#462: How to Tell Better Stories
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Summary
The Art of Storytelling is a skill that can be learned by anyone here to teach us the art of storytelling. In this episode of the Art of Manliness podcast, host Brett McKay sits down with five-time Grand Slam storytelling winner and author of the new book, "Story Treated: Engage, Teach, Persuade, and Change Your Life Through the Power of storytelling," Matthew Dick, to discuss the nuts and bolts of how to craft a compelling story.
Transcript
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brett mckay here and welcome to another edition of the art of manliness podcast humans are
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storytelling and story listening creatures we use stories to teach persuade and to make sense
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of the complexities of existence so being able to craft and deliver good stories thus a real
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advantage in all areas of life giving you a foot up when doing job interviews going on dates interacting
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with friends and making a sales pitch fortunately good storytelling is a skill that can be learned
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by anyone here to teach us the art of storytelling is matthew dicks a writer five-time moth grand slam
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storytelling winner and the author of the new book story worthy engage teach persuade and change your
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life through the power of storytelling today on the show matthew walks us through the nuts and bolts of
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how to craft a compelling story we begin our conversation discussing ways to generate story
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ideas why good stories don't have to be about big moments and why he recommends a practice called
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homework for life matthew then tells us what we can learn from movies about making a story so engaging
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that people are waiting to hear what you say next we also discuss the don'ts of storytelling including
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how to never begin a story and we end our conversation with a five-minute story from matthew
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that showcases all the principles we discussed during the show this show is literally packed
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with actionable advice so take notes after it's over check out our show notes at aom.is
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slash story worthy and matthew joins me now via clearcast.io
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matthew dicks welcome to the show thank you so much thanks for having me so you got a new book
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out story worthy it's all about how to tell good stories and you are i would say you're a professional
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storyteller you're an ace storyteller how did that happen how did you become a professional
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storyteller it was honestly an accident that ever happened the the moth the large storytelling
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organization who uh who i owe all my success really to they put out a podcast back in maybe 2009
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and my friends started listening to it and uh they directed me to it and we all sort of loved it you
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know we're we're all writers or bookish people and we just loved listening to people tell stories on
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stages you know true stories from their lives and my friends told me that i've had the worst life of
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anyone they know so that i should go to new york and tell a story for the moth which you know is not
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true i know people who have had far more difficult lives than myself but i've had one of those unusual
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lives with a lot of you know odd circumstances so i told them yes without any intention of ever doing
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it i was terrified you know i had no desire to stand in front of 200 you know new york hipsters
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with man buns and side eye and frighten the hell out of me while i'm telling a story but they didn't
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let up and eventually my friends sort of shamed me into going to new york to tell a story and i told
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them it would be one and i'd never do it again and it turned out i took that stage that night and i loved
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it and i've been doing it ever since well i think it's telling a story it's one of those skills that
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a lot of people wish they had i wish i was a good storyteller and this book was really helpful because
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it told it gave me shed light on what i do bad with storytelling so let's start with this like what
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makes a story even story worthy in the first place yeah i think that a lot of times people think
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that stories are stuff that happened to me told in chronological order and that's just
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never really a story that's not compelling in any way you know i argue that a story is about a
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singular moment in your life i call them five second moments because i really do believe that
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they happen over the course of about five seconds they're either moments of transformation or
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realization so that you've either i was once one person and now i'm another person or i once thought
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something but now i think a new thing those are the things that people really want to hear about they
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don't want to hear about you know the food you ate last night or the vacation you went on or what you
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did over your weekend unless over the course of those events something really happened that changed
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you in some fundamental way then you have a story then you have something people are going to want to
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hear and connect to emotionally gotcha so those chronological stories are those like you call
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those drinking stories right well i think a good story can be told chronologically and there's
