Actor Rob Schneider - On Woke Hollywood, Great Films, and Politics (The Saad Truth with Dr. Saad_741)
Episode Stats
Length
1 hour and 11 minutes
Words per minute
188.7079
Harmful content
Misogyny
8
sentences flagged
Toxicity
20
sentences flagged
Hate speech
23
sentences flagged
Summary
Comedian and Author Rob Schneider joins me to discuss his new book, You Can Do It, America, and how he became a writer, comedian, actor, and public speaker. We talk about how he got started in comedy, how he went from being a raging liberal to becoming a conservative, and why he decided to go back to college to pursue a degree in psychology.
Transcript
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Hey everybody, this is Gadsad for The Sad Truth. One of the things that I love in doing this show is I
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get to connect with people that otherwise I would have never had the chance to meet, the pleasure to
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meet. Today I've got the comedian, the actor, and now the author, Rob Schneider. How are you doing, sir?
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Thank you. It still sounds very silly, the word author. Like, eee, what? What did I say? I don't fool
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myself. I think my book is, it's not like your intellectual, you know, artistry that you bring to
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it. My book is kind of an edutainment, or I feel like I have to make people laugh, otherwise they'll
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stop reading it, you know? Whereas I really think what your specialty is to be able to be, to persuade
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people through your intelligence and your wit and your will and your courage to get them to your point
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of you with reasoning. And that's the thing, like when I see you give a speech, I go like, man,
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why am I even doing this? Gadsad is so much better than me. You're so persuasive, but you don't speak
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over people's heads. That's the key. You're not trying to impress them with your, how much smarter
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than you are, even though you are. But you impress them because you create a logic and a rationale
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that isn't easily, you know, dismissed. I think that's one. Yeah. Thank you for the kind words. I
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mean, I've often had a fellow academics say, well, you know, why do you use, you know, your satirical
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skills and, you know, that kind of removes your professorial facade and that exactly demonstrates
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that they don't get it. Right. I mean, and I don't need to explain to you the power of humor. Look,
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I'm going to use a wide range of weaponry within my arsenal of persuasion. Sometimes I'm professorial
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when I'm speaking at Stanford. Sometimes I'm, you know, depending on the medium, I will adjust.
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But to your point, I get a lot more satisfaction receiving a fan mail from a trucker who says that,
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you know, because he saw me on Joe Rogan, he decided to go back and study psychology at night school.
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That impresses me a lot more than receiving some nice email from a colleague from Stanford,
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to your point. But I want to mention before I see the floor, I want to mention at least the title
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of the book. You can do it, which is a signature saying from many of your movies and so on and SNL
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and so on. Speak your mind, America. You can do it. Speak your mind, America. What led you to write
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this book? When did you first come out from, you know, being a raging progressive? Maybe you
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weren't, but at least most people in Hollywood are, to actually finding your brain.
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I remember being angry at people who were conservative because how could you, I didn't
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even understand it. I mean, I didn't, I didn't understand the, well, I didn't understand the core
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of what conservatism was because, you know, the old, well, I guess the best description that that's
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part of my belief system was how Noam Shomsky describes conservatism, which is just, conservatism
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is just adopting what was radical 90 years ago and clinging to it. But some of the progressive,
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progressiveness is where the, the, the bad ideas seem to be sneaking in. But when you grow up in a,
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in a progressive, um, environment that was a very culturally, um, you know, the overused term
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diverse, it was just a melting pot, which I prefer that because it, because it's, it's a
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cohesiveness. It's like making a pasta, you know, the idea about, uh, you know, being diverse means
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separate and staying. But the old idea that we used to describe as a melting pot because it becomes
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something because of the different mixtures that they're going into it. So growing up in
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San Francisco, my mother being Filipino, not understanding any jokes, she would laugh. She
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had great timing. She was like, what does it mean, Robert? And then, uh, growing up with that,
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it was just naturally to be, uh, to grow up and be a liberal because that was the, not the dominant
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time. I mean, at that time you had more conservatives, whether it was, uh, by the time
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the eighties came in, cause I just assumed everything was going to continue to get more
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liberal under the Carter administration. And then by eight, 1980, it was, it was a real
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stop. And there was, uh, a constriction of, of ideas of speech and attacking that was coming
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from the right at that time. So that was a awakening, uh, but they have not come anywhere
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close to, uh, to what the left has done. And when the left and the right are screaming at the
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same time, they're really back to back being just as irrationally authoritarian and, uh, sensorial.
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But I think the left has gone, uh, farther than it's any other time in my lifetime. And I think
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they have more tools at their disposal. Well, they dominate almost everything in the culture,
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right? Uh, academia, of course, journalism, Hollywood. I mean, everything is, is a chokehold from
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the progressives. The hegemony of the, of the left, of the leftists and, uh, their stranglehold on big
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tech has the potential to do what's happening now, which is really to suppress, uh, free speech and
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freedom. If the, if, if tyranny does come, and I recognized this in 2013 and I went public with it,
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tyranny is coming and it's coming from the left now. That was 11 years ago under the Biden administration,
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I mean, under the Obama, um, who was trying to convince people after the second time, he was a
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black president was elected in America that somehow to quote Douglas Murray, when race has never been
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better, they try to frame it as it's never been worse. That's right. Which is a real manipulation,
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a real, a real, a real interesting magic trick. So is there, is there an episodic memory that you
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have? I mean, it doesn't have to be down to the last nanosecond, but something that flipped you from
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being, you know, a leftist to more conservative. So, and here I'm thinking about, I don't know,
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do you know, Dave Rubin, do you know who Dave Rubin is? Yeah. Yeah. So, you know, he always
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talks about, I didn't leave the left, the left left me. And then he kind of explains his journey
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from how, what was it for you? When was that? Well, I think seeing parental rights being taken
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away in California, uh, because they wanted to raise their children differently. I didn't realize
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that the state, uh, was intending to interfere in every aspect of, uh, of the citizen citizen's life
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in California and to co-parent with them. And so when the state was mandating that the parents had
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to do all these lists of vaccines that they would take, and, and we've, we have chronic illnesses
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that are unheard of when you and I were children, uh, that are happening now. And we have to be able
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to at least ask questions. And so, you know, whether they, you know, the, the constant verbiage from the
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pharmaceutical industry is that, uh, cause, you know, uh, coincidence and causation or, um,
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there that we can't go by, well, we can go by evidence that the parents know something's going
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on with their children. And so what happened was there was a manipulation going on in the state
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legislature. And I think 2013, uh, 2014, where they wanted to like, you could get an exemption if you
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wanted. In other words, if your kid had a bad reaction to a vaccine and you had another kid,
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which is the same genetic predisposition as your other kid that was injured, you should be able
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to say, well, I want an exemption. So this other child doesn't have a traumatic brain injury,
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like, uh, or, or seizures that would go into it. Uh, and, um, and so you should be able to get
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a doctor's exemption or a medical exemption. And so they were trying to take this away.
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And I found that to be egregious. And then when I, you have a child, forgive me for interrupting.
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Did you have a child of that age at that point, or it was just an abstract, uh, you know, uh,
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situation that you were dealing with, or was, were you personally affected by it?
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I, you know what, I'm one of the, like Del Bigtree, who's the high wire, and he's, he's one of the
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great advocates for, um, for medical freedom in America. Him and I come at this with uninjured
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children, but we, I was having a baby at the time. And I remember, um, meeting with a doctor
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who was, um, married to the, this director that I was going to be making a film with.
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And she's, she was one of those TV doctors who would go on TV and talk. And, uh, they had a
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beautiful baby and, you know, I was about to have a baby. And I said, well, what shots did you give
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the baby? She said, none. And I said, why? And it's well, because they're, they don't have an immune
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system. Their immune system for babies is external and their immune system is their mother's breast
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milk. And they can't absorb those toxins and it could cause, um, brain inflammation. And I'm like,
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well, why do you tell other people to do it? And she said, it's up to them.
