#386: The Rise and Fall of the American Heavyweight
Episode Stats
Summary
With boxing on the way in America for the past 20 years, it s easy to forget how much of a cultural juggernaut it was for much of the 20th century. Boxing was not only a common recreational pastime and athletic pursuit for young men, and a wildly popular spectator sport, it was a metaphor for manhood and other American cultural struggles as well. When two men stepped in the ring, it wasn t just two men fighting. It was a battle of white versus black, nativist versus immigrant, or democracy versus fascism. My guest today, Paul Bestin, explores the cultural history of the heavyweight boxer in his new book, The Boxing Kings: When American Heavyweights Ruled the Ring.
Transcript
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Hello, Brett here. Before we get to today's show, got a quick favor to ask of you. If you've been
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Brett McKay here and welcome to another edition of the Art of Manliness podcast. With boxing on
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the way in America for the past 20 some odd years, it's easy to forget how much of a cultural juggernaut
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it was for much of the 20th century. Boxing was not only a common recreational pastime and athletic
00:01:23.140
pursuit for young men and a wildly popular spectator sport, it was a metaphor for manhood
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and other American cultural struggles as well. When two men stepped in the ring, it wasn't just
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two men fighting. The bout could become a battle of white versus black, nativist versus immigrant,
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or democracy versus fascism. My guest today, Paul Bestin, explores the cultural history of the
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heavyweight boxer in his latest books, The Boxing Kings, When American Heavyweights Ruled the Ring.
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Paul and I begin our conversation discussing the man who created the archetype of the American
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heavyweight John L. Sullivan, the Boston Strongboy. From there, Paul takes us on a vivid historical
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tour of many of boxing's all-time greats, including Jack Johnson, Jack Dempsey, James Braddock, Joe
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Lewis, Muhammad Ali, and Mike Tyson. Along the way, Paul provides insights on how each of these heavyweight
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greats became conflicted symbols of masculinity in America. We enter a conversation discussing why
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boxing has declined in America, what Paul has learned about being a man from writing about boxing.
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Even if you think you're not interested in boxing, you're going to find this show is fascinating.
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After it's over, check out the show notes at aom.is slash Boxing Kings. Paul joins me now via clearcast.io.
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You got a book out, The Boxing Kings, When American Heavyweights Ruled the Ring. The heavyweight
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boxer is sort of like this archetype of manliness. In fact, we've got, you know, our logo, The Art of
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Manliness is based off of the very first American heavyweight boxer, John L. Sullivan. And what I love
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about this book, not only is the stories of these individual boxers are interesting and fascinating,
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but boxing says a lot. You can learn a lot about American culture, the evolution of it,
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by studying or reading about the lives of these American boxers. So let's start off with the very
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first one, John L. John L. Sullivan. How did he set the archetype of what we think about when we
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think of a heavyweight boxer? Yeah, John L. Sullivan, who was champion from 1882 to 1892,
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I call him in my chapter on him, the George Washington of boxing. And that's certainly in the
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United States. And that's really what he became because he just as Washington kind of created the
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office of the presidency. John L. Sullivan really creates the office of heavyweight champion. There
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had been champions, a few champions before him, but they didn't reach anything like the kind of
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recognition that he reached. Boxing was an illegal sport. It would remain illegal during his time.
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But what was different during Sullivan's career is that his fights were covered in, you know,
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the equivalent of the mainstream media. They were covered in newspapers and some of them were even
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covered internationally. And he just became a figure known far and wide, known all around the
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United States, and is really one of the most famous Americans of the Gilded Age. The previous
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champions, such as they were before Sullivan, didn't have anything like that kind of notoriety. It was
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really a kind of back alley affair. And, you know, the champions attained a certain fame among the
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fighting fraternity. But Sullivan just completely transcended the fighting fraternity, became a figure in songs
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and literature and art, and a great hero to Irish Americans. He was a son of Irish immigrants. He was born
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in Boston in 1858. So his career, you know, it traces kind of the whole second half of the 19th century
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with the post-Civil War and the rise of the cities and the mass wave of immigration, especially the Irish,
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and also the rise of modern commercial sports, which he has a huge role in bringing about.
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Yeah, I mean, he was really like one of America's first big celebrities, really. I mean, he sort of
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That's right. He really did. And he's really the first sports star. I mean, baseball was getting
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going during his career. You know, the Major League National League started, I think it's 1876 or so. But
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he is, you know, he's really the guy who pioneers this whole idea of stardom. And celebrity itself in
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America was just coming into being in the way that we would think of it. You know, these figures who
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are sort of equally adulated and reviled, you know, because he was a very controversial figure,
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too, because of his personal life. He was a terrible alcoholic, and he had all kinds of
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misadventures. And so he had as many people hating him as loving him. And, you know, we're very familiar
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with that dynamic today, you know, with celebrities and with athletes. And so he's really at the
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forefront of all of that. And he just, because of the force of his personality and the force of his
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fighting skill, he makes the heavyweight championship this prominent thing that even
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people who don't follow boxing know about. And it had not been that before. He really kind of
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comes into a void and he leaves behind a whole world.
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Yeah, what I love when you talk about his personality, and the force of his personality,
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the guy was a character. So like, you know, he'd walk into rooms, sometimes, and he was known to say,
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you know, I can lick any son of a bitch in the house.
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And he meant it. And, or you talk about how, whenever he, he would just be talking,
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you know, to people. And whenever he finished what he said, he would say, yours truly,
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John L. Sullivan. And he would sign his name in the air.
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That's right. Yeah. He had this great thing about himself. He'd like to always say,
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always on the level, John L. Sullivan, you know, yours truly, John L. Sullivan, always on the level.
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And yeah, he had, I mean, one of the things I try to get at the book too, is that he,
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and all these guys really will, will show, especially the great figures, is that somewhere
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along the line, they develop this notion of themselves, you know, and that's, you know,
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you see that in all, a lot of, you know, great celebrities and great figures in history,
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somewhere along the line, they develop a notion that they have something,
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and have something special. And there's some reason that the world should pay attention to
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them. And I think what's unique about Sullivan is that he seems to decide this when he becomes
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champion. And, and again, there had been no precedent for thinking that before, you know,
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these other guys just kind of, again, like I said, sort of a back alley thing. These guys were not
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huge, prominent figures, but he decided when he won that title, that this was a big deal and that he
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was a big deal. And he proceeded to then make it a big deal through his own, his own career.
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So we've been talking a lot about his personality. What was he like as a fighter? Was, was he really,
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Well, you know, it's in today's world, you know, we, we have this age of advanced athletics and we're
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always looking back at these, you know, I see this a lot on, on the internet and, you know,
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it's always kind of comparing former, you know, athletes from, from earlier eras. And it's very easy for us
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in our, in our age to look back at some of these, you know, black and white images of baseball or
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football players and think, well, gosh, you know, they, they couldn't have been very good. Look at,
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look at the way they move or look at the bodies, you know, they're not as big and not as strong.
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They don't look like they're as fast, but of course we'd have to project those guys into the present
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day with all of the advantages we have today. And, and so all you, all any athlete can ever do is be
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great in his own time. And when Sullivan came along there, there had never been anything like him.
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You know, the boxing, I should say was, I mentioned that it was illegal, but it was also
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when he first started out was largely still being fought with the bare fists under what was called
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the London, the London prize ring rules. And it was just starting to move into using gloves,
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which Sullivan supported. But so there was two different sets of rules. There was the,
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the gloved rules, which was the beginning of what we know today, modern boxing, but there was also
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this bare knuckle style of fighting, which was rather different. And in some ways is kind of a
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precursor to mixed martial arts because you could do wrestling holds and you, you know,
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you, you, you could take a guy down similar to in wrestling. You could do headlocks while also
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punching. So he, he was adept at both in, in both of these styles of fighting. And he just had a level
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of aggression and his right hand punch that people, you know, people who had been watching this for a
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long time had not seen before. And he, he always had this line, something that from the moment the
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bell rings, I'm out to win, you know, from the, I go into win, when I must and when I shall.
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And it was that kind of electricity that he brought to it that, that hadn't been there before. So,
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you know, how would he stack up against today's modern fighters? Who knows? I'll say this. I
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wouldn't want to fight him in one of those fights to the finish where there's no time limit that,
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you know, that would be daunting. Yeah. And that was another thing I didn't realize about
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boxing, bare knuckle boxing. Like there weren't, there were rounds, but like, you only got like,
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I think how long, like 30 second break or it was something not that.
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That's right. Yeah. There were 30 seconds between rounds instead of 60 seconds today.