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nothing wrong with it but yeah i think the the drinking stories are the the romps those are
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stories where i did something crazy i didn't really fundamentally change in any way but you know some
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crazy stuff happened and and they're fine to tell but they're not the kind of stories that sort of sink
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into our hearts and minds and stay with us once the storyteller is gone you know they're just fun
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drinking stories or stories you tell your spouse when you get home at night that kind of thing
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gotcha one thing uh you made a good distinction between stories and antidotes i often think i feel
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like after reading the book i feel like i was telling a lot of antidotes but not really stories
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what do you think the difference is well an anecdote i mean first it's going to be a lot shorter
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that's just a a simple thing but i think anecdotes are really just those moments in our lives when
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something unusual or something unique or something special happens to us but at the end of at the end of
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that moment we're still fundamentally the same human being so you know an anecdote sort of like i
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climbed a tree and i fell out of it and i broke my leg you'd tell your friends that story but if the
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breaking of the leg doesn't fundamentally change you in in any way then it's just an anecdote then
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it's just something you tell your friends to let them know sort of update your status in life i am
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now a person with a broken leg but it's not the kind of thing that they're going to want to tell
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other people about you know they're not going to want to run to their friends and say
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you're not going to believe this amazing thing that someone just told me so a story there there
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has to be a change of some sort now does this does this change have to be big like a life and death
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thing or can the change happen that those five second moments can they be like really small
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thing yeah small is great i prefer the small ones to be honest with you you know i've i've died twice
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in my life and been brought back to life through cpr and i've been arrested and tried for a crime i didn't
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commit and i was homeless for a period in my life and that's the tip of the iceberg of like the big
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stories that i have in my life but those are the stories i don't want to tell so much because people
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can't connect to those big moments you know if i tell you the story of of dying i don't meet very
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many people who can relate to that in any fundamental way it's just not going to happen for them
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and so i like the little moments i like the moments where some tiny little thing happens and you
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suddenly understand yourself a little better than you did before those are my favorite ones
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okay so let's talk about where do you get these ideas for your stories i think a lot of people
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they like look at their lives okay where were those moments that i had those changes where i thought one
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way but then i thought something differently because i think a lot of people they're not very
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we really don't pay attention to that stuff very well so how do you how do you start paying attention
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and start coming up with those moments in your life where there was a change in yourself that could be
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the fodder for a story right so there's a there's a bunch of ways i do it but the primary way i do it
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is something called homework for life which is an assignment i gave to myself about five years ago i'm an
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elementary school teacher when i'm not doing the other things that i do and so it made sense to just
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sort of give myself a homework assignment and it's very simple all i do is at the end of every day
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before i go to bed i sit down and i ask myself what was the thing that made this day different than
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any other sort of what is the most story worthy moment from my day even if that moment isn't
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truly story worthy even if it's sort of benign if it's something i wouldn't even tell my wife about
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whatever it is i find the moment and i write it down i don't write the whole thing down because i
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just don't think anyone would ever really do that over the course of time i use a spreadsheet and so i've
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got two columns in my spreadsheet i've got the date on one side and then i stretch that second column
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all the way across the screen and in there i write what my story is so i can really write only two or
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three sentences a day about that moment and my goal was to find maybe one story a month that i could
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keep getting on stages and telling to people and what happened over the course of time in doing this
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was something really remarkable i discovered that my life was full of stories i have more stories to
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tell than i i have time to live at this point and i think that's true for everyone in fact i know it is
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because now thousands of people all over the world do homework for life and they report back to me
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constantly that it's changing their lives we just have these moments where we have a beautiful or a