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So when I learned, I met with these, these parents who, uh, had injured children, um,
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through this medical procedure that they were told was guaranteed to be safe. And it wasn't,
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and their child was irreparably injured. And my friend, Barbara Lowe Fisher, who runs the
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National Vaccine Information Center, the oldest and longest running parent, uh, uh, vaccine
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advisory group. Um, I was astounded by it. And when the NIH in 2013 came up with a statistic
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that 54% of children suffered chronic illness, it was something you can't unlearn that. And so I said,
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well, I gotta, you know, um, so I got, I didn't realize that, uh, how it would affect me, uh,
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and my career financially to go up against this monolithic pharmaceutical industry and the
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tentacles that they have, but the, the pharmaceutical industry is only allowed to advertise their
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products in two countries and it's the New Zealand and it's us. And they spend up to 85% of all ads
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in a non-election year. So their power is monolithic. It is, um, it's very strong. So, um,
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and that was your original entry into sort of activism. Yeah. I mean, it was, I mean,
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thinking about children and parents and parental rights and the health of children,
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it definitely got me into that. And then when you realize, you know, and then Robert Kennedy and
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I'm a supporter of Robert Kennedy's and, and now we support Donald Trump because we think this is a
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way to the best way we can to, um, what he calls making America healthy again. You realize that
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it's not just the pharmaceutical industries that have, that have controlling the powers, uh, power
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switches of America and the power base. We're all our agencies, our federal agencies, whether it's
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the FDA, whether it's the CDC, whether it's NIH, these agencies have been, um, captured by industry,
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the industry that they're supposed to, that is supposed to regulate these industries. So once you,
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once you open that up to realize that corruption that, and it is globally, uh, you can see how
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when an, when a, uh, uh, industry gets too much power, they could shut down the world and they
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were able to do that in COVID. So we can see that. And they're also able to, we got to be careful that
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we don't start world war three just to satisfy the military industrial complex, which I think,
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you know, I'm worried about the Democrats getting in, staying in power and continuing these, uh, this
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war in Ukraine. Um, so this is something that I think you have to put your own interests aside
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and think about, um, getting involved because, uh, I don't think you can stay on the sidelines
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at this critical point in our, uh, world history.
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So political orientation and academia would probably be the most lopsided there. There are
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studies, which I'm sure you're familiar with that sort of break down the percentage of Democrat
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professors versus say Republican in the American context, there's a similar breakdown in Canada.
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Uh, and, you know, depending on the discipline, it could be as unbiased as five to one, meaning
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five times as many Democrat professors as Republicans that might happen, say in engineering or in the
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business school. Yes. But then in most of the more activist based fields, you know, anthropology and
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sociology and African American studies and so on, so on, you can have, you know, 130 to zero. I mean,
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literally, you know, you, you're more likely to run into a unicorn than to run into a Republican
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professor in a sociology department. Uh, so that's an academia. Now I suspect that it's almost as
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lopsided in Hollywood, but how many people do you know? So of course the, the classic ones are
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Clint Eastwood are James Woods. I mean, there's you, there's maybe a few others I could think of,
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but what is it, is it, you know, is it 5% of all Hollywood people might be considered conservative
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or is that even too optimistic? I would say, I would say closer to 12. Okay. But I would say of
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those 12, less than 1% speak out. Sorry, 12 people or 12%? 12 people. Okay. No, it's a 12%. I would
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say it has grown because what happens is, I mean, I would take this as a, um, as an indicator and I'm
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not a, um, you know, not, not an academic and I, I really didn't like statistics in college. I found
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it to be, uh, uh, confusing and also misleading because the statistics, you can find out you could
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get these statistics if you cherry pick the numbers and that not necessarily the statistics that are
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saying what's really happening. There's actually a book by the way, Rob, uh, that, that many doctoral
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students will take when they're taking a methodology course. And it's called how to lie with statistics
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to your point. I mean, literally it's a very, very small book. You should, you should read it
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because it's a very small book. It's, it's very accessible and it's exactly to your point.
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Anyways, go on. No, but it was astounding to me with that, that, that in college in the short term,
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the short time that I was in college until I started making money as a comedian, I was just astounded
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that that I was actually, um, the manipulation of, of, uh, the manipulation of math, but also
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the manipulation of minds because you can, and you can, it's when, and that's what's, it seemed
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to be what's happening at university. Whereas, um, I mean, Scott Atlas talks about this much better
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than I do. The professor from Stanford who was brought in too late to the Trump administration
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because I think Trump was manipulated by the people that were there. And according to Don
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Jr. And on my conversation with him recently on his podcast, he said, he's going to be
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more careful this time, uh, you know, to, to who he's going to listen to. And he's also
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not going to be Trump. President Trump is not going to be so easily swayed by people who
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been there and people who were threatening him with that millions of people would die and
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it'll be all your fault. So I'd take this as an indicator, uh, two stories. One is that
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my attorney, my entertainment attorney, who said five years ago, Rob, I thought you were
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nuts. He's in Beverly Hills. He's Jewish. Of course. Right. Of course he is. Thank God.
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Okay. Go on. Of course he is. That's, that's why he's successful in the, thank God, the pinnacle
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of his, uh, but he's also, uh, totally, uh, indoctrinated into this, you know, illogical, uh, you
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know, liberal, uh, and yet he represents you. Well, because he's a good attorney and
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you know, you have to have somebody from the tribe if you want to get a good deal in show
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business. So what happened was he called me? He says, I can't, I said, I got to tell you,
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Rob, I thought you were nuts five years ago, but now I can't believe what they're teaching
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my third grader. And I said, so are you still going to vote for a Kamala? He said, yeah,
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yes, of course. So it's like, it doesn't even matter. So those are people you can't get to,
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but what we're really happening now is we're, we're not teaching kids in this era. And I would
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just go back to like, I'm old enough to remember in the early seventies, if you got a university
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from Santa Cruz, university, Santa Cruz, Santa Barbara, or even UCLA in the early 1970s, late
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sixties, early seventies, those were useless degrees. Everybody knows that they were teaching
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kids. They were getting a degree by sitting out in the woods, holding hands or, you know,
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they're, they're in flowers and, and it's, it's going to be the same thing. Now you have
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universities that are not teaching kids how to think critically. And I'm not talking about,
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you're right, not the graduate schools, because the graduate schools of Harvard business school
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is still 85% conservative, but it's 85 to 95% liberal in the student body. They're cranking
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out illiberalism and they're not cranking out critical thinkers. They're cranking out advocates
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to a partisan illiberal ideology. And, and that's what they're doing now. So I think that's,
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that's wasteful. And what happens is to my friend, Peter Brugosian, who told me a story
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at his school in Oregon, where he was a professor. And he said, they had an opening in the philosophy
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department. And one of the, um, one of the people that were coming in for, um, an interview
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to fill that position in the philosophy department, an associate professor position.
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The first thing he said, I am from Peru and I am homosexual.
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So in other words, you get, you got the job, you got the job, you have two boxes scratched off.
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So there you go. Why wouldn't you hire me? But the difference is academia allows this
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and can, because academia doesn't fall. Academia just is this funded system that keeps going.
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And that has been polluted by this leftist. And I think Marxist, uh, leanings bend and it's
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deliberate. Whereas if you were in the marketplace and you had to make money, you had to be a profitable
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company. If you had to be a football team that was, uh, that could kick footballs, uh, through a
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goalpost, if you were a soccer team, or if you play for one of the three different rough riders,
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uh, teams that are a part of the Canadian football league, I don't know why the hell you have three
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And we've got nine teams of which I think six or eight make it to the playoffs. So you play 16 or
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17 games to get rid of one or two teams, but it was gone. So it's insane. So if you had, so there's,
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there's no logic to it, but if you had to, one of your many, many rough riders who all make the
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playoffs, as you just, as I've just learned, um, you wouldn't have a, you wouldn't have a Filipino
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Jew like me because we're, you know, we don't, we can kick about eight feet of football.
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Well, you would want somebody better, but you, in a philosophy department, you can have
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as many Peruvian homosexuals that you want, uh, that you can fill the department because
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it doesn't matter really. And it, unfortunately, uh, it's not the best people that are getting
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the position and it's happening all over. It is a woke, which is woke as I agree with
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James Lindsay. It's nothing but, you know, Marxism dressed up as manners. Uh, and, and
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you have, um, society now where you have a president of the United States, what's left
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of him, Joe Biden, who wasn't, uh, you know, uh, wasn't a great intellect 30 years ago when
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his brain was properly functioning. And he says, we're going to, we're going to have a Supreme
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Court justice who is a black woman. I mean, I, I'm nothing against black or, or women
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or black women, but we need to have not the person, the color of their skin or their genitals
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was deciding because we only have nine in the United States who are deciding to interpret
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the constitution for our society and how we live in our society. Uh, we need to have
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the most qualified people for these positions and we need to return to that. And, and so
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I really think we have a, a system where it is devolving into a system that, that is not
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serving society. And I don't think that's a system that will, will survive. It will collapse
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at a certain point. You can't have a plumber, uh, coming in to fix your toilet based on if
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he's a homosexual or based on the color of his skin. I want a guy who knows how to get
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the, the bopper to go up and down. So the stuff in there leaves my house, you know, I
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mean, but to your point about when you mentioned Harvard business school being more conservative,
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I, so I've argued that some disciplines are naturally more inoculated against all those
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parasitic ideas because there is a feedback loop called reality that tests your ideas, right?
