#95: Following Your Curiosity With Brian Koppelman
Episode Stats
Summary
Brian Koppelman is a man of many hats. He started off his career in the music industry as a music producer, then he switched over to screenwriting, and he s written films like Rounders, Solomon 13, and Walking Tall. He s also produced several other films, and has a podcast on Grantland called The Moment where he interviews all sorts of people about what it means to be a man.
Transcript
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brett mckay here and welcome to another edition of the art of manliness podcast well today on the
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show we have brian koppelman and brian is a man of many hats he started off his career in the music
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industry discovered tracy chapman then he switched over to screenwriting and he's written films like
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rounders solitary man oceans 13 walking tall runaway jury has also produced several other
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films currently he has a podcast on grantland called the moment where he interviews all sorts
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of different people definitely recommend you go check it out and today on the show i brought brian
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on because we talk about i know a lot of you guys are young guys just starting off your career and
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there's this idea or myth that you have to have everything figured out before you start your
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career and brian's a perfect example that's not necessarily the case the key to a successful
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career is not knowing every step you're going to take it's acquiring skills that will open up new
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opportunities to you as they come up that wouldn't be open to you otherwise if you didn't have those
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skills we also talk about how to handle setbacks rejection failure because he's faced a lot of it
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as a screenwriter we talk about his creative process his writing process i know a lot of you
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are creative types um we talk about what he does to get the muses or get the creative juices flowing
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and then we also talk about what he's learned about being a man from writing films i'm always
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interested in and looking analyzing films on what we can take away from them on what it means to be a
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man so it's a just a really fascinating discussion i think you're gonna enjoy this so let's get on with
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the show brian koppelman welcome to the show um and brad it's my pleasure to be here i love listening
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to your show so it's great to get to talk to you well thanks man so let's start off with this question
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you have one of the most varied work backgrounds i've ever seen and i'd like to use this as starting
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off point for our younger listeners because one thing we try to hit on on the site when we talk about
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your career is that you don't have to have things figured out when you're 20 years old right that
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there's no straight path to the career that you want so can you walk us through your background
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how you went from music producing to film and screenwriting and podcasting tell us what happened
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i mean i even think i'm happy of course of course i'm happy to do that but i even think that the
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specifics of that and i will do that i'm not gonna not do that i'm happy to sort of walk through any of
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the the specifics but you know the global thing that i picked up and not only in hindsight now
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looking back but even as i was going through those things i had a professor in college and uh this
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guy's name is sol gittleman i went to tufts in in boston and he looked at us one day in class and he
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said i just want you guys to know that before you're 30 people live longer now people have a different
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kind of existence there's this idea that you're going to come out of college know exactly what
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you're going to do pursue that thing and stay at that job forever that career that industry you guys
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are walking into a different world don't panic if you switch three times before you're 30 years old
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if you do i think that just shows that you're curious engaged interested not settling remember
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i told you this here when your parents friends significant other are worried that i said if you
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keep chasing things for the right reasons you'll land okay and i will tell you that um that's not the
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only thing uh that was sort of like a beacon but the idea that i wasn't bound by assumptions i had
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yesterday or a year ago but that i could take in new information grow and make new assumptions
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and that if i kept doing that if i kept being willing to be uncomfortable and take those risks i would
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and follow my curiosity you know people talk about whether you should follow your passion or not but for me
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i frame it slightly differently i talk about curiosity yes passion uh obsession but if i would keep
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following the things that i really cared about and then i worked as hard as i could to get closer to
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that direction i was like well that'll get me to a better place and so that you know started when i was
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19 um and i was at college and you know then went into the music business uh and i had family
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connections to the music business my dad was in the music business so i knew about that business
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um but uh when i found or you know um a recording artist ended up becoming very successful and i
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discovered her it seemed like that's what i was going to do but i i was immediately or not immediately
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fairly fairly soon realized i didn't want to be an executive in any business even a you know a
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business that seemed glamorous that that that particular path wasn't for me to be somebody kind
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a shepherding artist so for i went to law school at night because i thought i wanted to be a civil
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rights lawyer and i wanted that education so i did that at night because i felt like i needed
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that body of knowledge i needed to uh continue to grow my mind and i thought all right i'm going to do
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this and go at night and when i was doing that uh i and i really started doing work to figure out
