PREVIEW: Brokenomics | Morgoth's genius and Origins of Civilisation
Episode Stats
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Summary
In this episode of Brokernomics, I talk about how I unlocked a new ability, and how I used it to change the way I look at the world. I also talk about why I think Morgoth's article on why Warhammer is post-deconstruction and not pre-modern is a brilliant piece.
Transcript
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Now, in this episode, I wanted to take you through a couple of things and actually explain
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that I've kind of unlocked a new ability, a way to look at the world, which I think
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is actually going to be really quite handy now that I've got this new mental model.
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And the next episode that I'm going to do, probably next week, is going to be, you know,
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how does the British political system actually work?
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Because if you advert the frame, if you ask what questions are saying to ask, how does
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the system genuinely operate at a permission-based level?
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And I don't think that the British, well, I say the British political system and basically
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any Western political system at this point, it's not a democracy.
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It's a credentialed, waiting, compliance system.
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And the electorate are basically choosing managers to administer constraints that they
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And by that, I mean either the electorate or the managers.
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So you've got to stop analysing politics as preference segregation.
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You've got to analyse it through a series of permission boundaries.
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And if you do that, you then ask, OK, well, what actions are structurally impossible regardless
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And I haven't finished thinking this through, but ultimately, it's not going to put political
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It's probably going to put, I don't know, Bank of England or the Treasury at the top of
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No, what I actually wanted to talk about is how did I unlock that ability and where did
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Now, this is not going to be one of those, you know, standard pitches, because for all
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I know, it's probably sold out by the time you get to watch this.
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But no, what it actually is, is a bit of a homage to the genius of Morgoth, who wrote
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Hopefully you haven't all got 4K screens at home and you now don't need to buy the magazine.
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And I'm not here just to, you know, fluff Morgoth.
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What I'm actually trying to do is explain why the tool set that he applied is so powerful.
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Because actually, I think there is something genuinely interesting to learn about that element
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So you don't need to know anything about Warhammer to get the benefit of this episode, because
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What I'm talking about is the system of unveiling underlying truths and looking at what is the
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right question, not just the question that you were presented with.
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And also some of the techniques he used, which is, you know, just genuinely impressive.
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So, oh, and you should buy Arnando as well, if you still can.
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So first of all, base level analysis of the article, you know, he correctly identifies
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Warhammer as post-deconstruction and not pre-modern.
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A lot of commentators on Warhammer get this wrong.
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They slot in as being either reactionary or, you know, ironic satire.
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He looks at it as, OK, you know, what comes after irony is done eating everything.
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And he's not exactly rejecting escapism outright.
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He argues that 40k resonates because it does not offer, it doesn't console.
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Only endurance and duty are acknowledged amongst a whole bunch of falsehoods that get thrown
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You know, institutions persisting without legitimacy, narratives existing without belief.
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And as soon as you take it to that level, you understand, OK, it's bigger than the article
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That's a framing reference because the article of the reference is, that's where the article
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And he basically ties it back to the political system that we're in.
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And all of those things that I just said, they align clearly with that.
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He uses Garrow, which is a character in that, correctly.
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And he's picking him over the other characters that generally get picked because his defining
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trait is not righteousness, but it's loyalty after it has been revealed that the system
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And I mean, a couple of more basic points before I get to what I really want to talk about.
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You know, the essay, I mean, it avoids nostalgia traps.
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You know, it explicitly rejects return to 1988 thinking.
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And that keeps it from degrading into sentimentality.
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And that's actually doing a lot of work because normally that meme is a reference would be
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In this article, it isn't because he captures something precise, an acknowledgement without
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Yes, everything is broken and you can still act.
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Most writings are going to either, you know, be critiques of modernity, you know, endlessly
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without offering a posture for living inside it, or they're going to be false consolidation,
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you know, progress and technocracy and nostalgia and irony.
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You can see Hollywood films doing this all the time.
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But this article, it does neither of those things.
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It offers dignified persistence as a worldview, which is both unfashionable and psychologically
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But there's one bit in particular that I wanted to highlight on this that changed my thinking.
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So he's starting to allude to how you look at the world.
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Martin's question, you know, the guy who wrote Game of Thrones, the answer to George R.R.
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Martin's question, what would Aragorn's tax policy be?
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is 10,000 psykers sacrificed daily to feed the energy into a corpse of a god emperor holding
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Now, again, I'll explain this in a way that you don't need to know anything about 40k to
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But it rejects a category error that Martin is making.
