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The Saad Truth with Dr. Saad
- November 04, 2024
Actor Rob Schneider - On Woke Hollywood, Great Films, and Politics (The Saad Truth with Dr. Saad_741)
Episode Stats
Length
1 hour and 11 minutes
Words per Minute
188.7079
Word Count
13,504
Sentence Count
894
Misogynist Sentences
8
Hate Speech Sentences
23
Summary
Summaries generated with
gmurro/bart-large-finetuned-filtered-spotify-podcast-summ
.
Transcript
Transcript generated with
Whisper
(
turbo
).
Misogyny classifications generated with
MilaNLProc/bert-base-uncased-ear-misogyny
.
Hate speech classifications generated with
facebook/roberta-hate-speech-dynabench-r4-target
.
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Hey everybody, this is Gadsad for The Sad Truth. One of the things that I love in doing this show is I
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get to connect with people that otherwise I would have never had the chance to meet, the pleasure to
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meet. Today I've got the comedian, the actor, and now the author, Rob Schneider. How are you doing, sir?
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Thank you. It still sounds very silly, the word author. Like, eee, what? What did I say? I don't fool
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myself. I think my book is, it's not like your intellectual, you know, artistry that you bring to
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it. My book is kind of an edutainment, or I feel like I have to make people laugh, otherwise they'll
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stop reading it, you know? Whereas I really think what your specialty is to be able to be, to persuade
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people through your intelligence and your wit and your will and your courage to get them to your point
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of you with reasoning. And that's the thing, like when I see you give a speech, I go like, man,
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why am I even doing this? Gadsad is so much better than me. You're so persuasive, but you don't speak
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over people's heads. That's the key. You're not trying to impress them with your, how much smarter
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than you are, even though you are. But you impress them because you create a logic and a rationale
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that isn't easily, you know, dismissed. I think that's one. Yeah. Thank you for the kind words. I
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mean, I've often had a fellow academics say, well, you know, why do you use, you know, your satirical
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skills and, you know, that kind of removes your professorial facade and that exactly demonstrates
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that they don't get it. Right. I mean, and I don't need to explain to you the power of humor. Look,
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I'm going to use a wide range of weaponry within my arsenal of persuasion. Sometimes I'm professorial
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when I'm speaking at Stanford. Sometimes I'm, you know, depending on the medium, I will adjust.
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But to your point, I get a lot more satisfaction receiving a fan mail from a trucker who says that,
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you know, because he saw me on Joe Rogan, he decided to go back and study psychology at night school.
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That impresses me a lot more than receiving some nice email from a colleague from Stanford,
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to your point. But I want to mention before I see the floor, I want to mention at least the title
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of the book. You can do it, which is a signature saying from many of your movies and so on and SNL
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and so on. Speak your mind, America. You can do it. Speak your mind, America. What led you to write
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this book? When did you first come out from, you know, being a raging progressive? Maybe you
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weren't, but at least most people in Hollywood are, to actually finding your brain.
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I remember being angry at people who were conservative because how could you, I didn't
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even understand it. I mean, I didn't, I didn't understand the, well, I didn't understand the core
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of what conservatism was because, you know, the old, well, I guess the best description that that's
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part of my belief system was how Noam Shomsky describes conservatism, which is just, conservatism
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is just adopting what was radical 90 years ago and clinging to it. But some of the progressive,
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progressiveness is where the, the, the bad ideas seem to be sneaking in. But when you grow up in a,
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in a progressive, um, environment that was a very culturally, um, you know, the overused term
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diverse, it was just a melting pot, which I prefer that because it, because it's, it's a
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cohesiveness. It's like making a pasta, you know, the idea about, uh, you know, being diverse means
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separate and staying. But the old idea that we used to describe as a melting pot because it becomes
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something because of the different mixtures that they're going into it. So growing up in
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San Francisco, my mother being Filipino, not understanding any jokes, she would laugh. She
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had great timing. She was like, what does it mean, Robert? And then, uh, growing up with that,
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it was just naturally to be, uh, to grow up and be a liberal because that was the, not the dominant
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time. I mean, at that time you had more conservatives, whether it was, uh, by the time
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the eighties came in, cause I just assumed everything was going to continue to get more
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liberal under the Carter administration. And then by eight, 1980, it was, it was a real
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stop. And there was, uh, a constriction of, of ideas of speech and attacking that was coming
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from the right at that time. So that was a awakening, uh, but they have not come anywhere
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close to, uh, to what the left has done. And when the left and the right are screaming at the
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same time, they're really back to back being just as irrationally authoritarian and, uh, sensorial.
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But I think the left has gone, uh, farther than it's any other time in my lifetime. And I think
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they have more tools at their disposal. Well, they dominate almost everything in the culture,
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right? Uh, academia, of course, journalism, Hollywood. I mean, everything is, is a chokehold from
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the progressives. The hegemony of the, of the left, of the leftists and, uh, their stranglehold on big
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tech has the potential to do what's happening now, which is really to suppress, uh, free speech and
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freedom. If the, if, if tyranny does come, and I recognized this in 2013 and I went public with it,
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tyranny is coming and it's coming from the left now. That was 11 years ago under the Biden administration,
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I mean, under the Obama, um, who was trying to convince people after the second time, he was a
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black president was elected in America that somehow to quote Douglas Murray, when race has never been
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better, they try to frame it as it's never been worse. That's right. Which is a real manipulation,
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a real, a real, a real interesting magic trick. So is there, is there an episodic memory that you
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have? I mean, it doesn't have to be down to the last nanosecond, but something that flipped you from
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being, you know, a leftist to more conservative. So, and here I'm thinking about, I don't know,
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do you know, Dave Rubin, do you know who Dave Rubin is? Yeah. Yeah. So, you know, he always
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talks about, I didn't leave the left, the left left me. And then he kind of explains his journey
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from how, what was it for you? When was that? Well, I think seeing parental rights being taken
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away in California, uh, because they wanted to raise their children differently. I didn't realize
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that the state, uh, was intending to interfere in every aspect of, uh, of the citizen citizen's life
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in California and to co-parent with them. And so when the state was mandating that the parents had
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to do all these lists of vaccines that they would take, and, and we've, we have chronic illnesses
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that are unheard of when you and I were children, uh, that are happening now. And we have to be able
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to at least ask questions. And so, you know, whether they, you know, the, the constant verbiage from the
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pharmaceutical industry is that, uh, cause, you know, uh, coincidence and causation or, um,
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there that we can't go by, well, we can go by evidence that the parents know something's going
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on with their children. And so what happened was there was a manipulation going on in the state
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legislature. And I think 2013, uh, 2014, where they wanted to like, you could get an exemption if you
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wanted. In other words, if your kid had a bad reaction to a vaccine and you had another kid,
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which is the same genetic predisposition as your other kid that was injured, you should be able
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to say, well, I want an exemption. So this other child doesn't have a traumatic brain injury,
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like, uh, or, or seizures that would go into it. Uh, and, um, and so you should be able to get
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a doctor's exemption or a medical exemption. And so they were trying to take this away.
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And I found that to be egregious. And then when I, you have a child, forgive me for interrupting.
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Did you have a child of that age at that point, or it was just an abstract, uh, you know, uh,
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situation that you were dealing with, or was, were you personally affected by it?
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I, you know what, I'm one of the, like Del Bigtree, who's the high wire, and he's, he's one of the
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great advocates for, um, for medical freedom in America. Him and I come at this with uninjured
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children, but we, I was having a baby at the time. And I remember, um, meeting with a doctor
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who was, um, married to the, this director that I was going to be making a film with.
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And she's, she was one of those TV doctors who would go on TV and talk. And, uh, they had a
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beautiful baby and, you know, I was about to have a baby. And I said, well, what shots did you give
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the baby? She said, none. And I said, why? And it's well, because they're, they don't have an immune
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system. Their immune system for babies is external and their immune system is their mother's breast
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milk. And they can't absorb those toxins and it could cause, um, brain inflammation. And I'm like,
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well, why do you tell other people to do it? And she said, it's up to them.
