certainly the case you know one thing that
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has happened is really fascinating i don't know if you if you've heard this but but a number of high
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profile comedians have stopped uh performing on college campuses yeah yeah the whole trigger warning
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stuff for yeah because there's just like there's a there's a notion that like there's enough sensitivity
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some people call it sensitivity some people call it you know knowledge of uh um of hegemony
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that uh that a lot of things that would normally be funny for a a beer drinking friday night um you
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know comedy club crowd doesn't doesn't work to a broad audience and and sometimes a very diverse
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audience on a college campus so uh you you mentioned that uh you know okay we have this theory that can
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possibly work as a shortcut to perhaps perhaps i have no data on that okay unfortunately but i i do
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believe that to be the case okay but you mentioned like you know louis ck has like good instincts which
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uh you know i hear that's like because is is there something with you know genetically or something that
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louis ck that makes him more sensitive to figuring out those that benign theory when it crossed i mean
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are some people basically the question is are some people born funny yeah so so i think that in the same
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way that some people are born fast there are some people born funny there are some people born cheerful
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there are some people who who are you know are born with a better sense of rhythm that we're not all
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created equal um when it comes to a sense of humor especially ability to to um to produce
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this humorous response than others but i also but i believe that that um
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i believe that that's actually not a handicap that that you can become funnier in the same way that you
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can become faster in the same way that you can become a better dancer in the same way that you can
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um you can learn to play piano you know like that that almost that you become a better public speaker
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that you can overcome your shyness um that there are a lot of things that we might have a
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predisposition towards but with practice with coaching with feedback you can you you can improve
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gotcha so um so for instance louis ck if you watch his old stuff i don't mean to pick on louis ck i mean
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i actually think he's he's a really good comic he doesn't like the benign violation theory so i often
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like to use him as an example of uh of how it fits so well if you if you look at old louis ck stuff you
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can see the you can see flashes of his brilliance but uh you know he was 30 you know he was 30 32
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years old and he was a middling comic yeah you know he was struggling to make it happen and what
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happened was he he made he dedicated himself to to the craft in such a way where he started really
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challenging himself and really take trying to take things to the next level and that's when his
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when his career really took off if people were born with a sense of humor we would have these like
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brilliant hilarious 22 year old stand-ups yeah and that just doesn't happen because you you need to work
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hard to get good at it um louis has a louis has a pedophile joke that he i think he almost gave
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up on it because he knew that he knew that it had the the bones to be funny but he couldn't make
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he couldn't make it work and he until he sort of he just kept tweaking it tweaking it tweaking and then
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he found the like the magic phrase we he gave he talked about this to howard stern um so the joke
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the joke's about like what is the what's the most horrendous crime that someone could commit it's um
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it's in his opinion it's not murder it's it's pedophilia it's to molest a child and it's so bad
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that these these pedophiles are like at risk in prison and and so on and uh and as a consequence
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sometimes they they kill their victims right so here you know here we are like this is this is we're in
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big-time violation territory all of these topics get an audience aroused in a negative way you know but he
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hasn't said anything controversial at this point and so what he does is he he follows this logical
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chain and he's like well if we want to actually keep kids safer um keep them from being being murdered
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we should we should start taking it a little easier on pedophiles oh boy that that that is his logic
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here and and and your oh boy comment is is exactly what um how audiences would would generally respond
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and what he ended up finding that he had to do was he had to create a caveat before he followed this
