The Ben Shapiro Show - August 18, 2024


The Reagan Era | Dennis Quaid


Episode Stats

Length

53 minutes

Words per Minute

165.95032

Word Count

8,906

Sentence Count

640

Misogynist Sentences

3

Hate Speech Sentences

6


Summary

This week on The Sunday Special, Dennis Quaid joins us ahead of the premiere of the upcoming biopic, Reagan, coming to theaters nationwide on August 30th. In today s episode, Quaid discusses how he prepared to portray Ronald Reagan, including his visit to the Reagan Ranch, and his observations about Reagan s psyche. He also reflects on the parallels between our current political moment and President Reagan s era, and offers a few predictions about the future of Hollywood. Plus, he shares a few of his favorite all-time films. You don t want to miss this episode! From Hollywood to the Oval Office is a biopic that brings one of our country s greatest presidents back to life on the silver screen. Director Mark Joseph's script is based on Reagan's life and was written by Mark Joseph, who also served as Reagan s Chief of Staff from 1981-1993. Quaid is a two-time Golden Globe nominated actor, musician, musician and self-proclaimed golf addict. He s known for his roles in Breaking Away, The Right Stuff, The Little Easy, Big Easy, and The Parent Trap, and has recently moved to Nashville, Tennessee, where he founded his own production company, Bonnydale Films, a production company. He is also the co-creator of the hit TV show, The Big Easy. He is a regular contributor to the New York Times Magazine, and hosts his own radio show on SiriusXM's Morning Drive, The Morning Drive. and hosts the morning radio show, The Real Reel, which he hosts a podcast, The Reel Guys. with his good friend and former co-host, John Rocha, who is also hosts a new podcast called The Real Talk on the Real Talk, and is a podcast with his new book, Real Talk Radio. John and Ben sit down with him to talk about his new movie, Reagan, which is out in theaters nationwide. The Reagan Biopic, coming in theaters in theaters on August 29th. coming on HBO, September 29th, September 9/30th, and 9/31st, and September 9th, 2020, coming in September, and coming out in October 9/9/19th, coming out on the 27th, 2019, and so you can catch up with him in the coming weeks! Thank you for tuning in! Ben and Ben! -Ben and Ben -