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So when I learned, I met with these, these parents who, uh, had injured children, um,
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through this medical procedure that they were told was guaranteed to be safe. And it wasn't,
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and their child was irreparably injured. And my friend, Barbara Lowe Fisher, who runs the
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National Vaccine Information Center, the oldest and longest running parent, uh, uh, vaccine
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advisory group. Um, I was astounded by it. And when the NIH in 2013 came up with a statistic
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that 54% of children suffered chronic illness, it was something you can't unlearn that. And so I said,
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well, I gotta, you know, um, so I got, I didn't realize that, uh, how it would affect me, uh,
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and my career financially to go up against this monolithic pharmaceutical industry and the
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tentacles that they have, but the, the pharmaceutical industry is only allowed to advertise their
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products in two countries and it's the New Zealand and it's us. And they spend up to 85% of all ads
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in a non-election year. So their power is monolithic. It is, um, it's very strong. So, um,
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and that was your original entry into sort of activism. Yeah. I mean, it was, I mean,
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thinking about children and parents and parental rights and the health of children,
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it definitely got me into that. And then when you realize, you know, and then Robert Kennedy and
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I'm a supporter of Robert Kennedy's and, and now we support Donald Trump because we think this is a
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way to the best way we can to, um, what he calls making America healthy again. You realize that
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it's not just the pharmaceutical industries that have, that have controlling the powers, uh, power
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switches of America and the power base. We're all our agencies, our federal agencies, whether it's
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the FDA, whether it's the CDC, whether it's NIH, these agencies have been, um, captured by industry,
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the industry that they're supposed to, that is supposed to regulate these industries. So once you,
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once you open that up to realize that corruption that, and it is globally, uh, you can see how
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when an, when a, uh, uh, industry gets too much power, they could shut down the world and they
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were able to do that in COVID. So we can see that. And they're also able to, we got to be careful that
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we don't start world war three just to satisfy the military industrial complex, which I think,
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you know, I'm worried about the Democrats getting in, staying in power and continuing these, uh, this
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war in Ukraine. Um, so this is something that I think you have to put your own interests aside
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and think about, um, getting involved because, uh, I don't think you can stay on the sidelines
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at this critical point in our, uh, world history.
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So political orientation and academia would probably be the most lopsided there. There are
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studies, which I'm sure you're familiar with that sort of break down the percentage of Democrat
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professors versus say Republican in the American context, there's a similar breakdown in Canada.
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Uh, and, you know, depending on the discipline, it could be as unbiased as five to one, meaning
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five times as many Democrat professors as Republicans that might happen, say in engineering or in the
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business school. Yes. But then in most of the more activist based fields, you know, anthropology and
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sociology and African American studies and so on, so on, you can have, you know, 130 to zero. I mean,
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literally, you know, you, you're more likely to run into a unicorn than to run into a Republican
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professor in a sociology department. Uh, so that's an academia. Now I suspect that it's almost as
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lopsided in Hollywood, but how many people do you know? So of course the, the classic ones are
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Clint Eastwood are James Woods. I mean, there's you, there's maybe a few others I could think of,
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but what is it, is it, you know, is it 5% of all Hollywood people might be considered conservative
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or is that even too optimistic? I would say, I would say closer to 12. Okay. But I would say of
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those 12, less than 1% speak out. Sorry, 12 people or 12%? 12 people. Okay. No, it's a 12%. I would
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say it has grown because what happens is, I mean, I would take this as a, um, as an indicator and I'm
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not a, um, you know, not, not an academic and I, I really didn't like statistics in college. I found
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it to be, uh, uh, confusing and also misleading because the statistics, you can find out you could
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get these statistics if you cherry pick the numbers and that not necessarily the statistics that are
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saying what's really happening. There's actually a book by the way, Rob, uh, that, that many doctoral
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students will take when they're taking a methodology course. And it's called how to lie with statistics
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to your point. I mean, literally it's a very, very small book. You should, you should read it
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because it's a very small book. It's, it's very accessible and it's exactly to your point.
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Anyways, go on. No, but it was astounding to me with that, that, that in college in the short term,
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the short time that I was in college until I started making money as a comedian, I was just astounded
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that that I was actually, um, the manipulation of, of, uh, the manipulation of math, but also
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the manipulation of minds because you can, and you can, it's when, and that's what's, it seemed
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to be what's happening at university. Whereas, um, I mean, Scott Atlas talks about this much better
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than I do. The professor from Stanford who was brought in too late to the Trump administration
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because I think Trump was manipulated by the people that were there. And according to Don
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Jr. And on my conversation with him recently on his podcast, he said, he's going to be
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more careful this time, uh, you know, to, to who he's going to listen to. And he's also
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not going to be Trump. President Trump is not going to be so easily swayed by people who
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been there and people who were threatening him with that millions of people would die and
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it'll be all your fault. So I'd take this as an indicator, uh, two stories. One is that
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my attorney, my entertainment attorney, who said five years ago, Rob, I thought you were
00:16:47.280
nuts. He's in Beverly Hills. He's Jewish. Of course. Right. Of course he is. Thank God.
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Okay. Go on. Of course he is. That's, that's why he's successful in the, thank God, the pinnacle
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of his, uh, but he's also, uh, totally, uh, indoctrinated into this, you know, illogical, uh, you
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know, liberal, uh, and yet he represents you. Well, because he's a good attorney and
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you know, you have to have somebody from the tribe if you want to get a good deal in show
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business. So what happened was he called me? He says, I can't, I said, I got to tell you,
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Rob, I thought you were nuts five years ago, but now I can't believe what they're teaching
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my third grader. And I said, so are you still going to vote for a Kamala? He said, yeah,
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yes, of course. So it's like, it doesn't even matter. So those are people you can't get to,
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but what we're really happening now is we're, we're not teaching kids in this era. And I would
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just go back to like, I'm old enough to remember in the early seventies, if you got a university
00:17:45.520
from Santa Cruz, university, Santa Cruz, Santa Barbara, or even UCLA in the early 1970s, late
00:17:52.600
sixties, early seventies, those were useless degrees. Everybody knows that they were teaching
00:17:57.500
kids. They were getting a degree by sitting out in the woods, holding hands or, you know,
00:18:02.500
they're, they're in flowers and, and it's, it's going to be the same thing. Now you have
00:18:06.800
universities that are not teaching kids how to think critically. And I'm not talking about,
00:18:11.720
you're right, not the graduate schools, because the graduate schools of Harvard business school
00:18:15.440
is still 85% conservative, but it's 85 to 95% liberal in the student body. They're cranking
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out illiberalism and they're not cranking out critical thinkers. They're cranking out advocates
00:18:28.080
to a partisan illiberal ideology. And, and that's what they're doing now. So I think that's,
00:18:34.420
that's wasteful. And what happens is to my friend, Peter Brugosian, who told me a story
00:18:39.580
at his school in Oregon, where he was a professor. And he said, they had an opening in the philosophy
00:18:46.540
department. And one of the, um, one of the people that were coming in for, um, an interview
00:18:53.700
to fill that position in the philosophy department, an associate professor position.
00:18:58.860
The first thing he said, I am from Peru and I am homosexual.
00:19:04.700
So in other words, you get, you got the job, you got the job, you have two boxes scratched off.
00:19:10.220
So there you go. Why wouldn't you hire me? But the difference is academia allows this
00:19:15.140
and can, because academia doesn't fall. Academia just is this funded system that keeps going.
00:19:20.900
And that has been polluted by this leftist. And I think Marxist, uh, leanings bend and it's
00:19:27.540
deliberate. Whereas if you were in the marketplace and you had to make money, you had to be a profitable
00:19:33.280
company. If you had to be a football team that was, uh, that could kick footballs, uh, through a
00:19:39.420
goalpost, if you were a soccer team, or if you play for one of the three different rough riders,
00:19:44.460
uh, teams that are a part of the Canadian football league, I don't know why the hell you have three
00:19:48.280
teams. Can you imagine three teams in the NFL?
00:19:49.840
And we've got nine teams of which I think six or eight make it to the playoffs. So you play 16 or
00:19:56.880
17 games to get rid of one or two teams, but it was gone. So it's insane. So if you had, so there's,
00:20:03.780
there's no logic to it, but if you had to, one of your many, many rough riders who all make the
00:20:07.680
playoffs, as you just, as I've just learned, um, you wouldn't have a, you wouldn't have a Filipino
00:20:12.740
Jew like me because we're, you know, we don't, we can kick about eight feet of football.
00:20:16.660
Well, you would want somebody better, but you, in a philosophy department, you can have
00:20:21.220
as many Peruvian homosexuals that you want, uh, that you can fill the department because
00:20:26.100
it doesn't matter really. And it, unfortunately, uh, it's not the best people that are getting
00:20:32.140
the position and it's happening all over. It is a woke, which is woke as I agree with
00:20:37.220
James Lindsay. It's nothing but, you know, Marxism dressed up as manners. Uh, and, and
00:20:42.800
you have, um, society now where you have a president of the United States, what's left
00:20:47.880
of him, Joe Biden, who wasn't, uh, you know, uh, wasn't a great intellect 30 years ago when
00:20:53.740
his brain was properly functioning. And he says, we're going to, we're going to have a Supreme
00:20:58.740
Court justice who is a black woman. I mean, I, I'm nothing against black or, or women
00:21:05.640
or black women, but we need to have not the person, the color of their skin or their genitals
00:21:11.500
was deciding because we only have nine in the United States who are deciding to interpret
00:21:16.340
the constitution for our society and how we live in our society. Uh, we need to have
00:21:21.660
the most qualified people for these positions and we need to return to that. And, and so
00:21:27.640
I really think we have a, a system where it is devolving into a system that, that is not
00:21:35.920
serving society. And I don't think that's a system that will, will survive. It will collapse
00:21:40.800
at a certain point. You can't have a plumber, uh, coming in to fix your toilet based on if
00:21:46.720
he's a homosexual or based on the color of his skin. I want a guy who knows how to get
00:21:50.780
the, the bopper to go up and down. So the stuff in there leaves my house, you know, I
00:21:57.680
mean, but to your point about when you mentioned Harvard business school being more conservative,
00:22:02.540
I, so I've argued that some disciplines are naturally more inoculated against all those
00:22:10.200
parasitic ideas because there is a feedback loop called reality that tests your ideas, right?
