The Imagination Muscle — Where Good Ideas Come From (And How to Have More of Them)
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Summary
Imagine is the ability to form mental images and concepts that don't exist, and form connections between existing ideas to create something new and original. As any measure, our current age is suffering from a deficit in imagination, and indeed tests show that creativity which takes the possibilities generating the mind and produces something with them has been in decline for many years now. But if imagination is indeed atrophied, the good news is that it can be strengthened, argues my guest, Albert Reed, former Managing Director of Condi Nash Britain and the author of The Imagination Muscle, where good ideas come from and how to have more of them.
Transcript
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brett mckay here and welcome to another edition of the art of manliness podcast
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imagination is the ability to form mental images and concepts that don't exist or haven't happened
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yet think outside of current realities and form connections between existing ideas to create
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something new and original if the number of movie sequels and the outsized popularity of music made
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decades ago as any measure our current age is suffering from a deficit in imagination and
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indeed tests show that creativity which takes the possibilities generating the mind and produces
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something with them has been in decline for many years now a phenomenon that has repercussions for
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personal edification professional advancement and societal flowering but if imagination is indeed
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atrophied the good news is that it can be strengthened so argues my guest albert reed the former managing
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director of condi nash britain and the author of the imagination muscle where good ideas come from
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and how to have more of them today on the show albert shares his ideas on how our imagination can
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be built back up we discuss how to get better at observation and how to use a commonplace book and
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the way you structure your reading to cross-pollinate your thinking and generate more fruitful ideas
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we also discuss how to overcome the unthinking habit resist stagnation as you age and embrace
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imaginative risk after the show is over check out our show notes at awim.is imagination
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all right albert reed welcome to the show thank you brett great to be here so you are a journalist
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a writer you're a former head at condi nash britain where you're overseeing magazines like
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wired and gq and you've recently published a book called the imagination muscle where you explore
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the power and history of imagination and you start off the book with this story that you're out of
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college just barely and you're in a used bookstore and you came across this book that it kind of
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changed the trajectory trajectory of your whole life so what was that book and how did it set you on a
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career path in the world of creativity the book was called the secret language of film and it was by
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this guy called jean-claude carrière he's a french script writer and he would write scripts for this
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guy called luis bunuel who's a famous spanish film director made surrealist films and they worked
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together on many different projects and one passage particularly struck me in the book when he said that
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at the end of shooting a film at the end of the day of shooting they would have this exercise where
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they'd each go to their rooms and force themselves to come up with an idea for a story and then they'd
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meet an hour later in the bar and then they'd tell each other their stories and he says that they did
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it because the imagination is a muscle it needs exercising and it's an exercise that requires real
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discipline and this idea that the imagination is something that you can work at something that you
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can develop struck me as a very very interesting thought that really hadn't been explored in great
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depth we talk about our physical health and we take exercise and we do weights and we stretch
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and we do yoga and we talk about our mental health and our mental well-being but what we don't do in
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my opinion nearly enough is focus on our imaginative health on this idea imagination something that
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is a force within us that can be used or not used or can be ignored or it can be it can be celebrated and
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it can be developed and it can be something that grows within you and this idea really stayed with me
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for 20 years before i wrote the book but i want to say to readers i wanted them to consider this
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possibility that the imagination is akin to a muscle it's something that you can develop it can make
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you more alive it can make you happier it can make you better at your job and so this really was the
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sort of underlying message that i with the book yeah because i think a lot of times we think of
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imagination we think of it as something innate either have it or you don't yeah exactly i don't think
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that's true i think everybody's got an imagination it's like saying you know because hussein bolt
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runs 100 meters really fast we shouldn't none of us should try running you know everybody has
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an imagination of some sort some have greater imaginations you know we start from different
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starting points we end up at different finishing lines but the point for me is to run the race the
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point is to be in the game to use your imagination in whatever way it suits you to use it you talk about
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the book that you think our culture today can make developing your imagination more difficult why is