Transcript

00:00:00.000 Republicans and Democrats need each other.
00:00:03.000 That's what we're... That's what we don't admit.
00:00:06.000 Because we keep each other from going too far one way or the other.
00:00:12.000 You know, the fringe is taking over.
00:00:15.000 I myself, I'm an independent.
00:00:17.000 I mean, I've voted both ways all my life.
00:00:20.000 So I'm not a registered Republican.
00:00:23.000 But once the judicial system was used, This week on the Sunday Special, Dennis Quaid joins us ahead of the premiere of the upcoming biopic, Reagan, coming to theaters nationwide Friday, August 30th.
00:00:39.000 for us.
00:00:40.000 This week on the Sunday Special, Dennis Quaid joins us ahead of the premiere of the upcoming
00:00:44.000 biopic, Reagan, coming to theaters nationwide Friday, August 30th.
00:00:48.000 Quaid is quite the renaissance man.
00:00:49.000 He's a two-time Golden Globe nominated actor, musician, self-proclaimed golf addict, and
00:00:54.000 After over 40 years in Hollywood, Quaid recently moved to Nashville, where he founded his own production company, Bonnydale Films.
00:01:00.000 Quaid is known for his roles in Breaking Away, The Right Stuff, Big Easy, and The Parent Trap, but his career has spanned nearly every genre of film.
00:01:06.000 From dramas to thrillers, rom-coms, and action roles.
00:01:08.000 In today's episode, Quaid discusses how he prepared to portray Ronald Reagan, including his visit to the Reagan Ranch, and his observations about Reagan's psyche.
00:01:15.000 Quaid also reflects on the parallels between our current political moment and President Reagan's era, offers a few predictions about the future of Hollywood, and shares a few of his favorite all-time films.
00:01:24.000 You don't want to miss Dennis Quaid in Reagan, coming out in theaters nationwide August 30th.
00:01:28.000 From Hollywood to the Oval Office, Quaid brings one of our country's greatest presidents back to life on the silver screen.
00:01:32.000 Welcome back to another episode of the Sunday Special.
00:01:35.000 And it's quite the Thank you so much for stopping by.
00:01:44.000 Thank you, Ben.
00:01:45.000 Thanks for having me.
00:01:46.000 Absolutely.
00:01:46.000 So let's let's jump right into it about the film.
00:01:48.000 So obviously, it's the first biopic of Reagan, which is in and of itself totally insane.
00:01:52.000 He's one of the most historic presidents in American history.
00:01:55.000 He left office when I was four years old.
00:01:57.000 I'm now 40.
00:01:57.000 So why don't we start with what do you think took so long?
00:02:01.000 Why didn't Hollywood do this earlier?
00:02:02.000 He was a Hollywood guy.
00:02:03.000 You would imagine pretty good Hollywood story.
00:02:05.000 What took Hollywood so long to make this film?
00:02:08.000 Yeah, no kidding.
00:02:10.000 That's a really good question, and I don't know if I can really answer it, but I do know that this script, Mark Joseph, who is the producer who really championed this thing, he's had this script since 2008.
00:02:23.000 I think that's when it began.
00:02:26.000 And then it was a question of financing and everything.
00:02:29.000 And I don't think the studios really wanted to make it.
00:02:33.000 There wasn't much interest around for it.
00:02:39.000 So he basically independent financing, which I'm really glad that we had, to tell you the truth, because we had control over the story.
00:02:47.000 And I was first asked to do it in, it was 2017 that Mark came to me.
00:02:54.000 It took me a while to say yes, to tell you the truth, because Reagan was my favorite president.
00:02:59.000 I mean, I lived through all this.
00:03:02.000 I voted for Jimmy Carter in 76.
00:03:03.000 That was my first time I could vote.
00:03:05.000 But then I voted for Reagan in 80, and I went back home there in California.
00:03:10.000 My roommate said, who'd you vote for?
00:03:13.000 I said, Reagan.
00:03:13.000 He said, you're kicked out of the hippies.
00:03:16.000 So I turned in my card, and that was it.
00:03:20.000 So, you get the script, and you're thinking about it.
00:03:22.000 What were sort of the considerations as to why you at first didn't want to do it?
00:03:26.000 Obviously, you said your favorite president, but were there career considerations also, given the fact that Hollywood is pretty famously not super receptive to warmth toward even mildly right of center ideas?
00:03:38.000 Well, as far as all the politics of it.
00:03:43.000 No, that didn't really come into my thinking about it.
00:03:47.000 A shiver of fear went up my spine when they asked me to do it, because Reagan's like Muhammad Ali.
00:03:55.000 Everybody in the world knows what he looks like, walks like, talks like.
00:04:00.000 Everybody's got a story.
00:04:02.000 They all have an opinion.
00:04:03.000 I mean, negative or positive about him, but at the same time, he looms large.
00:04:10.000 In anybody's life that's over like 45, you know, 50 years old.
00:04:16.000 And so that, I didn't want to do an impersonation.
00:04:22.000 I guess I was a little afraid of being judged.
00:04:25.000 I didn't really think I really looked like him or could get there.
00:04:28.000 And so it took me a while, but mainly it was about Putting all the exterior stuff aside, for me, acting is about what makes people tick.
00:04:42.000 And you have the public persona, but you have to be able to get behind that as an actor in order to...
00:04:50.000 Uh, make someone come alive and not just be an impression.
00:04:53.000 So, uh, let's talk about that.
00:04:54.000 That took a while.
00:04:55.000 So I didn't say yes and I didn't say no.
00:04:57.000 So how do you get into Ronald Reagan's head?
00:04:59.000 Obviously, you have writings by Ronald Reagan, you have biographies of Ronald Reagan.
00:05:03.000 Right.
00:05:03.000 How do you go about doing the research into playing a real life, gigantic figure like that?
00:05:08.000 Well, before I said yes, I read a couple of biographies about him.
00:05:13.000 Besides having lived through all of, everything he lived through, you know?
00:05:19.000 But then I went, I got invited to the Reagan ranch, which was the Western White House back then.
00:05:25.000 It's, uh, Reagan bought it after he was governor of California.
00:05:30.000 And, uh, it's not open to the public.
00:05:33.000 A group of friends bought it after his death and, um, kept it exactly as it was when he and Nancy were there.
00:05:42.000 I mean, their clothes are in the closet still.
00:05:46.000 Expect him to come back, you know, anytime.
00:05:49.000 But I went up the worst road in California, five miles of it to the top of that mountain, and came out through the gate.
00:05:59.000 And that's when I made up my mind, basically, because I felt like I got him.
00:06:05.000 I could feel him there at that place.
00:06:08.000 And it was very obvious that Reagan was actually a very humble man.
00:06:15.000 He really did do all the work around there.
00:06:17.000 You can feel that.
00:06:18.000 And the house itself, the Western White House from back then, it's maybe 1,100 square feet.
00:06:26.000 And, you know, very modest.
00:06:29.000 The bed was a king-size bed, but it was two single beds that were zip-tied together.
00:06:33.000 You know, it was, you could just feel both of them, he and Nancy, in that place.
00:06:41.000 And that's, that's, Where I made up my mind to do it.
