Rolling Stone and others have gone berserk over Oliver Anthony's new song, Rich Men, North of Richmond. Glenn and W.E.W. talk with singer-songwriter Winston Marshall about why this is happening.
00:00:00.200Welcome to the podcast. So why has there been such a backlash by Rolling Stone and others over Oliver Anthony's song, Rich Men, North of Richmond?
00:00:08.820We're going to talk with Winston Marshall, a musician who's also been canceled over all the outrage.
00:00:16.040They only come to us once they're canceled, though.
00:00:18.800No cool people come and talk to us. They come to us after their lives have been destroyed.
00:00:22.300No, all the cool people are like, I'm not on the Glenn Beck program. I don't even know him.
00:00:25.820And then they're canceled and are like, I love that guy.
00:00:27.920We also have Carol Roth on to discuss Janet Yellen, who is the owner of the world's strangest accent.
00:00:35.220I don't understand. It's like a Brooklyn slash Eastern European accent. I don't know what it is.
00:00:41.560She may be a vampire, which we find out somebody else in the world is a vampire from a woman pretending.
00:00:48.900No, from a man pretending to be a woman. It is a crazy story.
00:00:52.840It really is. And it's all on today's podcast.
00:00:57.920All right. We have Winston Marshall on with us. Welcome to the program.
00:01:34.880I think you do. I think you do. So, Winston, I saw a piece that you wrote, I think it was in The Spectator, about Rolling Stone magazine.
00:01:46.720They are losing their mind over Oliver Anthony. They're just going crazy.
00:01:55.080That's right. Yeah, well, we should start by saying the story of Oliver Anthony is absolutely wonderful.
00:02:01.060He's a kid, factory worker from Appalachian, America, and he has currently got four songs in the top 10, 10 songs in the top 25 iTunes chart, and all three of the top three.
00:02:19.200This is a huge moment. These songs have been recorded on his phone, just his beautiful voice as a guitar.
00:02:28.900It's so authentic, and it's so real, and this, Glenn, is the counterculture that we've been looking for.
00:02:37.280All of this music that we hear a lot of the time that just enforces the establishment.
00:02:43.280This is a real, authentic musician who's howling against both Republicans and Democrats, the rich men north of Richmond.
00:02:53.780It's just so exciting, and very rarely do I get this excited about things happening in music.
00:03:02.580Well, certainly it's been a while anyway.
00:03:05.100And yes, the music press, Rolling Stone, and not just them, a lot of the music press immediately,
00:03:11.780instead of sharing in this excitement of a truly countercultural moment,
00:03:16.480instead they look at who's enjoying this music, and they denigrate it accordingly.
00:03:22.160So, for example, for Oliver Antony, they run the headlines, right-wing influencers have a favorite new country singer.
00:03:36.260And I think that, you know, it almost sounded completely backhanded, as if that has anything to do with them.
00:04:59.800He put out a song called Let's Know Brandon, and it beat her to number one in the iTunes chart.
00:05:05.220But, you know, in music, and I know this music, when you have an album or a single you're about to put out, you work out who's putting out albums.
00:05:14.960Because you don't want to put out at the same time as an artist.
00:05:18.080Because then no one, you'll just get clouded out.
00:05:20.840Adele, no one dares put out a song at the same time as Adele.
00:05:23.960Well, because she's definitely going to get to number one.
00:05:26.660And then here comes Bryson Gray with the song Let's Go Brandon.
00:05:30.900Now, Rolling Stone didn't even report on that story.
00:05:35.000They're so in their own bubble that they didn't.
00:05:38.600This magazine that has been the countercultural magazine of American post-war history.
00:05:45.780They're so blind to genuine counterculture today in the 21st century that they miss these massive stories or they spin them into this bizarre narrative.
00:07:50.420And so, counterculture now needs to be against that.
00:07:55.080And when these counterculture moments happen, as with Olive Antony, as with Jason Albine, as with Bryson Gray, as with the Sound of Freedom movie – oh, I didn't even mention that.
00:08:05.660The way they documented this astonishing film, a beautiful – I saw it in a metropolitan city in Los Angeles, in a middle-working-class area, part of town, a multi-ethnic audience.
00:08:17.760The whole theater was in tears, and there was a standing ovation at the end.
00:08:22.140This is a film exposing the two million children across the world being sex-trafficked.
00:08:27.680So, you know, Winston, I can't let you talk about this without pointing out, because I'm so – I've told you, I think, when you were here, this audience that you're speaking to now is, I think, the greatest collection of human beings as an audience ever assembled.
00:08:44.980This audience is the one that paid for that operation.
00:08:48.800Not the movie, but paid for that operation to save those kids.
00:09:47.460When I saw them go after this song and say that it was far right, okay, because he was talking about high taxes and welfare and everything else.