The Ben Shapiro Show


David Mamet | The Ben Shapiro Show Sunday Special Ep. 13


Summary

David Mamet is America s greatest living playwright and screenwriter, and the author of a brand new book called Chicago. We ll get right into it with Mr. Mamet in just one second. First, let s talk about your impending death soon. We all know it. But soon enough, you probably want life insurance. Second, if you ve been avoiding getting life insurance because it s too confusing or you don t have the time, check out Policy Genius. They re the easy way to compare top insurers, find the best value for you, with no sales pressure, zero hassle. And they can cover it right now. Go check it out right now! You can compare quotes while sitting on the couch watching TV, and you can compare it while listening to this podcast. Try it! Policy Genius has helped over 4 million people shop for insurance, placed over $20 billion in coverage, and they can even compare quotes in just five minutes when it s that easy. Check it out! And if you care about any of that, you can t wait to compare quotes, when it becomes a lot harder, you re gonna have a lot of fun. And a lot more fun than you thought you d have in life insurance, right now, right here, in five minutes. You ll get a discount on your first appointment with a professional life insurance broker. Thanks to my good friend, Michelle, for helping me find a quote. - Michelle, I ll tell you how to rate the quote she got from a guy who can help you rate it in the next episode of the show. Thank you, Michelle s good at it, too she s got the best deal on the place you can help me out there, too you can get the best of it, she s awesome, so she s gonna give me that s got it all that she s not going to say it, so you can really get it, right she s really good, she says it, I s not gonna say it so it s not that s gonna be it, yeeeeeeeeeeeedeedeedeeeeeedeedeeeeedeeeedeeedeee and she s a good deal, she really does it, you really is that s not even that, she's not gonna be that kind of thing, right he s not really that s really she s actually saying it, he s really like that, right?


Transcript

00:00:00.000 I mean, you look at a movie nowadays, if it lists 18 producers, that's not out of the ordinary.
00:00:06.000 I've been in the business 50 years, I have no idea what a producer does.
00:00:19.000 So, here we are on the Sunday Special with David Mamet, America's greatest living playwright and screenwriter, and the author of a brand new book called Chicago.
00:00:26.000 We'll get right into it with Mr. Mamet in just one second.
00:00:28.000 First, let's talk about your impending death.
00:00:30.000 So, you're gonna die soon.
00:00:31.000 We all know it.
00:00:32.000 You know it.
00:00:33.000 Hopefully not that soon, but soon enough that you probably want life insurance.
00:00:36.000 71% of people say they need life insurance.
00:00:38.000 Only 59% actually have coverage, which means 12% of you are procrastinating, and another 29% of you are idiots for thinking you don't need life insurance, because you do.
00:00:46.000 Normally, procrastinating is a bad thing, but if you have been avoiding getting life insurance, procrastinating may actually be working in your favor.
00:00:52.000 Because while you were getting life insurance or not getting life insurance, Policy Genius was making it easy.
00:00:57.000 Policy Genius is the only way and the easy way to compare life insurance online.
00:01:02.000 You can compare quotes in just five minutes when it's that easy.
00:01:04.000 Putting it off becomes a lot harder.
00:01:05.000 You can compare quotes while sitting on the couch watching TV.
00:01:08.000 You can compare quotes while listening to this podcast.
00:01:10.000 Try it.
00:01:11.000 Policy Genius has helped over 4 million people shop for insurance, placed over $20 billion in coverage,
00:01:15.000 And they don't just do life insurance, they also do disability insurance, and renter's insurance, and health insurance.
00:01:20.000 So if you care about any of that, they can cover it.
00:01:21.000 If you need life insurance but you've been putting it off because it's too confusing or you don't have the time, check out Policy Genius.
00:01:26.000 It's the easy way to compare top insurers, find the best value for you, no sales pressure, zero hassle, and it's free.
00:01:31.000 Policygenius.com, go check it out right now.
00:01:34.000 Okay, David Mamet, thanks so much for stopping by, really appreciate it.
00:01:37.000 You're welcome.
00:01:38.000 So for folks who don't know David Mamet's work because they've been hiding under a rock for the last, oh,
00:01:44.000 40 years of American screenwriting and playwriting.
00:01:47.000 David Mamet is America's foremost living American playwright and screenwriter.
00:01:51.000 He's the, if you've ever seen The Untouchables, he's the guy who did it.
00:01:54.000 If you've ever seen Glenn, Gary Glenn Ross, he's the guy who did it.
00:01:56.000 And he has a brand new book out called Chicago, which is a gangster novel and it really is fantastic.
00:02:00.000 You're going to want to check it out.
00:02:02.000 So David, let's start from the very beginning.
00:02:04.000 How did you get into playwriting, screenwriting?
00:02:06.000 How did you get into writing from the very start?
00:02:09.000 Well, I was a ne'er-do-well kid, and I used to teach a lot of colleges, and they'd say, we want to have a special group of kids who just want to talk to you, so how would you like us to pick them?
00:02:19.000 So I'd always say, well, just give me the ne'er-do-wells, because they're the only people ever going to amount to anything.
00:02:24.000 But the college was never capable of doing that, because, of course, they're set up
00:02:28.000 We're good.
00:02:42.000 Encounter with authority where I knew they're just dead wrong, right?
00:02:45.000 And didn't make any difference if nobody liked the smart-ass at all because that was the only choice I had.
00:02:49.000 So that's how I started off.
00:02:51.000 Okay, and where did you grow up?
00:02:52.000 I mean, how did you, what were your parents like?
00:02:55.000 I grew up on the south side of Chicago and my parents were first-generation Americans.
00:03:01.000 Their grandparents were still alive.
00:03:03.000 They were all Ashkenazi immigrants.
00:03:05.000 They all spoke with the
00:03:06.000 Wonderful, thick accent.
00:03:08.000 I guess you don't hear it anymore.
00:03:09.000 And my grandmother raised my dad as a single mom.
00:03:13.000 Didn't speak very good English.
00:03:15.000 And they were just marvelous people.
00:03:16.000 So my mom and dad grew up.
00:03:18.000 They courted during World War II.
00:03:19.000 They got married right afterward.
00:03:21.000 And my dad bought a house in something called Park Forest, Illinois, which was the first planned community.
00:03:27.000 It was before Levittown.
00:03:28.000 And it was houses half the size of this studio over there.
00:03:33.000 So then we moved to the south side, and I grew up on the south side of Chicago.
00:03:37.000 Okay, and where did you go to college, and when did you actually start the writing?
00:03:40.000 Was it in high school when you were being a class clown, or how did that get started?
00:03:43.000 Well, I started writing in high school, and I actually covered sports for the Park Forest Star.
00:03:51.000 They paid me like four bucks to cover the high school sports I wrote for them.
00:03:54.000 And then I wrote for my other high school
00:03:57.000 Literary magazine and I went to college and it was a hippie dippy school called Goddard College in the middle of Vermont and there was no school there I mean there was literally no school there because all the kids of the baby boom generation were trying to go to college and trying to stay out of Vietnam and The school expanded so rapidly that there were no dormitories and there are no classrooms so they housed us in northern Vermont and
00:04:23.000 Okay, and so you started writing there and you were writing your own plays, or...?
00:04:40.000 Well, yeah.
00:04:41.000 You know what?
00:04:42.000 As a kid in Chicago, I was connected with Second City, which was the first improvisational theater group after The Compass.
00:04:49.000 Compass was Elaine May, Shelley Berman, and Mike Nichols, and then it became Second City.
00:04:54.000 And so as a teenager, 13, 14, 15 years old, I worked there as a piano player.
00:04:59.000 for the kids' shows, and I worked as a busboy, and so I used to watch these great comics every night, doing sets, right, one after the other, and everything was a seven-minute blackout.
