In her book, Plato and the Hero: Courage, Manliness, and the Impersonal Good, Professor Angela Hobbes goes into detail clarifying Greek concepts related to manliness, including the wild Homeric virtues of courage, thaumos, spiritedness, and honor. And today on the show, Professor Hobbes and I discuss these ancient notions of masculinity in detail, as well as why the philosopher Plato felt uneasy about them.
00:06:43.700And I mean, how related to thumos is this concept of honour, or I think the Greek is time, time.
00:06:53.700What role did time or time play in the ancient Greek conceptions of Andrea or manliness?
00:07:03.700So again, in Homer, Tima is absolutely crucial to the hero's sense of himself. What he wants above
00:07:14.700everything else is honour and glory. He wants to be respected and honoured by those around him, and that is
00:07:25.700required for his own sense of self-respect. So it's very much about how you, what is your status in the
00:07:34.700world? How do you feel you count in the world? What do you need to do to get honour? Well, the easiest
00:07:41.700thing is to do whatever your society already honours. So it can appear that an honour-based ethos at first sight
00:07:51.700looks as if it might be quite conservative. It might encourage the repetition of established patterns
00:07:58.700of behaviour which have been proven to win honour from your peer group in the past, your society in the
00:08:06.700past. And that is one of the things that Plato's going to get to grips with. So we have this society based on
00:08:18.700on notions of courage, a particular conception of manliness, which is aimed at honour and excellent behaviour
00:08:28.700preeminently shown on the battlefield.
00:08:31.700So the thumos was sort of the driving force that propelled a man to seek out.
00:08:37.700Exactly. Exactly. And sometimes Homer seems to use it to mean something very like boldness or courage itself.
00:08:45.700Now, later than Homer, but before Plato, so sometime in the middle of the fifth century BC,
00:08:52.700we get the arrival on the scene of this word Andrea, which literally means manliness.
00:09:00.700It means the qualities and behaviours suitable, appropriate for a man to display.
00:09:08.700And what is the most important quality for a man to display at this time?
00:09:16.700Well, the qualities needed for him to perform his main social duty of defending his society and his family in times of war.
00:09:26.700So your main manly qualities, again, going to be those which make you effective at fighting back to our physical strength,
00:09:35.700our skill, our speed, how to use weapons and so on, the knowledge of how to use weapons.
00:09:41.700But above all your courage. And as we've seen, having courage will require this thumos, this sort of spirited metal,
00:09:53.700which is the engine force of your courage, which propels you forward.
00:09:58.700And again, at some point in the fifth century, though Andrea literally means manliness, it came almost to be a shorthand for courage.
00:10:12.700And it is the most usual word for courage at this time, which, of course, means that if you're trying to describe a courageous woman,
00:10:22.700it's very difficult to do that without calling her manly.
00:10:28.700And so we've got this very kind of complicated interweaving of ideas.
00:10:34.700And a lot of the writers before Plato are aware of this and bring out these ambiguities in this word, Andrea,
00:10:45.700particularly when they're talking about courageous women,
00:10:49.700because they can't really do that without making some kind of comment, whether it's favorable.
00:10:55.700Wow, look, a woman can be as courageous as a man.
00:10:58.700We seem to get that in in Herodotus, a historian writing in the middle of the fifth century B.C.
00:11:06.700But we also get critiques of women exhibiting Andrea before Plato.
00:11:14.700A very famous example would be in the tragic poet Sophocles, writing in the fifth century B.C.
00:11:21.700in his play Electra, where Electra is trying to avenge the slaughter of her father, Agamemnon,
00:11:31.700who was slaughtered by her mother's lover, Aegisthus, in league with her mother, Clytemnestra.
00:11:37.700And Electra is trying to persuade her sister, Chrysothomus, to help her slay Aegisthus to avenge their father, Agamemnon.
00:11:48.700And Electra says, if we do this, everybody, you know, everybody's going to praise us for our Andrea.
00:11:56.700And she presumably just means her courage.
00:12:00.700But Chrysothomus picks up on the root meaning of the word and says, no, no, no.
00:12:05.700It is not appropriate for women to display Andrea.
00:12:09.700It's not appropriate for women to pick up arms.
00:12:13.700And so there you get the playwright, Sophocles, very knowingly and in a very interesting way, exploring the ambiguities of this word Andrea.
00:12:26.700The best word he's got available for courage, but of course, literally meaning manliness.
00:12:33.700So all those sort of gendered expectations built in.
00:12:42.700A notion of virtue and moral excellence, which is very aligned to particular social roles, particularly as determined by gender and class.
00:12:54.700And the idea that the preeminent male virtue is going to be courage to such an extent that the word for courage is literally this word Andrea, meaning manliness and all the consequent ambiguities for what happens when you want to talk about women being courageous.
00:13:14.700Is it appropriate for women to be courageous?
00:13:19.700That's a really complicated mix of ideas that Plato has inherited.
00:13:25.700And before we get into how Plato explores these ambiguities with his work, particularly in the Republic, let's talk about courage more.
00:13:34.700Because one of the things I love about Greek culture, ancient Greek cultures, that they have these words like thumos, that it's a very simple word, but it's a very, there's like this complex and very rich meaning.
00:13:46.700And it's hard to pin down exactly what they're talking about.
00:13:50.700And I think the same thing goes with courage.
00:13:53.700As you just explained there, there's a lot of ambiguity with it.
