#174: The Thinking Man's Guide to Style
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Summary
In this episode of the Art of Manliness podcast, Russell Smith joins me to discuss his new book, "Men's Style: The Thinking Man's Guide to Dress," and we discuss all things men's style.
Transcript
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brett mckay here and welcome to another edition of the art of manliness podcast so since i started
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the site back in 2008 i've read a lot of books on men's style and one of the most fun engaging
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witty books i've read on the topic as well as just crammed with useful practical information is a
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book that was published a few years ago called men's style the thinking man's guide to dress
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it's by a canadian columnist and novelist by the name of russell smith and i wanted to get on the
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podcast to discuss all things men's style so today on the show russell and i discuss sort of uh the
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all aspects of style sort of the high level philosophical approach to men's style why you
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should care about dressing uh the history of men's style why throughout history most of human
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history the most manliness of men were uh concerned about how they appeared and how they looked and
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it's only recently where this whole aesthetic of like i just don't care came to approach and we
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argue like why you should care even today uh we discuss the future of men's style but we also get
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brass tacks and talk about the um so the practical aspects of style the type of suit you should buy if
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you've never bought a suit and you're in the market for one why you should invest in a good pair of
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shoes shirts things like that really great information that you can take away and uh apply
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right away but also some things for you to think about as well so without further ado russell smith and
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men's style russell smith welcome to the show thanks for having me so uh you wrote a book came out
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about three years ago called men's style the thinking man's guide to dress and it's really it's
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one of the most information packed book on style but also the most well-written book it's just a lot
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of fun to read but i'm curious because you you highlight this in your book that growing up you
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were part of the the punk rock scene so i imagine there was a lot of studded denim jackets with sleeves
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ripped off and you know all you know rent you know rancid patches you know sewn on and whatnot
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and then now you're a writer so you probably work from home you don't have to get dressed up
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technically could wear in your underwear so i'm curious how did this interest in high men's style
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and fashion uh get started well first of all about punk rock i mean that was primarily a fashion
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interest i mean i think punk rock was primarily an aesthetic movement it was really a a movement about
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a new aesthetic a movement in fashion i don't really think it was a particularly not in the uk which
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was the movement that influenced me the most uh not really a political or ideological movement um
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so i came to punk rock through fashion uh really um but i'll tell you my background is interesting my
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father is a university professor of english my mother uh they met at oxford in the 1950s and she was
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a noted beauty and uh so she always had an interest in clothes to look good so i grew up with these two
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influences in my home my house had a subscription to the times literary supplement and vogue those
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were the two biggest influences of my life and my dad was always fascinated by the minutiae of men's
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clothing not so much fashion as convention you know convention in men's fashion is so much more
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important than it is in women's fashion uh the convention convention of how to do things properly
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and as a gentleman should are so riven with class conventions uh and military traditions um those
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things are actually at odds with fashion and they've they they they keep hold men's clothing back
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against fashion my dad he was from south africa which is where i was born and he um went to oxford
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as a road scholar and so was slightly outside the the privileged classes at oxford had a different
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accent a colonial accent and really had to learn these conventions of proper uh gentleman's behavior
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in a place that was highly class conscious so he learned all these these conventions of the right
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dinner jacket the right way to lace your shoes to button your jackets um the right kinds of suspenders
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what to call the uh the third piece of your suit and how to pronounce it and he taught all those
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things to me as a child so i grew up fascinated by these things interesting and you i guess the punk
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rock thing was just like a you're going to rebel against that was that well it wasn't no really it
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was all part of that you know for me punk rock was rebelling against blandness punk rock was a way
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of being a peacock um and and standing out uh so it was really just another manifestation of fashion