00:06:46.000 it. One of the things that's fascinating when you read biographies of Reagan is that pretty
00:06:49.000 much everybody who knew him, maybe except for Nancy, talks about him having this sort
00:06:53.000 of inner reserve, how he would be in the room with you and obviously he would interact with
00:06:58.000 you, but there was a part of him that he sort of kept behind a wall. What do you think that
00:07:03.000 was? That's the thing between the impersonation and getting to the person, about what makes
00:07:11.000 them tick.
00:07:13.000 I've played several real people in my life, and I feel like I have a responsibility to those people, whether it be Doc Holliday, who's not even alive anymore, or Jimmy Morris in The Rookie, to do it from their point of view.
00:07:30.000 You know, because that's the way we live our lives from our point of view.
00:07:33.000 And there was that thing of Reagan, I heard from everyone that knew him, that there's this impenetrable space that he always had.
00:07:46.000 You know, this is the great communicator.
00:07:48.000 You're quite jovial of a person.
00:07:54.000 But there was this place that you couldn't get past as well, a very private place.
00:08:01.000 And I think that was always there with him from childhood, really.
00:08:08.000 And I think it had something to do with people, you know, a lot of people coming at him, you know, being so public.
00:08:20.000 He had to have that even in a crowd to be able to have his privacy, in a sense.
00:08:28.000 And I think that also was kind of a place where he, you know, that was really where he would go in prayer or meditation or whatever you want to call it, but, you know, that place was reserved.
00:08:45.000 And I think He really needed something like, a place like that because, you know, the world was, you know, always coming to his door.
00:09:00.000 And that goes all the way back to his childhood.
00:09:01.000 I mean, obviously, he had an incredibly rough childhood.
00:09:03.000 His father was not around when he was, wasn't good.
00:09:09.000 He grew up not wealthy at all.
00:09:12.000 He's a true American legend in terms of his success story and in terms of the trajectory, but you carry that with you, I'd imagine, that sort of damage you carry with you your whole life.
00:09:20.000 Right.
00:09:20.000 I mean, having an alcoholic father like that, you know, that you're having to take care of, he dragged him Dragged him, he was passed out on the porch a couple of times, had to drag him inside.
00:09:31.000 That kind of puts a protective coat on you, I think, as a child, because you feel, in a way, responsible for the parents, in a sense.
00:09:48.000 And his mother certainly had a big effect on him.
00:09:52.000 His mother, like my mom, really, was the rock in his life.
00:09:58.000 In some ways I could really relate with Reagan, because my dad was an alcoholic.
00:10:04.000 You know, there's certain degrees of it that are around, but he was an alcoholic, and my mom was kind of that rock for me as well.
00:10:16.000 So, as you say, you don't want to do an impersonation, but you're saying some of the most iconic lines in the history of American politics and American life.
00:10:24.000 So, how do you do that balance?
00:10:26.000 How do you be Reagan without being a Saturday Night Live performer who's just doing a weak version of the Reagan act, kind of?
00:10:35.000 Right.
00:10:36.000 Yeah, that was the fear that Saturday Night Fear comes up.
00:10:41.000 But like I said, that had to get down to playing the emotions of the scenes and what they were, and really getting down to the person.
00:10:51.000 That's the person that has insecurities like all of us have.
00:10:56.000 Degrees of self-esteem and the way to find a way into that like I'm an actor myself and Reagan as an actor.
00:11:05.000 I don't think he ever got to the place that he wanted to be as an actor thinking kind of felt not a failure, but he just never really got there, you know, whether it's because Jack Warner.
00:11:19.000 Uh, never gave him the parts, but, you know, John Wayne really had his slot.
00:11:24.000 So he was kind of relegated to B-movies.
00:11:27.000 And he was also married to Jane Wyman.
00:11:30.000 When his career was really going down at the end, hers was, you know, sky-high.
00:11:34.000 She won an Academy Award, you know.
00:11:37.000 And, um...
00:11:39.000 You know, say what you want, but I think, you know, that kind of does something to your own sense of self, self-esteem, or whatever.
00:11:47.000 I related it in my life.
00:11:49.000 I was married to Meg Ryan, you know?
00:11:52.000 And, you know, my career was kind of going like that, and hers was, you know, going like that.
00:11:57.000 And you wanted to say, well, I'm above all that and stuff.
00:11:59.000 But you're a human being, you know?
00:12:02.000 You question yourself.
00:12:04.000 And, but, Also out of that, his career going down, he became vice president and then president of the Screen Actors Guild, which is a job you don't really aspire to when you're starting out as an actor.
00:12:21.000 But it's amazing how God works.
00:12:26.000 I think that's where Reagan found his purpose.
00:12:29.000 And, you know, he becomes president of the Screen Actors Guild.
00:12:31.000 He's fighting the communists from within while protecting the actors who may be ideologically diverse inside the Screen Actors Guild, which is not an easy balance.
00:12:39.000 No, it's not.
00:12:39.000 In fact, a little tidbit, you know, we have great health insurance actors in the Screen Actors Guild.
00:12:45.000 I mean, like the best.
00:12:47.000 It was Reagan who got us that.
00:12:48.000 Fought for it for nine years, and he got it.
00:12:51.000 And he did fight communists.
00:12:54.000 You know, it was kind of like People took that as a wives' tale or something, a communist infiltrating, you know, the unions and everything.
00:13:04.000 But, you know, when the Soviet Union fell, you know, all those papers came flooding out.
00:13:09.000 Lo and behold, they actually were trying to take over the unions in Hollywood.
00:13:15.000 And Reagan takes charge of that.
00:13:16.000 And then, of course, he runs for governor of California.
00:13:20.000 But before he does that, he goes on this GE tour where he's going all over the United States and he's talking about politics.
00:13:27.000 Frequently, like every week, doing these speeches, and really getting himself familiar with the material.
00:13:32.000 I think one of the great rips that his critics have is they pretend that he was an idiot, or that he was uneducated, or he didn't know anything about politics, that he was a dilettante.
00:13:39.000 He read widely and broadly.
00:13:41.000 He educated himself.
00:13:43.000 He really did.
00:13:44.000 He really did.
00:13:45.000 GE, that's a great point.
00:13:50.000 This is not something he had to do, but he took it upon himself to go around to every factory, every GE factory, and go out on the floor and talk to all the workers, you know, on their lunch breaks or, you know, coming or leaving at the end of the day, and talk to them.
00:14:08.000 And that was the beginnings of his political base, was right there.
00:14:12.000 He also got out into the country.
00:14:15.000 And really found out what was on their minds, what were the issues, you know, in their lives.
00:14:21.000 And that, I think, just about more than anything else, had a lot to do with him becoming president.
