#310: War and the Changing Nature of Masculinity
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Summary
Leo Brody is a cultural historian and film critic and the author of several in-depth and engaging cultural histories, one of which is The Frenzy of Nobility: A History of Fame in the West. In this book, he delves deep into the cultural history of warfare in the west and shows how the changes in battlefield weaponry and tactics have changed our ideas of manhood.
Transcript
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brett mckay here and welcome to another edition of the art of manliness podcast well one of the
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primary roles of men across time and culture is that of the warrior indeed how we define
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masculinity at its core is centrally shaped by warfare for example the virtues we think of as
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manly like courage and physical strength and daring are vital in battle and because for thousands of
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years men have primarily been the ones doing the fighting we expect men to possess those masculine
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virtues but the way war is waged has changed throughout human history if warfare informs our
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ideas of manhood do the changes in war change our ideas about what it means to be a man well my guest
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today on the show answers that question in the affirmative his name is leo brody he's a cultural
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historian and film critic and the author of several in-depth and engaging cultural histories
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one of them being the frenzy of renown if you haven't read that book it's fantastic check it
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out but today we're going to talk about his book from terrorism to chivalry war and the changing
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nature of masculinity in this book leo delves deep into the cultural history of warfare in the west
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and shows how the changes in battlefield weaponry and tactics have changed our ideas of manhood today
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on the show leo and i discuss how the different ways achilles and odysseus fought battles created
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two competing ideas of manhood among the ancient greeks and how we see that competition still going
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on today we then dig deep into the chivalric code of the middle ages and how aristocratic warriors
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combine christian piety with pagan warrior fierceness leo then walks us through how the rise of the
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democratic nation state changed warfare and manliness and we end our conversation talking
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about how the current war on terror is subtly changing our ideas of masculinity today this is a
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fascinating show full of keen and thought-provoking insights after the show's over check out the show notes
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at aom.is slash brody that's b-r-a-u-d-y leo brody welcome to the show glad to be here brett so a big
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fan of your work the first book of yours that i read was the frenzy of renown which is a history of
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fame in the west and a fantastic book and then amazon recommended i check out your another book you wrote
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from chivalry to terrorism war and the changing nature of masculinity and i'm glad it recommended it
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because it's just what i love about your writing is i mean your books are really thick they can look
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seem kind of intimidating but they're a quick read surprisingly because it's just so jammed packed
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with all these interesting insights and uh historical nuggets um but thank you thank you oh no yeah you're
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welcome um so in from chivalry to terrorism it's about the changing our changing notions of masculinity in
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the west um particularly how war um influences our ideas of masculinity i'm curious what was the impetus
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behind exploring that was it something that you saw while you're researching writing the frenzy of renown
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and you thought maybe there's a lot more to mine in that little vein of uh cultural history yeah i think
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so and you know when i looking back a bit you know just like why i go from one subject to another i mean
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it's i reminds me sort of a venn diagram so there's always some overlap between them and that's
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something that say say a corollary part of one subject becomes a main focus of another of another
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book and uh in this one particularly i mean after doing frenzy of course you know one of the issues in
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in frenzy of renown is that you know how masculine the idea of fame is i mean they're certainly famous
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women but they're you know they're a very small number compared to famous men and also
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the famous not that many categories of famous women where there are many different categories
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of famous men so it really that sort of started me thinking just about the whole idea of masculinity
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and how masculinity gets defined and you know and from my my usual perspective i wanted to see it
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not as an innate category uh but as something that has you know is potentially innate as you know there's
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certainly physiological differences between men and women and things like that but that how that how
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that difference gets shaped into cultural categories over the centuries right yeah that's sort of the
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overarching argument you make throughout the book is um you don't discount biology completely so yeah
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there's like two camps when it comes to gender there's like the biological determinists that say
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uh biology determines everything about uh gendered behavior or ideas and then there's like the social
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construct you know camp like the extreme one saying that biology has no influence gender's complete
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um social construct right um you seem to make the art sort of like thread the needle saying yes
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biology plays a part but we can't also discount the influence of culture on our ideas of of uh
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masculinity or femininity exactly and you know i i start off in the book by by talking about tribal
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rituals of masculinity about uh circumcision and other kinds of wounding that occur uh to kind of
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initiate the the young boy uh into the tribe there too and so it's already starts as something that