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So if you are in engineering and you want to build a bridge, then you can't use postmodernist
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physics to build the bridge because the bridge will collapse. You can't build mathematical
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models to understand the economy at Harvard business school that are completely unwedded
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to reality because then someone will be pissed off because they won't make money because you
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won't cater to the customers. So, so there is an auto corrective feedback loop that makes
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sure that you are wedded to common sense in reality. So that doesn't mean though, that
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those disciplines can't be somewhat parasitized, but they're much less likely to be parasitized
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than activist fields where the main reason that is just to create, as you mentioned earlier,
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activists. So I can be in some esoteric department in the humanities, espouse all kinds of bullshit.
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And there's no, there's nothing that slaps me back into reality. As if anything, I'll get promoted
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and I get tenure to, to parasitize more incoming students. So I think that's the key issue. Okay.
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I want to talk a bit about humor because you mentioned offline before we got on that, you know,
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one of the things that you wanted to do in your book, and let me mention the title again,
00:23:25.380
you can do it exclamation point, speak your mind America. You, you try to infuse your humor. I mean,
00:23:31.740
that's what your profession is. You're a comedian. You want to try to persuade people through your
00:23:35.260
comedy. Uh, I mentioned offline that actually comedians are some of the smartest people.
00:23:42.640
That's why women will always say, I want one of the most attractive traits in a man is for me to
0.90
00:23:49.100
be with a funny guy, because I argue that being funny is a proxy measure for intelligence. There is
00:23:56.480
no way that Dave Chappelle can get up for an hour and captivate thousands of people if he didn't score
00:24:04.420
off the charts and IQ. Do you agree with that? I agree with that. I do agree with that. I think
00:24:09.660
that has some limitations in it. I think that, um, for us, the idea is the art, I guess, Shakespeare,
00:24:17.200
the art of the artists to make it appear like it's not art. And I don't know if Shakespeare is the
00:24:21.420
only person who said that, but it is, we have to make it appear and, and, uh, and make it
00:24:27.160
approachable. And, uh, you know, I, I did realize at a young age that with my height, five foot five on
00:24:32.640
a good day. And with, uh, my apparently odd looks that I was not going to be able to, uh, acquire the
00:24:40.040
interest of women that I found extremely attractive unless I had something else going for me.
0.61
00:24:46.260
But is that, is that literally true? Like, do you, do you remember engaging in that calculus?
00:24:51.440
I remember, yeah. Thinking like this is going to require something else. I also remember like,
00:24:56.840
uh, a funny story that I would never want to tell anybody, but I remember like, cause I used to play
00:25:01.520
trombone and I just, it did not attract the, um, the sexy girls. Yeah. It certainly didn't attract
00:25:07.320
anybody. As a matter of fact, it's not a, a nice saxophone at least sounds kind of, you know,
00:25:12.100
sensual. Um, you know, however, I remember going over and I practice and I, maybe I practice a half
00:25:18.500
an hour at the most a day, whatever. And I remember going over to my friend's, um, house and his
00:25:23.840
brother, uh, was in the San Francisco symphony, which blew me away because, you know, that's the
00:25:29.120
ultimate if you want to be a musician. And I remember him, he would practice seven, eight hours
00:25:33.480
a day. I never went over to my friend, Mike Robinson was my friend's name. He was a trumpet player.
00:25:37.420
And his brother, uh, his dad, Bill Robinson was a tremendous trombone player. Um, and a teacher
00:25:44.120
and his, and his older brother would be in his room. I'm doing triplets, doing the scales. And
00:25:55.240
we're the whole time, every time I was at his house and I went like, man, that's a lot of work
00:25:59.420
just to be the, the first trombonist in the San Francisco orchestra. And my friend, Mike said,
00:26:05.980
no, he's the third trombonist. No, there's two other guys better than him. And he's working
00:26:11.800
eight hours a day. I quit the trombone that day. And I said, I got to do something else.
00:26:16.660
And I noticed that with jokes and then, you know, entertaining being in high school, I noticed
00:26:20.600
that that was my in. And, uh, cause I was a nervous kid cause my mother, you know, she spoke
00:26:26.060
very good English, but she didn't understand it. So I was always a little bit more, you know,
00:26:30.420
my speaking was a little, not quite stuttered, but it was stopped starting because that's
00:26:36.980
just the way I was raised. And so people would laugh. And I remember going, I could either
00:26:45.820
So, okay. I mean, you used it for, to hopefully get in with the ladies, but then when did you
00:26:51.820
decide, wait a minute, I can, I can make a career out of this.
00:26:55.320
Well, they would, they did a, um, I mean, my dad had comedy albums. So we listened and
00:27:00.340
you know, I was the youngest kid, so I didn't get the most attention. I, you know, they were
00:27:05.260
my, but I said this joke when I was young, I said, you know, my parents, I was the fifth
00:27:08.960
kid. So by the time I grew up, they were over it. They're like, you know, Rob, here's where
00:27:13.380
I'm the exact same way, by the way, I'm fourth of four. And the next youngest is 10 years
00:27:20.500
And so you had it all and they were up, but they also left you alone. And then they did
00:27:24.820
spoil you. I remember two things. Like my parents were basically like, Rob, here's where the
00:27:29.020
car keys are. Here's where the alcohol is. Just do whatever you have to do. And, and I
00:27:33.080
remember my mom, when I was a little baby or three years old yelling at my siblings
00:27:38.020
because my mom and dad would go out to dinner and they would have a social life. They, my
00:27:41.280
dad would take my mom to see comedy shows, which she didn't understand. And she'd have
00:27:44.960
explained later because my mom spoke five languages, but a distant second language was English
00:27:50.880
for her. Uh, she would yell at my siblings. All right, we're going out to dinner. Anybody
00:27:56.880
touch a hair on Robbie? I murder all of you, you know? So, uh, they're still alive.
1.00
00:28:04.120
No, they passed away. My mom, almost 93. She was a survivor of the Japanese occupation of
00:28:09.740
the Philippines, but never bitter. But I remember my dad who also, you know, all those relatives
00:28:14.160
were, were of course killed. And, um, you know, by the, by the, the real Nazis, not the
00:28:20.700
Nazis at the Trump rally, not at the Madison square garden, Nazis, not those Nazis, you
00:28:25.100
know, actual Nazis, you know, I mean, the, the, the, the definition of Nazis, not people
00:28:29.300
who just happened to be in the second party that were allowed in the United States, you
00:28:34.080
know, not those Nazis, but real Nazis. He used to say this to me. He said, Robbie, John,
00:28:40.740
here's the thing when they come again, cause they're going to come again. They're not taking
00:28:45.500
us alive. Like they did in Europe and Eastern Europe and Poland. His, his family is from
00:28:51.120
Tarnapol, which was a part of Prussia. Now Poland, Tarnapol. And, um, he said, we got
00:28:57.460
guns. We're not taking us alive. You're going to get this gun. You're going to get this
00:29:00.620
gun. We're going to shoot our way out. And he would have that meeting with us. And he
1.00
00:29:04.260
meant it. And I always thought it was nuts. And now that I know it's, it's not nuts. It
00:29:09.580
isn't. And yeah, go ahead. Sorry. Finish your point. But unfortunately it isn't nuts. I
00:29:14.460
mean, we have to like, I have guns. I never had guns in my life. I do now. Uh, so, you
00:29:19.000
know, I, I think it's, um, for the people who the leftists and the Democrats who are putting
00:29:25.300
in, you know, who were all for open borders and stuff and look for, you know, Michelle
00:29:30.260
Obama and for, um, Oprah Winfrey, these very, very wealthy people that have, as you say,
00:29:37.340
inoculated themselves from the, uh, from the policies that they're pushing. Exactly. Uh,
00:29:42.420
they, they don't live in a border state and they don't, they don't realize that the, that, uh,
00:29:47.420
letting in millions of people that will be forever Democrat voters is also putting a lot
00:29:51.040
of people at risk. And it's, it's, uh, they're inoculated. They're living in their, you know,
00:29:56.080
they got gated communities and, uh, most people Americans don't. Yeah, exactly. Okay. Let's
00:30:01.520
continue with, uh, so many questions that I want to ask you in the Hollywood world. Uh,
00:30:06.720
are there any, uh, I mean, I'm sure you have a million stories that you could share, but are
00:30:12.660
there any stars that you haven't met that are still alive that you would love to meet? And
00:30:19.940
before you answer, I'll answer. If you asked me that question, actually, sorry, who would you
00:30:27.700
want to meet? Yeah. Well, thanks. Thanks for asking. Uh, Clint Eastwood would be one names that
00:30:34.540
comes to my head too, but I have met him. Okay. Well, I want to hear about that. So hold off,
00:30:38.840
but let me finish my answer. Then I want to hear your meeting with Clint. Now for me, Clint,
00:30:43.420
it's not a lot of people might think, Oh, it's because he's conservative. Not at all. It's because I
00:30:48.640
grew up in Lebanon, Rob, watching this guy coming into town. Remember you, like you see how you,
00:30:58.580
you notice that, Hey, I can get the girls by being the funny guy. That was my way in. Well,
00:31:03.280
I looked at this guy. I didn't speak English. So I'm talking about the spaghetti Westerns.