00:14:29.000 I know my dad was one of those people, in fact.
00:14:31.000 You know, my dad was an electrician.
00:14:34.000 And I remember we were going to Galveston.
00:14:38.000 It was like 1964.
00:14:40.000 And the speech was on the radio.
00:14:45.000 It was during an election year.
00:14:48.000 He was out for Goldwater, I think.
00:14:50.000 And it's a very famous speech.
00:14:53.000 My dad was pounding the dashboard and, you know, Go Ronnie and stuff like that.
00:14:59.000 And that was my first inklings of him as a is a political figure.
00:15:06.000 Before, he was just a guy on TV who sold Baraxos soap.
00:15:11.000 What's fascinating about Reagan is that he really is a combination of all of these different, really diverse factors.
00:15:16.000 He's somebody who spends time in Hollywood, which of course is a very left-wing place politically, so he knows how to talk to people on that side.
00:15:22.000 And he was a Democrat back then, by the way.
00:15:23.000 He was.
00:15:24.000 He was.
00:15:24.000 And then he shifts to the right, but still knows how to speak that language.
00:15:28.000 He's somebody who becomes very hard on communism, but at the same time is almost Innocent about the nature of human beings and how human beings can operate.
00:15:38.000 And very famously during his presidency, he wrote, probably his worst speech actually during his presidency, there's a part where he writes about how maybe one day a child from the Soviet Union and a child from America will get together and they'll play in the park.
00:15:51.000 And it's this very sort of innocent take.
00:15:53.000 And a lot of his foreign policy team was like, this is, you shouldn't be saying.
00:15:58.000 Oh, that was the couple who met the very nice couple who happened to be Soviets and we got
00:16:02.000 together and it was, yeah.
00:16:03.000 Exactly.
00:16:04.000 It's a very, it's a very nice statement.
00:16:05.000 Yeah, that one.
00:16:06.000 He's this very strange combination of somebody who's incredibly hard-nosed in the use of
00:16:09.000 American power and the threat of use of American power.
00:16:11.000 I mean, he builds up the military.
00:16:13.000 He walks away at Reykjavik.
00:16:14.000 He, he, he says no to the Soviets, but at the same time, he holds out the prospect that
00:16:18.000 nobody had ever said no to the Soviets.
00:16:21.000 Right.
00:16:22.000 Right.
00:16:23.000 Yeah.
00:16:24.000 And so that, that's, that's what makes him such a sort of mystery and a fascinating character
00:16:27.000 is all these internal contradictions.
00:16:28.000 Right.
00:16:29.000 And, you know, I think when he was elected president, he was, you know, called a warmonger.
00:16:34.000 He was definitely going to get us into a nuclear conflict with the Soviet Union.
00:16:40.000 You know, there was.
00:16:43.000 But it took a it took a cold warrior like that to win the Cold War.
00:16:49.000 You know, before that, we'd We'd had Carter, who was, you know, this is not against Carter, but he was what he did in the Middle East with, you know, peace with Egypt and Israel.
00:16:59.000 I mean, that was quite an accomplishment and everything.
00:17:03.000 But with the Soviets, you know, we had given away the B-1 bomber.
00:17:08.000 We had appeased them.
00:17:12.000 America is sort of like that speech that Reagan, you were talking about Reagan, that innocence that we just want to be friends with everybody.
00:17:19.000 That's a natural thing for us to do.
00:17:22.000 We don't see why it couldn't be that way and appeal with reason.
00:17:29.000 You know, the people in the Soviet Union and Iran, you go through it, most of the world didn't grow up like we did.
00:17:38.000 It's a very brutal world out there, and a very brutal reality.
00:17:47.000 When America is like that, I think they sort of laugh at us a little bit, or they take advantage of it, for sure, because they see it as weakness.
00:17:59.000 So when you look at Reagan, obviously you've identified as a political independent for a long time in Hollywood.
00:18:06.000 This election, you said that you plan on supporting President Trump in the election.
00:18:10.000 What are the sort of similarities that you see between President Trump Well, I think it's more the circumstances of the world right now.
00:18:23.000 I mean, if you go back to 1980, 1979, we had the hostages, which nobody talks about.
00:18:29.000 We have hostages right now in the Middle East.
00:18:32.000 I don't know why nobody talks about them.
00:18:36.000 But that, you know, the economy was...
00:18:39.000 Was in a bad place at the time with gas, oil, you know, being a big thing.
00:18:46.000 Inflation was high.
00:18:47.000 And a lot of the very same circumstances, I think.
00:18:52.000 In fact, Carter had even made his famous malaise speech that, you know, America was in.
00:18:58.000 And, you know, Reagan came along and said, no, we're not a nation in decline.
00:19:08.000 We are going up.
00:19:10.000 We're in a shiny city on a hill, and we're going to get back to that.
00:19:16.000 And people believed in me, inspired people.
00:19:20.000 And that's why I won the presidency, I think.
00:19:25.000 One of the things that's amazing about Reagan is that you look at his first term, and he has a rough first couple of years.
00:19:30.000 In the economy, obviously, he's trying to quash inflation, and that means that he has to radically increase the interest rates using sort of Volcker's plans.
00:19:36.000 And by 1982, you know, his popularity is waning a little bit, and then he sort of kind of roars back in 83, 84.
00:19:43.000 He wins this enormous victory in 1984.
00:19:46.000 And you look at the way that America is now, And one of the things that you wonder is, no matter how successful any president is, is there a possibility of anything like that sort of American unity again?
00:19:55.000 And it feels like sort of not.
00:19:58.000 And maybe that can just be chalked up to the fact that it used to be that Ronald Reagan and Tip O'Neill would battle it out, and then they actually kind of liked each other and would have conversations.
00:20:06.000 Yeah, they would get together, like, after five o'clock.
00:20:10.000 That's what they said.
00:20:10.000 We're going to be enemies until after, like, five o'clock.
00:20:13.000 And there were just a couple of Irishmen having a beer.
00:20:17.000 Tip O'Dea would be at the White House.
00:20:20.000 At least they had a conversation with each other, back and forth.
00:20:27.000 Also, Reagan was elected in 1980.
00:20:30.000 The Iran hostages were freed like 20 minutes after he took office, because Iran knew that he wasn't going to take anything from them.
00:20:42.000 But it was also, especially in the economy, you know, interest rates were 20% at one time.
00:20:49.000 I remember that because I was trying to buy a house.
00:20:52.000 And I think he really won on, um, are you better off than you were four years ago?
00:21:00.000 And you know, that was, uh, That question is very similar to what it is now.
00:21:08.000 And it took a couple of years for, I think, changes to happen.
00:21:16.000 You see progress in something.
00:21:18.000 It's not going to change overnight as far as, you know, inflation and the economic policy that was put into effect.
00:21:27.000 And then I think he had an extended honeymoon period because of the assassination attempt, which we've just done as well.