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And the rounds ended only when one man went down, what they called a fall. And that fall could be
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from a punch, could be from a wrestling toss, could be just taking a knee on your own volition. So a
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round could be 10 seconds long, but it could also be 15 minutes. And some of them were. So these,
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these fights would go on for, you know, we would say 60 rounds, 70 rounds, 80 rounds. And of course,
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that sounds like, my God, that must be unbearable. But again, I mean, to be fair,
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some of the rounds were very, very short. On the other hand, you're out there for a long time
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and the rest periods are shorter. So there is no way to, there's no judge. There's no judges and
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scorecards and all those controversial decisions that boxing fans rue, you know, every year,
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you didn't have to deal with that. The fight only ended when one man could no longer continue,
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whether he was counted out, you know, count of 10, or he just couldn't fight anymore.
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So he wins the heavyweight championship. Let's talk about this. This is interesting because I
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think this will help, help listeners with the rest of the discussion. Like who determines who is the
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heavyweight champion? Like how did, how did we, how did people decide that John L. Sullivan was the
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heavyweight champion of the world? And how do we figure that out today? Cause there's like three
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different, you know, branches of boxing out there. Yeah. Yeah. Well, I'll answer the older question
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first. Cause it's easier today is really a mess, but you know, Sullivan won his title by defeating
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a man named Patty Ryan, who was called the champion. Patty Ryan was called champion because he'd beaten
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the fighter, you know, previous to him. And, and it was kind of, again, boxing was in a legal sport.
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It didn't have a commission or organizing body. So it was, you know, who was the champion? The champion
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was essentially by acclimation by the people who organized the fights, people who were competing in it.
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And then, you know, at some point you, there came to be a recognized champion. And once that guy was
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recognized generally by consensus, then it would be pretty easy to determine who the next champion
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was. Cause it would be whoever would beat him. And that's the traditional way in boxing. Of course,
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you know, you become champion by beating the champion. You don't become champion by saying you
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are, or having some, some shady organization say that you're a champion without having done that.
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So that's, there's an old saying in boxing, they call it the man who beat the man who beat the man.
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And that's kind of a, what they call today, the lineal title. In other words, it can be traced
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backwards in time through all the guys who held it. So once Sullivan had really established this
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and made this a prominent thing, and he lost his title in 1892 to a guy named James J. Corbett.
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Well, then James J. Corbett was the heavyweight champion. And from there, the whole story unfolds
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in a pretty straight line through most of my book. Fortunately, it doesn't get too confusing
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until near the end of my book when multiple organizations, sanctioning organizations begin
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to come into the sport starting around the early sixties, but really taking off in the seventies
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and eighties. And, you know, when I got into boxing in the seventies as a kid, even then there were two
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champions in each division, but that looks like a golden age compared to now, because now there's
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three, sometimes four champions in each division. And that's because these, these sanctioning
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organizations all name their own champions. And they, they tend to be jealously guarded about
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making sure they don't fight the other guy's champion because they don't want to lose theirs.
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They want to keep the title under their tent. So it's a very, it's a very unsatisfying arrangement.
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Boxing fans have been complaining about it forever. It didn't reach the heavyweights for a while
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because the heavyweights were so prominent and they had such giant figures like Muhammad Ali.
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It was very hard to imagine the public accepting, you know, two heavyweight champions,
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but eventually it did trickle down to the heavyweight trickle up, I should say to the
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heavyweight division as well. And today there's, I think there's three guys who claim, claim some
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piece of the heavyweight title, which is, I mean, what I compare it to, to friends is imagine if there
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were two or three football teams walking around saying that they were the Superbowl champion.
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Right. And then I mean, we'll get into that later talking about sort of the decline of the,
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the heavyweight in American culture, you know, going back to Sullivan, right.
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He was both celebrated and reviled and this guy, yeah, he, he lived a hard life.
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Drank a lot, lost a lot of money, had a whole bunch of, I mean, he was married a couple times,
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divorced. And what was interesting, like he would get incredibly out of shape, but he would somehow
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muster up some sort of willpower to get into fighting condition and try to win another fight.
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Yes. And he was quite good at that. You know, the, the drinking was a big part of, of the boxing
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culture, you know, from the beginning. I mean, it was, um, you know, it was, this was very much a
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working man's subculture and immigrant, heavily immigrant. And, and, you know, the Irish were,
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were just very, very prominent in the early days of boxing. And there's a lot of drinking in Irish
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culture. And so these guys, it was very often that former fighters would just really end up in the
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gutter, essentially as drunks and usually quite poor. So Sullivan kind of fit right, right in there.
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And he did, he had, you know, kind of Olympian appetites for food and, and booze, and he would
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get grossly overweight between, between fights. And a few fights, he came in, into the match,
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clearly terribly hung over and he couldn't even perform. So as I was saying earlier, his public
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reputation was, it was huge and it was large, but it was also, you know, conflicted and complex because
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there are as many people criticizing him sometimes as cheering him. But when he got motivated,
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he would get himself into shape. And the thing that you could surely motivate him with most of all
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is suggest, even suggest that you could beat him, that you were somehow the rightful champion.
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You get his goat. He had a pretty strong temper. If you got his, his goat, get him motivated. He was
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going to work himself into shape. And then, you know, you're going to have quite an opponent on your
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hands. So, you know, he said you, he only lost one fight, I believe that was against Corbett or he lost
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a couple. Yeah. Did he lose any, I thought he was undefeated except for Corbett. He was,
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he was undefeated except for Corbett. He had another match that, that ended essentially in
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a draw and was kind of demoralizing to him, but it was not a, not a defeat. So yeah, he, he,
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the only fight he lost was the last one of his career to Corbett and that's where he lost the
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heavyweight title. And did he fight after that? He fought exhibitions. He off for many years on and off.
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And then there was a kind of miraculous thing that happened in 1905 where he actually got back in the
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ring and it was late forties and grossly overweight against a, a plausible professional fighter,
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a young man and knocked him out with one punch in the second round. And the, this was in Grand
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Rapids, Michigan. And the place just went crazy. It was almost like a, just like a bolt from the
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past, but you know, he, no, his career was essentially over after he lost to Corbett.
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And I thought it's funny, even when he lost to Corbett, he gave this con sort of conciliatory
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speech and ended it with yours ever, always John L. Sullivan.
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That's right. And I also said in that speech, I think is interesting is that he was, he was,
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if he had to lose, he was glad he would, he could lose it to an American. And so that was very
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important to him. Of course, Sullivan didn't see, didn't tend to include blacks in the description
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of Americans. And of course that's, that's one of the clouds over his career because he,
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he is the man who drew the racial color line in heavyweight boxing and refused to give
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black challengers a shot. So that shadows his career and his accomplishments, but he was very
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proud of being an American and he wanted, he very much saw the title as something that Americans
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should possess and be proud of. Sounds like Dolda Butcher from
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Kings of New York. We're going to, we're going to talk about the color line here in a bit,
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but I thought it was interesting too. You know, yeah, he had this sort of life of just right as
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living, but it seemed like he kind of tempered out in old age and got his act together a bit.
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Oh, he did. You know, I think that's something frankly under remarked about him. And I was
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really struck by it again recently because as we're recording this, tomorrow is the 100th
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anniversary of his passing, actually, February 2nd, 1918. And so I was, I was looking up some
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things and writing a few things about it. And his, his late in life turnaround is, is pretty
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remarkable. You know, I mentioned that, that miraculous fight he had in 1905, where he just
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had this bolt from the blue. Not long after that, he's sitting in a hotel bar with a glass
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of champagne and he's just suddenly said, announces out loud, this is it. I'm not drinking anymore.
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He pours it into a, into a spittoon and you know, his friends kind of chuckle. They've heard this
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before, but he means it and he never drinks again. And he winds up becoming a temperance lecturer
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and he remarries an old childhood friend, woman named Kate Harkins. They, uh, take in a young
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orphan boy who they really dote on. They start this small farm in, uh, in Massachusetts. He becomes
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very popular around town and little children love to come and play on the farm. And he really does end
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his life. I think in a, in a place of, of peace, some, you know, some redemption.
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So let's get back to the color line. I think oftentimes we think of American sport. We often,
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in the color barrier and breaking it, we often think of baseball and Jackie Robinson, but
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boxing actually led the way in racial integration in sports. So when did we first start seeing
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integrated fights in America? Well, they actually go back pretty far. They, they weren't very common,
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which I, I will get to in a second, but there were, you know, there, there were, um, there were
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black champions in the lower weights. There was a fighter named George Dixon who won the featherweight
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title, uh, in the 1890s. And then in the very early 1900s, there was, uh, the great, uh, Joe Gans,
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who was a lightweight champion and is still regarded today as one of the greatest, maybe the greatest
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lightweight who ever fought. So it would happen sometimes at the lower weights, but there were,
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it was always a conflict around it because of the, uh, the racial environment at the time,
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there was a lot of, of discomfort about seeing black men and white men get in the ring together.