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and after punk rock as a very young man i went through all the different post-punk new wave
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manifestations of different fashions you know rockabilly and ska and goth and new romantic i had
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long hair and makeup and um and scarves uh those were those were all just different expressions of
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different forms of flamboyance really right yeah don't worry i don't dress like that anymore
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like it's interesting you make the point about how uh even people who in the punk rock scene were
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very fashion conscious because there's the general um idea out there from the you know most public
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it's like oh they don't care what they look like as a look at them oh god yeah not well in the 1970s
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it was very much about how you look yeah right yeah i mean well even i you know i was uh i was in high
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school in the 90s and i i was sort of in dabbled in the punk ska scene and i remember just seeing like
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people these kids like how much time they would spend like studying their jacket or like getting the
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patches right so i mean it looked like they didn't care but no they really cared a lot oh yeah there's a
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a lot of work that goes into it yeah right yeah um so in the book you you make the case that style
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and caring about dressing well um at least for men gets attacked or is held in suspect by both
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people who would call themselves conservative socially or liberal or progressive um so what
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are the respective criticisms and how do you counter those well it's funny it's pretty much the same from
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the left and the right the right the right says that um it is uncool uh unmanly to pay attention to
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your clothing that it's effeminate um that's what a social conservative would think um and uh a leftist
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thinks that it is frivolous that it is not serious that um it's uh uh evidence of a wastefulness a wasteful
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kind of thinking um and uh and uh um again evidence of a lack of seriousness um we have this convention
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in our society this is pretty recent it's only in really in 20th century society um that a man should
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um uh be valued only on what he does and not on how he appears and that any kind of training or
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flamboyant appearance uh makes him seem less serious and less powerful um that's really a blip
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in history in the history of men's clothing men especially powerful men have signaled their power
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through finery right through human history and even the most macho of warriors military men
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have the most flamboyant uniforms uh you know think of of of uh you know plumed helmets and uh
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uh um uh red uniforms and um all the different uh gold braid that goes into military uniforms um
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those are those those are really the most flamboyant outfits of all or those are the most macho
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men um think of kings um and and nobles showing off their status with silk and lace and and finery
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it really wasn't until the rise of democracy in the 19th century um that men uh began to try to
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appear as if they were below their social station it was something of a liability after the french
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revolution in europe to go around proclaiming aristocratic status um and it became more
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fashionable to appear to be a commoner and that's when the rise of the uniform garment began the kind
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of matching jacket and pants of a dark fabric that became the men's suit and that that began its rise
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in europe in the early 19th century and from about the mid 19th century on it hasn't changed it's a
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standard garment uh that that is a is a manifestation of democracy it's all men dressed the same so that
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we cannot tell the class differences among them that was that was how it arose um and really in the uh
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it wasn't until the mid 20th century and really the counterculture of the 1960s uh that this idea
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began to arise that the natural man uh was the most manly man that is a man who didn't pay any
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attention to his grooming who didn't shave who let his hair grow uh and who didn't uh uh care about
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his appearance that was it came hand in hand with a with a valuing of nature of back to the land um
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and even before that if you think of male icons of the 1930s or even the 1950s if you think of cary
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grant if you think of sean connery as james bond the masculine ideal there was not just a man who was
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competent and um uh masculine and also may be violent like james bond but who was also sophisticated
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who wore a nicely fitted suit who shaved um who knew something about opera and which wine to pair
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with fish that was a masculine ideal the idea that one could be elegant and sophisticated and manly at
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the same time that kind of died in the 1960s uh and again that's if you think of human history that's
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just a tiny little blip and of course now we're getting back to the idea that men can be elegant
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and sophisticated and manly at the same time i think family finally the all-natural movement