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what i who i wanted to be i realized well maybe that wasn't the answer
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and around that time a little later when my first child was born that's when it really
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crystallized for me that i wanted to be the kind of person who could come home
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and tell his kids to do whatever they wanted to be and that if i wasn't gonna face whatever i was
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really scared of doing and i really wanted to do i wouldn't be able to be that kind of father and
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that's when i realized hey i want to make movies uh and i got to figure out how to do that i have to
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figure out how to live as a creative person and that's when i then you know really started
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making a conservative effort on a daily basis to do that and i've followed that pattern ever since
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so i would just keep adding since then i haven't abandoned anything i've just added to it i've used
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that same approach to attack any field of endeavor in which i was really interested i'm curious did you
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finish law school because i went to law school too yeah i finished man okay yeah i did too i finished
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i started the blog while i was in law school and then it took off and by the time i graduated i was
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like i'm not going to practice law i'll just do this me too i knew and i was playing poker by then
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too and it was you know my that was my wife got pregnant during the way the last year of law school
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at night amy got pregnant and we you know started talking about some of this stuff and then when our
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first you know son was born our first child was born i have a son and a daughter it really was
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clarifying and i mean since then you know i've i've thought about all this a lot and i and i'm so
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i'm so lucky that i had a supportive wife uh who really is the person closest to me and always has
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been and who um you know said to me i agree with you there's more here go and chase this thing you
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know and i didn't quit my i'll say you know um i didn't quit my job through any of that stuff
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you know i didn't abandon my responsibilities and you know you had a guest on a few months ago
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what's his name cal cal newport who's great a really bright guy and um you know talks about the
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the sort of pitfall of following your passion and the the that i understand where he's coming from
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uh i understand that when you remove a safety net it can put you in a perilous position you chase
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this thing it doesn't go well i understand all that stuff rationally but but i'm more in the
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camp of somebody like john acuff or tony robbins talks about you know there's a there is a way that
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you can not in an irresponsible irrational crazy way but in a concerted effortful way you can chase
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down the the thing that you believe you have to do without giving up um on the the things that are
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your responsibilities that you owe that you that you need to do to protect your yourself and those
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that you love and so you know i just would work extra hard i would get up extra early in the morning
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and my best friend other than my wife is this guy uh david levine we've been like brothers since we
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were kids and we wrote rounders together by meeting two hours every single morning he would
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finish bartending i would get up early before i would start my work day and we met every day two
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hours a day until we finished that script we never missed a day and neither of us ever flaked on the
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other guy and we you know we did the thing like showed up and did the work and then i would go on and
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do the work of of the job that i was paid to do and i do think that taking these kind of
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incremental but determined steps following your passion because i think if it's not your passion
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it's very hard to do that you know much harder if it's not your passion if it's nothing you believe
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in if it's not your calling it's much harder i think to put in the the sort of super effort that's
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required to make a gigantic change or to take yourself all the way to the next level and and then i
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think that sort of an unintended negative consequence of not taking those chances is and this is a core
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belief that i have which is that if if you allow yourself to be blocked if you don't access the
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that that most creative part of yourself when you hear the calling to do it if you do i think you
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become you start to become toxic you start to you know self-loathing uh shows up and then i think you
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take that out unwittingly you take that out on those that you care about and it it starts a really bad
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a cycle of uh heading towards a place of darkness and depression but i think the moment that you
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realize you can chase something you can you can believe in in yourself as long as you're willing
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to do like really hard work to get there then then i have found through like the life i've been living
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that the possibilities are are kind of limitless um anyway that's how you know that's very i know
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optimistic way to look at the world and and i don't want to sugarcoat it um there were a lot of
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times that it was really scary and it and it seemed like uh failure was imminent but i don't tell you
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it always feels that way right i mean anytime you take a big creative risk uh when i launched my podcast
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i i one of the reasons i did it was i knew i was something in was frightened of really putting
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myself forward in that way uh because i but i really wanted to do it i really wanted to have
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those conversations i really wanted to engage with people i admired in a very specific conversational
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pursuit and uh but i was scared right i have this like kind of i have a really good life in so many
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ways um and i was uh putting myself out there on grant land you know which was a uh sort of a big