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you might even call ethnographic or anthropological uh and then mutates you know as civilization gets
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more complex into into cultural categories right so let's start uh with the ancient greeks and romans
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that's where you start um and like i feel like we're still haunted today by the greeks and romans and
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their ideas of masculinity so and how did the ways in which the ancient greeks and romans waged war
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because that's the thing you focus on war and how it influenced masculinity how was it the way they
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they waged war influenced their ideas of manhood well i think in part certainly with uh starting out
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with the greeks there too there's there's very much about the the importance of the group uh and your
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role within the group in a warfare situation but uh when you look at an individual i mean there's a
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famous story uh that told about socrates uh that when he was on the battlefield he would just you know
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he would be barefoot you know he'd have his armor everybody who was a citizen then every male person
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of course certainly not slaves uh would be a fighter in that and it was a kind of uh you know what the
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romans later would call stoicism there too so there's a kind of stolidity a kind of you know
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the the hero is not necessarily uh the great warrior in battle uh at that point it's it's really the one
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who you know who sacrifices for the group who is part of the group who fights with the group
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uh so that's sort of i think in in terms of you know the realities of warfare but then there's the
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fantasies of warfare uh and you might think let's say of the difference between the iliad and the
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odyssey a difference between achilles and odysseus as heroes you know achilles is the guy who can
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actually fight who's but who has this wound this you know the achilles heel uh that he can be defeated
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through uh whereas odysseus is not so much a physical fighter as he is a wily person as he is somebody
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with guile who can trick people and that's how he so i mean it's almost like the iliad and the odyssey
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are kind of this uh split version that's kind of almost jekyll and hyde version of the greek
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idea of the ideal individualist hero right yeah and um you you can see in ancient texts they
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venerated the sort of the achillean model right where it's you you you take on your combatant
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directly because that's the honorable way to fight and odysseus was sort of seen as even though he
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he's the guy that won helped win the trojan war according to myth with the trojan horse
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he's sort of seen as like less manly than achilles yeah well less manly in that sense so i mean
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it's the question of you know what is manliness then you know is manliness in the head or is it
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manliness in the body there and i you know i think that's that's sort of a divided thing i mean if you
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look at other kinds of um physical heroes let's say even in the iliad somebody like ajax there i mean
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there's a sort of uh meathead side uh to the excessively physical hero right and part of part of
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what happens to achilles i think in in the course of the iliad uh is that he becomes more internal
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more introspective he becomes so i mean it's it's a you know an effort in a fictional sense uh to you
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know for whoever homer was um or how many people homer was to you know to try to see uh masculinity
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not as single noted yeah um and said was there one idea that won out amongst the greeks or were
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they just sort of there competing amongst each other the sort of achillean i think they're always
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competing and i think that's kind of part of the nature of of masculinity in general as you see it
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across the ages that is you know to what extent um it's it's it's single noted to what extent it goes
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to one end of the spectrum uh and to what extent it's a sort of continuing argument within culture
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i think this you know this is part of the difference that to me historically at least between
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masculinity and femininity uh that is because women are connected to nature they're considered
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to be kind of invariable in a certain way they're they're not single noted but they're you know
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they're because they're part of nature uh in that sense uh they are you don't have to argue about what
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women are uh talking you know in terms of the authors themselves not necessarily in the actual
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nature of femininity but then historically though masculinity is always part of an argument is this
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kind of man better than that kind of man and i think you can see that thread uh through the ages
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and how did the romans pick up that uh that thread well the romans started moving more towards the
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and again taking clues uh clues from uh greek practices uh to different kinds of masculinity i mean
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there was the the warrior and then there's the politician now a lot of them somebody like caesar
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somebody like pompey you know tried to combine the warrior and the politician but then somebody like
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cicero uh you know really that was about the politician the order and i think you know to a
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certain extent you can see this again uh in terms of the uh the earliest views of the what kind of man
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was important say the athlete in greek culture is a very important figure i mean if you won the hundred yard
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dash there at the olympian games you could have the year named after you uh and so this that kind of
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possibility was the physical hero but then there was the hero in front of other people like pericles
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i mean pericles is a you know leader in battle but he's remembered for his funeral oration he's