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that i think there are different forces at play here and it's not completely definitive what i'm
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saying but i do see signs of what one could call a quiet crisis of the imagination and i worry sometimes
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that the notion of having ideas of seeing ideas as something that is important in life has slightly
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been eroded by technology by this idea that the imagination is best left to the professionals
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is best left to the experts to the writers and the filmmakers and the musicians when in fact we should
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all be imagining as we used to do in in our more so-called primitive communities imagination was something
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you did together you sang you danced you told each other stories and this was something i think we've
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lost and there are definite data points which suggests that ideas are getting harder to come by
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there's a study from stanford that says to sustain growth in gdp per person
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the amount of research effort has to double every 13 years to offset the difficulty of finding new
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ideas and there's another test called the torrance test which measures creativity and that shows that
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creativity has fallen since 1990 with a steady and persistent decline and you see other areas where
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you know you see the sequels in hollywood you see netflix ratings going down you see a kind of
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possibly a cult of nostalgia in the musicians we follow so i just want to really draw
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attention to this and say are we really being as creative as we can be or are we falling into
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the trap of passivity and trap of adequacy yeah i've noticed that too it's sometimes i feel like
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culture is very stagnant yeah the sequels with the movies is the most obvious example i think it's
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interesting you know i look at my kids my son he's 14 a lot of the music that he enjoys they're from
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bands that started 20 30 years ago like one of his favorite bands is cake and i listened to cake when
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i was in high school and i went to a concert with my 14 year old son to watch this 60 year old front
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man of cake singing it was great but i was like where's my son's generation cake like what's the
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band that he's gonna like listen to with his kids yeah i have exactly the same thing with my kids
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who are a bit older than yours but they listen to the same music i listen to and and you know a little
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bit of new music feeds in but there's this idea of music defining your generation seems to have gone
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you know it's now it's arrives in different ways from you know tiktok or from film scores and it's
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often stuff that even predates our own childhood and teenage years so yeah okay the culture is hard
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because we have technology that i think the thing with technology it can be a source of imagination and
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creativity but it's so easy that you don't have to exercise that muscle because it makes it so it makes
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you feel like you're being creative and imaginative when you're really not does that make sense
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yeah it makes complete sense i think also there's a there's a sense of risking a new idea seems harder
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than it used to because you're so surrounded by social media and by the attention of anybody that
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it's it feels easier to fall in step with a group and fall in step with a mindset of that group and to
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step outside it feels a little scary in a way that it didn't before the advent of social media
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and i think another thing that social media and the technology we have one way can hamper
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imagination is like we don't have as many opportunities to be bored and that's when i
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remember when i was a kid i had to use my imagination when i was bored because i didn't have tiktok i didn't
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have you know i had to figure things out on my own i had to get creative yeah and i talk about this in
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the book about the spaces what i call the spaces in between these gaps in your day when your mind is
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allowed to wander you know when you're standing in a queue or whether you're or sitting on a bus now we
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we fill these these gaps these small gaps of 10 minutes with checking our email checking social
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media and those were the moments those were the gaps in the day when people used to have ideas that's
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when you know george michael was standing in a queue when he invented the the the opening sequence for
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careless whisper and there's this french mathematician called poincare who had been struggling with this
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very complicated mathematical formula for for months and then only as he was getting on a bus
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did it suddenly come to him and it's these moments when you allow the mind to declutch you allow the
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mind to be drifting a little so that these ideas can make themselves known to a to a mind that's
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slightly less attentive to what's going on around it and less stimulated by its immediate surroundings
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so it sounds like there's less chances to exercise our imagination these days but it's still
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important because you know it can enrich our personal lives it can help us find purpose in our life
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we use our imagination to develop a vision for our lives imagination can help us have a rich inner
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life help us to see more layers in life you know just kind of makes you feel more alive but then you
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also in the book you put numbers to this like it has an economic benefit it can help businesses thrive