00:05:10.000 And then I started reading plays, and I read that the people that really most influenced me were Chekhov and Pinter, because I realized what Pinter and Chekhov were doing was exactly the same thing they were doing at Second City.
00:05:21.000 They were saying, life is a serial comic
00:05:25.000 I don't know.
00:05:37.000 Wackiness of existence.
00:05:39.000 So I discovered this, and I said, I know how to do that.
00:05:42.000 It's just like Second City.
00:05:43.000 It's a blackout sketch.
00:05:44.000 So I started writing sketches, and then I wrote sketches while I was at college, and one thing led to another.
00:05:50.000 Well, one of the things you're obviously very well known for is the hard-nosed nature of your writing.
00:05:54.000 The fact that everything you write has a real edge to it, and that's not a pun about the movie you wrote called The Edge, but it actually is true that when you read your writing, it's very edgy stuff.
00:06:03.000 Where did that hard-nosed sensibility come from?
00:06:05.000 Well, I mean, not everything I write is in the Dionysian vein.
00:06:11.000 I've also written a whole bunch of Apollonian bullshit.
00:06:14.000 But, as I say, I grew up on the South Side, and my dad did very well, eventually, as a lawyer.
00:06:23.000 We were a staunch middle-class family, and I was a nice Jewish boy.
00:06:29.000 But then I didn't have any money.
00:06:30.000 I got out of college, so I started working at everything in the world.
00:06:34.000 To support myself, so I got a chance to hang out, to be a part of the actual working class life of Chicago.
00:06:42.000 And you've written a lot about Chicago.
00:06:44.000 Obviously, that's your new book is about Chicago, but it's a period piece.
00:06:47.000 I mean, this is obviously written about the Prohibition era in Chicago with all the gangsters.
00:06:51.000 It's sort of going over some of the same period time as Untouchables.
00:06:56.000 What about that time did you find so attractive writing about?
00:06:58.000 Because obviously you revisited it.
00:06:59.000 Well, you grew up in Chicago, at least in the old days, you know, 50, 60 years ago.
00:07:04.000 The ethos of the Chicago came out of the gangster era.
00:07:09.000 Everybody talked about the gangsters.
00:07:10.000 Everybody knew somebody who knew Al Capone.
00:07:12.000 Everybody had an uncle who was maybe a little bit bent, or maybe your dad or mom had been a little bit bent.
00:07:18.000 And Chicago was a machine town, right, which is things got fixed after you went up and saw the captain, as we used to say.
00:07:27.000 And if you didn't go up and step up and see the captain and turn out the vote or kick back two weeks of your salary, which happened to my stepsister, she got a job working on the Illinois toll road, and she came back one day and said, they want me to kick back two weeks of my salary.
00:07:40.000 And everyone said, yeah.
00:07:42.000 So, like, somebody said, who wants to live in a town where you can't fix a parking ticket?
00:07:48.000 You know, did Chicago work?
00:07:49.000 Yeah.
00:07:50.000 You know, if you're a white guy, Chicago worked pretty well.
00:07:52.000 Now it doesn't work at all.
00:07:53.000 I mean, it works better if you're a white guy than if you're getting killed on the South Side.
00:07:58.000 But it was a working man's town, and it was a machine town, and it became clear that if you want the government to do something for you, you gotta do something for them.
00:08:06.000 So that was the Chicago way.
00:08:08.000 Yeah, well, and that's something even I knew about.
00:08:11.000 My parents are both from Chicago, and when my dad was growing up there, he said it was still the kind of place where you could wrap a $20 bill around your ID when you were pulled over for a traffic stop, and you might be able to get away with it.
00:08:22.000 Oh, yeah, definitely.
00:08:23.000 I mean, when I was a cab driver, we were getting harassed by the cops all the time.
00:08:27.000 I'm sure that that's completely changed.
00:08:30.000 So let's talk a little bit about your political point of view, because of late, you've been in some political controversies in the last few years.
00:08:37.000 You're obviously incredibly well-known for your writing, and that means that a lot of people who are on the left, a lot of critics who tend to be on the political left, were very complimentary of your work for years and years and years.
00:08:47.000 Do you find that since you've become more overtly conservative politically, that that's had any impact on how the critics treat your work, or have they been fair?
00:08:54.000 Well, the critics are never fair.
00:08:55.000 I mean, that's what critics are.
00:08:57.000 You know, I'm working my side of the street, they're working theirs.
00:09:00.000 And if you're a writer, it's a perfect example of the free market, right?
00:09:06.000 I could spend one... I might spend an afternoon writing an act, or 15 years writing a play.
00:09:12.000 The audience doesn't care, right?
00:09:15.000 All they know is the price of the ticket, right?
00:09:16.000 They might say I like it or they don't like it.
00:09:18.000 I don't have the right to ask them why, right?
00:09:21.000 So if they don't like it, that's 15 years down the drain, especially in the theater.
00:09:27.000 It opens in New York, they don't like it, you're dead.
00:09:30.000 Interjected into this, as all human endeavors, are hangers-on and parasites and camp followers, which is what critics have traditionally been.
00:09:41.000 They've been, you know, some good-willed people.
00:09:42.000 I was a beneficiary of a lot of goodwill, for example, from Roger Ebert and also from Richard Christensen, Chicago's
00:09:52.000 Daily News and the Tribune.
00:09:54.000 But most critics, they say, what do you need to do to be able to write dramatic criticism?
00:09:59.000 You need to have a lack of talent to write sports.
00:10:02.000 So that's true.
00:10:04.000 So some people, they get cross-decked over to write dramatic criticism, and generally they've been the bane of my existence.
00:10:12.000 I mean, I get it, right?
00:10:14.000 There's always ants at a picnic.
00:10:16.000 Sometimes they come down in my favor, sometimes they come down on the other side.
00:10:20.000 But trying to be a good Jew, I say, wait a second, you know, if I'm going to kvetch, when they toss my work onto the ash heap, I shouldn't read the other reviews, which I know, through my sixth bad sense, are good.
00:10:35.000 Generally, you can't survive in the United States as a playwright until you please the people in New York.
00:10:43.000 And since a political conversion, the press in New York, especially in the New York Times, has been vicious.
00:10:52.000 It's a peremptory challenge, in effect.
00:10:57.000 And in effect, I wrote this book, which is on everybody's bestseller list.
00:11:01.000 And the question is, how did the New York Times review it?
00:11:04.000 And the answer is, they didn't.
00:11:06.000 They just chose not to.
00:11:07.000 Okay, so, well, as they used to say in the 19th century, the doctors used to say, we have to wait and let the disease declare itself.
00:11:15.000 So as we've seen now, in our country politically, the disease has declared itself.
00:11:20.000 Because let's talk about your politics.
00:11:21.000 Were you always politically conservative?
00:11:23.000 Did you sort of find yourself on the political right?
00:11:26.000 How did you end up identified as somebody who is politically conservative, Republican, if you're comfortable with that label?
00:11:32.000 And where do you find it?
00:11:33.000 I mean, what is your political label?
00:11:34.000 Well, you know, curiously, I think I'm a complete conservative and a strict constitutionalist.
00:11:40.000 But when you say Republican, my blood runs cold because everybody I ever knew and everybody who they ever knew was a Roosevelt Democrat.
00:11:49.000 And the Republicans were the guys with the white plastic belts playing golf at the country club.
00:11:57.000 But I wrote a political play.
00:12:00.000 It wasn't a political play, it was a farce.
00:12:02.000 It was called November, and it's about a president who's about to get kicked out of office because
00:12:10.000 What do you call them?
00:12:11.000 Approval ratings, as he says, are lower than Gandhi's cholesterol, okay?
00:12:15.000 He's about to get kicked out of office.