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And, and, you know, some people would say, well, it's going to cause tensions between the races or
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it's going to cause trouble. But, you know, the underlying fear really was what happens if the
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black guy wins there? That was a real fear. This is a time of, uh, not only tremendous racism and,
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uh, you know, Jim Crow had gone into effect in the South, but also, you know, those, these quote,
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unquote, scientific theories of, of racial superiority of the Anglo race and the inferiority
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of, of the African races. And some of this was also directed at, uh, other ethnicities such as
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the Irish, but obviously it was the worst of all for, for blacks. So there was just a lot of
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discomfort about that, that getting the two, two races in the ring together was going to lead to
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nothing but, but trouble. So it didn't happen that often, but on the other hand, blacks did probably
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have more opportunity in boxing than they had elsewhere. And in a funny way, boxing's illegality
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probably, you know, helped them in that sense, because again, it had this kind of informal,
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uh, nature to it, unlike a major league baseball, which was already banning blacks by,
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you know, by the 1880s. So they kept them out of the heavyweights. That was the big thing that the,
00:20:49.200
the prize that the sort of citadel that blacks were not to approach was the heavyweight title.
00:20:54.600
And of course that again, goes back to Sullivan drawing that color line. He would have had a lot
00:20:59.440
of support for that, but he, he did sort of take it upon himself to declare that. And it's
00:21:03.840
fascinating to wonder what, how history might've gone differently if he had not done that,
00:21:08.080
but he did. And so it was a very powerful bar to blacks having any chance at the heavyweight title
00:21:14.580
for the early history of the championship. And when did you start seeing African Americans
00:21:20.640
fighting for the heavyweight championship? It just happened, uh, out of the blue in 1908 with
00:21:28.060
the arrival of, of Jack Johnson, who had been an outstanding challenger for a while. And,
00:21:32.640
you know, there, there'd been outstanding black challengers before him and people like Sullivan
00:21:36.500
and others had, had denied them a title shot, but Johnson came along. He used the outstanding
00:21:42.360
challenger. He had some support in the press. And the main, the biggest thing was that they found a
00:21:48.680
promoter who could offer the white champion at the time, a guy named Tommy Burns, who said, you know,
00:21:53.720
I'm not going to fight a black fighter, but if you give me $30,000, I will. And lo and behold,
00:21:58.960
they came up with the $30,000. So they finally made the match and it wasn't really the result of any
00:22:04.460
great change in social attitude. In fact, it was the opposite because the match was, was condemned by
00:22:10.220
many people, including Sullivan, who thought that Burns shouldn't have, shouldn't be doing this.
00:22:15.100
Johnson goes on and just, just takes Burns apart and beats him decisively and becomes the first
00:22:20.840
man to win the black, that first black man, that is to win the heavyweight title. And, and we're
00:22:26.160
really off to the races because now you've got a black man at the top of the top of the heavyweight
00:22:30.300
division, which has already by 1908 become, you know, the heavyweight championship has already
00:22:34.920
become a prize of, of real value and, and symbolism to Americans. Again, going back to Sullivan
00:22:42.080
and his successors really seeing it as a kind of symbol of, of national power and manhood.
00:22:47.920
And when they say manhood, they mean white manhood. So Johnson, you know, instantly enters the pages of
00:22:54.300
boxing history because his whole career is going to be a mirror of the country's racial situation.
00:23:02.500
What's interesting though, is that Johnson sort of, even though he broke the color line that
00:23:06.220
Sullivan set in place, he followed Sullivan and sort of fitting himself to the archetype of sort
00:23:12.220
of this bigger than life character that a heavyweight champion, like this guy, he lived larger guy was
00:23:17.560
just a, he, a lot of personality would be a good way to say it.
00:23:20.980
Yeah. It's funny. They're, they're kind of kindred spirits. And, uh, in a funny way, they,
00:23:24.960
I think Sullivan came to actually like Johnson. He came to spend a little bit of time with him.
00:23:29.360
And in 1910, when, when Johnson was engaged in the biggest match of his career against the former
00:23:36.040
champion, James J. Jeffries. And this was a fight that became the biggest fight in the history of
00:23:40.560
boxing at the time. It was on July 4th, 1910. Jeffries was a former heavyweight champion.
00:23:46.320
He was white. He was, this is where the phrase, the great white hope comes from. Uh, he was seen by
00:23:52.380
millions of whites as their chance to take this title back and prove once and for all the races are,
00:23:57.860
are not equal that the white man is rightfully on top. And it's just a fight loaded with so much
00:24:04.320
social tension and significance. And, you know, the heavyweight title has meant a lot to people
00:24:09.960
for a long time. Certainly during the history I talk about in the book, but there are a couple
00:24:13.980
points in the history where it means a little too much. It means more than, than any athletic
00:24:18.640
contest should. And this was one of those times in 1910, there's just too much riding on this.
00:24:24.380
It's not healthy. And Johnson wins the match easily. And, uh, after the fight is over in
00:24:30.580
the days subsequent, there's race riots across the country, terrible race riots and the deadliest
00:24:36.400
in the country before the 1960s. So it's really, uh, again, as I said, I really, a mirror of where
00:24:42.380
things were at that time. And they're the, the fear, the tremendous fear that Johnson tapped into
00:24:47.520
among whites of, of blacks, uh, showing ability in, in this area. But back to Sullivan real quickly,
00:24:54.580
he, he ends up on a train with Johnson riding home from the fight. And he was also the first man to
00:25:00.860
step between the ropes and shake his hand when he won the fight. So it's, it's interesting. He's,
00:25:04.900
it's, it's interesting seeing his reaction to Johnson.
00:25:08.120
And what's interesting about when you read about Johnson was that, okay, obviously white America
00:25:13.500
was not a fan of them, but there was also a lot of people in the African-American community that
00:25:17.780
didn't really care for him either. What was the dynamic between Johnson and, and African-Americans?
00:25:24.860
Yeah, I think there's two reasons for that. I mean, one reason is, you know, he's, he's so
00:25:31.120
unpopular that there's a fear among blacks that he was really just going to make things harder for
00:25:35.580
them, which was a perfectly reasonable fear to have. And in fact, subsequently after his career,
00:25:41.920
it's a long time, 20 plus years before another black fighter gets a chance at the heavyweight
00:25:46.720
title. And that was the shadow of Johnson. So, you know, boxers had black boxers didn't regard
00:25:51.320
him very fondly at all in the years after it's really been more recently since the sixties that
00:25:56.500
we've looked at Johnson and seen him and celebrated him more, but he was really looked upon a little
00:26:01.840
bit more notoriously in the early stages of his career. And, and part of this also is because he,
00:26:07.560
he was not someone who's exactly leading an exemplary life. He, he was kind of like Sullivan.
00:26:13.720
He loved, you know, he loved the sensual life. He was, uh, loved nightclubs. He loved fast cars.
00:26:19.480
He loves alcohol. And his particular fondness was not just for lots of women, but for prostitutes.
00:26:25.500
His, uh, many of his consorts were prostitutes. He married prostitute. And this was, you know,
00:26:31.160
that kind of behavior would have been scandalous for a white champion to some degree, but for a black
00:26:35.700
champion, this just made Johnson such a lightning rod for every conceivable kind of criticism. So
00:26:42.200
yeah, some blacks were really worried that he was setting a bad example for the race, but others,
00:26:47.820
of course, certainly admired him and celebrated him, the guy going into the ring and, and beating,
00:26:52.540
beating white fighters. So he was a complicated figure.
00:26:56.200
Definitely. And I thought it was kind of adding that complication, you know,
00:26:58.840
he even had his own color line. He wouldn't fight other African-Americans for some reason.
00:27:03.860
Well, he, yeah, that's right. As champion, he did not coming up. He fought black fighters all the
00:27:09.200
time, including several great boxers who are still remembered in boxing history, black fighters who
00:27:14.920
didn't get their chance. So he fought them repeatedly because that's kind of who they could
00:27:19.080
fight. They'd sometimes couldn't get matches with white fighters because they were too good.
00:27:22.900
But once he became champion, he saw no reason to give those guys a chance. You know, he was a
00:27:27.220
businessman. There's one, there's one thread that runs through the title that all these guys will have
00:27:31.300
in common. It's, you know, this is a business and you get that title, you're going to hold onto it
00:27:35.780
with all that you've got. And so Johnson saw no reason to give them a chance also because they
00:27:40.520
wouldn't be economic, it wouldn't be economically very appealing because the racism in the country
00:27:45.520
at that time, two black men fighting for the title had no appeal at all. Near the end of Johnson's
00:27:50.880
title career, he does give another black challenger a shot, but it's not one of those top guys I
00:27:56.120
mentioned. It's a pretty mediocre fighter. Right. And just to give you an idea of like how
00:28:01.660
entwined boxing was in American culture, like the guy who came up with that, the great white hope
00:28:06.320
phrase, that was Jack London, the novelist. I guess he wrote a newspaper article asking about that.
00:28:12.280
So I mean, like literature was like tied in, like everyone was keyed in on boxing during this time.