00:31:07.760
And I said, I want to be that guy when I grow up. That's my guy. And so that's one of the reasons
00:31:15.340
why I want to meet him. The other guy I wanted to meet who's not passed away is Bert
00:31:20.380
Bacharach. Do you remember, do you remember Bert Bacharach now? So he's the, the, they called him
00:31:27.180
the, uh, uh, the Mozart of pop. Exactly. Uh, because he, you know, his music is really eternal. I mean,
00:31:36.180
he's, you could, you could find his stuff, you know, in the sixties, seventies, eighties,
00:31:41.080
and then maybe a bit less. And, uh, I mentioned these two guys on Joe Rogan show about a day or
00:31:48.660
two later in my Instagram, I receive a private DM from the son of Bert Bacharach who says, Hey,
00:31:57.000
professor, I watch your thing. Let's try to hook it up. But then he passed away before we were ever
00:32:02.820
able to do it. So those are my two guys. Those are beautiful. Who would be yours? Go ahead.
00:32:07.220
My goodness. Well, I love Bert Bacharach because he really, he really took a form of music and then,
00:32:15.860
and then made it wonderfully. I mean, it wasn't simple. It wasn't simply done, but he brought
00:32:21.200
orchestral to it and, and, and, and, but didn't do it in a, uh, didn't do it in a complicated way
00:32:30.320
that benefited that, that, that kind of complimented his ego. Yeah. He made it, he made it sound
00:32:35.100
beautiful and simple and approachable. Just like what you do with your works and your speeches
00:32:39.540
is that you make, you make people feel relaxed because you're not going over their head. He did
00:32:45.220
the same thing musically and beautifully and beautifully layered. And he really was, they
00:32:50.040
called him the Mozart of pop. And he really did deserve that title. And he did have beautiful music
00:32:54.780
that'll last forever. I mean, Clint Eastwood was my guy because I grew up in San Francisco.
00:32:59.040
So Clint Eastwood was when I was a kid and you saw Dirty Harry. Oh my God. Yes. Well,
00:33:05.100
Dirty Harry was actually, you know who they offered that role to first, Gad? Who? John Wayne.
00:33:11.200
Is that right? And he thought it was too violent. He ended up- From Newport Beach,
00:33:15.360
conservative from Newport Beach. He thought it was too violent and didn't think, but he ended up doing
00:33:19.840
a movie called McCain or McQueen or whatever, McQueen, McQueen or something like that, which was, uh,
00:33:26.020
McLean. I think it was called McLean, which was a Dirty Harry, but it was too late. But the guy
00:33:29.920
that was perfect for it was Clint Eastwood because you saw this guy, friend of mine who was making
00:33:34.560
movies in Italy back in, uh, you know, was an extra and in movies back in the, in Italy,
00:33:40.140
back in the 1960s. In the Spaghetti Western movies? Yeah. He was like, he flew out there as 19 years
00:33:45.940
old. He's a Canadian. He's a director by the name of Boone Collins, very dear friend of mine.
00:33:51.200
And he said, he was, he said, I want to be in movies. And he heard about that. They were making
00:33:54.220
him in Italy. So he flew out there and he was an extra in some of these movies. And he said,
00:33:58.880
when you saw Clint Eastwood walking down the street, it was like seeing the, the Mona Lisa
00:34:03.660
walking down the street. This is perfectly handsome guy with coiffed hair and built, I mean, Clint still
00:34:08.560
to this day. And unlike us, tall. Yeah. Tall and six foot four when that was something, you know? So,
00:34:16.000
uh, but he, um, he was a guy that, uh, I would say one of the most talented guys ever in the
00:34:23.460
Hollywood system. And he was a guy that truthfully didn't have the most range. He stuck to his,
00:34:29.600
there's two kinds of actors, Gad. You had a guy that could, you had different guys that
00:34:32.880
could play everything. You know, you see Dustin Hoffman, uh, when Rain Man, or you see him in,
00:34:38.000
um, uh, you know, in, in, um, you know, Kramer versus Kramer, no? You see him in different,
00:34:45.460
he's different in every movie. Yeah. Yeah. Yeah. He can hide himself. Al Pacino is different in,
00:34:49.540
uh, you see in the Godfather. Do you see him in, um, you know, uh, cruising is very
00:34:55.680
different. Oh, hold on. Stop right there. I got to tell you a story about cruising. You
00:35:00.280
ready? Yeah. 1980. My parents, I think have just returned for the last time from Lebanon
00:35:08.100
post having been kidnapped by Fatah. I think it was 1990, maybe 1979 when we went to see the
00:35:14.180
movie. I go with my mother. One of the only times I've ever gone to a movie. I took her to see
00:35:20.660
cruising, which for those of you who don't know, it's Al Pacino. He's an undercover cop trying to
00:35:28.720
find a serial killer within the hardcore leather gaze world. At the end of the movie, my mother looks
0.99
00:35:36.480
at me and says, are you trying to tell me something? I said, no, mom, I'm not trying to
00:35:43.600
come out as gay by taking you to the movie. I'm just, I really like Al Pacino. Was she looking at
00:35:49.940
you during the movie? Like she wasn't, she was uncomfortable because there's a lot of scenes in
00:35:55.000
the movie that you wouldn't expect your 14, 15 year old child to be sharing that experience with you.
00:35:59.940
And especially if you come from the middle East, but anyways, forgive me for interrupting you. It just
00:36:04.220
seemed like the right story to know. That was absolutely right. Because I remember my parents,
00:36:08.940
they went to go see a movie that sounded like it was a dance movie. And it was Last Tango in Paris
00:36:14.640
with Marlon Brando. And it was, you know, him with the butter and the girl having, you know,
00:36:19.300
this, you know, these sex and blah, blah, blah. And it was just that my mother, they were scarred for
00:36:25.220
seeing movies for years. And then they finally went again and they went to go see this movie that
00:36:30.820
Diane Keaton was in it. And they thought it was going to be a Woody Allen movie. And it turned
00:36:36.040
out to be this Richard Gere's, one of his first movies. And it was about a serial killer. It was
00:36:40.640
called Looking for Mrs. Goodbar, which is about this woman who was this promiscuous woman who kept
1.00
00:36:45.240
sleeping with everybody until she finally met a serial killer who killed her. My parents stopped
00:36:49.240
going to movies. That was it. They said, we're not doing this again. But I remember my mommy horrified by
00:36:55.160
those movies. Okay, go on. So you were talking about guys that have range, Pacino and Kramer would
00:37:01.160
be an example. You had a guy like, you would have a guy that would cling to a character and would
00:37:05.560
basically play different variations of that, whether it's Adam Sandler is a common version of that or
00:37:09.720
Brad Pitt, or you'd have, you know, Humphrey Bogart, whether he was basically the same guy in the
00:37:14.740
Maltese Falcon as he was in the African Queen. Yeah. So he basically hang on to this guy and he would be
0.89
00:37:23.740
this guy forever. And that's what you were going to get. You're going to get Humphrey Bogart,
00:37:27.580
whether you saw the petrified. Ah, that's good. And show it up to what you'd get. And then you
00:37:33.460
have, like, Klinice was one of those guys too. But he also became a director. And one of the reasons
00:37:37.880
he said he became a director is because he made this movie in 1965 with Lee Marvin that was called
00:37:42.900
Paint Your Wagon that was directed by an Englishman. An Englishman who are very, you know, in England,
00:37:48.580
they have a saying, which is very true. They said, the man does not know his place.
00:37:56.400
In other words, you're here and they're here and you better, there's a chasm there for a reason.
