Maps of Meaning 4, 5, & 6
Episode Stats
Length
1 hour and 27 minutes
Words per Minute
166.78185
Summary
With decades of experience helping patients, Dr. Jordan Peterson offers a unique understanding of why you might be feeling this way, and a roadmap towards healing. In his new series, "Depression and Anxiety," Dr. Peterson provides a roadmap toward healing, showing that while the journey isn't easy, it's absolutely possible to find your way forward. If you're suffering, please know you are not alone. There's hope and there's a path to feeling better. Go to Dailywire.plus/thejordanpeterson and start watching the new series on Depression and Anxiety. Let this be the first step towards the brighter future you deserve. This podcast is an amalgamation of episodes 4 - 6 from Maps of Meaning, recorded by TV Ontario. You can support these podcasts by donating the amount of your choice to Dr. Petersen's PayPal account, which can be found by searching Jordan Peterson's P.O.V. or by finding the link in the description of the description. Thanks for listening, and Happy Manifesting! Dr. B.B. Peterson Music: "Expressions of Meaning" by Jeff Kaale (1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 24, 25, 26, 27, 28, 29, 30, 31, 32, 34, 35, 36, 37, 38, 39, 40, 41, 45, 42, 47, 44, 45 , 45, 47 , etc., etc. Music by: "In Need of a Savior" by Ian Dorschao (1) & 45, Theme Music by Ian Sommer (2, 5 , 5, 5 , 6, 6 , 6 & 7, 7 , 7, 8, 8 , 9, 9 , 8, 9, , 8 & 9, 8 , 9 , 10, 10 , 11, 11 , , 10 11 And so Much More, and We are so lucky to have such a wonderful community of people like you, Thank You Thank You're Not Alone? (Amenand ) Thanks to You Are Not Alone by: - Thank You For Listening To Us (A Message From Me?
Transcript
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Hey everyone, real quick before you skip, I want to talk to you about something serious
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and important. Dr. Jordan Peterson has created a new series that could be a lifeline for
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those battling depression and anxiety. We know how isolating and overwhelming these
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conditions can be, and we wanted to take a moment to reach out to those listening who
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may be struggling. With decades of experience helping patients, Dr. Peterson offers a unique
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understanding of why you might be feeling this way in his new series. He provides a
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roadmap towards healing, showing that while the journey isn't easy, it's absolutely possible
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to find your way forward. If you're suffering, please know you are not alone. There's hope
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and there's a path to feeling better. Go to Daily Wire Plus now and start watching Dr.
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Jordan B. Peterson on depression and anxiety. Let this be the first step towards the brighter
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This podcast is an amalgamation of episodes four to six from Maps of Meaning, recorded
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by TV Ontario. You can support these podcasts by donating the amount of your choice to Dr.
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Peterson's Patreon account, which can be found by searching Jordan Peterson Patreon, or by finding
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the link in the description. Dr. Peterson's self-development programs, Self-Authoring, can be found at
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Maybe you're 35 years old, and you've never had a job, and one of the things that's stopping
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you is that you're so damn nervous that you can't pick up a phone and use it, because if
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anything unexpected happens while you're talking, you get scared so badly, you have to hang up.
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And so that would be characteristic of somebody with a severe anxiety disorder. So what do you
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do with that person? So you say, well, are they afraid of the phone? Well, no. What are they
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afraid of? Well, they're afraid of anomalies in human interaction, right? They're afraid of
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something unexpected happening while they're trying to impose a structure. And the reason
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they're afraid of that is because they never learned that they were capable of dealing with
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the emergence of something new on an ongoing basis, which meant that, well, which meant in
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all likelihood, that when they were children, they were so sheltered from any contact with
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those aspects of being that transcend knowledge, that they never learned that there was something
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inside of them that would reveal itself if they were allowed the opportunity to encounter
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the unknown, to encounter fear, then to master it, then to extract out something of value.
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So they can't get a job because they can't use the phone. And it isn't because they can't
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use the phone, right? It's a deeper story than that. It's because they're terrified of this,
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and they have no idea that they have some resource they could draw on to combat it. And you could
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say, well, we can teach them to use the phone, right? Say, well, you know, here's a, here's
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a repertoire of stock lines that you might use, you know, like small talk at a party. And
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that would increase what they know and enable them to deal with the unknown. Or you could say,
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look, you know, relax a little bit. When the person says something on the phone that
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you don't understand, pause a little bit. Think about what they're saying. Pay attention
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to them. Allow yourself the luxury of formulating a response. You'll do fine. And even if you
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do it badly the first half a dozen times, well, you'll learn eventually. The person derives
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from that the notion that not only can they cope on the phone, but that possibly there's more
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to them that originally met the eye. We come into the world equipped with an array
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of possibilities and limitations. Those possibilities and limitations are expressed most particularly
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in our physical form. The fact that we have a specific kind of embodied form that allows
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us to do certain things and that also doesn't allow us to do certain other things. Lao Tzu
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has pointed out that it's the space inside a pot that makes the pot worthwhile. And what
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he means by that is that those things that limit you give you as much form and possibility
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as those things that enable you. What that means more broadly is the fact that you come to
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a given circumstance with a set of possibilities and a set of limitations. It's that that allows
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you to impose form on what you encounter. So that the whole notion of form is a tenant
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in some peculiar way that we don't really understand yet on the necessity of limitation. And I think
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the best way to understand that or to begin to understand that is to give some consideration
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to the notion of a game. So for example, if you're playing chess, there's a virtually unlimited number
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of things you can't do. And only a very narrow number of things that you can do. Yet when you're
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playing chess, the arbitrary limitations that are imposed on each piece don't seem to be unfair in any
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sort of cosmic sense. They seem to be part of the structure that enables you to actually play the game.