00:28:17.420
Yeah, it really was. And it would stay that way, you know, through most of the period that I
00:28:22.220
chronicle through my book. I mean, that's one of the most remarkable things about the story is how
00:28:28.000
much it extended out beyond the ring, you know, not just these political and social things that
00:28:33.600
we were just talking about, but how many writers were drawn to this, drawn to the ring and drawn
00:28:38.980
to the figures of the ring and going well forward into the 30s and 40s and figures like Richard Wright
00:28:45.180
and later on James Baldwin. And obviously Norman Mailer wrote a lot about boxing and the writers just go
00:28:50.840
through the history of it. And, you know, there's a lot of kinship between writers and boxers. I think
00:28:55.620
this is the solitary nature of what they have to do. Yeah. And it started with Sullivan as well. I
00:29:00.320
mean, Sullivan was a figure of fascination from the very beginning. We're going to take a quick
00:29:04.320
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Again, 1-800-701-6230. And now back to the show.
00:31:23.640
So speaking of Jack London, you say that one of the next big heavyweights, there were some other
00:31:29.740
ones, but like the next one that really had a big cultural impact on America was a guy you said
00:31:34.460
came straight out of a Jack London novel. That's Jack Dempsey. What was it about Jack Dempsey
00:31:39.020
that made him so captivating to Americans? Well, I think he, he is kind of the next figure
00:31:46.400
from Sullivan in that sense of bringing something new to the style of fighting. And he brought a speed
00:31:54.860
of attack and aggressiveness to boxing that it had not just hadn't seen before. And there's something
00:32:00.640
very symbolic about it. It's just at the era when, when we're moving into the 1920s and all this
00:32:05.920
technology is going to start coming in the radio and motion pictures are still fairly new. And Dempsey,
00:32:12.300
it's the, the real analog for Dempsey later on in history is Mike Tyson. And, you know, a lot of
00:32:17.560
listeners will have associations to Mike Tyson are old enough to remember when he first came along in
00:32:22.660
the eighties, how exciting that was and how people would say, you know, get the Tyson fight on in the
00:32:28.140
first round. Cause there may not be a second round. That was kind of what Dempsey was like when he came
00:32:33.100
along. He had a whole string of knockouts in the first round, second round, he attacked from the
00:32:38.900
opening bell. He presented himself in this, he would come in, you know, with this, this, what they
00:32:43.860
call the hobo haircut. He looked very rough. He was a guy from the West. He had had a tough wandering
00:32:49.240
life before he, before he ended up as champion. And so he tapped into a lot of, I think kind of
00:32:55.120
archetypal images that have, that have endured in boxing ever since. And it was his, it was his
00:33:01.680
aggressive style that captured people just at the point in the roaring twenties when sports was going
00:33:05.900
to explode, you know, when, when Babe Ruth was going to start hitting home runs and, and the radio
00:33:11.460
was going to come in to be able to bring sports to people in mass numbers. Dempsey comes along and
00:33:16.740
he's not a defensive fighter. He's not a cautious fighter. He just puts it all out there in every
00:33:22.260
fight, in every round. And it makes him, you could still argue the greatest draw in the history of
00:33:28.560
boxing, because while the pay-per-view receipts of recent years, you know, exceed everything in
00:33:34.320
dollar value, Dempsey was bringing bodies into the seats, a hundred thousand, a hundred and twenty
00:33:39.500
thousand, a hundred and fifty thousand people come into these fights and traveling on trains from
00:33:44.820
different cities to get there. So this guy really got people's interest.
00:33:49.700
And did he try to take that fame he gained in the boxing ring out in, you know, to other areas of
00:33:55.620
the light, start other businesses tapped with that celebrity?
00:33:59.400
Sure. Yeah. You know, that's a great, a great point. And that, that also starts with, with Sullivan
00:34:04.360
is this whole idea that you can take this title and the real value of the title in a way is outside
00:34:10.180
the ring, because when you've got that title, it's your, it's your calling card to get you into
00:34:14.760
a whole kinds of, all kinds of other ventures. And, you know, in Sullivan's day, it was the
00:34:19.180
stage in vaudeville and Jack Johnson did that too. Jack Johnson was a pretty good musician.
00:34:23.800
He kind of conducted his own little jazz band and he performed on vaudeville stages and all
00:34:29.240
the champions did, even if they didn't have any performing skills, they would show up on vaudeville
00:34:32.900
and they would just talk. They might just recite something, or they might just explain how they
00:34:37.780
won their last fight. They would get them out there to do something so that people could come
00:34:41.680
and see them. And Dempsey has the good fortune of not just having that, but in the twenties,
00:34:45.820
of course, Hollywood is, is really blooming. And so he gets all kinds of work in Hollywood and silent
00:34:51.640
films. And he starts making more money outside the ring than he does inside of it. And, and that's
00:34:57.180
one reason why as his title years wound on, uh, he's fought less and less. He's just making so much
00:35:03.680
money doing other things. Yeah. And he started like people would make movies just for him to be in.
00:35:08.520
Um, yeah, that's right. Like a bit line. That's right. Just, yeah. I just play a good guy,
00:35:14.240
saving, saving the girl, you know, just very, very, uh, stock sort of plots, but people wanted
00:35:19.700
to see him, you know, and, and he went on the stage with that kind of stuff as well. I think
00:35:23.520
at one point he said, I think I almost destroyed the American theater. So he was always pretty
00:35:28.060
self-deprecating about his talents, but he was in demand. Right. Yeah. The same thing with
00:35:32.440
Sullivan, like he played a blacksmith in some play then it was really bad. Supposedly it
00:35:36.720
wasn't that great of a play, but he would, he would, he would say his line, then do a
00:35:40.740
little boxing exhibition and then you make a ton of money. Yeah. And when he would say
00:35:45.880
his lines and they would cheer and applaud in the middle, he would start over.
00:35:52.900
But so some of these boxers, they, they, they boxed and they became, you know, theater or movie
00:35:58.640
stars, but there were some actual legitimate thespian boxers like James Corbett. I think he
00:36:04.520
was, he was an actor, like a legitimate actor. And there were some guys who they were actors.
00:36:09.200
They got into boxing and then they went back to acting. Tell us about some of these like
00:36:12.820
famous thespian boxers. Well, Corbett is definitely the most accomplished. You're exactly right.
00:36:18.100
He really was good at it. Again, he did, he first parlayed it from boxing. I mean, he saw the title
00:36:24.660
as his way to get into this, but his acting career lasted for the rest of his life. And it wasn't just
00:36:31.060
like bit parts. It was a working career and it wound up encompassing, you know, plays,
00:36:38.640
comedies, vaudeville, even some silent films. And there are a number of biographies on him.
00:36:43.920
And one of them focuses entirely on his, on his performing career, non-boxing that is. So he,
00:36:51.180
this is, he died in 1933. So you're talking about a 40 year career in theater. He, he helped form an
00:36:56.880
actors union in Broadway. He really had a very distinguished career. He was pretty, pretty good.
00:37:02.060
Most of the other guys were not of that caliber. You know, a guy who probably could have been a star
00:37:08.100
and certainly thought he should be and wanted to be instead of a boxer was a champion who was a very
00:37:14.700
brief champion, Max Baer from the 1930s. One of my favorite characters in the book, because he's just
00:37:21.040
such a, a lovable character and he's, he's just richly funny, a terrific sense of humor. And that
00:37:27.900
was the problem for him as a boxer is he was too busy making people laugh and didn't really have
00:37:31.940
the killer instinct that a great champion needs. But he was, he was a real cut up and he made one
00:37:37.840
movie with Myrna Loy in 1933 called The Prizefighter and the Lady. This is actually quite, quite good.
00:37:43.660
It's a romantic comedy and he, he sings in that, not, not very well, but he's very captivating.
00:37:48.700
He has a great screen presence. And, uh, I think he saw the heavyweight title as his way to get into
00:37:52.940
that kind of career, but it didn't quite pan out. Although a little sequel to that is his son,
00:37:57.300
Max Jr. wound up becoming a star on the Beverly Hillbillies. So whenever I mentioned Max Baer,
00:38:02.040
that's what people seem to remember is, is, uh, is Max Jr.'s Jethro. So, uh, and you know,
00:38:07.760
these guys, they always took the, later on, uh, would take their shot at singing. Singing became a big
00:38:12.700
thing. So, uh, even Muhammad Ali, uh, if you go on YouTube, you can hear him sing. And when he's
00:38:18.560
still known as Cassius Clay, a pretty passable version of, uh, Stand By Me, it's not bad. He was
00:38:24.380
hanging out with Sam Cook. So Sam was helping him out there. And Joe Frazier had a long singing
00:38:28.880
career. He'd grown up singing in the church in South Carolina. And, you know, sometimes he sounds
00:38:33.800
a little rough. Other times he sounds pretty good. So they did always see this title as some way to
00:38:39.380
get into, into another life. And even right up to the present day, we've got Mike Tyson, who's got a
00:38:44.860
whole second career now as a performer. Right. I mean, how do you think this, this connection to
00:38:50.120
showmanship influenced boxing? Did they bring that to the ring or like how they entered the ring or
00:38:55.880
their, their boxing persona? Yeah, I think that's a, it's a great question. Boxing is, I just,
00:39:02.520
boxing is by far the most theatrical sport. I just think the two things go together like bread and
00:39:08.280
butter. You know, it's, it's just, I have a friend who, who actually writes about this quite a bit.
