PREVIEW: Chronicles #54 | The Inimitable Jeeves Part 2
Episode Stats
Harmful content
Misogyny
1
sentences flagged
Toxicity
5
sentences flagged
Hate speech
23
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Summary
In this episode, we continue our exploration of The Inimitable Jeeves by P.G. Woodhouse. We re covering chapters 9-18 of the classic comedy-drama, and covering some of our favourite moments from the series.
Transcript
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Hello and welcome back to Chronicles, where today we're going to be continuing on with
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The Inimitable Jeeves by P.G. Woodhouse. Where we last left off last week, we talked all about
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the character dynamics between Jeeves and Worcester. We talked somewhat about Woodhouse,
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his own quite turbulent, very exciting life himself, a very well-travelled man, very cultural
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and a remarkable humorist. Just some of the adages and the way that he spins cliches
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in his writing, it's just such an eminently readable book. And because of the nature of it,
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is actually less than, though there is one, as we'll see towards the end, there is something of
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an overarching story to the entire thing, even though it just feels like Bertie just constantly
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bungling his way through problem after problem. Well, we do actually get something of a final act
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in this particular story. But for the most part, it is very episodic. It's very much a short story
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structured because that's how they were originally conceived and written in the first place and then
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Woodhouse has basically retroactively gone back and threaded through some materials you know for
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you to follow the strands. So we're going to start with talking all about chapters I believe
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9 through to 18. So we're going to cover the latter half and talk all about a really whole
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colorful and clever set of stories. First of all, Bertie goes to New York, then we find him back in
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Blighty, basically just having to deal with Bingo's love troubles again. There's also a really
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humorous episode involving a bunch of communists as well from Speaker's Corner. Also, we get this
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absolutely hilarious episode where he's constantly just making fun of rural village life and the way
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that Bertie is thrown into all of this and having to deal again with Bingo's love troubles, etc,
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etc. So, first we'll go through the actual narrative, as we always do, and then when
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I see you on the other side of it we'll talk all about these stories, why they're so funny,
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why they're so magical, and some of my personal favourite moments from the collection. So,
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Hot off the heels of Bertie bungling his engagement to Anoria, he flees across the Atlantic to
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America, a land perfectly free from his wrathful relations, such as Aunt Agatha. But as swift
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as he can flee, her letters pursue him, and Bertie Worcester is startled at the civility
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of her tone. What follows is a letter of introduction from Mr. Cyril Bassington Bassington from Aunt
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Agatha. Homesick, and looking to return to his aunt's good graces, and his native Blighty,
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Bertie decides that giving this fish-faced figure a few days of good dinners would be the most
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expedient means of fulfilling such reasonable ambitions. I've never heard of him. Have you
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ever heard of him, Jeeves? I am familiar with the name Bassington, Bassington, sir. There are three
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branches of the Basington Basington family. The Shropshire Basington Basingtons, the Hampshire
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Basington Basingtons, and the Kent Basington Basingtons. England seems pretty well stocked
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up with Basington Basingtons. Tolerably so, sir. She say she wants me to look after this
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excrescence while he's in New York. By Jove, Jeeves. If I only fawn on him a bit so that he sends back
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a favourable report to headquarters, I may yet be able to get back to England in time
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Now is certainly the time for all good men to come to the aid of the party, Jeeves.
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We must rally round and cosette this cove in no uncertain manner."
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He started to put out my things, and there was an awkward sort of silence.
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"'Not those socks, Jeeves,' I said, gulping a bit, but having a dash at the careless
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offhand tone. Give me the purple ones. I beg your pardon, sir. Those jolly purple ones.
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Very good, sir. He lugged them out of a drawer as if he were a vegetarian fishing a caterpillar
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out of the salad. You could see he was feeling deeply. Juiced painful and all that, this sort
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of thing. But a chappy has got to assert himself every now and then. Absolutely. Before having to
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acquaint himself with Cyril. Bertie goes to lunch with George Caffin, a playwright he's befriended
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in New York, currently underway with the rehearsal period for his new play, Ask Dad.