00:21:40.000 But once things got going, I think you saw a lot of like Activists from the 60s who had grown up and were now on Wall Street, you know, they, uh, I guess the Reagan Democrats, you could call them, the, that, uh, you know, things started to change.
00:22:00.000 We'll get to more on this in a moment.
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00:23:03.000 Have you felt a lot of blowback from, sort of, your social circle?
00:23:06.000 I know that you don't live in Hollywood anymore, but, you know, coming out and saying that you're planning on voting for President Trump is not necessarily the most popular sentiment in Hollywood, for sure.
00:23:14.000 Well, I have my friends, you know.
00:23:16.000 I have my friends and, you know, our relationship is quite solid with that.
00:23:21.000 And, I don't know, there's got to be a conversation, you know.
00:23:25.000 A lot of actors have been told, like, you know, shut up in Hollywood.
00:23:30.000 Just don't say anything because, you know, it's going to affect you.
00:23:34.000 You're getting a job or this and why is it okay for, you know, say Michael Douglas to go on, you know, talk shows and talk about Biden and, you know, and yet you can't be, you can't be for Trump.
00:23:53.000 That's not a way America works.
00:23:55.000 We've got to have a conversation about this.
00:23:58.000 It used to be even back in Reagan's day, you would have, Liberal Republicans, you had conservative Democrats, so the lines weren't so blurred as they, today it's just black and white.
00:24:13.000 And we've got to get, more than anything, we've got to get back to being able to interact with each other.
00:24:23.000 Republicans and Democrats need each other.
00:24:26.000 That's what we don't admit.
00:24:29.000 Because we keep each other from going too far one way or the other.
00:24:36.000 You know, the fringe is taking over.
00:24:39.000 I myself, I'm an independent.
00:24:40.000 I mean, I've voted both ways all my life.
00:24:43.000 So I'm not a registered Republican.
00:24:46.000 But what I saw with, I wasn't going to vote for Trump either
00:24:51.000 because I thought things needed to really settle down in this country.
00:24:56.000 And there were a lot of other candidates that I thought would be good.
00:25:02.000 But once the judicial system was used on him, on him. Yeah, that's...
00:25:11.000 To me, that was messing with our Constitution, and that's not America.
00:25:16.000 And that's what got me back the other way, that I'm definitely voting for him, because I believe in America, and I believe in the Constitution.
00:25:26.000 So, one of the things that you mentioned very early on here is that this film was independently funded, that it didn't come through the Hollywood studio system.
00:25:34.000 Do you think that that's going to be the future of where Hollywood goes?
00:25:37.000 That you're going to see a lot more independently funded films, whether it is through people like Mark, whether it is through Angel Studios, or through all of the, through your production house, that sort of the studio system has been essentially broken because the theater model has largely been broken, and somehow so has the streaming model.
00:25:54.000 Yeah, by COVID, and even before COVID, they were having trouble with that.
00:25:58.000 When I first came to L.A., back in those days, each studio, say five, would be producing at least 40 movies a year.
00:26:11.000 That's a lot of movies.
00:26:12.000 That's like 200 studio movies that are coming out, and they would be at all places on the spectrum.
00:26:20.000 Of genres.
00:26:22.000 And today, I think, you know, that might be eight, maybe.
00:26:28.000 And those have all got to be big tent poles, because the only way to make money for them is to spend $200 million, you know?
00:26:37.000 And so that's really changed.
00:26:40.000 But more than that, I think that Hollywood has sort of lost its Relevancy with an audience, to a certain extent.
00:26:51.000 Very similar to what was going on in the late 60s, that they kind of lost track of their audience and who they were.
00:27:02.000 It took a film like Bonnie and Clyde, That French New Wave thing that set off a whole new thing in the 70s, you know, to a new golden age.
00:27:14.000 But it was a different kind of filmmaking that hit the audience and actually hit a nerve to what was going on underneath the surface in the country.
00:27:23.000 You know, you started having anti-heroes and the rebel hero came back and all that.
00:27:31.000 We're in a very similar place now that I think Hollywood has lost contact with its audience.
00:27:39.000 But now that void can be filled from anywhere because you can finance a movie from different places and there's different centers going on now.
00:27:52.000 What Taylor Sheridan is doing in In Texas, and what's going on in Georgia, there's a whole, if I was a young actor today
00:28:07.000 I wouldn't go to L.A.
00:28:09.000 I would go to Atlanta, because they're casting the smaller roles there.
00:28:13.000 They're not going to fly people from L.A.
00:28:16.000 And that's where I'd start.
00:28:19.000 But that's the start of an industry there, because people are going to wind up living there and moving there, and they're doing quite well.
00:28:28.000 On a sort of narrative level, it's sort of fascinating, just the history of Hollywood, how it went from heroes to anti-heroes in the 70s, and then it was kind of stuck in anti-hero land until now.
00:28:38.000 I mean, you have superheroes, but those are the only kind of heroes that you can depict on screen.
00:28:41.000 That's one of the things that makes Reagan different, is that Reagan's an actual heroic figure that can be put on screen.
00:28:46.000 And that feels almost like a throwback, just because you have a biopic where the person isn't being treated like crap.
00:28:52.000 Where the person isn't being treated as some sort of evil person under the sun.
00:28:56.000 With the rise of the boops!
00:28:57.000 Right, exactly.
00:28:58.000 Or it's J. Edgar Hoover, and secretly it's about how he cross-dresses, and the real sultry stuff is the stuff.
00:29:04.000 It's a different sort of throwback feel to biopics of, say, the 30s, 40s, and 50s.
00:29:10.000 Yeah, very much so.
00:29:11.000 It reflects Reagan.
00:29:12.000 It reflects the eras in which, you know, he lived and thrived.
00:29:17.000 Well, for instance, the love story of he and Nancy is very central to the movie.
00:29:24.000 Reagan probably wouldn't have been president if it wasn't for Nancy.
00:29:27.000 It was just the strength of their relationship, which is very rare.
00:29:33.000 So there are a lot of amazing scenes in the film.
00:29:35.000 Which one of them was sort of your favorite when you think of the most interesting and fun to film?
00:29:40.000 Which one comes to mind?
00:29:45.000 The debate between he and Mondale, which I thought was just, it was a piece of theater to begin with.
00:29:54.000 You know, they'd already had, he and Mondale had the first debate where Reagan had been, you know, kind of loose on the facts and whatever.
00:30:06.000 He just didn't perform well in the first debate.
00:30:10.000 So they were talking about he was too old and this and that.
00:30:15.000 I think he was, what, 74 at the time or something?
00:30:17.000 And so the second debate, he did the famous, you know, he was asked the question.
00:30:24.000 It was a great setup.