00:39:13.040
And, and, you know, he points out that, that boxing and the theater are really,
00:39:17.760
really cousins to one another. You know, the, the, the stage and the ring lighting is very
00:39:22.360
important. The action takes place in a limited space. You've got two, you got your attention
00:39:27.160
focused on two players. Even great matches often seem to have a kind of play structure to them
00:39:33.640
sometimes, even, even before the match, all the stuff that goes into setting them up and all the,
00:39:37.560
the sort of side stage dramas about how the fights get made. And then there's just that
00:39:42.440
whole element of the really great theatrical element in every boxing match, even if the
00:39:46.940
match turns out not to be good, is that, that entry into the ring, up that aisle that each guy
00:39:52.600
makes. And you can't get much more theatrical than that. And then the disrobe, you're taking
00:39:57.320
the robes off and all your guys are going to, all your supporters are going to step through the
00:40:00.760
ropes and leave you there alone to make your case, you know, against your opponents. So I think
00:40:06.780
that, that the boxers had a natural inclination to pursue the stage because in many ways they
00:40:12.680
already were on stage. They were, they were performers and much more than, than other athletes
00:40:17.120
who play on teams. And, you know, sometimes they're just a cog in the wheel, you know, boxers are used
00:40:21.620
to being the star. Yeah. So after Dempsey, we move into the depression. How did, how did the great
00:40:29.260
depression affect boxing? It was actually, you know, most histories of the sport really regard
00:40:36.080
the depression in a way as a golden age because economically things were obviously very hard. And
00:40:41.640
if you look at the, the gate receipts of the big heavyweight fights, especially in the early parts
00:40:46.680
of the thirties, they're, they're way, way, way down from, you know, what Jack Dempsey was pulling
00:40:51.260
in, in the twenties. And that's really reflecting the, the economic climate, but, you know, the promoters
00:40:56.880
started cutting, cutting ticket prices some. And the biggest thing was that boxing was kind of like
00:41:02.040
the movies in the thirties. It was one of those tonics, one of those few tonics that people had
00:41:06.280
to divert them from, from the other hardships that were going on in the country. And it was also a time
00:41:11.240
of just incredible ethnic diversity in boxing. The Irish were still on the scene, but the Italians
00:41:17.680
were now becoming very prominent. Black fighters, of course, were, were still in the mix and eventually
00:41:23.220
going to get their crowning glory in the mid thirties when Joe Lewis shows up at the heavyweight
00:41:27.600
level. So there was tremendous interest in boxing. Radio was now fully established and the thirties,
00:41:33.680
I think is the thirties and the forties. It doesn't get much better than that for boxing. Everything
00:41:38.020
since then, it's pretty much a slow, slow, steady trickle downward from that peak. Boxing and baseball
00:41:44.320
were the top sports in the country. Football, the NFL was, you know, it existed, but it wasn't anything
00:41:50.280
like what it was today, the NBA, these things were not on the scene. They were not factors. Boxing was a
00:41:55.640
major league sport, a mainstream interest. Yeah. And it seems like the depression added to the, the drama
00:42:00.580
of the sport. Cause you have like, you know, the Cinderella man, like, you know, James J. Braddock, like
00:42:04.580
that. That's an amazing story. Yeah, it really was. And it just, it just connected with people
00:42:10.100
everywhere. And, you know, that was really a, you know, the heavyweight title, the, the great champions
00:42:16.340
like a Dempsey or Sullivan or Johnson, they, they do tend to be, even though they come from usually
00:42:21.580
pretty common circumstances, they, they tend to be elevated and they, at some point they become
00:42:26.700
kind of godlike, but in the thirties, it was much more approachable. And again, it was just that,
00:42:31.580
that, that sense of the depression, you know? And so James J. Braddock, the Cinderella man, he's a
00:42:36.380
great, he really literally is the guy next door. I mean, he was a fighter. He was a longtime fighter
00:42:40.540
in a good one, but he had fallen on very hard times, just like everybody else. He'd lost a
00:42:46.200
whole bunch of fights and he'd been written off years before then until he made this incredible
00:42:51.100
rally, which is, uh, which is pretty well portrayed in that movie with, with Russell Crowe, which
00:42:56.040
the great thing about that story is I always tell people is it's actually true.
00:43:01.000
Right. Yeah. And I thought it was amazing. A lot of these boxers went like, including Braddock,
00:43:04.660
like once they made their winnings, they would go back to the welfare agency where they used to
00:43:09.100
support them and they would pay them back. There was that, you know, that sense of dignity that
00:43:12.840
they wanted to regain. Yeah. That's a famous part of Braddock's story. And one of the,
00:43:17.620
the most exciting surprises for me in writing this book was that I discovered two other guys who did
00:43:23.020
it as you were just alluding to. I had no idea that Joe Lewis had done the same thing. You know,
00:43:28.060
Joe Lewis is remembered for so many other things. It's, it's no wonder that, that, that details kind
00:43:33.000
of lost. And Jersey Joe Walcott, who was a champion briefly in the, in the early fifties,
00:43:37.740
had also been on relief with his family and also paid the agency back. So it does really tell you
00:43:44.860
a little bit about those times and the way people saw things like that.
00:43:48.680
So speaking of Joe Lewis, the Brown bomber, this, this is another boxer where his race embedded his
00:43:54.820
career with a lot of, a lot of meaning, you know, sort of under, underneath the fight. And what was
00:44:00.980
interesting about Joe Lewis compared to Jack Johnson, he became sort of this symbol of American democracy
00:44:06.380
for both African-Americans and whites. Tell us about his rise to sort of this sort of symbol
00:44:16.700
Yeah. Joe Lewis is, uh, is really a giant of the story, uh, a giant of the, the whole history of the
00:44:22.440
heavyweight title. When you look at those top 10 lists that people love to make, it's anybody who is
00:44:27.900
knowledgeable. It's usually two guys are at the top two spots. It's Muhammad Ali and Joe Lewis. And
00:44:32.780
sometimes the order is reversed, but it's always those two guys. And Joe Lewis for the longest time
00:44:38.040
was regarded as, as the undisputed greatest heavyweight ever. So as a boxer, his, he has very
00:44:43.560
few peers. When he came along in the early thirties, as we were talking about, blacks hadn't had a shot
00:44:49.220
at the heavyweight title since Johnson had lost it. And Johnson lost it in 1915. So it was going on 20
00:44:55.580
years when, when Joe Lewis showed up, but Lewis's talent was just off the charts. I mean, it was off the
00:45:01.220
charts as an amateur and as an early pro. He was born in Alabama, but he, he grew up from around the
00:45:07.300
age of 12 or so in Detroit. So he was fighting out of Detroit and that's where he discovered boxing
00:45:12.500
when he was supposed to be taking violin lessons. Another one of those great details. Um, and he, uh,
00:45:19.060
you know, once his, once his potential was, was clear to his management team, they became determined
00:45:24.720
to really pull off the impossible, which was get him a shot at the heavyweight title. And
00:45:29.440
one thing they realized is that that would not even be possible at all. If he, if he struck any
00:45:37.020
chords that reminded people of Jack Johnson. So they famously drew up a set of rules about how he was to
00:45:43.080
conduct himself in public. And some of those rules included never being seen with a white woman,
00:45:48.920
but also never doing other things that Johnson had done such as gloat over opponents. Again,
00:45:54.560
especially white opponents, but really any opponents not to be seen out in nightclubs,
00:45:59.280
you know, by himself or with, with another woman, you know, that kind of stuff. And so there's a whole
00:46:03.360
bunch of different things. He was not to, to raise his, you know, boast over opponents. The thing
00:46:07.840
that's funny about those rules, people make a lot of those rules that make a lot of those today and
00:46:12.360
they, they are important, but the thing is Joe Lewis's personality was perfectly consistent with
00:46:19.020
those rules. Anyway, he was a soft-spoken person. He was not like Jack Johnson. It would never have
00:46:24.500
occurred to him to boast over an opponent anyway. So the rules fit him pretty nicely. It wasn't like
00:46:30.200
any great effort for him to pull that off. He certainly had his female liaisons, but he was
00:46:35.720
discreet about it. So he, he's, he makes his way up. He's knocking out everybody in sight. And you know,
00:46:41.580
that he just became impossible to deny. And they, he finally got his chance at the title against
00:46:46.080
Braddock, who we were just talking about and, and knocks him out in 1937 to become heavyweight
00:46:51.580
champion. Second black man to win the heavyweight title, first one in 22 years. And there's still
00:46:57.320
a ton of racism directed at him. There's, there's more goodwill than there was for Johnson. But one
00:47:03.720
of the things that really stood out for me in working on Lewis was reading the old newspaper articles
00:47:08.120
and the language that's used, especially by writers who are nominally on Lewis's side,
00:47:13.700
they, they, they think that they're praising him, you know, that they, they mean to praise him,
00:47:18.000
but they're using all kinds of condescending and, and, and racist language to talk about him.