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platform right away and i could have really been i mean i really opened myself up to derision mockery
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and i was just like no like i have to put my i have to put my money where my mouth is like this
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is stuff i tell people i have to do it too and um and i've been so rewarded for having done that you
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know um in so many different ways just by the people that i've met doing it and through doing it
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and i found that each step of the way the same thing about making movies like you know i get to
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work with and be around all these creatively inspired and inspiring people and and that just
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charges my own creativity and um lights me up and and so whatever you know you asked me to talk about
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to younger younger guys listening you know uh whatever the thing is that you know lights you up
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whoever the people are doing that i think you owe it to yourself to find a way to start bouncing off
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of those people yeah and i love your approach that's the approach that i took when i i get people always
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ask me it's like oh you know i want to do what you do like did you just like risk it all and like
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you know just delve right into it you know and they always say oh you're such a risk taker and like
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honestly like i'm one of the like the least risk adverse people like i'm very conservative in a lot
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of ways when it comes to risk and i took that approach where like i i did this on the side
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right like the art of manliness started off as a side hustle where i just i got up extra early in
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the morning worked two or three hours on it went to law school put in a full day of work there and
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then i worked on it late into the night and i didn't make the actual leap until i was pretty sure
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that i could you know support my family with this and then i made that but i but i i did have that
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that itch that creative itch there and i scratched it um i just had to work extra hard and that's
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always my advice to people you know it's like you don't have to jump whole hog into it you can still
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be creative and take that entrepreneurial risk whatever it is um while still maintaining
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your responsibilities to yourself and to your family um so i love the exact your approach is my
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approach so i love it yeah i mean i was gonna say that that's i really good there's a great book on that
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um my buddy john acuff uh he has a new book coming out in april called do over and but you have to
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have him on the show that book should be a number one but he's written two number one bestsellers but
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that book is far and away his best one and it really talks about this kind of career flip but he
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wrote a book called he's written a book called quitter and a book called start and and even though
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start is the newer one i would really suggest people look at this book quitter it's um definitely you
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know a challenging title you know quitter it's a sort of a controversial title or but but it's about
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um how to put yourself in a position that when you finally quit and make the change you're ready to do
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it you're prepared and it's it kind of codifies this thing we're talking about and i've told john
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i wish that i wish that i had that book when i was having to figure out for myself you're a successful
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filmmaker right did screenplays for a lot of um very great films but i mean i know the process of
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getting actually getting there is just bereft of rejection after rejection after rejection
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how do you handle that as a writer where it's just like you submit something and there's like no i
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don't like that i mean what do you do psychologically to handle rejection because even our listeners who
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aren't writing screenplays they're going to face rejection in their life some form or shape so how do
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you boot you know fortress or i don't girdle yourself up psychologically to handle that well it's a
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great it's a great question um look you know i uh i do these vines as you know this this uh six
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second screenwriting vine series that ended up turning into uh you know one of these vines has uh like
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40 almost 40 million loops and uh and the last one i did the most recent one i talked about rejection
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and i said you know nobody likes rejection which it's like uh nobody likes getting uh stung by a bee uh you know
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it hurts uh but you know you have to just make yourself sort of uh immune to feeling it you have
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to get just know hey it's a bee sting it hurts i'll be better tomorrow and i'll keep moving forward the
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bee sting is not putting me in the hospital it's not knocking me out and i would say this rejection is
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different than critical feedback right and but i do think that in in both things you can go through a
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process or i try to go through a process which is i try to wait to grapple with it until i can look at
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it dispassionately and if i can just look at it for a second and decide if there's merit in it or if
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there's not if there's something useful i can take from this rejection is this rejection just that
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somebody didn't get it or this rejection have to do with something fundamental but i don't want to look
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at that emotionally so it may mean i have to look at that a week later i have to somehow process and
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move on and then go back to it but essentially i learned very at a very young age that experts
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are most are very very often wrong that gatekeepers um are paid to say no because no saves money in the
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short term that saying yes is the thing that puts their jobs in immediate jeopardy and so if you
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understand that they're in all aspects they're uh they're rewarded short term immediately
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for uh safeguarding against loss then then you know it's not really uh a value judgment on you