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Without the imposition of those rules, which are of course relatively arbitrary in their structure,
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there wouldn't be a game at all. Now, it's clear that for human beings, games and fantasy, for that matter,
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shade up into reality so that the game structures that we engage in and the fantasy structures that we use
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to undergird our stories and our pretend play, say when we're children, shade imperceptibly into real life.
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We play games because there's something about games that make them deeply analogous to what we do in
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day-to-day situations. And that means the observation that the rules of a game actually make the game
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possible is an observation that's broadly applicable to consideration of your own limitation.
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Some of those limitations and possibilities take the form of emotions and motivations.
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And we know, I think, incontrovertibly, regardless of the claims of social scientists who are more relativist
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in their orientation, that human beings come into the world with a standard set of biological predispositions,
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emotions and motivations. And furthermore, I think we know that it's the fact of those shared emotions and motivations
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And then imagine further that a consequence of that lengthy process of interpersonal negotiation
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is the emergence of a tremendously complicated game. And not one that's arbitrary,
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because the game has to have certain rules in order for it to be played at all.
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So, for example, we know that even with rats, if rats, they like to engage in rough-and-tumble play.
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And if you put two rats together, juvenile rats, one rat almost always dominates the other.
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It only takes about a 10% gain in weight on the part of one rat for it to be pretty much stably dominant.
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And it's always the subordinate rat that introduces play or asks for play.
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But it turns out that even among rats, if the dominant rat pins or obtains victory over the subordinate rat,
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more than 70% of the time, the subordinate rat will no longer play.
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So then you could imagine likewise that if you're going to play a game with some other person,
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whether it's a game of fantasy or the actual chance to engage in some cooperative real-world activity,
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unless that person allows you a certain amount of space for the manifestation of your own emotional and motivational needs,
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you're not going to play the game with them, right?
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And that means that there's a certain set of difficult-to-describe constraints for all of you
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on games that you're willing to play before you'll look for another game.
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Well, and then you can start to conceive of revolutionary tendencies in that sense, right?
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Imagine a human society that's got so unstable that the vast majority of the citizens within that society
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are subjugated to starvation, so the society never, no longer provides their basic needs.
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And constant tyranny, you could imagine as well that there's going to be an innate tendency
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among the members of that society to start hypothesizing about what alternatives might be possible, right?
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To start dreaming about alternative societies, and then also to take action if the situation becomes too extreme.
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And I think this is part of the reason why you see stable mythological motifs across different cultures.
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It's not so much like Jung said that we have archetypes of what might constitute social order deeply embedded in our unconscious.
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I think the situation is more externalized than that, in that what's biological is what we bring to the situation,
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our hopes and our desires, and the fact that we have hopes and desires.
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Now, I think what happens with stories is something like this, is that as human societies increase in complexity and number,
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so they become bigger and bigger, and more and more people engage in the negotiating process,
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exchanging emotional and motivational information, the pattern that the society takes,
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if it's going to be stable across long periods of time, starts to become encoded in the stories.
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So imagine, you've got your emotions and your motivations, you make your case known,
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ten thousand other people do that over a thousand years, and structure starts to emerge that satisfies,
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more or less, all of these emotions and motivational states, and is also recognizable as a pattern.
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So then you could say, for example, considering a story like Moses and the imposition of the Ten Commandments on the Ancient Hebrews,
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prior to his imposition of those Ten Commandments, and of course there are actually many more than ten,
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Moses, according to the mythological story, Moses spent years, literally years adjudicating conflict between the people that he was leading.
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Eighteen hours a day, they'd come to him with their various problems, saying, we have a dispute, how should it be settled?
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Becoming an expert at evaluating what constitutes an appropriate solution to an emotional problem between two people.
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Imagine, as well, that as a consequence of doing that for such a long period of time,
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you start to become able to abstract out lawful regularities in the manner in which people have to interact in order for peace to be maintained.
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Imagine further that those could be codified in stories, but even more codified as law, eventually,
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when consciousness became capable of grasping explicitly the nature of the interactions.
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So, my point is, a point very much like Nietzsche's, because Nietzsche said at the end of the 19th century that,
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it's a mistake to presume that most of our philosophies are rational in nature,
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and I think that's a mistake that characterizes Western philosophical thinking, at least, at least since the Enlightenment.