00:12:16.000 And so he has this plan where he's going to... It's... Both the election's coming up and Thanksgiving's coming up, so he's going to pardon all the turkeys.
00:12:26.000 And hold up the turkey.
00:12:27.000 So it's a really funny play.
00:12:29.000 So the New York Times, back in those days, they were still speaking to me.
00:12:32.000 Oh, by the way, NPR decided I was a non-person, too, about ten years ago.
00:12:37.000 But Scott Simon just recently came back and said, you know, come on, do my show.
00:12:41.000 So that was very nice of him.
00:12:43.000 So, they're doing my play, November, on Broadway.
00:12:45.000 It's hysterically funny.
00:12:46.000 So they asked me to write a piece for the New York Times, because back in the days when I was a pre-non-person, that's what they did, if you were.
00:12:54.000 So I wrote a play, a piece for the New York Times called Political Civility, based very much on the teachings of my great friend and great teacher, Rabbi Mordecai Findley.
00:13:05.000 And he said, okay, we have to be civil to each other.
00:13:08.000 I said, we have to be able to state the other person's point of view in such a way they say, yes, that's what I mean.
00:13:14.000 And then they ask me, and I have to be able to state their point of view, and they say, yes, that's what I mean.
00:13:20.000 And then we're going to reduce facts upon which we can agree.
00:13:23.000 We say, we can't agree on the term off the table.
00:13:25.000 All we're going to have on the table
00:13:26.000 is facts upon which we agree, and then we'll reason from those facts.
00:13:30.000 In effect, come let us reason together to see if we can arrive at some mutual understanding.
00:13:36.000 So I wrote this thing about political civility, and I said, I find it's also important to be civil to myself because all my life I've referred to myself as a brain-dead liberal.
00:13:47.000 I said, you know, there's a lot of truth in jokes.
00:13:50.000 So I said, I have to stop and say, wait a second, why are you maligning yourself?
00:13:55.000 Is this platform something which you believe or not?
00:14:01.000 You know, it was this great middle-of-the-road piece, blah, blah, blah, New York Times, you know.
00:14:06.000 As we say, we can deal with the Christians, God help us with the German Jews, right?
00:14:11.000 So I wrote the piece for, oh wait a second, it was for the Village Voice.
00:14:14.000 I wrote it for the Village Voice.
00:14:17.000 Meanwhile, New York Times come out and give a, play a terrible review.
00:14:20.000 So the Village Voice takes this piece I called Political Civility, and they retitle it, Why I Am No Longer a Braindead Liberal.
00:14:29.000 Front page.
00:14:30.000 Okay, kaboom.
00:14:32.000 New York Times comes back and re-reviews the play November, gives it a worse review, and I find myself out in the cold.
00:14:43.000 And I said, well, okay, I've got to figure this out.
00:14:46.000 So I sat down for a couple of years and I wrote a book called The Secret Knowledge about politics and did a whole lot of reading, a whole lot of thinking, trying to reason my way
00:14:58.000 through to an understanding of the political process, which hurt like hell, because I had to recognize that what I had accepted as the way things are were simply prejudices, and examine them to see if there was any truth in them or not.
00:15:15.000 So, I wrote that book, and I found that my friends turned into acquaintances, and my acquaintances crossed the street.
00:15:24.000 And Ruth Weiss said something great about the great Ruth Weiss.
00:15:28.000 Somebody at Harvard said, you know, Dr. Weiss, what will I do if I tell people what I really think?
00:15:34.000 What will happen to me?
00:15:36.000 And Ruth said, you'll be free.
00:15:37.000 So we'll talk about that in just one second.
00:15:39.000 First, let's talk about your freedom from internet intrusion.
00:15:42.000 With all the recent news about online security breaches, it's hard not to worry about where my data goes.
00:15:46.000 Making an online purchase, simply accessing your email, could put your private information at risk.
00:15:50.000 You are being tracked online by social media sites and marketing companies, your mobile or internet provider.
00:15:55.000 Not only can they record your browsing history, they often sell it to other corporations who want to profit from your information, which is why I've decided to take back my privacy by using ExpressVPN.
00:16:04.000 ExpressVPN has easy-to-use apps that run seamlessly in the background of my computer, phone, and tablet.
00:16:08.000 Turning on ExpressVPN protection only takes one click, so here's how it works.
00:16:12.000 ExpressVPN secures and anonymizes your internet browsing by encrypting your data, hiding that public IP address, and you can protect yourself with ExpressVPN for less than $7 a month.
00:16:21.000 The ExpressVPN is rated the number one VPN service by TechRadar.
00:16:24.000 It comes with a 30-day money-back guarantee.
00:16:26.000 So, if you ever use public Wi-Fi, you want to keep hackers and spies from seeing that data, ExpressVPN is the solution.
00:16:32.000 And if you don't want to hand over your online history to your internet provider or data resellers, that's what ExpressVPN is there to do.
00:16:38.000 Protect your online activity today?
00:16:40.000 Find out how you can get three months for free at ExpressVPN.com slash Ben.
00:16:44.000 That's E-X-P-R-E-S-S-V-P-N.com slash Ben for three months free with a one-year package.
00:16:49.000 Visit ExpressVPN.com slash Ben to learn more.
00:16:53.000 Okay, so, in the secret knowledge, what did you actually discover when you delved into the political system and you say that you learned some things that you hadn't thought about before?
00:17:02.000 What exactly were those things that hadn't occurred to you?
00:17:05.000 Well, nothing had occurred to me because I was a red diaper baby and grew up in the bubble.
00:17:09.000 You know, it was great to hate all the Republicans and great to be a peacenik and all these things.
00:17:15.000 What I went back and what I understood, I think, was the biblical underpinnings of the Declaration and the Constitution, which basically goes back to the Torah on one foot, right?
00:17:26.000 If it's hateful to you, don't do it to your neighbor.
00:17:28.000 That's it.
00:17:29.000 So I tried to reason my way back to the bare metal.
00:17:34.000 If you would.
00:17:34.000 And what I came up with was that the Constitution is a compact among thieves.
00:17:41.000 It's people who say, you know, I know I'm not a very good person.
00:17:43.000 I try, but I fail.
00:17:44.000 I know you're not either.
00:17:45.000 Let's see if we can agree on the least amount of rules that will get us free of King George III and allow us to keep an eagle eye on each other, to allow us freedom from government.
00:17:59.000 So this was a concept that, you know, I might have heard the phrase, but I didn't understand what it meant.
00:18:02.000 But then I started thinking.
00:18:05.000 I said, well, wait a second.
00:18:06.000 Every time you get a letter in the mail that addresses any governmental agency, what's the first thing you feel?
00:18:13.000 It's fair.
00:18:14.000 It's fair.
00:18:16.000 And then they wanted to tear down my hedge in Santa Monica.
00:18:20.000 So we bought this house like 20 years ago.
00:18:21.000 It's a big old hedge, right?
00:18:22.000 Wonderful hedge.
00:18:23.000 Great, complete privacy.
00:18:24.000 Marvelous.
00:18:25.000 We got a thing in the mail that says,
00:18:28.000 You were in violation of 1943 Hedge Law.
00:18:31.000 No hedge can be more than three feet tall.
00:18:35.000 If you don't cut down your hedge immediately, we'll charge you, get this, $25,000 a day.
00:18:41.000 So I start going to the city council.
00:18:43.000 People are weeping, weep, weep, weep.
00:18:45.000 You know, my grandfather planted a hedge, bibbidi-bobbidi-boo.
00:18:48.000 I start looking into it.
00:18:49.000 They're going broke.
00:18:50.000 The city of Santa Monica is going broke, as are all the liberal communities, because they've taxed business away.
00:18:57.000 Okay?
00:18:57.000 So they figure, how can I
00:19:00.000 Make money.