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terrible or a memorable interaction with another person or we see something and it suddenly changes
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our mind in some way the problem is we just take these moments and we throw them away like trash
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we just ignore them instead of collecting them and seeing them for what they are and so those moments
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i see them all the time and so it is rare in a week that i don't find two or three moments that
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i could craft into an effective story that people want to hear but it's just that process of asking
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yourself every day what is the moment from this day that is the most story worthy and eventually
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you'll just discover by honing that lens that there's more moments in your life than you could
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ever begin to imagine yeah i thought one of the interesting insights you found that you talk about in the book
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that okay people do this to get ideas for stories but what your students find because you teach how
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to tell stories so it's actually improved their lives like their life has slowed down it seems more
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meaningful whenever they can see this collection of moments or stories in this spreadsheet yeah i hear
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that all the time i did homework for life as a ted talk one time and people will watch that even if
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they're not interested in storytelling and it's so true even if you don't plan on ever taking a stage to
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tell a story even if you're not planning on telling a story at a cocktail party once you start seeing
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that your days are filled with moments of significance time slows down and you never lose a day anymore
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you know so often you can go to someone and say what did you do last thursday and unless they refer to
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their calendar or they really think hard that day is forever lost to them but if you're doing homework
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for life you're marking every day with at least one moment that made that day different i did a
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workshop a few years ago for my school district actually a bunch of principals and about three
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months after the workshop one of the principals came up to me and he said do you know why homework
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for life works so well you know when i was thinking yeah i do i spent a whole day explaining it to you
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um but i humored him and said no tell me why and he said since the workshop he had missed three days
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and he said i feel like i've lost those three days forever i can't remember a single thing from those
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days and he said i'm never going to miss another day again because i understand the value of capturing
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every day and how it's already made me feel like my life has more meaning and that time moves by slower
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than i thought i love that and uh i mean just that idea that it can make my life more meaningful like
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got me i started like i'm going to do this this is this is a really cool con because it's so easy
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so besides the homework for life what are some other things you use to help generate some ideas that are
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pretty easy one of my favorite things is something that i actually got from the director of the moth
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she told me that when she's working with people who can't find stories or are having hard time
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finding stories in their lives she does this which is first last best worst which is the idea that
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oftentimes the first time the last time the best time or the worst time we ever did something
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those are often excellent story worthy moments so you know in workshops i use things like your first kiss
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your last kiss your best kiss your worst kiss and you can do it with almost anything there are some
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topics that are much easier than others you know if you use pets and cars and vacations and things like
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that those are all going to work great but truly there's not a single thing in the world that i can't
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play first last best worst with that i can't probably find something to talk about and oftentimes it's a
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story so that's a game i used to play with my wife if i'm being honest and then she got sick of
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hearing from me you know when you live with a storyteller eventually you don't want the
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storyteller to talk anymore right and so she won't play it with me but i'll play it with my students
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i play it in workshops and honestly sadly i play it with myself all the time i just find i find
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something in the room and say first last best worst and go and i i always find a story yeah i can see
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how that would generate stories like first kiss like there's definitely a change there you go into that
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thinking one thing but then after it happens you're probably like well that wasn't what i thought it was
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or something like so i can see how that would that would be a great fodder for story all right so you
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got ideas with these you can generate ideas with these these games or these tools but ideas aren't
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stories so what's the first step in crafting those ideas into a story i always tell people to start with
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the end of their story first they sort of need to know where they're going or what they're aiming at
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they need to know what that five second moment is uh what is that moment of transformation or