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and who you are and what you are and you understand that uh it has to do with the what their pressures
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are what their life like what their lives are and you know when i the so the the recording artist
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the singer songwriter i found when i was in college is this woman named tracy chapman and
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i worked with tracy and made her demos and made her first album and uh with her she made the album
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i helped her make it um but she was rejected i would take her demo tapes around all the studio
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to all the record companies and they all rejected it for one reason or another and the album sold
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over 10 million copies worldwide when we finally broke through and then rounders was rejected and
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i've told this before but for your audience when rounders was rejected that screenplay
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was rejected by every agency in hollywood caa william morris icm uta all the famous agencies
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they all rejected the script and then when miramax bought the movie uh bought the screenplay
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like the next day every single one of them uh called called us and tried to sign us and uh i said to
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them well i read them because it was my first one i wrote a bunch of stuff down so like i would read
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them why they rejected the script and uh they don't know that wasn't me that was my assistant
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or some reader edit you know a million excuses and and through those experiences and then like
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when dave and i produced the movie the illusionist at every step of the way that got rejected too
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and i just learned from those experiences that yes it stings but you know honestly they don't really
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know they they may know right it doesn't mean that they never know but what it what it what it means is
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that because no is the easiest thing for them to say because no is the reflex you have to really
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fight and be committed in order to get that yes and so you have to know that you are not a failure
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you are not worthless all that happened is a business person made a business judgment and
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in all likelihood they're going to make many business business judgments that are faulty and it's very
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easy to slot yours into that category and so that's how i look at it again it doesn't mean it's never
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emotionally painful in the sort of like immediate moment but it does mean that i'm comfortable
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facing it it does mean i'm comfortable saying i'm going to take these next however many months
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and write something on spec as opposed to you know you get to a place in this business where in
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my career we have a track record david i could go pitch stuff and pitching is if you're uh comfortable
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in a room with people and you know how to talk and you have a track record you know pitching you can
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get an answer very quickly most of the time you're going to get a yes they're going to pay you to write
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the thing and but if you spec something in other words if you take the risk of writing it without a
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buyer in advance you have much more control over what happens to the material if they want it but of
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course the risk is you put in all this time and they don't want it but i've got no place i'm very
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comfortable taking that risk the show that i'm making right now for showtime which is called
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billions and i'm shooting uh starting january 19th in new york stars paul giamatti and damian lewis
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from homeland and that's a screenplay that my partner dave uh and our friend andrew ross sorkin
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who's a great writer about finance for you at the book too big to fail dave and i and and sorkin
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wrote this thing on spec and uh knew we could get money in advance for it from any of the cable
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networks and instead we said you know what let's take this risk because then we can say to whoever
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wants to buy it well if you were to buy this you have to guarantee us you're going to at least shoot
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the pilot which is you know a huge investment of uh many millions of dollars and not to us but to
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making the the show the only way to get them to do that the only way to switch the leverage
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is to take a risk and to say uh to create something that they are going to want but
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the big risk is i take four months of my life or three months of my life
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and they don't want it and then i've you know wasted that time i didn't earn money during that time
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uh i also have to deal with the sting of the no but i've gotten very comfortable with that because
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the rewards of it are so great um you know and so i can handle the little bumps in the road or
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losses along the way i've trained myself to the way a fighter you know the way a fighter trains
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himself to to take a stiff jab you know you watch a fighter take a stiff jab and we're so used to it
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now uh and in mma especially you know you watch a guy someone land on somebody and you know a shin
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kick let's say right in mma and a guy kicks another guy in the in the in the shins and you know a guy
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blocks if i lift this thing you uh you know we watch them do it and they take those shots like
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they're nothing but if the first time they walked in there you know that that shot to the chin was
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like his shin was crippling yeah but you know what they do they as you know because you i know you had
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sam sheridan on a long time ago a couple times you you know you read that that amazing thing in
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sam sheridan's book when he talks about how they make their their shins really tough by like
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they keep right they keep brushing them and rubbing them and hurting them and crushing them
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that's the process man you got to learn to like you know love that particular kind of pain yeah you
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got to become mentally calloused you know you do right yeah in order to keep growing all right so
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you you mentioned your six your your vine where you dispense screenwriting advice or just like