00:19:01.000 You, comb through all the laws and find something that you can enforce.
00:19:06.000 So everybody fights them.
00:19:07.000 They fight them in the court.
00:19:08.000 They say it's unconstitutional.
00:19:10.000 It's never, you can't fine somebody $25,000 before it's been adjudicated.
00:19:15.000 The law was never enforced.
00:19:16.000 So what they come up with is this.
00:19:18.000 They say, okay, anybody who had a hedge that's been there for 22 years or more, and you can prove it through blah, blah, blah, you can keep your hedge, but
00:19:29.000 We now have a new organization which is the Hedge Police.
00:19:33.000 And the Hedge Police will come every year and they will take a surveyor's transit to make sure that the hedge is not higher than it was 22 years ago.
00:19:42.000 I think this is all government.
00:19:43.000 It's like I said to my kids, all government comes down to the Hedge Police.
00:19:49.000 Well, it's really interesting because when you watch your movies, there are a lot of, and see some of your plays, there are some lines that have become just part of sort of the American parlance.
00:19:59.000 Obviously, there's the whole Chicago Way speech from The Untouchables, or the speech that, in the movie version, Alec Baldwin gives in Glen Ross, the always-be-closing speech.
00:20:09.000 And a lot of folks on the left tend to use these particular lines, actually, a fair bit.
00:20:13.000 So, Barack Obama famously suggested that you don't bring a knife to a gunfight.
00:20:19.000 In his sort of political heyday.
00:20:20.000 And people on the left are constantly suggesting that capitalism is this dog-eat-dog business where people are attempting to tear each other down.
00:20:27.000 And they use that as an excuse for government interventionism.
00:20:29.000 But it sounds like, you know, your basic view of human beings, that all human beings are basically at each other.
00:20:35.000 And that's why we have to come to these basic agreements to leave each other alone.
00:20:38.000 Well, yeah, I was watching yesterday that the great Tucker Carlson, I'm crazy about him, he had some cockamamie, I think Democrat something or other, you know, congressman or something like that, and he says to the guy, the Democrat, he says, wait a second, he says, you guys got nothing left in the golf bag.
00:20:55.000 So what in the world are you going to run on in the midterms?
00:20:59.000 And the guy says, economic justice and social justice.
00:21:02.000 So I said, well, okay, you know, let's break it down to the English language, right?
00:21:08.000 What does economic justice mean?
00:21:09.000 At the end, how's that different than justice?
00:21:12.000 Right?
00:21:13.000 It's communism.
00:21:13.000 What it means is, it's statism.
00:21:15.000 It means that someone is going to
00:21:19.000 stand above whatever rules we have for commerce and decide what's just to whom, right?
00:21:26.000 So as Tom Sowell said, whenever anybody says it's going to help A, you say, well, who's going to hurt, right?
00:21:33.000 So economic justice is
00:21:37.000 At the end of the day, it's communism.
00:21:39.000 And communism is someone's going to be in charge of saying what you have to give to me, and I'll keep what I think I want and give it back to you.
00:21:49.000 Which brings me back to when I realized that the Marxian idea, from each according to his ability, to each according to his need, really begs the question.
00:22:02.000 Because the term which is missing is, the state shall take from each according to his ability, which means the state's going to determine what your ability is.
00:22:11.000 The state shall give to each according to his ability.
00:22:14.000 I'm the state, I'm going to determine what you need.
00:22:16.000 You don't determine it anymore.
00:22:17.000 You don't determine what your ability is, the state does.
00:22:20.000 So, so much for economic justice.
00:22:22.000 I thought social justice, how's that different than
00:22:25.000 Decaf justice, right?
00:22:27.000 Regular common garden decaf justice, right?
00:22:30.000 So justice is drawing a line.
00:22:31.000 That's what justice is, like taking a line of type and justifying it.
00:22:35.000 I'm going to say, this is in, that's out.
00:22:37.000 Is there going to be injustice in terms of justice?
00:22:39.000 Yeah, sure.
00:22:40.000 Talmud says, right, where there's law, there's injustice.
00:22:43.000 Okay, great.
00:22:44.000 We're going to have a line, right?
00:22:46.000 Social justice means there's no line.
00:22:48.000 Whoever's screaming loudest gets to say, this is what you have to do.
00:22:53.000 So you say, wait a second, let's refer to the line, let's refer to the law.
00:22:56.000 They say, no, no, throw out that law.
00:22:58.000 The law is insufficient.
00:23:00.000 And I got a guy talking to a shul.
00:23:02.000 He says, well, obviously the Constitution's out of date.
00:23:05.000 How would a 2,000, a 230, 40 year document possibly be relevant?
00:23:10.000 I didn't want to say, well, then why are we sitting here reading the Torah?
00:23:13.000 But, so what I said was, wait a second, okay, let's say it's out of date.
00:23:18.000 How are you going to fix it?
00:23:19.000 What do you suggest?
00:23:21.000 And more importantly, what are the rules
00:23:24.000 By which you suggest we're going to go about fixing it, because social justice is fascism.
00:23:30.000 That's what it means.
00:23:31.000 It means that the group of people who has screams the loudest gets to determine what the law is, and that always ends in murder.
00:23:38.000 So there are two wonderful phrases, economic justice and social justice, which don't mean nothing, as the Samanthists would tell us.
00:23:47.000 They mean something.
00:23:48.000 And the first thing they do is they're an anesthetic.
00:23:51.000 So how much should politics play into the art that you make?
00:23:55.000 You sit down to write a book.
00:23:56.000 You sit down to write a play or movie.
00:23:59.000 How do you filter out your politics?
00:24:01.000 Or do you just sort of let it flow?
00:24:02.000 Does it just sort of find itself?
00:24:04.000 The main thing is, like, in the last hour of the day, I have to stop listening to Mark Levin.
00:24:09.000 That's the main thing.
00:24:11.000 He's a pretty smart guy, but, you know, he gets tired, and so he gets irate, and I get irate.
00:24:17.000 So the main thing is, for me, is listen to the radio a lot less, read the newspaper a lot less.
00:24:24.000 And I spent, like, the last couple of years writing political essays, and I just said to my assistant, you know, file them.
00:24:30.000 I mean, burn them if you want to.
00:24:33.000 I know what I think.
00:24:34.000 Nobody else really cares what I think.
00:24:37.000 Let me get on with going back to being a gag writer, see if I can make people laugh once in a while.
00:24:42.000 One of the things that's driven people on the right absolutely insane is obviously the dominance of the left in the cultural sphere.
00:24:48.000 And my good friend Andrew Breitbart, who I think you knew, Andrew was fond of saying that culture is upstream of politics.
00:24:53.000 The more people are shaped in the country by sort of the culture with which they engage, television, movies,
00:24:58.000 Entertainment, because we spend a lot more time engaging with that content than we do with political content.
00:25:03.000 Do you think that's true?
00:25:04.000 Do you think that people... Yeah.
00:25:05.000 There's a guy who wrote a book, his name is Paul Ingrassi, and he wrote a book, I believe, called Crash Course or Crash Something, about the merger of Chrysler and Fiat.
00:25:14.000 Right?
00:25:14.000 And what he says in that book is really important to me.
00:25:17.000 He says, culture will outdo organization every time.
00:25:22.000 Because culture is the oral Torah, right?
00:25:24.000 Upon which, you know, our understanding of the written Torah is based.
00:25:28.000 Now, so my wife, every year she goes back to visit the old folks at home in Scotland, so I spent like three weeks alone forgiving her, okay?
00:25:39.000 I was watching the Turner Classic movies.
00:25:41.000 I love old movies, right?
00:25:42.000 But they ran out of old movies, so they're running like Lassie Come Home Part 2, you know?
00:25:47.000 All of that.
00:25:49.000 I get it already.