00:38:02.620
And this director would set up a scene, a shot, and it would be all day setting up one shot. And it
00:38:09.160
would be this cascading thing of events happening. And, you know, these rocks coming in the water
00:38:13.980
flowing and people running. And he was just waiting around all day. Him and Lee Marvin were
00:38:19.640
waiting around for this shot to happen. And he said to himself, if I can paraphrase for him or
00:38:24.100
speak for him, I'm never going to do this. If I get a chance to direct a movie, I'm going to make it
00:38:29.220
quick and I'm going to shoot this thing. And he has, and he did. And his first movie that he directed
00:38:33.740
was called Play Misty for Me. Oh, yes. In his hometown, brilliant little thriller about,
00:38:39.500
and truthfully, before Fatal Attraction, this was the Fatal Attraction. It was about a female
00:38:43.900
stalker of someone who was a radio personality. Like 74, 75, something like that? Yes, I think
00:38:49.740
73, 74. You're right. And he filmed it in his little hometown, beautiful hometown of, this is
00:38:57.580
before drones. So all the shots you see of beautiful coastline is a helicopter shot. I remember making
00:39:03.280
movies when I was young. Can we get a helicopter for this scene? It's like, no, it's too expensive.
00:39:07.140
Now you get a drone. It's a nickel, basically. And so he made this movie a taut little thriller.
00:39:13.900
And then he directed all these other movies since, whether it was comedies with an orangutan.
00:39:21.580
Right. Orangutan. Exactly right. That's the only time you can ever work. There's a story about that.
00:39:27.200
The only time you could ever work with an orangutan, a full grown orangutan. Because once these great
00:39:32.200
apes turn adolescent, 13, and they grow their incisors, they want to take you out. And the only guy
00:39:38.720
that I know of in existence that ever was able to work with full grown orangutans was a guy named
00:39:44.440
Bobby Bersini. Bobby Bersini had his own act where he had literally six full grown orangutans on stage
00:39:52.740
at a casino, a live show, that these could have jumped into the audience and killed people. But he
00:39:57.820
was able to manage them. And so when I was doing a movie called The Animal, we wanted to get, you know,
00:40:03.080
at that time, special effects was the one where now you can just create it and do it. We had to
00:40:07.380
actually get chimpanzees and orangutans. And this was 20 years ago. So we said, I said, well, let's
00:40:13.600
get that guy who did the Clint Eastwood movie. You know, what's it called? Loose or, you know,
00:40:22.320
I forget the name of the Clint Eastwood movie where he worked on orangutan, like left hand Clyde,
00:40:28.900
remember? Left side Clyde, where Clyde would punch a guy. And it was Bobby Bersini. So we got him.
00:40:37.400
And then he told us that, you know, he's Italian, Bersini. He said, Robby, let me tell you,
00:40:42.820
everything was good in my business. Everything was good. And then I have one guy who make a
00:40:48.600
complaint. One guy, he videotaped me. He videotaped me to make an animal. Because you
00:40:53.500
have to, I mean, let me tell you the truth. Robby, we have to fool these animals. We cannot just tell
0.96
00:40:57.860
them to do stuff. They don't just do stuff. You have to pretend that you are stronger than them.
00:41:01.880
The minute, the minute that they think, the minute, the minute, did I say the minute? The minute that
00:41:07.800
they think that they are stronger than you, you're dead. You're already been there four times.
00:41:11.500
He has a, the bone density is nine times more than a human. Oh, I'm sorry. Nine times, seven to nine times
00:41:18.080
more. Okay. I forget. But anyway, and so what happened was he was correcting one of the animals
00:41:23.120
and how they corrected is, Hey, go over there. You got to do this. And, you know, don't misbehave.
00:41:28.120
And what he would do is he grabbed his chest hair like this and like, Hey, no. And so that was cruel.
00:41:33.680
And then the casino, it was beginning of canceling. And so we had him come out to work with us. And,
00:41:40.100
and the animal actually did some weird things with me and he left. He literally, the animal was doing
00:41:47.560
this rehearsal with me. We're about to shoot Monday and this is on a Saturday. We got to
00:41:52.840
shoot Monday. And the full grown orangutan started doing something where the neck kind of goes up
00:41:57.680
and he just distract the animal puts it and he's got it on a wheelchair so he can move it because
00:42:02.440
they're very, you know, they can't move that great. And, uh, he just wheeled it out. And I said,
00:42:07.380
what happened? Is everything okay? I said, Robbie, I've known this animal. He's there for, for many years.
00:42:11.640
And, um, I must tell you that I've never seen him do an aggressive move like that. And so we can't do
00:42:17.120
the movie. I said, what we're shooting Monday. Yeah. I'm sorry for you. I can't have this happen
00:42:22.080
to me. And you specifically triggered his ire for some reason. Yeah. The animal did a move that I
00:42:28.800
don't know. I could, I didn't recognize it, but the, the whole thing went out like that. Right. As soon as
00:42:33.000
that happened, Bobby, he came in between, took the animal, distracted the animal, turned it on his chair
00:42:37.980
and took it out. And he said, Robbie, let me tell you, I mean, he sees a problem, be a problem for me,
00:42:42.920
the problem, uh, for the animal and mostly a problem for you. They're so quick and so strong, just like
00:42:48.660
that. And then bada boom. And so he literally got in his, in his, you know, he had, he had a cage in
00:42:55.140
the, in the bus on the lot. He literally put the animal in the cage on the lot and drove off, went back to
00:43:00.840
Vegas. And, um, and so that was it. So we had, we, but luckily there was a universal, there was another
00:43:07.080
orangutan that was younger and we got to work with that one. So, uh, that's just, I get it why
0.58
00:43:12.780
they don't, um, you shouldn't work with, with animals, um, you know, big, strong animals that
00:43:18.060
want to kill you. But I did work with this one orangutan, uh, who was nine, not an adolescent.
00:43:23.540
Then we had, we shot that scene, which has ended up being pretty funny for the movie.
00:43:26.720
So tell us the story of when you met Clint Eastwood.
00:43:30.280
Well, um, not a great story. I literally was at the whole foods, uh, in, um, studio city
00:43:40.120
and I'm walking through the aisle and all of a sudden I walked and it was one of those
00:43:45.280
things like, and he literally was on his hands and knees reaching in, grabbing a can
00:43:52.480
of soup, organic soup. Oh my God. And I was like, I, I need to want to bug people. They're
00:43:59.360
groceries, grocery shopping, whatever. And he's literally turns around, he says, hi, hi.
00:44:06.560
Is that true? Or you're just doing the Rob thing?
00:44:09.780
No, I just said, I, I'm just, thank you for the joy that you brought. You know, you don't
00:44:14.680
know what to say to people, like the joy that you brought, the family, me, and, um, and
00:44:20.920
I said, and your new movie, um, grand Torino. I mean, wow.
00:44:26.540
And, uh, he said, um, and he basically just didn't say much, but like, uh, I said, that's
00:44:32.600
your best movie. You should get an Academy award for that. And he said, the Academy hates
00:44:35.860
me. They've seen too much of me. He said, they're sick of me because he just won the Academy
00:44:43.640
award for before that. But, um, for, you know, unforgiven, but that was when, well, fantastic.
00:44:50.660
But that's when you could be a conservative and it didn't, they didn't hold it against
00:44:54.260
you if you made enough money, but then they, they kind of changed, you know, and it's a
00:44:59.040
closed system and they are, uh, they, they have retribution. You don't, it's sad because
00:45:05.700
it just, we should be, they, they, it's all tolerance. It's a party of tolerance that
00:45:10.700
has no tolerance and they're not playing around when you're out forever.
00:45:14.940
That's right. Uh, you know, and, uh, before my wife and I had kids, uh, we embarked on
00:45:20.300
a project. So, you know, the AFI, the American film Institute, every, I don't know how many
00:45:25.040
years, 10 years or something that they come up with their new top 100 rankings. And so
00:45:29.220
we thought, look, uh, you know, we need to be, you know, cultured people when it comes
00:45:34.160
to films. So let's kind of try to go through all of these. And so we started going through
00:45:39.700
the list, uh, and in no systematic way, but to try to get through as many as we could,
00:45:44.600
but then we had kids and we had to abandon the project. Uh, it was really incredible
00:45:49.240
because some of the movies you'd see and you'd go, Oh my God, I get why this is amazing.
00:45:53.780
So here's, here are two that are on the list and I'd love to hear what you think about them.
00:45:58.460
So I saw the apartment with, uh, do you remember the apartment?
00:46:02.340
That's a great story. I only got to meet, um, Jack lemon one time, Jack lemon. Uh, there's
00:46:08.700
a very good story because he got to work with, you know, the, the great, one of the great
00:46:13.300
directors has ever been in Hollywood, Billy Wilder, Billy Wilder made a movie that's probably
00:46:18.820
the most consequential film. That was the transition between the silent era and, um, the talkies,
00:46:26.480
which was sunset Boulevard, an incredible thing. And, um, that that's one of the greatest films
00:46:33.020
of all time. But the, the movie that he made with Jack lemon was really great. You know,
00:46:38.600
the apartment is, is probably, you know, one of their best collaborations that they made.