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lead to the scientific discoveries move research forward so there's stakes here in developing our
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imagination and what you do in the book that i really enjoyed was you talk about the idea or the
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history of the idea of imagination you give a general definition of imagination as creating
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connections to create something new but you also impact the idea that people haven't always seen
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imagination the same way so what's the history of the idea of imagination thumbnail sketch well the
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imagination has always been with us as long as we've been alive and conscious but we never knew that it
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was there we never knew what to call it and you see examples of great imaginative feats through history
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whether it's the homeric poems or the storytelling of the hakawattis and the ancient medieval islamic
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world but they didn't know what to call it and they didn't really have a sense of what it was and
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the word imagine comes from this latin root of imago meaning to form an image in your mind and that's
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where it started and for a long time that's where it ended in a way and that's that that this this idea that
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humans could use this imagination to conjure up new worlds or think of new ways of of solving problems
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was something that struck fear into many of the more kind of repressive regimes whether they were
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political or religious they saw the imagination as a threat to the smooth functioning of society
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this idea of the imagination was was it was a little scary and it was only later really when
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it came to the 18th century when the the enlightenment thinkers hobbes and hume and kant began to really
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isolate and identify this power within us this energy that was the imagination and then it became
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something enormously important in the world and something that was celebrated and revered and seen
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as something superior to reason shelley the poet wrote reason is to imagination as the body to the spirit
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as the shadow to the substance so the imagination was put on this pedestal by these poets and by these
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writers and what they were saying is they were saying not only can we imagine but it is our duty
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to imagine we have to use our this enormous power we have within ourselves to live to be alive and
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that's really when it is only so really it's only a very recent invention the imagination in terms of its
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conscious application to our lives and this was you know this was 200 years ago yeah this was like
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the romantic era you know keats and those guys they they really romanticized this idea of imagination
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yes and they talked about originality as well and that that was another part of it they thought
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originality was was extremely important whereas in the years before that in the centuries before that
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originality was rather wasn't really considered and if you think of someone like shakespeare he was
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wildly original in one sense but he was perfectly happy to take the works of plutarch and ovid and
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chaucer and christopher marlowe and take stories like romeo and juliet which had been told
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six times before in various forms and then reinvent them in a way that we wouldn't really
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think of doing today in quite the same way and i'm very interested in the idea of originality and
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the notion of how original really is something i write about picasso's le demoiselle d'avignon which
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was this wildly inventive breakthrough piece of art which appeared at the beginning of the 20th century
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which really reset the journey of art and into cubism and into into everything that followed
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and we think of his work as being you know almost the benchmark of originality but actually if you
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look at it it's actually taking its inspiration from a number of different sources whether it's
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cezanne and el greco or whether it's african art or iberian face masks and recombining them in a
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completely new way and that is that is the question about originality and about imagination is do we
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imagine something completely new or are we just recirculating the colored glass in the kaleidoscope
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with the existing elements that are already out there yeah and that goes to the questions that
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people are having today about artificial intelligence what exactly is chat gpt doing when it's generating
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an image and is it the same as our type of imagination that we do as humans that is the
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question that nobody really knows the answer to but it seems like for the time being imagination is the
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thing that we can still do better like it gives us an advantage over the machines and it'll probably
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become an increasingly valuable commodity or resource so let's talk about what we can do to
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strengthen our imagination muscle you offer different ideas that you can do to implement in your life to
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develop your imagination the first one is observation and you start the chapter on observation with this
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statement observation comes before imagination what do you mean by that what i mean is that the
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imagination is fed by the imagination is fed by the senses it's fed by what we see and what we hear and
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what we observe and we don't observe nearly as much as we think we do and we let most of the world
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pass by without us really noticing it so what i'm saying in the book is learn to take notice learn to see