00:22:16.800
So if you are in engineering and you want to build a bridge, then you can't use postmodernist
00:22:23.900
physics to build the bridge because the bridge will collapse. You can't build mathematical
00:22:28.680
models to understand the economy at Harvard business school that are completely unwedded
00:22:33.280
to reality because then someone will be pissed off because they won't make money because you
00:22:38.060
won't cater to the customers. So, so there is an auto corrective feedback loop that makes
00:22:43.100
sure that you are wedded to common sense in reality. So that doesn't mean though, that
00:22:46.880
those disciplines can't be somewhat parasitized, but they're much less likely to be parasitized
00:22:52.340
than activist fields where the main reason that is just to create, as you mentioned earlier,
00:22:57.760
activists. So I can be in some esoteric department in the humanities, espouse all kinds of bullshit.
00:23:04.440
And there's no, there's nothing that slaps me back into reality. As if anything, I'll get promoted
00:23:10.720
and I get tenure to, to parasitize more incoming students. So I think that's the key issue. Okay.
00:23:17.160
I want to talk a bit about humor because you mentioned offline before we got on that, you know,
00:23:21.660
one of the things that you wanted to do in your book, and let me mention the title again,
00:23:25.380
you can do it exclamation point, speak your mind America. You, you try to infuse your humor. I mean,
00:23:31.740
that's what your profession is. You're a comedian. You want to try to persuade people through your
00:23:35.260
comedy. Uh, I mentioned offline that actually comedians are some of the smartest people.
00:23:42.640
That's why women will always say, I want one of the most attractive traits in a man is for me to
00:23:49.100
be with a funny guy, because I argue that being funny is a proxy measure for intelligence. There is
00:23:56.480
no way that Dave Chappelle can get up for an hour and captivate thousands of people if he didn't score
00:24:04.420
off the charts and IQ. Do you agree with that? I agree with that. I do agree with that. I think
00:24:09.660
that has some limitations in it. I think that, um, for us, the idea is the art, I guess, Shakespeare,
00:24:17.200
the art of the artists to make it appear like it's not art. And I don't know if Shakespeare is the
00:24:21.420
only person who said that, but it is, we have to make it appear and, and, uh, and make it
00:24:27.160
approachable. And, uh, you know, I, I did realize at a young age that with my height, five foot five on
00:24:32.640
a good day. And with, uh, my apparently odd looks that I was not going to be able to, uh, acquire the
00:24:40.040
interest of women that I found extremely attractive unless I had something else going for me.
00:24:46.260
But is that, is that literally true? Like, do you, do you remember engaging in that calculus?
00:24:51.440
I remember, yeah. Thinking like this is going to require something else. I also remember like,
00:24:56.840
uh, a funny story that I would never want to tell anybody, but I remember like, cause I used to play
00:25:01.520
trombone and I just, it did not attract the, um, the sexy girls. Yeah. It certainly didn't attract
00:25:07.320
anybody. As a matter of fact, it's not a, a nice saxophone at least sounds kind of, you know,
00:25:12.100
sensual. Um, you know, however, I remember going over and I practice and I, maybe I practice a half
00:25:18.500
an hour at the most a day, whatever. And I remember going over to my friend's, um, house and his
00:25:23.840
brother, uh, was in the San Francisco symphony, which blew me away because, you know, that's the
00:25:29.120
ultimate if you want to be a musician. And I remember him, he would practice seven, eight hours
00:25:33.480
a day. I never went over to my friend, Mike Robinson was my friend's name. He was a trumpet player.
00:25:37.420
And his brother, uh, his dad, Bill Robinson was a tremendous trombone player. Um, and a teacher
00:25:44.120
and his, and his older brother would be in his room. I'm doing triplets, doing the scales. And
00:25:55.240
we're the whole time, every time I was at his house and I went like, man, that's a lot of work
00:25:59.420
just to be the, the first trombonist in the San Francisco orchestra. And my friend, Mike said,
00:26:05.980
no, he's the third trombonist. No, there's two other guys better than him. And he's working
00:26:11.800
eight hours a day. I quit the trombone that day. And I said, I got to do something else.
00:26:16.660
And I noticed that with jokes and then, you know, entertaining being in high school, I noticed
00:26:20.600
that that was my in. And, uh, cause I was a nervous kid cause my mother, you know, she spoke
00:26:26.060
very good English, but she didn't understand it. So I was always a little bit more, you know,
00:26:30.420
my speaking was a little, not quite stuttered, but it was stopped starting because that's
00:26:36.980
just the way I was raised. And so people would laugh. And I remember going, I could either
00:26:42.400
fight this or this could be my way in.
00:26:45.820
So, okay. I mean, you used it for, to hopefully get in with the ladies, but then when did you
00:26:51.820
decide, wait a minute, I can, I can make a career out of this.
00:26:55.320
Well, they would, they did a, um, I mean, my dad had comedy albums. So we listened and
00:27:00.340
you know, I was the youngest kid, so I didn't get the most attention. I, you know, they were
00:27:05.260
my, but I said this joke when I was young, I said, you know, my parents, I was the fifth
00:27:08.960
kid. So by the time I grew up, they were over it. They're like, you know, Rob, here's where
00:27:12.640
the alcohol is.
00:27:13.380
I'm the exact same way, by the way, I'm fourth of four. And the next youngest is 10 years
00:27:18.620
older than me. So I, I, I empathize.
00:27:20.500
And so you had it all and they were up, but they also left you alone. And then they did
00:27:24.820
spoil you. I remember two things. Like my parents were basically like, Rob, here's where the
00:27:29.020
car keys are. Here's where the alcohol is. Just do whatever you have to do. And, and I
00:27:33.080
remember my mom, when I was a little baby or three years old yelling at my siblings
00:27:38.020
because my mom and dad would go out to dinner and they would have a social life. They, my
00:27:41.280
dad would take my mom to see comedy shows, which she didn't understand. And she'd have
00:27:44.960
explained later because my mom spoke five languages, but a distant second language was English
00:27:50.880
for her. Uh, she would yell at my siblings. All right, we're going out to dinner. Anybody
00:27:56.880
touch a hair on Robbie? I murder all of you, you know? So, uh, they're still alive.
00:28:04.120
No, they passed away. My mom, almost 93. She was a survivor of the Japanese occupation of
00:28:09.740
the Philippines, but never bitter. But I remember my dad who also, you know, all those relatives
00:28:14.160
were, were of course killed. And, um, you know, by the, by the, the real Nazis, not the
00:28:20.700
Nazis at the Trump rally, not at the Madison square garden, Nazis, not those Nazis, you
00:28:25.100
know, actual Nazis, you know, I mean, the, the, the, the definition of Nazis, not people
00:28:29.300
who just happened to be in the second party that were allowed in the United States, you
00:28:34.080
know, not those Nazis, but real Nazis. He used to say this to me. He said, Robbie, John,
00:28:40.740
here's the thing when they come again, cause they're going to come again. They're not taking
00:28:45.500
us alive. Like they did in Europe and Eastern Europe and Poland. His, his family is from
00:28:51.120
Tarnapol, which was a part of Prussia. Now Poland, Tarnapol. And, um, he said, we got
00:28:57.460
guns. We're not taking us alive. You're going to get this gun. You're going to get this
00:29:00.620
gun. We're going to shoot our way out. And he would have that meeting with us. And he
00:29:04.260
meant it. And I always thought it was nuts. And now that I know it's, it's not nuts. It
00:29:09.580
isn't. And yeah, go ahead. Sorry. Finish your point. But unfortunately it isn't nuts. I
00:29:14.460
mean, we have to like, I have guns. I never had guns in my life. I do now. Uh, so, you
00:29:19.000
know, I, I think it's, um, for the people who the leftists and the Democrats who are putting
00:29:25.300
in, you know, who were all for open borders and stuff and look for, you know, Michelle
00:29:30.260
Obama and for, um, Oprah Winfrey, these very, very wealthy people that have, as you say,
00:29:37.340
inoculated themselves from the, uh, from the policies that they're pushing. Exactly. Uh,
00:29:42.420
they, they don't live in a border state and they don't, they don't realize that the, that, uh,
00:29:47.420
letting in millions of people that will be forever Democrat voters is also putting a lot
00:29:51.040
of people at risk. And it's, it's, uh, they're inoculated. They're living in their, you know,
00:29:56.080
they got gated communities and, uh, most people Americans don't. Yeah, exactly. Okay. Let's
00:30:01.520
continue with, uh, so many questions that I want to ask you in the Hollywood world. Uh,
00:30:06.720
are there any, uh, I mean, I'm sure you have a million stories that you could share, but are
00:30:12.660
there any stars that you haven't met that are still alive that you would love to meet? And
00:30:19.940
before you answer, I'll answer. If you asked me that question, actually, sorry, who would you
00:30:27.700
want to meet? Yeah. Well, thanks. Thanks for asking. Uh, Clint Eastwood would be one names that
00:30:34.540
comes to my head too, but I have met him. Okay. Well, I want to hear about that. So hold off,
00:30:38.840
but let me finish my answer. Then I want to hear your meeting with Clint. Now for me, Clint,
00:30:43.420
it's not a lot of people might think, Oh, it's because he's conservative. Not at all. It's because I
00:30:48.640
grew up in Lebanon, Rob, watching this guy coming into town. Remember you, like you see how you,
00:30:58.580
you notice that, Hey, I can get the girls by being the funny guy. That was my way in. Well,
00:31:03.280
I looked at this guy. I didn't speak English. So I'm talking about the spaghetti Westerns.