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writing advice in general and i often think that unfortunately um like storytelling is often just
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like you know the importance of it is relegated to what you do or what i do like writers or
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screenwriters or film but i mean do you think it's important for people who aren't in those
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in that business to know how to tell a good story and if so what are the big checkpoints of telling
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a good story so when you say is it important for them to be able to tell a good story do you mean to
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be able to tell a good story um verbally or to be able to write a good story like to write like
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yeah be able to fashion a story whether it's verbally i mean because like i can see like
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storytelling like takes it like you know pitching you're telling stories whenever you're writing them
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i mean yes uh it's an incredibly useful skill to have but uh for sure um but i think that it's an
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innate skill the ability we all communicate through the use of story right we could all do
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ask any of your friends to tell you the time they were the most embarrassed by a girl in high
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school you know the most embarrassing moment they had with a girl in high school whether that
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means they were in a movie theater and uh another friend of theirs saw when they were trying they
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could tell you the story and in a way that would make you laugh and be engaged the reason they can
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do that is that you know that moment was heightened for them so that they remember it but it's also that
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they're very comfortable around you that you put them in a state where they're comfortable right so
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they could tell you that story and it's compelling and funny and engaging but if you put them on stage
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maybe it'd be scary so to me it's all just about finding the like authentic self right because the
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more you're comfortable in your own skin the more you're comfortable being who and what you are the
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more naturally and easily you can you can uh tell a story so i wouldn't even encourage people think
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of it as storytelling it's it's think of it as just communicating and uh and and and becoming just
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more and more comfortable being around people um and and being around yourself and and you know the
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more you're pursuing the thing you're that dovetails with like that strikes the chord inside of you
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then the easier it is you're you're closer to being yourself and the closer you are to that
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the more people pick up on that they see your confidence they're engaged by you they read that
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as charisma and then suddenly your storytelling is that much better does that make sense that makes
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sense that makes sense makes perfect sense well one question i was going to mean to ask about when
00:24:22.560
we were talking about your career right you've and we've kind of talked about how you've done all
00:24:27.280
these different things i mean is there do you think there's some unifying skill or skill set that you
00:24:33.680
developed or acquired throughout all these things you've done i mean what would you say
00:24:36.960
would be like the unifying well it's a great question you know it's i think it's it's
00:24:42.320
being able to recognize the things that are going to keep my interest uh what i'm curious about you
00:24:52.160
know as a as a kid um i was a high iq kid who was not a great performer in school and at the time i
00:24:59.280
was in school people didn't recognize what adhd was uh there was no treatment for that so they didn't
00:25:05.520
you know they would read that as laziness or as obnoxiousness or uh you know as disinterest
00:25:12.880
um and so kids who you know kids who were sort of like undiagnosed add when in in my generation
00:25:22.080
i think it was really hard in certain ways to hold on to um a sense of self but i somehow had parents
00:25:29.280
who and it's very important for me i had parents who encouraged me and who didn't doubt my um my sort
00:25:36.880
of ability and my intellect despite doing poorly sometimes in school and so i started even when i
00:25:43.200
was young 13 years old 14 years old they when i would want to say hey i'm gonna start managing bands
00:25:48.720
or hey i'm gonna go to this nightclub owner and i'm gonna say can i uh have your club on saturday
00:25:53.520
afternoons i want to put teenage bands in playing for teenage audiences or hey there's a guy you know
00:25:59.200
doing something in california about heavy metal guitar players i know a heavy metal guitar player i'm
00:26:03.440
gonna here i had to get them together and take a piece of it like they encouraged it because they
00:26:08.000
saw that i was following this like curiosity enthusiasm and when i would be engaged i would
00:26:16.240
be able to really work hard and perform and get good results and so i just think that's
00:26:22.720
the the the sort of the signal thing for me and it and by the way luckily for me
00:26:28.000
reading even at even though the sort of way the adhd would manifest itself for me was
00:26:35.760
if i had to read a history a dry history book it would be like the book was radioactive radioactive i
00:26:39.920
could not do it i could there was nothing that could get me to read that book but i always loved
00:26:45.360
novels and i loved great non-fiction biography so i would read and read and read and read and i would
00:26:52.640
even take books into like when i'd be supposed to reading something else do something else in school
00:26:57.440
i would just be in the back reading all the time and so that's just a lucky that that's like um
00:27:02.000
a lucky thing right that i just happen to really love to read and that reading of course unlocks
00:27:07.600
everything else for everybody um so i love that and that would stoke my curiosity and that would give
00:27:13.840
me sort of like a road map of what i wanted to go after and chase but you know i ended up going to
00:27:17.920
a very good college because of all not you know i was of a generation where no even knew you were
00:27:22.160
supposed to have all these extracurriculars it didn't matter it wasn't something we thought about
00:27:25.680
but it just so happened i did all this stuff that made me far more interesting to a school
00:27:31.520
than someone who got you know way better grades than i did but didn't do anything with their lives
00:27:37.200
yeah um and i think i just probably followed that model the whole way yeah i love the bit
00:27:41.840
about some great parenting advice like your what your parents did with you like help encourage your
00:27:46.960
kids follow their those curiosities and it reminds me a lot of like what like teddy we're big fans of
00:27:54.000
teddy roosevelt on the art of manliness i don't know me too man i've been reading uh i i love i've
00:27:58.240
just been reading the the the book about you know when when he he was in the um i'm just blanking on
00:28:04.320
the name of it i've just been reading the book you know the one he wrote about when when he was in
00:28:07.760
the military oh the rough yeah the rough riders man yeah it's the best yeah yeah the greatest well
00:28:13.360