00:47:22.780
So that was, that was the climate. Two things really send his career into, into the next realm.
00:47:29.940
First is that he has this great rivalry with Max Schmeling from Germany, who becomes Adolf Hitler's
00:47:37.700
favorite fighter. We're in the 1930s, remember. So Schmeling is adopted by the Nazi regime as a
00:47:44.080
symbol of Aryan supremacy and strength. And in his first match with Lewis, he knocks Lewis out,
00:47:49.940
Lewis's first loss as a professional and a huge upset, not expected. Through a series of
00:47:56.500
complicated moves, Lewis gets a shot at the title before Schmeling. And so he's the champion.
00:48:02.260
Schmeling comes back to the United States two years later in 1938 to have a shot at the title
00:48:06.860
against Lewis, the big grudge match. This is a match on the levels of the other one I was mentioning
00:48:11.980
before, Jeffries and Johnson. It's just one of those times the title might mean almost too much.
00:48:17.340
You've got Hitler buying into it. The Nazis see their whole racial theory riding on Schmeling.
00:48:23.240
Meanwhile, Americans are rooting for Lewis. Certainly Blacks, certainly Jews want to see
00:48:28.860
Lewis win. But one of the transforming turning points in the story is that more and more whites
00:48:34.940
come to root for Lewis because they see him as the American fighter, not as the Black fighter.
00:48:41.840
And so that's not to say that there weren't plenty of whites also rooting for Schmeling.
00:48:45.080
There certainly were. But they show down and they confront one another in Yankee Stadium in June
00:48:50.760
38. And Lewis, with the pressure of the world on his shoulders, really, I think more than any
00:48:56.360
athlete has ever faced, just destroys Max Schmeling in two minutes. And it's on YouTube. You can watch
00:49:01.820
it. It's kind of an amazing thing to watch. So he wins that fight. It makes him a huge hero. Among
00:49:08.700
Blacks, he's at a level that is, I mean, there's just nobody more celebrated in Black America than
00:49:15.340
Joe Lewis. Time Magazine calls him the Black Moses. And he just goes on this long, long championship
00:49:21.340
reign. He holds it for longer than any other champion, defends it against more challengers
00:49:26.520
than any other champion. And then the final page in the saga, the war comes along and he suits up
00:49:32.060
for the U.S. Army. And again, this wins enormous goodwill from whites who just start to see this guy
00:49:39.400
as an American, as a fellow citizen, as a hero. And he even donates purses from two of his fights
00:49:47.540
to the armed forces. So he just reaches a level of kind of nobility and dignity that very few
00:49:55.080
athletes have ever had. And by the end of his life, the end of his career, I should say, he's
00:50:00.040
fighting white opponents and white people at ringside are rooting for Joe Lewis. So by the time
00:50:06.220
his career ends, there's still a very long way to go on race relations, needless to say.
00:50:11.800
But all of the legacy that he left behind, as best I can tell, is just entirely positive. It's an
00:50:17.700
amazing career. Yeah. And speaking of Max Schmeling, he and Joe Lewis become really good friends
00:50:23.740
later in life, which is another interesting story. Yes, they did. Schmeling lived a very long
00:50:31.040
life. He lived till nearly 100. And after he served in the German army, and then after the war
00:50:36.700
and post-war of Germany, he eventually made his way to the United States. And he really wanted to
00:50:40.960
connect with Lewis. He wanted to kind of go over the past with him and connect with him and that
00:50:47.960
bitter fight that they'd had. And they make the connection. Lewis has no ill feelings, and they did
00:50:53.780
become good friends as older men. So after Lewis, there was a series of heavyweight champs that we
00:51:00.040
could talk about. There's Rocky Macciano. But we can't, in this conversation, we can't
00:51:04.520
not talk about Muhammad Ali. The greatest, right? As he said. Yeah.
00:51:10.080
What was it about Ali that made him such... I mean, he, again, he's filling that archetype that
00:51:15.140
Sullivan said, that you're going to be larger than life. It's going to be about you. But something
00:51:21.560
about Ali, he had this really big impact, not just on boxing, but on culture in America. So how did
00:51:28.400
Ali change boxing? But then also, how did he change sport and celebrity in America?
00:51:34.240
Yeah. He was the... When I was growing up as a kid in the 70s and just stumbling into boxing,
00:51:39.720
he was the champion at the time. And it was kind of a blessing and a curse on the one hand. It's,
00:51:45.000
boy, that's exciting to grow up with him as your first champion. On the other hand,
00:51:47.940
who's ever going to be able to... What encore is ever going to follow that? So he was a huge figure.
00:51:55.360
I remember in school, people would just get in arguments about him and he was ubiquitous. He
00:52:00.020
was on commercials and he was just everywhere. And he just seemed like he'd been around forever.
00:52:06.060
And of course, as a young kid, I didn't realize his earlier career and how contentious it was.
00:52:11.980
But yeah, I think it's just... It starts and ends with this 100 megawatt personality. I mean,
00:52:18.740
there's just... There've been great personalities in boxing before, but there's just nothing like this
00:52:23.360
guy. I mean, you can watch stuff of his now on YouTube and he can still make you laugh.
00:52:30.160
And when he came along, I think what's easy to forget now, because we're so used to athletes being
00:52:36.020
showmen and being boasters and braggarts and dressing outrageously and trying to draw attention
00:52:41.640
to themselves, is that before he came along, athletes did not act like that for the most part.
00:52:47.620
You look at old clips of old football or baseball and the guy hits the home run. They don't pound
00:52:53.400
their chest. They don't point to the sky. They don't pump their fist even. They just kind of
00:52:58.220
cross home plate and shake hands and move on. And boxing and football and all the sports were
00:53:03.840
really like that. And Ali came in when he landed in the early 60s. It really was like a visitor from
00:53:09.140
another planet. It probably was a little bit like how people felt when Elvis Presley showed up on
00:53:14.440
their TV screens in the 50s. Who is this guy? Where did he come from? And he converged with what
00:53:22.660
was about to happen in the culture. That's another key aspect of his career. So when he wins the title
00:53:27.560
for the first time, he's still known as Cassius Clay at that time. In February 1964, that's the same
00:53:34.000
month that the Beatles land in America. And these two actually have a meeting. They have a photo op
00:53:39.840
together. And they're seen by most of the press, both of them, Clay and the Beatles, as just sort
00:53:46.800
of flavors of the month. Clay's going to get his head handed to him by Sonny Liston, the heavyweight
00:53:52.160
champion. And the Beatles are going to be popular for a month or two. And then they're going to vanish
00:53:56.140
the way most of these things do. Of course, that doesn't turn out to be the case. And they really
00:54:00.360
turn out to be heralds of the youth culture that we all know about from the 60s. So Ali came in at
00:54:05.920
kind of the perfect time. But he had such a huge impact because sports had always been such a
00:54:12.640
preserve of stoicism, usually. I was just talking about Joe Lewis. And Joe Lewis was a great stoic
00:54:21.280
publicly. He would never gloat or boast or anything. And Ali was really blowing that whole world apart.
00:54:27.480
And not everybody liked it. And then the second thing, of course, is that he converges with is
00:54:33.840
the politics. And so that has two pieces. One is the racial politics. He's coming on right at the
00:54:40.440
peak of the civil rights movement. But he does not adopt the civil rights movement. He instead joins
00:54:45.600
the Nation of Islam, which actually rejects the civil rights movement and openly confronts whites as
00:54:51.660
racist and, in fact, racially inferior to blacks. So he really puts himself out on the edge
00:54:57.140
with his politics. And then he steps out even further when he refuses induction into the armed
00:55:02.560
forces during these Vietnam years. So between the racial politics and the war politics, Ali,
00:55:11.040
by the late 60s, although he's looked upon today, people revere him. And when he died,
00:55:16.040
he was celebrated. In the late 60s, there were very few people in American life more divisive and more
00:55:21.460
argued about than Muhammad Ali. So it's a huge arc of his career that then comes full circle from the
00:55:28.640
70s and 80s when he becomes more popular. And in certain ways, the history helps him because
00:55:34.780
American people turn against the Vietnam War in much larger numbers. So people begin to look at him
00:55:40.520
a little bit differently. But his legacy on sports, I think, you know, is probably those two pieces.