00:25:49.000 How many times can you watch Lawrence of Arabia?
00:25:52.000 So I started looking at on-demand movies, right?
00:25:56.000 New releases, on-demand movies.
00:26:00.000 I've just seen a couple of good movies over the last ten years.
00:26:02.000 Most of these movies are garbage, and not only are they garbage, they're a form of cultural obscenity, because they're either kiss-kiss or bang-bang.
00:26:11.000 They're either simulated or non-simulated sex, or they're a sadomasochistic fantasy of violence.
00:26:19.000 So I'm thinking, well, okay, left, right?
00:26:22.000 Okay, Hollywood, if you're really interested in not mistreating women,
00:26:27.000 Don't do the sex scene.
00:26:28.000 Knock it off.
00:26:29.000 Learn how to write for the love of God.
00:26:31.000 Right?
00:26:32.000 Because that's why the sex scene's in there, because people can't write.
00:26:34.000 I say if you're really interested in doing away with gun violence,
00:26:38.000 Why do you have a gun in every poster of every movie ever made?
00:26:42.000 Why are people shooting each other?
00:26:43.000 Why are they carving each other up?
00:26:45.000 Well, the reason is that the people who write these things don't have any skin in the game because they can't write very well.
00:26:53.000 So if they don't get any joy out of figuring out a plot, what they're going to do is they're going to put, you know, Adolf's meat tenderizer in everything, which is either sex or violence.
00:27:04.000 How do you think that that impacts the culture?
00:27:07.000 Do you think that that has an impact on politics more generally, or do you think that it's sort of just the background noise?
00:27:12.000 Like when people go to see a movie, do you think that that actually has the capacity to shift how people think?
00:27:16.000 No, no, no, no, absolutely not.
00:27:17.000 Well, I don't know, but that's good.
00:27:19.000 It's a good question because it doesn't have the capacity to make people better, which is the other obscenity that movies are supposed to raise our consciousness, right?
00:27:27.000 By saying deaf people are people too, black people are people too.
00:27:32.000 Gay people are people.
00:27:32.000 The only people who aren't people, too, you'll notice, are the Jews.
00:27:35.000 We Jews are not people, too, but nonetheless.
00:27:37.000 So movies don't make people better.
00:27:39.000 So the question is, I think, hydraulically, I have to say, do movies make people worse?
00:27:43.000 I've got to say probably not.
00:27:45.000 With all of that said, do you think that the obsession that people on the right have with sort of left-leaning and bias in Hollywood, do you think that's overstated?
00:27:52.000 Because if it turns out that culture doesn't really
00:27:55.000 Change people's minds on various issues or play into politics all that much.
00:27:59.000 Should we stop worrying about the sort of movies that we see quite so much?
00:28:01.000 Or should we kind of let it go?
00:28:03.000 Or is it something that the right has a reason to be obsessed with and upset about?
00:28:06.000 Well, what are you going to do about it?
00:28:07.000 I mean, what concerns me is blacklisting in Hollywood.
00:28:11.000 Because, you know, I've been in show business for 50 years and most people in my family are in show business.
00:28:18.000 And I don't know what their politics are, but I know that I get tails all the time.
00:28:25.000 We're good to go.
00:28:38.000 is in the closet, if they're a conservative, because they'll lose their job.
00:28:42.000 Yep.
00:28:42.000 And I wrote a 400-page book, actually, specifically about this.
00:28:45.000 It was very funny.
00:28:46.000 I went into all of these producers in town wearing a Harvard Law baseball cap with the last name Shapiro, and they obviously assumed that I was on the left.
00:28:53.000 And then I would ask them questions about whether they discriminated against conservatives in Hollywood.
00:28:57.000 And they said, absolutely.
00:28:58.000 Yeah, absolutely we'll fire people.
00:28:59.000 We'll try to make sure that nobody can get a job if they're on the other side of the aisle.
00:29:03.000 Here's my theory.
00:29:03.000 My theory is that because the left has taken over the commanding heights of culture, because they've basically decided they're going to sneer down their nose at everybody who disagrees with them, the entire middle of the country, that because of that, the right has responded by saying, we're going to respond politically.
00:29:17.000 We're going to take over the politics of the country.
00:29:19.000 In response to you, because we're so angry, we can't take over Hollywood, but what we can do is vote.
00:29:23.000 We can definitely vote.
00:29:24.000 We can get out there and we can vote our people in, and then the left responds to those votes by getting even more angry and making the culture even more degraded.
00:29:30.000 It used to be that there was a common culture we all shared back in the 1950s where people only had three channels or two channels, and we all watched the same sort of stuff, and we all watched the same sort of movies.
00:29:40.000 There was a common background to our culture, and now the culture has fragmented, but is essentially to the left.
00:29:45.000 And people have responded to that left-leaning culture with a right-wing politics.
00:29:49.000 Do you think that there is any hope that culture is infiltrated by conservatives anytime soon?
00:29:54.000 Or that we come back together?
00:29:55.000 Do you think the political split is just going to get worse, exacerbated by culture?
00:29:59.000 That's a good question.
00:30:01.000 I don't know.
00:30:01.000 I mean, I'm not that concerned about Hollywood culture.
00:30:03.000 I'm very, very concerned about education.
00:30:06.000 But there seems to be, maybe I'm crazy, a little bit of groundswell under the pre-millennials of saying, wait a second, let me think about this.
00:30:14.000 You know, I don't want to have my head stuffed full of trash.
00:30:21.000 I don't know.
00:30:21.000 I always thought as I get older that it's not that people change, but rather that they die so that
00:30:27.000 My generation, you know, one generation passes away, another generation comes up.
00:30:32.000 But the earth, in spite of global warming, ha ha, endures forever.
00:30:36.000 So there's a new generation that's coming out of the center of the country and out of younger people, and we're going to have a different Supreme Court.
00:30:43.000 And eventually, the people on the left have to stop screaming.
00:30:47.000 I mean, I don't know what their program for this wonderful country is, other than hatred of Donald Trump.
00:30:55.000 That's not a program.
00:30:57.000 It is an amazing thing.
00:30:57.000 I mean, you and I were having lunch, sort of brunch, over in Santa Monica area, and we were sitting there, and I've observed this to friends, that we were sitting there, and it's beautiful.
00:31:05.000 I mean, it's a really nice restaurant, and all the light's streaming in.
00:31:07.000 I'm having a Coke, and you're having lunch, and everybody around is having $200 bottles of Chardonnay, sitting there, playing with their iPhones in the most prosperous, freest country in the history of the world.
00:31:18.000 And if we had taken a poll of the room, people would have thought that we are living in the shadow of looming tyranny,
00:31:24.000 When in reality, we're living as close to a heavenly existence as is possible to live on this earth.
00:31:28.000 If you plunked somebody out from 1900 and plunked them down right here, aside from the general lack of values, I think that those people would look around and go, wait a second, if I have a baby now, I can expect that baby to live till 80 years old.
00:31:39.000 If I have a kid right now, I don't have to worry about that kid dying in infancy, and I'm going to survive childbirth.
00:31:43.000 And yet, here we are sitting in the richest area of the richest neighborhood in the country, and everybody, if you would pull the room,
00:31:51.000 They would think that we were living in Weimar, Germany and the whole thing's about to collapse.
00:31:55.000 Well, they're enjoying it.
00:31:56.000 I mean, God bless them, you know.
00:31:58.000 But as they say, people who don't believe in something will believe in anything.
00:32:01.000 Here's what I think.
00:32:02.000 You go to the newsstand.
00:32:04.000 I was watching, walking past the newsstand today, Newsweek magazine.
00:32:08.000 The terrible news is on the cover is a picture of Betsy DeVos, right, who devoted her life and her fortune to education.