i mean what i love what there's like this one biographer said about teddy roosevelt like
00:28:16.640
like if adhd existed like back in the 1890s like they would have diagnosed teddy roosevelt with adhd
00:28:23.760
because he was that like that kind of kid like you know he like i'm interested in natural history so
00:28:27.280
like he like would go and shoot birds and like stuff them right or he'd write a book um and like
00:28:32.640
she said that yeah like if he was if he was alive today like they would put him on adderall and there
00:28:37.600
wouldn't be a teddy roosevelt right right yeah i think i yeah it's hard for me to tell i mean i've i've
00:28:42.400
i've taken adderall at different times in my life and uh i i don't demonize those things uh i think
00:28:48.400
that they can be useful i i've often wondered you know if i would have had that as a child
00:28:55.360
um whether it what if there's no way to go back in time you never know right would it have helped
00:29:01.120
like the painfulness of sitting in those classes and not being able to connect do you know what i mean
00:29:05.920
i don't i there's no way to know uh i agree that it's um it's crazy how over prescribed
00:29:12.320
those medicines are and i i my instinct is like yours which is to say boy i i think in the end
00:29:18.640
if you can get there without ever doing it but i have to see what it's like you know under the
00:29:23.120
under medical supervision taking it and i do understand it it's the way that you know you
00:29:28.320
have adhd is that the you know under a doctor's provision like when you're a grown-up and you go
00:29:34.320
what was going on with me and they go here take this take this medicine and try this and you know
00:29:39.760
suddenly you do see the way other people can get through the world it is a fascinating thing
00:29:44.080
to see i'll tell you that what was the difference i'm curious just like what did you notice the um
00:29:51.360
the way in which things that would have before utterly like the way in which i couldn't focus
00:29:57.200
on stuff other than if i was really really interested in it i could focus on it i could sit and just
00:30:03.120
complete tasks in a much more consistent manner in and uh i mean yeah which is a for somebody who
00:30:12.400
can't do those things um it's a really big different now by the way as a grown-up of course
00:30:17.520
i compensated in all sorts of different ways and figured a lot of that stuff out but when i if
00:30:22.320
listen if if when i was if i could have read the boring history book and i would have got an
00:30:27.920
all a's in history right instead i wouldn't read the book i would show up a half hour before talk
00:30:33.280
to people hear what they had read and still pass everything but uh you know i i wonder about it
00:30:39.760
there's no way i can know there's no way i can go back and and for sure like in the end whatever you
00:30:46.000
know what anyone i would talk to would say is that um i probably would have just been been like
00:30:52.640
like you know a success you know some kind of a lawyer you know some kind of like a lawyer in
00:30:57.680
the courtroom i wouldn't have done any of this creative i mean it's hard to tell you never know
00:31:02.000
um i do think in the end it was a big blessing also obviously it led me you know it probably is
00:31:06.640
what made me an artist right well otherwise i probably never would have become an artist i
00:31:09.840
wouldn't have had to all right so you mentioned a little bit um your approach to writing so when you
00:31:16.080
talked about when you wrote rounders with your writing partner but i'm curious what is your
00:31:19.920
approach to writing i mean it sounds like you have like a very workman-like approach to i mean
00:31:23.600
do you believe in inspiration or do you are you sort of like jack london where you have to like go out
00:31:27.040
and beat it with a club it's yeah i i i think what's gotta show up you gotta show up um you know when
00:31:35.600
you're young sometimes you can get away with the hey i'm gonna chase inspiration at two in the morning
00:31:43.200
and uh you know when it shows up i'll stop everything and i'll write like in the charles spukowski fever
00:31:48.720
dream you know um like in i don't know if you've seen the movie barfly with mickey work which is
00:31:53.040
about like one of these kind of wandering peripatetic poets charles spukowski this is
00:31:57.520
really fascinating dark twisted movie because i show up every day i show up every day and um i mean
00:32:04.800
right now i'm in production so i'm not i'm only writing working on on billions and fixing that um
00:32:10.320
other than like blog posts or whatever other little bits of writing because i'm um casting and location
00:32:16.400
scouting and putting together the show we start shooting but when i'm and that's one of the great
00:32:20.720
rewards of doing what i do is that i get to do this little thing with dave in a room writing and then
00:32:24.800
suddenly you know i'm running this thing with dave and i running this thing where there's 110 people
00:32:30.400
all working together to bring this vision that took to life and um but when we're writing every day
00:32:37.920
9 a.m in the office i i walk i take i walk in the morning my my creative practice is is pretty locked
00:32:44.480
in um i get up uh i meditate i practice transcendental meditation so i meditate for 20 minutes uh then um
00:32:54.720
i do morning pages so i do like the three longhand pages and then i take a long walk i'll walk my
00:33:00.880
daughter to school and then i will take a long walk a couple miles uh to my office i get up really
00:33:07.920
early so i'm i'm still in my office by nine sometimes before nine and um and then dave and
00:33:15.120
i meet we'll probably you know bullshit around for half an hour and then we start in and we just start
00:33:19.760
writing and we've you know we've made a plan we know what we're doing we know we're doing from the
00:33:22.960
day before we know where the thing is going some days it's really difficult because writing is hard
00:33:27.680
uh story is challenging uh sometimes it's easier and i'll if it's not going well uh you know i'll
00:33:35.280
sometimes it's because hey bry you uh flaked out and haven't done morning pages in three days so i'll
00:33:40.320
make sure i get up because you know time got away from you so i'll make sure to get up even earlier
00:33:45.200
you know for the next week to make sure i don't miss doing morning pages because that for me is the
00:33:49.760
thing that always starts the creative process going but man i've been stuck you know when i was writing
00:33:53.680
solitary man which we dave and i directed together but i wrote myself i was really stuck in the middle
00:33:59.280
of it and i couldn't figure out why and i knew i was scared of something i couldn't find the answer
00:34:02.320
i couldn't find the answer and i i realized you know i don't know what the connection is to this
00:34:06.480
and the movie's not a comedy but i decided i realized in in like doing morning pages thinking
00:34:12.720
that i always wanted to stand up i'd never really done it that i it was like one of the only things i was
00:34:18.400
truly frightened of and i did stand up for a year and a half i did four nights a week in manhattan i did it
00:34:23.280
like uh i started open mics i ended up getting to be able to perform at a bunch of clubs in the city
00:34:28.640
you know actual real gigs and somehow in that process something snapped and i was able to
00:34:34.080
find the answer and finish writing solitary man i'll do whatever i have to do i'll chase down whatever
00:34:39.360
i have to chase down in order to unlock this you know the thing that's most creative in me
00:34:46.800
but i also do show up every day to do the work because i don't know if uh if you don't um
00:34:54.400
if you don't it's too easy it's just too easy to not do it and then sort of tell yourself the story
00:34:59.760
that you know you're not really a writer you're not really an artist you're not really a creative
00:35:02.960
person you're a fraud right we're all ultimately like all that stuff is is is connected to this this
00:35:08.800
worry that as tony robbins says that you're not good enough or you know that you're that you're
00:35:13.600
really in the end if they saw what you really were they would think you were uh a fraud or fake
00:35:18.400