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logical chain with this joke of course as you might know i'm not doing this joke justice for the
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listeners they could probably easily google it and see what what how he executes this but he said that
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he had to add a little caveat that just said i don't know what to do with this information
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but and then he would follow the logical chain so he then went from someone who was prescribing
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telling people how to behave to someone who was describing the quote-unquote objective facts of this
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peculiar puzzle and then when he started doing that then that joke started getting laughs
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interesting interesting that's so it's a fine line super is like razor sharp it's razor sharp and
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it's razor sharp in part because that it's the jokes that have that that play on the biggest
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violations on the things that are most wrong are are the ones that get the biggest laughs
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typically now you did ask about like you know are you born funny or not i can tell you what the
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predictor that i can tell you the best predictor of um of a sense of humor especially in terms of
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production it's just simply intelligence is just being quick-witted and knowing about the world
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but when it comes to uh humor consumption that is like tendency to laugh and not that that actually
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is just sort of like cheerfulness just like having court sort of a sunny disposition like going through
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life not feeling you know like the walls are closing in and like things are bad you know sort
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of having a little bit of like uh being a little bit more cheerful is just the is sort of the the
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best predictor on the opposite side and what's interesting is production and consumption are tend
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to be uncorrelated if you laugh easily doesn't necessarily mean that you're funny if you're funny to
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other people doesn't necessarily mean that you laugh easily gotcha wait so this idea that um
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intelligence is what predicts uh humor or a sense of being able to produce humor is that why uh women
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find men with a sense of humor attractive like it's a signal a sexual signal for intelligence
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yeah so uh so one of the things that we did with the humor code was try to understand this question of
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like are men so if you ask the average person you say who's going to be funnier a man or a woman
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if you find if someone has a preference they'll usually say men yeah chris hitchens said that like
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women can't be funny right yeah yeah well well chris was wrong um well yeah to your face hilarious
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there's a lot of yeah well so so if you use the professional comedy ranks as your uh as your proof
00:28:17.820
then then then you come to the all these wild conclusions right like so does does anybody believe
00:28:23.900
that men make better doctors or better lawyers than women uh i don't think so but but the logic
00:28:31.400
would be well there's more male doctors than female doctors hence it must be true the world of comedy
00:28:37.520
is not very welcoming to women um there's not there's not as many mentors the clubs are run by men
00:28:44.240
there's still a lot of institutional sexism um that exists there and it's just not so fewer women just
00:28:50.660
try to do it from the very get-go but when it comes to just regular everyday people not the pros
00:28:56.960
um men and women tend to be more alike than different there is one finding that does stand out and it's
00:29:04.600
within a dating situation there's a tendency for men to try more and women to assess more
00:29:10.700
and the belief is the theory is that that um not only does a sense of humor suggest the two people
00:29:20.460
are compatible but it but your ability to be funny may suggest other valued characteristics
00:29:29.460
as you said intelligence so if you want to try to figure out is the guy smart or not if he's able
00:29:35.120
to make you laugh it's more likely that he is smart than not smart in that in that kind of way and so
00:29:41.760
so the evolutionary psychologists of the world hone in on that on that finding as saying that it's a
00:29:48.920
kind of sexual selection technique gotcha okay um so let's talk about uh your experience you went on
00:29:56.200
this whirlwind tour around the world trying to figure out what is what makes something funny
00:30:01.220
and then the the culmination of this is that you actually went up on stage and did a stand-up
00:30:05.880
routine um putting into practice all these the these theories you were able to come um come up with
00:30:12.200
based on your research how did that experience go of creating a stand-up routine based on science
00:30:18.720
uh so well so you have to understand that that it was my second time on stage okay uh because my
00:30:26.540
first time on stage was a total disaster uh i went i actually got up on stage in denver colorado and
00:30:33.560
did uh at the squire lounge and did an open mic night and totally bombed um i got one laugh and it
00:30:39.680
wasn't even an intentional laugh and and uh when i when i looked at the when i looked at the jokes i was
00:30:46.840
telling from a benign violation perspective they were too benign um they might have been funny to my
00:30:52.760
friends at a dinner party but they weren't funny to to the wannabe comedians and the dirtbag hipsters
00:30:59.500
you know at this uh this dive bar um and and uh my co-author joel warner was there in the audience and
00:31:07.100
