00:29:32.880Well, you were just, you know, talking about the structure, the narrative of Christianity,
00:29:38.060which kind of leads me to another point that's not necessarily religious,
00:29:43.160but that I think will resonate with you.
00:29:44.940So, you're obviously a writer, you also write fiction, you're a screenwriter.
00:29:49.280So, there is a, and I know that you pursued a PhD, but never finished it.
00:29:52.940Maybe we want to talk about that you should go back and finish that PhD.
00:29:57.040My grandmother, who is long dead, that was all she wanted.
00:30:01.240My grandmother, Otty Fabian, who was a refugee from Nazism, on my mother's side, they were refugees.
00:30:07.540My mum was actually born in Nazi Germany.
00:30:09.100When I was 21, I didn't have enough money to be a comedian.
00:30:16.480And at that time, which is now an amazing idea, the government in Britain would give you money to be a student and even to be a PhD student.
00:30:27.400And so, I got a grant, and I was at London University doing a PhD in Victorian sexuality and literature, is what it was.
00:30:37.280And she, although I don't think she particularly knew what I was doing, but she just loved the idea of me being Dr. Baddiel at the end of it.
00:30:51.320Okay, so two stories that I mentioned, forgive plugging my own book, in this book right here, The Bad Truth About Happiness, I talk about towards the end of the book about the psychology of regret and how oftentimes the things that we regret, we could actually still affect change.
00:31:09.060It's too late for me to be a basketball player.
00:31:12.600I'm too old, too short, and not good enough to be a basketball player.
00:31:15.500But, so here are two stories that are going to resonate with you regarding your incompleted PhD.
00:31:23.060Story one, I think his name is Dagobert Brault.
00:31:26.120He was a guy who left just as the Nazis were coming into power, a Jewish guy, moved to Montreal, became a businessman, never pursued his lifelong dream of going to university.
00:31:38.860Then when he finished his career, he retired, he was in his 60s.
00:31:42.700He said, well, you know what, now I've got some time, why don't I go back and do my undergraduate?
00:31:48.180In his 60s, he completes his undergrad.
00:31:51.320He says, well, you know, I'm young, I'm still healthy.
00:31:56.240Fast forward, at the age of 92, this is at my university where I'm a professor, and it used to be called the Thursday Report, which was the weekly newspaper of the university.
00:32:08.100I think the title on the front page was, Finally, a doctor at 92.
00:32:15.220Story two, Memfred Steiner, who is a gentleman who came on my show about a year and a half ago, got his MD degree in 1955, David, and then picked up a PhD in biochemistry in 1967 as part of his training in hematology.
00:32:30.200But his main love had always been physics.
00:32:33.540But his parents had said, what is this physics stuff?
00:32:41.700So after he retired from medicine, after a long, illustrious career as a hematologist, he went back, pursued physics, and at the age of 89, a year and a half ago, I think, got his PhD and came on my show.
00:32:55.380So based on those two stories, you're still a spring chicken, so there's no reason for you not to go back and do your PhD.
00:33:05.440I actually wrote like 90% of it, which is kind of weird, considering that you would think just finish it, David, because I could do.
00:33:14.640I could just finish it and just submit it.
00:33:17.440And I might, and I'll take your advice.
00:33:19.600But there is a couple of reasons why not.
00:33:21.140Number one, when I've read it now, and I wrote a lot of it in the 80s, it's academically massively out of date in terms of the way that literary theory and stuff.
00:33:29.180It's very, you know, infected by sort of Foucault and ideas about literary theory that were very prominent in the 80s.
00:33:42.880It's mainly looks at the Victorian in terms of like how the history of Victorian thought is there in all the literature.
00:33:50.540But the other thing is physics, which is, so my dad was a working class guy and not a refugee, although a few generations back, they were fleeing from Russian pogroms.
00:34:04.240And obviously, in fact, there's a story, which I don't know if it's true or not, but that my great, great grandfather smuggled himself on a wood, on a timber ship from Latvia from running away from Russians.
00:34:16.020He was on his way to New York and because he didn't speak any English, he just got off at the first stop, which was Swansea in Wales, which is where my dad's from.
00:34:24.360I actually wondered why your dad was from Swansea.
00:34:40.500But my dad got out of poverty by studying chemistry and became a, you know, he ended up actually taught in New York for a bit in upstate New York in Rossellaire Polytechnic Institute, which is in Troy, upstate New.
00:35:18.380So, as I say, not what you would tell kids now.
00:35:20.960But the interesting thing about it is he's dead now and I spend all my time reading popular, I can't do the maths to do it properly, but I read popular physics books all the time.
00:35:31.980And I wrote a play called God's Dice, which is a play trying to match up religion and physics.
00:35:38.700It's actually a play about a woman who appears in a lecturer's room one day, a young woman, and she's a Christian and she uses probability to suggest I can provide you equations to show you the probability of water turning into wine or the Red Sea parting or all the miracles.