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remembered for his uh what he did as the kind of leader of athens in a political sense so this idea
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is it the politician is it the orator is it the person who appears in front of public or is it the
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person of physical prowess uh who is really the hero and uh you know go back to what i was saying
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about socrates on the battlefield that socrates is a is a hero of of thought there and and when he when
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he becomes a soldier he becomes a hero of a kind of not active physicality but of stoicism
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right yeah the ancient greeks and romans they defined often to define courage as the ability
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to stand your ground wasn't necessarily to actively battle but just be able to stand your ground with
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the group yeah and you know one of the roman heroes was fabius maximus conctador and conctador
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means the delayer he was the guy who who never got to battle or got took a long time getting there
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because he was wearing out the enemy i mean it's almost like a you know chinese art of war strategy
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right and um but you talk about in the book even amongst the romans there was that um there was
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an argument about what is the most manly way to fight you had the professional soldiers who
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put emphasis on standing your ground stoicism being well trained but at the same time the romans had
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this admiration for the barbarians and sort of the more exactly like fierce and active a way of
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fighting so what was going on there how did they how did they incorporate the two into their idea of
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man man manhood well i think part of it is the fear and it's some and it's a kind of fear that arises
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you know rises in later centuries as well i think even in in the 19th century in europe there it's a
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fear of being too civilized it's a fear of being too orderly too cultured perhaps and so you look for
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a source of energy and a source of renewal and reinvigoration uh in the primitive and so let's say in tacitus
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for particularly you know there's a kind of hankering for that war that kind of warrior energy
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that the barbarians represent that somehow we've gotten a feat we've gotten civilized in quotation
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marks the romans that is uh and you know we need that that new energy right i think it's interesting
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uh we had a fellow on the podcast he's a classics professor uh he does a podcast called the fall of
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rome and we talked about the romans and the barbarians interactions it was interesting how
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both cultures like they wanted what each culture had right so the barbarians like they wanted like
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that sort of sophistication of the romans and then the romans they would like they started like naming
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their kids after like you know german germanic names and like wearing wolf's you know clothing
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like the barbarians did um so it's interesting how both cultures saw something in their culture the
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manhood that they wanted yeah i think you know that's and again this is something that you can see in
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in other cultures uh over the centuries i think let's say uh the you know the relationship between
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the french and the english or the americans you know the french are the sophisticated ones and you
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know there's a longing you know in that kind of franco francophile way for that sophistication
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whereas the french value certainly uh in american culture and in english culture uh you know the
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more primitive what they consider to be you know the more primitive expressions whether it's in the
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18th century novel or whether it's jerry lewis let's say as a director well another another theme
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that you you explore throughout this is an important concept into our notions of manhood throughout the
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west is this is honor um we in the today have we conceive of honor sort of uh as personal integrity
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um but that's not how ancient or even you know early modern people thought of his honor so how did
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how did people think of honor what was honor um to an ancient roman or a renaissance or medieval man
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well you know it's it's very telling uh that the word uh that our word virtue goes back to virtus in
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latin and which means something that a man have a weird of dir which is the word for man in latin there
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so if honor is only something and virtue by the same token is only something that a man could have
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and again women are sort of left out of the equation there so it really depends on you know that is
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honor itself and virtue itself you know for a long time depends on an idea of an ideal actually of
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masculinity there i mean there's a warrior ethos there i mean you can see this uh in this is why i
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begin the book well with chivalry because of the chivalric code the idea that there's there is a way of
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being a perfect knight in that way a perfect warrior it's not just only about physical prowess there is
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some idea of honor and virtue uh connected to it as well and you know it becomes a something again
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something to be striven for it's not you can almost say you know if you need a chivalric code it's because
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people aren't acting very chivalric you're very honorably uh otherwise right and again another
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point you make um for honor to exist like it there needs to be an audience and i guess for the greeks
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and the romans like other men were the audience and other men uh on the same level um but how did that
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change with uh the medieval era and the rise of the chivalric code well there's a there's a big uh
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conflict during the middle ages uh between the idea of the warrior let's say and the idea of the
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christian there uh you know as and christianity struggles i think with with chivalry because chivalry