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It's a mistake to assume that there was a chaotic social state upon which a rational order was imposed as a consequence of rational action.
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It's much more reasonable to presuppose that the order emerged naturally over lengthy periods of time,
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and then was interpreted and codified and given structure in a secondary manner.
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And so what I'm trying to outline for you in large part is the processes by which that order comes to be.
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So you say, first, it's behavioral, emotional, motivational.
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People and even animals communicate in a way that makes their motivational and emotional needs known to one another.
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So even among wolves and chimpanzees and any kind of lower order social animal,
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you have the emergence of dominance hierarchies, fundamentally, which are stable solutions to the entire set of emotional and motivational problems that besets the group.
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And no one would ever say that the emergence of a chimpanzee dominance hierarchy is a consequence of rational deliberation.
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So then imagine chimpanzees get the power to watch what they're doing and to start to represent it.
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And then imagine, furthermore, that that representation takes the form of stories and then laws.
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And then you have some idea about how human social order comes to be.
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And this is an exciting possibility for me because it offers, it offers the potential solution to one major question,
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And because we're essentially rationalist in our presuppositions,
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we believe that there are rationalist solutions to that,
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but the solutions may be something that are much more akin to biological solutions.
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First, I want you to consider the following hypothesis, okay?
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So we're going to make the presupposition, a couple of presuppositions that I don't think are unreasonable.
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First is that we are essentially animals, that we've evolved in a Darwinian fashion.
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And second, that the consequence of that evolution, much of which was precognitive, right?
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We were around as creatures before we were capable of thinking in words, say.
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Much of that evolutionary history has conditioned the manner in which we think.
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So we think more like biological entities than we think like computers.
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Or we think more like biological entities than we think like rational machines.
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And of course, we already know that rational machines cannot think very well,
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except in very bounded environments because they don't have access to an embodied structure
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So let's, so then you might say, well, why is it that like in the Mesopotamian and Egyptian creation myths,
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our most fundamental representations of the world tend to take story form?
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And not only do they take story form, but they tend to utilize certain kinds of categories.
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This represents what I think are the three cardinal categories of experience.
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So there's the great mother who's holding the world in her hand here.
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And inside her, subordinate in a sense, is the great father.
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And then the tragic son, of course, in the crowd here, representing society,
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is adoring the figure of the tragic hero here because they regard his mode of being as necessary
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to their own salvation, so to speak, their own proper mode of living.
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Okay, so then you think, well, why these characters?
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And I'd offer you this possibility is, first of all, every human being that's ever lived
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has lived in an environment characterized by the presence of these three entities, right?
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We have mothers, we have fathers, and we exist as individuals.
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And then you think, well, when you're a child and you begin to comprehend the world,
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the outside world, everything outside of the family is, of course, vague and ill-defined,
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And all there is for you to observe is the mother, who for you really is the whole world,
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and the father a secondary source of comfort and trouble, perhaps, and the fact of your own individuality.
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And so you say, well, that's true from the perspective of individual development.
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But then if you go way, way back in history, maybe 500,000 years when our cognitive capacities
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were first starting to develop, and we were trying to figure out what the world was really
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like, what categories would we have at our disposal to start to modify and change in order
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And then you might think, you can only talk about what you don't know in terms that you
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And since, for the child, the mother is the world, it isn't, it isn't absurd to presume
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that, for the human being, the world is the mother, first, as a projection, right?
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As a, as a, as a, as a, an a priori cognitive schema.
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The hypothesis being, the natural world, which of course does manifest itself in truth in the mother,
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partakes in many ways of the same properties as the mother.
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Just like you might presume, if you date a new woman, that she has aspects of your sister,
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all things considered aspects of your mother, given that they were also female.
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You take what you know to represent what you don't know.
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So we use our fundamental social cognitive categories initially to portray the world.
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And the world's nature is portrayed in personified or metaphorical form.
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And so then the question is, what are the primary categories?
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But they're not the only three, because this is all good, this category system, the benevolent
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While we know the world is not only benevolent, it's also malevolent.
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Or at least we can say that because we're equipped with certain emotional possibilities
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and certain motivational possibilities, the, the, the probability that we will encounter despair
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and frustration and disappointment and anxiety is just as real as the possibility that we will
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It takes with one hand and gives with the other.
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And that's true for the natural world, which produces us and destroys us.
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As it is for the social world, which fosters our development and crushes our individuality.
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And as well for the individual, who in many regards is as admirable a creature as you could
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And at the same time, someone who's capable of unbelievable depths of depravity.
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So, a world that's not only divided into three fundamental categories, but each category divided
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into a structure that's essentially ambivalent in its fundamental element.
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And of course, that poses the central existential problem for human existence, doesn't it?
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I mean, we're faced with the vagaries of the natural world and what we don't understand.
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The vagaries of the social world and it's often arbitrary and unreasonable demands on us.
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And the fact of our capacity for transcendence tied to our own vulnerability.