00:55:46.780
One is, it's as relevant as the NFL national anthem protests. It's bringing overt politics and often
00:55:56.680
tinged with racial concerns into sports. And it's the showmanship. It's the kind of ego celebration.
00:56:05.120
I should be frank and say, you know, I probably have a minority view on both of these things at this
00:56:09.400
point in history. Because I think, you know, on balance, a lot of this has not really worked out
00:56:14.800
so positively. I don't think that, you know, I don't think that the political aspect of sports
00:56:19.660
is working out that great for people. I think you see that in the NFL ratings. I think people want
00:56:24.800
sports to be, you know, kind of a refuge from the world. They don't want it to be another ground in
00:56:29.020
which we're all fighting with one another. So I think, you know, it's complicated. And the second
00:56:33.060
aspect about the showmanship, it's like a lot of originals. Ali could be just delightful as a
00:56:38.140
showman. But when you've got everybody acting like that, it can be a bit tiresome, you know. And I
00:56:43.600
find sports today with all the chest thumping and self-celebration to be a bit wearisome.
00:56:49.980
Don't really mean to lay that all at his door, but, you know, you do get imitators. And he certainly
00:56:57.920
So who do you think, this was like the 70s, 60s, 70s when he was fighting. His career eventually ended.
00:57:04.140
Who do you think was the last great American heavyweight boxer? Like when can we say like,
00:57:10.800
okay, the age of American heavyweights ended? Who was that guy?
00:57:15.120
Well, in a pure boxing sense, I'd say the last great heavyweight was Larry Holmes, who came right
00:57:22.720
after Ali in the late 70s and was champion for much of the 80s, but is largely forgotten today because
00:57:27.440
he's sandwiched between two giants, Muhammad Ali and then Mike Tyson, who followed him just on pure
00:57:34.440
boxing. Because I think that Holmes accomplished more in Tyson's boxing accomplishments while
00:57:38.340
impressive. You know, it kind of fell short because his career kind of flamed out a lot earlier than
00:57:43.580
people expected. And we weren't quite able to see all that he was, that he might've been capable of.
00:57:48.820
But in terms of the last great figure, you know, in terms of like the way I wrote the book and the
00:57:53.600
figures that really reached out beyond the culture, it's certainly Tyson. Mike Tyson is,
00:57:58.820
he's the end of this story more or less, because there hasn't been a figure since Tyson on the
00:58:07.320
American side, who's had that kind of impact and that kind of sort of universal recognition.
00:58:13.520
Yeah. And, you know, Tyson was the guy, the champion when I was a kid. I remember 87,
00:58:17.880
I think I was like five or so. Like, you know, you were playing Mike Tyson punch out on Nintendo.
00:58:22.180
I remember when the big fight was going on that summer. I pretend I was Mike Tyson. I remember
00:58:27.600
I smacked my brother in the, my two-year-old brother in the face. I walloped him. I got in
00:58:33.440
trouble for that. But my brother was a bum. He was not a good fighter. A two-year-old. But what I,
00:58:40.120
what I didn't know about Mike, because now he's sort of this, I don't know, he's sort of lampooned
00:58:45.040
right today. He plays, and he's kind of, he understands that and he plays these characters where,
00:58:50.520
you know, kind of people kind of poke fun at him. But I didn't, what I didn't know about him was
00:58:55.140
how he was first a talent. He was strong. He was fast, but he was also very cerebral about his
00:59:01.000
boxing. Like he would just sit and watch old films going back to the thirties. And he would read about
00:59:07.260
John L. Sullivan. And, you know, whenever he would try to imitate some of the great boxers,
00:59:12.100
like his haircut was inspired by Dempsey and he walked out like Dempsey without a robe on.
00:59:16.360
And tell us a little bit more about that side of Tyson that people don't know about.
00:59:20.320
Yeah. I've always thought that that's one of the, the really alluring and poetic aspects of Tyson's
00:59:26.600
story. And, you know, I was a pretty big boxing fan by the time he came along in the eighties. So
00:59:31.300
I remembered that even then, and cause they would, they would spotlight it when they would do stories
00:59:36.060
on him. And it was kind of like the thing you'd script, you know, it's like, let's, let's,
00:59:40.340
let's make up a story about a boxer who's not only great, but he, he loves the history. I mean,
00:59:45.260
oh, come on, that's not going to happen. These guys don't care about the history. They just want
00:59:48.460
to, you know, they're focused on their fights, but Tyson really did. He really did watch these
00:59:52.680
films. And, and of course that's largely because he was spending, he spent from about the age of 13 on
00:59:58.660
in the house of Cus D'Amato, a great trainer who trained not just Tyson, but before him,
01:00:05.080
Floyd Patterson, a heavyweight champion. And D'Amato had French friends and associates with
01:00:11.420
Jim Jacobs, who was the great fight film collector who had the greatest collection of fight films
01:00:17.420
in, in known possession. And those have now been bought up by, by ESPN. And that's, that's why
01:00:23.560
you're able to see them all. But back then, you know, you couldn't just watch fight films. We
01:00:27.820
didn't have the internet. We didn't have YouTube. So it was, it was hard to get them. He had them in
01:00:32.540
his possession. And this young kid was just wanted to know everything about boxing. There was a library
01:00:39.500
of boxing books as well in the D'Amato house. And Tyson was reading those books as well. And not
01:00:44.940
just about heavyweights, about fighters from all divisions. And when he became champion, he started,
01:00:50.580
he started doing these little tributes that nobody would really notice except someone who was really,
01:00:56.020
really a boxing geek. He would start mimicking poses that he had seen in these old 60, 50, 60,
01:01:03.240
70 year old films. And one guy who knocked out an opponent and stood over him with his hands on his
01:01:08.340
hips, you know, staring down at him. And Tyson said, I like that. I like that stance. I'm,
01:01:12.900
I'm going to do that next time I knock a guy out. And he did. And so he had this great reverence
01:01:18.760
for the history and for the title that he was trying to get. And it really added a kind of
01:01:24.920
depth and weight to him, which he already had because his story was, you know, pretty,
01:01:30.860
pretty harrowing story of his, his upbringing in Brownsville, Brooklyn and a broken home and,
01:01:36.420
uh, life of crime as a very young boy. So he had a lot going on, but this, this element of history
01:01:42.880
really did add some fascination to him. It made it seem as if he was destined to hold this title,
01:01:49.160
you know, like this was all scripted. This is the person who should hold it, you know? So it,
01:01:55.040
And yeah, like, like a lot of the other heavyweight champs from past decades, he was one of those
01:01:59.900
characters who's both celebrated and reviled. I mean, the guy had a really bad personal life,
01:02:04.500
you know, he went to jail for rape, had some other troubles as well. So again, that, that he's
01:02:09.240
continuing that trend of, of a boxer who we both simultaneously celebrate for their, I don't know,
01:02:15.220
manly, virile martial ability, but also the same time disdain.
01:02:20.960
Yeah, for sure. I mean, so, uh, I'm sorry, Tyson was going to say Sullivan. It's because
01:02:24.520
I've really been, been thinking lately about how parallel their career and life, uh, arcs turned out
01:02:30.660
to be because, uh, they really did, you know, whether it was drinking or Tyson with, was more
01:02:36.020
of a drug, drug problem than just his, his personal demons. They really became notorious in the media.
01:02:42.760
I mean, Tyson took it to a new level. I mean, the rape convictions, it was an awful episode. And then
01:02:47.360
when he got out of jail, there was these other episodes with biting, uh, Evander Holyfield's ear,
01:02:52.460
which is just, even by boxing standards is an infamous, was an infamous moment, you know?
01:02:57.800
And you just saw him at the end of his career, 12, 13 years ago. And you just thought to yourself,
01:03:03.280
well, I know how this story is going to end. You know, we know how the story is going to end
01:03:07.900
and it's not going to be pretty, but he, like Sullivan before him surprised us and showed that
01:03:14.100
he had a different, he had a different plan and he had a different, uh, he had another chapter to
01:03:19.040
write. And, uh, and it's, it's really heartening to see it. Um, it's really turned his life around
01:03:25.120
in really similar ways to, to Sullivan. In fact, they even both, you know, one man shows. I mean,
01:03:30.440
that's what Sullivan was doing. He was, when he was giving his temperance lectures, he was kind of
01:03:34.400
telling the story of his life and how he reformed himself. And that's, it's more or less what Tyson
01:03:39.220
does in that, in that one man show of his. So it is an interesting parallel. It's an interesting
01:03:44.640
how it comes full circle. I'm sure Tyson would appreciate it too.
01:03:48.860
Right. So if he's the last one, okay. What do you think led to the demise of the,
01:03:54.860
the heavyweight boxer being sort of this just giant in American culture? What do you think?