and that actually really served as the foundation to to travel to all these places to go to the amazon
00:31:12.000
to go to tanzania to go to japan to go to scandinavia and so on and and joel only agreed to do this trip
00:31:19.500
if i agreed to get back on stage and to uh to prove we've learned something along the way
00:31:27.100
and uh and and we we went to the just for last festival the world's largest comedy festival and
00:31:32.720
and performed on at one of the shows and uh and it went better it went much much better um and it
00:31:40.180
went better in a large part because i what we did was we basically talked through all the different
00:31:44.800
things that that could help make something be funny so so we we just pointed out all the kind
00:31:50.540
of like weird things that we found on the on the during the travels right so when i got up on stage
00:31:56.800
i talked about these these travels and i talked about the peculiarities of the people and the places that
00:32:02.480
we that we saw and um and as a result like i i just played in a world of things being wrong
00:32:12.800
much more so than a world than a world that the in which things were sort of okay uh so for instance
00:32:19.720
i told a joke about how in in osaka japan which is is the it's the comedy capital of japan you can
00:32:26.320
walk up to a regular everyday person on the street and and like make your fingers into a gun and point
00:32:32.020
it at them and go bam and those uh those people will act like they've been shot it's like this unstated
00:32:38.820
joke that everybody in the city knows it's it's bizarre and so then the joke was like so i made
00:32:45.840
that observation and then i said um you know my plan is to use it to rob banks in the city next
00:32:52.340
you know and so uh you know these are not the world's funniest jokes but they're you know they're
00:32:59.080
not bad for a professor who studies what makes things funny rather than uh for a professor who's
00:33:04.480
who's truly a comedian at heart gotcha so you didn't get boot off the stage you got some laughs
00:33:09.620
i got some laughs it went all right yeah it actually really went all right now i mean if i had been
00:33:14.260
if i had really gone after this i that that event would have been i would have done 30
00:33:20.760
you know uh dive bars prior to that to get things uh really really honed in instead you know i tried to
00:33:30.160
make it a little bit more of an experiment and to use the kind of things you know i started the i
00:33:34.500
started the set with self-deprecation so i made a joke about myself um that's something that you
00:33:40.520
know when you when you i i you know i wear i sometimes wear a sweater vest i made i made a
00:33:46.020
joke about my sweater vest and uh when you when you make fun of yourself that almost by by neat by the
00:33:51.860
nature of it all is a benign violation you're pointing out something wrong with yourself but it's about
00:33:56.440
yourself and so that that very easily gets a laugh and sort of warms up the audience and then it gives
00:34:02.780
you it gives you more license to point out what's wrong with everyone else like the the the weird
00:34:08.700
behavior in osaka japan for instance yeah when does like self-deprecation go too far because i know
00:34:13.720
there's a lot of people who use that as their shtick but then you just like it's like you reach
00:34:18.000
the point where you're just like man yeah it's not funny anymore yeah you're just a loser yeah like
00:34:23.000
that at some point and i think that the point i think what it is is that so good comedians they
00:34:28.520
use it and then they move on right it's a it's a quick hit and then they move on um i think what
00:34:35.480
the risk of using self-deprecation is when um when it's it it's becomes constant right it's like
00:34:44.720
the person's always going back to it always going back to it and then it starts to make not not only you
00:34:51.740
think of the person in a negative way because you you know you part of the point of being funny is
00:34:56.900
that it's it's well liked yeah you know that that it it enhances people's assessment of you um if you
00:35:04.120
if you use self-deprecation too much people might actually start to believe the negative things that
00:35:09.300
you're pointing out and um and start to get really uncomfortable about it because now you're just
00:35:14.300
worried that you're you're just interacting with someone who has really low self-esteem yeah well
00:35:19.900
peter this has been a really fascinating conversation um but before we go i always like
00:35:23.220
to end these these podcasts with sort of like a quick practical tip takeaway i mean for the guys
00:35:28.960
who are listening to this right now um some of them probably are they they're probably natural
00:35:33.080
comedians but for those guys out there who aren't they want to be a little funnier what's one thing
00:35:37.980
they can do starting today to uh increase their humor a bit okay so i i think this is a this is a
00:35:45.780
straightforward prescription and that is that you have to try so you have to start to seek out
00:35:52.860
situations where you try to be funny and then you assess what works and what doesn't work
00:35:58.840
and when you fail be quick to apologize don't be defensive oh it was only a joke you know yeah you
00:36:06.600
know don't blame the victim just be like i was trying to be funny sorry about that store those
00:36:12.240
those failures away store the successes away and you can start to figure out in the same way that
00:36:18.100
if you want to become a good free throw shooter you got to practice free throws if you want to
00:36:23.780
become a funnier storyteller you got to practice telling funny stories awesome well peter mcgraw
00:36:29.440
thank you so much for your time it's been a pleasure thank you brett our guest today was peter mcgraw
00:36:33.740
he's the author of the book the humor code you can find that on amazon.com and bookstores
00:36:38.200
everywhere you can also find out more information about peter's work at peter mcgraw.org
00:36:43.000
well that wraps up another edition of the art of manliness podcast for more manly tips and advice
00:36:50.700
make sure to check out the art of manliness website at artofmanliness.com and if you enjoy
00:36:54.800
this show you feel like you're getting something out of it i'd really appreciate it if you'd give
00:36:57.620
us a review on itunes or stitcher that would help us get some feedback on how we can improve the show
00:37:02.180
as well as get the word out about the podcast so until next time this is brett mckay telling you to