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And you could say perfectly reasonably that regardless of where you're situated in time and space,
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And your goal through life, your path through life, is going to be characterized by the solutions
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you either come up with or don't come up with to that set of problems.
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Okay, so there's one more categorical element that complicates this picture.
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And I think in many ways it's the most difficult thing there is to grasp.
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And I've showed you this representation before.
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And you can think of the Dragon of Chaos as a symbol of totality.
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And furthermore, you can think of it in relationship to this structure as the source of this structure.
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So you see in the Sumerian creation myth, for example, the character of Tiamat, right?
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And I told you that the word Tiamat is associated with the later Hebrew word Teom, which means chaos.
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And Teom is the chaos that Yahweh makes order out of, makes the world out of.
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So the idea lurking behind the Sumerian creation myth, and then later lurking behind the entire
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edifice of Judaism, Christianity, and Islam, for that matter, is that something that can be best represented
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by this figure is best conceptualized as the ground of everything that exists.
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Let's look at the concrete metaphorical representation.
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First of all, you have a kind of totality here, right?
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You have a thing that can live by devouring itself.
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And it's characterized by a strange intermixture of metaphorical representations of matter,
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because a snake is something that crawls on the ground, and spirit, because a winged serpent
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is something that can fly and therefore partakes of the metaphorical realm of heaven.
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And it's also something that's characterized by the capacity for transformation, because
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a snake can shed its skin and be reborn, so it's something that's constantly renewing
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And it's also something that presents a terrible danger and tremendous opportunity, because
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a dragon is something that will burn you if you get anywhere near it, but also hoards
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a treasure that's more valuable than anything else.
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Iliad has pointed out that in traditional, classic creation myths, the Sumerian myth being
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one example, when the hero, whoever the hero is, first encounters the great dragon of chaos,
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The world in itself is a complex array of patterns, and those patterns manifest themselves
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in space, and they manifest themselves in time.
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And I think the best way to get a grip on what those patterns might be like is to think
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Music is this complex, three-dimensional structure full of interwoven patterns of different
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dimensions and length that expends itself over time.
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And if you listen to a piece of music, you can concentrate on one instrument or another,
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or you can concentrate on a phrase, or you can concentrate on the entire melody or the voice.
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You can parse out different elements from the complex background, and that's especially
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the case with very sophisticated orchestral music, right, which is susceptible to multiple
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reinterpretations and multiple encounters because of its complexity.
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And this is to say only that what you look at is far more complicated than what you see,
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or to say alternatively that there's more information in anything you perceive than you
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And that's partly because, it's partly because your perceptual systems delude you.
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So we think you look with your eyes or with your other senses, but that's only true when
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you're looking at what you already know what to look at, right, when you've already built
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perceptual machinery that enables you to detect a particular object.
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But when you're looking at what you don't know what to look at, the way you look is by
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It's not, it's not precisely a perceptual function.
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It's something much more deeper and primordial than that.
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And it's more like, oh no, something that I cannot categorize either perceptually or cognitively,
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something that I do not know how to respond to, has just occurred.
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And that prepares the ground for constructing a more detailed representation.
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But that first encounter, that's the encounter with the Dragon of Chaos.
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So then you take this figure, the source of all things, the Tao in some ways, and you say,
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And we see this both in the, in the Mesopotamian and the Egyptian myths that I described to you.
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The first division of the great Dragon of Chaos or the primordial egg is always into two subordinate elements.
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Well, it's illustrative of a fundamental, of the fundamental binary nature of existence, I guess.
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Partly you could say, if you're a cognizant being, a defined delimited being,
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what you perceive always has a binary structure.
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There's the aspect of you that's structured enough to allow the perceiving.
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That's what you know, that's, that's the manner in which you're structured so that you can even,
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Something a child builds up over time from the primordial aspects, say, of his visual system or his auditory system.
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Learns to parse up the world by generating machinery that allows the complex patterns that make up the world
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So there's the thing, the structure that allows the perceiving.
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And then there's the thing that's being perceived or the thing behind that.
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You'd say, well, what's the difference between the Dragon of Chaos, say,
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the representation of the cosmos as such and the great mother?
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The unknown that appears in relationship to a perceiver is different than the unknown as such.
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There are going to be things that surprise you that wouldn't surprise me and vice versa.
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And the things that would surprise you have to be construed in relationship to what you,
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Because you're only going to be surprised by things you don't know.
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And likewise for me, I'm only going to be surprised by things I don't know.
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So the unknown for you is going to be different than the unknown for me.
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And the great mother is a representation of the unknown for you or the unknown for me.
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Different for everyone in some sense because we're all going to be,
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we're all going to be stymied and stopped by different aspects of being.
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But the same as well in that when you encounter things you don't understand
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and you encounter things you don't understand, in many, many ways,
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you're going to react to those different things the same way.
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And I can give you a narrative illustration of this.
00:26:08.800
King Arthur's knights, they sit around the round table.
00:26:13.800
That's why they sit around a round table, right?
