The Ben Shapiro Show


Hollywood’s Night Of Posturing | Ep. 488


Summary

Hollywood mocks Trump, postures about sexual harassment, and generally annoys everybody who doesn t live in Hollywood. If you respond to that, you're the bad guy. Today's rant is about the hypocrisy of Hollywood, and how they don't care what you think about them. They care only about what they think about the movies they make, and if you don't like them, then you're a hypocrite, because you're being "over sensitive" about it. And that's the problem, folks. You're not the problem. You're the one who's being over sensitive about it, and you're not even the one with a political agenda. If you think that's a problem, then listen to this episode of The Ben Shapiro Show where I explain why it's actually not a problem at all, and why you should be mad at Hollywood for it, because they're just trying to do exactly what they do best. Ben Shapiro is a writer, comedian, podcaster, and podcaster. His work has been featured on Comedy Central, HBO, CBS Radio, and the New York Times Magazine. He is a regular contributor to the Hollywood Reporter, and is a frequent contributor to The Hollywood Reporter. His latest book Other Words For Smoke is out now, which you should read if you haven't already done so. He's also on Amazon Prime Video, where you can catch him on Netflix and HBO. Click here for a copy of his new book, "The Devil Next Door." and watch him on HBO Now, where he also has a new show on HBO's The Handmaid's Tale, which he also hosts a new podcast called "The Handmaids Club" which you can watch on HBO. Click here to get a free copy of the new book out now. It's a must-listens guide to all things Hollywood, including "Lady Bird and Lady Bird Box Office Breakthrough. and much more! - click here for all the details on the movie Lady Bird, Lady Birdcracks. Thank you for listening to the Ben Shapiro's latest work! and don't forget to subscribe to his newest podcast, "Roseanne" and subscribe on Apple Podcasts, wherever else you get your ad choices are available. you can find him on social media? Subscribe to his podcast, tweet him on Insta-Friendship, and tell him what you're listening to him on the podcast, and he'll get a shoutout!


Transcript

00:00:00.000 Hollywood mocks Trump, postures about sexual harassment, and generally annoys everybody who doesn't live in Hollywood.
00:00:05.000 We'll talk about it.
00:00:06.000 I'm Ben Shapiro.
00:00:06.000 This is The Ben Shapiro Show.
00:00:12.000 Okay, so this is the show that we do after the Oscars where everybody on the left gets super annoyed after all the virtue signaling and all the politics of last night and all the politics that Hollywood routinely shoves in the faces of Americans.
00:00:23.000 If you respond to that, it's considered bad taste.
00:00:26.000 Never mind that it was pretty stacked politically from the left.
00:00:28.000 Never mind that it was openly acknowledged by the people on the stage.
00:00:31.000 If you respond to that, then you see you're being triggered.
00:00:34.000 If you respond to that, if you point out that it's political, if you point out that Hollywood is pushing a particular political agenda, this makes you the bad guy.
00:00:41.000 We'll talk about all of that in just a second.
00:00:58.000 Investment in precious metals.
00:00:59.000 And that's why I talked to my folks over at Birch Gold Group.
00:01:02.000 They sell physical precious metal for your own possession, and they will ship metals right to your front door.
00:01:06.000 Right now, thanks to a little-known IRS tax law, you can even move your IRA or eligible 401k into an IRA backed by physical gold and silver.
00:01:13.000 It's perfect for people who want to ensure that their hard-earned retirement savings are protected from inflation or stock market ups and downs.
00:01:19.000 They have a long-standing track record of continued success.
00:01:21.000 Birch Gold has thousands of satisfied clients, countless five-star reviews.
00:01:24.000 And right now, when you contact Birch Gold Group, you can request for free
00:01:28.000 Okay, so,
00:01:57.000 As I say, one of my great irritations in life is this game that is played by folks in Hollywood and the entertainment community, where they make a bunch of content, and they do it with politics explicitly in mind, and then if you respond to that, then it's you who are being oversensitive.
00:02:10.000 So, if you say that The Shape of Water, aka Grinding Nemo, a movie in which a woman has sex with a fish, but only after she is helped by a communist, a gay guy, and a black woman, and she herself is mute, she helps a fish escape to her bathtub where she has sex with it,
00:02:26.000 If you say this may have some left leanings, if you say this may have some political messages, then you are saying, how dare you mention that shit?
00:02:33.000 It is a great piece of art.
00:02:34.000 How dare you?
00:02:35.000 Who do you think you are?
00:02:37.000 Right?
00:02:37.000 It doesn't matter that people who have worked on the movie say it's political.
00:02:40.000 It doesn't matter that critics have said it's political.
00:02:41.000 It doesn't matter that viewers know it's political, because it's obviously political.
00:02:45.000 If you point out that it's political, no.
00:02:47.000 How dare you call it SJW Splash?
00:02:49.000 You're oversensitive.
00:02:51.000 You're ruining the art.
00:02:52.000 Just terrible.
00:02:53.000 If you mention.
00:02:55.000 They call me by your name, which won Best Original Screenplay or Best Adapted Screenplay last night.
00:03:00.000 If you mention that that's a story about a 24-year-old dude seducing a 17-year-old dude, which means that the dude who he's seducing is underage, and that if you made that movie about a man and a woman, this would now be part of the Me Too movement.
00:03:09.000 Or if you mention that if that guy who's 24 was named Kevin Spacey, he'd be banned from Hollywood for doing that in real life.
00:03:15.000 No, how dare you?
00:03:16.000 It's a beautiful love story that has no political agenda at all.
00:03:19.000 None.
00:03:20.000 No political agenda.
00:03:22.000 If you mention that there were a slate of movies last night that were mediocre at best, but were praised to the skies because of the intersectionality of the people who made them.
00:03:30.000 So, for example, Lady Bird.
00:03:32.000 Meh.
00:03:32.000 Just a meh movie.
00:03:34.000 As Sonny Bunch puts it correctly, it is a longish episode of Roseanne.
00:03:38.000 If you say that, if you point out that Greta Gerwig's movie is like, eh, it's not the worst movie ever, but it's not the best movie ever, that's because you must hate women.
00:03:46.000 If you don't pay attention,
00:03:48.000 If you think that Black Panther was like a good action movie, like a nice good action flick, but it wasn't the most important movie of all time, you are politicizing it.
00:03:54.000 Not the New York Times, which ran a thousand pieces, a thousand thing pieces, about how it was the most important movie ever.
00:04:00.000 Right?
00:04:00.000 If you say it may not be the most important movie ever, then you are the problem and you're triggered.
00:04:05.000 Here's the deal, folks.
00:04:06.000 I'm not angry about any of this.
00:04:07.000 I'm not upset about any of this.
00:04:09.000 I'm just pointing out the hypocrisy of people who overtly state that they are acting in political fashion.
00:04:14.000 And the minute you say, well, you know, I'm not really fond of politics being shoved in my face.
00:04:17.000 They go, oh, clown nose on.
00:04:19.000 No, we're just, we're just your jesters.
00:04:20.000 We're just your entertainers.
00:04:21.000 We're just here to entertain.
00:04:22.000 So, what really ripped the mask off last night is Jimmy Kimmel made a joke in the middle of the Oscars.
00:04:27.000 First of all, of course Jimmy Kimmel was asked back because now he is, as Guy Benson puts it, the Pope of Hollywood.
00:04:32.000 He is the secular Pope.
00:04:33.000 And Jimmy Kimmel, who somehow has elevated himself from staring at boobs on The Man Show and asking women to find out what's in his crotch with their faces, legitimately, right?
00:04:43.000 He's moved on from that to being the Me Too, anti-gun,
00:04:48.000 Pro-Obamacare spokesperson for the left.
00:04:51.000 So he was asked last night to do his routine, and his routine was predictably not funny in the slightest.
00:04:55.000 So, here's my honest take on the Oscars.
00:04:59.000 I did not watch one minute of this live, and I was much happier for it.
00:05:01.000 I watched the highlights later.
00:05:02.000 Okay, so I'm taking some of this on faith.
00:05:04.000 That he wasn't good last night, I'm taking that from the critics and the ratings, which were abysmal.
00:05:07.000 I'm taking it also from seeing clips of him, because they're not funny.
00:05:11.000 I can't overall give you, like, every minute of the Oscars, because I didn't watch every minute, because I have a happy life.