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what's around you and if you look at the most creative minds in history they tended to have this ability
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to see things that other people couldn't see they tended to be able to see see into another layer of
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existence whether it's an artist or a scientist or even an entrepreneur they see things that other
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people glance over they spot opportunities because they're looking that much more closely
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so what i'm saying in the book is build ways of behaving that increase your observational power
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whether it's and i talk about this thing called observational closure when when you if you really
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want to see something you should sketch it or you should describe it in words or if you're reading a
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book you should take notes in the margin and the other thing i write about is building what i call
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what was called in history a commonplace book where you take notes of things you've read that you found
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interesting and then you gradually build up a notebook of your own pulled from many sources and
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then you have this very valuable set of observations that you've made over the years and then you find
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yourself making connections between them so really it's a way of living where the world is something
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that is your raw material for your imagination but you've got to be able to capture it and draw it into
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your mind no i like that idea of observational closures it's basically it's not just noticing
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it's you have to do something with it you have to tell your brain i have recorded this i have actually
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paid attention to this by putting it in a notebook or i've made a note somewhere because i think
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oftentimes yeah we just go through our day we might notice something that captures our attention and then
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we just move on and we forget about it and i think also there's a sense of if you don't
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achieve observational closure you you somehow feel dissatisfied the example i use in the book is of a
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child rushing home to its parents to report on a drama in the school playground and the child will
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have this kind of agitation that they need to tell you what happened you the parents and then in the
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telling of it they can somehow relax and they feel they've passed it on and they've achieved this
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closure and i think that is a very simple example of what we feel as adults where something really
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valuable happens if you take the time to use whatever means you like to use to find a way of
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recording or systematically encompassing something you've observed going back to this idea of the
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commonplace book i love this idea so it started in the renaissance and people would just basically
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have a notebook a little notebook that they would just jot down notes and quotations from books in it
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that they were reading and sometimes you put things under categories i think like guys like john
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lock he had an index in his commonplace book to add some organization so it's kind of like a bullet
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journal but the fact that you gave these notes a new organization from the book you just read you
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know mixing different quotes and sources together that was the point really because it'd help you see
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new connections and come up with new ideas and i think people today they've picked up on this idea and
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they say well you know i can just use my digital devices to create a commonplace book but you're a big
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proponent of keeping an actual physical commonplace book why is that i am i mean i i certainly would
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use my if i'm out in the street and i have a thought and i want to record it i certainly would
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use my phone to record it but i will then go back home and i will transfer it to a written to a book
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with a pen my view is that writing in the act of writing you absorb something in a completely different
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in a much more profound way and i think that if you can build up this treasure trove of observations
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that you've written down it becomes a more valuable thing and from a purely practical level i i have a
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i'm gonna give you an example i have a commonplace book in my bookcase that i completed in my 20s
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and i just know that if i put it onto some floppy disk i would have lost it so so you know there is this
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very practical advantage of pen and paper not only is it a better way of recording in terms of
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absorbing the information and seeing things on the same page and going back over old pages and
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you know i see this book looking at me on the shelf and i think i must look at it again and i do bring
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it bring it down occasionally so for me it's what i prefer doing there are of course advantages of
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technology but i think the disadvantages outweigh the advantages at least for me yeah i've had that
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same experience as you i have a commonplace book that i had from my 20s where i write down quotations
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and just notes and i find it more useful than you know the digital systems i've developed
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to capture different interesting tidbits i've read on the internet because i feel like when you use
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these tools on your computer i just like end up capturing everything like oh i'll save this and
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save this and save this and it becomes so useless and then i forget to check it yeah it's almost too
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easy to record it i think the act of writing yeah it's a little bit of an effort and so you're a bit