00:26:15.800
They have a king, the king determines their destinies like Marduk does,
00:26:20.800
They determine they're going to go look for the Holy Grail,
00:26:24.800
So they're off to find the highest value, like Pinocchio wishing on a star.
00:26:30.800
And they all enter the forest to begin their quest,
00:26:33.800
but they each enter it at the place that appears darkest to each of them, right?
00:26:36.800
So that means they all go on different, they all go in different directions.
00:26:39.800
Even though they're on the same quest and theoretically they're inhabiting the same space.
00:26:44.800
So it's only to say that every person has their demons, so to speak,
00:26:50.800
and that those demons differ from person to person,
00:26:53.800
even though there are things you can say about the demons that are common across people.
00:26:58.800
So we know, for example, from clinical work, from endless clinical work,
00:27:01.800
that if you want to help someone, you identify, okay, what do you want to do?
00:27:10.800
What kind of structure do you want to impose on your world?
00:27:12.800
And then you identify, okay, well, what things are stopping you?
00:27:16.800
So then you look back at the Sumerian creation myth and you think,
00:27:25.800
But there's also Marduk, and Marduk is the power, the spirit, the entity,
00:27:29.800
representation of the Sumerian savior who goes out to confront this and to make the world.
00:27:37.800
Well, that's what you teach people in behavior therapy.
00:27:40.800
You teach them not so much that you don't teach them habituation.
00:27:45.800
You don't teach them to get used to things that they're afraid of.
00:27:48.800
You teach them that there's something within them that can respond to the things that they're afraid of
00:27:51.800
that's of as great a magnitude as the fears themselves.
00:27:57.800
You don't teach them how they mightast find yourself.
00:27:58.800
How can they see a person who's in mind as a builder?
00:27:59.800
How can I prove that they're afraid of omitting and refusing to have a door?
00:28:01.800
The result of every way, they don't want to be scared for these animals
00:29:06.800
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You know, when a computer starts up, it has to boot.
00:31:45.400
And bootstraps itself by continuing to engage in more and more complex processes as it starts
00:31:52.080
So it starts up with a simple process, and that triggers a more complex process, and
00:31:58.260
And that way, the computer boots itself into existence.
00:32:00.860
Well, that's exactly what we did, except we did it over like 3 billion years, right?
00:32:05.420
We started out as these unbelievably simple organisms that could pretty much do nothing
00:32:10.060
at all except replicate and develop much more and more complex forms over this tremendously
00:32:20.060
So that's how we solved the problem that you can't know anything without knowing something,
00:32:24.940
and that you can't have knowledge without generating it.
00:32:27.560
It's a little knowledge, a little more generation, a little knowledge, a little more generation,
00:32:32.660
This huge spiraling process that extends over vast amounts of time, information encoded in
00:32:39.400
your body, right, as part of your, as part of the nature of your being, and information
00:32:44.400
encoded in your culture, reflected inside you and acted out in the world.
00:32:48.240
And as scientists, you know, with this 500-year history of science behind us, we always believe
00:33:01.080
that it's the material substrate of things that's the reality.
00:33:04.940
But it is more complicated than that, because even the material substrate that we consider
00:33:09.780
as scientists isn't merely unformed stuff, right?
00:33:14.340
It has structure, it's patterned, it's full of information, and there are physicists working
00:33:19.860
now who believe that conceptualization of the ground of being, the material ground of being,
00:33:26.060
as information is a more fruitful metaphor than conceptualization of the ground of being
00:33:35.160
It's patterned and regular, informative, so that if you investigate it, it reveals order.
00:33:43.260
So if you go back to Democritus, right, the person who originated the atomic hypothesis,
00:33:50.780
He says everything's made out of atoms, little bits of stuff.
00:33:54.380
But the other thing he says is atoms array themselves in space, array themselves.
00:34:00.080
And what that means is that the atomic structure of things is patterned, and that the pattern is
00:34:16.700
So what we encounter as conscious beings is this complexly patterned array, which we then
00:34:26.220
I said, well, how would this metaphorical representation work?
00:34:30.100
And so the way I want you to look at this figure is like this.
00:34:32.640
Imagine this as distant, right, as lurking in the background.
00:34:36.780
So this is the ground of all being manifesting itself as one primordial archetype, or one
00:34:52.020
If you show men a picture of a beautiful woman with her eyes averted while you're doing a
00:35:00.600
brain scan mapping of their nucleus accumbens, nothing happens.
00:35:07.960
Well, the nucleus accumbens is part of the underlying emotional circuitry that governs approach behavior
00:35:14.620
And approach behavior and pleasure are very tightly intertwined.
00:35:17.180
If you show the same man a picture of a beautiful woman with her eyes locked on his, his nucleus
00:35:25.820
Well, it's partly because men are innately attuned to female beauty.
00:35:39.940
But more than that, the gaze locking is an indication of shared attention.
00:35:44.620
And it's also the indication of the initial establishment of a shared attentional space.
00:35:51.120
And that invitation activates approach circuitry, even if it's just a picture.
