Ep. 1189 - Audiences Tricked Into Watching The Adventures Of Man-Hating Feminist Barbie
Episode Stats
Length
1 hour and 6 minutes
Words per Minute
184.8395
Summary
The new Barbie movie is a smash hit at the box office. It s also the most aggressively anti-man feminist propaganda fest ever put to film. But of course, the movie studio was smart enough to hide that fact in its marketing materials. Also, in an interesting twist, the state superintendent in California was thrown out of a school board meeting while trying to protest a policy that would require parents to inform their children if they identify as the opposite sex. The New York Times warns that you should wear a mask if you go outside. And Kamala Harris goes on a speaking tour denouncing Florida schools for teaching kids that slavery is good.
Transcript
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Today on the Matt Walsh Show, the new Barbie movie is a smash hit at the box office.
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It's also the most aggressively anti-man feminist propaganda fest ever put to film.
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But of course, the movie studio was smart enough to hide that fact in its marketing materials.
00:00:13.300
Also, in an interesting twist, the state superintendent in California was thrown out of a school board meeting
00:00:17.620
while trying to protest against a policy that would require schools to inform parents
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if their children identify as the opposite sex.
00:00:24.680
The New York Times warns that you should wear a mask if you go outside,
00:00:27.340
but not because of COVID, rather because of the heat.
00:00:29.480
And Kamala Harris goes on a speaking tour denouncing Florida schools for teaching kids that slavery is good.
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The only problem is that this is a total fabrication, obviously.
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All of that and more today on the Matt Walsh Show.
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Last week, we discussed the impending doom of Hollywood.
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As the media was frantically warning us, the entire entertainment industry was on the verge of collapse thanks to a writer's strike, an actor's strike, and a series of supposed blockbusters that turned out to be flops.
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And this was, in some ways, an ironic combination of factors given that the quality and performance of these movies would seem to indicate that the writers and actors had already been on strike for many decades.
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The average viewer will come out of the latest Hollywood dud, hear that the writers had been on strike, or just went on strike, and respond, wait, the movie had writers?
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It already seems like these films are being generated by AI, and now they really will be, and I don't think we'll be able to tell much of a difference when that happens.
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So it has been a gloomy time in Hollywood all around, but this weekend has given them a glimmer of hope.
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A false hope, I think, and a hope that will teach them all the wrong lessons, but hope all the same.
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The Hollywood Reporter declares a box office stunner, a historic weekend for movies.
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Filmmaker Greta Gerwig's female-fueled Barbie opened to a historic $155 million domestically,
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a threshold usually reserved for male-driven superhero fare, or marquee IP, such as the final Harry Potter movie.
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It came in well ahead of an expected $90 million to $110 million, and helped fuel one of the biggest weekends in history.
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Barbie, which brings to life Mattel's iconic fashion doll, is also strutting to big numbers overseas.
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The pick launched to an impressive $182 million from 70 markets for a global bow of $337 million against a $145 million production budget.
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In North America, Barbie scored the biggest domestic start ever for a movie directed by a woman, solo or otherwise.
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After gushing for several more paragraphs about Barbie, the article does mention that Christopher Nolan's film Oppenheimer also opened this weekend to an enormous haul, raking in $80 million.
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This makes it Nolan's biggest opening weekend for any of his non-Batman films, especially impressive, far more impressive than Barbie's performance, as we'll see,
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because his movie is an original three-hour R-rated historical drama.
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It is very difficult to make that kind of film into a smash hit.
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People don't generally flock to theaters to watch incredibly long character studies about historical figures.
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There is, however, plenty of precedent for moviegoers crowding theaters to watch movies based on familiar brands.
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Audiences are increasingly becoming bored with franchise films and brand films, as Indiana Jones and The Flash and Little Mermaid and many others have discovered.
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But if there is a brand with a large and dedicated fan base that hasn't had its own film in a long time,
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then it'll probably do pretty well in its opening weekend.
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The movie is a smash hit because Barbie, as a brand, is a smash hit.
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The quality of the film doesn't make a difference.
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The directing, the acting, the writing, none of that factors into the equation.
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Okay, it could have just been a movie where you're literally staring at a Barbie doll sitting in the corner.
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And because it's called Barbie, it would have made $150 million.
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Mothers and daughters did not file into the theaters over the weekend because they really wanted to see what Greta Gerwig cooked up.
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Nor did they come because they were big Margot Robbie fans.
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And American consumers are conditioned to salivate whenever their favorite brand rings the bell.
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This weekend was not really a vindication of Hollywood or the filmmakers behind Barbie's,
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but rather, if anything, a vindication of Pavlov and his dogs.
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Barbie's box office performance is a result of conditioning and not much else.
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Now, if anyone deserves the credit, though, for the biggest box office debut for any female director in history,
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it is not the female director, but the marketing department.
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Because they're the ones who knew enough to lie about the true content and message of the film.
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Because as we've now discovered, though it shouldn't really have come as a surprise to anyone,
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the Barbie movie is a preachy feminist screed about taking down the patriarchy.
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It is a gender studies lecture in Barbie packaging.
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And I know this not because I watched the film.
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I'd rather jump feet first into a wood chipper than sit through that film.
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I don't need to watch Barbie to know that it's bad.
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For the same reason that I don't need to pull a rotten onion out of the garbage and eat it
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but I feel that I can safely say that the experience would be unpleasant and probably a little hot.
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So some books can be judged by their covers, absolutely.
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Or at least by their back covers where you find the description.
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And we now have descriptions of the Barbie movie which make the themes clear.