00:05:16.000 And there's no reason why I, like most Americans, should have to suffer through this garbage.
00:05:20.000 But in any case, Jimmy Kimmel rips the mask off of what Hollywood has been saying for years.
00:05:25.000 But it's so funny.
00:05:26.000 When Hollywood says things, we're allowed to take it seriously.
00:05:28.000 But if we say it in the conservative movement, then we're bad.
00:05:31.000 We're terrible.
00:05:32.000 So here's what Jimmy Kimmel said last night.
00:05:34.000 Of the nine Best Picture nominees, only two of them made more than $100 million.
00:05:38.000 But that's not the point.
00:05:39.000 We don't make films like Call Me By Your Name for money.
00:05:42.000 We make them to upset Mike Pence.
00:05:47.000 Okay, and the reason that gets a big laugh is because it's true.
00:05:49.000 It's because it's true.
00:05:50.000 So people are saying, well, you think the author of Call Me By Your Name?
00:05:53.000 It's a joke!
00:05:53.000 You think the author of Call Me By Your Name was really thinking of Mike Pence?
00:05:56.000 No, I don't think he was thinking of Mike Pence specifically, but I'm sure that the author of Call Me By Your Name was thinking, I'm making a very significant film because it's important that Americans see that homosexual love stories are just as real and intense as heterosexual love stories.
00:06:08.000 I promise you that that was going through his head.
00:06:11.000 Because of course it was going through his head.
00:06:12.000 You wouldn't expect anything else to go through the guy's head.
00:06:14.000 Doesn't mean there's anything wrong with him.
00:06:15.000 Doesn't mean there's anything wrong with his motive.
00:06:17.000 But to suggest there's no political motive at all is silly.
00:06:19.000 Now, when I did my book, Primetime Propaganda, in 2011, I went and I spoke to dozens, a hundred, people who are like the top creators in Hollywood.
00:06:26.000 The people who created Friends, the people who created Soap, the people who created Golden Girls, the people who created America's Funniest Home Videos.
00:06:32.000 Legitimately, every show that was a top show from the 1950s all the way forward to the 2000s, I interviewed somebody from that show.
00:06:39.000 And the message that I got from virtually everyone is, of course we put our politics in our films.
00:06:43.000 Of course we put our politics in our TV shows.
00:06:46.000 Would you expect us to do any differently?
00:06:47.000 And the answer was, no, I don't expect you to do anything differently.
00:06:50.000 But the great lie that they hid behind was, well, we put our politics in there not because we are propagandists.
00:06:57.000 No, no, no, no, no.
00:06:58.000 We put our politics in there because it's what the audience demands.
00:07:01.000 When we make a show like Friends, and we have a lesbian wedding first season.
00:07:05.000 Or when, in later seasons, Ross and Rachel have a baby out of wedlock and they're in love with each other but we don't let them get married because that would be too conventional.
00:07:12.000 When we do all of that, that's just because the audience wants to hear that perspective.
00:07:17.000 It's something the audience wants to hear.
00:07:18.000 And look, the ratings prove it.
00:07:20.000 And were the ratings for Friends good?
00:07:21.000 Yes, they were.
00:07:21.000 But Kimmel points out the truth here.
00:07:23.000 The truth is, Hollywood would make that stuff no matter what.
00:07:26.000 Because people in Hollywood want to feel good about themselves.
00:07:28.000 It's so funny.
00:07:29.000 People talk about the D.C.
00:07:30.000 cocktail parties.
00:07:31.000 Talk about the D.C.
00:07:32.000 cocktail circuit.
00:07:33.000 They talk about how all these people in D.C.
00:07:34.000 want to get together and go to these she-she parties where they hang out.
00:07:37.000 That actually happens in Hollywood.
00:07:39.000 Okay?
00:07:39.000 Talk to anyone who has worked in Hollywood.
00:07:41.000 These cocktail parties?
00:07:42.000 They're not as common in D.C.
00:07:44.000 They are really, really, really common in Hollywood.
00:07:47.000 Everybody in Hollywood goes to cocktail parties.
00:07:48.000 This is how they get jobs.
00:07:49.000 And one of the ways they get jobs is by talking to each other about how they virtue-signaled this year.
00:07:53.000 They talk to each other about what kind of difference they're making for the world.
00:07:57.000 Just like the ridiculous fictional creators of Google in Silicon Valley.
00:08:02.000 They go around talking about how they're going to make the world better through better compression algorithms.
00:08:06.000 This is what they do.
00:08:07.000 They go around talking about how their film really made a difference in lives.
00:08:11.000 This is how they think, because if they really thought that they were around to just make movies of people clubbing each other with sticks, and that we all laugh and enjoy them because, hey, we all like movies, they wouldn't feel very fulfilled.
00:08:21.000 There's a movie called Sullivan's Travels from the 1940s, a great movie.
00:08:25.000 And the whole movie is about this guy who wants to make comedies.
00:08:28.000 He's a comic writer and he makes comedies, these very famous comedies.
00:08:32.000 And then he decides he wants to make his deep film because he feels unfulfilled.
00:08:35.000 He feels like he hasn't made his contribution to the art.
00:08:37.000 And so he goes out on the road as a homeless guy.
00:08:40.000 And he experiences all sorts of craziness and suffering.
00:08:42.000 All this terrible stuff happens to him.
00:08:43.000 And he comes back and he realizes he ends up in a chain gang.
00:08:46.000 And they showed these guys comedies at night, some of his comedies.
00:08:49.000 And he realizes that's me doing something for the world.
00:08:52.000 That's something Hollywood folks do not understand.
00:08:55.000 They don't want to make their comedies.
00:08:56.000 They don't want to just do what it is that we enjoy them doing.
00:08:58.000 They don't want to make Thor Ragnarok.
00:08:59.000 They want to make Call Me By Your Name.
00:09:01.000 They may make Thor Ragnarok so that they can pay the bills, but what they actually want to make is Call Me By Your Name.
00:09:06.000 And so when Jimmy Kimmel says, when he reveals there, that what they're actually doing is making films specifically designed so that they can feel good about themselves, that it makes them feel good to slap Mike Pence, it makes them feel good to slap people in the middle of the country, that is true.
00:09:19.000 Now, when Jimmy Kimmel says it, we can all take it seriously.
00:09:21.000 But if I say it, then it's because I'm politicizing the issue.
00:09:24.000 I remember we did the exact same thing with regard to, for example, Joe Biden.
00:09:27.000 So, back in the early 1990s, there was a show called Murphy Brown.
00:09:30.000 Murphy Brown had Cameron, uh, what was the name of the woman, Candace Bergen, playing the lead.
00:09:35.000 Candace Bergen had a baby out of wedlock.
00:09:37.000 And Dan Quayle said,
00:09:44.000 This is propaganda from the left.
00:09:45.000 And Dan Quill was ripped up and down.
00:09:47.000 It was his Murphy Brown moment.
00:09:48.000 How dare he suggest that this was politics?
00:09:51.000 It wasn't politics.
00:09:52.000 It was just TV.
00:09:53.000 It was just TV.
00:09:54.000 And then Joe Biden came out in the mid-2000s, right after, or late 2008, 2009.
00:10:01.000 He came out, and he was talking about Murphy Brown, and he was talking about Will and Grace, and he said, of course TV has changed minds.
00:10:06.000 Without Will and Grace, would people have been so accepting of same-sex marriage?
00:10:09.000 And the answer, of course, is no.
00:10:11.000 Propaganda has an effect.
00:10:12.000 That effect is to propagandize.
00:10:14.000 That's the intended goal.
00:10:15.000 And so when Jimmy Kimmel says that they put profit aside to make some stuff like Call Me By Your Name or The Shape of Water, this is true.
00:10:22.000 Does that mean it's deeply wrong and deeply... No!
00:10:23.000 They can do whatever they want.
00:10:25.000 It's a free country.
00:10:26.000 That's fine.
00:10:26.000 But...
00:10:27.000 Me acknowledging that they're political is no different than them acknowledging that they are political and that profits, while important to make sure that they boost their industry, their business is no different from my business.
00:10:36.000 The difference is I'm honest about it.
00:10:38.000 I am here to push a certain political point of view, to push principles that I think are important.