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realization if you don't have it crafting the story is sort of like you know walking in a dark
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room not really knowing what to do not knowing what direction you're supposed to be aiming at
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i always say that storytelling is nothing more than the process of making good choices because i think
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most people when they tell a story they just say the next thing that pops into their head and that's
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why their stories are oftentimes terrible frankly there's just a lot of terrible storytelling in the world
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because people just don't really make choices they don't even think that a story is comprised of
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choices it's just sort of the first thing i think of is the first thing i'm going to say
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and so if i start at the end and i ask myself what is the purpose of this story what is the moment of
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transformation and realization then from there i can begin at the start of my story by making choices
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that will eventually lead me to the end in the best possible way because we tell the we tell the truth
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of storytellers but we don't tell the whole truth we we leave things out of stories all the time
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that don't help the story in any way or confuse the story or just slow the story down in a way that
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it doesn't need to be so i always say start with the end you have to know what you're aiming at before
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you start moving forward and crafting the thing all right so the end is that five second moment of
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change that's kind of what you're leading up to right yes exactly okay so how do you how do you
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keep the story compelling right so well let's talk about okay so you know what the ending is how do
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you start a story or here's a better question how should you never begin a story well both of those
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questions are good i would say that i start the story by asking myself what is the opposite of the
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ending of the story so whatever my moment of realization or transformation is let's say i have
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suddenly discovered that my mother was right all along i should not marry that girl right if that's the
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end of my story the realization that my mother is smarter than i ever thought she was the beginning
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of my story if i really want to show change is i don't think my mother is very smart i think my
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mother is giving me bad advice and so over time i will discover that my mother is actually the smart
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one in our relationship so i just i find that opposite it's not always a clear opposite sometimes
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it's an approximation of what the opposite is it's a cousin of what the opposite would be but i have to
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find that because if i don't have the opposite to start with i can't really show change and then
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once i'm once i've figured out that spot that i want to start my story in the thing i always want
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to do is i want to start the story right away so often when people start stories they instead start
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with lists so you know if the story is about my grandmother they will start with a list of all the
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characteristics of a grandmother which is not compelling in any way whatsoever it's just a list about my
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grandmother so i always say start the story get things moving and then after things are moving
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then start revealing some of the things that we need to know before we get to the end stories are
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just like movies like the stories that we tell out loud we're just creating movies in the minds of our
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audience and pay attention to the way movies are constructed oftentimes movies begin with action
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things are moving right away someone is chasing another person or someone is walking down a street or
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you know star wars classically begins with a big spaceship shooting at a small spaceship you know
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it doesn't begin with someone saying darth vader is a bad guy and princess leia is a good guy and in a
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minute we're going to see this space battle take place no we're in the middle of the battle and then
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we learn about the characters that's how stories should be you want to grab people by starting it right
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away one thing the one you talk about how you should never start a story one tip and i've broken this
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role all the time is saying like i've got the crazy you never say i got the craziest story or like i've
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got the funniest story yes that's terrible because you set such an unrealistic expectation for yourself
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you know i hear you hear it all the time though people say you're not going to believe this right i've
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never heard really anything that i don't believe you know after that statement there it's always
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something that is going to be less than what you've proclaimed it to be so don't start off with any
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expectations gotcha so but start with the act start right away with the action start from one
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opposite of your ending and yeah i love the insight you gave there about movies like you sort of said
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start paying attention to movies because movies do this you gave the example of jurassic park of the