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to a great extent comes out of paganism you know it comes out of um it comes out of the vikings it comes
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out of the norsemen it comes out of this idea you know something like the um you know the early english
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poem beowulf of a personal direct uh relationship with the forces that you are fighting with uh it
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doesn't it's not about mercy it's not about those new testament values that jesus embodies it's something
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else and so there's you know there's a there's an effort to pull those together to pull those together
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in a kind of chivalric code that emphasizes both the physical masculinity uh as well as the moral
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christianity uh of the warrior so how do they reconcile that then i mean what how did how did that
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manifest itself that reconciliation of the pagan warrior ethos with the the more the christian ethos
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well they managed it i think they managed it sort of with difficulty uh let's say i mean one of the
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reasons that historians say that the um you know the the crusades were first being preached was not
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only to as they said you know rescue um jerusalem and that area from uh you know from the pagans uh
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from the moors and you know the muslims uh but also to make sure to to divert the uh the knights of
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europe who were engaged in so many internet scene battles with each other for you know for power for land
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for whatever it was for wealth there i mean there was so much killing going on in europe they wanted
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to uh you know this is a more cynical view of the crusades they wanted this the theologians and the
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people who preached the um crusades said look let's let's focus somewhere else let's look at some
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you know the idea of a common enemy outside might subdue these fights within right and who were the
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type of men who could lay claim to being a real man so these were knights i guess like the i guess
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this is so is it aristocracy only that had this sort of could claim to be a man under this medieval
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notion of manhood well the you know the um for the most part although some you know some people could
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rise into that could get could gain that status through their own you know physical prowess and you
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know the um the middle ages tended to divide society uh into three groups uh the the the in latin they
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called them the laborers uh the uh or the oris and the um the pugnatories that is the people who
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work the laborers uh the people who pray that is the priests and the people who fight that is the
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knights the and the warriors and they were the ones who protected the kingdom so i mean that was that
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was they were the three types of of masculinity uh and the the protectors then the warriors were of the
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highest class for the most part uh and the laborers of course the lowest class and the priesthood you
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know somewhere in between there so yes they they were there but the thing is above above the the warriors
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though and this is kind of intriguing part of it above the warriors were the people who actually hired the
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warriors were the real aristocrats uh and one of the intriguing things that happens in the course of
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of of the middle ages is that because i would say because of the chivalric code because of the idea
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that warriors have this honor or aspire to this honor uh people who were actually nobles with a lot
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of money who hired warriors to do whatever they wanted them to do wanted to be thought of as warriors
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wanted to be thought of as knights themselves um you know there's an interesting detail around 10th or 11th
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century uh whereby various kinds of legal documents that used to be signed by these nobles as dominus or
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you know lord or leader uh started being signed by the same people as equus or you know equestrian as
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warrior horsemen interesting and at this time was there any sense of i like i guess we'll get into this
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later but like national identity like do these knights think i'm fighting for king and country or was it
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like i'm just fighting for myself uh so i can make money and get glory well this is nationalism is in
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a very embryonic stage at this point uh you know and probably um i mean even in england i mean england
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is really to me where where ideas of nationalism uh really get started and somewhat later than this 16th
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and 17th century particularly 15th 16th and 17th because england and scotland they're islands so
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they already feel separate uh and so the idea of separateness uh and the idea of nationalism
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somehow go together and so the those places become a you know a better incubator of nationalist ideas
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but in the middle ages you know you have um international catholicism sort of covers
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all of england and scotland and europe and france etc there and so people could um uh not it wouldn't
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they'd be fighting more they'd fight more let's say for their local lord i've made some comparisons
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in the book with what's happening in japan at the same time there and you know you're fighting the
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the ronin they're all fighting the uh uh the samurai they're fighting for their local lords they don't
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really have an idea of japan behind this uh at all even when they're fighting uh foreigners that's
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interesting um and so the laborers uh i mean i i i understand from my understanding of uh medieval
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history there was sort of this competition between the the priest class and then the warrior class on
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what what who was the man i guess is the way to get there um but the laborers were they even like in
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the debate at all or were they just sort of ignored and by both the priest and the the knights pretty