00:10:42.000 I'm not doing it just to respond to the market.
00:10:44.000 In fact, I take pride in the fact that we at The Daily Wire don't just respond to the market.
00:10:48.000 It's why we make certain editorial decisions.
00:10:50.000 It's why we don't show the names and faces of mass shooters.
00:10:52.000 I'm sure that hurts us in the click count, but that is something we are willing to do.
00:10:55.000 We're willing to take a hit.
00:10:56.000 And I'm honest about the hits that we are willing to take for a particular political view.
00:11:00.000 It's why I never fell onto the Trump train to the extent that I was talking about everything being mega, mega, mega genius, and I'm sure I would have made more money if I had done that.
00:11:08.000 Because there are certain principles I think are important.
00:11:10.000 The difference is Hollywood has principles it thinks are important, but they lie about it.
00:11:13.000 They won't tell you that.
00:11:14.000 They will say that they are just there to make entertaining content and the politics are secondary.
00:11:19.000 Utterly untrue.
00:11:20.000 Not true.
00:11:21.000 Kimmel makes that suggestion.
00:11:22.000 Kimmel is correct.
00:11:23.000 What Kimmel says here is right.
00:11:24.000 And you have to keep that in the back of your mind when you watch the rest of the Oscars.
00:11:27.000 Because what the Oscars really are about
00:11:29.000 We're not just a moment for Hollywood to award the best filmmakers and to show you what's best in film.
00:11:35.000 It's not about that at all.
00:11:36.000 What Hollywood's Academy Awards are really about is what Kimmel is saying.
00:11:40.000 It is about the slap.
00:11:41.000 It is about making people in the middle of the country feel morally less.
00:11:44.000 It is about the suggestion that Hollywood is showing the best of itself.
00:11:48.000 It's Hollywood's book report at the end of the year, where they demonstrate why they should be there.
00:11:52.000 And according to Hollywood, the reason they should be there is not because they entertain us, not because they make movies we want to watch,
00:11:56.000 We're good.
00:12:14.000 Source, working out of a living room.
00:12:16.000 In the past year, they've introduced a ton of new watch collections for men and women.
00:12:19.000 They've expanded it to sunglasses, fashion forward bracelets.
00:12:22.000 All of their watches are clean.
00:12:23.000 They're beautifully designed.
00:12:25.000 They're really durable.
00:12:27.000 My son loves the watches, runs around with them, smashes them against the wall.
00:12:31.000 They're all as good as new.
00:12:32.000 And they look terrific.
00:12:33.000 I've worn them to Congress.
00:12:35.000 I've worn them to the White House.
00:12:36.000 I've worn them to a bunch of different places.
00:12:40.000 Because that's how nice they are.
00:12:41.000 And you're getting these things for like 95 bucks.
00:12:44.000 Movement watches start at just $95.
00:12:46.000 At an apartment store, you're looking at $400 to $500.
00:12:50.000 These watches are really classy looking, they're really nice, and they make a really affordable gift for men or women.
00:12:55.000 My wife has one, I got one for her.
00:12:56.000 My mom has one, got one for her.
00:12:57.000 My dad has one.
00:12:58.000 So everyone in my family has movement watches, and there's a reason for that.
00:13:02.000 Right now, you get a special deal.
00:13:03.000 If you go to MVMT.com slash Shapiro, you get 15% off today.
00:13:07.000 Let's do it!
00:13:27.000 One of the reasons that you can see that Hollywood has shifted its view of itself is the change in the demographic of the people who actually watch Oscar films.
00:13:36.000 So it used to be that Oscar films between 1983 and 2000, 2003 really, virtually every Oscar film was a major winner in terms of the box office.
00:13:46.000 Virtually every Oscar film
00:13:48.000 You did really well at the box office, at least the films that won Best Picture.
00:13:53.000 So I'm going to look up the list right now.
00:13:55.000 And I will tell you, there has not been an actual good movie that has won Best Picture at the Oscars, like a great movie that's won Best Picture at the Oscars, in my opinion, since 2010.
00:14:03.000 And there hasn't been a box office winner at the Oscars for nearly 15 years.
00:14:08.000 For nearly 15 years.
00:14:09.000 It's really an amazing, amazing thing.
00:14:12.000 Let's look back at the best picture winners.
00:14:15.000 So, 2016, the best picture winner was Moonlight, which made like five bucks at the box office.
00:14:22.000 Before that, it was Spotlight.
00:14:23.000 Fine movie.
00:14:24.000 Completely forgettable.
00:14:26.000 Again, I enjoyed Spotlight.
00:14:27.000 I think Moonlight is a fine film.
00:14:29.000 It was obviously the social justice winner because it was about gay black people in the inner city.
00:14:33.000 Whatever.
00:14:34.000 That's fine.
00:14:34.000 But that's not exactly designed to be a box office busting winner.
00:14:38.000 Spotlight won the year before that.
00:14:41.000 The year before that, it was Birdman, which I thought was just an excreble film.
00:14:44.000 I just thought it was an awful, awful movie.
00:14:46.000 12 Years a Slave, which I think is a very good movie, but not obviously one that's going to bust down the box office doors.
00:14:51.000 It's about slavery.
00:14:53.000 It is not a highly entertaining film.
00:14:56.000 I think it's a well-made film.
00:14:57.000 I don't think it's as well-made as, for example, Schindler's List.
00:14:59.000 But 12 Years a Slave is a good movie.
00:15:00.000 But is it like an all-time classic movie?
00:15:02.000 Probably not.
00:15:03.000 Argo, which is completely forgettable now.
00:15:05.000 Do you even remember Argo?
00:15:06.000 I remember when it won.
00:15:07.000 Like, I saw it.
00:15:08.000 It's fine.
00:15:08.000 It's fun.
00:15:09.000 But it's not like, Argo is not an important movie.
00:15:12.000 The Artist?
00:15:13.000 Right?
00:15:13.000 None of these movies made more than $5 at the box office.
00:15:15.000 The King's Speech was the last really great movie that I think was a big winner.
00:15:19.000 At the Oscars.
00:15:20.000 The Hurt Locker was the year before that.
00:15:22.000 Slumdog Millionaire, which did decently at the box office, but won over The Dark Knight.
00:15:27.000 Are you kidding me?
00:15:29.000 Are you kidding me?
00:15:30.000 That was 2008.
00:15:31.000 It's been 10 years.
00:15:33.000 Does anyone even watch Slumdog Millionaire now?
00:15:36.000 It's a fine film.
00:15:37.000 I mean, I enjoyed it.
00:15:38.000 But it's not The Dark Knight.
00:15:40.000 No Country for Old Men is 2007.
00:15:41.000 That was the last big box office winner that actually did really, really well at the Oscars.
00:15:46.000 It was No Country for Old Men.
00:15:47.000 So that was 2007.
00:15:49.000 And before that was The Departed, which, meh.
00:15:52.000 Okay, Crash, the worst movie of all time.
00:15:54.000 Okay, Million Dollar Baby.
00:15:56.000 Again, okay, but sorry, movies about euthanasia don't exactly blow it up at the box office.
00:16:01.000 And then, by 2003, I think it was really in the Bush era that this happened.
00:16:07.000 2003, by the middle of the Bush era, you can see the shift for Hollywood.
00:16:09.000 The shift goes from, we are here to make movies that entertain you, to we are here to make movies that are specifically designed to say something.
00:16:17.000 Say something important.
00:16:19.000 Because before 2003, all of the movies that were winning were big box office winners.
00:16:23.000 The reason this is important is the people in Hollywood, the people who vote at the Academy Awards, see their role differently.
00:16:28.000 They see their role in life.
00:16:30.000 Seriously.
00:16:31.000 As we are here in order to, in order not to make big movies that make lots of money and earn us all enormous paychecks, that's something nice that we do.
00:16:39.000 But what we're really here to do is push the message.
00:16:40.000 And you can see that from the Oscar winners.
00:16:42.000 Because before that, it was Lord of the Rings, Return of the King.
00:16:44.000 It was Gladiator.
00:16:45.000 It was Shakespeare in Love, which did really well.
00:16:47.000 It was Titanic.
00:16:48.000 It was Braveheart.
00:16:49.000 It was Forrest Gump.
00:16:50.000 It was Schindler's List and Unforgiven.
00:16:51.000 It was Silence of the Lambs.