00:31:07.760
And I said, I want to be that guy when I grow up. That's my guy. And so that's one of the reasons
00:31:15.340
why I want to meet him. The other guy I wanted to meet who's not passed away is Bert
00:31:20.380
Bacharach. Do you remember, do you remember Bert Bacharach now? So he's the, the, they called him
00:31:27.180
the, uh, uh, the Mozart of pop. Exactly. Uh, because he, you know, his music is really eternal. I mean,
00:31:36.180
he's, you could, you could find his stuff, you know, in the sixties, seventies, eighties,
00:31:41.080
and then maybe a bit less. And, uh, I mentioned these two guys on Joe Rogan show about a day or
00:31:48.660
two later in my Instagram, I receive a private DM from the son of Bert Bacharach who says, Hey,
00:31:57.000
professor, I watch your thing. Let's try to hook it up. But then he passed away before we were ever
00:32:02.820
able to do it. So those are my two guys. Those are beautiful. Who would be yours? Go ahead.
00:32:07.220
My goodness. Well, I love Bert Bacharach because he really, he really took a form of music and then,
00:32:15.860
and then made it wonderfully. I mean, it wasn't simple. It wasn't simply done, but he brought
00:32:21.200
orchestral to it and, and, and, and, but didn't do it in a, uh, didn't do it in a complicated way
00:32:30.320
that benefited that, that, that kind of complimented his ego. Yeah. He made it, he made it sound
00:32:35.100
beautiful and simple and approachable. Just like what you do with your works and your speeches
00:32:39.540
is that you make, you make people feel relaxed because you're not going over their head. He did
00:32:45.220
the same thing musically and beautifully and beautifully layered. And he really was, they
00:32:50.040
called him the Mozart of pop. And he really did deserve that title. And he did have beautiful music
00:32:54.780
that'll last forever. I mean, Clint Eastwood was my guy because I grew up in San Francisco.
00:32:59.040
So Clint Eastwood was when I was a kid and you saw Dirty Harry. Oh my God. Yes. Well,
00:33:05.100
Dirty Harry was actually, you know who they offered that role to first, Gad? Who? John Wayne.
00:33:11.200
Is that right? And he thought it was too violent. He ended up- From Newport Beach,
00:33:15.360
conservative from Newport Beach. He thought it was too violent and didn't think, but he ended up doing
00:33:19.840
a movie called McCain or McQueen or whatever, McQueen, McQueen or something like that, which was, uh,
00:33:26.020
McLean. I think it was called McLean, which was a Dirty Harry, but it was too late. But the guy
00:33:29.920
that was perfect for it was Clint Eastwood because you saw this guy, friend of mine who was making
00:33:34.560
movies in Italy back in, uh, you know, was an extra and in movies back in the, in Italy,
00:33:40.140
back in the 1960s. In the Spaghetti Western movies? Yeah. He was like, he flew out there as 19 years
00:33:45.940
old. He's a Canadian. He's a director by the name of Boone Collins, very dear friend of mine.
00:33:51.200
And he said, he was, he said, I want to be in movies. And he heard about that. They were making
00:33:54.220
him in Italy. So he flew out there and he was an extra in some of these movies. And he said,
00:33:58.880
when you saw Clint Eastwood walking down the street, it was like seeing the, the Mona Lisa
00:34:03.660
walking down the street. This is perfectly handsome guy with coiffed hair and built, I mean, Clint still
00:34:08.560
to this day. And unlike us, tall. Yeah. Tall and six foot four when that was something, you know? So,
00:34:16.000
uh, but he, um, he was a guy that, uh, I would say one of the most talented guys ever in the
00:34:23.460
Hollywood system. And he was a guy that truthfully didn't have the most range. He stuck to his,
00:34:29.600
there's two kinds of actors, Gad. You had a guy that could, you had different guys that
00:34:32.880
could play everything. You know, you see Dustin Hoffman, uh, when Rain Man, or you see him in,
00:34:38.000
um, uh, you know, in, in, um, you know, Kramer versus Kramer, no? You see him in different,
00:34:45.460
he's different in every movie. Yeah. Yeah. Yeah. He can hide himself. Al Pacino is different in,
00:34:49.540
uh, you see in the Godfather. Do you see him in, um, you know, uh, cruising is very
00:34:55.680
different. Oh, hold on. Stop right there. I got to tell you a story about cruising. You
00:35:00.280
ready? Yeah. 1980. My parents, I think have just returned for the last time from Lebanon
00:35:08.100
post having been kidnapped by Fatah. I think it was 1990, maybe 1979 when we went to see the
00:35:14.180
movie. I go with my mother. One of the only times I've ever gone to a movie. I took her to see
00:35:20.660
cruising, which for those of you who don't know, it's Al Pacino. He's an undercover cop trying to
00:35:28.720
find a serial killer within the hardcore leather gaze world. At the end of the movie, my mother looks
00:35:36.480
at me and says, are you trying to tell me something? I said, no, mom, I'm not trying to
00:35:43.600
come out as gay by taking you to the movie. I'm just, I really like Al Pacino. Was she looking at
00:35:49.940
you during the movie? Like she wasn't, she was uncomfortable because there's a lot of scenes in
00:35:55.000
the movie that you wouldn't expect your 14, 15 year old child to be sharing that experience with you.
00:35:59.940
And especially if you come from the middle East, but anyways, forgive me for interrupting you. It just
00:36:04.220
seemed like the right story to know. That was absolutely right. Because I remember my parents,
00:36:08.940
they went to go see a movie that sounded like it was a dance movie. And it was Last Tango in Paris
00:36:14.640
with Marlon Brando. And it was, you know, him with the butter and the girl having, you know,
00:36:19.300
this, you know, these sex and blah, blah, blah. And it was just that my mother, they were scarred for
00:36:25.220
seeing movies for years. And then they finally went again and they went to go see this movie that
00:36:30.820
Diane Keaton was in it. And they thought it was going to be a Woody Allen movie. And it turned
00:36:36.040
out to be this Richard Gere's, one of his first movies. And it was about a serial killer. It was
00:36:40.640
called Looking for Mrs. Goodbar, which is about this woman who was this promiscuous woman who kept
00:36:45.240
sleeping with everybody until she finally met a serial killer who killed her. My parents stopped
00:36:49.240
going to movies. That was it. They said, we're not doing this again. But I remember my mommy horrified by
00:36:55.160
those movies. Okay, go on. So you were talking about guys that have range, Pacino and Kramer would
00:37:01.160
be an example. You had a guy like, you would have a guy that would cling to a character and would
00:37:05.560
basically play different variations of that, whether it's Adam Sandler is a common version of that or
00:37:09.720
Brad Pitt, or you'd have, you know, Humphrey Bogart, whether he was basically the same guy in the
00:37:14.740
Maltese Falcon as he was in the African Queen. Yeah. So he basically hang on to this guy and he would be
00:37:23.740
this guy forever. And that's what you were going to get. You're going to get Humphrey Bogart,
00:37:27.580
whether you saw the petrified. Ah, that's good. And show it up to what you'd get. And then you
00:37:33.460
have, like, Klinice was one of those guys too. But he also became a director. And one of the reasons
00:37:37.880
he said he became a director is because he made this movie in 1965 with Lee Marvin that was called
00:37:42.900
Paint Your Wagon that was directed by an Englishman. An Englishman who are very, you know, in England,
00:37:48.580
they have a saying, which is very true. They said, the man does not know his place.