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Something that the marketing never did, and intentionally so.
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Hollywood movie critics are widely praising Barbie as the most unwavering feminist summer blockbuster ever to exist.
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Giving the new film particular adoration for its messaging around the patriarchy and gender roles.
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The film, starring Margot Robbie and Ryan Gosling, boasts a strong 89% critic score at Rotten Tomatoes,
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with many reviews surprised by director Greta Gerwig's willingness to engage in extensive social commentary.
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A Hollywood film director is engaging in political commentary?
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Once an equal parts fascinating and controversial Mattel toy, both loved and hated,
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a tiny-waisted, vacuously smiling, slender doll designed like a straight male fantasy,
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is now the complicated feminist symbol of empowerment in Gerwig's hands.
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But we aren't talking about an empty you-go-girl kind of empowerment here.
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whose articulate and accessible feminism has always been fiercely multifaceted and complex.
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Barbie is both a master's thesis on feminism and an Austin Powers-esque romp, the Globe and Mail noted.
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The rap also stated that the movie delivers a fierce feminist statement dressed in pink,
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while the Globe and Mail declared that the film,
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is most captivating and unwaveringly feminist summer blockbuster ever to exist.
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Meanwhile, IndieWire praised the film's outside-the-box and funny feminist fantasia,
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and singled out Gosling's performance of newfound male rage and patriarchal power as a particular highlight.
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Funny, you know, they didn't tout this thing as a master thesis on feminism in the trailer.
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I can guarantee you they didn't put that, they're not going to put that on the poster, okay?
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They didn't title the movie The Adventures of Feminist Barbie.
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No mentions of patriarchy or male rage either in any of the marketing.
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It is, again, not in the least bit surprising that these themes dominate the film.
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Not surprising to us, anyway, as people who pay attention and are aware of what's happening in the world and in our culture.
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But the average Barbie viewer is, on the other hand, oftentimes not so aware.
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And that's why the sleight-of-hand trick worked.
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Dangle a funny and fun and nostalgic and family-friendly Barbie film in front of the audience,
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and then when you have them in the seat, whack them over the head with the feminist stick.
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Sell them the Barbie doll and let them open the package and find Gloria Steinem inside.
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Now, we know about the aggressive, male-hating feminist bent of this film,
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thanks in part to some brave souls like Ben Shapiro who actually sat and endured it so they could report on its content.
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This is a form, I have to say, of journalistic courage far more impressive than reporters who cover war zones,
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But we also know about the movie's real message from the generally positive reviews of liberal movie critics.
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The review in Variety gets into some of the details that the film's marketing material smartly glossed over.
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At the same time, Barbie is experiencing her rude awakening.
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Ken is busy filling his empty head with all the possibilities that patriarchy entails.
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In Barbie Land, Ken's job is a deliberately ill-defined afterthought, basically just beach,
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whereas in the real world, dudes rule, an idea he takes back to Barbie Land with pointingly absurd results,
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brainwashing all the women into behaving like obedient housewives.
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In the movie, men in Barbie Land are useless and stupid,
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but then men in the real world are useless and stupid, but also violent, predatory, and in control of everything.
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Ken witnesses this dynamic and tries to export the patriarchy back to Barbie Land.
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And they actually call it the patriarchy in the film.
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I should mention that the Variety review is not entirely positive.
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Okay, to their credit, they do have some criticisms of the film,
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including, you know, it takes issue with the movie,
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and specifically with the way that men are portrayed.
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But the issue, according to film critic Peter DeBugg,
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is that all of this time spent making men look terrible might risk taking the spotlight off of women.
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So there's nothing wrong with sending the message that all men are dumb pigs,
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but you should give them less screen time in the process, Peter says.
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It's upsetting in a useful way to see Barbie confronted with the overnight impact of rampant patriarchy,
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a concept that has rarely looked more off-putting than the frat boy fantasy caricatured here.
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Think of it as the misogynistic alternative marketed by old-school beer commercials,
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we girls can do anything, right, Barbie? campaign.
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While the Barbies plot to take back the government,
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Gerwig gives all the Ken dolls an over-the-top musical number,
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I'm Just Ken, which is so amusingly self-involved,
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it risks subverting the very point the movie's trying to make.
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If Barbie is all about centering and celebrating women,
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The only problem with demonizing men is that it requires you to talk about men too much.
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Thousands of moms took their daughters to see this thing over the weekend.
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And, you know, it is certainly a wonderful movie to show your daughter
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if you want your daughter to be a vapid, man-hating harpy.
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then by all means, show them Greta Gerwig's Barbie.
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But this is not actually what most mothers want for their daughters.
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when a movie wears its feminist credentials on its sleeve.
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Take the upcoming Snow White remake, for example.
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We've already seen how they traded in Snow White for Snow Brown,
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is to take casting opportunities away from actors with dwarfism
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by turning the seven dwarves into regular-sized carnies.
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But they're also changing the whole arc and theme of the story
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as this interview with the stars revealed, watch.
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You said you were bringing a modern edge to it on stage.
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and she's not going to be dreaming about true love.
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She's dreaming about becoming the leader she knows she can be,
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and the leader that her late father told her that she could be
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for, I think, young people everywhere to see themselves in.
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Now, we're not going to focus on the point that
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the queen is supposed to be jealous of Snow White's beauty.
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And the mirror is supposed to tell her that it's Snow White.
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as the evil queen is significantly more attractive than Snow White.
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than the Woke Little Mermaid bastardization was.
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where the damsel in distress no longer needs saving,
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by moving into a two-bedroom condo with her cat.