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Just as all evidence begins to suggest a rather uncomplicated day, Jeeves comes to Bertie for a
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discreet word. Jeeves was in the waiting room. He gave the socks one pained look as I came in,
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then averted his eyes. Overcoming the unsettling sight of the socks, Jeeves informs Bertie that
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Mr. Bessington Bessington is in prison, and after this startling revelation is put to George,
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the yank accompanies Bertie to see what can be done about Cyril's release. Upon finding him doing
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porridge in a cell, it becomes clear how such an outcome may arise. Cyril gormlessly lacks social
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awareness and practical intelligence, making him a perfectly overqualified aristocrat.
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Bertie goes to settle his bail, a grave error, as Cyril is left in the company of Mr. Caffin,
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and before Bertie can assess the magnitude of his error, his charge has found his way
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onto the theatrical scene, with a part in George's play. In fact, Cyril had come to New York with the
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secret purpose of becoming a great thespian, an outcome expressly prohibited by Aunt Agatha,
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and greatly in defiance of his father's expectations of cultivating a career in
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Washington as a diplomat. Aid from Jeeves seemingly unforthcoming, on account of the
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Saga of the Socks, Bertie can do nothing but watch as Cyril begins obsessing over the rehearsals,
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and Bertie slips into further despair as he watches a key to his return to London,
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fawning about on stage with all the grace of a sack of gravel.
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I then perceived that the stout stripling had trickled into the room after Jeeves.
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He was standing near the door looking at Cyril,
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The child remained there, drinking Cyril in for about half a minute.
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The child, who had evidently been taught at his mother's knee to speak the truth,
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He spoke as if Cyril was more to be pitied than censured,
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which I'm bound to say I thought rather decent and broad-minded of him.
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I don't mind admitting that whenever I looked at Cyril's face,
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I always had the feeling that he couldn't have got that way without it being mostly his own fault.
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It seemed to take Cyril a moment or two to really grasp the thing,
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and then you could hear the blood of the Bessington Bessingtons begin to sizzle.
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I wouldn't have a face like that, proceeded the child with a good deal of earnestness.
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Not if you gave me a million dollars. He thought for a moment, then corrected himself.
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Two million dollars, he added. The crass little child makes another appearance at the theatre,
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where the offspring is revealed to be the son of Mr. Blumenfield, the theatre manager,
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the big cheese himself. The little sprong constantly puppeteers his own father's opinions.
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Don't you like it, darling? It gives me a pain. You're dead right. You want something zippy
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there? Something with a bit of jazz to it? Quite right, my boy. I'll make a note of it.
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All right, go on. The boy remembers dear fish-faced Cyril, and he never has a chance to break a leg
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on opening night. His short-lived sojourn into theatre is over. He meekly and defeatedly tells
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Bertie that he will go to Washington as his father had hoped. Bertie realises that Jeeves
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has gently engineered the whole satisfactory outcome. Peace of a sort descends, and the purple
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socks, once a bone of contention, find a startling new home on the feet of the lift attendant,
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who thanks Bertie profusely for the dazzling gift.
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Jeeves, as ever, has tidied everything away with his customary quiet genius.
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On his return to London, Bertie takes in a stroll around Marble Arch,
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where he encounters the bread and butter of the modern man.
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On the edge of the mob, farthest away from me,
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a gang of top-hatted chappies were starting an open-air missionary service.
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Nearer at hand, an atheist was letting himself go with a good deal of vim,
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though hand-capped a bit by having no roof to his mouth.
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While in front of me, there stood a little group of serious thinkers
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with a banner labelled Heralds of the Red Dawn.