so but if every day that's one of the things i tell myself like a day that i wake up i'm not in
00:35:22.400
the mood to meditate or i'm not in the mood to do the morning pages it's easy and it's one of the
00:35:26.320
things i love about speaking publicly if i tell people i do that every day so if i don't do it i'm
00:35:32.080
a fraud i'm a liar so i'm like are you a liar no you're not a liar good do the morning pages that's
00:35:39.200
proof that you're not a liar right because show up at your office at your desk and write something
00:35:43.680
if you don't you're no better than those guys out there bullshitting people but if you do you're
00:35:48.560
telling the truth and like you know so i'm there doing it every day uh you know it's how i approach
00:35:55.760
i don't know it's just how i approach my whole life yeah what are morning pages i mean you what is
00:35:59.680
that exactly it comes out of julia cameron's book uh the artist's way and uh i i'll say there are things
00:36:06.800
in that book that i don't love uh the book has a lot to do with spirituality i'm an atheist but um
00:36:13.440
she came up with this idea that if you wrote three longhand pages every day in the morning
00:36:19.360
free writing is like the first thing you did during the day that it would cure a lot of people's
00:36:24.880
writer's block and she'd done a bunch of studies with this had a bunch of seminars and found that
00:36:30.080
there are it kind of solves many of the reasons people are blocked and the largest reason is people
00:36:35.520
are perfectionists and they're scared that what if they're not what they do isn't good enough
00:36:39.360
the point of morning pages is you just keep your pen moving has to be longhand for three pages you
00:36:44.480
don't stop writing you you fill these three pages and what happens when you do it every day
00:36:50.080
is first you're like neurosis and anxiety gets out on the page you if there are things you don't like
00:36:54.320
about what's going on but what happens is you've now kind of like wet the the wick you've now started
00:37:01.040
or lit the wick you've now started prime the pump whatever the metaphor is but you've started to
00:37:06.720
um get the creative juices flowing in a very free way nobody ever there's much rules about the art of
00:37:12.880
the morning pages one is you're not allowed to read what you like for five years nobody else can read
00:37:17.360
it it's not for publication it's literally to just get the shit that's in your head out and you do these
00:37:23.600
three pages and and the people i know have actually read julie cameron's book and then done the pages like
00:37:29.840
we've actually done this for three months um the percentage of those people who've written books
00:37:35.280
that have gotten published or written movies that have gotten made is staggeringly high um and
00:37:41.920
that's what that so that's what that is morning pages is is that three longhand uh free writing
00:37:47.120
pages and i did that's a big part of when i shifted my life when i was that age uh you know when i was
00:37:53.440
had my son uh when my son was born i did read two books right then i read awake in the giant within
00:37:59.680
and i read the artist's way and those two things together helped me figure out sort of what my
00:38:05.920
exact attack to doing this was going to be very cool i like that i like that practice i'm gonna
00:38:10.720
start doing that that'll help me out a lot um so you've made a lot of great movies in there you've
00:38:16.640
mentioned a few of them the illusionist rounders solitary man uh you also did oceans 13 and i'm
00:38:23.120
curious like now when because i run a blog called the art of manliness now everything i do is like
00:38:27.120
colored through the lens of like looking at it like is this manly and what can i learn about
00:38:31.680
being a man from this so i'm curious i mean are there any insights that you've gleaned from your
00:38:37.600
work on your films about masculinity or manliness and i'm talking like both the good and the bad
00:38:43.120
or do you even think about it at all i mean it's interesting i mean i learned more of that
00:38:46.880
all about by being a parent um because i i think i was more i was probably very focused on that stuff you
00:38:54.160
know like the movies that i would watch diner or the david mamet movies or the godfather movies
00:39:01.120
you know those things that made me want to do this or to put this in my head and and that i would watch
00:39:07.040
over and over again certainly sort of gave me certain ideas about what it means to be a man but in a way
00:39:13.280
you know the most manly thing is to to know that it's all really about what it means to be a human and
00:39:18.640
what it means to be a caring person and a giving person and um you know and how do you hold on to
00:39:25.360
this idea of manhood while being soft sometimes and giving and but i don't you know there are a
00:39:32.320
couple of different like kind of archetypes of the writer and yeah like hemingway is like that that
00:39:35.680
old-fashioned kind of like masculine tough thing but i think that that's an outmoded idea of of
00:39:43.200
you know manliness in a way i mean listen the most manly human being i've ever heard in my life
00:39:48.800
i think is that guy you went on a few weeks ago won the congressional medal of honor or sorry not
00:39:52.480
what it sorry who was presented with yeah by his language he didn't win it he was presented with the
00:39:56.800
congressional medal of honor paul um what's his last name oh man it's he's polish um buka
00:40:03.840
right paul buka i mean hearing his story and the way that he downplayed the events of that night
00:40:08.080
because then you know you go and look up the events of that night afterwards and he did a lot more than
00:40:12.800
he said that he did that night yeah um i mean but if you really think about what he was though if
00:40:19.280
you really kind of process it that guy that night was like the most giving human being in the world
00:40:25.120
right he was tough he was courageous these are ideas that we associate with manliness but what he
00:40:32.560
really was was self-sacrificing and giving to those those men on the battlefield that he cared so much
00:40:38.800
about and i was so moved by that and and i i called my son who i never want to go into the military he's
00:40:45.200
18 and at college and i was like you've got to listen to this because there's an ideal presented in
00:40:51.200
here about uh what it really means to like love your fellow man in a very specific way that i think is
00:40:59.280
about duty and honor obligation to hold to these ideals that just blew you know really blew me away
00:41:07.120
uh and um so yeah i think about these things but i think it's it's i look at it from a little bit of
00:41:14.800
the other side now gotcha that's that's really great stuff yeah his story was fantastic and i've
00:41:20.160
i've talked to other military guys and most of them are are very similar to paul like they're the
00:41:26.240
humblers and they just talk about they just focus about their platoon or their group that they were
00:41:30.560
with and just like how much they loved like they they say like i love those guys like they're yeah
00:41:35.840
and i think it's about the mutual sacrifice i mean the thing in that episode of your show that was so
00:41:39.760
amazing to me was you know he saved all those guys but 10 guys got killed and you could feel
00:41:47.600
the cost of losing those 10 guys even though it was so obviously not his fault was so great the pain of
00:41:54.080
that was so alive but he also would not indulge that like he wouldn't indulge in like feel sorry
00:42:02.160
for me because of i lost those guys he was just in every way to me uh the embodiment of somebody
00:42:09.520
living up to their best idea of themselves and maybe that's like the ultimate you know
00:42:15.520
manly thing to do is is have a really ambitious idea of the possibility of yourself and then try
00:42:21.840
your hardest to live up to that yeah well it's a very that's a it's a very ancient greek idea the
00:42:26.880
idea of being uh a man is uh you know having a life of eudaimonia or a flourishing life uh and
00:42:34.160
striving for this ideal you might not achieve it um but there's sure there's growth in the striving
00:42:39.440
there's something in the strike short it ties into what ryan hollander always talks about you know