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more selective about what you record and you also you make more of an effort in recording it and that
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effort is what really makes it stick and remain something valuable okay so get yourself a common
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place book get yourself a little notebook could be a moleskin make it fancy if you make the yeah i
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think you make the experience more enjoyable you'll enjoy doing it more and just write down your
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observations could be quotes also the writing and drawing it slows your mind to a more reflective
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rhythm it makes your mind open to ideas in a way that if you just quickly write something with your
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thumb on an iphone it just isn't the same yeah and so yeah all the stuff you're observing and recording
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this can be the building blocks of new imagination things you're going to create in your head you also
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have one more thing to that which is which is the way you read i think is very important
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well in the renaissance people used to read in a completely different way to the way they read to the
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way we read now they would read many books at the same time they would write in the margins they would
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scribble over things they'd underline things they'd they'd read books again and again and we now read
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books you know like a chapter at the end of the day when our when we're tired and we'll read sequentially
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one book and then another book and really that what's interesting is when you have a whole lot of
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books maybe four five six books going on at the same time and one book is a novel one book is a work
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of science one book is a history book you'll find yourself making connections across those books
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in the way that they used to in the renaissance and that is another valuable sort of you know element
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which is connected to commonplace books which is this idea of of connecting the previously unconnected
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those things that nobody else has thought of together and that's something which was a great
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source of great fuel for the imagination in history this idea that people could pull from science and from
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art and from history and from whatever else they're observing and ideas will come from this
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this kind of you know this this clashing of different disciplines and different observations
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you see that a bit with people who talk about going on reading weeks someone like bill gates will go away
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for a week with a whole bunch of books and they're on all sorts of different subjects and really what he's
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doing is replicating what they used to do this idea of reading widely and exploring areas that are not
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familiar to you and staring at things that you don't fully understand yeah okay so let your reading
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cross-pollinate exactly yeah that's something i do i'm always reading like multiple books at the same
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time and i just keep them in different parts of the house so i got a book you know in my living room
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and i got a book in the office i got a book i'm reading on my phone and they're just i'm in different
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parts of them and i just read them when it's sort of it's very um higgly piggly i don't really have a
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rhyme or reason why i pick up and decide that's exactly higgledy piggledy is good that's that's
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the way you should approach it and going back to technology i i read things on kindle you know i
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read things on the train and and having that access to lots of different books with a few swipes is an
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extraordinary power that is you know something wasn't available to our predecessors we're going
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to take a quick break for your word from our sponsors and now back to the show you talk about in
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the book the unthinking habit what is that and how does it get in the way of strengthening our
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imagination the unthinking habit is something which i talk about in relation to life passing us by and
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habits setting in which begin to limit the way we can think and the way we see things there's a
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philosopher called william james the brother of henry james who wrote about this and his view was that
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by the age of 30 most people's minds have encrusted in a way and he says by the age of 30
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you've more or less set your habits your thoughts your political views and you don't tend to change
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much after that and this has implications for the imagination so what i'm challenging people to do is
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to say get out of this unthinking habit get into a place where you can remain young in your mind
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remain open and embrace the mindset of a beginner because by doing that you get out of the habit of
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thinking of the same things all the time of thinking this is the way the world works because the world
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changes around you and if you're not changing with it if you're not learning and observing and seeing
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what's out there because you've lost that kind of youthful curiosity then you're going to be more
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limited in what you can achieve so the question is what can you do about this how can you keep this
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mindset of a beginner through your life and one very interesting fact that i discovered in the book
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when i was writing the book was this piece of research that showed that the nobel prize winners in
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science compared to other scientists tended to have a disproportionate interest in the arts so while
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they were great scientists in their free time in their in the weekends and evenings they were also
