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The Podcast of the Lotus Eaters
- February 28, 2026
PREVIEW: Chronicles #36 | Wuthering Heights Part 2
Episode Stats
Length
20 minutes
Words per Minute
154.80392
Word Count
3,158
Sentence Count
180
Misogynist Sentences
5
Hate Speech Sentences
8
Summary
Summaries are generated with
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.
Transcript
Transcript is generated with
Whisper
(
turbo
).
Misogyny classification is done with
MilaNLProc/bert-base-uncased-ear-misogyny
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Hate speech classification is done with
facebook/roberta-hate-speech-dynabench-r4-target
.
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Hello and welcome back to Chronicles, where today we're going to be talking all about the second
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part of Emily Bronte's Wuthering Heights. Now, I do have to start with something of a confession,
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which is that when I sat down to record part one, I hadn't actually had in mind for it to be an hour
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40 minutes, but I just ended up sitting here and just going into it in far more depth than I
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anticipated. And why not? After all, there is so much to say, obviously, about it, but I will
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endeavor to keep this one a leaner, tighter beast, and I hope that I can get it all to you in a much
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more concise manner. But let's just start, shall we, by reflecting on, you know, what did happen
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in part one, where some of our characters are, which ones are no longer with us, and then we can
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go into a bit of a recap, and then we'll go into the entirety of part two and the other half of the
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story that awaits us. So at the heart of all of this, we have the battle between nature and
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civilization, between Wuthering Heights, which, you know, even in the name Wuthering, there's an
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idea of it being battered by the very weather, which is exactly as Mr. Lockwood first finds it.
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And, but also the characters in the actual house as well, once Heathcliff takes mastery over it,
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these are people who are against civilization. And I don't mean that in a conscious sense,
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of course, but I mean, in their actions, how they conduct themselves, they're kind of
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anti-refinement characters. Heathcliff is not a refined man in the first half. Hindley is certainly
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not. And Kathy is young and wild and free. And in fact, those authoritative levelling up voices,
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those ones that give some sort of like moral instruction, are also very cold, very harsh voices,
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like that of Joseph, who I didn't really talk about a great deal in the first part. But there
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is undoubtedly a strong religious element to Wuthering Heights. And that's something I'll
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certainly come on to by the very end of this. But one thing to say is just that Joseph obviously
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represents a strain or a type of preacher evangelist that Bronte herself really didn't like. And Joseph
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is a man who speaks very puritanically. He's very austere. And he put all of it, the rhetoric is
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about hell and fire and brimstone and wrath. There's an entire lack of the attitudes of mercy and
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clemency and understanding and charity. All of these things are kind of absent from Wuthering Heights.
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And then of course, this is entirely juxtaposed with Thrushcross Grange and the life of the
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Lintons, Edgar and Isabella, who live a much more refined and much more, one would probably think
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aspirational, comfortable middle class life in Thrushcross Grange. But Nelly makes the point that
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it is not simply a case of us choosing nature or civilization, one or the other. It is a realm of
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trade-offs. And that despite Heathcliff and his shortcomings and his outsider status and his
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mysterious Byronic past, he has a resilience and a fortitude. And he's weathered the bitterness of
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life very, very well. And that has chiseled into him a very, very strong will. And especially when
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we couple that with the fact that the civilizational side of things with the Lintons took his wild love
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Kathy away from him, then well, going into part two, we're going to see a very, very dark and a very
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brutal Heathcliff indeed. One other thing just to say about the this recap is, of course, one of the
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main themes of Wuthering Heights is trauma and the trauma that all of these characters carry on and
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the sort of great chain of revenge and dominance and the trauma of what Heathcliff endured in Wuthering
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Heights growing up at the hands of Hindley and then later on at the hands of Edgar creates in it now a
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position where Heathcliff is finally the one with the absolute power in, you know, this little solitary
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area of the Orchermoz is amongst this desolation that is remarkable in a way. This is a place with very, very few
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people. It's very sparsely populated. And you think to yourself, well, with so few people, can they not all just get
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along? You know, I mean, this isn't the city where it's full of gossips and slanderers. Oh, no, no, no, no.