00:16:53.000 It was Dances with Wolves.
00:16:54.000 Right?
00:16:54.000 Every other year, it was a top 5 to top 10 box office movie that was winning.
00:16:58.000 And we haven't had one of those in like 15 years.
00:17:01.000 Okay, there's a reason for that, and it's because Hollywood does have messages it wants to promote.
00:17:04.000 So we're going to talk about some of the messages that they wanted to promote at the Oscars last night.
00:17:09.000 Okay, so, here, let's start with this.
00:17:11.000 And I think this says it all.
00:17:12.000 Last night, Emma Watson showed up to the Oscars with a new tattoo.
00:17:16.000 Her new tattoo said on it, Time's Up.
00:17:19.000 There was only one problem with her tattoo.
00:17:20.000 It did not have an apostrophe.
00:17:22.000 So she actually just has something that says, times up, which I don't even know what that means without the apostrophe.
00:17:27.000 So, you know, no regards for Emma Watson on her tattoo.
00:17:32.000 But this was the theme of the Oscars last night.
00:17:35.000 The theme of the Oscars last night were men were bad.
00:17:37.000 Men generally are bad.
00:17:39.000 But here's the thing.
00:17:40.000 Hollywood knows that men are bad.
00:17:42.000 And they're good about this.
00:17:42.000 They get it.
00:17:43.000 They get men are bad, particularly white men.
00:17:45.000 White men are really bad.
00:17:47.000 Hey, white men are terrible.
00:17:48.000 And the way that we know that white men are terrible is because Hollywood, on the one hand, was pushing diversity last night, meaning diversity of skin, not viewpoint, diversity of skin color, diversity of gender.
00:17:58.000 But when it came to men, you know, men, bad men, those people, they're just bad.
00:18:04.000 They're bad people.
00:18:05.000 Here's Jimmy Kimmel last night saying, what we really need in America is more men without penises.
00:18:09.000 Thankfully, Hollywood is there to provide them in ample supply.
00:18:12.000 Here is Jimmy Kimmel.
00:18:14.000 Oscar is the most beloved and respected man in Hollywood.
00:18:18.000 And there's a very good reason why.
00:18:20.000 Just look at him.
00:18:22.000 Keeps his hands where you can see them.
00:18:26.000 Never says a rude word.
00:18:28.000 And most importantly, no penis at all.
00:18:33.000 He is literally a statue of limitations.
00:18:36.000 And that's the kind of man we need more of in this town.
00:18:41.000 That's right.
00:18:42.000 What we need more is not virtuous men, not men who stand up for women, not men who use their aggression in positive ways, not men who get married and have kids, not men who use their penis properly.
00:18:51.000 No, that would be too limiting.
00:18:52.000 What we need is men without penises.
00:18:55.000 Now, it's really funny.
00:18:56.000 C.S.
00:18:56.000 Lewis once wrote an entire essay called Men Without Chests, and his entire essay is about when you have a civilization of men who have been scooped, their value has been scooped out, when they've been given nothing to live for, they become a problem.
00:19:09.000 They become problems.
00:19:10.000 Men Without Chests is one of the great essays in all of Western literature.
00:19:13.000 And the entire premise is, when you remove masculinity from men, you are doing them damage, and you are turning them into hulks of themselves, into husks of themselves.
00:19:20.000 And here you have a guy on stage at one of the most watched events of the year, talking about how it would be great if men had no penises.
00:19:27.000 It would just be fantastic.
00:19:28.000 Now, I know.
00:19:29.000 We're supposed to—oh, it's just comedy.
00:19:31.000 But then, the whole point of comedy is that there's an element of truth to it, is there not?
00:19:35.000 This is what we've been told for years.
00:19:37.000 If Hollywood says that men—at the very end of the show, by the way, Jimmy Kimmel reiterated this.
00:19:41.000 Like, at the very end of the show, Kimmel actually suggested that he wishes that he were a woman, which I don't know what the limitation on him is.
00:19:49.000 I mean, one thing that we have learned is that if you wish to be a woman, don't let anyone stand in the way of your dreams, man.
00:19:57.000 You can be a woman.
00:19:57.000 If Jimmy Kimmel wants to be a woman, he can make this happen.
00:19:59.000 If he really admires men without
00:20:01.000 Then he presumably can actually go and take care of business.
00:20:05.000 I mean, this is something we can—it's a free country.
00:20:08.000 But—
00:20:09.000 Again, this is the message that Hollywood wants to promote.
00:20:11.000 This is what Hollywood actually wants to push.
00:20:14.000 It's an amazing, amazing thing.
00:20:16.000 OK, so that was the main message.
00:20:18.000 And so how did Hollywood take this on?
00:20:20.000 Because the truth is that the big problem in Hollywood, of course, has been aggressive men who have not had any moral limitations put on them, who scorn the fundamental institutions of Western civilization, like marriage and chivalry.
00:20:31.000 They scorn these things.
00:20:32.000 And then they have used their power positions in order to victimize women.
00:20:35.000 So how did Hollywood deal with that last night?
00:20:36.000 Did they face up to it?
00:20:38.000 Did they face up to it?
00:20:39.000 Of course they didn't face up to it.
00:20:40.000 So, here is, this was, I think, the key.
00:20:43.000 There are three Weinstein accusers.
00:20:45.000 Three accusers of Harvey Weinstein got up, and they were pushing the Time's Up movement.
00:20:49.000 So this is Selma Hayek, Annabella Sciarro, and Ashley Judd.
00:20:53.000 All three of them had accusations to make about Harvey Weinstein.
00:20:57.000 Annabella Sciarro was apparently blacklisted by Weinstein, Ashley Judd says that Weinstein abused her, and Selma Hayek called Weinstein a monster in the New York Times.
00:21:05.000 Now, I know all of that because I actually researched this stuff.
00:21:09.000 If you watched the show last night, you wouldn't know any of that.
00:21:11.000 You would just see three beautiful women on stage making extraordinarily vague references about something bad that happened in Hollywood.
00:21:17.000 We can't mention its name.
00:21:19.000 We can't talk about what happened.
00:21:20.000 We can say things like, time's up.
00:21:22.000 Or we can say, me too.
00:21:23.000 But those are buzzwords.
00:21:25.000 We don't actually know what happened.
00:21:26.000 Like, if you were just a bit alien and you came and you watched the Oscars last night, what you would assume is that Hollywood was rewarding itself for how it treats women, not castigating itself for how it treats women.
00:21:35.000 Because watch this, okay?
00:21:36.000 Watch the vague references.
00:21:37.000 As Jim Garrity at National Review says, this is all fortune cookie stuff.
00:21:40.000 Listen to what they actually have to say.
00:21:42.000 There's not one mention of sexual abuse, sexual assault, or sexual misconduct anywhere in this clip.
00:21:47.000 It's an amazing, amazing thing.
00:21:49.000 And then they followed up this clip with a montage talking about how wonderful Hollywood is to women and black people and Indian Americans and the vast panorama of colors the cinemascope
00:22:00.000 I don't know.
00:22:13.000 So Stamps.com is the easiest way to access all of the amazing services of the post office.
00:22:18.000 It never closes.
00:22:19.000 You can print postage for letters or packages at your own convenience 24-7.
00:22:21.000 The exact amount of postage every time.
00:22:24.000 You never underpay or overpay.
00:22:25.000 Again, we use it here at Daily Wire so that our employees don't have to run over to the post office.
00:22:28.000 We save money.
00:22:29.000 We make sure that we're not wasting time.
00:22:31.000 Again, that's what Stamps.com is for.
00:22:33.000 It is convenient.
00:22:34.000 It is easy.
00:22:34.000 It is reliable.
00:22:35.000 And it is efficient.
00:22:36.000 So check it out right now.
00:22:38.000 Again, they make it easy.
00:22:39.000 They will send you a digital scale so it automatically calculates exact postage.
00:22:42.000 They'll even help you decide the best class of mail based on your needs.
00:22:45.000 You don't have to lease an expensive postage meter or anything.
00:22:47.000 Right now, you can enjoy stamps.com with a special offer that includes a four-week trial plus postage and a digital scale.
00:22:53.000 Go to stamps.com, click on the microphone at the top of the homepage, and type in Shapiro.
00:22:57.000 That's stamps.com.