00:46:43.120
And Jack was just this incredible actor. And, uh, I only got to meet him one time.
00:46:47.340
There's a great story that, um, about Jack lemon, Billy Wilder, um, was giving him direction
00:46:53.560
on a scene. And he said, Jack, can we do the take one more time, Jack, but can you do me
00:46:58.120
a favor? Can you take it down 50%? And Jack was like, uh, yeah, all right. He doesn't take
00:47:05.280
again. Cut. Jack. It's marvelous. I really like it, but can we try something for me, please?
00:47:12.860
Can we take the same thing that you just did and take it down another 50%? Another 50% Jack.
00:47:19.240
So Jack was like, all right. He does the scene again. Cut. Okay. Jack, just one more favor.
00:47:28.480
Can you take what you just did there? Take it down another 50%, just another 50%. Jack's
00:47:34.960
getting a little annoyed by this point. So he does one more take. Cut, Jack. Can we do
00:47:38.920
another? He said, if I take it down another 50%, I'll be doing nothing. He said, try that.
00:47:47.260
You know what that reminds me of? Do you remember the scene in forgetting Sarah Marshall,
00:47:53.940
where Paul, what Paul Rudd is great actor. Right. It's teaching Jason. Uh, what? I don't
00:48:02.100
remember his name. The tall guy, the main actor, uh, how to, uh, surf. And as he's getting on the
00:48:09.060
board, he goes, no, no. Could you do a bit less than he could you do a bit less? And then at one
00:48:13.540
point, Jason doesn't know what to do because anything less would be for me to just stay on
00:48:17.800
the board. So it's exactly the same principle. Okay. So I saw the apartment. I saw,
00:48:23.920
double indemnity loved it. I saw probably my favorite all about Eve. I went crazy. I
00:48:31.300
love unbelievable. But now here's, here's some other ones that I saw and I didn't get
00:48:36.400
the Philadelphia story. I thought sucked at Roman holiday sucked. So having said all that
0.93
00:48:44.540
you're the professional, I'm just the amateur. It's all about taste. There are some movies that
00:48:51.840
get like literally Academy. You always like when people, when a hundred million people used to
00:48:56.680
watch it for the Academy Awards, as opposed to less than a million now, it's because they've,
00:49:01.720
they have changed their course. They become, um, so politicized that they're no longer
00:49:07.440
entertainment based. They're just preachy. And, uh, back when in the old days, like back in the
00:49:12.880
height of it, I mean, the best movies that came out of the late 1930s, 40s, um, literally 1939,
00:49:21.700
you had six movies that were up for Academy Award and they were all some of the greatest films ever
00:49:25.220
made. You know, whether it was Gone with the Wind, it was Gunga Din. Um, it was the Wizard of Oz. I
1.00
00:49:32.220
mean, you had like, there were six and they were all incredible. Um, and, and at the same time,
00:49:38.100
you know, in the 1970s was the other high watermark of comedy. And I remember watching the Academy
00:49:42.480
Awards with my parents, no politicization at all. What it really had was a hundred million
00:49:48.340
Americans would watch the show. And then so many around the world, because it was the, it really
00:49:53.120
was a celebration of movies. And you had, you know, beforehand you'd have the interviews with
00:49:57.620
Barbara Walters and they'd interview the movie stars of their day. So she'd be interviewing Sean
00:50:01.880
Connery and said, Sean, you said the thing about where that a woman that you could hit a woman. Now,
00:50:09.840
can you, can you please, can you please with her lift, can you please clarify your position for people
00:50:16.020
who are horrified, but what a horrible thing is it? I said, well, Barbara, what I was saying was
00:50:20.900
basically that for a woman who can get particularly stuck in a, in a, uh, well, emotionally stuck,
00:50:27.720
you know, I never hit a woman with the front of my hand, but the back of a hand, I find a woman
0.99
00:50:32.560
could get unstuck or whatever he would say, which is absolutely horrible, you know, but you would
00:50:37.940
have these, these, these consequential interviews with these gigantic movie stars. And we didn't
00:50:42.700
have that. You didn't have social media where they were telling you what you had breakfast every
00:50:46.620
day. There was some, they were, you know, these mysterious people that were just fascinating
00:50:52.460
that you only knew from the, literally the big screen and you would go see them. And there
00:50:57.300
were bigger than life. I mean, I remember like, you know, what, what Richard Pryor said about John
00:51:01.720
Wayne, when he was a kid, like John Wayne, he don't go to the bathroom. Will you talk about go to the
00:51:05.420
bathroom? It's John Wayne. You know, these people weren't people. They were these gigantic movie
00:51:10.520
stars. And that's when you had the Academy Award that had a hundred million people where you had
00:51:14.200
amazing, you know, talent that was, that was trying to make the best movies that were something,
00:51:19.020
you know, and as opposed to now, now there's like, you know, they, they literally have diversity
00:51:24.320
to qualify for an Academy Award. So they're just shooting themselves in the foot. That whole,
00:51:29.040
that whole racist thing were like, um, which was totally like fear of being a racist. Cause
00:51:36.140
that's the worst thing you could be in America now. I'm sure in Canada as well, Gad, it's like the
00:51:40.520
worst thing you could be in America is being perceived as a racist or accused of being a racist.
00:51:44.660
You know, it's, it's, it's like the worst thing you can be in America is three things,
0.99
00:51:47.280
pedophile, Trump supporter, racist. Those are the big three. That's true. So, and so now you have,
0.99
00:51:53.620
um, you know, it's, it's devolved into where, you know, where you have to have 30% LBGTQ plus to
0.73
00:52:03.100
qualify for the Academy Awards and, and it's all being preachy stuff. And here's what you never hear
00:52:07.960
on a Friday night. Hey, let's go see that new movie. I heard it's got 30% LBGTQ plus in, in,
0.71
00:52:16.380
in the, in the crew and 35% in the cast. And the boom man is a Peruvian homosexual. He used to be
0.99
00:52:23.060
an associate professor at Portland university. Nice, nice link back to an earlier thing.
00:52:30.680
How does that, has that made you less in love with your profession or you're able to still
00:52:38.540
navigate in your creative juices, notwithstanding the fact that all this diversity stuff is in
00:52:44.980
Hollywood. It is in Hollywood, but the GAD, I mean, the thing I started out as a comedian,
00:52:50.560
so this is like, God works in very mysterious ways. Whereas the thing that you need to learn,
00:52:57.620
like we're all here to learn. I would say that if, if there was some design and I'd say like,
00:53:04.940
why did God put the apple in Eden? And I just tell people in a crude way, God wants shit to happen.
0.99
00:53:11.600
And he doesn't just want this peacefulness and everything to be Eden. He wants us to test us
0.99
00:53:16.040
in every way that we can. And, and, um, not just as individuals, but as families, as communities,
00:53:21.060
as nations, and, and, and, and for us to be good stewards, hopefully to continue to be good stewards
00:53:28.240
for this planet. And so these things are these tests that happen. And, and, um, and it's happened to
00:53:36.040
me, um, for, for, for my career. Uh, and it's, it's to see it, um, to see the evolution of it.
00:53:45.400
And I started out as a comedian and I gave it up because I respected it too much. I didn't want to
00:53:51.220
just do it on the weekends. I remember Jay Leno, when I would use the promote movies, I go on Jay
00:53:54.920
Leno. Hey, why don't you do standup anymore? I don't understand. You can make like,
00:53:58.580
and it was this little thing, you know, you're going to do this corporate gig. I'm doing one
00:54:04.680
tonight after the show. And, uh, those are Jay's two moves. You talk up here, you know,
00:54:10.620
he didn't come down here. And, uh, those are great moves though. He was the best comedian of
00:54:15.140
his generation. And I said, it's because Jay, I respect the art form too much to just go out and
00:54:19.800
make a buck on it on weekends. If I'm going to do it, I'm going to do it full time and make that my
00:54:23.760
thing. And so when the career kind of got blacklisted or, or I should say, cause it isn't
00:54:29.200
just a black list, but when your movies don't make money, you have a couple that miss, or if
00:54:33.600
you're controversial, because, and I say this to people like, cause I say, cause you've been
00:54:37.980
blacklisted. It's not just that it's very complicated because it's not just the studio. It's not just
00:54:44.220
the people, the producers and directors and the executives. I mean, because the executives who are
00:54:48.960
making the decisions, they're not making the decisions. Like let's make another all about
00:54:53.620
Eve. Let's make another African queen. They are the godfather. They're making decisions in a much
00:54:59.780
more, um, I would say self-serving method. Gad, uh, they know they're going to be fired and then
00:55:07.760
they know it's a matter of time. And they know that the good life meeting girls, uh, having a house on
00:55:12.420
the beach and traveling around the world and having a lot and the power that it comes with. And when you
00:55:19.120
ever go to a studio lot, there's something that's really interesting. Nobody ever talks about.