00:37:56.400
In other words, you're here and they're here and you better, there's a chasm there for a reason.
00:38:02.620
And this director would set up a scene, a shot, and it would be all day setting up one shot. And it
00:38:09.160
would be this cascading thing of events happening. And, you know, these rocks coming in the water
00:38:13.980
flowing and people running. And he was just waiting around all day. Him and Lee Marvin were
00:38:19.640
waiting around for this shot to happen. And he said to himself, if I can paraphrase for him or
00:38:24.100
speak for him, I'm never going to do this. If I get a chance to direct a movie, I'm going to make it
00:38:29.220
quick and I'm going to shoot this thing. And he has, and he did. And his first movie that he directed
00:38:33.740
was called Play Misty for Me. Oh, yes. In his hometown, brilliant little thriller about,
00:38:39.500
and truthfully, before Fatal Attraction, this was the Fatal Attraction. It was about a female
00:38:43.900
stalker of someone who was a radio personality. Like 74, 75, something like that? Yes, I think
00:38:49.740
73, 74. You're right. And he filmed it in his little hometown, beautiful hometown of, this is
00:38:57.580
before drones. So all the shots you see of beautiful coastline is a helicopter shot. I remember making
00:39:03.280
movies when I was young. Can we get a helicopter for this scene? It's like, no, it's too expensive.
00:39:07.140
Now you get a drone. It's a nickel, basically. And so he made this movie a taut little thriller.
00:39:13.900
And then he directed all these other movies since, whether it was comedies with an orangutan.
00:39:21.580
Right. Orangutan. Exactly right. That's the only time you can ever work. There's a story about that.
00:39:27.200
The only time you could ever work with an orangutan, a full grown orangutan. Because once these great
00:39:32.200
apes turn adolescent, 13, and they grow their incisors, they want to take you out. And the only guy
00:39:38.720
that I know of in existence that ever was able to work with full grown orangutans was a guy named
00:39:44.440
Bobby Bersini. Bobby Bersini had his own act where he had literally six full grown orangutans on stage
00:39:52.740
at a casino, a live show, that these could have jumped into the audience and killed people. But he
00:39:57.820
was able to manage them. And so when I was doing a movie called The Animal, we wanted to get, you know,
00:40:03.080
at that time, special effects was the one where now you can just create it and do it. We had to
00:40:07.380
actually get chimpanzees and orangutans. And this was 20 years ago. So we said, I said, well, let's
00:40:13.600
get that guy who did the Clint Eastwood movie. You know, what's it called? Loose or, you know,
00:40:22.320
I forget the name of the Clint Eastwood movie where he worked on orangutan, like left hand Clyde,
00:40:28.900
remember? Left side Clyde, where Clyde would punch a guy. And it was Bobby Bersini. So we got him.
00:40:37.400
And then he told us that, you know, he's Italian, Bersini. He said, Robby, let me tell you,
00:40:42.820
everything was good in my business. Everything was good. And then I have one guy who make a
00:40:48.600
complaint. One guy, he videotaped me. He videotaped me to make an animal. Because you
00:40:53.500
have to, I mean, let me tell you the truth. Robby, we have to fool these animals. We cannot just tell
00:40:57.860
them to do stuff. They don't just do stuff. You have to pretend that you are stronger than them.
00:41:01.880
The minute, the minute that they think, the minute, the minute, did I say the minute? The minute that
00:41:07.800
they think that they are stronger than you, you're dead. You're already been there four times.
00:41:11.500
He has a, the bone density is nine times more than a human. Oh, I'm sorry. Nine times, seven to nine times
00:41:18.080
more. Okay. I forget. But anyway, and so what happened was he was correcting one of the animals
00:41:23.120
and how they corrected is, Hey, go over there. You got to do this. And, you know, don't misbehave.
00:41:28.120
And what he would do is he grabbed his chest hair like this and like, Hey, no. And so that was cruel.
00:41:33.680
And then the casino, it was beginning of canceling. And so we had him come out to work with us. And,
00:41:40.100
and the animal actually did some weird things with me and he left. He literally, the animal was doing
00:41:47.560
this rehearsal with me. We're about to shoot Monday and this is on a Saturday. We got to
00:41:52.840
shoot Monday. And the full grown orangutan started doing something where the neck kind of goes up
00:41:57.680
and he just distract the animal puts it and he's got it on a wheelchair so he can move it because
00:42:02.440
they're very, you know, they can't move that great. And, uh, he just wheeled it out. And I said,
00:42:07.380
what happened? Is everything okay? I said, Robbie, I've known this animal. He's there for, for many years.
00:42:11.640
And, um, I must tell you that I've never seen him do an aggressive move like that. And so we can't do
00:42:17.120
the movie. I said, what we're shooting Monday. Yeah. I'm sorry for you. I can't have this happen
00:42:22.080
to me. And you specifically triggered his ire for some reason. Yeah. The animal did a move that I
00:42:28.800
don't know. I could, I didn't recognize it, but the, the whole thing went out like that. Right. As soon as
00:42:33.000
that happened, Bobby, he came in between, took the animal, distracted the animal, turned it on his chair
00:42:37.980
and took it out. And he said, Robbie, let me tell you, I mean, he sees a problem, be a problem for me,
00:42:42.920
the problem, uh, for the animal and mostly a problem for you. They're so quick and so strong, just like
00:42:48.660
that. And then bada boom. And so he literally got in his, in his, you know, he had, he had a cage in
00:42:55.140
the, in the bus on the lot. He literally put the animal in the cage on the lot and drove off, went back to
00:43:00.840
Vegas. And, um, and so that was it. So we had, we, but luckily there was a universal, there was another
00:43:07.080
orangutan that was younger and we got to work with that one. So, uh, that's just, I get it why
00:43:12.780
they don't, um, you shouldn't work with, with animals, um, you know, big, strong animals that
00:43:18.060
want to kill you. But I did work with this one orangutan, uh, who was nine, not an adolescent.
00:43:23.540
Then we had, we shot that scene, which has ended up being pretty funny for the movie.
00:43:26.720
So tell us the story of when you met Clint Eastwood.
00:43:30.280
Well, um, not a great story. I literally was at the whole foods, uh, in, um, studio city
00:43:40.120
and I'm walking through the aisle and all of a sudden I walked and it was one of those
00:43:45.280
things like, and he literally was on his hands and knees reaching in, grabbing a can
00:43:52.480
of soup, organic soup. Oh my God. And I was like, I, I need to want to bug people. They're
00:43:59.360
groceries, grocery shopping, whatever. And he's literally turns around, he says, hi, hi.
00:44:06.560
Is that true? Or you're just doing the Rob thing?
00:44:09.780
No, I just said, I, I'm just, thank you for the joy that you brought. You know, you don't
00:44:14.680
know what to say to people, like the joy that you brought, the family, me, and, um, and
00:44:20.920
I said, and your new movie, um, grand Torino. I mean, wow.
00:44:26.540
And, uh, he said, um, and he basically just didn't say much, but like, uh, I said, that's
00:44:32.600
your best movie. You should get an Academy award for that. And he said, the Academy hates
00:44:35.860
me. They've seen too much of me. He said, they're sick of me because he just won the Academy
00:44:43.640
award for before that. But, um, for, you know, unforgiven, but that was when, well, fantastic.
00:44:50.660
But that's when you could be a conservative and it didn't, they didn't hold it against
00:44:54.260
you if you made enough money, but then they, they kind of changed, you know, and it's a
00:44:59.040
closed system and they are, uh, they, they have retribution. You don't, it's sad because
00:45:05.700
it just, we should be, they, they, it's all tolerance. It's a party of tolerance that
00:45:10.700
has no tolerance and they're not playing around when you're out forever.
00:45:14.940
That's right. Uh, you know, and, uh, before my wife and I had kids, uh, we embarked on
00:45:20.300
a project. So, you know, the AFI, the American film Institute, every, I don't know how many
00:45:25.040
years, 10 years or something that they come up with their new top 100 rankings. And so
00:45:29.220
we thought, look, uh, you know, we need to be, you know, cultured people when it comes
00:45:34.160
to films. So let's kind of try to go through all of these. And so we started going through
00:45:39.700
the list, uh, and in no systematic way, but to try to get through as many as we could,
00:45:44.600
but then we had kids and we had to abandon the project. Uh, it was really incredible
00:45:49.240
because some of the movies you'd see and you'd go, Oh my God, I get why this is amazing.