00:22:58.000 We're good to go.
00:23:19.000 Again, back to the Me Too moment at the Oscars.
00:23:22.000 So here are these three women, all of whom were victimized by Harvey Weinstein, apparently.
00:23:26.000 And you never get one mention of this.
00:23:27.000 Not one.
00:23:28.000 Here's what they had to say.
00:23:29.000 It's an honor to be here tonight.
00:23:32.000 This year, many spoke their truth, and the journey ahead is long, but slowly a new path has emerged.
00:23:42.000 The changes we are witnessing are being driven by the powerful sound of new voices, of different voices, of our voices, joining together in a mighty chorus that is finally saying, time's up.
00:23:58.000 Okay, do you have any idea what they're talking about?
00:24:00.000 Like really, I mean, if you just came in from the street, and you had no idea what was going on in Hollywood, you hadn't read any of the headlines, you hadn't done any of the research, would you recognize any of these three women, except you might say, okay, there's the lady from Double Jeopardy, and there's the lady from that movie about Frida Kahlo?
00:24:13.000 Legitimately, that's all you would see is just these people making really vague references to the diversity of voices, and then they follow up this diversity of voice stuff with a montage.
00:24:22.000 And is the montage about women who have been abused in Hollywood?
00:24:25.000 Is the montage about taking responsibility for that abuse?
00:24:28.000 See, here's the thing that Hollywood did last night.
00:24:30.000 They had Jimmy Kimmel get on stage and talk about how all men all over the world are responsible for evil against women, so it's everyone else's fault.
00:24:37.000 Maybe that includes Hollywood, but it really is everyone's fault, because it's penises that are to blame, of course.
00:24:41.000 Penises.
00:24:42.000 They're the worst.
00:24:43.000 Except, in fact, if there's a movie that wins Best Picture or Best Adapted Screenplay about a 24-year-old man having sex with a 17-year-old man.
00:24:50.000 Then penises are not the worst.
00:24:51.000 Then penises are great.
00:24:52.000 But penises are the worst when it comes to, like, male treatment of women.
00:24:57.000 Male treatment of other men?
00:24:58.000 You know, treatment of underage men, particularly.
00:25:00.000 Not a big deal, unless it's Kevin Spacey.
00:25:02.000 But if you find all this confusing, we can clear all this up for you, because we have a montage last night.
00:25:07.000 Over at the Oscars.
00:25:08.000 And the montage was all about how Hollywood, it turns out, is a welcoming place.
00:25:12.000 And now it turns out that they've turned the corner in Hollywood.
00:25:14.000 You see, before they even knew they had a problem, they had the cure.
00:25:17.000 And the cure was intersectionality.
00:25:19.000 What we needed was more people making movies based on identity, so that they could have a more diverse viewpoint, or something.
00:25:27.000 And somehow, this is going to cure the problem of men abusing women in Hollywood.
00:25:30.000 By the way, if you think any of this stuff is going to have a long-lasting impact on Hollywood, you've got to be joking.
00:25:34.000 That is going to have five seconds of impact.
00:25:36.000 The media will move on.
00:25:37.000 Within two years, men will be back to abusing women exactly the way they did before in Hollywood, because Hollywood has no moral standards.
00:25:43.000 I know.
00:25:43.000 I've lived here my entire life.
00:25:44.000 Here is the montage last night in which Hollywood, which should be doing penance, right?
00:25:48.000 They should be doing mea culpas.
00:25:49.000 Instead, they're there explaining that they are actually our moral betters.
00:25:53.000 I haven't raped anyone.
00:25:54.000 You haven't raped anyone.
00:25:55.000 You haven't sexually harassed or abused anyone.
00:25:57.000 You haven't made movies about people you've sexually harassed or abused.
00:26:00.000 But it's really Hollywood that has to tell you a thing or two.
00:26:03.000 So here's Hollywood explaining its mission in life.
00:26:06.000 This entire fall, the Me Too, the Time's Up movements, everyone is getting a voice to express something that has been happening forever, not only in Hollywood, but in every walk of life.
00:26:19.000 OK, pause it there for one second.
00:26:20.000 Sorry, OK, so number one, that Mira Sorvino was abused by Harvey Weinstein.
00:26:24.000 Did she say anything about that there?
00:26:25.000 No, she didn't.
00:26:26.000 No.
00:26:27.000 If you were watching that, you'd have no idea what she's talking about.
00:26:29.000 Continue.
00:26:31.000 Should they?
00:26:32.000 Some of our best work has come from turmoil.
00:26:36.000 We have been in denial about the things at work.
00:26:40.000 Some of my favorite movies are movies by straight white dudes about straight white dudes.
00:26:45.000 Now straight white dudes can watch movies starring me and you relate to that.
00:26:49.000 It's not that hard.
00:26:50.000 I've done it my whole life.
00:26:51.000 Okay, pause it right there.
00:26:52.000 And then there's the cheer, right?
00:26:53.000 There's the cheer for the guy from The Big Sick and from Silicon Valley, directed by the way, created by Mike Judge, who was a straight white man.
00:26:58.000 So there he is.
00:27:00.000 And that's the thing, right?
00:27:01.000 Now Hollywood is gonna pat itself on the back because look, look at all these new creators we're bringing to the fore.
00:27:05.000 Now, some of these movies are actually good, right?
00:27:06.000 The Big Sick is a pretty good movie.
00:27:08.000 Greta Gerwig's movie is not particularly good, but it got all sorts of plaudits.
00:27:11.000 The Big Sick is a better movie than Greta Gerwig's movie by a fairly long shot.
00:27:14.000 But there's Greta Gerwig talking about, she directed Lady Bird.
00:27:19.000 It's an amazing film.
00:27:20.000 How do we know?
00:27:21.000 Because she's a woman.
00:27:22.000 And this is the way we work now.
00:27:23.000 Right?
00:27:23.000 We have to know that only a woman can direct Batgirl.
00:27:26.000 Right?
00:27:26.000 Joss Whedon can't direct Batgirl.
00:27:27.000 Only a woman can direct Batgirl.
00:27:29.000 And only a black person can direct Black Panther.
00:27:31.000 And only, presumably, a transgender person can direct a movie about a transgender person.
00:27:36.000 And that's how we know if the movie's good.
00:27:37.000 Not whether it's good or not.
00:27:38.000 But because Hollywood is providing all sorts of representation, right?
00:27:42.000 Representation.
00:27:42.000 We don't have to be moral, but as long as we have intersectional representation, that is truly what matters.
00:27:48.000 So remember, this montage started with them talking about Me Too.
00:27:53.000 Remember, all the way back, like a minute and a half ago, when they were talking about Me Too?
00:27:57.000 Does anything here have to do with Me Too?
00:27:59.000 Does anything here have to do with Time's Up?
00:28:01.000 Not a thing.
00:28:02.000 Not one thing.
00:28:03.000 Zero things have to do with Me Too or Time's Up.
00:28:05.000 That this is the way that Hollywood elides its own moral culpability in one of the great scandals of late 20th and early 21st centuries, and then suggests that they're actually winning because Kumail Manjani used to have to watch movies by white guys and identify with the characters.
00:28:17.000 Like, listen.
00:28:19.000 I'm happy to identify with characters who are not of my race.
00:28:21.000 I've said this all my life.
00:28:23.000 I'm Jewish.
00:28:23.000 I've identified with characters who are not of my race my entire life, who are not of my religion, my entire life.
00:28:28.000 Did it ever bother me one iota?
00:28:30.000 No.
00:28:31.000 And do I think that, like, it's deeply important that now people identify with an Indian guy, or a Pakistani guy, because I think that Nanjani is Pakistani?
00:28:38.000 No, I don't think that that matters a lot either.
00:28:41.000 I mean, if the movie's good, the movie's good.
00:28:42.000 I don't care.
00:28:43.000 But apparently that's not the way Hollywood is supposed to work anymore.
00:28:45.000 We know that Hollywood is good because Hollywood is making movies with diverse people, whether or not the movies are good.
00:28:50.000 So you can continue with this montage demonstrating how much better the people of Hollywood are than you are as a human.
00:28:59.000 Thelma and Louise came out.
00:29:01.000 Oh wow, Thelma and Louise.
00:29:03.000 Terrible movie, by the way.
00:29:03.000 This changes everything.