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paleontologist guy like in the beginning he hated kids and at the end like he liked kids like that i was
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like oh my gosh that's so obvious now i get that so now now you've ruined movies for me because i've
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been looking for that well it's true my wife doesn't allow me to speak during movies anymore
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but you know even that that's spielberg and he's brilliant because he knows that if i called you
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up and i said hey do you want to watch a movie about a man who doesn't really love children so
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he can't fundamentally be with the woman he loves but over the course of time he's going to learn to
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love children and therefore his relationship will be stable you would never go to that movie with me
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so spielberg takes a true and real story that will sort of touch our hearts and he surrounds it with
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dinosaurs those are what i call the stakes of the story the reason that we want to hear sentence by
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sentence by sentence the thing that we're worried about and concerned about and wondering about
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so spielberg understands i have to give you a real story you know the story of a man learning to love
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children but i can't give it to you without something to to hang that story on and for him it's
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dinosaurs and it works so beautifully and so many of his movies operate on that level there's a real story
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happening and then there's the thing that brings you into the movie theater in the first place
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well so you mentioned that idea of stakes that's what keeps people engaged with the story so you
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have your beginning which is the opposite of how you're going to end you have your ending and then
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the stakes in the middle can be things that just like you think things are going to go a certain
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direction but then they just fall flat i mean that's it just keeps people on on edge right
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exactly i'm always asking myself is my audience wondering about something right now
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and if they're not wondering if they're not worried or concerned or in suspense that means
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i'm losing them and so whenever i think that my audience has stopped wondering about something i have
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to find a way to create that drama that suspense uh there's lots of tricks that i talk about in the
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book to just sort of punch up moments to make the same moment just more appealing and more filled
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with wonder than how it might normally be presented gotcha so one of the tactics that i liked was like
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the backpack where you have all you you pack a metaphorical backpack full of things that you could
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possibly use to solve the problem and you start unpacking them in the story but none of them work
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right so right you want to you want to keep seeing like what's the next thing that's not going to work
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right the all the all the ocean 11s movies they're all just backpacks which is we're going to tell you
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how we're going to rob the casino and then we're going to go rob the casino but it's not going to work in
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the way we planned but if we don't know what the original plan was then we can't experience the
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fear and the frustration and the agony of our characters when the plan starts to go wrong so
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anytime in a movie when sort of a group of people regroup after a disaster and make a plan really
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what's happening is the writers are putting a backpack on the audience we're letting the audience know
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what the characters hopes and dreams are so now you carry those hopes and dreams as well
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and as those things start to go wrong you feel something akin to what the people in the movie
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are feeling and that's just the best kind of storytelling is when your audience's feelings
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match your feelings from the moment you're describing we're going to take a quick break
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for your word from our sponsors and now back to the show now there's a lot more high level things
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that people can do to really make stories engaging but just the things we've talked about now like
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knowing you're ending that five second moment of change beginning with the opposite and then adding
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stakes in the story like that can make your stories like a 90 percent better than 90 percent of the
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stories out there right yes i fully believe that if you choose a good beginning and a good ending
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and it's actually a moment of realization or transformation and you think even just a little
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bit about making sure that your audience continues to be interested in what you're saying you're better
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than 95 percent of the storytellers in the world i really believe that because most people just
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never consider any of these things before they start telling a story and if you practice it in
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the way that i have now it's just automatic for me so you know if i'm going to play golf with my
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buddies i don't get up early and plan my stories for the golf course you know when someone says what
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happened yesterday i automatically land on a moment of realization or transformation and i automatically
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think about what the opposite of it is and that's where i start my story it's just it's become a