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much ignored i would say you know it's not you know they they were there there they did their jobs they
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didn't fight particularly they probably you know got killed um and their houses you know their
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villages burned uh you know when well knights would sweep through the neighborhood i mean there's
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a certain amount of truth in game of thrones and and the way it depicts those those periods you know
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that that the the people on the ground the lower class the workers and artisans and people on the
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ground are just you know there to be uh you know run over by the the fights you know between the
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the various knightly and noble houses there i think you know it'd be interesting it's interesting
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to kind of take a look let's say at the canterbury tales uh and the way chaucer describes these
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different people because he has a whole array of of social types there and he starts out with the
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knight uh and you know and the knight is there and he's supposed to tell the first tale because
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you know he's the highest status etc etc but almost immediately the miller butts in after the
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knight's tale and um he tells his tale he said i want to tell mine he's drunk he's going to tell
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his tale first so chaucer is sort of showing you uh you know even within the canterbury tales there
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a picture of a society that is not quite stratified socially but is not quite uh let's say static
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socially at all and you know there can be you know is the miller representative of a rising uh
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class a rising mercantile class in there who knows i mean you can stretch that a little bit
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but you know it there's definitely a lot of tumult um between the classes in that point and just one
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other thing about the canterbury tales it's interesting that the two characters uh on the
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trip that are considered to be uh you know the most holy let's say that are described with the least
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irony the least satire the parson and the plowman who are actually brothers so it's not the parson and
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kind of lower level member uh of the religious and the plowman certainly very low low level of the
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laborers there are somehow seen as ideal figures even uh you know within the social array right so
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we're starting to sort of beginning to see the rise of sort of democratic notions of not not only
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manhood but individualism as well yeah and it's uh you know i think it's intriguing that um uh
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uh that in you know chaucer is frequently being accused of being a lollard uh you know which is a
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kind of early that's a kind of negative term for an early english proto-protestantism uh a part of
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which uh wants the bible to be translated into english so that individuals can read it so i mean there's a
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sense that that is the individual relationship to god without the uh priesthood being in between
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there uh is is part of you know the kind of seed bed for a more secular individualism that comes
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later um so another um thread you explore throughout the book is how advances in technology particularly
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military technology um affected notions of manhood um so how did that how did technology change
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what was considered manly amongst uh you know early europeans and even going back to the ancient greeks and
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romans well the thing is from the ancient greeks and romans uh forward you know to the middle ages
00:25:33.620
the primary way that battles were fought was hand-to-hand was direct face-to-face hand-to-hand
00:25:40.820
you're using a sword you're using a spear uh you know there were there were kinds of group strategies
00:25:46.580
like the the testudo of ancient greece where a group would get together and use its shields to
00:25:53.140
being looking like a turtle there and moving across the field and being more impenetrable that way
00:26:00.020
but the ideal at least of the heroic of the individual individualist heroic was much more
00:26:07.300
hand-to-hand you are facing your opponent you are you're battling one person is going to win and
00:26:12.900
another person is going to lose it's really either or in that way but in the later middle ages when
00:26:19.460
guns start coming in and cannons and things like that uh you know that is uh it becomes very
00:26:25.860
different i mean it's one thing to you know to get on your horse with all your fancy armor and your
00:26:30.980
you know uh and your spears and what have you and ride against somebody else uh as opposed to being um
00:26:39.380
shot with a gun there i mean it knocks it down i mean so so the eye the status of a warrior
00:26:45.380
warrior uh you know becomes much more in question there of the war the ain't the older warrior hero
00:26:51.700
uh you know encased in his armor with his helmet and everything else now this you know of course one
00:26:56.980
of the classical moments when this happens is not really about guns but it's really about archery and
00:27:02.820
again archery is killing at a distance there uh so something like the battle of agincourt you know in
00:27:09.140
the 15th century there where the english defeat the french i mean it's the french aristocracy the
00:27:15.220
french are still holding to a an older ideal of warfare where each person is wearing his colors and
00:27:23.540
sallying forth on his horse and the horse is armored and the man is armored and then all these
00:27:28.260
lower class english archers are shooting hails of of arrows at you and killing people they don't even
00:27:34.580
know who you are i mean there's so much in in earlier battle about knowing who you are again thinking
00:27:41.060
about the iliad of people who face each other on the battlefield start telling their genealogies to
00:27:46.500
each other i am the son of x and the grandson of y there that is it's it is very personal it is very
00:27:53.140
family oriented very individualized uh but with archery and then of course even more so uh with with
00:27:59.780
guns and powder and ammunition and things like that it becomes much more depersonalized and was there
00:28:05.940
a pushback again amongst armies about adopting these technologies because it was considered less
00:28:10.980
honorable oh yes well certain armies yeah wouldn't do it uh you know they're very they're huge uh kind
00:28:17.220
of screeds against the use of cannons is considered to be satan's instrument why because you know again
00:28:23.860
it obliterates the uh the individual honor that is possible in battle right and you you also point out
00:28:29.380
this happened in japan as well i guess in the 17th century the ronins acquired firearms but they made
00:28:35.380
them illegal uh because it wasn't yes yes they wanted to go the japanese managed to go back to
00:28:41.140