00:45:53.780
So here's, here are two that are on the list and I'd love to hear what you think about them.
00:45:58.460
So I saw the apartment with, uh, do you remember the apartment?
00:46:02.340
That's a great story. I only got to meet, um, Jack lemon one time, Jack lemon. Uh, there's
00:46:08.700
a very good story because he got to work with, you know, the, the great, one of the great
00:46:13.300
directors has ever been in Hollywood, Billy Wilder, Billy Wilder made a movie that's probably
00:46:18.820
the most consequential film. That was the transition between the silent era and, um, the talkies,
00:46:26.480
which was sunset Boulevard, an incredible thing. And, um, that that's one of the greatest films
00:46:33.020
of all time. But the, the movie that he made with Jack lemon was really great. You know,
00:46:38.600
the apartment is, is probably, you know, one of their best collaborations that they made.
00:46:43.120
And Jack was just this incredible actor. And, uh, I only got to meet him one time.
00:46:47.340
There's a great story that, um, about Jack lemon, Billy Wilder, um, was giving him direction
00:46:53.560
on a scene. And he said, Jack, can we do the take one more time, Jack, but can you do me
00:46:58.120
a favor? Can you take it down 50%? And Jack was like, uh, yeah, all right. He doesn't take
00:47:05.280
again. Cut. Jack. It's marvelous. I really like it, but can we try something for me, please?
00:47:12.860
Can we take the same thing that you just did and take it down another 50%? Another 50% Jack.
00:47:19.240
So Jack was like, all right. He does the scene again. Cut. Okay. Jack, just one more favor.
00:47:28.480
Can you take what you just did there? Take it down another 50%, just another 50%. Jack's
00:47:34.960
getting a little annoyed by this point. So he does one more take. Cut, Jack. Can we do
00:47:38.920
another? He said, if I take it down another 50%, I'll be doing nothing. He said, try that.
00:47:45.380
Isn't that beautiful?
00:47:47.260
You know what that reminds me of? Do you remember the scene in forgetting Sarah Marshall,
00:47:53.940
where Paul, what Paul Rudd is great actor. Right. It's teaching Jason. Uh, what? I don't
00:48:02.100
remember his name. The tall guy, the main actor, uh, how to, uh, surf. And as he's getting on the
00:48:09.060
board, he goes, no, no. Could you do a bit less than he could you do a bit less? And then at one
00:48:13.540
point, Jason doesn't know what to do because anything less would be for me to just stay on
00:48:17.800
the board. So it's exactly the same principle. Okay. So I saw the apartment. I saw,
00:48:23.920
double indemnity loved it. I saw probably my favorite all about Eve. I went crazy. I
00:48:31.300
love unbelievable. But now here's, here's some other ones that I saw and I didn't get
00:48:36.400
the Philadelphia story. I thought sucked at Roman holiday sucked. So having said all that
00:48:44.540
you're the professional, I'm just the amateur. It's all about taste. There are some movies that
00:48:51.840
get like literally Academy. You always like when people, when a hundred million people used to
00:48:56.680
watch it for the Academy Awards, as opposed to less than a million now, it's because they've,
00:49:01.720
they have changed their course. They become, um, so politicized that they're no longer
00:49:07.440
entertainment based. They're just preachy. And, uh, back when in the old days, like back in the
00:49:12.880
height of it, I mean, the best movies that came out of the late 1930s, 40s, um, literally 1939,
00:49:21.700
you had six movies that were up for Academy Award and they were all some of the greatest films ever
00:49:25.220
made. You know, whether it was Gone with the Wind, it was Gunga Din. Um, it was the Wizard of Oz. I
00:49:32.220
mean, you had like, there were six and they were all incredible. Um, and, and at the same time,
00:49:38.100
you know, in the 1970s was the other high watermark of comedy. And I remember watching the Academy
00:49:42.480
Awards with my parents, no politicization at all. What it really had was a hundred million
00:49:48.340
Americans would watch the show. And then so many around the world, because it was the, it really
00:49:53.120
was a celebration of movies. And you had, you know, beforehand you'd have the interviews with
00:49:57.620
Barbara Walters and they'd interview the movie stars of their day. So she'd be interviewing Sean
00:50:01.880
Connery and said, Sean, you said the thing about where that a woman that you could hit a woman. Now,
00:50:09.840
can you, can you please, can you please with her lift, can you please clarify your position for people
00:50:16.020
who are horrified, but what a horrible thing is it? I said, well, Barbara, what I was saying was
00:50:20.900
basically that for a woman who can get particularly stuck in a, in a, uh, well, emotionally stuck,
00:50:27.720
you know, I never hit a woman with the front of my hand, but the back of a hand, I find a woman
00:50:32.560
could get unstuck or whatever he would say, which is absolutely horrible, you know, but you would
00:50:37.940
have these, these, these consequential interviews with these gigantic movie stars. And we didn't
00:50:42.700
have that. You didn't have social media where they were telling you what you had breakfast every
00:50:46.620
day. There was some, they were, you know, these mysterious people that were just fascinating
00:50:52.460
that you only knew from the, literally the big screen and you would go see them. And there
00:50:57.300
were bigger than life. I mean, I remember like, you know, what, what Richard Pryor said about John
00:51:01.720
Wayne, when he was a kid, like John Wayne, he don't go to the bathroom. Will you talk about go to the
00:51:05.420
bathroom? It's John Wayne. You know, these people weren't people. They were these gigantic movie
00:51:10.520
stars. And that's when you had the Academy Award that had a hundred million people where you had
00:51:14.200
amazing, you know, talent that was, that was trying to make the best movies that were something,
00:51:19.020
you know, and as opposed to now, now there's like, you know, they, they literally have diversity
00:51:24.320
to qualify for an Academy Award. So they're just shooting themselves in the foot. That whole,
00:51:29.040
that whole racist thing were like, um, which was totally like fear of being a racist. Cause
00:51:36.140
that's the worst thing you could be in America now. I'm sure in Canada as well, Gad, it's like the
00:51:40.520
worst thing you could be in America is being perceived as a racist or accused of being a racist.
00:51:44.660
You know, it's, it's, it's like the worst thing you can be in America is three things,
00:51:47.280
pedophile, Trump supporter, racist. Those are the big three. That's true. So, and so now you have,
00:51:53.620
um, you know, it's, it's devolved into where, you know, where you have to have 30% LBGTQ plus to
00:52:03.100
qualify for the Academy Awards and, and it's all being preachy stuff. And here's what you never hear
00:52:07.960
on a Friday night. Hey, let's go see that new movie. I heard it's got 30% LBGTQ plus in, in,
00:52:16.380
in the, in the crew and 35% in the cast. And the boom man is a Peruvian homosexual. He used to be
00:52:23.060
an associate professor at Portland university. Nice, nice link back to an earlier thing.
00:52:27.860
You got it. That's how the comedians work.
00:52:30.680
How does that, has that made you less in love with your profession or you're able to still
00:52:38.540
navigate in your creative juices, notwithstanding the fact that all this diversity stuff is in
00:52:44.980
Hollywood. It is in Hollywood, but the GAD, I mean, the thing I started out as a comedian,
00:52:50.560
so this is like, God works in very mysterious ways. Whereas the thing that you need to learn,
00:52:57.620
like we're all here to learn. I would say that if, if there was some design and I'd say like,
00:53:04.940
why did God put the apple in Eden? And I just tell people in a crude way, God wants shit to happen.
00:53:11.600
And he doesn't just want this peacefulness and everything to be Eden. He wants us to test us
00:53:16.040
in every way that we can. And, and, um, not just as individuals, but as families, as communities,
00:53:21.060
as nations, and, and, and, and for us to be good stewards, hopefully to continue to be good stewards
00:53:28.240
for this planet. And so these things are these tests that happen. And, and, um, and it's happened to
00:53:36.040
me, um, for, for, for my career. Uh, and it's, it's to see it, um, to see the evolution of it.