00:13:58.700I'm curious about the concept of courage, how the Greeks perceived courage.
00:14:04.700It was an honor-based culture, and usually in honor-based cultures, outward displays are more important than internal motivations.
00:14:16.700Did internal motivations matter in determining whether one was courageous or had Andrea?
00:14:23.700That's such an interesting question, and I don't think classical scholars would agree on an answer to that, because certainly at times it looks as if a display of courage in Homer, for instance, is all about the actions, as you say.
00:14:44.700And indeed, in the plural, to Andrea, that means your daring exploits on a battlefield.
00:14:53.700However, the Greeks, way back as far as Homer, were very aware that those kinds of exploits, those kinds of actions, were much more likely to happen if they stemmed from the right kind of emotional drive.
00:15:14.700So they, I think, my view is that they were very interested in the kinds of inner quality, the kinds of psychological quality that were required to bring about these tough actions which were going to, which either required the endurance of pain or death, or at the very least the risk of enduring pain or death.
00:15:43.700I would say that they're always aware of the importance of a capacity for endurance, perseverance, this kind of raw spirited metal that we've talked about as being embodied in this concept of thumos.
00:15:57.660So I thought it was interesting, too, in terms of courage and how the Greeks rated or judged the courage of someone.
00:16:07.180You talk about this in your book, that this idea of techne or skill.
00:16:12.100Now, we think of increasing your skill is awesome, like it makes you more powerful, more competent.
00:16:18.180But the Greeks thought that if you had increased skill, it actually reduced your ability to claim Andrea in the battlefield.
00:16:27.280Can you explain the sort of the intersection of skill and courage for the ancient Greeks?
00:16:31.920OK, well, I think it varies very much on the writer because there's no question that some hero like Achilles is highly skilled and is also regarded as very courageous.
00:16:46.640So I'm not sure if Homer sees there as being a tension between skill and courage.
00:16:52.400However, you're absolutely right that there was a debate and it's particularly picked up in an early dialogue of Plato's called the Lakeys,
00:17:01.360in which two generals, two old retired generals, are discussing what kind of education is best for a young man and what kind of training is most likely to result in manly, excellent, courageous behaviour on the part of the young man.
00:17:25.820And they particularly ask about this notion of skill as a new technique, a new technique of fighting in armour required for the new kind of battle formation,
00:17:38.480the new kind of hoplite battle formation, where instead of being in a chariot or on foot, dashing around a battlefield,
00:17:46.880you stand in line and you hold your post and you protect the man on your left and your right.
00:17:55.820And that's a new way of fighting, a non-Homeric way of fighting, which is requiring new kinds of skills.
00:18:02.640And the skill of fighting in armour is preeminent.
00:18:07.280And there is a really interesting debate about whether it's.
00:18:13.380But if you fight and are very skilled and that reduces the risk, does that mean that you're less courageous?
00:18:20.760So the question is, what's the relationship between courage and risk?
00:18:26.280That's what's really at the heart of the question about the relationship between courage and skill.
00:18:32.180Is it the case that the more risky the enterprise, the more courageous the action?
00:18:38.000And certainly Plato raises the possibility that that no, there is no direct correlation between risk and courage,
00:18:47.340because in certain circumstances, a very risky action might be just utterly hopeless and foolhardy and reckless and not likely to achieve anything positive at all.
00:19:01.740Not even for, you know, the people you're trying to protect, in which case, taking the risk.
00:19:09.040How can that be seen as courageous rather than just reckless stupidity?
00:19:15.220So Plato wants to make a distinction between courage, which is always good in his mind, and boldness, which could be good or bad.
00:19:25.820Now, on the other hand, if you have no risk whatsoever of suffering any kind of pain or harm,
00:19:39.540then he would agree that action can't be courageous.
00:19:43.880You've got to be enduring or risking enduring some kind of suffering for an action to count as courageous.
00:19:52.780And if you're so skilled that it makes the situation completely safe, then that action can't count as courageous.
00:20:03.880And Plato comes up, I think, with a really interesting solution.
00:20:08.840I say a solution. It's an idea that's explored in the dialogue.
00:20:12.680As ever, he never gives us a very clear answer about what he thinks himself,
00:20:17.960because he wants us to think about these issues for ourselves.
00:20:22.780And I think he thinks, yes, no risk at all can't be courageous.
00:20:29.320But if you are skilled, that actually will increase your chances of performing a courageous action in two ways.
00:20:39.580One, it will make you more likely to enter into the fray in the first place,
00:20:46.220if you know there is a reasonable chance you could achieve something good.
00:20:49.960You may not save your own life, but there's a reasonable chance that you can help protect your people.
00:20:56.820And two, the fact that you're skilled, because it gives you some reasonable hope of achieving some of your aims in the fighting,
00:21:06.820then that skill is what makes the difference between an act counting as courageous and an act counting as simply reckless folly,
00:21:18.440which is not going to help you or your people or anybody in the world.
00:21:23.220So what Plato does, I think, is say we can train for courage.
00:21:31.900We can train to make to make it more likely that when the challenge comes, when the crisis calls, when our country calls for us,
00:21:43.380it will be more likely that we'll take up that challenge.
00:21:47.700I think the notion that a skill in itself doesn't make you courageous,
00:21:51.780but a skill can make it more likely that you will act courageously when danger occurs,
00:21:58.320that there is preparatory work you can do in order to be courageous.
00:22:03.780I think that's a really interesting idea to explore.