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doing something entirely different they were being artists so you think of someone like alexander
00:23:24.080
fleming who discovered penicillin he was also an artist and a member of the chelsea arts club in
00:23:29.080
london or you think of someone like richard fineman he was also a painter or even einstein was playing
00:23:34.940
the violin or newton was also a poet so what i find fascinating about these people is they were
00:23:40.440
being great you know experienced achievers in their day job they were being beginners in their leisure
00:23:46.440
time and that that beginner's mindset is something i think it's very important was was very important
00:23:51.160
my theory is that that was what made them great they had this ability to keep their minds open to
00:23:57.180
keep themselves humble and curious through their art and then we'll take it back to the science
00:24:02.000
okay so tip there if you want to avoid the unthinking habit as you get into midlife
00:24:06.440
i've been noticing this in myself you know i'm in my 40s now and i'm starting to notice i'm kind of
00:24:11.540
stuck in my ways and i don't it's part of it i like you know because it's it's easy but there's a
00:24:16.440
part like i don't like this it's a very comfortable feeling yeah so one thing you do is just keep trying
00:24:21.740
new things try new hobbies become an artist if you want i know winston churchill he was an artist he
00:24:26.460
picked up painting he was and that's that's another great example of somebody who was you know he was
00:24:30.520
learning something new he was you know while he was being the prime minister he was also
00:24:34.440
struggling with something and i think that's really important another thing i think can help
00:24:38.660
i've been talking to a friend of mine who's he's in his 50s now he talks about how he's starting to
00:24:43.760
enjoy hanging out with younger people like in their 20s he says like there's a mentoring part like i want
00:24:49.200
to i'm in my life phase of my life where i want to become a mentor because like i actually enjoy being
00:24:53.160
around them because they've got fresh ideas it's new it's more exciting to talk with them than to talk
00:24:58.200
with people my age who are more stagnant just talking about getting reading glasses at walgreens
00:25:04.080
i think there's also a feeling in your 50s and i'm speaking of somebody as somebody who's in their
00:25:09.500
50s of the ego sets in there's a kind of need to feel right and if you've got to a position where
00:25:15.620
you're senior in a company you kind of think well i got here because i'm cleverer than everybody else
00:25:19.840
and i made all the right decisions or i made more right decisions than not wrong decisions and so
00:25:23.760
forever forevermore whatever i say is likely to be right and that that that is that is the wrong
00:25:28.960
attitude the correct attitude is to think i got here through a sequence of lucky breaks and i made
00:25:34.060
a few good calls but what was true five years ago may not be true anymore and the thing that i can do
00:25:41.520
to stay in my position and to be good at what i do is to realize that i might be wrong and that i should
00:25:47.100
allow a culture where people can contradict me and where younger people from different backgrounds
00:25:51.600
with fresh perceptions can come along and say actually i disagree with you and actually the
00:25:55.560
world's changed and that's a very difficult thing to take on in your 50s or your 40s even because i
00:26:02.720
think that's not the way we like to think about ourselves okay so to get out of the unthinking
00:26:07.460
habit try new things even as you are in midlife and in your elder years hang out with young people
00:26:13.500
who have got different ideas than you the thing about imagination is you're combining stuff in your head
00:26:18.900
to form something new and then you're testing out in the world to see if it works and sometimes a lot
00:26:24.960
of times ideas don't work so imagination requires some risk and i think that's one reason why people
00:26:30.960
are afraid to be imaginative and or be publicly imaginative so how do you learn to become immune to
00:26:37.760
imaginative risk well i think you i think you learn to be immune from this by detaching your activity
00:26:45.680
from any need to succeed or to be recognized in the outside world as a success we see creativity as
00:26:53.540
something that we embark upon when we think we can do something better than everybody else or something
00:26:59.400
where we can do something that we can get applauded for it but really what i'm saying is your fear of
00:27:06.620
failure will hold you back and you shouldn't be thinking i mean some people think if i can't imagine
00:27:12.160
successfully the better not to imagine at all and that is the wrong attitude because even the most
00:27:16.420
successful people in the creative worlds failed a lot there's a saying by w h auden the the english
00:27:22.660
poet that good poets write more bad poems than bad poets and i think that's true i think if you think of
00:27:28.420
anyone who one admires greatly as an artist they have had plenty of failures if you think of david bowie or
00:27:36.180
you know wordsworth they they bowie wrote some terrible music and wordsworth wrote some terrible
00:27:41.840
poems but in the act of doing those works they also came up with great things and so we have to think
00:27:48.360
of ourselves not only as people comfortable with failure but also as thinking of the process of
00:27:55.900
creating is what's important is the act of creativity not the result that makes you alive and brings out
00:28:02.760
the best in you that's what i would say is a different way of looking at things yeah so
00:28:08.100
sometimes i mean a lot of times quantity trumps quality because it's through quantity that you
00:28:14.060
can get to the quality exactly yeah but also not to think about quality necessarily you know do your
00:28:19.880
best but don't don't worry if it doesn't work yeah you know another artist who was prolific but we
00:28:26.480
think everything you did was awesome was bach so bach that guy that guy worked all the time like he
00:28:33.580
was cranking out stuff weekly um but we only remember just a handful of the best works that
00:28:41.280
have stood up over time you know we forgot about the all the other stuff that he churned out that was
00:28:46.300
just you know okay by the way i'd say the same about business if you think of the great entrepreneurs
00:28:51.360
if you think of steve jobs you know between the first computer and the iphone between the mac and
00:28:56.680
the iphone you know you have the g4 cube and you have the apple leaser you know you have these big
00:29:01.760
mistakes but he understood he thought like an artist he understood that these frequent attempts at
00:29:08.360
creating you know you keep going and often you fail but but it's the failures that that are the
00:29:13.780
byproduct of success the failures of the byproduct of success as opposed to things that lead to some
00:29:19.840
terrible you know end game i think another thing going back to this idea that midlife can make it
00:29:25.360
hard to be imaginative not only do you get kind of stuck in your thinking ways but oftentimes by the
00:29:32.380
time you're in midlife let's say you're 40s and 50s you've established a career you've maybe had some
00:29:36.860
success you've spent a lot of time developing a skill set maybe you reach this point where that's not
00:29:42.880
working for you anymore the way it was and you decide i got to do something different but it can be
00:29:48.840
scary to try something different because like wow if i do that then i'm i'm gonna lose this good
00:29:55.680
thing that i i had i mean yeah you said you're in your 50s and you're still in this kind of creative