00:53:45.400
And I started out as a comedian and I gave it up because I respected it too much. I didn't want to
00:53:51.220
just do it on the weekends. I remember Jay Leno, when I would use the promote movies, I go on Jay
00:53:54.920
Leno. Hey, why don't you do standup anymore? I don't understand. You can make like,
00:53:58.580
and it was this little thing, you know, you're going to do this corporate gig. I'm doing one
00:54:04.680
tonight after the show. And, uh, those are Jay's two moves. You talk up here, you know,
00:54:10.620
he didn't come down here. And, uh, those are great moves though. He was the best comedian of
00:54:15.140
his generation. And I said, it's because Jay, I respect the art form too much to just go out and
00:54:19.800
make a buck on it on weekends. If I'm going to do it, I'm going to do it full time and make that my
00:54:23.760
thing. And so when the career kind of got blacklisted or, or I should say, cause it isn't
00:54:29.200
just a black list, but when your movies don't make money, you have a couple that miss, or if
00:54:33.600
you're controversial, because, and I say this to people like, cause I say, cause you've been
00:54:37.980
blacklisted. It's not just that it's very complicated because it's not just the studio. It's not just
00:54:44.220
the people, the producers and directors and the executives. I mean, because the executives who are
00:54:48.960
making the decisions, they're not making the decisions. Like let's make another all about
00:54:53.620
Eve. Let's make another African queen. They are the godfather. They're making decisions in a much
00:54:59.780
more, um, I would say self-serving method. Gad, uh, they know they're going to be fired and then
00:55:07.760
they know it's a matter of time. And they know that the good life meeting girls, uh, having a house on
00:55:12.420
the beach and traveling around the world and having a lot and the power that it comes with. And when you
00:55:19.120
ever go to a studio lot, there's something that's really interesting. Nobody ever talks about.
00:55:23.860
And I've never talked about this either. There's a book because I was waiting for my cab one time
00:55:28.960
and I was waiting in the cab wasn't coming. There's a book, a huge books. And I just went in at the
00:55:34.000
gate to get into the lot of Fox. I said, what are those books? And this, these are the, all the old
00:55:38.300
executive producers, directors, and writers who are banned from the lot because they're that angry
00:55:43.120
and whatever. They're now controlling the democratic party. Those same people. That's my guess. But these,
00:55:48.200
all these malcontents and angry people who've made threats or whatever, these lunatics,
00:55:52.080
folks, because that's what gets in show business.
00:55:55.360
Oh, you mean Robert De Niro?
00:56:00.200
These people who are unbalanced. Yes. Um, they're not allowed on the lot. And so these are people.
00:56:07.340
So going back to the executives, they're making decisions, not what's the best movie I can make.
00:56:12.400
What can I put my name on? What could be stand the test of time and break into that top hundred movies?
00:56:17.900
It's simpler. What will delay my inevitable fire firing the longest? How can I keep this party going?
00:56:26.940
So the art part is gone. It's just survival.
00:56:31.220
Yeah. Well, and that, that's a shift that wasn't that, that was a long time coming because
00:56:35.000
the, you know, what, what really changed the industry was the, they had the studio system
00:56:39.840
collapsed in like 1967. And it was, you know, whereas it used to, whatever, you know, whether
00:56:45.720
it was somebody was gay and got found out, he was gay, that they had a studio system that would
00:56:49.160
protect them. And whether it was, there was, you know, somebody got into, was drunk in a car
00:56:52.580
accident, they would, or got divorced and they're supposed to be, you know, they're Mickey
00:56:56.720
Rooney, blah, blah, blah. And they would protect it. But the star system, I mean, the studio
00:57:01.120
system collapsed and with it, the stars that were being held up by it. And so you had to
00:57:05.560
be a producer yourself. And Warren Beatty was one of the guys who produced and found material
00:57:10.180
that was interesting for him. And he made Bonnie and Clyde, which was the first movie that had
00:57:15.180
literally both leads murdered or killed violently at the end of the movie. And that was a studio
00:57:22.140
picture because the studio system had collapsed. And so you also had a movie that was rated
00:57:27.920
X. Another interesting story that was rated X called Midnight Cowboy. Yeah. John Voight
00:57:34.080
was the second choice. The first choice, you know who that was for Midnight Cowboy? Elvis
00:57:38.620
Preston. Wow. But Elvis and John Voight doesn't like to tell that story because he feels bad
00:57:44.320
for, for, for Elvis, but he won the Academy Award for that. And that would have changed Elvis's
00:57:48.240
career, but Elvis's manager thought it was, you know, too dirty of a movie.
00:57:52.960
And Elvis's manager didn't want to get kicked out of the country because he wasn't here legally. He
00:57:56.280
was a Dutch, a crazy Dutch criminal. So they made that movie and that movie was rated X because
00:58:02.140
here's an interesting thing that happened. That's how old the Academy of Motion Pictures always is
00:58:06.720
and the people in it. Because at that time they started putting into a new rating system,
00:58:10.920
a rating system to come in to be more modernized. So they put, instead of just having a general audience
00:58:16.700
and the not general audience, they had G, which was for general audience and then, um,
00:58:23.000
PG, PG, which was general audience mature. And then they had R for restricted. And then there was
00:58:29.600
X for adults. Now what happened was the bunch of old fogies didn't realize that the R was for
00:58:35.560
teenagers and the X was going to be for adults for mature themes. So the first movie that got that
00:58:40.920
stamp was midnight cowboy, but they didn't trademark this, uh, these new symbols. So the PG, you know,
00:58:49.980
PG and R, they weren't trademarked and X wasn't trademarked. So what happened was the nudies came in,
00:58:56.220
the nude pornographic movies in the movie theaters swept in by that night. It's 1967, 1968. And, uh,
00:59:04.820
the censorship laws got dropped in America. Thanks to Lenny Bruce and Ken Kesey and Henry Miller,
00:59:10.360
uh, which the obscenity laws changed, which allowed for this, this new cinema X. And so you had X and
00:59:18.340
double X and triple X. So the movies, which were supposed to be divided into four quadrants, which was
00:59:23.680
all, everybody, everybody. And, you know, if you're 13, whatever you should be with your parents
00:59:28.300
and then teenagers, and then it was also adults, 17 and over. So the X got thrown out and all those
00:59:35.040
other movies, which are more adult fair or violent, like Scorsese movies come to mind, Tarantino's,
00:59:40.100
they got squished into the R ones. And so it's still to this day, I still think there needs to be a
00:59:46.960
revamping of R plus or R with a red label or something. And so that's what happened. But the
00:59:53.820
first one that, that was the only one ever that was a, a, um, best picture Academy award winner that
01:00:00.020
was X was Midnight Cowboy.
01:00:02.400
Very interesting. Would you, speaking about range that we were talking about earlier,
01:00:06.740
one could argue that obviously you're, you're a comedic actor. Most, most, not all of your movies
01:00:14.060
have been in comedy. Would you, is it an aspiration of yours to say, Hey, if I can get my hat, you know,
01:00:20.280
Adam Sandler, your, your buddy did do a movie where he, he's not a funny guy, right? Pretty recently.
01:00:26.400
If you, is this something that you aspire to do or no, no, I know my lane. I'm comfortable in my lane.
01:00:32.900
I want to make people laugh. That's what I'm good at. And I'll stick to it.
01:00:36.220
Well, I was talking to my friend as the best comedian, the most famous comedian in Spain,
01:00:41.380
the most, uh, certainly the, I think the greatest comedian ever in Spain, uh, is, uh, not that I
01:00:47.160
know every comedian there, but Santiago Segura. And he's a friend of mine. And, and I, I was talking
01:00:52.900
to him about us doing a dramatic film. He said, Robbie, why would you want to do this? We have,
01:00:58.340
we have a specialty. We're a comedian. How many people could get laughs like us? I mean, come on,
01:01:02.720
let's do it. Why don't we stick to what very few people can do like us? Huh? Robbie, we stick to this.
01:01:07.400
We stick to this. Robbie. Oh, with the, with the, with the Spanish lisp.
01:01:12.560
It's a specialty. Yeah. Specialty.
01:01:15.320
Puerto Puerto, Puerto Puerto, Robbie. And he's right. But I do want to stretch and do things that,
01:01:20.740
that call out to me. Um, and so there is, there is some films I'd like to make, but we'll see. I mean,
01:01:26.560
I'll say that, um, you know, the, the difficulties that we have, I really do have faith in God and,
01:01:33.900
and that these are just opportunities, opportunities for us as a society, as family,
01:01:39.200
as a country to see, uh, what, I mean, America's going to decide how we want to move forward as a
01:01:45.280
country. Are we going to have, still have two parties? It'd be nice if we had three,
01:01:50.200
but are we still going to have two? I mean, that's really up for grabs now in this new election.
01:01:54.660
You you're referencing sort of the super majority that happened in California. And you would think
01:01:58.780
that you're going to have like what happens in California. Cause I was just there meeting with
01:02:02.580
some investors for my new, my new film and TV and media company. Are you, are you ready to talk
01:02:08.140
about that here? Yeah. Yeah. No, it's a new, I'll talk about for the first time. No apologies. Media
01:02:13.860
is my new film company and broadcasting. We're going to do the whole thing. And I was meeting.