to reverse reverse it uh and go back to the sword for for a long period of time when after uh firearms
00:28:48.980
were first invented um so but how did this idea of of of being known and knowing your enemy who you're
00:28:56.180
fighting uh it was a strong idea i mean how did this did this still manifest itself even in the 19th
00:29:02.980
century with you know the advent of modern warfare with the civil war did people still try to keep
00:29:08.820
that sort of uh classical idea of what it means to be a valiant warrior well i think it i think it got
00:29:16.100
more and more difficult and it sort of moved into the realm of not quite a fan well maybe cultural
00:29:21.700
fantasy you might call it that is you know you'll see something like um uh victoria's husband prince
00:29:28.580
albert you know dressed in an old style suit of armor almost and you know in a portrait that is it
00:29:35.780
it comes to signify a kind of heroism but that in fact doesn't really exist anymore on the actual
00:29:43.380
battlefield uh and so the fascination uh i mean you have something like tennyson's idols of the king
00:29:50.820
i knew your fascination with the middle ages uh in um in the 19th century is a fascination again i think
00:29:57.700
uh very much like uh what we were discussing or somewhat earlier about the way in which uh a
00:30:04.980
civilized society hankers after a more primitive society because it seemed to be purer and more
00:30:10.740
direct and a closer relationship to what they consider to be real values than what happens later look you
00:30:17.300
know from from the napoleonic wars to world war one uh the uh the ability to shoot a uh to say a single
00:30:26.660
bullet uh over a distance increases enormously enormously you know they're still using flintlocks
00:30:33.300
and things like that in the napoleonic wars by the time you get to world war one i mean you don't only
00:30:37.940
have these huge cannons like you know big bertha and things like that but you know you have guns that
00:30:44.020
can shoot 1500 yards so um you know the distance is increasing constantly and so there's a tremendous
00:30:51.540
pressure then on the idea of what constitutes um individual heroism in battle you know we'll
00:30:58.020
explore this this sort of this um this strand in the 19th century of sort of uh romanticizing the
00:31:03.860
medieval era and um sort of like it's almost like an anti-modern revolt a little bit but before we get
00:31:08.660
to there how i thought this is really interesting i never really thought about it how did the rise of
00:31:12.980
democratic nation states change warfare and the western ideas of of manhood well the rise you know
00:31:21.540
the rise of nation states you know which starts really in the 17th century i mean in a self-conscious
00:31:26.980
way uh it is very important i mean part of what happens with and especially with the democratic states
00:31:34.580
and what happens in the united states in the 18th century with breaking away from england and what
00:31:40.020
happens in the french revolution let's say um is i would characterize as this as a change from
00:31:48.580
being subjects to being citizens uh and that is instead of fighting for your local leader for your local
00:31:56.260
lord or even for your for your king as a as a figure you are fighting for your country the idea of fighting
00:32:03.460
for your country then i mean it was there in you know in the roman period it's you know this is not the
00:32:09.220
first time it happens but in you know that to fight for the country for the patria for rome um but it in
00:32:16.980
the 17th and and much more in the 18th century with the democratic revolutions in england and in the united
00:32:24.020
states there uh it becomes a much more of the moment very very contemporary uh in that way so as a citizen
00:32:33.620
then that is the object before this you know most of the most of the uh wars let's say from oh i don't
00:32:40.900
know you know just let's say from the renaissance forward into the mid eight mid or so 18th century
00:32:46.580
most of those wars were fought by people who by mercenaries by people who were paid to fight uh they
00:32:53.380
didn't necessarily have any uh national relationship to the country that they were fighting for
00:32:59.780
um but with of course again with the french and american revolutions it's about your own country
00:33:05.220
uh you know it's when national anthems get started really uh and this idea of creating a kind of
00:33:12.660
emotional relationship to your country uh that also involves a citizen's obligation a male citizen at this
00:33:19.700
point of course a citizen's obligation to fight for your country when it's threatened and in a way
00:33:25.060
a democrat not in a way that so that democratized manliness right more men could lay claim to manhood
00:33:31.380
it wasn't just for an aristocratic aristocratic warrior class or these mercenaries like the average
00:33:37.380
citizen could also show himself a man yes exactly no that's exactly right and it's that is you know
00:33:44.420
the the social side you know the uh time-honored traditional social side of only a certain aristocratic
00:33:52.740
class who then uh being the you know the bulwark uh against uh invaders and enemies
00:34:00.660
there uh kind of disappears and it becomes something that that everybody can feel a part of and certainly
00:34:06.980
uh the you know i think particularly to a certain extent in world war one but particularly in world war
00:34:12.500
two you know that becomes something uh that uh that government play government propaganda of course
00:34:19.140
uh plays upon you know that is your personal obligation uh the gold star mothers you know your
00:34:25.380
this personal sacrifices uh that are made by every normal ordinary citizen to fight uh for his or her
00:34:33.380
country and that might sound great on the you know more men can be considered manly but i think you
00:34:39.700
make this point in the frenzy around one of the the downsides of democracy that alexis de toqueville
00:34:44.260
notice is that yes you open up the the way for more people to gain status in a society but at the
00:34:49.620
same time you increase anxiety uh about your status because there's more people that you're competing
00:34:55.620
against for status so that happened with manhood as well as more men were able to lay claim to
00:35:01.300
being a man there was more of an anxiety like am i a man am i am i a real man yeah and i think you
00:35:07.540
know all not just masculinity but all ideas of status then you know are you know are cast into
00:35:13.940
doubt there uh you know in the old in the old format it was genealogical it came out of family you
00:35:20.180
know my family has been here for many many years and back to my great great grandfather we've owned
00:35:26.180
these lands and things like that but when it's open to when it's open to all then uh there's
00:35:32.740
simultaneously this the sense of importance of you know my my masculinity is important as anybody
00:35:39.380
else's uh but at the same time i wonder the downside of it i wonder you know whether i can measure up
00:35:46.900
will i be able to measure up um so you mentioned earlier um that in the 19th century there's sort of
00:35:52.580
this return to medieval you know chivalric ideas of manhood in the 19th century and um we saw something
00:36:00.180
similar in america with the the rise of teddy roosevelt's strenuous life what what was going
00:36:06.100
on in the collective psyche of the west in the culture that saw it seems like it was almost an
00:36:11.940
anti-modernist movement where you saw in europe people venerating knights and telling these stories
00:36:18.180
of knights and in america this interest in um native americans and sort of this admiration of
00:36:24.500
native americans and roosevelt's idea of the strenuous life what was going why why did that happen
00:36:29.700
well i think in part it's it's about again trying to re-individualize it i mean you know another one
00:36:35.060
of roosevelt's phrases was rugged individualism there that is you had to be tested there you
00:36:41.060
know and rose of course he came out of his own uh his own autobiography there you know his his mother
00:36:47.060