00:55:23.860
And I've never talked about this either. There's a book because I was waiting for my cab one time
00:55:28.960
and I was waiting in the cab wasn't coming. There's a book, a huge books. And I just went in at the
00:55:34.000
gate to get into the lot of Fox. I said, what are those books? And this, these are the, all the old
00:55:38.300
executive producers, directors, and writers who are banned from the lot because they're that angry
00:55:43.120
and whatever. They're now controlling the democratic party. Those same people. That's my guess. But these,
00:55:48.200
all these malcontents and angry people who've made threats or whatever, these lunatics,
00:55:52.080
folks, because that's what gets in show business.
0.99
00:56:00.200
These people who are unbalanced. Yes. Um, they're not allowed on the lot. And so these are people.
00:56:07.340
So going back to the executives, they're making decisions, not what's the best movie I can make.
00:56:12.400
What can I put my name on? What could be stand the test of time and break into that top hundred movies?
00:56:17.900
It's simpler. What will delay my inevitable fire firing the longest? How can I keep this party going?
00:56:31.220
Yeah. Well, and that, that's a shift that wasn't that, that was a long time coming because
00:56:35.000
the, you know, what, what really changed the industry was the, they had the studio system
00:56:39.840
collapsed in like 1967. And it was, you know, whereas it used to, whatever, you know, whether
00:56:45.720
it was somebody was gay and got found out, he was gay, that they had a studio system that would
0.77
00:56:49.160
protect them. And whether it was, there was, you know, somebody got into, was drunk in a car
00:56:52.580
accident, they would, or got divorced and they're supposed to be, you know, they're Mickey
00:56:56.720
Rooney, blah, blah, blah. And they would protect it. But the star system, I mean, the studio
00:57:01.120
system collapsed and with it, the stars that were being held up by it. And so you had to
00:57:05.560
be a producer yourself. And Warren Beatty was one of the guys who produced and found material
00:57:10.180
that was interesting for him. And he made Bonnie and Clyde, which was the first movie that had
00:57:15.180
literally both leads murdered or killed violently at the end of the movie. And that was a studio
00:57:22.140
picture because the studio system had collapsed. And so you also had a movie that was rated
00:57:27.920
X. Another interesting story that was rated X called Midnight Cowboy. Yeah. John Voight
00:57:34.080
was the second choice. The first choice, you know who that was for Midnight Cowboy? Elvis
00:57:38.620
Preston. Wow. But Elvis and John Voight doesn't like to tell that story because he feels bad
00:57:44.320
for, for, for Elvis, but he won the Academy Award for that. And that would have changed Elvis's
00:57:48.240
career, but Elvis's manager thought it was, you know, too dirty of a movie.
00:57:52.960
And Elvis's manager didn't want to get kicked out of the country because he wasn't here legally. He
00:57:56.280
was a Dutch, a crazy Dutch criminal. So they made that movie and that movie was rated X because
1.00
00:58:02.140
here's an interesting thing that happened. That's how old the Academy of Motion Pictures always is
00:58:06.720
and the people in it. Because at that time they started putting into a new rating system,
00:58:10.920
a rating system to come in to be more modernized. So they put, instead of just having a general audience
00:58:16.700
and the not general audience, they had G, which was for general audience and then, um,
00:58:23.000
PG, PG, which was general audience mature. And then they had R for restricted. And then there was
00:58:29.600
X for adults. Now what happened was the bunch of old fogies didn't realize that the R was for
0.97
00:58:35.560
teenagers and the X was going to be for adults for mature themes. So the first movie that got that
00:58:40.920
stamp was midnight cowboy, but they didn't trademark this, uh, these new symbols. So the PG, you know,
00:58:49.980
PG and R, they weren't trademarked and X wasn't trademarked. So what happened was the nudies came in,
1.00
00:58:56.220
the nude pornographic movies in the movie theaters swept in by that night. It's 1967, 1968. And, uh,
00:59:04.820
the censorship laws got dropped in America. Thanks to Lenny Bruce and Ken Kesey and Henry Miller,
00:59:10.360
uh, which the obscenity laws changed, which allowed for this, this new cinema X. And so you had X and
00:59:18.340
double X and triple X. So the movies, which were supposed to be divided into four quadrants, which was
00:59:23.680
all, everybody, everybody. And, you know, if you're 13, whatever you should be with your parents
00:59:28.300
and then teenagers, and then it was also adults, 17 and over. So the X got thrown out and all those
0.98
00:59:35.040
other movies, which are more adult fair or violent, like Scorsese movies come to mind, Tarantino's,
00:59:40.100
they got squished into the R ones. And so it's still to this day, I still think there needs to be a
0.95
00:59:46.960
revamping of R plus or R with a red label or something. And so that's what happened. But the
00:59:53.820
first one that, that was the only one ever that was a, a, um, best picture Academy award winner that
01:00:02.400
Very interesting. Would you, speaking about range that we were talking about earlier,
01:00:06.740
one could argue that obviously you're, you're a comedic actor. Most, most, not all of your movies
01:00:14.060
have been in comedy. Would you, is it an aspiration of yours to say, Hey, if I can get my hat, you know,
01:00:20.280
Adam Sandler, your, your buddy did do a movie where he, he's not a funny guy, right? Pretty recently.
01:00:26.400
If you, is this something that you aspire to do or no, no, I know my lane. I'm comfortable in my lane.
01:00:32.900
I want to make people laugh. That's what I'm good at. And I'll stick to it.
01:00:36.220
Well, I was talking to my friend as the best comedian, the most famous comedian in Spain,
01:00:41.380
the most, uh, certainly the, I think the greatest comedian ever in Spain, uh, is, uh, not that I
01:00:47.160
know every comedian there, but Santiago Segura. And he's a friend of mine. And, and I, I was talking
01:00:52.900
to him about us doing a dramatic film. He said, Robbie, why would you want to do this? We have,
01:00:58.340
we have a specialty. We're a comedian. How many people could get laughs like us? I mean, come on,
01:01:02.720
let's do it. Why don't we stick to what very few people can do like us? Huh? Robbie, we stick to this.
01:01:07.400
We stick to this. Robbie. Oh, with the, with the, with the Spanish lisp.
01:01:15.320
Puerto Puerto, Puerto Puerto, Robbie. And he's right. But I do want to stretch and do things that,
01:01:20.740
that call out to me. Um, and so there is, there is some films I'd like to make, but we'll see. I mean,
01:01:26.560
I'll say that, um, you know, the, the difficulties that we have, I really do have faith in God and,
01:01:33.900
and that these are just opportunities, opportunities for us as a society, as family,
01:01:39.200
as a country to see, uh, what, I mean, America's going to decide how we want to move forward as a
01:01:45.280
country. Are we going to have, still have two parties? It'd be nice if we had three,
01:01:50.200
but are we still going to have two? I mean, that's really up for grabs now in this new election.
01:01:54.660
You you're referencing sort of the super majority that happened in California. And you would think
01:01:58.780
that you're going to have like what happens in California. Cause I was just there meeting with
01:02:02.580
some investors for my new, my new film and TV and media company. Are you, are you ready to talk
01:02:08.140
about that here? Yeah. Yeah. No, it's a new, I'll talk about for the first time. No apologies. Media
01:02:13.860
is my new film company and broadcasting. We're going to do the whole thing. And I was meeting.
01:02:18.540
Wait a second. Sorry to interrupt. Is there a movie that focuses on a ridiculously good looking
01:02:26.820
professor of Lebanese descent in it? Is there at all? Always. So there is in the production queue,
01:02:34.060
a movie where I star as the leading man. You're going to say that on the record,
01:02:38.380
on the record, the TV series, you're saying this now, and I mean this, you're going to have to come
01:02:42.820
to Georgia part of the next word. Wow. I love this is a real Academy award that I received. Now it says
01:02:49.260
here best husband and my, my, my wife picked it up for a few bucks in Hollywood, but you did get it
01:02:57.260
in Hollywood. I did get it. So it is real. Okay. Go on. But there's a, there, we are going to be
01:03:01.540
doing shows with the, about a university professor. That's one of our TV shows we're doing. So you're
01:03:07.100
going to like that. I'm going to send that to you. See if you like it. Okay. Oh, I would love to check
01:03:10.640
it out. So you mean like, like a script or something? Yeah. It's going to be a new TV series.
