PREVIEW: Chronicles #18 | Romeo & Juliet Part 1
Episode Stats
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143.70111
Summary
Romeo and Juliet is one of Shakespeare's most famous plays, and one of the most famous love stories in all of literature. But who are the Montagues and Capulets? And how did they come to be?
Transcript
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Hello, ladies and gentlemen, and welcome back to Chronicles, where today we are going to
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be talking all about Romeo and Juliet, which is here, of course, in my complete works of
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Shakespeare. For those of you who've been watching this series since the beginning, you'll know that
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one of the very early conversations I had was an excellent one where I was able to sit down with
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AA and pick his brains all about Shakespeare in general, had a wonderful conversation about the
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histories, something of the tragedies, a little bit of the comedies. It felt like a great introductory
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episode to Shakespeare. But now I think it's time to return to Shakespeare, and we'll start focusing
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on each play individually. And what better place to begin than Romeo and Juliet? Of course, one of
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Shakespeare's most famous plays, one of his most performed plays, I think it's regarded as like the
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second most performed Shakespeare play. Also, of course, one of the most famous love stories in
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all of literature. Of course, like many of Shakespeare's other plays, he draws upon other
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texts, other versions of stories, and obviously in many cases from actual histories, in order to create
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a more definitive and remarkable version of the original. So in the case of Romeo and Juliet, back in
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1562, so about 35 years before we have the first performances of Romeo and Juliet in about 1597. So in
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62, you had a narrative poem by Arthur Brooke, who wrote the tragical history of Romeo and Juliet. That was
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in English, but that in itself was a translation of a French version of the story. And that French
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telling of the story was itself inspired by Matteo Bandolo's Italian novella from 1554. And so you can see
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the story of Romeo and Juliet carrying on from Italy, where of course the play is set, into the theatres of
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Tudor England. But actually, the story of the Montagues and the Capulets is much, much older. In fact, the first
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ever mention of these two families comes from Dante in his Divine Comedy, specifically during the Purgatorio
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Come and see, you who are negligent, Montagues and Capulets, Minaldi and Filippesi, one lot already
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grieving, the other in fear. Come, you who are cruel, come and see the distress of your noble families,
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and cleanse their rottenness. This seems to be our first name drop in history of the Montagues and Capulets,
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which of course leads to enormous speculation on whether or not these two families were in fact very, very famous
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in medieval, or perhaps even older, Italy for their feuds and the civil unrest that this feud brought to the streets.
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But irrespective of the names of the actual families, the tale of two lovers destined to die,
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and their love to turn to tragedy, is of course a much older trope in storytelling. Probably one of the greatest
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examples of it comes from classical antiquity in the playwright Ovid's Metamorphosis, where in that play,
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Pyramus and Thisbe are, again, two lovers from feuding houses, and both meet tragic ends.
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Shakespeare, of course, himself was obviously very, very familiar with Ovid's work, given that Pyramus
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and Thisbe appear in the play within the play towards the end of The Midsummer Night's Dream,
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right? It is the play that Bottom and the rest of the actors are preparing for in order to perform for
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the king. But we shall talk about A Midsummer Night's Dream another time. This is, of course,
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about Romeo and Juliet. And so, as always, let's begin with the story itself, and then we can
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Two households, both alike in dignity, in fair Verona where we lay our scene.
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From ancient grudge break to new mutiny, where civil blood makes civil hands unclean.
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From forth the fatal loins of these two foes, A pair of star-crossed lovers take their life.
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Whose misadventured, piteous overthrows Doth with their death bury their parents' strife.
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The fearful passage of their death-marked love, And the continuance of their parents' rage,
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Which, but their children's end, naught could remove,
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Is now the two-hour traffic of our stage, The which, if you with patient ears attend,
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What here shall miss, our toil shall strive to mend.
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Act I, scene I begins on the street, where Capulet's men, Samson and Gregory,
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Aspying Montague's men nearby, The two instigate a needless quarrel,
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The fight draws in Benvolio for the Montagues, And Tybalt for the house of Capulet.
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The sound of steel grows louder, And before long,
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The elderly Montague and Capulet Mean to personally defend the honour of their families.
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The fair street of Verona Is now marred by the cacophonous violence.
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Only Prince Aeschylus restores order, As Montagues and Capulets drop their weapons.
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Rebellious subjects, enemies to peace, Profaners of this neighbour's stainard steel,
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What ho, you men, you beasts, That quench the fire of your pernicious rage,
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With purple fountains issuing from your veins, On pain of torture from those bloody hands,
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Throw your mistempered weapons to the ground, And hear the sentence of your moved prince.
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Three civil brawls, bred of an airy word, By thee, old Capulet, and Montague,
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Have thrice disturbed the quiet of our streets, And made Verona's ancient citizens,
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Cast by their grave-beseeming ornaments, To wield old partisans in hands as old,
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Cankered with peace, to part your cankered hate.
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If ever you disturb our streets again, Your lives shall pay the forfeit of the peace.
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You, Capulet, shall go along with me, And Montague, come you this afternoon,
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To know our father pleasure in this case, To old Freetown, our common judgement place.
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The fighters retire, and Montague is left with Benvolio,
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Asking if he has seen Romeo, The lord's only son.
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His parents are concerned for him, As he seems stricken with melancholy,
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They take their leave of Benvolio, Who soon meets with his cousin, Romeo.
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After prying, Romeo reveals that he is lovesick, And tortured by the girl's unrequited feelings.
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Benvolio advises him to look to other beauties, So that he might move past this sorrow.
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Scene two introduces us to Paris, A young suitor to Juliet,
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Juliet is a darling of her father's eye, And seeing that Paris is a noble man,
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He gives him permission to woo his daughter At the evening's masquerade.
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Capulet then sends a serving man forth into the streets, To invite the listed guests.
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But the fellow's a poor reader, And happens upon Romeo and Benvolio,
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And asks if they can tell him The names of the people he's to invite.
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Rosalyn, the girl that his heart and loins Greatly long for.
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Her mother broaches the topic of marriage with her daughter,
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Telling her to look fondly tonight on good Paris.
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And tis much pride for fair without the fair within to hide.
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Than your consent gives strength to make it fly.
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But the imperishable centre of the party's spirit
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He frolics merrily, with Romeo and Benvolio in his company,
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Benvolio tells Mercutio that his talk is both endless and meaningless.
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I talk of dreams, which are the children of an idle brain,
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Who woos, even now, the frozen bosom of the north,
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Where the household and guests mingle with gaiety.
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It is on that night that Romeo first gazes upon Juliet,
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The measure done, I'll watch her place of stand,
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But Capulet demands that he must not escalate events,
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Makes my flesh tremble in their different greeting,
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Meanwhile, each second that Romeo and Juliet share,
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The next act begins with Romeo fleeing from his friends,
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Enthralled by his need to see Juliet once more.