and his his wife dying so so close together uh and he leaves new york and he goes out to the dakota
00:36:53.780
territories you know to become a man in a sense you know to kind of to kind of face uh you know what is
00:36:59.460
toughest and the and this is something that the um certainly that the united states has in that
00:37:05.780
period that other countries don't quite have in the same way that is a an idea of a testing place
00:37:11.860
an idea of a place that is beyond civilization beyond the you know the barriers of civilization
00:37:18.820
with all its legalities and law courts and politicians and what have you to a place where
00:37:24.580
it's really about you and your your gun essentially uh and whether you can you know whether you can hack
00:37:30.980
it whether you can actually discover in yourself the man that you want to be uh in these in these kinds
00:37:38.260
of things and you know there's a phrase that's often used um uh about this period uh descriptively
00:37:44.500
it's called redemption through violence are you going to be redeemed through going into this violent world
00:37:50.100
whether it's the violence of other men whether it's the violence of the climate the violence of
00:37:54.980
wild animals whatever it is out there the west is the testing place for it and by the same you know
00:38:02.260
double the same paradoxical token there you can be redeemed through violence but also you could fail
00:38:08.180
you could lose through violence and violence could show you were not the man that you thought you were
00:38:12.660
that's really interesting um so we we're here in the 19th century uh we're we're going into the early
00:38:19.460
20th century and uh there was this sort of like a renaissance of chivalric uh battle right um and then
00:38:27.380
world war one starts how how did that sort of that that movement in the late 19th century in europe
00:38:33.460
and america how did that um i guess color people's idea of what world war one was going to be like
00:38:39.540
well most people thought that world war one was going to be over within a couple weeks
00:38:44.580
not when it started i mean look look look at the situation there uh in europe between the napoleonic
00:38:52.660
world wars and world war one there's almost a hundred years of comparative peace i mean the
00:38:57.700
only major war uh they are fought in years the franco-prussian war in the 1870s there which was over
00:39:03.620
actually fairly quickly united states is much worse because of the civil wars uh and the civil
00:39:09.300
war and to a certain extent becomes the model for world war one certainly in terms of strategic
00:39:14.660
thinking um you knew you're in europe there but the the problem is and the reason that people thought
00:39:20.900
it was going to be over with quickly is that he thought that that weapons you know weaponry had
00:39:26.900
advanced so quickly that that in fact it would just end you know somebody would be the obvious winner
00:39:33.140
uh in that way but of course it just dragged on with trench warfare it dragged on for years and years
00:39:39.700
and years and there's nothing very individualistic about trench warfare it's about masses of people
00:39:45.780
you know trying to get over the edge going through no man's land getting killed getting bombed uh getting
00:39:51.940
bombed by people who can't see you getting shot by people who see see you lighting a cigarette or something
00:39:57.460
like that i mean again uh it's like a total totally uh in terms of the past unhonorable way of fighting right
00:40:06.980
and that because of that it caused a whole bunch of disillusionment that's where we get the whole lost
00:40:10.180
generation hemingway and all those folks a lot of disillusionment uh and uh you know there's uh
00:40:17.380
the wilford owen poem uh uh dulce decorum est you know that is it's sweet and it's appropriate uh to
00:40:24.180
it goes back to a line of horus a roman line you know dulce decorum est pro patria mori uh it's
00:40:31.780
sweet and it's appropriate to die for your country there and of course the poem itself is like totally
00:40:38.820
ironic it's about slaughter it's about you know death for no reason at all um but why is it so if you
00:40:46.820
you know a couple years about a decade later um two decades later world war ii broke out and for some
00:40:52.820
reason like in our collective psyche i think we remember world war one as sort of this nihilistic
00:40:57.300
just senseless war um where our notions of honorable manhood were just liberated but in world war ii i
00:41:04.580
feel like we remember it sort of as a romantic war that reinvigorated manhood why why is it that we
00:41:10.340
remember world war ii like that but not world war one well i think the i we do remember world war
00:41:15.460
one to a certain extent and to a great extent it's because of the movies um you know in terms of air
00:41:21.140
warfare that is air warfare in world war one was where the heroes were you were by yourself in a
00:41:27.860
plane you were fighting and again the the so the ideal of hand-to-hand battle was still preserved to a
00:41:33.780
certain extent uh in air warfare uh you know you were going after the red baron or whatever it was
00:41:39.780
there um but world with world war ii and whereas uh just on the you know on the ground people were in
00:41:46.580
the mud forget about them they're all de-individualized but all the great heroes are up in the skies
00:41:51.940
by world war ii you know the movies have really helped a lot to to present this um but i think
00:41:59.620
also you know what do we think of we think of the greatest generation we think of band of brothers
00:42:04.580
things like that we're thinking about the group uh and you know the world war one squad excuse me the
00:42:09.940
world war ii squad uh is like the archetypal group you know it's uh in american certainly an american
00:42:16.500
film and american fiction there and in that squad you know there's martinez and there's cohen and
00:42:23.940
there's dombrowski and there's o'reilly you know this is like a whole panoply of the various ethnic
00:42:30.580
groups uh that exist in the united states there so it's a sense that the romance is a romance of of a
00:42:37.940
kind of national togetherness i think fighting you know fighting for an ideal fighting for the
00:42:45.780
um ideal are they fighting for the ideal of america it's unclear are they fighting for
00:42:51.460
against anti-semitism against nazism it's unclear i mean actually they did a big sociological survey
00:42:58.660
after the war uh called the american soldier come multiple volumes and one of the things they
00:43:04.740
discovered in it is that for the most part people were fighting why were they fighting why were they
00:43:10.340
being heroic why did they do things like that for their buddies they were doing it for their immediate
00:43:15.860
group there if you ask them about nazism if our communism or whatever it was if you ask them about
00:43:20.980
more abstract things they didn't really have much relationship to it um so this sense of the group
00:43:27.940
the sense of discovering that actually uh you as as what you know an irishman from boston had affinities
00:43:35.620
with a jew from new york uh or affinities you know with a um chicano from from los angeles or whatever
00:43:42.740
it was i mean that was the the discovery of the war and i think that's part of the why we romanticize
00:43:48.580
it we're looking back to a time especially right now when we seem so divided we're looking back to a
00:43:54.420
time um you know when people actually could stand together against a common enemy right and you also
00:44:00.500
make the case that the war had you know these large cultural implications on our ideas of manliness it
00:44:04.980
was you know after the world war ii where we see the proliferation of westerns right like john wayne
00:44:10.180
like movies just proliferate like what was going on there why did the cowboy and also you talk about
00:44:15.540
like the detective right the private eye why why was this um icon so popular amongst men um in the post-war
00:44:24.420
uh years well i think he you know both the both the cowboy and the detective are are kind of
00:44:30.900