00:30:00.540
world what have you done to help you get over that imaginative risk in midlife well i wrote this book
00:30:08.240
you know this book was something that was entirely new to me and i didn't know if it was going to work
00:30:12.580
and it was something completely outside of what i've been although i've been working in the creative
00:30:16.960
industries i've been on the business side so to write a book was something that felt very scary
00:30:22.260
and you know the risk of failure the risk of public embarrassment is you know it's something
00:30:27.720
you have to deal with and i'm very glad i did so you just got to do it there's no there's no hacks
00:30:33.140
or tricks you just have to do it you've got to do it and if you do it and you don't succeed you've
00:30:36.920
got to think of it in a different way you've got to have a different mindset there's a quote i make
00:30:40.120
up in the book which is borrowing from eleanor roosevelt who's she said this thing she said do
00:30:45.860
one thing every day that scares you those small things that make us uncomfortable help us build
00:30:50.080
courage to do the work we do and i said in my book do one imaginative thing every day that scares you
00:30:55.740
scribble a short story a drawing an idea to change something around you or you could compose a piece
00:31:00.580
of music because these small imaginative acts will make you uncomfortable and when you venture to
00:31:06.140
retrieve the piece of paper the following morning they'll look ridiculous but you might laugh at
00:31:10.120
yourself and feel some misguided flush of shame but eventually you'll lose your fear your self
00:31:15.460
mockery and your embarrassment and you'll begin to feel comfortable with imaginative risk realizing
00:31:20.560
there's no real risk at all they're just ideas and you start to wonder what was i afraid of and you
00:31:24.640
begin to feel stronger and you realize that by risking yourself imaginatively you will gradually build
00:31:29.720
the courage to do to echo eleanor roosevelt to do the important imaginative work we all need to do
00:31:34.700
so it's really a mindset and it's really a a kind of way of living that i think is so rich and
00:31:40.260
fruitful if you throw yourself into it yeah and it fits in nicely that idea fits in nicely with the
00:31:45.620
idea of the imagination is a muscle like you just have to yeah exercise it's painful it can hurt
00:31:50.820
sometimes exactly it's like working out in the gym it's it's you know it starts off being painful
00:31:54.820
but it gets easier and you get fitter and you get stronger and you feel more alive yeah you have
00:31:59.940
this section about 18th century coffee houses and how social connections can help us increase
00:32:06.620
our imaginations what can we learn from the 18th century coffee house well i have this chapter in
00:32:11.700
the book called talking to strangers and it starts with this idea of me if i go into a coffee shop in
00:32:16.660
london and i observe this you know everyone grabbing their coffees from starbucks and walking off to work
00:32:22.240
and actually right by this coffee shop where i bought the coffee was a sign saying here stood the first
00:32:26.640
london coffee house at the sign of pascal rose's head and pascal rose was this guy this turkish guy
00:32:32.700
who came to london and in 1652 opened the first coffee shop and it's hard to imagine now but the
00:32:38.880
coffee didn't exist and nobody knew what it was but it was an enormous success and it spawned other
00:32:45.700
coffee shops very quickly and then gradually what was just a coffee shack became a coffee shop with a
00:32:50.760
with big wooden rooms wooden floors and sofas and it really led to the explosion of thought
00:32:58.440
and energy in london it was an amazing period and what it did really was it had a double effect of
00:33:05.060
caffeine energizing and sharpening people's minds because until then they were drinking warm beer most
00:33:10.720
of the time and they were mostly drunk so in london suddenly everyone was super alert and sharp and then
00:33:15.300
the other thing that it engendered was this mingling of people which had never happened before because
00:33:19.640
all thought and all debate took place within academic institutions of the church so suddenly
00:33:25.100
you had these kind of democratic gatherings of people from all sorts of different backgrounds you
00:33:30.920
had great scientists you had just regular people coming in and they would all talk and share ideas
00:33:36.340
and it attracted you know people like isaac newton and benjamin franklin it led to the birth of the
00:33:42.460
insurance market and the finance the city of london and lloyd's and the first newspapers and
00:33:48.360
magazines and really what this this represents is something that has been repeated in different
00:33:54.520
ways across history which is this idea of the cluster this idea of people coming together and
00:33:58.880
having ideas which they wouldn't have sitting on their own and you see it with the salons of the
00:34:04.440
french enlightenment you see it with the harlem renaissance you see it in the medieval times of
00:34:09.340
the baghdad house of wisdom and really what i'm saying in the chapter called talking to strangers is
00:34:14.980
find ways of recreating the coffee shops find ways of mingling with people that you may not agree with
00:34:22.820
but they will sharpen you and you sharpen them and it's in this in these gatherings that interesting
00:34:28.260
things happen i mean silicon valley is another great example of that do you think you can replicate
00:34:33.140
this on the internet like some people would say well x.com is the coffee shop what do you think about
00:34:38.520
i think it has certain advantages i think it's rather like you know i don't want to sound like
00:34:44.380
a luddike but it's rather like the writing in a commonplace book i do believe that actually physical
00:34:49.520
encounters have a value to them that digital encounters don't have i think i i think they
00:34:54.380
both have value i think the digital world of bringing people together with common interests is incredibly
00:34:59.940
powerful and i don't think twitter is a particularly good example that it has been there have been good
00:35:05.200
things about it but certainly scholars researchers can mingle in ways that they couldn't do before
00:35:11.140
using the internet so i definitely think it has an advantage but i wouldn't discount the physical
00:35:15.480
environment and say that the virtual environment does the job in its entirety yeah i'd agree with that
00:35:21.300
i've my experience i you know i've been on the internet and i i like rubbing digital shoulders with
00:35:26.380
people but there's something about being with a group of people in person the dynamic is completely
00:35:32.200
different i feel something about it it leaves more of an impression on me when i'm with people in
00:35:36.980
person and then the ideas i don't know you everyone's had that experience after you had like
00:35:41.420
this great conversation with a bunch of different people you just feel enlivened and it gets you
00:35:45.520
thinking about different things that doesn't happen so much after i spend a few minutes on x it's harder
00:35:52.540
i think and i think people need to connect in the room in order to open up in order to relax in a way
00:35:59.340
and i think the other thing to remember is or to rather to point out is that many great geniuses
00:36:05.480
in history we think of as individual geniuses you think of shakespeare or charles darwin or
00:36:11.720
virginia wolf to take three british examples they were geniuses but they were surrounded by other
00:36:19.320
brilliant people and it was in this atmosphere of what i would call mild competitiveness that really