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So Martin is making a provocation there, and he's assuming that moral or mythical legacy
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That tax policy is modern and technocratic concern, and Aragorn is a pre-modern king.
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So asking the question, he's already smuggled in a whole bunch of liberal bureaucratic assumption
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And the point is, is that it's the wrong axis entirely.
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He's not saying, I'm going to argue it on this.
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Because Martin's critique of what would Aragorn's tax policy be, what he's trying to imply there
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And he's trying to relay realism through governing mechanisms.
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And the Warhammer answer is, well, seriousness is whatever must be done to prevent collapse.
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And maturity is acknowledging horror without pretending it can be cleaned up.
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And realism is cost, sacrifice, and a series of irreversible trade-offs.
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Not government mechanics the way that Martin frames it.
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So 10,000 psykers a day, I mean, it's obscene, and it's monstrous, and it's irrational by liberal standards.
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And that's precisely why it's honest within its own metaphysics.
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And it exposes the moral asymmetry, really, between worlds.
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So in the Tolkien and even the Martin discourse, you know, evil is episodic.
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But in the 40k world, evil is ambient and metaphysical, and it's permanent.
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How many times in history before have we thought that we've won?
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And dealing with degeneracy and leftism, all of the things that it is embodied in the left that we explicitly reject,
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how many times have we won out over them in whatever form, going back however far you want to go back in history,
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So once you accept that frame, governance stops being about justice and starts being about containment.
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And actually, Carl made this point quite well in a tweet where he referenced this.
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I forget what the fallback was, but somebody was saying,
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yeah, but we don't actually sacrifice 1,000 psykers a day, do we?
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And Carl was like, okay, we actually do sacrifice 1,000 people a day.
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In the Western world, we easily sacrifice 1,000 people a day.
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So while most people are reading 40K as sort of satire or, you know, fascistic or, you know, bureaucratic,
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what he's doing in that line is he's reframing it as something colder and more disturbing.
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A world where satire has failed because the emergency never ends.
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Again, how does that relate cleanly to the world that we're living in?
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So the horror isn't that the Imperium is sacrificing psykers.
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The horror is, given the premise, that they are right to do so.
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What that's doing is it functions as a compressed thesis in a statement.
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So in one sentence, he's communicating a whole bunch of brilliant points.
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And the reason it lands so hard is because it forces the reader to confront an uncomfortable possibility
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that many of the modern demands that we have for seriousness or realism and good governance
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are all luxuries of a world that believes the foundational layer of those civilisations are still intact.
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And what he's using Warhammer to describe is imagine they aren't and then aren't still honestly.
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So my first reading of this is that he's rejecting the posture of managerialism
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in favour of doing whatever is necessary to survive.
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But actually, it goes much deeper than that, doesn't it?
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Because managerialism versus survival, that's only the outer layer of this.
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Because managerialism, I mean, it assumes a number of things.
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That the system is stable, that problems are solvable, that trade-offs are reversible,
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But the completed line says that, you know, none of this is true.
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It's not policy, it's maintenance of existence.
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Continuity and surplus and time and moral optionality.
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And the imperium, which is why he picks this as a subject to talk about,
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The next thing I'd say is that it replaces legitimacy with necessity.
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So in the liberal mindset, legitimacy leads to authority, and then that leads to action.
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But in 40k, necessity leads to action and retroactive justification.
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And again, which of those is closer to the world that we actually live in?
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And again, apply that back to the modern world.
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Because the alternative is the extinction of the liberal world order.
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Again, you know, it's a brilliant inversion of the frame.
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Where modernity has explicitly tried to delete it.
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So Martin's question smuggles in, you know, a post-enlightenment assumption.
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That politics is administration over material conditions.
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And he's saying, no, politics is downstream of metaphysical war.
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And the bit about hell itself is doing real work here.
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Because in 40k, chaos is not a metaphor or an ideology.
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And once that's true, the whole enlightenment settlement, it just collapses.
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And it turns sacrifice, something we're, of course, allergic to these days.
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You know, women and children can be sacrificed in the Western world.
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It turns sacrifice from a moral failure into a structural requirement.
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So the modern ethic is, let's treat sacrifices as tragic and avoidable and evidence of failure.
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Whereas 40k treats sacrifices as baseline and unavoidable.
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And evidence that the universe itself is hostile.
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And this is why the line is so disturbing in a way that satire doesn't.
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What it is instead asking is, what is the price?