idealized individualist figures uh the cowboy has to you know go it alone he has to fight
00:44:38.180
for what he thinks is right he has a kind of moral charge that walks with him and the detective
00:44:44.340
and of course he's in the wilderness he's in the west uh he's fighting uh who knows
00:44:50.900
crooked cattle barons or you know local town sheriffs or things like that um the um detective is in the
00:44:59.540
corrupt places of the city he has to make his way whether he's the you know the raymond chandler
00:45:04.820
detective or the uh mickey spillane detective let's say mike hammer uh you know he has to make his own
00:45:12.180
path and i think that's the ideal it's you know it's that effort to retain some sense of individual
00:45:17.940
moral virtue connected to violence uh that um is lost by the by the nature of modern warfare right
00:45:26.180
and also not the nature of modern warfare but just like the nature of modern bureaucracies modern
00:45:30.100
corporations etc yeah exactly modern bureaucracies modern corporations all the things that de-individualize
00:45:37.060
you that treat you as a number or a statistic or just a voice at the other end of the phone that
00:45:41.460
they have to get rid of as quickly as possible um you know all that kind of de-individualizing
00:45:46.900
kind of gives rise to heroes that seem more individual and what about the vietnam war did that
00:45:53.220
shifter ideas of manhood because of the way it was fought i think so i think the vietnam war was
00:45:58.660
is was an interesting change i think the vietnam war very specifically uh korea to a certain extent but
00:46:07.460
vietnam really cemented it uh it's the idea of what what that changed was the idea that we're on one
00:46:13.860
side of the line and they're on the other side of the line that is you know i was talking about face
00:46:18.740
to face the you know the importance of face to face in in ancient battle there well it gets translated
00:46:25.140
later on to you know us versus them we're we're over here then there's this no man's land as in um
00:46:31.380
world war one and the enemy is on the other side with vietnam the enemy was all around you you didn't
00:46:36.820
know who was the enemy that was the part of the problem that was the confusion of it so the sense
00:46:42.260
of a a world the world that we live in now where the enemy can be anywhere that there is no uh order
00:46:49.300
of battle that says you know and nobody wears a uniform you can't tell that you know the guys on our
00:46:55.460
side are wearing blue and the guys on the other side are wearing red or green or whatever it is
00:47:00.500
that is it's not easy to tell who the enemy is and i think that's that's really the the modern
00:47:06.740
situation and the modern dilemma in all sorts of warfare i think you know it's responsible for
00:47:12.980
you know kinds of of racism you know that say all muslims are going to be you know like terrorists
00:47:18.020
or things like that that is there's a desperate you can't figure out who the enemy is and you can't
00:47:22.580
figure out uh how to describe them right and so how's that going to affect how's that affect our
00:47:27.060
ideas of manhood is it just make it make it harder to figure out what it means to be a man what what
00:47:32.260
is all this confusion what do you think is going on there well you know i think in a certain way it's
00:47:37.540
it's make it's more positive it has a positive effect now i think that people realize uh you know you
00:47:44.980
know especially with with gay uh liberation and gay marriage things like lgbt things uh that in fact uh
00:47:53.380
gender in generally is on a continuum that is you know we may have lost the either or in battle but
00:48:00.500
it's a good thing to have lost the either or in in gender you know male over there female uh totally
00:48:06.980
on the other side uh you know we look at some of the uh some of the other societies around the world
00:48:13.140
where there's a more polarized relationship between male and female let's say and you know men are
00:48:17.940
supposed to be entirely one way and women are supposed to be entirely the other way we can we
00:48:22.980
can now i think a lot more easily see the problems of those societies and perhaps you know the reason
00:48:29.380
for um or at least the analogy with that that kind of polarization uh and their own kind of uh absolutist
00:48:37.540
violence and you know belief in their their own kind their own definition of virtue so what do you
00:48:43.300
think is the the future of of manhood in the west is it just going to be we have different
00:48:47.620
conceptions competing ideas of manliness are we going to see the same thread that goes all the
00:48:52.260
way back to achilles and odysseus continuing on today or continuing on in the future well i think
00:48:57.700
that will always be in the background you know absolutist ideas of masculinity uh will always be in
00:49:02.900
the background but i think they'll become less and less important uh along the way and they have become
00:49:08.740
less and less important along the way i think that you know there's an acceptance of more varieties of
00:49:14.020
masculinity now than there used to be just as there's an acceptance of more varieties of femininity and
00:49:19.540
and anything now in between there i think that can only be i mean that is you know if you're if there's
00:49:26.100
any kind of positive gleam in the present uh you know with a lot of shadows that we know all exist
00:49:32.660
they're all around us i think it's the idea that at least at the at the level of of gender uh in
00:49:40.740
fact uh people are more accepting of difference than they used to be they may they may be upset by
00:49:47.220
other kinds of things but um you know gender is not as much of a battlefield i think you know certain
00:49:54.420
areas of course it still is but i think generally it's it's improved tremendously certainly in my lifetime
00:50:00.420
well leo this has been a great conversation where can people go to learn more about your work
00:50:04.580
well you can check out my my website um leobrody.com uh and i'll try to keep it updated uh talks about
00:50:11.780
you know i have a couple recent books um and actually you know it the um when i started writing
00:50:17.940
from chivalry to terrorism or the seeds for that it happened a while ago actually in the in the 1980s
00:50:24.820
and at that point i considered it to be a kind of i wanted it to be a kind of uh alternate chapters
00:50:31.060
between what i was looking at historically and what would what was happening to me as i was growing up
00:50:35.860
in the 1950s especially as a teenager there uh but you know that seemed totally unworkable and and
00:50:43.380
chivalry turned into you know more of a view of history but i did write a book called trying to be
00:50:48.980
cool which is a kind of autobiographical thing came out in 2013 uh just about being a teenager
00:50:54.740
in the 1950s and being buffeted around by among other things movies uh rock and roll and ideas
00:51:01.380
of masculinity how was i supposed to grow up well yeah i'll have to check that out well leo brody
00:51:06.820
thank you so much for your time it's been an absolute pleasure my pleasure brett good to talk
00:51:10.500
to you hey that was great no good good my guest today was leo brody he's the author of the book
00:51:15.860
terrorism to chivalry war and the changing nature of masculinity it's available on amazon.com and
00:51:20.100
bookstores everywhere you also find out more information about his work at leobrody.com
00:51:24.580
also check out our show notes at aom.is slash brody that's b-r-a-u-d-y
00:51:32.740
well that wraps up another edition of the art of manliness podcast for more manly tips and advice
00:51:36.980
make sure to check out the art of manliness website at artofmanliness.com if you enjoy this
00:51:41.060
show have gotten something out of it over the years you've been listening to it or maybe just a few
00:51:44.980
weeks i'd really appreciate if you take us take a few minutes to give us a review on itunes or
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stitcher helps that a lot as always thank you for your continued support and until next time this is