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This is brutal. And Heathcliff acts like a black hole. And anyone who is happy just gets dragged into
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the vortex of his wrath. And as I say, we'll see all of this come the time. So let's begin by talking
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about what happens in part two of Wuthering Heights. We're going to get an introduction to
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many of the newer characters, such as little Kathy, not, you know, the daughter of other Kathy. So we had
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Catherine Earnshaw and she married Edgar Linton and they had a daughter. So we have now Kathy Linton
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Heathcliff. And also as well, Edgar's sister, Isabella, had a child with Heathcliff after he
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basically tricked her and charmed her into marrying him and then used her as a tool of revenge against
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Edgar. And Isabella ran away and she's gone for 12 years. And in that time, at the beginning of that,
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she gave birth to her and Heathcliff's son called Linton Heathcliff. And obviously all these names do
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cross over somewhat, but it's a great way of showing how all of the allegiances and identities
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getting intertwined with one another. And all of a sudden we have a man called Linton being a tool
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of the man called Heathcliff. And we have young Kathy Linton, who Heathcliff is going to try to
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force into marriage with his son so that she can become Kathy Heathcliff. And so there's this idea of
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revenge and taking that name Linton away from her and forcing this young Kathy, who's inherited all
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of this trouble and all of this strife, forcing her to take that name. And so names are very, very
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important in it because they say something about the moral content of the characters themselves.
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So let's begin and talk all about part two of Wuthering Heights.
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The 12 years, continued Mrs. Dean, following that dismal period were the happiest of my life.
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My greatest troubles in their passage rose from our little lady's trifling illness,
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which she had to experience in common with all children, rich and poor. For the rest,
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after the first six months, she grew like a larch and could walk and talk too, in her own way,
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before the Heath blossomed a second time over Mrs. Linton's dust. She was the most winning thing
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that ever brought sunshine into a desolate house. A real beauty in face, with the Earnshaw's handsome
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dark eyes, but the Linton's fair skin and small features, and yellow curling hair. Her spirit was
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high, though not rough, and qualified by a heart sensitive and lively to excess and its affections.
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That capacity for intense attachments reminded me of her mother. Still, she did not resemble her,
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for she could be soft and mild as a dove, and she had a gentle voice and pensive expression.
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Her anger was never furious, her love never fierce. It was deep and tender.
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However, it must be acknowledged she had faults to foil her gifts. A propensity to be saucy was one,
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and the perverse will that indulged children invariably acquire, whether they be good-tempered
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or cross. If a servant chanced to vex her, it was always, I shall tell papa. And if he reproved her,
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even by luck, you would have thought it was a heartbreaking business. I don't believe he ever
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did speak a harsh word to her. He took her education entirely on himself, and made it an amusement.
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Fortunately, curiosity and a quick intellect made her an apt scholar. She learned rapidly and eagerly,
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and she did honour to his teachings. Till she reached the age of 13, she had not once been
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beyond the range of the park by herself. Mr Linton would take her with him a mile or so outside on
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rare occasions, but he trusted her to no one else. Nellie Dean, ever the faithful housekeeper,
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watches over her, ensuring the ghosts of the past remain buried. But curiosity stirs in young Cathy.
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She overhears a servant talk of the fairy cave, and sets her ambitions on seeing the Peniston
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Crag. A window of opportunity soon presents itself, when Edgar receives a letter from his dying sister,
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Isabella. She beseeches her estranged brother to come and visit her, and to take the child she had
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with Heathcliff into his care. Upon reading her words, Edgar sets off without hesitation, and during
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his three weeks of absence, young Cathy, evading Nellie's vigilance, sneaks out to see the Crag.