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process that is just totally normal for me because i've practiced it so much how long should a story
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be or does it just depend on the situation you find yourself in yeah it does i mean ideally a story
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of five to six minutes is fantastic and and that's the length that the moth uses in their slams but you
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know sometimes i have a story that is two minutes long because it's only worth two minutes it's not
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something meaningful and huge and then there are stories like there's a guy named ron who told a story
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in our show recently we produced a show here in connecticut and his story was about in the 1980s
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he had to go to russia to help refuseniks who were starving because the soviet union wouldn't
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allow them to have jobs but wouldn't allow them to leave the country and so he had to buy vhs tapes
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and give them to the refuseniks because that was what was valuable in the soviet union in the 1980s
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so that story was like 14 minutes long because it needed to be because i didn't know anything about the
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soviet union in the 1980s without ron giving me a lot of background so a lot of it depends on what
00:22:42.240
you're saying whether your story requires more time or not but i always say the shorter story wins
00:22:48.320
people who can speak concisely will always be preferred over someone who is long-winded
00:22:53.240
so you refer to this a little bit earlier but the idea of embellishing stories should a good
00:22:59.960
storyteller embellish or lie we some people want to call that for the sake for for the sake of a good
00:23:07.220
story i always say that i have never in my life added something to a story that was not already in
00:23:13.820
the story what i do instead is i remove things from stories all the time people especially people
00:23:19.800
come out all the time if they don't actually play a role in the story and by removing things that are
00:23:25.420
unnecessary they allow the things that still exist in the story to shine i just think that so often
00:23:31.620
people feel like they have to say everything and really we only have to say the things that get us to
00:23:37.820
that five second moment so embellishment for me is the removal of material that my audience doesn't
00:23:44.660
want to hear and doesn't serve my story very well or it might be sort of the compression of time
00:23:49.800
so a story that takes place on a saturday and a sunday for me i might jam into one day just a
00:23:55.900
saturday because it's easier for an audience to understand a story that takes place on one day
00:24:01.080
versus two and they don't need to know that like i went to bed and then i woke up the next morning
00:24:05.720
and things continued so that's the kind of embellishment that i believe in yeah i mean if you
00:24:10.180
look think of a movie movies don't do that like sometimes you don't even like days could pass and you
00:24:14.560
have no clue because they just cut to the you know three days later and you don't know it's three days
00:24:18.940
later but it is three right exactly so but yeah i guess embellishment becomes unethical when you start
00:24:23.700
adding stuff that didn't happen so if you didn't die and you said you died like that would be
00:24:29.180
unethical yeah it doesn't make any sense to me either i mean i'm a novelist i write novels for a
00:24:34.740
living and those are all completely fictional and i when i think about storytelling stories from my life
00:24:42.100
i always think of it as a puzzle which is kind of why i love it because i'm forced to work with the
00:24:47.700
material that is in front of me i can't make up any information you know i'm stuck with what i've
00:24:52.420
got and so i love how i have to fight with that material and get it into the order that works best
00:24:59.780
for the purpose of the story whereas when i'm writing a novel anything is available to me i'm
00:25:04.460
not saying writing a novel is easy there's a lot of you know there's a lot of challenges in writing
00:25:08.780
a novel but the one challenge i don't have is i'm not limited by you know the content that is
00:25:14.420
available to me i have an infinite content amount of content available to me when writing a novel so
00:25:19.120
i don't know why anyone would want to embellish a story that way i just think it's so much fun to
00:25:22.940
fight with what you've got you said one of the downsides though of embellishing your stories or
00:25:27.680
changing the stories that if someone was there with you when it happened they can ruin it for you
00:25:31.800
because they'll be like no that didn't happen like that you're like you've ruined the story
00:25:36.080
right even even if you're doing what i'm doing which is dropping people out of stories or
00:25:40.780
compressing time that'll annoy your friends you know i they've heard me tell stories and someone
00:25:45.700
will come up to me and say but i was there too you didn't even mention me and i'll say well you
00:25:49.560
didn't do anything like if you want to be in my story be interesting otherwise you're just a third
00:25:54.520
wheel that's like not necessary in my story so even if you're not adding things people don't like it
00:26:00.460
when they're left out of stories either but that's just something they have to deal with
00:26:03.280
you got to deal with it so do stories need to be funny or sad or should you even like think
00:26:09.140
about that when you're crafting a story because i think a lot of people think stories need to be
00:26:12.420
funny or really poignant to be worth telling right i you know i don't think they have to be funny i
00:26:18.400
mean i tell a lot of stories that are not funny at all and i also tell many stories that are very
00:26:23.620
funny i don't think that any of those things are necessarily required you know ultimately i want to
00:26:29.420
i want to be entertaining that is the first thing i want to do with every story i tell
00:26:33.200
and then i want to connect with people i want to find something that they will consider interesting
00:26:38.800
or make them feel closer to me or reveal some part of themselves that they didn't see before
00:26:44.980
and then after that you know if it's funny that's great and humor i think in storytelling is a
00:26:50.500
is a strategy you know i do stand up as well and when i do stand up i have to be funny all the time
00:26:55.560
everything i say has to be working towards a laugh but in storytelling i always use humor
00:27:00.480
strategically in fact my funniest stories are the stories i least like to tell because there's no
00:27:07.740
emotional journey in those stories they're just funny all the way through people love them but i
00:27:13.560
don't feel like people connect with me as deeply as they do in the stories that move them in a variety
00:27:20.000