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of the 60s and 70s is dying wearing itself out because i mean i i mean i guess it seems like you
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talk about this in the book as far as men's style go in style in general there seems to be just
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it goes in like it's a pendulum right um yeah it'll one generation will rebel against the other
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so i guess the baby boomers were rebelling against their brooks brothers wearing dads right
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parents yeah yeah um so i know a lot of men who think that still think that though they're still in
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that natural man mode they think why bother right why do you think you know why is it important to
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care how you dress i mean so why do you think uh a man should care how he dresses and and you are
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make a case i think it's interesting is that you say that our clothes are a form of art and gift to
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others how so right i think that you dress out of respect to people around you and you dress not
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just for yourself but to make the people around you feel valued if i if i am dressing carelessly or
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slavishly in the presence of people around me it makes it gives them a subtle perhaps unconscious
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idea that i don't take them awfully seriously if i dress up to be in the presence of others i dress up i
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don't mean i'm always going to be wearing a bow tie i just mean that i dress um uh i dress uh
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cleanly and elegantly as if i've made a choice for them uh then they feel valued and they feel
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respected and that goes for events that you go to as well if you dress well to go to a certain place
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uh it shows respect for that place on a more uh practical level for one's own
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a lot more selfish level it helps one immensely to dress well in life because people simply treat
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you better they treat you differently and you can do this experiment i mean you can go to a police
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station um wearing a hoodie and ask for help or you can go wearing a suit and tie and ask for help and
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you'll see what happens um people wearing a suit and tie uh are treated with more deference they are
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treated with more respect people come to them uh to take the lead in the crisis uh you may deplore
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that you may think it's a bad thing and maybe it is but still we could use it to our advantage
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and uh i mean do you like you work from home i imagine do you get up and wear a coat and tie
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every day no i don't no i don't you know i'm i'm wearing the hoodies i talk to you right now
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and it's funny i crave an excuse to wear nice clothes and i i do i have a sort of opposite schedule
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from everybody else because i work at home what i what happens is i when i finish my work day at
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five or six o'clock if that's when i shave and shower and that's when i put on a jacket and tie
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and i go out so it's it's kind of the opposite of everyone who's coming home at that time taking that
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off um but i very much look forward to that moment you know there's a great anecdote in it's a scene
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in heart of darkness by joseph conrad when the the narrator is um first progressing down the river
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into the jungle um and in africa and the foliage starts getting dense and the heat starts getting
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oppressive and they start leaving civilization behind they come to the last outpost of belgian
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civilization and it's a telegraph hut a telegraph operator in the jungle deep in the jungle
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employed by the belgian colonists and he comes out to meet the boat and he lives alone in this hut
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in the jungle and he's wearing a dark suit and starch collar and tie in this intolerable heat
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and the narrator wonders why would he do that all day long they're sitting alone in the jungle but the
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narrator reflects that in the vast degeneration of the land was character that's a kind of a funny
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european uh belief that that i think is sort of deep in all of us that that uh we dress ourselves
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up as armor to fight off the decay and entropy around us i kind of like that idea i like that
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idea too and i feel too not only do when i dress up well like do others treat me differently but like
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i think of myself differently i take myself a little more serious yes than when i yeah so there's
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i'm happier i'm just happier when i'm well dressed i i i just feel i can deal with anything i do feel
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that it's a kind of armor that protects me right yeah i mean there's days i work from home too so
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i'm typically wearing t-shirts and jeans um but when i like i when i'm in that mode i gotta get stuff
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done like i'll dress up and uh yeah it helps and there's a psychological boost that it gives you and
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i'll tell you something else too that's important for men as they age to remember because i'm middle-aged
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i'm 52 years old and i i'm very nervous about looking silly trying to carry off casual or hipster
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clothes at this age i think that that one's ability to dress in casual clothes declines
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as one gets older because one doesn't quite have the perfect body and one doesn't have the useful
