Reese Feldman joins Jemele to talk about her love of Stanley Kubrick and his influence in the film industry. She also talks about her experience working on the biggest carpets in the world and what it's like being on them.
00:00:16.080Hey everyone, and welcome back to another episode of the comment section show starring me, your fave. Everybody knows me who cares about me.
00:00:22.580On to the guests. Today, we have the iconic, the legendary, the cinephile himself, guy with a movie camera, aka Reese Feldman.
00:06:35.380But, yeah, I think, like, working on sets like that have been really fun, just because I get to watch people that I grew up watching their movies work, which is kind of crazy.
00:06:46.460And, like, getting to see filmmakers and actors that I admire work and, like, see their process in, like, not, in, like, as, not as equals, but, like, in the same plateau.
00:23:04.820And I think the longer we do this and the more we kind of move into other, like, facets of entertainment that aren't solely reliant on social.
00:23:12.800And to be quite honest with you, that's kind of my goal is to not be 100% reliant on social.
00:23:28.780It's fun to me in a way that's, like, when it does become, like, full-time other things for me, I'll be able to do it even more just for fun.
00:23:37.340What would be the perfect other things?
00:24:14.880They're just not going to think of anyone else.
00:24:17.060Yeah, no matter what you do, it's not going to shake the image they had, which I was, in a way, maybe it's weird in a way, but it makes me feel better about it.
00:24:26.160Because I'm like, okay, so then it's all kind of made up.
00:25:14.120But it's also, like, I'm not too arrogant to admit that maybe I don't know everything and maybe they can teach me things I don't know and maybe we can work on it together.
00:25:21.400Yeah, and it's also, like, once, like, you're casting something and get to set, there'll probably be hurdles that you haven't even.
00:25:38.940I'm curious to know, too, since you wrote and directed your short film, like, is there any one – well, first, which one do you like better?
00:26:26.440Yeah, and, like, the producers, like, did not need to become – like, so it was really nice that I was able to, like, focus on the creative.
00:26:32.740But, like, I think as a director, I have room to improve.
00:52:12.740For housewives, I would have to do a transcription.
00:52:16.660So it's like when all the housewives are yelling, it's writing down what they're saying so that when we feed it to the editors, they can look through dialogue and be like, oh, this line was said.
00:52:27.480But I was writing words that I haven't verbalized.
00:52:30.540I was like, I don't even know if I should be writing that.