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And as I came up, one of the heralds, a bearded egg in a slouch hat and a tweed suit,
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was slipping it into the idle rich with such breadth and vigour
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At the protest, Bertie encounters Bingo's uncle, Old Mortimer Little, now elevated to Lord Bittlesham
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and owner of the hot favourite horse Ocean Breeze for the upcoming Goodwood Cup.
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A thoroughly upper-class conversation ensues until Bertie realises that the heralds of the
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Red Dawn have been listening in with decided revulsion.
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Yes, look at them. Drink them in, he was yelling, his voice rising above the perpetual motion
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fellows and beating the missionary service all to nothing. There you see two typical members of the
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class which have downtrodden the poor for centuries. Idlers. Non-producers. Look at the
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tall, thin one with a face like a motor mascot. Has he ever done an honest day's work in his life?
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No, a prowler, a trifler, and a bloodsucker.
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And I bet he still owes his tailor for those trousers.
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He seemed to me to be verging on the personal, and I didn't think a lot of it.
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Old Bittlesham, on the other hand, was pleased and amused.
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A great gift of expression these fellows have, he chuckled.
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"'That's Lord Bittlesham, one of the worst. What has he ever done except eat four square meals a day, his goddess's belly, and he sacrifices burnt offerings to it. If you open that man now, you would find enough lunch to support ten working-class families for a week.'
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You know, that's rather well put, I said, but the old boy didn't seem to see it.
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He had turned a brightish magenta and was bubbling like a kettle on the boil.
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Come away, Mr. Worcester, he said, I am the last man to oppose the right of free speech,
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but I refuse to listen to this vulgar abuse any longer.
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The bearded orator turns out to be none other than young Bingo himself, now Comrade Little.
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Being deeply smitten with comrade Charlotte Corday Rowbotham, the fiery daughter of a
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revolutionary, Bingo has decided to try his hand at communism, as she seems to find rhetoric about
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the streets of London running with the blood of the rich rather romantic. Bingo persuades the
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ever-manipulable Bertie into hosting tea for the comrades at his residence, including for
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the alarming and zealous Comrade Butt, Bingo's rival for Charlotte's love. The gathering is a
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social nightmare, as Bertie reminisces. And I think the most gruesome part of the whole affair
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was the fact that, for the first time since I'd known him, I saw Jeeves come very near to being
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rattled. I suppose there's a chink in everyone's armour, and young Bingo found Jeeves' right at
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at the drop of the flag when he breezed in with six inches or so of brown beard hanging
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I'd forgotten to warn Jeeves about the beard, and it came on him absolutely out of
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I saw the man's jaw drop, and he clutched at the table for support.
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I don't blame him, mind you, few people have ever looked fouler than young Bingo
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Then the weakness passed and he was himself again, but I could see he had been shaken.
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Duty insists that Jeeves endures the evening, as he watches this grotty gang of comrades
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seizing the scrambled eggs and sardines at the table.
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Charlotte's father, Old Rowbotham, sounds out Bertie's Marxist credentials.
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Mr. Worcester, said Old Rowbotham, may I say, Comrade Worcester?
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Well, I don't know that I exactly yearn. I mean to say, as far as I can make out,
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the whole Hubbard scheme seems to be to massacre coves like me,
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and I don't mind owning that I'm not frightfully keen on the idea.
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Old Rowbotham is further disappointed when he finds evidence of hierarchical language in the home.
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Presently, the hot water gave out, and I turned to Jeebs.
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Hey. What's this? What's this? Old Robothma had lowered his cup and was eyeing us sternly.
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He tapped Jeeves on the shoulder. No civility, my lad. No civility. I beg your pardon, sir.
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Don't call me sir. Call me comrade. Do you know what you are, my lad? You're an obsolete relic of
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exploded feudal system. Very good, sir. The day after this vulgar event, Bertie totters down the
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street to meet Bingo, nervously considering how best to break it to his chum that the girl just
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won't do. He meets both Mortimer and Bingo, only to discover that the nephew is pretending to
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investigate his uncle's harassers for a fee. But all of Bingo's hijinks come to ruin when he is
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unbearded by Comrade Butt at the Goodwood Cup, all orchestrated by Jeeves, naturally.