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Because we live in a world that still demands sacrifice.
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And the Warhammer framing simply removes the lie.
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You know, you've got this empire with the dead emperor propped up on the throne.
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And faith is instrumental and it's not epistemic.
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And that is post-modernism, after disbelief, after irony, after deconstruction.
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And what remains is basically operational faith.
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And we do this because it stops breaking the world.
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Now, if he had written managerial liberalism fails in civilizational emergencies or something like that,
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Instead, he inverts your view to show a universe that is at a permanent state of emergency.
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Where administrators have been replaced by sacrifice.
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And, you know, the budget has been replaced by a corpse on life support.
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So the line that he's saying there is not Warhammer is more realistic than Tolkien.
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What it's saying is, is that in the Tolkien and Martin world, they assume the world can be healed.
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And the Warhammer world assumes it can only be held together and at a cost.
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So once you accept that premise, asking about tax policy isn't just shallow, it's insane.
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So this is, I think, this article is one of those rare moments where genre fiction is doing first-order political theology,
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while most political commentary is stuck at second-order administration.
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And the article lands because it's an articulation of something that they can feel but can't yet name.
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The sense that we move from one governing society into maintaining a failing reality.
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And that's kind of where I want to go next week with reinverting the frame of how does power actually work in the Western political system.
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So let me just read it again, because I want to pick it apart a little bit more.
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The answer to George R. Martin's question, what would Aragorn's tax policy be?
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Is 10,000 psykers sacrificed daily to feed energy into the corpse of a god-emperor,
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holding the line against the forces of hell itself?
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So Martin's question assumes that the world is governable and the institutions are stable and the problems are solvable
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and the time horizons are going to be long enough for policy to matter.
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You know, managerial realism is plausible procedures.
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Absolutely something we have lost sight of in the modern world.
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So it's replacing moral discourse with survival logic.
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It's based in fairness and burden-sharing legitimacy.
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You then get sacrifice and necessity and endurance.
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So it refames power as maintenance and not authority.
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Aragorn's power flows from legitimacy and renewal.
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The emperor's flows from constraint and brutal upkeep.
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And I love this about what he does, is he collapses the irony by being too sincere to parody it.
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You know, on the surface, the claim sounds insane.
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But it is literal, it's procedural, it's ongoing, and it's non-negotiable.
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So effectively, he's answering a literary critique with political theology.
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Not in a religious sense, but in the sense of, okay, what is it that does sustain order?
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And what happens when God is dead but must still function?
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And it resonates because it mirrors our moment without allegory.
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You read that and you think, institutions persist without belief.
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What he's doing is he's answering the wrong question with the right truth.
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The genius is not that he says, I don't know, Aragon wouldn't have a tax policy.
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What it says is, it's insane to ask that question at all.
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Asking that question means that you don't understand what is happening.
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And that's not a rebuttal, but it's a diagnosis.
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Before I move on, I also want to talk about the technique that he's using.
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Because I also think that the technique itself is subtly brilliant.
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And you've got to bear in mind that Morgoth is almost the very definition of salt of the earth.
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I mean, I wouldn't be surprised if he, you know, quit school before A-levels or something like that.
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I mean, I don't know for sure, but it wouldn't surprise me.
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So what that means is he's using these tools intuitively.
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And he's not deploying them based on theory in the academic sense.
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He's using them in a very specific and powerful toolkit.
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So I wanted to go below through the techniques that he's using and describing them functionally rather than in credential terms.
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So first thing, he goes straight for frame inversion.
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And this is one of the key things that I learned from this and one of the key abilities that unlocked it me is don't argue within the frame.
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Change the frame so completely that the original question becomes incoherent.
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Because Martin there was asking a policy question.
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And the response moves immediately to ontology.
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And this is a really high level technique because it avoids point scoring.
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And instead it forces the reader to renegotiate the premise on which they're having the discussion.
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And most writers will never do this because they're trained to respond.
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He deliberately answers the question in the wrong category.
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And what that does in the readers is it creates a cognitive shock.
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The reader can immediately sense that something deeper has been exposed.
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And actually this is a fairly classic move in philosophy and theology.
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But he's doing it here narratively and rhetorically.
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The third technique that he's using is metaphysical literalism.
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He treats metaphysical claims as operationally real.
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And most writers will instinctively hedge metaphysics as symbolism.
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The readers feel the consequences rather than being told about them.
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It certainly doesn't read like he's trying to be clever.
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