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The Matt Walsh Show
- March 06, 2021
Conservative Dad Reviews Rap From YBN Nahmir & 21 Savage
Episode Stats
Misogynist Sentences
11
Hate Speech Sentences
17
Summary
Summaries are generated with
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.
Transcript
Transcript is generated with
Whisper
(
turbo
).
Misogyny classification is done with
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Hate speech classification is done with
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.
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So today we're going to do something we haven't done in a while, and that's a rap review.
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To be honest, I just, I haven't been inspired by any new jams in quite a while.
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I haven't had a moment where I hear something and I think, well, geez, that s*** is fire.
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That is until I came across this song.
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It's listed on YouTube as YBN Namir, Appa Stapa, Feet 21 Savage.
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Now, as far as I can tell, there are two people and a song title here, but only one actual word.
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So I'm not sure what's happening exactly.
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I'm a little bit confused, but this is a popular song.
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I know that.
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The kids love it.
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My four-year-old was bumping to it earlier this morning, so it's a really popular song.
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We'll give it a shot.
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Here's Appa Stapa with the song YBN Namir.
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Either that or it's YBN Namir with the song Appa Stapa.
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In any case, let's check it out.
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Here we go.
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What's that?
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21.
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Hey.
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Hey.
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Howdy.
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Hey, KK.
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Weird ass.
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Man.
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He called them, if I heard correctly, he called them pancake ass N-words.
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You know, I'm not sure what that means.
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I assume it isn't good.
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If somebody accuses you of being a pancake ass, it's probably safe to assume that they're
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not trying to compliment you, I would think.
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I'm not sure, though.
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I don't know what the exact nature of the insult is.
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And even though I don't know what the insult means, it kind of makes sense in a way.
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And I've noticed that rappers are very good at doing this, where they say something that
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on one level, you think, wait a second, that's completely incoherent.
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But on another level, you think, yeah, but I sort of understand what you mean.
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So I can kind of see why I might go up to a guy and say, say like, you pancake ass fool.
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Look at pancake over here with this pancake ass.
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I mean, I don't think I would ever say that to anybody, but at least, at least YBN, Namir,
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Ken.
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I keep a rocket in my pocket, so I can call the pocket rocket, if it's war, we ain't playing
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games, bitch, we get it started.
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I'm the man, clip it, keep a hundred, I'm a gunner.
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When it's beef, we ain't playing games, we hit you in your mama.
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You know that chopper, that's that oppa stopper, hit you in your pocket.
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I fell in love with all this money, you in love with drama.
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Say, say, baby, I'm not salsa baby.
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There are so many elements of this scene that we have to sort through.
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Like, there's a guy on a cell phone that was made in 1998.
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They've also got brand new iPhones and a TV that somebody watched the moon landing on in
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1969.
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They got all this cash on the table, and YBN says that he fell in love with the money.
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It's a very financially confused scene, is what I'm saying.
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You need to diversify your bonds.
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Plus, they've got a window AC unit in the house.
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With all that money, you could, you got hundreds of, just thousands of dollars sitting on the
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table.
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Take some of that.
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You could easily pay for central AC.
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Take a few wads of that cash, head down to Home Depot, talk to somebody about getting
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you an HVAC unit for the house.
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Now, in this case, that's a house with, it's not a lot of square footage there.
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So, um, HVAC system is going to pay for itself in energy savings over the years.
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And these are all things that I could explain if YBN and 21 Savage were to invite me to their
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barbecue.
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And I frankly think that most rapper crews need a white dad in a flannel at the barbecue,
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just dropping a little bit of dad knowledge.
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That's, that's, that's my theory.
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Anyway.
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All these tattoos on my f***ing daddy, she say I'm a hottie.
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Why your girlfriend always wanna f*** me, wanna touch my body?
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We got all type of f***ing guys, might even have a time.
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I remember them days in the Jester Free, my f***ing ride.
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And Free Chris, though.
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Remember we was bouncing out with Fofo.
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And the f***ing keep it solid in LA, I keep a clip, though.
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Cause no, I can't be lacking in these streets, I keep a big pole.
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And I can't have no n*** with me if they gon' snitch on.
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That chopper, that's that oppa stopper, hit you with your partner.
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I fell in love with all this f***ing money, you in love with drama.
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Say, say, baby, I'm not salsa baby, but I keep a line.
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I'm a pull-up, and I knew I ate you, I didn't hate you.
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When I listen to these lyrics, and I try to process the message,
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I can't help but pick up on very heavy Dr. Seuss influences in the rhyme scheme.
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Who's canceled now, by the way, for being racist.
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But I think you should get credit for influencing much of modern rap.
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Like he says in the first verse, I keep a rocket in my pocket, socket called a pocket rocket.
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Which is very similar to Seuss when he wrote about the walk-it in the pocket.
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One of my favorite Dr. Seuss books growing up.