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It seems that the revolution isn't for Bingo after all, and once again the Worcester Fortunes
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Still smarting from his gambling losses at Goodwood, Bertie decamps to Twing Hall for
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There he finds his cousins Claude and Eustace, Bingo Little, and a lively reading party.
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The enterprising Steggles has organised a novel sporting event, the Great Sermon Handicap.
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A dozen local parsons are clocked for length of sermon, the longest wins.
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Odds are offered, handicaps are allotted, and the syndicate, with Bertie supplying the capital, naturally, piles in.
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Despite Bertie's certainty that old Heppenstall is a sure bet,
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recounting a 50-minute belter of a sermon on brotherly love he'd heard many years ago,
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But disaster strikes on Saturday, when the parson is incapacitated by hay fever, and
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Jeeves bags a winnings due to a deft bet on a young man who borrowed that same sermon.
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Their gambling thrills not quite satisfied, however.
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The group engaged themselves in the great comedic affair of betting on the village school
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Steggels opens another book on the various races, Mother's Sack, Egg and Spoon, Choir
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boy's dash and so forth. The syndicates study the contestants and back several certainties,
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all these unsuspecting children now being evaluated like horses for the Grand National,
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notably the fleet-footed pageboy Harold for the choir boy's hundred yards,
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but panic strikes when Steggles nobbles Harold, stuffs a leading mother before the sack race,
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and generally rigs every event against them. Once returned to Barclay Square, it isn't long before
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Bertie gets a letter from Bingo, demanding he return to Twing Hall for a rather predictable
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drama. Bingo's in love. Again. This time with Miss Mary Burgess, whom Jeeves assures is a very
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estimable young lady. But all these mishaps with love begin to gnaw at Bingo's self-belief,
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Jeebs personally makes a journey to see what can be done to seal a deal for old Bingo,
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and advises him to do good works about the village to engender affectionate feelings in Miss Burgess' heart.
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Returning to Bertie with his assessment, Jeebs says,
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but I did venture to indicate to Mr. Little a course of action which might prove of advantage.
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I recommended him to busy himself with good works.
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Good works? About the village, sir, reading to the bedridden, chatting with the sick,
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that sort of thing, sir. We can but trust that good results will ensue.
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Yes, I suppose so, I said doubtfully. But by gosh, if I was a sick man, I'd hate to have a loony like
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young Bingo coming and gibbering at my bedside. There is that aspect of the matter, sir.
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said Jeeves. Bingo bungles it, as usual, becoming wayward from Jeeves' advised path,
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and finding himself organising for the village a calamitous rendition of the school Christmas
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entertainment. It seems Miss Mary may not be the lady for Bingo, after all.
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The next part of Bertie's life is even more eventful. A quiet life is what I like,
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and that's why I felt that the curse had come upon me, so to speak, when Aunt Agatha sailed
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into my sitting room while I was having a placid cigarette and started to tell me about Claude and
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Eustace. Oh, thank goodness, said Aunt Agatha. Arrangements have at last been made about Eustace
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and Claude. Arrangements, I said, not having the foggiest. They sail on Friday for South Africa.
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Mr. Van Alstyn, a friend of poor Emily's, has given them berths on his firm at Johannesburg,
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and we are hoping that they will settle down there and do well.
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But what's the idea? I mean, aren't they in the middle of their terms at Oxford?
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that you take so little interest in the affairs of your nearest relatives
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that you are not aware that Claude and Eustace were expelled from Oxford over a fortnight ago?
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They poured lemonade on the junior dean of their college.
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I said horridly. I wasn't laughing. Joking. Got something stuck in my throat, you know.