01:04:00.980
So we've mentioned like, so there's the multiple governing, governing bodies, each claiming,
01:04:05.080
each lane claim to being the holder of the heavyweight title. That was one facet, but what
01:04:10.660
else is going on? Yeah, several things. I mean, one is, is certainly the rise of other sports.
01:04:17.500
That's, that's one factor. It's not, not the whole story by any stretch, but it's certainly
01:04:21.180
a part of it. As I was saying before, you know, in the real heyday of boxing, really through the
01:04:25.640
era of Joe Lewis, which takes you right to mid-century, boxing doesn't have that much
01:04:30.320
competition other than baseball and baseball's, baseball's a national game. You don't have to
01:04:34.520
worry. It's just, it just is what it is, you know, but besides baseball, boxing was, it was,
01:04:39.380
didn't really have any rivals. And that began to change. The NFL really took off in the late
01:04:44.240
fifties. You know, the NBA would soon take off as well. And other sports started to come in.
01:04:49.020
And then the rise of television came in, which originally helped boxing a lot because it was
01:04:53.620
very popular on television. And people from a certain generation still remember it, the Friday
01:04:58.380
night fights, as they called them. But boxing had so many different problems. It didn't have
01:05:03.240
any leadership. It didn't have any commission or coherent structure. It had a terrible corruption
01:05:09.620
problem, including for one period in particular, massive mafia influence. It was essentially run by
01:05:16.380
the mob for the late forties through most of the fifties. And these things start to catch up with
01:05:21.300
it. You know, indictments, antitrust suits, the corruption of managers and promoters, deaths in the
01:05:27.880
ring, which was always a presence in boxing. But they begin, it begins to bother people more than they
01:05:32.820
did in the past, including fights that were shown on TV where the fighter died. It's kind of like the
01:05:37.920
Vietnam effect that people talk about. You know, Vietnam was the first war shown on TV that started to
01:05:42.240
really alarm people and traumatize them in a way that other wars had not. And when a few of these
01:05:47.840
things happened with boxing, that became a real issue. Also economically, you know, boxing, of all
01:05:53.900
sports, is the sport that draws from the lowest economic strata because it's a very tough thing to
01:06:00.160
do to be a fighter. And if you could be a baseball player instead, or a basketball player, or an attorney,
01:06:06.700
you know, maybe that would be better. And so the stock of young men desperate enough to try this
01:06:15.000
starts to be a little bit less, less robust than it was, say, 1900, even though there's still plenty
01:06:21.000
of them. You know, the standard of living in the United States from 1900 to now is, has multiplied
01:06:26.000
several times over. So you've just a lot of different forces, but the corruption and chaos of
01:06:31.680
boxing's organization really can't be stressed enough from what we were talking about with the
01:06:36.180
championships. Because, you know, with all the problems that sport had, when you add the problem
01:06:41.960
that nobody even knows who the champion is anymore, what is the reason that a casual fan wants to
01:06:47.120
wants to bother with this? You know, so it began to lose fans. And finally, for me, I remember,
01:06:52.540
because I lived through this, it left television. It used to be on regular television. And then the
01:06:57.500
fights increasingly moved to cable and then to pay-per-view. And that was great for the fighters fighting in
01:07:03.280
those bouts because they made a lot of money. But it wasn't very good for getting the sport
01:07:07.980
into the mainstream. When you show up at work on Monday, Monday morning and talking at the coffee
01:07:13.300
machine about what you watched that weekend, it wasn't boxing. Because, you know, in the old days,
01:07:18.000
people would have seen that fight on Saturday afternoon on ABC. And that was a big part of my
01:07:23.060
growing up. Boxing was on Saturday afternoons almost all the time. And there were big fights,
01:07:27.840
championship fights. And that's how I found the sport. So it kind of cordoned itself off
01:07:32.920
into this premium pay model. And along with its many other problems, it just slowly kind of
01:07:40.700
marginalized itself. And then we just didn't have another American heavyweight who would come along.
01:07:44.960
I think all of that probably could have been dealt with one way or the other if you had another Tyson
01:07:49.260
come along, because figures like that do capture people. But the sport began to really decline in the
01:07:56.240
United States in such a way that the heavyweights, which had always been an American thing, by the
01:08:01.280
turn of the 21st century, you woke up and all of a sudden, all the contenders were in Europe,
01:08:06.520
most of them anyway. And these two brothers from Ukraine, the Klitschko brothers held the title
01:08:11.000
for a decade and a half between them before these new guys, Anthony Joshua, British fighters have now
01:08:17.580
taken over. So it's kind of come full circle because boxing really starts, modern boxing starts in
01:08:22.860
Great Britain. And now we've got the heavyweight title over in Great Britain again. So whether it
01:08:27.320
can come back or not, it's hard to say, but there are a lot of forces behind what happened to boxing.
01:08:34.640
And I should say, not all of it was really boxing's fault. I think some of it was inevitable.
01:08:40.460
I'm curious, after you researched and wrote about these guys, because in boxers, there's sort of this
01:08:46.000
archetype of American manliness. Did you learn anything about being a man by studying these really
01:08:51.820
complicated figures who were both celebrated and reviled at the same time?
01:08:59.000
Yeah. When I was writing the book, one question I tried to keep in my mind to see if I could answer
01:09:05.280
was that I thought might really anchor me in exploring these guys was, what was it that drew
01:09:12.020
me to them in the first place when I was a kid? I mean, you get drawn to lots of things when you're a
01:09:16.860
kid. Why did they seize my imagination so much and really never let go? What was it about them?
01:09:23.180
Or what was it about boxing? And I think as best I can tell what it was, and that relates to your
01:09:29.020
question about manliness, is that I think what got through to me as a kid that I didn't realize
01:09:35.140
consciously at the time was that the experience of the boxer is such a solitary one. You know,
01:09:40.400
they have their support systems and their trainers and sparring partners and all that. But at its
01:09:46.380
heart, the endeavor is a solo one. And that's really dramatized with that walk down the ring that
01:09:51.340
I talked about. And it's dramatized by all your guys leaving you alone in the ring to face your
01:09:57.120
opponent. And I think it was Joyce Carol Oates who wrote that the opponent is you. You know,
01:10:03.220
the opponent is you. It's your reflection. And there's nowhere to hide. If you're unprepared,
01:10:10.880
it will show. If you're not in physical shape, it will show. If you lose your fortitude at the moment
01:10:16.820
of truth, it will show. And there's nowhere to hide behind a teammate. You know, in other sports,
01:10:23.700
you can hope that Tom Brady will bail you out. And he probably will. But there's nowhere to go in
01:10:30.360
boxing. You're left to your own resources. And I think looking back as a kid, it was the starkness
01:10:35.980
of that confrontation, which really got through to me. I remember as a kid feeling this knot in my
01:10:42.420
stomach when I would watch the fighters walk up the aisle to the ring because I was putting myself
01:10:47.180
in their shoes and thinking about what it must have felt like to face this test. And, you know,
01:10:54.040
we all face our tests. We all face fears. But most of us don't have to face them in an arena
01:11:00.100
full of thousands of people, you know, in a contest where, you know, victory could bring
01:11:05.480
glorification, but failure could mean destruction or humiliation. And I think it was the way they
01:11:11.780
handled that. You know, ultimately, you can only face that kind of thing with courage, which doesn't
01:11:18.180
mean not feeling fear. It means dealing with fear and with some form of stoicism. And fighters
01:11:25.740
really have to have that. And whatever else they did in their lives and however uneven the rest of
01:11:31.060
their personal lives may have been, they kind of know the answer to the question about themselves that
01:11:36.680
most of us outside of the military are probably still wondering about.
01:11:41.760
Paul, this has been a great conversation. Where can people go to learn more about your book?
01:11:45.060
There's a lot more information about the book on my website, which is paulbestin.com. And it's
01:11:50.500
got a blog on there too, where I write about other things about these guys. And, you know,
01:11:56.060
Fantastic. Well, Paul Bestin, thank you so much for your time. It's been a pleasure.
01:12:00.040
My guest name is Paul Bestin. He's the author of the book, The Boxing Kings,
01:12:03.060
When American Heavyweights Ruled the Ring. It's available on amazon.com and bookstores everywhere.
01:12:07.080
You can also find out more information about Paul's work at paulbestin.com. Also check out our
01:12:11.960
show notes at aom.is slash Boxing Kings, where you can find links to resources,
01:12:25.640
Well, that wraps up another edition of the Art of Manliness podcast. For more manly tips and advice,
01:12:30.000
make sure to check out the Art of Manliness website at artofmanliness.com. If you enjoyed
01:12:33.320
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01:12:36.680
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01:12:40.080
Please share the show with a friend or family member who you think would also enjoy it. As always,
01:12:44.900
thank you for your continued support. And until next time, this is Brett McKay telling you to stay