of emotional ways so you don't have to be funny i work with a lot of people who are tragically not
00:27:24.600
funny in any way whatsoever but they're still great storytellers and they can be really effective
00:27:28.780
so let's say you got the story you you start crafting these stories you have them in your
00:27:33.620
pocket how do you how do you get a story going right like say you're at a party or your dinner
00:27:38.760
and you have a story that's related to the topic of conversation like you just say
00:27:43.420
i've got a story or what do you what do you do for that because like with the moth it's like okay
00:27:47.700
you're just there to tell stories but i'm talking about just storytelling in everyday life how does
00:27:51.340
that work i i think the best thing to do is to actually be a great listener the thing that i say to
00:27:56.940
people most is tell me a story or so often in life people have stories they want to tell but
00:28:03.500
for whatever reason they've been convinced that no one has the time to listen to them or the
00:28:08.440
inclination to listen to them or worst of all they don't think they have anything good to say
00:28:13.340
and i think they do so i've sort of learned to listen for those cues when someone says oh that
00:28:19.020
happened to me once and they trail off that's a moment when i jump in and i say really tell me that
00:28:23.460
story if you if you sort of get other people telling stories if you open up a space for them
00:28:29.900
and allow them to speak for as long as they need to speak oftentimes that will then create a space for
00:28:35.940
your for you as well and suddenly you'll have a chance to tell a story too so start by being a good
00:28:41.260
listener start by being someone who wants to hear stories and then people will want to hear your stories
00:28:46.000
as well and how do you think telling better stories can make people better parents better teachers
00:28:52.340
better business owners etc well i mean in a myriad of ways really the number of people or the
00:28:59.140
variety of people who i work with now consulting and teaching workshops you just can't imagine the
00:29:05.840
the people who walk into my workshops or who call me and ask me to work with them you know if you're a
00:29:10.260
business leader i was just working with a ceo yesterday being able to communicate the mission of
00:29:16.000
your company and talk about what your people are doing in an engaging and entertaining way
00:29:21.900
a way that doesn't force you to stick a powerpoint up on a wall every time you speak that's a tremendous
00:29:27.380
skill and if you're a teacher and you can tell stories throughout the school day which is something
00:29:32.520
that i do with my students all the time then you're an engaging person who people are going to want to
00:29:37.980
listen to you know i work with clergy members on their sermons so that they can be more interesting
00:29:43.700
i work with politicians who are trying to craft stories and are really politicians are the worst
00:29:49.880
they're the worst in terms of storytellers they're the ones who need the most work
00:29:53.460
but whoever you are dating is a big thing now storytelling for dating people take my workshops
00:29:59.060
because they can get a first date with someone but it turns out that whatever they're saying on the
00:30:04.720
first date is so terrible that they can't get the second date and so if you can tell a good story
00:30:10.400
about yourself you know something that demonstrates humility and humor and self-awareness
00:30:16.080
and it's just engaging and entertaining people are going to want to spend more time with you
00:30:20.280
and so whatever you are whoever you are and wherever you are storytelling can help you it'll
00:30:25.940
make you a better human being to spend time with well matthew this has been a great conversation is
00:30:31.800
there someplace people can go to learn more about your work and what you do in the book well if they
00:30:36.920
go to my website matthewdicks.com they can learn about all the things that i'm doing there they can find
00:30:42.640
my book wherever you get books it's available on amazon as well so you know wherever you're buying
00:30:47.080
your books you can probably find it there as well my wife and i also produce a podcast called speak up
00:30:51.380
storytelling and in that podcast we air one of the stories from the shows that we produce and then we
00:30:57.760
pull that story apart and tell people what's working in the story and what could be improved and we talk
00:31:03.580
about homework for life in every episode i give one of my homework for life moments from the week and talk
00:31:08.200
about how that could be crafted into a story so it's a good way to sort of take a deep dive into
00:31:12.660
storytelling once a week with us as well fantastic and i don't know if you're up for this but you
00:31:16.620
need to tell like a really short story it's okay if you're not game for it but i'd love for people to
00:31:21.540
get a sample of a of a story that sort of an example of what we've been talking about sure how long do you
00:31:27.120
want it to be i don't know up to five minutes it could be shorter than that yeah all right i'll give
00:31:32.040
you i'll give you the quick version of something okay okay great all right so i'll tell you i'm going to
00:31:36.640
choose a very small moment this is about the smallest moment that i can think of to illustrate
00:31:40.960
the point so i'm leaving the gym just a few months ago this happened i'm leaving the gym and as i'm
00:31:47.240
coming down the stairs and i'm feeling really good about myself because i've just exercised for 45
00:31:52.100
minutes and i have not yet eaten a cheeseburger so it's this unique time in my life where i have
00:31:57.560
done something really good for my body and have not defiled it with you know fat and carbohydrates yet i
00:32:02.860
will i'm on my way actually to a cheeseburger on this day but this little time in between i feel
00:32:07.660
good about myself and i'm heading towards the door and my keys fall out of my hand my hands are all
00:32:13.720
sweaty so they slip out and as they fall they sort of land on my foot like half on my foot and half
00:32:19.960
off and before i can even bend over to pick them up this woman coming into the gym walking in the
00:32:26.080
opposite direction bends over picks my keys up off my foot puts them in my hand and then just keeps
00:32:32.960
walking and i can't believe it i would never pick the keys up off someone's foot like i would never
00:32:40.980
pick up anyone's keys i don't think i have a friend who's in a wheelchair and if he dropped his keys i
00:32:46.060
honestly would do sort of the trigonometry to determine if he can get his own damn keys or do i have
00:32:50.940
to help him and this woman has done this for me she picks up my keys and then she goes into that
00:32:55.620
little room where she's going to ride a stationary bike to nowhere while some authoritarian and spandex
00:33:01.500
is going to shout at her for not going nowhere fast enough and she hasn't waited for a thank you
00:33:07.060
or a gift or a parade all of which i would have expected had i done something so selfless
00:33:12.440
and so i'm standing there in front of the smoothie bar with my keys in my hand
00:33:17.140