00:30:25.000 And he said, I will not, for political purposes, take advantage of my opponent's youth and inexperience, which was fantastic.
00:30:35.000 And even Mondale laughs, OK?
00:30:37.000 He knows he's lost the election with that.
00:30:40.000 But Reagan did something even better is that he said that and then he, I call it the Jack Benny, he reached over and took his water and took a sip of it just to like... Let it breathe.
00:30:50.000 You let it breathe.
00:30:51.000 And it was beautiful.
00:30:54.000 So, you know, let's talk about sort of your journey, both in terms of life and in terms of acting, because, you know, on a personal level, I first saw you in film with Breaking Away.
00:31:06.000 So I grew up on what would now be considered older movies.
00:31:10.000 My parents and I would go over to Eddie Brand's Saturday Matinee, which was like the big kind of video rental place in North Hollywood, and we picked up all these movies.
00:31:17.000 So you started VHS.
00:31:19.000 Of course.
00:31:20.000 Or beta.
00:31:20.000 No, no, no.
00:31:21.000 VHS.
00:31:22.000 I'm not of the beta generation.
00:31:23.000 But yes, VHS.
00:31:25.000 And wore out the tape on Breaking Away.
00:31:27.000 So how did you actually break into the industry?
00:31:28.000 What got you interested in acting in the first place?
00:31:30.000 Well, my dad was a frustrated actor of things.
00:31:34.000 And my brother got into it first.
00:31:39.000 And, you know, he did the last detail.
00:31:41.000 We were both... I was in high school drama and stuff like that.
00:31:45.000 He did the last detail.
00:31:48.000 And it kind of made me go, wow, you can actually do that, you know?
00:31:53.000 You could actually go there and get a job doing that.
00:31:56.000 And I really fell in love with acting in college.
00:32:00.000 There was a particular teacher that was also my brother's teacher, Cecil Pickett was his name.
00:32:05.000 And he taught, the great thing about him, it was exactly what I said, you know, it was about what makes people tick, you know?
00:32:14.000 And what's on the outside, the way they walk, the way they, Talk, mannerisms, what causes that?
00:32:22.000 What's the psychological reason that they do that that leads you to the inside of somebody and
00:32:26.000 So I went out there when I was 2021 almost and
00:32:34.000 You know sit my picture around every agent got rejected. So I I just started calling up casting directors
00:32:40.000 There'd be this thing in the back of the Hollywood Reporter, Films in the Future, and it would list the producer and the director and stuff, and the casting director.
00:32:48.000 So I just started calling them up, and I got turned down.
00:32:52.000 eight of ten times, but two of them would see me, then went in to see them, and then I'd stare at my shoes
00:32:58.000 for the first couple of interviews until I got used to talking.
00:33:02.000 And then one of them got me an agent, and then I got a job a couple of months after that.
00:33:09.000 But Breaking Away was really the first movie that made things a lot easier for me,
00:33:17.000 and that really, I think, connected with audiences.
00:33:21.000 I really love that movie.
00:33:22.000 It was such a great experience to do it.
00:33:24.000 Peter Yates is written by, you know, a first generation Czech and directed by an Englishman.
00:33:32.000 And I think that's what gave the movie its charm because it was, you know, they saw America Better than we did, I think, in that middle part of America.
00:33:45.000 And it really had a charm to it.
00:33:48.000 And it still holds up.
00:33:51.000 I saw it about four months ago.
00:33:52.000 It really still holds up.
00:33:53.000 Oh, it's great.
00:33:54.000 I mean, the script is terrific.
00:33:55.000 You're great in it, but everybody's great in it.
00:33:57.000 I mean, really, all the way top to bottom.
00:33:59.000 And it is such a pro-America film.
00:34:01.000 It really is a pro-America film.
00:34:02.000 It really is.
00:34:02.000 Peter Yates, who directed it, he directed Bullet.
00:34:06.000 Right.
00:34:08.000 He taught all four of us guys film acting, you know.
00:34:12.000 He was very fatherly and mentorish with us, and I mean, all throughout.
00:34:17.000 And I remember the night of the opening, you know, of it.
00:34:24.000 It was kind of like the first film of the 80s, too, I think, in a way of, you know, youth.
00:34:29.000 Going to the theater, and there was a line around the block, and You know, audiences smell movies, or they used to, because that was back in the day.
00:34:39.000 We didn't have any social media.
00:34:40.000 Just be an advertisement in the newspaper.
00:34:43.000 There was, you know, no television ads or anything like that.
00:34:46.000 I don't know how that happened, but it was kind of magic the way it used to happen, how an audience could smell a good movie.
00:34:56.000 We'll get to more on that in a moment.
00:34:57.000 First, my days are incredibly full.
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00:35:55.000 So, you know, you started off doing acting in college, and you mentioned there the difference between stage acting and film acting.
00:36:03.000 I have unfortunately, for the audience, cameoed in a couple of movies that we've made, and I'm a terrible actor.
00:36:08.000 Oh, really?
00:36:08.000 Absolutely.
00:36:09.000 I've got to see this.
00:36:10.000 You should not.
00:36:11.000 For your own sake, and for mine, please do not.
00:36:13.000 I mean, you can watch the movies, but you should fast forward the scenes that I'm in.
00:36:16.000 And the question that I have after acting, after my vast and extensive acting experience, which of course is similar to your own, what do you...
00:36:26.000 How do you bring it every take?
00:36:27.000 I mean, like, that's a hard thing to do.
00:36:28.000 And how do you maintain a character across an entire span, like in Regan, you're spanning decades.
00:36:34.000 How do you extend that?
00:36:35.000 Especially because, you know, for those who have never had the experience of being in a film or watching a film get made, it's all filmed out of sequence.
00:36:42.000 It's not as though you're filming it chronologically through time.
00:36:45.000 How do you maintain a character through that when you have to be at point C in a character development in this scene, and then the next day you have to be at point A in that same character's development?
00:36:54.000 In the afternoon.
00:36:56.000 Well, I mean, for one thing, you have the luxury of take two, which we don't have here.
00:36:59.000 Or do we?
00:37:03.000 But it's, I don't know, the first time the camera came in on me, I remember in the first film, it was just quite intimidating.
00:37:11.000 But it's about just really learning to just be.
00:37:17.000 be in the scene. You know, I do all of the research I can and character development with
00:37:23.000 Reagan. I had a couple of wound up having a couple of years really before we even started filming,
00:37:29.000 which was great. But the like the voice, you know, in the early part of his life,
00:37:34.000 like you see him at the in Hollywood at the House of Un-American Activities. You know,
00:37:40.000 his voice is way up there and it's very, very talks a lot faster. And it's, you know,
00:37:45.000 I believe our system can take it, you know, that that that's a long way from, you know,
00:37:50.000 getting to the later years where he speaks a little slower, but it was her.