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Her route takes her past Wuthering Heights, and she encounters Hairton Earnshaw, now a strapping
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youth of 18, his broad shoulders bent from labour, his speech rough and unpolished, his mind starved of
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learning by Heathcliff's deliberate neglect. But such details are lost on the innocent hearts of
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children, and Cathy, joyfully exploring the land for the first time, goes with him to play at Peniston
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Crag. Nellie pants with fear for the young girl, who she naturally believes to be lost and alone on
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a maw of unrelenting vastness and danger. To the servant's great relief, she finds the two of them at
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Wuthering Heights. Nellie then explains to young Cathy that Hairton is not the master of Wuthering
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Heights, but that he is in fact her cousin. Cathy becomes aloof and repelled at the thought of having
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such unrefined kin. When Nellie finally manages to get the unruly girl to leave with her, she also
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makes a promise not to tell her father about her escape from Thrustcross Grange and the events that
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followed, for fear of her father furiously terminating Nellie's employment. Little Cathy agrees,
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but the first contact has been made, and now Heathcliff will know of the existence of his son,
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Linton, and his arrival at the home of his enemies. When Edgar returns with a young boy,
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he is revealed to be a very unimpressive specimen, whiny, sickly, weak. Heathcliff sends Joseph over to
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collect him, but Edgar explains that he will bring the boy tomorrow morning, giving him up without a
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fight. Isabella had never told Linton about his father, or his deplorable nature, and Nellie tries
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to console the young lad as she escorts him to Wuthering Heights, all the time knowing what a
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desperate existence she moves him towards.
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Hello, Nellie, said Mr Heathcliff when he saw me. I feared I should have to come down and fetch my
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property myself. You've brought it, have you? Let us see what we can make of it.
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Do you know me? asked Heathcliff, having satisfied himself that the limbs were all equally frail and
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feeble? No, said Linton, with a gaze of vacant fear. You've heard of me, I dare say. No, he replied
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again. No, what a shame of your mother never to waken your filial regard for me. You are my son,
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then, I'll tell you, and your mother was a wicked slut to leave you in ignorance of the sort of father
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you possessed. Now, don't wince and colour up, though it is something to see that you have not white
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blood. Be a good lad, and I'll do for you. Nellie, if you'll be tired, you may sit down. If not, get home
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again. I guess you'll report what you hear and see to Le Cipher at the Grange, and this thing won't be
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settled while you linger about it. Well, replied I, I hope you'll be kind to the boy, Mr Heathcliff, or you'll
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not keep him long, and he's all you have akin in the wide world that you will ever know. Remember.
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I'll be very kind to him, you needn't fear, he said, laughing. Only nobody else must be kind to him.
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I'm jealous of monopolising his affection, and to begin my kindness, Joseph, bring the lad some
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breakfast. Hairton, you infernal calf, begone to your work. Yes, Nell, he added, when they had departed,
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my son is prospective owner of your place, and I should not wish him to die till I was certain of
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being his successor. Besides, he's mine, and I want the triumph of seeing my descendant fairly lord of
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their estates, my child hiring their children to till their father's land for wages. That is a sole
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consideration which can make me endure the whelp. I despise him for myself. I hate him for the
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memories he revives, but that consideration is sufficient. He's as safe with me, and shall be
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tended as carefully as your master tends his own. I have a room upstairs, furnished for him in handsome
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style. I've engaged a tutor, also, to come three times a week from twenty miles distance, to teach
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him what he pleases to learn. I've ordered Hairton to obey him, and in fact, I've arranged everything
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with a view to preserve the superior and the gentleman in him, above his associate. I do regret,
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however, that he so little deserves a travel. If I wished any blessing in the world, it was to find
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him a worthy object of pride, and I'm bitterly disappointed with the way-faced whining wretch.
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The boy is installed at the heights, a pawn in his father's vengeful game, his health waning under a
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damp chill neglect. Young Cathy does not know where her momentary cousin has disappeared to.
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Three years more unfold, and Cathy, now sixteen, chafes at her confinement. Edgar's health falters,
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his grief for Catherine never fully healed, but he permits Nellie to accompany Cathy on short rides
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across the moors, provided they stay clear of Wuthering Heights. Alas, Wuthering Heights has no intention
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of staying clear of them. On the moor, the two ladies encounter Heathcliff and Hairton. The dark man
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cunningly mentions Linton to Cathy, who is immediately overcome with a desire to see her cousin, having been
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unaware that he'd been living so close for so long. And so, against Nellie's insistence, they go to Wuthering
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Heights. There, Cathy rediscovers Linton, his cheeks flushed with fever, his complaints incessant.