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glow and so a clever t-shirt and running shoes uh is not as sexy on a middle-aged man with gray hair
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um and so i think that it really helps one as one grows older to start moving into finer and finer
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quality and slightly dressier clothes you know i haven't given up on social life i still like going
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out to nightclubs where people are generally quite a bit younger than me and my god i certainly still
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want to be attractive to young women but uh i am not going to do it by dressing like a kid if i'm
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going to go to a nightclub where people are largely going to be younger than me i may well be the only
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person in a fitted navy suit and tie and that's fine with me because then i am being exactly who
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i am i'm not trying to pretend i'm someone else uh people can say oh that's the older guy and that's
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cool um and i feel much more confident that if i'm than if i'm simply trying to fit in with everybody
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gotcha so throughout the book uh you mentioned that like sensuality as a quality that you should
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try to convey with your clothes which i think is interesting because like whenever i dress i never
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that's like not the i don't even think about am i looking sensual um so why is that a quality men
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should be comfortable expressing well yeah and it's a tricky one because so much men's fashion
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traditionally is against sensuality right the the the main goal of the standard
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men's business suit is not sensuality it's to express sobriety which which is a bit at odds
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if you think of the dark colors that are standard in in men's suiting charcoal uh navy and and black
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um these come from a long tradition of professions that are meant to express sobriety if you think for
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example of the priesthood priests uh from various religions around the world were black uh as an
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expression of asceticism and sobriety a kind of distance from the pleasures of the world in other
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words an anti-sensuality so where in this uniform do we find uh a window in which to express sensuality
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well in fabrics um the fabrics of nancy are extremely uh soft and delicate and silk like these days
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um in crisp cotton um and in the little details the tie in particular you know the tie is such a weird
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thing it's such it's such a such a such a useless practically a completely useless garment the tie
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the tie has no practical role whatever it is purely aesthetic it actually evolved from a scarf
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in the in the 17th century uh uh scarves were the uh simplest way for people to keep their
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shirt closed at the neck buttons were actually quite expensive and so there were eyelets in the
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shirt um which you would pull over your head in the v-neck and then you'd hold it closed with a scarf
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and people particularly um soldiers started to develop more more elaborate ways of tying these knots of
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their scarves so that the show of these knots and that's and that's where we get the origin of the
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tie gradually evolved but now we don't need it to keep our shirts closed uh we just need it because
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it's the only bit of color and a very feminine kind of fabric silk uh in this in this otherwise closed
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off sober outfit um and uh the tie is just like this little window on your soul uh because the rest of
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your body is completely covered up and what about i guess pocket squares would be another way
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pocket squares would be another way socks um uh uh cufflinks um and uh and of course men's shoes are
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so luxurious too i mean i mean they're they're they're extremely expensive and um what you're showing
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off when you're wearing these shoes is a kind of handcrafted solidity you know you want to you want to
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show um a little bit of luxury with your shoes but in such a subtle way so people who don't know
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anything about shoes don't realize how expensive they are they don't realize uh what kind of labor
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goes into them uh so that's a kind of very subtle expression of luxury well speaking of shoes you
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advocate spending a lot on shoes i mean i don't advocate spending a lot of money on clothes generally
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i think one can get away um with um a very limited budget and i do having lived as a freelance writer
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for many years um shoes is the one thing i don't think you can skimp on because um shoes are really
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the fundament of your outfit they're like the route from which the whole outfit grows and uh again people
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who are class conscious and that tends to be people who come from the privileged classes are the ones who
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notice class differences and signifies not people who don't comfort those classes that's the trick
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of it um they recognize certain shibboleths um and so they will note your shoes right away um the other
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thing is if you spend a lot of money on shoes they'll last many years um and they tend not to go in and out