00:37:58.000 So it's just all those nuances and, you know, little things like he had a crooked smile, which had something to do with maybe, you know, nerve damage from childhood or whatever, or, you know, the psychology to it.
00:38:14.000 He kind of, either knowingly, it may have been unknowingly, because they taught you how to walk in Hollywood, you know, when you became an actor in the studio system then, you had to have a certain walk.
00:38:27.000 And his was very similar to John Wayne in a way.
00:38:31.000 And so, little things like that, you know, that all add up.
00:38:39.000 And then you just have to, in the end, just trust it and just go dive in.
00:38:46.000 So in terms of acting methodologies, obviously we talked about method acting.
00:38:52.000 My favorite sort of method acting story is the old story from Marathon Man where Olivier is with Hoffman and Hoffman Yeah.
00:39:00.000 Is acting like his character for the entire time.
00:39:03.000 Improvising, yeah.
00:39:03.000 Well, coming out of character, he just is living in the character.
00:39:06.000 Yeah.
00:39:06.000 And then Olivia looks at him and says, it's called acting, young man.
00:39:09.000 Yeah.
00:39:09.000 It's like too much work.
00:39:12.000 So how do you address a part?
00:39:14.000 I mean, obviously, there are people like Daniel Day-Lewis who live in the forest with a bow and arrow for three months to prepare for The Last of the Mohicans or whatever.
00:39:20.000 Does he still?
00:39:21.000 He might.
00:39:22.000 I don't know.
00:39:23.000 Yeah, I know he doesn't want to work.
00:39:25.000 He says he doesn't want to work, but anymore, you know, it really kind of comes down to that's kind of like, I guess, when you get asked these questions and stuff like that, you kind of give responses like that and try to put it into a method or a way of work.
00:39:38.000 But I find that Most people I work with, and myself too, it's just, you come to work, and you've been hired because they think you're right for the part.
00:39:51.000 And you do your work to do it, and then you just do it.
00:39:56.000 I guess I used to think a lot about, when I was younger, I used to angst about Technique and this and that and the other, but I think it's part of just like learning it, then forgetting it, and then you just go do it.
00:40:09.000 Like you do your show every day, you know what I mean?
00:40:11.000 Sure, you do your show differently than when you first started doing your show, when you got out of the business, right?
00:40:17.000 You don't angst about as much stuff as you used to, because it's become very natural to you.
00:40:28.000 It's a really great job to have.
00:40:31.000 It's great work if you can get it, being an actor, because it beats working for a living.
00:40:36.000 So you entered Hollywood, as you say, really, really young.
00:40:40.000 I mean, 20 years old, and you're already starting to get movies, and you're breaking away.
00:40:44.000 And then, I mean, you talk openly about this, you get sucked into sort of the celebrity culture.
00:40:51.000 Back in the 70s?
00:40:51.000 addiction, you overcome that addiction, what is it like being a young star in Hollywood
00:40:58.000 and how hard is it to resist?
00:40:59.000 Back in the 70s, man it was fun.
00:41:01.000 It was really fun.
00:41:04.000 That's what, you know, like cocaine back then was like, you know, in movie budgets and stuff.
00:41:09.000 And, you know, there was this, I remember there was a cover story in People magazine about cocaine, about how it wasn't addictive and, you know, it was a party drug and, you know, harmless.
00:41:20.000 Then John Belushi died and that really changed everything for everybody.
00:41:24.000 But my personal experience was that, you know, it was fun.
00:41:29.000 That it was fun with problems, but then it was just problems.
00:41:34.000 And, you know, affected my sleep.
00:41:39.000 I think it affected my work.
00:41:40.000 I really do think so.
00:41:43.000 And, you know, it affects your life.
00:41:46.000 When your life kind of becomes unmanageable about it.
00:41:50.000 That's when it's, you have to do something.
00:41:54.000 But I had one of those white light experiences.
00:41:57.000 I had a band at that time, and we were The Eclectics.
00:42:04.000 The night we got our record deal at the Palace Theatre over on Vine Street, we got a record deal performing that night, and we broke up in the dressing room right after.
00:42:19.000 Because of me.
00:42:20.000 Because, you know, I was just a little out of control, I think, you know?
00:42:24.000 I just wasn't reliable.
00:42:27.000 And I had a white light experience and I put myself in rehab the next day.
00:42:33.000 And I was lucky I got it the first time.
00:42:36.000 Although it was like about, it was about three years of like grinding my teeth.
00:42:41.000 And you know, what it does to your nervous system, you know, pretty much grinds those synapses down.
00:42:49.000 And, uh, But to stay away from it, it was kind of like grinding my teeth and, you know, meetings and stuff, meetings every day.
00:43:00.000 And because they say, you know, it's a spiritual problem is really what it is.
00:43:08.000 You're trying to fill a hole there, that it's a spiritual hole, really.
00:43:16.000 And that's what drugs are, you know?
00:43:21.000 They make you feel like everything's great, but you take away the drug and that's gone.
00:43:26.000 But it's a spiritual problem, and so that's when I've read the Bible like about five times in my life over different periods and started getting back into that.
00:43:41.000 Before that, you know, I'd rather go back.
00:43:45.000 As far as my history on that is, I grew up Baptist, Southern Baptist, you know, and I became disillusioned with churchianity.
00:43:57.000 I think around 12, 13, which I think a lot of teenagers start to question their life anyway.
00:44:04.000 And I read a book called Siddhartha, Herman Hess, which really turned me towards Eastern philosophy because it's a very new thing in Eastern religion.
00:44:17.000 Buddhism, Hinduism, I read the Dhammapada, I read the Bhagavad Gita, I read the Koran, as well as the Bible.
00:44:29.000 But after rehab, I went back, and this is after about three years, and I read the Bible again, and really what stood out were the red words of Jesus to me.
00:44:46.000 That's what started, for the first time for me, a personal relationship with God, which continued to nurture and grow and ebb and flow.
00:45:01.000 But, you know, that was the thing that I think that really got me through it.
00:45:09.000 So, now you've left L.A.
00:45:12.000 You don't live in L.A.
00:45:12.000 anymore.
00:45:13.000 You moved over to Tennessee.
00:45:15.000 Yeah.
00:45:15.000 How's that transition been for you?
00:45:16.000 I love it.
00:45:17.000 I just love it there.
00:45:19.000 You know, I grew up in Texas, and so it feels like home at the same time.
00:45:24.000 In fact, my grandfather was 10 miles from Tennessee as an infant, and they went to Texas in a covered wagon in 1902.
00:45:33.000 So, I have a lot of cousins there to begin with.
00:45:36.000 And, of course, music, It's always been a part of my life.
00:45:40.000 I have great friends there, and I just love the way of life.
00:45:43.000 I didn't even know about the music.
00:45:44.000 So you're a guitarist, or what?
00:45:47.000 I play guitar.
00:45:47.000 I've always played guitar and piano.