00:32:16.000 And it says, Betsy DeVos' War on Teachers.
00:32:20.000 Right?
00:32:20.000 That's the bad news.
00:32:21.000 The good news is Newsweek magazine is now this thin.
00:32:25.000 Right?
00:32:25.000 The week before is Donald Trump, you know, looking down at a child who's weeping, you know, a phony together photo montage.
00:32:32.000 That's the bad news.
00:32:33.000 The good news is Time Magazine is now that thin.
00:32:36.000 There's now three people who subscribe to the New York Times, and I think two of them have parrots.
00:32:45.000 So things are changing.
00:32:46.000 Now you're optimistic for the future of the country, or do you think that... Yeah, I feel incredibly, you know, somebody said a long time ago, they said no democracy survives more than 300 years.
00:32:55.000 So I think that this new shift
00:32:59.000 I mean, I'm a little more pessimistic than you, just because I feel like the pendulum swings pretty far in this country, and it's swung from Barack Obama to Donald Trump, which means that it's going to swing back even further to the left the next time around, just because the Democratic Party, by default, has made itself into a Democratic Socialist Party.
00:33:25.000 Kind of a European Democratic Socialist Party.
00:33:27.000 And so when the pendulum swings, it's going to swing back toward a Bernie Sanders or an Alexandria Ocasio-Cortez, at least temporarily.
00:33:34.000 And that's not good for the country.
00:33:36.000 I don't think that there are a lot of substantive conversations being had because people are so angry at each other.
00:33:40.000 And I do think that has to do with a lack of a common base of values.
00:33:43.000 It sounds like when you were growing up, you were growing up with the feeling that despite all the corruption in Chicago, if you worked hard, you could get ahead.
00:33:49.000 And it was actually your obligation as a decent human being to work hard and make something of yourself.
00:33:55.000 I feel like there are entire generations of people in this country who have been raised on the premise that America is actually a terrible place that is seeking to put its boot on your throat, and that anyone who proclaims that America is good is a perpetuator of this evil system.
00:34:08.000 That's true, but all these generations who were raised in the bubble, I don't think Starbucks can open outlets sufficiently enough to keep pace with that growing population.
00:34:19.000 So what are they going to do for a living after their parents die and they're sitting on the couch and working as a barista?
00:34:25.000 I don't get it.
00:34:25.000 Well, that's the big question, and I do wonder, you know, whether these folks have a skill set.
00:34:29.000 Well, they don't.
00:34:30.000 I mean, that's the other thing that gets me.
00:34:32.000 I have a lot of kids.
00:34:33.000 I mean, I want to go live in a shoe with the old woman.
00:34:36.000 That's how many kids I have.
00:34:37.000 But we talk a lot, and I talk to them, and some of them experience the great joy of doing something for a living.
00:34:44.000 Yeah, but I don't know that there are that many people in the United States who actually see that.
00:34:52.000 Maybe I'm the pessimist here, but I see a lot of people in the United States who see work as something to be avoided.
00:34:57.000 They attribute all of their stress to work.
00:34:59.000 Work is always a bad thing.
00:35:01.000 When they talk about things in their life that they want to get over, it's work.
00:35:04.000 For me, my goal is to work until I die, because that's usually how it works.
00:35:07.000 The minute you retire, you're gone.
00:35:09.000 So, my belief is sort of the belief from the book of Genesis, which is that you are put on the earth to cultivate it, and the minute you stop cultivating it, there's no reason for you to be here anymore.
00:35:18.000 But I think that there are a lot of people who actually believe that they are put here on earth for leisure time and enjoyment, and the more that we require of you, the harder you have to work.
00:35:27.000 That's an inherent flaw in the country.
00:35:30.000 According to Bernie Sanders' logic, we're so rich, why should anybody have to work?
00:35:34.000 Well, Bernie, I think I met him in the old days because I spent a lot of time about the same age overlapping in north central Vermont.
00:35:39.000 I don't think he's ever worked a day in his life.
00:35:42.000 Literally.
00:35:42.000 He hasn't.
00:35:43.000 I mean, he was kicked out of a commune for not working enough when he was in Vermont.
00:35:46.000 Legitimately, it's an actual thing that happened and now he owns a lake house, right?
00:35:49.000 So it's a great country where you can never work a day in your life and have a lake house where you vacation with Bill de Blasio.
00:35:54.000 Well, the question is, which the young won't address, is where does the money come from?
00:36:00.000 They say, from the government.
00:36:01.000 Well, all the government can do is either tax you or steal it from you, or waste it, or spend money on either things that everybody needs but nobody wants to pay for, or things that nobody wants.
00:36:11.000 Those are the only two things the government can spend the money on.
00:36:14.000 So the young person doesn't say, where does the money come from?
00:36:17.000 I mean, what I worry about, I'm not sure that we have a problem of economics as so much as, you know, a lot of folks on the left think it's a problem of redistributionism in the economic system and all this.
00:36:25.000 I really don't think that's the problem.
00:36:26.000 I think we do have a problem of virtue and heart.
00:36:28.000 I agree.
00:36:29.000 I think there's a giant hole in the middle of the American soul that has been carved there by 40, 50 years of dependence on government and a belief that
00:36:38.000 There is no higher calling for you, that your job on this earth is basically to experience the most pleasure possible and then die.
00:36:46.000 And I don't know what replaces that other than a return to some sort of centralizing values.
00:36:50.000 Well, I don't know either, except that I have a difficult time controlling myself.
00:36:55.000 I mean, I want to
00:36:57.000 I mean, I'm not talking about compelling people, but I do think that the appeal of a moral lifestyle has always been a hard sell, and it's a particularly hard sell when there are no consequences to immorality.
00:37:10.000 Well, there's a very good book on the subject, you know, which is called the Torah.
00:37:13.000 You know, what's the consequences for morality?
00:37:15.000 It's a, it's a plague or 40 years in the desert or, I don't know, think twice about it.
00:37:20.000 So let's talk about your Jewish philosophy because you came from, you said, a red diaper doper baby kind of background.
00:37:25.000 So your parents were secular Jews?
00:37:27.000 They were very, very secular Jews, and they went to Sunday school, and I mean, let alone a Talish, you never saw a Yarmulke.
00:37:36.000 I mean, someone who went to Yarmulke, there was like these Episcopal Reformed temples that would have been lynched.
00:37:43.000 And I thought a lot about it, and two things occurred to me.
00:37:48.000 One is that Arthur Hertzberg, in his wonderful book, The Jews in America, talks about the Ashkenazi abandonment, that at least a quarter, maybe more than a quarter of the men who came over abandoned their wives.
00:38:01.000 They just couldn't take it.
00:38:02.000 Which is a huge secret among the Ashkenazi community.
00:38:07.000 And it happened to my dad.
00:38:09.000 And his dad came over from Russian Poland, just left them.
00:38:13.000 And so my grandmother's single woman, hardly spoke English, raised two kids during the Depression.
00:38:20.000 But if you said to your dad, my dad, oh, you know, your dad abandoned you, he'd say, no, no, no, he didn't abandon me, and I always knew where he was.
00:38:27.000 So, as Hertzberg says, it was the father who took the kids to show.
00:38:32.000 So if the father's not there, who's taking the kids to show?
00:38:35.000 The other thing about assimilationist reform was these young people wanted to be American.
00:38:43.000 They didn't want to be European, they wanted to be American.
00:38:46.000 Being Jews was tough.
00:38:48.000 And they encountered a lot of anti-Semitism in those days.
00:38:52.000 And then, if that weren't bad enough, Europe killed all the Jews.
00:38:56.000 Right?
00:38:57.000 So if there's no upside to being a Jew, which is Judaism, and the Torah, and the wonderful Yiddishkeit, all there is is downside.
00:39:08.000 The people in my Episcopal Reform upbringing went to temple the same way one might go to the dentist.