00:35:55.180
So when you can see this, if you walk into any drugstore or any, any, any drugstore that
00:36:01.860
Well, in the men's magazines, you see an infinite array of beautiful women.
00:36:05.860
And in the female magazines, the women's magazines, you see an infinite array of beautiful
00:36:13.100
Well, there's something absolutely compelling about female beauty.
00:36:17.000
And then you have to ask yourself, what the hell does compelling mean?
00:36:21.320
Okay, so what compelling means is, you're busily engaged in a goal-directed task, and something
00:36:28.420
happens in your peripheral vision, so to speak, that attracts your attention.
00:36:33.320
Now, that attention is attracted by processes that are fundamentally unconscious, which means
00:36:38.240
there's a lot of these processes that occur before you can think.
00:36:41.320
So you can imagine a loose collection of college-aged males having a conversation in a bar when
00:36:50.740
someone beautiful walks by, and one or more of them catch her out of the corner of their eyes.
00:37:01.740
Because there's something about that pattern form that grips attentional systems and directs
00:37:07.960
So then you think, okay, human beings are really, really complicated pattern processors.
00:37:18.140
And you think, well, partly what we're trying to get a handle on here is the nature of the
00:37:22.460
world, and partly what we know already is that there are aspects of the world that you
00:37:28.280
And then you think, well, people are trying to get a grip on the fact that there are parts
00:37:33.560
of the world that you can't understand, so that there's this transcendent element of being
00:37:42.300
Well, it's the transcendent element of things that always attracts your attention, implicitly,
00:37:49.400
So a loud noise, or a scream, or the cry of a baby, or anything horrific, right?
00:37:56.720
Blood, broken bodies, these are stimuli that are so representative of trouble, that you
00:38:10.420
And then you can imagine that all the stimuli, so to speak, that you can't help but attend
00:38:16.220
to, can be amalgamated into representations of the transcendent aspect of reality.
00:38:24.060
And that's what you see in this representation right here.
00:38:27.380
So you see a weird intermingling of female sexuality, plus some very distinct genital symbolism.
00:38:44.020
Before we had any scientific knowledge at all, let's go 10,000 years ago, what the hell's inside
00:38:51.640
Well, we knew that, I guess, a little bit from hunting, right?
00:38:55.580
What is it about the interior of a body that allows new forms to be generated?
00:38:59.180
How is it that mothers can give birth to children?
00:39:02.080
How is it that one form that's complex and attractive and mysterious can give rise to another form?
00:39:08.140
Why is that useful knowledge from a representational perspective?
00:39:12.160
Because there's some association between the feminine form from a metaphorical perspective
00:39:17.320
and the capacity for nature to give rise to new forms.
00:39:22.880
And then you see a representation of a typical monstrous form.
00:39:30.620
And in this representation, so she's like a more developed version of Tiamat.
00:39:42.560
You could actually say a few things about Kelly.
00:39:45.460
You could say, well, she's like a spider because she has eight legs and she weaves a web of fate.
00:39:50.520
And you could say, well, her web is made out of fire because if you get too near to her,
00:39:56.080
And you could say, she glares at you with eyes that are unblinking.
00:39:59.720
And you could say, she has a tongue like a tiger.
00:40:02.620
And you could say that she carries weapons of destruction and has a headdress of skulls
00:40:10.200
And you could say that she's giving birth to this guy as nature gives birth to human beings
00:40:15.080
and is devouring him at the same time, intestines first.
00:40:20.440
And then you could say, well, you could imagine that the first few people
00:40:24.540
that made a representation like that shocked themselves quite badly, right?
00:40:31.280
Because this is a representation of fear itself in a sense, but not exactly.
00:40:37.180
It's also a representation of those stimuli that if you're human are going to make you
00:40:42.500
both afraid and compelled, just like it's hard to look away from fire,
00:40:47.360
even if it's burning something down that you wanted to have around.
00:40:50.580
Rats, if you raise a rat to juvenile status and then waft in cat odor,
00:41:07.980
So exactly what the hell is it responding to, you think?
00:41:10.640
Well, you could say, well, it's not a conditioned stimulus, right?
00:41:15.060
There's something deep in the brain of that rat that knows something about cat odor.
00:41:25.280
Well, in some sense, I think the notion that it's perceiving is wrong.
00:41:34.960
Well, and with chimpanzees who are more complex,
00:41:37.120
there are other stimuli that evoke exactly that kind of response.
00:41:40.640
Chimps don't like snakes, dead or alive, plastic, rubber, doesn't matter.
00:41:46.740
If you put one in their cage, they get as far away from the snake as they can,
00:41:49.860
as quickly as possible, and then they look at it.
00:41:52.220
Because I suppose if you're a chimpanzee, even if you don't like snakes,
00:41:55.500
it's a good idea to know where they are, right?
00:41:57.280
So it's simultaneously repelling, ah, snake, plus attractive.
00:42:02.760
Yeah, well, you better look at it and see where it's going to go.