and i am thinking about what a horrible person i am and how just in the last hour how horrible i have
00:33:24.040
been before i got to the gym i went to the supermarket to get a gatorade and as i was walking in the boy
00:33:30.980
scouts were set up in a little table by the door selling candy bars and i hate that i hate that they
00:33:35.460
sell candy bars because there's already candy bars in the grocery store too so it's like putting a hat
00:33:41.340
on a hat why are you selling me something that i could get for cheaper you know inside the store
00:33:45.840
and so when i walk up to them i used to be able to tell them i don't have any cash on me you know i
00:33:52.280
would say oh sorry i only have a credit card but now they have phones and they say oh no we can take
00:33:56.800
your credit card no problem and so now what i do is i pretend that i'm on a phone call this is what i
00:34:02.420
did on this day i put the phone to my ear and i pretend i'm talking to my wife and that i'm in this
00:34:07.300
really serious conversation so as i walk by them i can sort of wave them off by pointing at the phone and
00:34:12.940
and letting them know i'm this is really serious and then when i leave the grocery store i actually
00:34:17.600
leave from the opposite way and i walk all the way across the parking lot i do a full circle just to
00:34:22.720
avoid these kids and i was a boy scout for all of my childhood boy scouts saved my life in a million
00:34:28.960
ways and yet i'm not willing to give these kids one dollar so they might get to a summer camp someday
00:34:34.780
and then when i got to the gym i was walking in and i saw this woman coming sort of diagonal to
00:34:41.560
diagonally to me towards the door and i realized that i was going to get to the door about 10 seconds
00:34:46.860
before she was which was going to require me to hold the door for her and i hate this too i hate when
00:34:53.000
i'm ahead of people in the world and then i have to stop and hold doors for them it makes me crazy
00:34:57.520
and so what i did to avoid this i did again some mental trigonometry and i realized if i quicken
00:35:04.180
my pace i can get to the door maybe 15 or 20 seconds before her and then i won't be required
00:35:09.460
to hold it anymore and so that's what i did i walked faster and slipped through the door and
00:35:14.420
avoided holding a door for another human being and then when i was done on the treadmill that day
00:35:20.020
i had to wipe the treadmill down which makes me crazy i feel like i've just run for 45 minutes
00:35:25.620
i've done god's work like i don't want to have to wipe this thing down and honestly according to
00:35:32.360
the golden rule you're supposed to do one to others as you'd have them do one to you i don't
00:35:37.220
care if anyone ever wipes the treadmill down and so if i don't want people to wipe down the treadmill
00:35:41.600
i shouldn't do it either the golden rule but i know i have to because i know there's like people
00:35:46.200
watching and there's probably no one watching but in my mind everyone is always watching me
00:35:50.100
and so i wiped the treadmill down that day but i do a bad job of it i do like a passive
00:35:54.840
aggressive slight wipe down just to make myself feel a little bit better about doing the thing
00:36:01.020
that i don't want to do that i should do and then i leave and drop my keys and this angel picks them
00:36:08.040
up off my shoe and i think about what a horrible and selfish person i am just in that last hour all
00:36:14.040
those bad things i've done and so i leave the gym feeling terrible about myself and so the next day
00:36:21.500
i pull into the gym and it's pouring it's cats and dogs and as i'm pulling in the spot closest to
00:36:29.120
the gym door there's someone backing out of it and i'm so excited because i'm not going to get wet
00:36:33.980
my kids call it the best spot in the lot and so i stop and i wait for that car to back out so i can
00:36:40.660
take the best spot in the lot and as i'm waiting i see headlights behind me another car who's pulling in
00:36:47.000
waiting for me to move out of the way so that they can park probably like nine miles away at the back
00:36:51.740
of the parking lot and then as i look back down i see my keys in the ignition and i think about the
00:36:58.860
day before with the angel who picked them up i swear i can still see some of her like angel dust on my
00:37:04.440
keys and so when that car clears the parking spot and it's my turn to take it i drive by the parking
00:37:12.260
spot and i park nine miles away and i give that spot over to whoever's behind me probably a serial
00:37:18.780
killer but whoever it is they get the spot that day because i decide to be a slightly better person
00:37:24.820
it doesn't mean i've changed my life in any way i still hate wiping down treadmills and i still hate
00:37:30.500
holding doors and i still dodge the boy scouts at every chance that i get but when i'm holding my keys
00:37:36.160
in my hand when i'm looking at them i want to be a slightly better person and for me that's at least
00:37:44.360
a good start so that is a story of a tiny little moment that when it happened a few months ago
00:37:50.700
as soon as it happened i ran home and i told my wife i have a great story because some woman just
00:37:55.920
picked my keys up off my shoe and it made me realize what a jackass i am and she said okay that's
00:38:01.180
great but i would it's a story that i just love to tell because it's a tiny little moment where i'm
00:38:06.540
illustrating something about myself and when i tell that story you know i i want a moth slam with it
00:38:11.260
and i i thought i would because when i tell about the things that i've done that are especially terrible
00:38:16.020
people love those stories because everyone's sort of going through life being terrible in some way
00:38:21.380
being selfish and you know not being their best self but not often do people talk about it so when
00:38:27.360
they hear someone talking about it it just makes you feel a little more human like oh i'm not the
00:38:31.660
only awful person other people are doing awful things too that they're kind of ashamed about
00:38:36.220
you know i'm not really as bad as i once thought i was and so people love those kinds of stories and
00:38:41.780
it's a tiny tiny little thing that happens to us all the time matthew that was great thank you so
00:38:46.100
much your time it's been an absolute pleasure thank you i really appreciate it my essay was matthew
00:38:50.600
dix he's the author of the book story worthy it's available on amazon.com and bookstores
00:38:54.280
everywhere you can find out more information about his work at matthewdix.com also check out
00:38:58.600
his podcast with his wife speak up storytelling find that on itunes or wherever else you listen
00:39:02.700
to podcasts also check out our show notes at aom.is slash story worthy where you find links
00:39:07.780
to resources where you can delve deeper into this topic
00:39:09.980
well that wraps up another edition of the art of manliness podcast for more manly tips and advice
00:39:26.360
make sure to check out the art of manliness website at artofmanliness.com we got over 4 000
00:39:30.420
articles there if you haven't been there check it out as always thank you for your continued support
00:39:34.120
until next time this is brett mccabe telling you to stay madly