01:02:18.540
Wait a second. Sorry to interrupt. Is there a movie that focuses on a ridiculously good looking
01:02:26.820
professor of Lebanese descent in it? Is there at all? Always. So there is in the production queue,
01:02:34.060
a movie where I star as the leading man. You're going to say that on the record,
01:02:38.380
on the record, the TV series, you're saying this now, and I mean this, you're going to have to come
01:02:42.820
to Georgia part of the next word. Wow. I love this is a real Academy award that I received. Now it says
01:02:49.260
here best husband and my, my, my wife picked it up for a few bucks in Hollywood, but you did get it
01:02:57.260
in Hollywood. I did get it. So it is real. Okay. Go on. But there's a, there, we are going to be
01:03:01.540
doing shows with the, about a university professor. That's one of our TV shows we're doing. So you're
01:03:07.100
going to like that. I'm going to send that to you. See if you like it. Okay. Oh, I would love to check
01:03:10.640
it out. So you mean like, like a script or something? Yeah. It's going to be a new TV series.
01:03:15.320
Oh, that's amazing. That's so exciting. So with, in your new role with this media company,
01:03:22.120
would you be largely behind the scenes? You're a producer or you'd be both, you'd be, you'd be
01:03:28.460
Clint Eastwood. Well, with all the people that are investing money in this and a lot of money,
01:03:34.700
you, I really want to do, you have to do what's best for the project. If I can be helpful or if I'm
01:03:39.580
too, if I'm too controversial, then I'm going to step out and bring in somebody that,
01:03:43.360
that has less baggage to it. But if I can be controversial in a good way, I'll stay in it.
01:03:48.920
But again, it's just, you know, we have to do what's best for the project. And I do think we
01:03:55.180
are coming out of this illiberal, illogical mess that's happening. And I think more people,
01:04:01.240
it was nice to hear Zachary Levy, who member of the tribe. Yes.
01:04:05.600
Yes. Yes. Stepping out. And, and, you know, he's, he's made movies, um, um, you know, Shazam,
01:04:11.620
and he's a really good and handsome member of the tribe. Should I, should I bring him on the show?
01:04:17.480
You should. He's always very important. I mean, it's, it is impossible to ever be better looking
01:04:22.700
than me, but I don't like having anybody on the show that could come close to being as good. Not
01:04:28.120
that you're not as good looking. Thankfully, I'm glad you had me on. I said, well,
01:04:33.620
certainly 10 years ago, we might've been, had a competition. Um, but yeah, it's just, um,
01:04:39.900
it is nice to, uh, to be able to make some things and have the creative freedom because I think
01:04:44.060
traditional show business, as far as the studio system is collapsing in real time. And I think
01:04:49.360
you're going to have the independents that are filling up, that are going to, that are going to be
01:04:53.360
the ones providing content for the major streamers and for what's left of terrestrial broadcasting
01:04:59.440
network TV. And so that I think it's going to, cause they, they take up the risk cause it's a lot
01:05:04.000
of risk. Um, but I, I think at the same time, we're going to have to, I don't want to just be a
01:05:09.580
conservative media company though. We are, I just want to make content for everybody. Uh, you know,
01:05:14.980
Gad, I don't want to, you know, which is, is really because I used to work for Disney. I made some
01:05:20.460
very good movies. I think for Disney, um, back, uh, 20 years ago. And it's just, and I don't mind
01:05:28.240
saying publicly, it's a shame that my wife and I have to watch the movies first before we show it
01:05:32.820
to our children. Yeah. So when would be the first product that comes out from this new media company?
01:05:39.480
It'll probably be, we're going to start with, um, uh, Andrew Doyle is a British broadcaster.
01:05:44.740
You might know he's also, he's been on my show. I think he's brilliant. Then yes,
01:05:48.720
you know, he has a PhD. Yeah, no, he's absolutely, he's a real professor. Yeah. Yeah. Yeah.
01:05:54.880
Go on. And he's a real intellectual as I'm, I'm, uh, I'm just a fill in the blank because there's
01:06:00.580
nobody available intellectual. Uh, no, but, but he's coming over and he's going to be one of our
01:06:05.080
broadcasters and one of our men. And then, um, we're bringing over some people, some comedians
01:06:10.100
who I can't mention now because they're worried about the, um, being, uh, continued to be canceled.
01:06:15.480
And I told him that you're going to be free here in the United States. And then we're,
01:06:19.640
so the, probably the first product we're going to make is a TV series. And, uh, I can't say where
01:06:24.780
it's going to come out, but we're in negotiations for one of the biggest sites in the world and
01:06:30.080
we'll be their first TV series. And the first person I tell will be you when we can. Oh,
01:06:34.020
I am so excited. All right. Before I have you in that show, I can't wait. That's one thing that I
01:06:40.000
don't have. I'm already soccer star. I'm former adult film star. Okay. That's not true. I just
01:06:46.400
made that up, but you know, but honestly, I mean, I know we're joking around. I love people who are
01:06:54.000
true polymath. So if you ask me who is the person that I'd want to most sit down with for dinner
01:07:01.060
historically, it'd be Leonardo da Vinci. Why? Because he's a surgeon. He's everything,
01:07:07.660
right? He's an artist. He's an artist. He's a dreamer. He's a futurist. He's an engineer. He's
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an anathema. Everything. So, so I love that. I mean, if, if, if truly ever I could have some
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appearance in your movie and I could put that, it's, you know what? Life is a playground. So
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in this book right here, right? This is my book on happiness. I have a whole chapter about life as a
01:07:30.000
playground. Even science is a form of play, right? Well, I believe, I believe it. I mean,
01:07:34.900
that's, that's the true definition of, of, of, of existence to me. What is it? What, I mean,
01:07:40.860
if you had to say it's why our eyes, as Alan Watts said, that's why our eyes point out, not in where
01:07:45.860
we're supposed to look out like that. And if you look at, there's really only, well, most people
01:07:50.560
would say that there's two interpretations of existence and, and, and, you know, I think Alan
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Watts talks about the third one. I mean, one is the clay model of existence, which is simply like
01:08:02.360
we, that God made us from clay and from dirt and that we, and then Adam came from the rib
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and that our whole existence is, is looking at things like, well, we, you know, we owe God. And
01:08:10.980
there's this, you know, you never see a picture in the medieval picture of, of Jesus laughing or
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smiling. It's always like, we're going to talk later and you know what it is and it's going to be
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important. And the other one is, you know, these, this worse than agnostic is this, this atheistic
01:08:29.700
view of the world is, you know, you know, um, everything's just an accident bumping into each
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other. And then when you're dead, you're dead. And it's kind of this cold, uh, nihilistic version
01:08:39.680
of, of existence. But there is a third one and which you've alluded to, which is the idea of life
01:08:45.440
as a drama, life as play, life as a gigantic play. Um, and life as a joyful play for us to learn
01:08:55.680
whatever we're supposed to learn this lifetime and experience that from a place of learning.
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And that learning is something that's the first thing we do is we teach kids the first game,
01:09:05.780
which is the game because it's the beginning game. We teach kids and it is the end game for all of us,
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which is you're not here. Now you're here. Now you're not here. That's the beginning and the end
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of all games. And from there, it's this joyous, beautiful search. And I would just tell all people
01:09:25.160
like to calm down about this entire, uh, experience that we're having here in the United States where
01:09:31.240
people so upset and so worried about the election. It was much tougher in the 1860s during that war
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where so many people, uh, one out of every six citizens died in the colonial United States.
01:09:41.820
Um, and, and then there's the same time, World War II with what my mother starved and both her
01:09:47.320
brothers were killed by the Japanese during her world, her childhood. And she had, she never felt any
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bitterness towards the Japanese. She just was able to put that out of her and to categorize that as a
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time of war. That's what she told me. And she never felt fearful. So I would just say this experience
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that we're going through right now is, is a blessing because we're able to decide what kind of country
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you want it and what kind of experience and how we're going to interpret this in a way where we could
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live peacefully with one another and, uh, joyfully. Amen. Let me remind people of the book. You can do
01:10:24.060
it! Exclamation point. Speak your mind, America. Go out, get it. Rob, what a delight it is to have
01:10:30.880
met you. I know we met in person, uh, last year, but we didn't get a chance to have such a in-depth
01:10:36.540
conversation. Thank you so much for coming on. Stay on the line so we could say goodbye offline and
01:10:40.840
please come back anytime when you want to talk about it. This is just part one. Exactly. By the way,
01:10:45.740
to talk about your book and your influence on me, you have a calming, great influence,
01:10:51.940
not just on me, but, and so many people that I know, we all are your admirers, but we're also
01:10:57.100
your students because you're a peaceful warrior and you are, you are secretly teaching all of us.
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And that is a wonderful place. And I, when I'm going to give speeches, when I talk to kids
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just yesterday, I was thinking about you and having that positive, peaceful warrior, uh, and
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gently instructing people and subverting them. Not beautiful words. Thank you so much. Maybe I'll
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cut that clip and play it back whenever I feel bad about myself. Thank you so much.
01:11:27.660
Stay on the trophy. There it is. There's my Academy Award people and stay on the line.
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