00:29:05.000 We're going to see so many more movies starring female characters.
00:29:08.000 That didn't happen.
00:29:10.000 But this is now that moment.
00:29:13.000 OK, we can stop that.
00:29:14.000 OK, right there.
00:29:15.000 OK, so the idea now is we're going to get a lot of movies starring female characters.
00:29:18.000 Then now we're finally going to get more movies like Delma and Louise.
00:29:21.000 God forbid we should get more movies like Delma and Louise, one of the worst movies ever made.
00:29:25.000 I'm fine with female characters in starring roles.
00:29:27.000 Wonder Woman, I thought, was a very good movie last year.
00:29:31.000 And I like Al Gadot, so that's great.
00:29:33.000 But, again, how about quality movies?
00:29:36.000 I saw a study in the New York Times today, it was really funny, saying how many of the Best Picture winners, percentage of lines read by men versus percentage of lines read by women.
00:29:44.000 They neglect to mention the fact that the one that won last night was about a woman who is mute.
00:29:50.000 Okay, it's sort of hard to make that calculation when the woman in the movie is mute.
00:29:54.000 How about minutes of screen time?
00:29:55.000 That's a much better gauge of whether it's a male-centric movie or a female-centric movie than number of lines spoken by women.
00:30:03.000 There are a lot of great performances by women in which the acting is not in the lines.
00:30:09.000 Okay, we're going to get to Hollywood being better than you in just a second and their continued push for the notion that while they are, in fact, some of the least morally
00:30:19.000 By the way, you want to know why Trump won?
00:30:24.000 This is why Trump won.
00:30:25.000 When you have a bunch of people from Hollywood lecturing you about how they are the great moral leaders, while making some of the least morally responsible films of all time, and being very irresponsible in their own personal lives, then yeah, that's...
00:30:37.000 No one's going to listen to you when you say that Lena Dunham should be our shining star of morality.
00:30:40.000 Okay, we're going to get to more of this in just a second, but for that you're going to have to go over to dailywire.com.
00:30:44.000 Over at dailywire.com for $9.99 a month, you can get the rest of this show live, you can get the rest of the Andrew Klavan show live, the rest of the Michael Knowles show live.
00:30:50.000 You can be part of our mailbag.
00:30:51.000 We're going to be doing another episode of The Conversation.
00:30:54.000 You can ask me questions there.
00:30:55.000 All of those things you get when you're a subscriber plus.
00:30:58.000 You got this.
00:30:58.000 The very greatest of all beverage vessels, the leftist tiers, hot or cold tumbler.
00:31:02.000 You will enjoy it.
00:31:03.000 You will live with it.
00:31:04.000 You will love it.
00:31:05.000 It will confer upon you great benefits of which I cannot speak.
00:31:08.000 But once you have it, you know.
00:31:09.000 So go check it out.
00:31:10.000 Annual subscription, $99, which is cheaper than the monthly subscription.
00:31:13.000 If you just want to listen later, go over to iTunes, SoundCloud, YouTube.
00:31:16.000 Please subscribe.
00:31:17.000 Please leave us a review.
00:31:18.000 We are the largest, fastest-growing conservative podcast in the nation.
00:31:26.000 Alrighty, so, let's talk a little bit more about the virtue signaling over the Oscars and how ridiculous it was.
00:31:32.000 So, my favorite point to this was, this is a thing they're doing now, where Hollywood stars meet the commoners.
00:31:38.000 They did this last year, where they brought a bunch of people into the Kodak Theater in the middle of the Oscars, and they did it again this year with a bunch of people who are starring in these movies that none of these people have ever seen, right?
00:31:47.000 They're all there to see A Wrinkle in Time, which is a kid's movie, which actually might make some money at the box office, but all these Oscar nominees, who no one's heard of,
00:31:53.000 Walk into the theater and start interacting with the audience.
00:31:58.000 Oh, don't you see celebrities?
00:32:00.000 They're just like you.
00:32:02.000 They're just like you.
00:32:03.000 Okay, as someone who took, I think in the last week and a half, I probably took 2,500 pictures of people, people who are fans of the show and enjoy, there's nothing special about celebrities.
00:32:13.000 In fact, celebrities are some of the most empty people that you will ever meet, depending on what it is that they do for a living.
00:32:18.000 But this sort of
00:32:19.000 We're here to hobnob with the common folks, with the hoi polloi, before we go back to our shining beautiful palatial estates on the hill and never see any of you again.
00:32:28.000 It really is kind of galling.
00:32:30.000 So here they are walking into the midst of the commoners and demonstrating to the commoners that they, too, are regular people before they go off with their million-dollar salaries and their special sports cars with their beautiful lovers.
00:32:40.000 Here they are last night.
00:32:42.000 Let's fire... Do not aim the hot dogs at the vegetarians.
00:32:45.000 Oh, there you go!
00:32:48.000 Ansel, go ahead and fire that thing into the crowd.
00:32:50.000 So, Armie Hammer is literally firing hot dogs into the crowd.
00:32:54.000 This is what we have become, right?
00:32:56.000 These are our betters, firing literally food into the crowd.
00:32:59.000 I mean, if there was ever a more symbolic Marie Antoinette let them eat cake moment than this, firing hot dogs into a crowd of commoners, ha ha!
00:33:07.000 We shall feed the commoners with these hot dogs from our giant hot dog gun!
00:33:13.000 And then they lecture us.
00:33:14.000 It's just unbelievable.
00:33:16.000 My favorite thing last night about the lecture was this.
00:33:19.000 So Kobe Bryant, who settled out of court on a sexual assault case, right?
00:33:23.000 He won an Oscar last night because there was a short film that was made out of his retirement letter about dreams of basketball or whatnot.
00:33:31.000 He won an Oscar last night, which means that Kobe Bryant has now won as many Oscars as Gary Oldman, which is really ridiculous.
00:33:37.000 So Kobe Bryant gets up there, wins an Oscar on Me Too Night after settling out of court many years back with a woman who accused her of raping her in a room in Colorado.
00:33:49.000 Here is Kobe Bryant dunking on Laura Ingraham in the crowd cheering.
00:33:52.000 Whatever form your dream may take, it's through passion and perseverance that the impossible is possible.
00:34:03.000 Well, I don't know if it's possible.
00:34:04.000 I mean, as basketball players, we're really supposed to shut up and dribble, but I'm glad we can do a little bit more than that.
00:34:10.000 Okay, there he is ripping Laura Ingram because we're supposed to shut up and dribble.
00:34:14.000 But it's so funny, the entire crowd is totally fine with Kobe Bryant, a guy who settled out of court on sexual assault charges, you know, doing this routine.
00:34:21.000 So just amazing.
00:34:21.000 These are our moral betters.
00:34:24.000 You can tell what Hollywood wants to push.
00:34:26.000 Again, the Oscars are not about Hollywood demonstrating its best.
00:34:29.000 It's about them demonstrating what they think is best about themselves to you.
00:34:32.000 That is what Hollywood is about.
00:34:33.000 So there is a song that was performed last night from the movie Marshall called Stand Up for Something, and I guess it was Common and Andra Day who are performing this song.
00:34:44.000 And I guess it's mostly like sort of a beat poetry about politics.
00:34:49.000 These days we dance between love and hate.
00:34:51.000 Don't know the date, so we stay awake.
00:34:54.000 A knee we take for our soul's sake.
00:34:56.000 New victory all for others' gain.
00:34:59.000 A president that chose with hate.
00:35:01.000 We don't control our fate because God is great.
00:35:04.000 When they go low, we stay in the heights.
00:35:07.000 I stand for peace, love, and women's rights.
00:35:12.000 Okay, they stand for peace, love, and women's rights, don't you understand?
00:35:15.000 When they go low, we go high, but we kneel for the anthem, and the president leads with hate.
00:35:19.000 Yeah, no politicking here.
00:35:21.000 But by the way, again, if I comment on politics, it's my fault.
00:35:23.000 You watch, the headlines after this show will be, Shapiro rips into Oscars because he's bitter about the—
00:35:29.000 I didn't even watch it, man.
00:35:30.000 Okay?
00:35:31.000 Like, do what you want to do.
00:35:32.000 But I'm pointing out that the culture gap in this country, the cultural betterers, they wonder in Hollywood why we don't take them seriously on politics.