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of fashion the way suit uh shapes do and so it's really it's really worth it well so i mean what uh if
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a guy's like wanting to upgrade his wardrobe uh what's like the the go-to dress shoe that he should
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probably make his first investment in uh you okay well you need um one pair of uh your very first
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shoe would be one pair of black leather lace-up shoes uh that's an oxford style shoe now there are
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various variations on the style but it should be as simple as possible you could have a toe cap or not
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and my thing and this is a lot of people think this is a bit too extravagant but my thing is they
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must have a leather sole the leather sole makes them expensive that means they're going to be
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probably uh over 250 maybe 300 dollars um and uh the point about the leather sole is people can
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recognize that it looks good you could put on take it to a cobbler and put a small rubber a thin rubber
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layer over it so that it never wears out you can keep replacing that rubber layer um and
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those shoes will will last you forever um so that'll be your first pair now unfortunately black
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shoes are kind of going out of fashion as you've probably noticed but more and more people with
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suits are wearing brown shoes this has really been the style for the last 10 years um and so your
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second pair of shoes um should be brown or burgundy um they should also be plain uh although
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uh with brown shoes uh you could go the most most ornate thing you could do is go to a brogue a brogue
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is the is the shoe with the um uh patterns made of punched holes in it um that's called broguing
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um uh or tooling that's called tooled leather um and so that would be that would be your second pair
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gotcha basically you need black black and brown leather soles lace up not so black okay the third
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pair would be a pair of slip on ankle boots i would say like chelsea boots which would be very useful
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for casual clothing okay very good now and what about suits in that i think you can kind of lay out like
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a suit ladder i mean a lot of guys right when uh they're thinking okay i gotta get it most guys don't
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have a suit which i'm not surprised by this because like a suit's so useful because you can wear it to
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job interviews or a funeral or a wedding um so for an all-purpose suit for guys buying his first suit
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what what color should he go for right there's only two you can choose from yeah i'm giving you a
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choice of navy or charcoal so charcoal is a very dark gray not quite black now uh either of those are
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appropriate for your first suit you choose whichever you think matches your coloring best
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but um those suits are both very very versatile uh they could be worn in the day
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or in the evening the reason i wouldn't choose black is that black tends to look a little bit
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cheap i don't know why that is um but it's just not um it's just not a very respectable suit it looks
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like uh reservoir dogs like the guys yeah exactly i mean it looks a bit gangstery it shows lint very
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badly and it can be a bit shiny and there's just something wrong about it i can't quite put my finger
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around what it is but um you need something that's dark but not quite black now it's very
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important that your first suit be dark even if you live in a warm place like los angeles i think that
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um uh a light suit uh is not at all versatile and it's going to look silly uh and casual in certain
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situations but dark suit is much more versatile once you have two suits once you have a navy and a
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charcoal then you can move on to buying a summer suit uh in a lighter color but don't get light
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gray until you've really got a bunch of suits now those the navy and the charcoal can be paired with
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an almost infinite variety of shirts and ties uh and again black or brown shoes depending on how
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dressy you want to be uh traditionally a black shoe is the most formal although even that is changing
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you know recently here in canada we just had an election and a new prime minister was elected and he
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is a very young prime minister is in his 40s um and he shocked uh everyone by going to his
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inauguration ceremony in a navy suit and brown shoes i think this was the first time that it
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ever been done and a lot of people complained that it seemed disrespectful and informal but that's
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that's the way things were going it was it was a bit for us uh like the moment when john f kennedy
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showed up at his inauguration 1961 without a hat you know that was quite a daring step well it's
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interesting you talk about this in the book i mean this is kind of going off the point of the history
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of men's style like usually the changes in style are made by political leaders um right so there's
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like a way you're supposed to do things and i guess the uh windsor you know he was like the guy who
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kind of propagated the windsor knot and then like he one of the i forgot one of the kings in england he