00:42:05.980
Chimpanzees don't like unconscious chimpanzees.
00:42:09.140
So if you knock a chimpanzee out with anesthetic and you bring the body of the chimpanzee back
00:42:14.120
into the chimpanzee cage, the chimps do exactly the same thing.
00:42:19.280
They don't like masks made of chimpanzee faces.
00:42:23.200
Well, three-year-old kids don't like masks either.
00:42:24.960
There are these underlying perceptual primitives, so to speak,
00:42:29.200
that likely activate lower limbic mechanisms in our brains that say to us,
00:42:34.700
this is a place suddenly where something unexpected that you probably do not like
00:42:42.500
or will not like is very, very likely to happen.
00:42:44.780
So you can imagine that an environment characterized by unconscious bodies or blood
00:42:51.220
or the presence of spiders or snakes, etc., might be a place where a primate such as yourself
00:42:56.740
may encounter things that they don't know how to cope with.
00:43:03.600
And then you can imagine that the dark is populated with all of these monsters of the unknown,
00:43:08.960
and you get some notion of what's happening to children who are afraid of the dark.
00:43:14.040
Because in the dark, which is the place you don't know, lurk things that could hurt a creature
00:43:24.480
But if you give children exposure to books and to adult conversation and to television,
00:43:29.140
soon those limbic structures that are populating the darkness with unnameable fear
00:43:34.660
start to populate it up with skeletons and vampires and monsters and so forth and so on.
00:43:41.080
As the representational structures that the brain is capable of generating say,
00:43:55.980
All mangled together into some sort of monstrous form.
00:44:06.060
So let me give you a little background of this story.
00:44:09.900
This story popped into my head in one chunk, like complete,
00:44:15.660
But it was also a story that emerged in solution to a problem I'd been thinking about for a long time.
00:44:22.940
Because I was dealing with this guy who didn't want to grow up.
00:44:26.020
So he's caught in a kind of Peter Pan situation.
00:44:48.640
And the lost boys are obviously boys who haven't managed to establish some mode of being.
00:44:59.300
A negative, a manifestation of the negative archetype of social order.
00:45:04.440
And Captain Hook is always fighting Peter Pan because Peter Pan represents childhood and vulnerability.
00:45:11.300
So they're locked in this sort of eternal battle.
00:45:13.700
And lots of people, I think more commonly men, but not necessarily get caught in this Peter Pan problem.
00:45:24.060
So I was dealing with a person who was caught in this situation.
00:45:39.280
Once upon a time, there was a man who had a long, hard journey ahead of him.
00:45:43.300
He was trudging along the way over boulders and through brushes when he saw a little shiny gnome with big white teeth and a black toupee sitting by the side of the road.
00:45:50.680
He was drumming on a log with two white bones and humming oddly to himself.
00:46:09.820
He was sick of walking anyway because people kept throwing sticks and stones at him.
00:46:15.540
I have a shiny red jewel that I would like to sell you.
00:46:22.300
And from beneath his cloak, he pulled the biggest ruby that the man had ever seen.
00:46:26.360
It must have weighed 100 pounds and it shone like the sun.
00:46:38.140
I don't have much, much money, but I'll give you everything I have.
00:46:56.060
So the man gave the gnome all his money and promised to pay the rest later.
00:46:59.740
And the gnome walked back into the bush by the road,
00:47:09.840
He started back on the road with a light heart.
00:47:12.360
But soon discovered that he couldn't make much progress,
00:47:31.260
one of his friends came along and saw him standing there.
00:48:24.320
but this friend too looked like he was in a hurry.
00:48:26.780
Besides, standing beside the road holding the jewel
00:49:00.040
People would rush by and talk about their plans,
00:49:07.620
and you'd think that someone might have said something like,
00:49:23.580
He was carrying a big dirty rock carefully in his arms,
00:49:29.000
The strange figure approached and glanced up at John.
00:50:33.600
and his laugh sounded like the rattling of chains.
00:50:55.640
So I'm going to give you what you really deserve.
00:51:13.660
Each rock split down the middle when it hit the ground.
00:51:19.280
which rushed towards the men and devoured them whole,
00:51:25.140
Soon nothing was left except a leg bone from each.
00:51:28.620
The little gnome picked them up and walked off the road.
00:51:32.640
He sat down by a hollow log and started to drum.
00:53:39.220
They end up in the same kind of relationship, right?
01:00:08.780
We've had written history for 5,000 years, right?
01:00:26.580
People have been generally literate for less than 500 years.
01:00:40.800
So the vast period of our enculturation was preliterate enculturation
01:00:45.520
before we could write down the rules and transmit them.
01:00:49.640
How were they transmitted, assuming we had culture?
01:00:55.120
We have a tendency to see elements of the world in personified form
01:01:00.020
because most of the interrelationships we have with the world
01:01:03.280
are actually social or interpersonal relationships.
01:01:05.560
So that's basically how our brain is structured.
01:01:07.400
And as we evolved, we developed the capacity to extend our cognitive ability
01:01:11.480
beyond the merely social to take in the world as such.