00:35:40.000 They wonder in Hollywood why there are so many people in the middle of the country who find Hollywood distasteful.
00:35:44.000 They wonder in Hollywood why it is that people in the middle of the country are only going to see their big-budget pictures and not any of their artsy films.
00:35:53.000 Maybe it's because you're constantly lecturing everybody in the middle of the country about how you're better than they are.
00:35:56.000 And then the minute that you say, listen, we don't like being lectured, they go, hey, we're just artists, man.
00:36:01.000 We're just artists.
00:36:02.000 You don't get to be propagandists, and admit that you're propagandists, and openly propagandize, and then pretend that you're just there for the art of it.
00:36:09.000 It doesn't work that way.
00:36:10.000 That's not the way that it works.
00:36:11.000 You can use messaging in your art, but that is messaging in your art, and you don't get to have it both ways.
00:36:17.000 This clown nose on, clown nose off routine is really irritating.
00:36:20.000 I think the greatest contrast here, by the way, is Common and Andra Day do this thing about, we're gonna kneel for the anthem.
00:36:25.000 Gary Oldman wins an Oscar, he thanks America, and listen to how the crowd responds.
00:36:29.000 I owe this and so much more to so many
00:36:32.000 I have lived in America for the longest time and I am deeply grateful to her for the loves and the friendships I have made and the many wonderful gifts it has given me.
00:36:48.000 My home, my livelihood, my family, and now Oscar.
00:36:59.000 Thanks, America.
00:37:00.000 He talks about how great America is.
00:37:01.000 Dead silence in the hall.
00:37:04.000 Dead silence in the hall.
00:37:06.000 But big applause for Frances McDormand.
00:37:08.000 Of course, Frances McDormand wins Best Actress for what I thought was actually an overwrought performance in Three Billboards.
00:37:13.000 I liked Three Billboards.
00:37:15.000 I thought the movie was fine.
00:37:15.000 I thought the best thing in it was Woody Harrelson.
00:37:17.000 He's the only one who didn't win an Oscar.
00:37:19.000 Sam Rockwell, the guy who you'll remember from Iron Man 2, won an Oscar, and so did Frances McDormand, the woman you'll remember from Fargo.
00:37:25.000 She won an Oscar, too.
00:37:26.000 She got up at the end and she did a whole women's
00:37:28.000 Women in movies routine, because, you know, if there's somebody who's really been victimized in the movie industry, it's Frances McDormand, who's now winning her second Oscar and has been working continuously for legitimately 25 years.
00:37:37.000 Here's Frances McDormand pushing inclusion riders.
00:37:40.000 She said this at the end of her speech, and nobody knows what she's talking about, but I will explain.
00:37:43.000 Because we all have stories to tell and projects we need financed.
00:37:47.000 Don't talk to us about it at the parties tonight.
00:37:51.000 Invite us into your office in a couple days, or you can come to ours, whichever suits you best, and we'll tell you all about them.
00:37:58.000 I have two words to leave with you tonight, ladies and gentlemen.
00:38:01.000 Inclusion rider.
00:38:05.000 OK, nobody knows what she's talking about.
00:38:06.000 An inclusion rider is a rider in contract that states that there must be parity with the number of women employees or black employees.
00:38:14.000 We have to have an intersectional contract.
00:38:15.000 Listen, she's happy.
00:38:17.000 If Frances McDormand wants to do that, that's fine.
00:38:19.000 That's fine.
00:38:20.000 But Hollywood ain't going to operate on inclusion riders because the reality is that Hollywood still needs to make a profit.
00:38:25.000 The sad truth of Hollywood is that none of the movies that won last night make Hollywood work.
00:38:29.000 Nobody watched the Oscars last night because of three billboards.
00:38:32.000 People watch the Oscars because of Thor Ragnarok.
00:38:34.000 Because that's how people engage with Hollywood.
00:38:35.000 People engage with Hollywood because of Black Panther and Thor Ragnarok and Wonder Woman.
00:38:39.000 And the reason they're not engaging with more serious content is because nobody in Hollywood will make more serious content that is not replete with nasty messages about traditional values or Hollywood's superiority to the rest of mankind.
00:38:51.000 The minute you make a serious Hollywood film that doesn't involve those things, that thing will do blockbuster at the box office.
00:38:57.000 But they won't do any of that.
00:38:58.000 They separate it into stuff that makes money and stuff that we have a message with.
00:39:02.000 And so long as they do that, then all the stuff that they outrun at the Oscars is the stuff nobody will watch.
00:39:06.000 And the stuff that actually makes it work is going to be all the money float stuff through Marvel or DC.
00:39:11.000 That's how all this is going to work.
00:39:12.000 Okay, so.
00:39:13.000 I want to move on from the Oscars and talk a little bit about President Trump's tariffs plan.
00:39:18.000 So, the president has now come out and says that it's time for a change on tariff policy.
00:39:23.000 Here is what he tweeted out.
00:39:24.000 He tweeted out that, quote, So, again, as I explained last week, tariffs are stupid.
00:39:27.000 The steel and aluminum industries are not dead.
00:39:42.000 And the stock market continues to drop because the president doesn't know what he's talking about when it comes to these tariffs.
00:39:48.000 So, the stock market dropped immediately on opening about 100 points.
00:39:52.000 It is now up about 185 points.
00:39:54.000 It'll probably drop again.
00:39:55.000 It's very up and down right now because of the volatility in the stock market.
00:39:58.000 It's unclear what Trump is actually going to do on all of this.
00:40:02.000 It is true that Trump has promised this for a long time.
00:40:03.000 So, Wilbur Ross, the Commerce Secretary who is most famous for falling asleep and drooling during meetings, he came out over the weekend.
00:40:09.000 He said no one should have been shocked by the tariff talk, which of course is true.
00:40:12.000 Almost a year ago, he commissioned the Commerce Department to do the studies on steel and aluminum.
00:40:20.000 They've been through any number of interagency reviews before they were released to the public.
00:40:27.000 So with a whole year of preparation, I don't know why anybody should have been so shocked.
00:40:31.000 OK, so he's right.
00:40:33.000 Nobody should have been shocked about this.
00:40:34.000 The only thing is that we were told that we shouldn't have to really pay attention to stuff that Trump was saying.
00:40:39.000 We should just pay attention to what he was doing.
00:40:41.000 If what he said during the campaign is what he does now, I'm going to be much less happy with his governance than I have been for the last several months.
00:40:47.000 Speaking of which, the media are making a big deal out of President Trump
00:40:51.000 Over the weekend, he did an event and he praised China's president for life.
00:40:54.000 The president basically of China, the dictator of China, because voting ain't a thing over there, is now the president for life.
00:41:00.000 He's basically appointed himself to an endless term.
00:41:03.000 And CNN got hold of audio of Trump talking about this.
00:41:06.000 There's one thing Trump says that's disturbing and one thing the media is blowing wildly out of proportion.
00:41:09.000 Don't forget, China's great.
00:41:11.000 And Xi is a great gentleman.
00:41:14.000 He's now president for life.
00:41:15.000 You may want to give that a shot someday.
00:41:21.000 So we cut out some of the laughter there for time purposes, but the reality is that people are laughing all the way through.
00:41:26.000 When Trump says that he wants to give being president for life a shot one day, he's obviously joking.
00:41:32.000 He's obviously responding to the crowd.
00:41:33.000 That's what the media latched onto.
00:41:34.000 What they should have latched onto is the president talking about how wonderful a human being and how great Xi Jinping is, the president of China.
00:41:42.000 He is a communist dictator who represses his own people and leaves millions of people in suffering.
00:41:47.000 No, he's not.
00:42:07.000 We're good to go.
00:42:24.000 They said some of the most obnoxious things ever.
00:42:25.000 If the goal here is to earn your way into America's hearts so that we pay attention to you on gun rights, this is not the way to do it.
00:42:32.000 Sincerely, I really do, to all of the generations before us, we sincerely accept your apology.
00:42:39.000 And we appreciate that you are willing to let us rebuild the world that you f***ed up.
00:42:45.000 Good luck trying.
00:42:47.000 OK, so that is the most obnoxious thing.
00:42:49.000 So what has that generation done, by the way?
00:42:51.000 Like, kids who are 17, what have millennials done?
00:42:53.000 Like, my generation.