00:42:43.040
those last book was about this this stoics yeah yeah um and and and sort of you know uh handling
00:42:50.720
the the setbacks and choosing to see them as as opportunities to perfect this ideal self that
00:42:58.320
you're trying to get to yeah so you you mentioned your podcast um yes it's kind of interesting because
00:43:04.240
it's a podcast that with with you have like entrepreneurs artists but it's on grant land which
00:43:09.600
is like i i typically associate grant land with like sports right and some fantastic sports writing
00:43:14.640
some of the best i've seen in in recent years i mean what what what's your goal with uh a podcast
00:43:20.960
your podcast on grant land i mean what are you trying to do with that well you know i ended up on on
00:43:25.680
grantland because i dave and i directed a 30 for 30 on the tennis player jimmy connors yeah and uh and
00:43:32.800
when i was we were promoting that 30 for 30 which i gotta say was just um rolling stone just said it was the
00:43:39.360
fifth best 30 for 30 of all time so if you guys haven't watched it because you're like no one
00:43:44.080
if you haven't watched it you're like uh tennis i'm not interested go watch it it's really good i
00:43:48.880
swear uh it's powerful and jimmy connors is really tough um the uh in doing it when i was promoting
00:43:55.440
that 30 for 30 i went on the bs report with sammons and before that i'd been on j mo's podcast a couple of
00:44:01.360
times and had done some other ones and i realized that i realized that i started doing those lines
00:44:10.720
and i i realized that i wanted to communicate in this way and i was talking to seth godin who is
00:44:16.320
sort of um uh a mentor to me in certain ways a friend and and uh gives me great counsel and and
00:44:23.920
so i started talking about it and he was like it you know get thinking to do this podcast you know i
00:44:28.480
think go ahead and chase it if you want and i wanted to so i said i was going to do it and i
00:44:32.480
called simmons uh because i know simmons and i said uh i'm thinking about doing this i knew i could
00:44:38.800
do it somewhere else there were but i was loyal to grantland i'd written for them from the beginning
00:44:42.400
i really like bill and i i thought um i thought i you know the only reason you're talking about i
00:44:48.880
thought they wouldn't want me to do it there but he was like do it give it a shot let's see if it
00:44:52.240
makes sense i talked to jacoby figured out that i wanted to center it on uh you know it's called the
00:44:56.480
moment with brian koppelman and the the the sort of central conceit of the the podcast is that
00:45:01.600
people who accomplish remarkable things process the high and low moments in their lives the inflection
00:45:07.760
points differently than we do they use those moments for fuel and that's like what i was interested in
00:45:14.560
talking about and uh you know currently does have a big pop culture presence too and so um as a result of
00:45:22.240
that uh i started doing it with them people and i got immediate feedback that people were interested
00:45:26.800
in this conversation seth myers was my first guest mario batali was my second one so right away you
00:45:31.360
know you will see that there was sort of a big difference between who those people were early
00:45:35.120
on i had baron davis on um i had mark marin on and um you know the last few weeks i've had marcus
00:45:41.760
limonis from the prophet i had killer mike from run the jewels uh i've had poker player phil
00:45:47.440
hellmuth so it does run the gamut but it's it's my one rule for the show is i will not put anybody on
00:45:55.760
who doesn't fascinate me because i can do a really great job interviewing someone if i'm really engaged
00:46:00.560
and interested the same thing all across the board because if i'm interested then i can go and dive into
00:46:06.960
the research i have things i've been thinking about for a long time about them and i can try to bring
00:46:11.520
something out and i'm i think it's been incredibly satisfying i the one i did with killer mike who's
00:46:16.160
this incredible 39 year old rapper who's finally becoming a star even though he's made great music
00:46:21.520
for a long time we come from such different places and it's so unlikely in a way that he and i would
00:46:27.280
be friendly with one another but we've had an internet friendship for years and he happened to
00:46:31.600
perform in ferguson the night the grand jury decision came that he's the only person his band run the
00:46:37.280
jewels he and this guy lp the only people not to cancel a show that night and he made this incredible
00:46:42.160
speech that you should see on youtube before he performed and he and i spoke like a week later
00:46:46.480
and when he was playing a sold out gig in new york and the way that people across all economic lines
00:46:52.960
racial lines have responded to that show in particular the letters i've gotten the things
00:46:57.680
people have said to mike it's like uh it is the most rewarding thing i know you get it from doing your
00:47:03.040
show it's so rewarding to be engaging in this big conversation now that's made possible by twitter
00:47:09.840
and by podcast that you know it's not just a conversation with mike i'm talking to thou you know
00:47:16.000
i'm engaging with thousands of people about this stuff that we're all really interested in uh and i'm
00:47:22.400
i'm just so happy to have the platform to do it you know that's great so um where can people find
00:47:27.920
more about your work and besides billions what are you have any future things planned um yeah i mean
00:47:34.720
i'm always i always have stuff planned i um dave and i produced a movie that my wife um wrote based
00:47:40.640
on one of her novels she's a novelist and uh it's called um i smile back starring sarah silverman and
00:47:46.160
it just got accepted at the competition at the sundance film festival which is a really big deal like
00:47:50.240
1.5 of the movies that try to get into the sundance get in so huge big deal that that film's in in
00:47:55.760
sundance it'll come out next year and billions is taking up a lot of my time and then there's you
00:48:00.880
know the moment if people want to reach me uh they can find me on twitter at brian compliment i also
00:48:07.120
get out my email address which is uh the moment bk at gmail.com i'm happy to hear from you about
00:48:13.600
anything but if you send me uh a screenplay or a screenplay idea or a tv show idea do not do that
00:48:20.240
if you do that brett is going to find the seven most manly guys he knows and they're going to track you
00:48:25.200
down that's right and they're going to hurt you i know don't send me that but otherwise uh
00:48:30.800
otherwise i'm interested in whatever you guys want to talk about awesome i know some manly guys
00:48:35.520
because of my i know you do work i've i've rubbed some shoulders and really manly dudes are kind of
00:48:39.440
scary all right well brian compliment thank you so much for your time this has been a fascinating
00:48:43.680
discussion it's been a pleasure hey man it's my pleasure i really love your show i love the work
00:48:48.480
you're doing love the site and uh thanks for having me on thank you our guest today was brian
00:48:52.640
koppelman he is a screenwriter and the host of the podcast the moment with brian koppelman you can
00:48:58.480
find that on itunes also just google the moment with brian koppelman you'll find it there as well
00:49:04.000
definitely recommend you go check it out well that wraps up another edition of the art of manliness
00:49:09.840
podcast for more manly tips and advice make sure to check out the art of manliness website at
00:49:13.920
art of manliness.com and i'd really appreciate it if you would go check out our store it's store.artofmanliness.com
00:49:20.160
you can find all sorts of art of manliness products we got a really cool virtue journal
00:49:25.440
that we developed one of a kind unique you can't find this anywhere else it's inspired by ben
00:49:30.320
franklin's diary comes in a nice leather case so go check that out great thing to use and start off
00:49:36.080
the beginning of the year to track your progress and becoming a better man that's
00:49:39.760
shop.artofmanliness.com and until next time this is brett mckay telling you to stay manly
00:49:50.160
next time this is brett mckay telling you to stay manly