00:39:15.000 They say, I don't want to, but I know it's good for me.
00:39:18.000 And you see that today in a lot of the Reform synagogues around here.
00:39:21.000 You know, people will sit there, you know, as if they're watching paint dry, and nod and nod, and then give all their money to the building fund.
00:39:29.000 So what do you get out of it?
00:39:30.000 I mean, you obviously grew up in that environment.
00:39:33.000 What made you kind of return to the value of the Torah?
00:39:36.000 Was it allegiance to the past?
00:39:37.000 Was it inherent value in the document?
00:39:40.000 What is it that you like about the Torah?
00:39:43.000 Because obviously that's, again, a hard pitch for a lot of young people today.
00:39:46.000 We're becoming an increasingly secular society.
00:39:48.000 Fewer young people are going to church than ever before in American history.
00:39:51.000 Is that true?
00:39:52.000 Are you sure?
00:39:52.000 Yeah.
00:39:53.000 Even among the evangelicals and the fundamentalists?
00:39:56.000 Well, no.
00:39:56.000 I mean, among evangelicals and fundamentalists, it's still a large number.
00:39:58.000 But overall, the number of young people who are going to church has been steadily declining for years.
00:40:03.000 For Jews, it's always been like eight of us.
00:40:04.000 Among the Orthodox, it still remains high, but everywhere else in the Jewish community, it's very low.
00:40:09.000 What is the strongest pitch for taking the Bible seriously, or at least the values of the Bible seriously?
00:40:14.000 Well, people should read.
00:40:15.000 I mean, the only thing wrong with the Bible is, as we used to say, there's not enough pictures.
00:40:19.000 Right?
00:40:20.000 And more pictures and there's somebody, you know, who's going to take that idea and run with it.
00:40:25.000 But the wonderful thing about the Bible is, my teacher and rabbi, Mordecai Finley, says, people say, is this what happened?
00:40:32.000 He says, no, it's not what happened.
00:40:33.000 It's what always happens.
00:40:35.000 So this is a magnificent compilation of folk tales and literature and how-to and humor.
00:40:42.000 And it's just, it's the history of the West.
00:40:46.000 And if you said this was, you know, all the Jews they used to call about the Judists, right, or the Buddha Jews, right, they want to become Buddhists, they want to become Wiccans, they want, because they're searching for meaning, of course they are.
00:40:57.000 But there's a lot, the meaning is right there, it's the history of our people, and it's what made America what it is.
00:41:03.000 Because all of these people, they read two books in their life, a lot of them, they read the Bible, they read the collected works of Shakespeare.
00:41:10.000 And they came up with the Declaration of Independence and the Constitution.
00:41:15.000 So I was getting married to my wonderful wife, Rebecca, and she said, oh, we have a Jewish wedding.
00:41:21.000 And she was raised by a physicist and a yoga teacher in Scotland.
00:41:26.000 So people thought religion was nonsense, but a generation back, a lot of them were Jewish.
00:41:31.000 She said, we have to have a Jewish wedding.
00:41:33.000 And I said, okay, why?
00:41:35.000 Because.
00:41:36.000 So we found this great rabbi, Rabbi Larry Kushner, who's now in San Francisco.
00:41:41.000 We started going to his show in Sudbury, Massachusetts, and at one point he said, he said, oh, he said, you guys should really learn Hebrew.
00:41:49.000 We said, oh, no, no, we'll learn Hebrew and foreign language, blah, blah, blah.
00:41:52.000 He said, no, no, no.
00:41:53.000 Biblical Hebrew is simple.
00:41:55.000 He said, you know, on a scale of difficulty, if English is an eight and Hungarian is a nine and Mandarin Chinese is a ten, Hebrew is a two.
00:42:03.000 So he taught us Hebrew.
00:42:05.000 We started reading the Bible in Hebrew.
00:42:06.000 We said, my God, what a great
00:42:10.000 What a great gift!
00:42:11.000 I'm actually going right back.
00:42:13.000 No one has to interpret it to me.
00:42:15.000 I'm going right back to the actual word that was written 3,000 years ago.
00:42:20.000 I think what you say about the impact of biblical kind of foundations on Western civilization, that's one of the reasons why I don't think it's the people reject the Bible and therefore they reject kind of the American tradition and the Western tradition.
00:42:32.000 I think they reject the Western tradition and the American tradition and therefore they reject the Bible.
00:42:36.000 They don't like how America turned out, and they're upset about things as they are, and so they say, well, then I don't like any of the foundations for America either.
00:42:42.000 And it seems like they're angry at the current status.
00:42:44.000 It's not that they decide they're going to be secular and they don't believe in the Bible.
00:42:47.000 It's that they decide that America has too many flaws, that it was based on a bad system, and that bad system was based in turn on the Bible, and therefore we have to be against the Bible if we want to build something better, which is a sort of Marxist take on history, I think.
00:42:57.000 Well, yeah, I mean, and also, I mean, I haven't been to a lot of, I haven't been to church in decades, but I go to a few synagogues around the world, and most of the reformed synagogues, I mean, I'd rather drop bowling balls on my feet, you know?
00:43:11.000 Why?
00:43:11.000 You say, why?
00:43:12.000 I don't get it.
00:43:13.000 There's nothing there.
00:43:16.000 So, there are some wonderful people among those, again, I'll mention my rabbi, who's
00:43:22.000 An absolute genius.
00:43:23.000 So we go every week and he talks about the Torah and talks for a couple hours on the Saturday.
00:43:31.000 He's an absolute genius.
00:43:32.000 He says things that you never thought about before, because he's devoted his life to trying to understand that document.
00:43:38.000 Well, understanding history, I think, as an Orthodox Jew, you know, somebody who takes it very seriously, understanding history and understanding where we came from, I think if you don't understand that history, you're not going to understand, as you say, America, and you're not going to understand what makes America a wonderful place and how we got to this place in civilization in the first place.
00:43:54.000 It's easy to pick off the fruit of the tree after having burned down the trunk, which is, I think, what so many people
00:43:59.000 Well, um...
00:44:16.000 Galaxy Quest, of course, the greatest movie ever made.
00:44:20.000 And of course, I love the Super Troopers.
00:44:22.000 I see they come out with Super Troopers 2.
00:44:25.000 I'm afraid to see it because I've seen Gone with the Wind 2.
00:44:28.000 I mean, you can't do better than Gone with the Wind.
00:44:31.000 The Godfathers, you know, I think one of the great
00:44:34.000 We're good to go.
00:44:53.000 Carnival Arcade, right?
00:44:55.000 You put a nickel in and it showed you a couple of pictures, and the earliest pictures were pictures of a train coming toward you, or people walking down the thing.
00:45:01.000 We'd go, ooh-ah, ooh-ah, they were selling an experience.
00:45:08.000 Then, they started, as films in the late teens went from being a one-reeler to being a full-length movie, they said, Jesus Christ, you know,
00:45:19.000 We need a plot.
00:45:20.000 How are we going to do a plot?
00:45:21.000 We'll have a story.
00:45:22.000 So they started filming stories, right?
00:45:25.000 And they started going, they went to a lot of novels, they went a lot to the theater, they started doing stories.
00:45:31.000 And then when sound came in 1928 like that, they said, okay, I get it now.
00:45:35.000 We're basically, this is going to be a filmed
00:45:40.000 Then as movies progressed, some people got the idea, wait a second, this is a whole new vocabulary.
00:45:46.000 We get to tell the story in pictures and we get to have dialogue.
00:45:50.000 And so you got the golden age of Hollywood, you know, in the late 30s into the 40s of some magnificent filmmakers who really understood
00:46:00.000 The capacity of film as a new medium, and for some reason, the suits weren't paying attention, right?