00:42:54.000 I guess they formally label millennials people born between 81 and 96.
00:42:59.000 What have we actually done for the world, like the millennials?
00:43:01.000 The answer is, not a whole hell of a lot.
00:43:03.000 I mean, I think the baby boomers were pretty disastrous, but at least they gave us the civil rights movement and the women's rights movement.
00:43:09.000 What exactly have millennials done for the world?
00:43:12.000 Not much at all.
00:43:16.000 The arrogance of somebody saying that previous generations should apologize to us.
00:43:20.000 Guess what?
00:43:21.000 The world didn't start with you.
00:43:25.000 You live in the freest, most prosperous country in the history of the world, and previous generations have to apologize to you?
00:43:31.000 If you were born 500 years ago, you'd have been born into abject poverty by any global modern standard.
00:43:36.000 But we're supposed to pretend that these kids have been done some sort of essential wrong, not just by an evil shooter, which of course they were, but by an entire society of people who have done wrong to them.
00:43:46.000 All previous generations have not lived up to them.
00:43:49.000 Come on.
00:43:50.000 Come on, guys.
00:43:51.000 It's bad politics, it's bad press, and it's dumb.
00:43:55.000 It's not smart.
00:43:56.000 And again, it just tears America apart for no apparent reason, which I guess we're all now in the business of doing.
00:44:00.000 It's what we do at the Oscars, and it's what we do whenever there's a tragedy of which we all mourn.
00:44:07.000 We all have to tear each other apart.
00:44:08.000 It's just the thing that we're into.
00:44:09.000 OK.
00:44:09.000 Time for some things I like and some things I hate, and then we'll get to a Federalist paper.
00:44:14.000 Things I like.
00:44:15.000 So, something from Hollywood that I actually enjoy.
00:44:17.000 Maybe I have a bunch of people who are on the left, but it's a very enjoyable show.
00:44:20.000 It's a show, The Good Place.
00:44:21.000 If you haven't seen this show, it's very clever.
00:44:23.000 The entire premise of it is basically a woman dies and she goes to what is supposed to be heaven, but it turns out that on earth she was actually kind of a bad person.
00:44:32.000 You, Eleanor Shellstrop, are dead.
00:45:03.000 Cool.
00:45:06.000 30 glasses of wine and no hangover.
00:45:09.000 This place rules!
00:45:11.000 These people might be good, but are they really that much better than me?
00:45:15.000 Did you fill your bra with shrimp?
00:45:19.000 No.
00:45:21.000 Yes.
00:45:23.000 So who's right?
00:45:25.000 Every religion guessed about 5%, except for Doug Forcett.
00:45:29.000 One night he got high on mushrooms and got like 92% correct.
00:45:36.000 This show's really funny.
00:45:36.000 What's funny about the show, actually, is it starts off as this very secular left version of what heaven is, right?
00:45:41.000 Everybody goes to heaven regardless of what they sort of did on earth, as long as they didn't take their shoes and their socks off on an airline flight, then they go to heaven.
00:45:49.000 And then it moves into some more interesting and convoluted moral questions.
00:45:52.000 Like, it's a show that makes
00:45:54.000 It will actually drop references to Plato and Kant in the middle of the show, which is really fun, so check that out.
00:45:58.000 Okay, that's a thing that Hollywood is producing that I like.
00:46:00.000 Hollywood produces a lot of stuff that I like.
00:46:02.000 It's what makes me so upset when they pretend that they are not propagandists for particular viewpoints, particularly in their showcase, the Oscars.
00:46:08.000 Okay.
00:46:09.000 Okay, time for another thing that I like.
00:46:12.000 So, Bill Maher did something great last night, or on Friday night rather.
00:46:15.000 He was talking about the fake news drama, and he says that everybody is focusing on fake news because there is a lot of fake news out there, namely this perpetual outrage machine that seems to be dominating.
00:46:26.000 No wonder fake news resonates so much with Trump fans, because so much of it is fake.
00:46:33.000 Just nonsense made to keep you perpetually offended with an endless stream of controversies that aren't controversial, and outrages that aren't outrageous.
00:46:43.000 Because places like the Huffington Post and BuzzFeed and Salon, they make their money by how many clicks they get.
00:46:49.000 Yes, the people who see themselves as morally superior are actually ignoring their sacred job of informing citizens of what's important, and instead sowing division for their own selfish ends.
00:47:05.000 All power to Bill Maher.
00:47:06.000 All kudos to Bill Maher.
00:47:07.000 That is exactly right.
00:47:08.000 The manufactured outrages of the day are just that.
00:47:11.000 They are stupid.
00:47:12.000 They are outrages that mean nothing.
00:47:14.000 And Maher is exactly right about this.
00:47:15.000 And the left traffic's in them.
00:47:16.000 Okay, time for a quick thing that I hate.
00:47:19.000 So...
00:47:23.000 I could have devoted the entire show to things I hate, actually, if I had so chosen.
00:47:26.000 I could have just called it Oscars I Hate.
00:47:27.000 But instead, I will reserve one clip for Jordan Klepper over on Comedy Central.
00:47:32.000 So, speaking of Hollywood bias, there's not one right-wing or even remotely right-wing comedian on Comedy Central.
00:47:37.000 Like, there's no one of even mildly to the right tendencies.
00:47:40.000 If you are slightly to the right of Karl Marx, you do not belong on Comedy Central.
00:47:43.000 So Jordan Klepper has a new show on Comedy Central, which of course means he should be on CNN speaking about politics, because being a comedian means you should talk about politics, unless you're a comedian on the right, of course.
00:47:51.000 So here is Jordan Klepper on CNN talking about how it is time for America to get serious about guns.
00:47:59.000 I went through the process of what it would take for a good guy with a gun to stop a bad guy with a gun.
00:48:03.000 I talked to people on both sides of the Dickey Amendment and the argument with funding the CDC and quickly realized that in America there is so much more common ground.
00:48:11.000 I think it was really frustrating because that wasn't the narrative that was getting out into the public.
00:48:15.000 I did a special that was focusing on that.
00:48:17.000 Right.
00:48:17.000 As somebody who comes from Michigan, I have a lot of gun folks in my family and my surroundings.
00:48:24.000 Gun folks meaning people that own guns and want to ensure that there isn't gun control.
00:48:28.000 More gun control.
00:48:29.000 Well yeah, I think guns mean something different than what they mean in New York.
00:48:32.000 I would say, where hunting is an issue.
00:48:33.000 Right.
00:48:34.000 And so, for me, I felt like I was so frustrated because I got to talk to people who had guns and people who didn't have guns and saw that there was a different narrative here that wasn't being covered.
00:48:44.000 Okay, so there's Jordan Klepper from Comedy Central talking about how no one takes the gun debate very seriously because the small minority has a loud voice, etc., etc., etc.
00:48:52.000 Again, Comedy Central, not exactly an unbalanced, an unbiased source.
00:48:57.000 Okay, quick description of Federalist 18.
00:48:59.000 Thankfully, it's a federalist paper that is replete with historical retelling, so there's not a lot to say about it.
00:49:08.000 It's by Hamilton and Madison.
00:49:09.000 It's a continuation of why the Articles of Confederation are a failure.
00:49:12.000 In it, Hamilton and Madison give the example of the failure of the Grecian republics to avoid war with one another.
00:49:18.000 They talk about how the Grecian republics were basically constantly at war with one another because the confederate system under which they lived did not have a strong enough central government.
00:49:27.000 And they write, And so the suggestion is a stronger centralized government will prevent the states from
00:49:44.000 We'll be back here tomorrow with much more.
00:49:46.000 I'm Ben Shapiro.
00:49:46.000 This is The Ben Shapiro Show.
00:50:13.000 The Ben Shapiro Show is produced by Mathis Glover.
00:50:15.000 Executive producer, Jeremy Boring.
00:50:17.000 Senior producer, Jonathan Hay.
00:50:18.000 Our technical producer is Austin Stevens.
00:50:20.000 Edited by Alex Zingaro.
00:50:22.000 Audio is mixed by Mike Carmina.
00:50:23.000 Hair and makeup is by Jesua Alvera.
00:50:25.000 The Ben Shapiro Show is a Daily Wire Forward Publishing production.
00:50:28.000 Copyright Forward Publishing 2018.