01:01:15.320
But the categories that we used to do that were still fundamentally social.
01:01:18.480
Now, the reason the unknown per se is symbolized as feminine
01:01:22.220
is because the critical feature of the feminine,
01:01:26.040
and I don't mean the female individual, I mean the feminine as a category,
01:01:32.500
And the unknown as such is logically and appropriately symbolized by the feminine
01:01:42.140
which is to say that the background of existence,
01:01:44.760
the unknowable background of existence is the thing that generates everything.
01:01:49.300
Paired with that, of course, according to the schema that we've been working with,
01:01:56.160
And the archetype of the great father is the archetype of tradition, fundamentally,
01:02:02.800
Because as you incorporate your past, the past of your culture,
01:02:09.480
you learn routines and rituals for structuring the unknown.
01:02:13.160
Now, those routines and rituals are patterns of action that you use in the world as such,
01:02:19.400
and also complex patterns of action that you use to structure your own interpretations
01:02:24.080
and your own motor output and your own conceptualizations
01:02:28.660
And so that would be the absorption most fundamentally of your cultural rules.
01:02:33.620
And the fact of those cultural rules and their incarnation in you
01:02:40.180
which means if two of you share the same cultural structure,
01:02:44.440
assuming you're playing the same game, so to speak,
01:02:46.860
that means that you can each predict each other's responses,
01:02:50.860
because that way you can be sure that you can trust the other person.
01:02:57.060
because after all, their value structure is similar to yours.
01:02:59.420
And if you can infer their goals, that means you can embody their emotions.
01:03:03.380
So that's the benevolent aspect of tradition, right?
01:03:06.120
The part that protects and shelters you and structures the nature of your being
01:03:09.400
in the face of existential terror and doubt, so to speak.
01:03:13.380
But there's also an aspect of tradition that's terrible, tyrannical.
01:03:19.200
It's the part that marches young men off to war, say,
01:03:22.220
in defense of the structures that it's protecting.
01:03:24.920
It's the part that says, when you're a teenager,
01:03:28.560
or you'll be the target of mockery for all your peers.
01:03:32.000
It's the part of the structure that crushes the creative life out of you,
01:03:43.260
because your obedience is what makes the machine run smooth.
01:03:46.900
And so you're always in an ambivalent relationship
01:03:54.060
On the one hand, it provides you shelter and what you need
01:03:56.820
and allows you to gain the benefits of literally thousands and thousands
01:04:02.560
On the other hand, it's the thing that makes you obey
01:04:07.940
which can range from, you know, mere social exclusion
01:04:13.400
to truly oppressive practices designed to make you
01:04:21.940
And so you could say, most particularly, again,
01:04:28.320
It's a problem that's faced by people in every place
01:04:32.520
balancing the appropriate attitude towards culture.
01:04:35.200
So the most fundamental representation of culture
01:04:43.160
can be portrayed essentially in this manner, I think.
01:04:52.360
And what that means is that all forms come from the formless
01:05:08.780
and the tyrannical aspect of social order, right?
01:05:17.860
And, you know, that's a pretty reasonable summary
01:05:28.380
So you can see this representation is quite useful.
01:05:34.420
which, of course, is a city committed to him fundamentally.
01:05:39.040
So it operates under the moral principles that he represents.
01:05:44.960
which is partly a representation of the source of all life,
01:05:49.540
partly a representation of the source of consciousness
01:05:52.060
and illumination, right, because you're conscious during the day,
01:05:55.180
and partly a halo representing the sort of transcendent nature
01:06:06.460
and it's only to say that in all human experience,
01:06:09.520
there's a cultural aspect and a natural aspect.
01:06:14.900
in some ways, is as natural as the natural aspect, right?
01:06:31.720
And so then, just as is the case with the feminine,
01:06:38.640
there's two aspects that can be represented metaphorically
01:06:44.080
You can say, well, the security aspect of social order
01:06:48.180
is the wise king, and you can see a medieval representation of him here,
01:06:51.820
sitting on his throne calmly in a relatively open posture.
01:06:55.020
That means he's ready to listen to supplicants,
01:07:02.180
which means essentially that he's in control of the world
01:07:04.580
and that the world is subordinated to something else
01:07:10.460
And then his mirror image here is the sun-devouring king,
01:07:20.040
And there's shades of the Oedipal conflict in that,
01:07:25.580
is that despite the fact that every human being
01:07:30.900
every human being is also in the terrible position
01:07:35.760
of facing the fact that their very individuality
01:07:42.380
And that, in a sense, that's really not avoidable.
01:07:45.800
I mean, if you're subject to really tyrannical socialization,
01:07:49.220
it's obviously a much more cardinal problem, right?
01:09:10.040
They don't have enough biological resources left
01:09:29.360
and as you learn, say, over the first two years,
01:09:31.620
what happens is that there's a plenitude of circuits,
01:09:36.240
leaving only those circuits that have a function.
01:10:01.620
because it makes you, in large part, what you are.