00:46:08.000 So a lot of good stuff got made.
00:46:10.000 Then as film became more and more big business, the suits took over.
00:46:16.000 And they said, wait a second, we have a franchise, we can't
00:46:21.000 put this franchise in jeopardy by having a plot.
00:46:23.000 So if you look at the late 50s into the 60s, American movies, and into the 70s, versus European movies, there's nothing very much happening.
00:46:33.000 You know, it's the big franchise, and it's Doris Day, as opposed to Sophia Loren.
00:46:40.000 So, okay, so now things start degenerating, degenerating, degenerating,
00:46:46.000 They took all the back lots.
00:46:47.000 They just did this at Fox Lake five years ago.
00:46:49.000 They had the last back lot, I think, left on the west side.
00:46:52.000 And they tore it down to put in parking structures.
00:46:57.000 For who?
00:46:58.000 For whom?
00:46:59.000 I mean, you look at a movie now.
00:47:01.000 If it lists 18 producers, that's not out of the ordinary.
00:47:05.000 I've been in the business 50 years.
00:47:07.000 I have no idea what a producer does.
00:47:11.000 Zero.
00:47:13.000 Who are these producers?
00:47:14.000 Are there people who are in charge of making sure that we're going to keep the audience rather than people who get a kick out of making a movie?
00:47:22.000 So here's a question because you mentioned sort of the 30s and 40s and maybe early 50s is sort of the golden era of movies and that of course is not just a common opinion.
00:47:30.000 I think that it's pretty well accepted.
00:47:33.000 How much do you think that has to do with going back to a point you made earlier?
00:47:36.000 About the fact that right now every movie seems to be very reliant on sex and violence and basically from 1933 to 1960 the Hays Code was in place thanks to the Catholic Legion of Decency saying we don't want to see any of your sex and violence and so you had to operate around the rules.
00:47:53.000 One of the theories has basically been that when there are all these rules in place with regard to writing that actually in some ways makes the writing better because you actually have to write around all the stuff that otherwise would be obvious.
00:48:03.000 What do you make of that?
00:48:04.000 That's a very good question.
00:48:05.000 I really like the pre-code movies, as everybody does, because they're rougher.
00:48:09.000 You know, the code comes in and all of these, you know, lechers and whores and pimps and blah blah, who then has now ruled Hollywood, said, oh, I'm going to get on my own high horse so I can get out of here and snort some coke and go have some illicit sex.
00:48:24.000 There's a great energy to the pre-cut movies, but I don't know if that's a causal relationship or just things got too rich that people could not afford.
00:48:34.000 I'll tell you a story.
00:48:35.000 A guy comes to me.
00:48:36.000 He says,
00:48:38.000 From the big agency, right?
00:48:39.000 He's trying to lure me to the big agency.
00:48:41.000 And he says, listen, he says, we want you to write this half-hour television show.
00:48:48.000 And he gives me the idea.
00:48:49.000 I say, thanks, that's a pretty good idea.
00:48:51.000 I don't want to write it.
00:48:52.000 He says, listen, you don't understand.
00:48:54.000 He says, if you write this and it goes into syndication after 10 years, you could get
00:49:01.000 $10 million.
00:49:03.000 He said, how long would it take you to write a half-hour television show?
00:49:06.000 I said, it'll take me about a half an hour.
00:49:08.000 He said, think about it.
00:49:10.000 I said, I am thinking about it.
00:49:11.000 I said, if I get $10 million a half hour, that's $20 million an hour, right?
00:49:17.000 That's $800 million a week.
00:49:18.000 That's $4 billion a year if I take two weeks off.
00:49:26.000 He says, if you're making that kind of money, you couldn't afford to take two weeks off.
00:49:31.000 So what do you make of the changes to the industry right now?
00:49:33.000 So, you know, the industry is obviously fragmenting.
00:49:36.000 A lot of film is getting made not only abroad, but also by the various independent producers.
00:49:41.000 And now it's being aired on Netflix.
00:49:43.000 The movie model itself seems to be collapsing.
00:49:46.000 It's very difficult for a star to even hold a film anymore.
00:49:50.000 Stars don't have the same sort of cachet in the United States that they used to.
00:49:53.000 Are you excited about the future of where film is going?
00:49:56.000 Or do you think that TV is where it's at?
00:49:58.000 Where do you think the entertainment industry is going?
00:50:00.000 Which trend lines should we be following?
00:50:02.000 Well, the only thing I'm excited about my latter years is taking a nap.
00:50:07.000 So I'm going to let things go on without me, as they will.
00:50:11.000 But if you look at the 20th century, entertainment and the theater was always changing, right?
00:50:17.000 Vaudeville came in and the people on stage looked down at Vaudeville.
00:50:21.000 And then movies came in, and the people on stage looked down at movies, and so it was the second tier of stage actors who went into the movies.
00:50:30.000 And the same thing happened in radio.
00:50:32.000 Radio came in, and the second tier of the stage people went into radio, and then television came in, and those radio people plus the second tier again
00:50:41.000 From movies went into television.
00:50:43.000 They became the huge stars as people who basically see players.
00:50:47.000 And every subsequent iteration of technology drove the other one, you know, we don't have much theater anymore, you know, except for Mamma Mia.
00:50:57.000 And we don't have any vaudeville anymore.
00:50:59.000 Nobody listens to the radio anymore.
00:51:01.000 And broadcast television is all over, right?
00:51:04.000 And so now movies are getting to be all over.
00:51:06.000 Okay, things change.
00:51:07.000 So now we're going into the, we are definitely into the electronic age.
00:51:11.000 The people have been saying for 30 years, wait until the first person figures out how to monetize
00:51:17.000 Home video.
00:51:19.000 And now it's here.
00:51:21.000 So I asked you earlier about your favorite films.
00:51:23.000 So what are your favorite plays?
00:51:24.000 Because obviously you're a playwright as well.
00:51:26.000 Who do you think are the, you mentioned Pinter and Chekhov before, but who are your favorite playwrights and favorite plays, if you had to name your top five?
00:51:33.000 Well, I don't like going to the theater because there's no popcorn.
00:51:38.000 So the thing about going to the movies, which is really great is, you know, if you really like popcorn, I love popcorn.
00:51:45.000 So what do you do?
00:51:45.000 You eat down to the bottom of the popcorn and you start crunching the kernels because you can't, because it's the current, it's the, it's the great human dilemma, right?
00:51:53.000 I want some more popcorn, but I don't want to shame myself by going back to the popcorn thing again.
00:51:59.000 So I'm getting, so what happens is the last little bit of kernel, you get that little thing stuck in your teeth, you know,
00:52:06.000 And so do you spend the rest of the movie picking that out so that the movie doesn't have to be that interesting?
00:52:12.000 Okay, well, you know, it's really a pleasure to have you here.
00:52:15.000 And I'm so glad that you could make the time.
00:52:18.000 Folks, if you've not read David Mamet's latest book, the book is Chicago.
00:52:20.000 You should definitely go check it out.
00:52:22.000 It really is.
00:52:24.000 It really moves.
00:52:24.000 I mean, it's a book that definitely will keep you awake all the way until the end of it.
00:52:29.000 David, thanks so much for stopping by.
00:52:30.000 I really appreciate it.
00:52:30.000 You're welcome.
00:52:38.000 The Ben Shapiro Show Sunday Special is produced by Jonathan Hay, Executive Producer Jeremy Boring, Associate Producers Mathis Glover and Austin Stevens, edited by Alex Zingaro, audio is mixed by Mike Karamina, hair and makeup is by Jeswa Alvera, and title graphics by Cynthia Angulo.
00:52:52.000 The Ben Shapiro Show Sunday Special is a Daily Wire Forward Publishing production.
00:52:56.000 Copyright Forward Publishing 2018.