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Poor Emily, went on Aunt Agatha. Being one of those doting mothers who are the ruin of their
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children, wish to keep the boys in London. She suggested that they might cram for the army,
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but I was firm. The colonies are the only place for wild youths like Eustace and Claude,
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So they sail on Friday. The catch to being rid of these interminable miscreants is that Aunt Agatha
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insists on their being lodged at Bertie's overnight before ensuring they board the ship
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the next morning. As may be suspected, this final step is blundered somewhat.
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Following a raging all-nighter, Bertie wakens to the twins still being at his place. Far from
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sailing down the Atlantic Ocean, Claude selfishly explains how he met a girl last night.
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Two hearts that beat us one, I mean, and all that sort of thing. So the long and short of it is that
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I gave old Eustace a slip at Waterloo and slid back here. The idea of going to South Africa and
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leaving a girl like that in England doesn't appeal to me a bit. I'm all for thinking imperially and
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giving the colonies a leg up and all that sort of thing, but it can't be done. After all,
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said Claude reasonably. South Africa has got along all right without me until now, so why shouldn't
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it stick it? Eustace has an identical alibi, and after several days of relentlessly stalking this
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poor girl, Jeeves resolves to have them sent off at last. Good riddance, Claude and Eustace.
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The final chapter is dedicated to a most unexpected matter. Bingo's actually gone and done it. He's
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engaged at last to a pretty and kindly waitress. Not the same waitress as previously, of course.
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Nevertheless, all that remains to unite the couple in matrimony is for Uncle Mortimer to open his
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coffers again and forgive Bingo for that sad little fling with communism. Once more, Bertie is forced
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into the task. He puts his greatest dedication to reading the latest Rosie M. Banks novel,
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and despite his victory in restoring Bingo's stipend, he cannot gain Mortimer's blessing for
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the marriage. But Bingo throws caution to the wind and finally marries her anyway. Bertie is sent to
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break it to Mortimer and leaves the newlyweds outside to reconcile with him. During his absence
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from the scene, a terrible confusion befalls as it turns out that the pen name that Bertie had
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been feigning of Rosie M. Banks is, in fact, Bingo's new wife. This gaping lie having been
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exposed, Jeeves is left in charge to fix a mess in whatever way he can. So, whilst Bertie is up
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in Norfolk, Jeeves informs Uncle Mortimer that Bertie is quite assuredly mad, and truly believes
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himself to be the writer of Rosie M. Banks. Quite uncharacteristically, Bertie erupts when he
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discovers the reputational damage that Jeeves has thrust upon him. I pushed on to the old flat,
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seething like the Dickens. One thing I was jolly certain of, and that was that this was where Jeeves
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and I parted company. A topping valet, of course, none better in London, but I wasn't going to allow
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that to weaken me. I buzzed into the flat like an east wind, and there was a box of cigarettes on
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the small table, and the illustrated weekly papers on the big table, and my slippers on the floor,
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and every dashed thing so badly right, if you know what I mean, that I started to calm down in the
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first two seconds. It was like one of those moments in the play where a chappie about to
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steep himself in crime suddenly hears the soft, appealing strains of the old melody he learned at
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his mother's knee. Softened, I mean to say. That's a word I want. I was softened. And then,
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through the doorway, there shimmered good old Jeeves, in the wake of a full tray of unnecessary
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ingredients, and there was something about the mere look of the man. However, I steeled the old
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heart and had a stab at it. I have just met Mr. Little Jeeves. I said, Indeed, sir. He told me
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you had helped him. I did my best, sir, and I am happy to say that matters now appear
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to be proceeding smoothly. Whiskey, sir? Thanks. Uh, Jeeves? Sir. Another time, sir? Oh, nothing.
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Not all the soda, Jeeves. Very good, sir. He started to drift out. Oh, Jeeves? Sir?
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Dinner will be ready at a quarter to eight precisely, unless you desire to dine out.
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