00:45:49.000 I mean, I did Great Balls of Fire, Jerry Lee Lewis.
00:45:54.000 That's another great thing about being an actor, is you get to go in to all these doors that say authorized personnel only.
00:46:01.000 Yeah, Jerry Lee Lewis was like one of my teachers, one of my piano teachers.
00:46:07.000 You get to do a lot of really fun things when you're an actor.
00:46:10.000 So, what are your favorite... I mean, you have a huge IMDb, obviously.
00:46:13.000 What are the favorite films that you've been in?
00:46:16.000 For me?
00:46:18.000 Reagan is now... actually, it's taken over as number one from The Right Stuff, which was my favorite movie before I did Reagan.
00:46:29.000 And I have a different standard for myself.
00:46:32.000 It's about the experience that I had when I was making it.
00:46:36.000 Like, the right stuff came out.
00:46:37.000 I mean, it didn't do well at all, actually.
00:46:40.000 You know, it's become a classic, but at the time it didn't do well at all.
00:46:44.000 But it was about the time of, you know, I grew up in Houston, Space City.
00:46:48.000 Gordo Cooper was my favorite astronaut.
00:46:51.000 Wound up, he lived three miles from me in L.A.
00:46:53.000 I got my pilot's license on that.
00:46:55.000 Chuck Yeager was on the set every day.
00:46:57.000 You know, that's a, like, fantastic time.
00:47:01.000 But I would say the right stuff, Reagan, breaking away, frequency, the rookie, far from heaven.
00:47:15.000 You know, I have some I'm not so proud of, but those, you know, I have a good little family of... there.
00:47:24.000 I've been around long enough to have a few good ones.
00:47:27.000 The Parent Trap.
00:47:28.000 The Parent Trap gave me a new whole second career.
00:47:32.000 You know, my sisters grew up on that film.
00:47:35.000 I've watched it more than once.
00:47:38.000 All my producers in the back are cheering right now.
00:47:40.000 I just showed it to my kids like two weeks ago, maybe.
00:47:43.000 We were on vacation and my daughter and her cousins wanted to watch it.
00:47:48.000 You're right.
00:47:49.000 I tell them, I say, I used to be your babysitter.
00:47:53.000 Because your parents have put it on, you'd watched it 40 times while they were in the other room doing what they wanted to do.
00:47:59.000 Exactly.
00:48:01.000 How would you deal with failure?
00:48:03.000 Obviously we all deal with failure and I think that's the side of American success that people don't often see, is all the failures that lead to the successes or that are the after effects of a success.
00:48:12.000 How do you deal with, you know, you put an enormous amount of sweat and toil into a movie and it doesn't end up being what you want it to be or it fails in It's very disappointing, man.
00:48:20.000 It goes right to your self-esteem and everything failure does, you know.
00:48:23.000 People don't like to talk about it or whatever.
00:48:27.000 But, you know, it's failure, actually, that if you survive it, you know, you get up off the floor, it actually can make you better, I think.
00:48:43.000 Everybody's got to have failure in their life, and it's about sticking with something, I think.
00:48:52.000 I think that's half of the thing about even wanting to be an actor.
00:48:57.000 I mean, you're kind of set up for failure just to try to become an actor.
00:49:04.000 There's 40,000 actors in the Screen Actors Guild on, you know, Only 1% are working on any given day.
00:49:12.000 You've just got to figure you're going to be one of those 1%.
00:49:15.000 And no matter what, you've got to have a tough skin to a certain extent, too.
00:49:24.000 But also acknowledge what was wrong with something.
00:49:28.000 So you talked a little bit earlier about the fact that Hollywood needs to tell some different types of stories.
00:49:33.000 Obviously, Reagan is the beginning, I think, of a lot of that.
00:49:35.000 It's a huge movie.
00:49:36.000 It's sprawling.
00:49:37.000 It's awesome.
00:49:38.000 People who don't know Reagan's legacy are going to learn more about Reagan than probably they would through any other medium.
00:49:46.000 The movie will reach more people than anybody will ever read a Reagan biography.
00:49:49.000 Yeah, for sure.
00:49:50.000 And that's very important.
00:49:55.000 First off, the movie's meant to entertain.
00:49:57.000 That's what it's supposed to be, you know.
00:49:59.000 And for those who are like your age, you know, you get a glimpse into what this country used to be like.
00:50:10.000 And for those like my age, you're reminded what this country was and what it still can be, too.
00:50:19.000 It was a great time.
00:50:22.000 as a nation for us and we went through to the very similar times to push through and become a nation that believed in itself again.
00:50:33.000 That's what I would like to see, you know, is for the American people who have great faith in, we start believing in ourselves again and in each other.
00:50:47.000 So, what are some of the trunk projects that you've always thought would make great movies?
00:50:53.000 Things that you wish somebody had made, but they've never made before?
00:50:55.000 Because I know that anybody who even watches a lot of movies, they've thought, man, I wish they'd make a movie about X, Y, or Z. Oh, right.
00:51:02.000 Well, I have one right now that I really want to do about the Lakota Sioux, or Crazy Horse.
00:51:13.000 That story has never been told from the native point of view.
00:51:18.000 And I have a book now that is the oral history of Crazy Horse's family, as told to this writer.
00:51:28.000 And the history goes back to the mid-1700s.
00:51:32.000 There were three Crazy Horses.
00:51:33.000 The first one was actually there when Lewis and Clark came through.
00:51:37.000 The second was the father of Crazy Horse in the intertribal wars and stuff.
00:51:43.000 Then Crazy Horse, and then his great-nephew was killed in World War I, and the family is there today.
00:51:56.000 And it's a very interesting story told from their point of view.
00:52:01.000 Okay, final question for you.
00:52:03.000 I gotta find out, what are your, like, top five movies?
00:52:05.000 Not the ones that you're in, necessarily.
00:52:07.000 It can be, but it doesn't have to be.
00:52:08.000 Right.
00:52:10.000 You have to go to a desert island to bring five movies.
00:52:12.000 What are they?
00:52:12.000 Well, Lawrence of Arabia.
00:52:14.000 It's a masterpiece.
00:52:16.000 Godfather 1 and 2, that's one movie.
00:52:18.000 Yes.
00:52:19.000 Okay.
00:52:20.000 I cheat the same way when asked this question.
00:52:22.000 Yeah, you have to.
00:52:25.000 Man, you get me started on Scorsese.
00:52:30.000 The Wizard of Oz is a beautiful film, you know what it means.
00:52:37.000 I really love that movie Lion.
00:52:38.000 Yeah, it was small, but it was huge in my mind.
00:52:45.000 And The Notebook.
00:52:49.000 It took me a long time to watch that movie, but it gets me every time.
00:52:53.000 I can't believe it.
00:52:55.000 Well, the movie is wonderful.
00:52:57.000 You're wonderful in it.
00:52:59.000 And thank you so much for taking the time to stop by.
00:53:00.000 I really appreciate it.
00:53:01.000 Thank you, Ben.
00:53:02.000 I really had a good time, man.
00:53:03.000 Thank you.
00:53:03.000 That's awesome.
00:53:04.000 The Ben Shapiro Sunday Special is produced by Savannah Morris and Matt Kemp.
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