01:03:15.320
Oh, that's amazing. That's so exciting. So with, in your new role with this media company,
01:03:22.120
would you be largely behind the scenes? You're a producer or you'd be both, you'd be, you'd be
01:03:28.460
Clint Eastwood. Well, with all the people that are investing money in this and a lot of money,
01:03:34.700
you, I really want to do, you have to do what's best for the project. If I can be helpful or if I'm
01:03:39.580
too, if I'm too controversial, then I'm going to step out and bring in somebody that,
01:03:43.360
that has less baggage to it. But if I can be controversial in a good way, I'll stay in it.
01:03:48.920
But again, it's just, you know, we have to do what's best for the project. And I do think we
01:03:55.180
are coming out of this illiberal, illogical mess that's happening. And I think more people,
01:04:01.240
it was nice to hear Zachary Levy, who member of the tribe. Yes.
01:04:05.600
Yes. Yes. Stepping out. And, and, you know, he's, he's made movies, um, um, you know, Shazam,
01:04:11.620
and he's a really good and handsome member of the tribe. Should I, should I bring him on the show?
01:04:17.480
You should. He's always very important. I mean, it's, it is impossible to ever be better looking
01:04:22.700
than me, but I don't like having anybody on the show that could come close to being as good. Not
01:04:28.120
that you're not as good looking. Thankfully, I'm glad you had me on. I said, well,
01:04:33.620
certainly 10 years ago, we might've been, had a competition. Um, but yeah, it's just, um,
01:04:39.900
it is nice to, uh, to be able to make some things and have the creative freedom because I think
01:04:44.060
traditional show business, as far as the studio system is collapsing in real time. And I think
01:04:49.360
you're going to have the independents that are filling up, that are going to, that are going to be
01:04:53.360
the ones providing content for the major streamers and for what's left of terrestrial broadcasting
01:04:59.440
network TV. And so that I think it's going to, cause they, they take up the risk cause it's a lot
01:05:04.000
of risk. Um, but I, I think at the same time, we're going to have to, I don't want to just be a
01:05:09.580
conservative media company though. We are, I just want to make content for everybody. Uh, you know,
01:05:14.980
Gad, I don't want to, you know, which is, is really because I used to work for Disney. I made some
01:05:20.460
very good movies. I think for Disney, um, back, uh, 20 years ago. And it's just, and I don't mind
01:05:28.240
saying publicly, it's a shame that my wife and I have to watch the movies first before we show it
01:05:32.820
to our children. Yeah. So when would be the first product that comes out from this new media company?
01:05:39.480
It'll probably be, we're going to start with, um, uh, Andrew Doyle is a British broadcaster.
01:05:44.740
You might know he's also, he's been on my show. I think he's brilliant. Then yes,
01:05:48.720
you know, he has a PhD. Yeah, no, he's absolutely, he's a real professor. Yeah. Yeah. Yeah.
01:05:54.880
Go on. And he's a real intellectual as I'm, I'm, uh, I'm just a fill in the blank because there's
01:06:00.580
nobody available intellectual. Uh, no, but, but he's coming over and he's going to be one of our
01:06:05.080
broadcasters and one of our men. And then, um, we're bringing over some people, some comedians
01:06:10.100
who I can't mention now because they're worried about the, um, being, uh, continued to be canceled.
01:06:15.480
And I told him that you're going to be free here in the United States. And then we're,
01:06:19.640
so the, probably the first product we're going to make is a TV series. And, uh, I can't say where
01:06:24.780
it's going to come out, but we're in negotiations for one of the biggest sites in the world and
01:06:30.080
we'll be their first TV series. And the first person I tell will be you when we can. Oh,
01:06:34.020
I am so excited. All right. Before I have you in that show, I can't wait. That's one thing that I
01:06:40.000
don't have. I'm already soccer star. I'm former adult film star. Okay. That's not true. I just
01:06:46.400
made that up, but you know, but honestly, I mean, I know we're joking around. I love people who are
01:06:54.000
true polymath. So if you ask me who is the person that I'd want to most sit down with for dinner
01:07:01.060
historically, it'd be Leonardo da Vinci. Why? Because he's a surgeon. He's everything,
01:07:07.660
right? He's an artist. He's an artist. He's a dreamer. He's a futurist. He's an engineer. He's
01:07:13.240
an anathema. Everything. So, so I love that. I mean, if, if, if truly ever I could have some
01:07:19.500
appearance in your movie and I could put that, it's, you know what? Life is a playground. So
01:07:24.200
in this book right here, right? This is my book on happiness. I have a whole chapter about life as a
01:07:30.000
playground. Even science is a form of play, right? Well, I believe, I believe it. I mean,
01:07:34.900
that's, that's the true definition of, of, of, of existence to me. What is it? What, I mean,
01:07:40.860
if you had to say it's why our eyes, as Alan Watts said, that's why our eyes point out, not in where
01:07:45.860
we're supposed to look out like that. And if you look at, there's really only, well, most people
01:07:50.560
would say that there's two interpretations of existence and, and, and, you know, I think Alan
01:07:57.220
Watts talks about the third one. I mean, one is the clay model of existence, which is simply like
01:08:02.360
we, that God made us from clay and from dirt and that we, and then Adam came from the rib
01:08:06.420
and that our whole existence is, is looking at things like, well, we, you know, we owe God. And
01:08:10.980
there's this, you know, you never see a picture in the medieval picture of, of Jesus laughing or
01:08:16.680
smiling. It's always like, we're going to talk later and you know what it is and it's going to be
01:08:21.580
important. And the other one is, you know, these, this worse than agnostic is this, this atheistic
0.90
01:08:29.700
view of the world is, you know, you know, um, everything's just an accident bumping into each
01:08:34.940
other. And then when you're dead, you're dead. And it's kind of this cold, uh, nihilistic version
01:08:39.680
of, of existence. But there is a third one and which you've alluded to, which is the idea of life
01:08:45.440
as a drama, life as play, life as a gigantic play. Um, and life as a joyful play for us to learn
01:08:55.680
whatever we're supposed to learn this lifetime and experience that from a place of learning.
01:09:01.140
And that learning is something that's the first thing we do is we teach kids the first game,
01:09:05.780
which is the game because it's the beginning game. We teach kids and it is the end game for all of us,
01:09:12.020
which is you're not here. Now you're here. Now you're not here. That's the beginning and the end
01:09:19.380
of all games. And from there, it's this joyous, beautiful search. And I would just tell all people
01:09:25.160
like to calm down about this entire, uh, experience that we're having here in the United States where
01:09:31.240
people so upset and so worried about the election. It was much tougher in the 1860s during that war
01:09:36.580
where so many people, uh, one out of every six citizens died in the colonial United States.
01:09:41.820
Um, and, and then there's the same time, World War II with what my mother starved and both her
01:09:47.320
brothers were killed by the Japanese during her world, her childhood. And she had, she never felt any
0.76
01:09:52.980
bitterness towards the Japanese. She just was able to put that out of her and to categorize that as a
01:09:58.960
time of war. That's what she told me. And she never felt fearful. So I would just say this experience
01:10:04.660
that we're going through right now is, is a blessing because we're able to decide what kind of country
01:10:11.340
you want it and what kind of experience and how we're going to interpret this in a way where we could
01:10:15.940
live peacefully with one another and, uh, joyfully. Amen. Let me remind people of the book. You can do
01:10:24.060
it! Exclamation point. Speak your mind, America. Go out, get it. Rob, what a delight it is to have
01:10:30.880
met you. I know we met in person, uh, last year, but we didn't get a chance to have such a in-depth
01:10:36.540
conversation. Thank you so much for coming on. Stay on the line so we could say goodbye offline and
01:10:40.840
please come back anytime when you want to talk about it. This is just part one. Exactly. By the way,
01:10:45.740
to talk about your book and your influence on me, you have a calming, great influence,
01:10:51.940
not just on me, but, and so many people that I know, we all are your admirers, but we're also
01:10:57.100
your students because you're a peaceful warrior and you are, you are secretly teaching all of us.
01:11:05.260
And that is a wonderful place. And I, when I'm going to give speeches, when I talk to kids
01:11:08.580
just yesterday, I was thinking about you and having that positive, peaceful warrior, uh, and
01:11:15.540
gently instructing people and subverting them. Not beautiful words. Thank you so much. Maybe I'll
01:11:23.480
cut that clip and play it back whenever I feel bad about myself. Thank you so much.
01:11:27.660
Stay on the trophy. There it is. There's my Academy Award people and stay on the line.