00:36:25.360
their greatness was drawn out and without that cluster of people around them i'm not sure they
00:36:31.300
would have achieved what they did achieve in the end yeah you see that with c.s lewis and tolkien
00:36:36.320
the inklings yes and you see it with the homebrew computer club of the 1970s with you know steve
00:36:42.640
wozniak and you know they were collaborators but they were also trying to impress each other and that's
00:36:47.940
a very powerful powerful force in making progress yeah well another place we see that was in america
00:36:54.900
in concord with the transcendentalists like emerson yes yes fuller they were friends and they were you
00:37:02.000
know exchanging ideas but they're also kind of competing against each other there was a little
00:37:05.640
bit of friendly rivalry there yeah you've got to be on your you've got to be on your metal when you're
00:37:09.700
in the room with those people yeah how are you doing that how are you incorporating stranger talk
00:37:15.340
these days are you going into starbucks and saying hey what's going on what's the news i tried that it
00:37:21.840
didn't really work i think people look at you weirdly if you try and strike up a conversation
00:37:24.880
in starbucks these days i think that the day of the coffee shop being a gathering of of people is gone
00:37:29.780
i think the world's too big i think there's too much suspicion i think in a way that doesn't work
00:37:35.400
quite and it's got to be more organized than that these days i do it through through my social life
00:37:40.700
i guess mostly through having interesting friends and trying to bring people together at dinners and
00:37:45.260
parties who may not agree with each other but i think this idea of agreeing and disagreeing is
00:37:49.980
something else that that has gone a little bit wrong possibly where if you disagree with somebody
00:37:55.040
then an awkwardness might set in whereas i think disagreeing with somebody is actually much more
00:37:59.840
interesting than agreeing with somebody i'd much rather sit next to somebody i don't know who i
00:38:02.600
disagreed with than i agreed i think how interesting and let me see if maybe check my assumptions that's
00:38:07.800
something which you know social media has possibly eroded a little yeah we atrophied that skill
00:38:14.220
i think so yeah yeah i just had an idea of what you can do to incorporate these you know getting
00:38:19.720
together in person with strangers to bounce off ideas and increase your imagination we had this guy
00:38:24.300
on the podcast named nick gray and he wrote a book called the two-hour cocktail party and he talks
00:38:30.300
about you know just like this thing you can do it's a two-hour cocktail party you invite different
00:38:35.140
people and it's just two hours has like a very short time limit it doesn't take much work
00:38:39.900
and it's first off people just love socializing but you know he talks about that lots of different
00:38:45.220
cool things have sprung up from these two-hour cocktail parties businesses have been formed and
00:38:50.880
you know relationships have been formed you know non-profits etc so that's another we'll link to that
00:38:56.240
show in the show notes the two-hour cocktail party yeah great i'd like to listen to it so another
00:39:00.940
thing you talk about something you do to strengthen your imagination muscle that called to me
00:39:04.460
was walking outside in nature how can that help our imagination well walking is i think the best
00:39:11.540
form of exercise when it comes to the imagination it's the most natural physical activity and hence
00:39:16.800
the most kind of beneficial to the imagination i mean it improves blood flow and it stimulates creative
00:39:21.860
thinking but it's not kind of making us busy by movement it's not running and jogging and playing
00:39:27.600
sport they're all kind of exerting us to the point where we can't really think at the same time so
00:39:32.820
it's this kind of equilibrium of being and doing that i like about walking you know you're walking
00:39:38.500
it's a natural rhythm but you're not distracted by it and it kind of releases you from the burden of
00:39:45.140
the self it kind of it's this kind of declutching thing where you're removed the kind of immediacy of
00:39:50.800
your existence and i find walking is when i have the best ideas you know often it's a bit of a time into
00:39:58.280
a walk it could be half an hour 40 minutes into a walk and then things things emerge you know things
00:40:03.380
get jogged into view as you keep walking no i have that experience too and i lots of great philosophers
00:40:09.580
have had that same idea of aristotle yeah his fathers are called peripatetics because they just
00:40:14.920
walked around everywhere nietzsche so all the truly great thoughts are conceived while walking
00:40:19.560
exactly kicker garden another big walker kant i guess the town set their clocks to his daily walking
00:40:25.580
schedule so yeah charles dickens yeah and darwin darwin is another one like he would you know get
00:40:32.420
up in the morning and he'd do his work and then for the rest of the day he'd just go for a walk and
00:40:37.040
just hang out yeah i'd write about i write a lot about wordsworth and his walking in the book and
00:40:41.760
somebody came to see him and his sister was there and she said and they said where is he and he said he's
00:40:45.320
out he's easy to study she said he's out he's out walking his studies in the outdoor
00:40:49.520
you know and this idea of walking as being work in terms of creativity i think is um is is very
00:40:56.240
important and they walk for miles you know what words of the courage would walk for hundreds of
00:41:00.520
miles and they'd walk for 20 miles to post a letter they had this completely different approach to
00:41:05.300
walking yeah they weren't just walking around the block i think people in the 21st century think oh
00:41:09.840
let's go for a 15 minute walk around the block which you know look that that has some benefits like go do
00:41:15.100
that but these guys were on a whole different level they were walking hours hours i mean wordsworth's
00:41:21.420
friend thomas de quincey estimated that by middle age the wordsworth walked 180 000 miles which um you
00:41:28.520
know that's a lot yeah and they weren't listening to their their podcast they were just thinking they
00:41:34.540
were just alone with their thoughts exactly it was a way of life which um we can't all spend our whole
00:41:40.240
time walking we have other things to do but if we can build walking into our lives in some form it's
00:41:45.060
very valuable for the imagination yeah well albert this has been a great conversation uh where can
00:41:49.860
people go to learn more about the book and your work they can go to my website i've got a reading
00:41:53.760
list i've got notes on my book but the book is really the kernel of everything that i've got to say
00:41:57.940
on the subject so i hope people will read it and enjoy it well albert reed thanks for your time it's
00:42:02.840
been a pleasure thank you great pleasure talking to you my guest today was albert reed he's the author of the
00:42:08.280
book the imagination muscle it's available on amazon.com and bookstores everywhere you can find
00:42:12.440
more information about his work at his website albert reed.com also check out our show notes at
00:42:16.920
aom.is imagination where you find links to resources we delve deeper into this topic
00:42:21.320
well that wraps up another edition of the aom podcast make sure to check out our website at
00:42:32.680
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00:42:36.620
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00:42:51.200
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