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And really in both cases, you become a little uncomfortable because it sounds vaguely sexual.
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And then YBN says in the hook, he says, here's what he says.
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Know that choppa, that's the appa stoppa, hit you and your partners.
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I fell in love with all this f***ing money.
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You in love with drama.
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Say, say, baby, I'm not salsa baby, but I keep a llama.
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Gonna pull up in a new I-8.
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You riding in a Honda.
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And I love that because of the way that he advocates for responsible farming practices.
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And he says he has a llama.
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I'm a little worried about there isn't enough room to house a llama on that postage stamp yard there.
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But I'll assume he's rented out a barn or something like that.
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Some farmland somewhere.
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But basically, he has gotten into animal husbandry.
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And he's advocating for it in this song.
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That's what I'm picking up on.
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I could imagine him maybe going and performing this song about raising llamas.
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Maybe to a 4-H club for kids.
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Or something like that.
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So now I'm getting into the song.
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I'm saving 21.
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Tasha, baby, mama in the L.I.
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She a salad.
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Oh, God.
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Ratchet b**** suck me while I'm driving.
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She from Dallas.
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The mama got some buns on her.
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I call her Patty.
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21.
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My model b**** be smoking all the wood.
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She from Cali.
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21.
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In my Tesla roaster.
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21.
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My pistol out the holster.
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Oh, God.
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I'm double cupping syrup.
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I don't need no coaster.
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Facts.
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Oaks want promotion.
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F***.
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Put him on the poster.
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F***.
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Gunting him down in his own hood because he local.
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F***.
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I wash 10 bricks.
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F***.
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F***.
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Rolling like Miami.
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I put it up with 10 sticks.
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21.
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F***.
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Smell my fragrance.
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You can't tell me I ain't rich.
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21.
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Big foe.
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L ain't shaking no hand with no snitch.
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There's a few things that I appreciate here as we hear 21 Savage come and deliver his verse,
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spit his bars.
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First, I love that 21 Savage really gives the impression of somebody who doesn't want to
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be in the music video at all.
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F***.
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I'm not even supposed to be here today.
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He seems very put out.
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Like he doesn't want to be at the party.
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Everybody else is throwing cash around, you know, really, really doing, doing the appa
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stopa.
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21 Savage is off in the corner and when it's his turn to rap, he's kind of like rolling
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his eyes and saying, fine, okay, I'll spit some bars if you want me to.
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And he comes with, let's be honest, some pretty lazy material.
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You could tell that he wasn't ready for this.
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Like he showed up to the house and they're getting ready for the music video.
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And he said, oh, is that today?
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Grabbed a napkin, ran to the kitchen, wrote his verse in about four minutes.
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And that's how we get lines like this.
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He says, little mama got some buns on her.
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I call her Patty.
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Do you really though?
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Do you really call her Patty because of her buns?
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I don't think you do.
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Maybe 21 Savage can get away with a line like that.
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I don't think I could.
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If I was single, no way I could walk up to a woman and say, hey, couldn't help but notice
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your buns.
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Say, do you mind if I call you Patty?
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No, that wouldn't work for me.
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I would get Cuomo'd on that.
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Sexual harassment claims, everything.
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But I'm not 21 Savage, so he can do that.
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Speaking of which, I also liked how 21 Savage said his name, 21, after every line.
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So it goes, he says, little mama got some buns on her.
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I call her Patty, 21.
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My model be smoking all the woods.
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She from Cali, 21.
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Rolling loud Miami.
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I pull up with 10 sticks, 21.
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Smell my fragrance.
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You can tell me I ain't rich, 21.
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Big 4L, I ain't shaking no hand with no snitch, 21.
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So it's almost like, it's like memento or something where he has no short-term memory.
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And so he has to remind himself who he is every two seconds.
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And that's smart because you don't want to have an existential crisis in the middle of
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the rap where you forget who you are, where you are, why you are.
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Only thing I'll say is that, and look, I don't mean to harsh anyone's vibe, okay?
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I don't mean to harsh any buzzes here.
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But again, as the white dad in the flannel at the barbecue, marijuana does affect short-term
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memory.
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So if you're having trouble remembering things from one moment to the next, you have to remind
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yourself who you are in the middle of the song, then maybe I would think about not smoking
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that good s**t quite so often.
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We'll see you next time.
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Well, look, at least they, at least they blur out the middle fingers in the end.
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That literally a whole song about drugs, guns, hoes, but the middle finger at the end is a
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bridge too far.
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And I appreciate that.
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I mean, in the last verse, the guy was talking about drinking and driving while holding a loaded
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pistol in his hand on his way to murder someone while wearing a watch that he bought with drug
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money.
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But you wouldn't want something really inappropriate like a crass hand gesture in your music video.
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We all have standards.
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Even YBN and 21 Savage do.
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And that, I think, is the silver lining.
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Thank you.
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