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started wearing things a little more casually and people were stunned that he did it and then but
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then a year later that's what everyone was doing well yeah i mean the part of the most famous example
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of that would be um would be prince albert queen victoria's son who became edward the seventh
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he was um a daring guy in that he behaved like a bit of a playboy and he um went to racetracks and
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he hung around with actresses and americans and uh and so people were interested in his lifestyle
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because he was something of a celebrity and so people started following his clothing he had this
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um uh their house in scotland uh of balmoral and he loved to go spend a lot of time because he liked to
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shoot and hunt and so he started wearing plaid which was a scottish influence and plaid became all
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the rage in victorian england uh really because of prince albert that's why we have so much plaid in
00:26:20.520
our wardrobes now it comes from his adventures in scotland he also had a little bit of a weight
00:26:26.400
problem and he liked to eat a lot and he would wear a waistcoat a vest uh as part of his suit with many
00:26:35.080
buttons and apparently at the end of his meals he would be so stuffed he'd unbutton the last button
00:26:41.420
on his waistcoat and this became uh a fashion and to this day we never do up the bottom button
00:26:49.320
of our waistcoat just the same way we don't do up the bottom button of our suit jacket this is all
00:26:53.800
prince albert's influence and then uh the next uh would be king who was edward the eighth who advocated
00:27:01.880
became the duke of windsor was um a uh a very very popular fashion plate the popular papers were
00:27:09.700
always uh photographing his style and of course this was just the time when uh photographic magazines
00:27:15.600
were first becoming popular and so um he was photographed everywhere um always wearing elegant
00:27:22.860
matty suits and both of those guys did a lot to casualize man's clothing they started toning down
00:27:29.740
some more more formal wear so for example uh uh prince albert uh where that at that time one would
00:27:37.380
wear a white tie to dinner in the evening that is a long tailcoat and a white tie and a white waistcoat
00:27:43.240
the most formal outfit there is and at balmoral he started having more casual dinners where he would
00:27:47.660
wear a shorter jacket um and a black tie which was very dressy down and that became the modern tuxedo
00:27:55.080
um i think it's all uh going less formal so i mean if royalty was the thing the the group that
00:28:04.220
dictated style changes or fashion styles for for men what's our royalty today i mean who are the men
00:28:11.260
that drive the changes in men's style well obviously it's it's celebrities it's it's um it's popular
00:28:19.300
entertainers it's singers um it's actors and singers more than anything um and there's been a great
00:28:27.580
revolution against uh convention and tradition um that's that's really democratized version um and so
00:28:38.860
the influences are coming from everywhere now i don't think you can say there's any one uh there's
00:28:44.360
there's any one source that one looks to on on how to dress um and that makes that that's better for
00:28:53.680
the world generally and that it makes it a more democratic place with fewer class barriers and
00:28:57.680
shibboleth um at the same time it means it makes it a little bit more confusing for men who are trying
00:29:02.880
to decide how to dress and there are various movements going on of that could only be described
00:29:09.320
as conservatism that are that are uh dandy movements um that are encouraging men um and
00:29:16.240
african-american men in particular in the united states uh um uh to uh espouse fine and conventional
00:29:26.660
clothing suits and ties and pocket squares in a very colorful and flamboyant manner there's an
00:29:32.360
interesting movement in africa going on right now that you've probably heard of called the sapeurs
00:29:36.600
the sapeurs uh or a group of uh very underprivileged men from the congo uh who'd spent all of their
00:29:45.120
money on hand-tailored suits and ties in very bright colors um and leather shoes and all kinds of
00:29:52.600
accoutrement like canes and hats and and they looked like very old-fashioned dandies and it's a form of
00:29:57.820
social rebellion for them it's a form of kind of uh trying to move themselves out of of the sense
00:30:06.280
of uh lack of privilege that they have to be noticed in the world and those guys uh have uh
00:30:13.700
have presences in other european capitals uh like paris in particular so there's all kinds of
00:30:21.280
strange explosions going on right now of um the kind of a defiant interest uh in a luxurious and
00:30:30.800
flamboyant way of men's dressing all right i mean and you we wrote this book a couple years ago um
00:30:35.860
i mean are you surprised by some of these changes that are happening or did you kind of see it was
00:30:40.400
like the writing on no i'm not i mean i did i did say we're we're emerging out of this period of word
00:30:46.100
in which we value the all natural um and we have started to embrace artistry and the an artifice
00:30:54.620
uh again um and so uh yeah i could i could i could kind of see this coming um i mean i didn't see coming
00:31:04.140
uh counter movements like normcore you know uh and uh and uh i mean it'll always be a counterweight
00:31:12.320
to anything anything like this right and for our listeners you know aren't like normcore is like
00:31:16.880
when people dress like jerry seinfeld basically right normcore is i you know what it may be a
00:31:22.300
purely fictitious movement invented by the media that the idea of the metrosexual was largely invented
00:31:27.660
by the media actually as well um the actual metrosexual was rarely seen in the wild more in the pages of
00:31:34.140
newspapers and magazines i think the same goes for normcore uh the idea is that the most fashionable
00:31:40.320
and cool of hipsters in the urban centers of north america particularly in brooklyn um uh decided to
00:31:48.560
reject fashion so completely that they began to embrace a kind of anti-fashion which involved
00:31:55.100
deliberately ugly and bland clothes so to look uh not like a hipster but like a tourist from the
00:32:00.800
midwest um with running shoes and and plain jeans maybe acid wash jeans and a t-shirt with a logo on
00:32:09.000
it um and maybe a windbreaker uh that's the idea of the the blandest and most unnoticeable of all
00:32:17.100
that would be the highest fashion of all and that's called normcore irony you know what yeah it's just it
00:32:23.400