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Heathcliff does not pass on the opportunity to sow distrust between Cathy and her father,
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tactically revealing her father's flaws and history to her. When darling Cathy confronts her father,
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Edgar, as delicately and as articulately as he can, implores his sweet daughter to know the true
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history of what they have all endured at the hands of cruel Heathcliff, and to let her know of the great
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danger he presents to all their precious joys. And though Cathy accepts the truth about Heathcliff,
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she cannot shake her pity for Linton. She conspires in secret, arranging correspondence through a milk
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boy to exchange letters with Linton. Linton's letters are dictated by Heathcliff, laced with pleas that draw
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Cathy back, her compassionate heart overriding caution. Nellie discovers this plot and burns the letters,
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leaving Edgar in ignorance of the whole affair. But Heathcliff is relentless. Surprising Cathy in
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person and manipulating her with guilt and deceit, he tells her that he will be away for a week and
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that he encourages her to go to visit Linton herself. Begrudgingly, Nellie agrees to this. True to his word,
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Heathcliff is not there. Nor need he be. Linton's desperate state toys with Cathy's heart. Even as he
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whinges and chides her, she is compelled to care for him. The breath of winter delivers Nellie a cold,
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and Cathy cares for her attentively by day and visits Linton secretly by night. She continues to mock
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Hairton for his illiteracy, even as he tries to learn and show improvement. Visit by visit,
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Cathy is disenchanted by Linton, whose manifest flaws break forth more with every interaction.
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Cathy decides that she will visit him no more. Nellie is satisfied with this outcome,
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and the secret meetings are revealed to her father. To help remove his daughter's temptations,
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the ailing Edgar consents for Linton to visit them at Thrushcross Grange, where they'll be sure to have
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more responsible oversight. This plan proves unworkable though, due to Linton's frailty. So it
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is agreed that the two may meet halfway on the moor. By this time, all chances for happiness seem to be
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slipping further and further from Cathy's power. Both Linton and her father are dying. Torn between two
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affections, Cathy reluctantly leaves her father to visit Linton on the moors. Linton was much too weak to
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make such a journey, and so Cathy and Nellie are drawn closer to wuthering heights, and Linton pleads
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pathetically. With streaming face and an expression of agony, Linton had thrown his nervous frame along
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the ground. He seemed convulsed with exquisite terror. Oh, I cannot bear it. Catherine, Catherine,
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I'm a traitor too, and I dare not tell you, but leave me and I shall be killed. Dear Catherine,
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my life is in your hands, and you have said you love me, and if you did, it wouldn't harm you.
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You'll not go then. Kind, sweet, good Catherine, and perhaps you will consent, and he'll let me die
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with you. My young lady, on witnessing his intense anguish, stooped to raise him. The old feeling of
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indulgent tenderness overcame a vexation, and she grew thoroughly moved and alarmed. Consent to what?
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She asked. To stay? Tell me the meaning of this strange talk, and I will. You contradict your own
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words and distract me. Be calm and frank, and confess at once all that weighs on your heart.
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You wouldn't injure me, Linton, would you? You wouldn't let an enemy hurt me, if you could prevent
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it. I believe you are a coward for yourself, but not a cowardly betrayer of your best friend.
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But my father threatened me, gasped the boy, clasping his attenuated fingers. And I dread him.
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I dread him. I dare not tell. Oh, well, said Catherine with scornful compassion.
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Keep your secret. I'm no coward. Save yourself. I'm not afraid.
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A magnanimity provoked his tears. He wept wildly, kissing a supporting hands, and yet could not summon
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courage to speak out. I was cogitating what the mystery might be, and determined Catherine
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should never suffer to benefit him or anyone else by my goodwill, when, hearing the rustle
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among the ling, I looked up and saw Mr Heathcliff almost close upon us, descending the heights.
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