makes my brain hurt deep levels of cool yeah right well i'm curious i mean what do you think the future
00:32:30.320
is of men's style because it seems like it's been stuck like it's sort of the same thing for the past
00:32:36.100
a hundred odd years a little hundred plus years where it's a suit white shirt tie i mean are we
00:32:42.480
ever going to be move beyond that or is this are we kind of reach the apex isn't that fascinating
00:32:47.000
it's really weird because like i mean you look at like just like in the revolutionary times like
00:32:50.840
they're wearing like uh breeches and like you know frock coats and like these you know you know
00:32:55.300
very flamboyant things wigs and like we just we've we're done and i guess it's like i don't know what's
00:33:01.080
going decadence like we just we reached the apex and we're just gonna stick there it's um it's very
00:33:07.180
strange how long this has stayed without any change at all um and um that western standard the western
00:33:14.480
standard stood us spread to the rest of the world as well um so it's incredibly powerful and and fixed
00:33:20.460
and you know what fashion itself has been trying to fight it against it for decades so you get
00:33:25.080
high-end fashion designers runway fashion every year doing shows in which outrageous and
00:33:32.160
groundbreaking outfits are thrown down the runway men in completely crocheted outfits men in skirts i
00:33:38.860
mean for how many years have you been hearing there's about to be a revival of men wearing skirts
00:33:43.460
i've been hearing this since the 1980s i remember going to fashion shows i lived in paris as a student
00:33:48.720
in 1985 and seeing men in skirts where they walked down the runway and thinking aha finally men are
00:33:54.340
going to wear skirts well every five years we see someone say it's coming back and it never ever ever
00:33:59.040
does because uh fashion is always at odds with this with this uh very powerful force of convention
00:34:07.640
in the sense that a man must look a certain way in order to play a certain role and i i don't see that
00:34:14.620
changing anytime soon uh i i think that um certainly our ideas of gender are slowly changing our ideas
00:34:24.900
that that gender is fixed and has to be defined in a certain way is slowly changing so maybe we'll see
00:34:30.120
some more androgyny uh in men's fashion in future years i think that's gradually happening but not
00:34:37.020
nearly as fast anyone would have expected so i don't know the answer to that and i and i can't give it
00:34:44.000
i think you should go and buy suits now they'll be good for the next 20 years i could tell you that
00:34:48.040
there you go and i mean you talk about going back to the practicalities of style um you you mentioned
00:34:52.960
you don't really you don't advocate spending a lot on clothing um so should guys invest in like a
00:35:00.400
custom-made suit or made to measure off i mean what if they're buying clothes should they not feel bad
00:35:05.360
going to a a good department store that has good good brand suits there and buying that and getting it
00:35:11.000
tailored to fit or should they go custom-made um that's a good question and both are good um
00:35:16.460
nowadays in most cities there are there are brand new businesses developing as we speak and proliferating
00:35:23.520
uh specializing in custom suits and what they're doing is they're going you'll take their uh they
00:35:30.520
will take your measurements and then they will send those measurements off to asia somewhere it will
00:35:36.180
either be china or india or pakistan or or or vietnam where there are tailors working um and they
00:35:43.720
will cut a certain pattern but to your size it's it's not all that different really from buying a suit
00:35:50.680
off the rack and you're not getting um an actual bespoke suit you're not actually getting a suit that's
00:35:57.360
cut to fit you you're getting a slight modification on an existing pattern it's still in a very very good
00:36:02.760
deal uh and those suits are hardly more than suits off the rack from a great department store so um
00:36:08.880
uh i would say yes uh it is uh that's probably will fit you a bit better it's not a whole lot more
00:36:16.700
expensive and so i would get yourself um uh a made to measure suit uh the top end tailors tend to
00:36:24.560
distinguish they all have a different vocabulary but but here they tend to distinguish between made to
00:36:29.280
measure and bespoke so made to measure means what i've just described they do give you um a slightly
00:36:35.560
different size of an existing pattern a bespoke suit is something much higher end and it's where
00:36:40.340
they're going to start from scratch and draw you see and cut it for you um i know here in toronto a
00:36:47.520
suit like that will start at about five thousand dollars um so that's not what i'm talking about um
00:36:52.680
but uh i would also say that there's nothing wrong with buying cheap quick fashion from trendy chains
00:37:01.960
like say zara or h&m um because uh it makes one feel good to have a nasty suit that's in fashion it's
00:37:11.380
not going to last you forever it's not going to be the best quality but that's okay because the style
00:37:14.800
is not going to last forever and i'm talking about suits that are going to cost you say three or three
00:37:19.360
four hundred dollars um i think that that uh if you're strapped for cash it's really worth it
00:37:25.560
to have one of those find you on every couple of years uh spend a lot of money on your shoes
00:37:31.740
on your shirt and on your tie and nobody will notice that you have a cheap shoe that's okay great advice
00:37:37.460
there well russell besides writing about style you also uh are a uh great short stories um can you tell
00:37:44.540
us a little bit about your latest collection of short stories and where listeners can find out more
00:37:47.980
about your work yeah i i'm a novelist and i've written uh several novels um my last novel was
00:37:55.640
a book called girl crazy um and my most recent collection is a book of short stories and it's
00:38:01.200
called confidence and it's about urban people who live in cities and have affairs and do terrible
00:38:06.960
things to each other and so it's a it's a it's a funny and sad book and you can get it on amazon
00:38:12.860
um but you can also um check my website which is russellsmith.ca fantastic well russell smith thank
00:38:20.080
you so much for your time it's been a pleasure it's been a pleasure talking to you thank you
00:38:23.700
my guest name is russell smith he's the author of the book men's style the thinking man's guide to
00:38:27.760
dress and that's available on amazon.com and you can find more information about russell's work at
00:38:32.680
russellsmith.ca well that wraps up another edition of the art of manliness podcast for more manly tips
00:38:41.380
and advice make sure to check out the art of manliness website at artofmanliness.com and if
00:38:45.100
you enjoy this podcast i'd really appreciate if you give us a review on itunes or stitcher
00:38:48.440
as always appreciate the support and until next time this is brett mckay telling you to stay