00:36:00.200Because she's a kind of genius and she's able to come up with physics equations to show you, because in an infinite universe, right, in an infinite universe, if anything that can happen will happen, it is sort of possible for water to turn into wine in an infinite universe.
00:36:17.000A tiny, tiny, tiny possibility, but it's possible.
00:36:21.000And therefore you can work out the possibility, right?
00:36:51.760So that seems to be like a proper subject, right?
00:36:53.820I studied English and I'm a writer and I love my subject, but a tiny part of me, and I think all people who work in the arts think this, thinks proper cerebral work is being done elsewhere.
00:37:07.640Proper cerebral work is being done essentially in the sciences, right?
00:37:11.180And so I think that my dad saying it's a waste of a brain is a bad thing to say.
00:37:49.100So earlier you were mentioning that in your outdated manuscript for your dissertation, you were using a post-structuralist and Michel Foucault.
00:38:44.100So basically what you're doing there is you're arguing.
00:38:48.260So rather than doing a literary critical endeavor using a Marxist lens or a post-modernist lens or a feminist lens, you use actually the proper scientific lens, which is that literature moves us.
00:39:03.960And the fact that we're able to, you know, link and understand some ancient Greek poem in exactly the way, if it were being said today, is because there are a few underlying universal themes in literature that are exactly catering to our shared biological heritage.
00:39:28.600As a matter of fact, there's a book called Madame Bovary's Ovaries, where they literally look at all of these classic literary themes using a Darwinian lens.
00:39:42.320So here comes soon to be Dr. Baddiel, the young one, the David one, where he applies a very formal evolutionary biological and evolutionary psychological approach to studying whichever literary genre he wants.
00:39:59.240Now your dad is happy because you are, quote, applying science.
00:40:12.020What's very interesting about it, really interesting about it, is I mentioned in passing that the way that I looked at literature was historicist primarily.
00:40:20.360And to get over the fact that you're right, it's got far too much postmodernism in it because it was written in the 80s and I was young.
00:40:26.880But there's something I still believe in.
00:40:29.180But with a twist now, depending on what you've said, which is that history does contextualize art.
00:40:35.800And I remember when I first came upon this idea, I was very excited by it, partly because I think because of my dad, again, a part of me doesn't want to be totally free floating intellectually about art.
00:40:46.040I want to feel that there's something concrete.
00:40:48.180And I remember I had a teacher, a really brilliant teacher who was basically a historian called Lisa Jardine.
00:40:52.180And I went to see Lisa lecture and she was lecturing about the fairy queen, which is by Spencer.
00:40:58.940And it was a massive poem written at the start of Elizabeth's first reign.
00:41:02.200And she said, why is virginity so important in this poem?
00:41:06.660And her point was, up to that point, people writing courtly poetry would have premised valour and heroism as their main objective for their heroes, because that's what their monarchs were doing.
00:41:20.260They were going off to fight wars and crusades.
00:41:22.660And then suddenly they had a female monarch.
00:41:25.360What's her version of heroism at that point in time in 1550?
00:41:31.820That's a heroic thing for a female monarch to do.
00:41:35.480And I remember sitting there thinking, suddenly literature has a reality.
00:41:40.520It's not just people saying, oh, I like this poem or I don't like this poem.
00:41:43.560It's that that felt to me like intellectually concrete.
00:41:46.240So I became very historicist in the way that I looked at literature.
00:41:50.040And I think I wrote some quite interesting things, actually, from that point of view.
00:41:53.800But I would have changed now a bit to almost entirely what you have just said, except I don't know that I would put a Darwinian lens on it,
00:42:02.100which is I do believe now more in the eternality of human experience.
00:42:07.540So as I've moved away politically, to some extent, I used to be very left wing.
00:42:11.840I now think of myself as purely free floating politically.
00:42:15.080Like I don't have a political home at all.
00:42:18.420I think, in fact, having a political home in your head as a brand, it just squashes original independent thought.
00:42:25.240And as part of that, I think that assuming that everything is entirely dependent on your immediate historical context has that slightly Marxist element to it,
00:42:38.360which I no longer completely I think history is incredibly important, but not in that way that there is nothing that can exist without the confines of your immediate historical circumstance.
00:42:53.460There's something that in eternal humanity that means that when you read Shakespeare or when you read Sophocles,
00:42:58.980there is history and there is also something that binds us to that art.
00:43:04.000And so in several of my early books in evolutionary psychology, I have chapters which I titled cultural products as fossils of the human mind.
00:43:16.080And so my argument there is that if you're a paleontologist and you want to study the phylogenetic history of a species,
00:43:23.360then your currency are the fossil remains and the skeletal remains.
00:43:27.740And I can say very precise things about the mating behavior of an animal that has now been extinct for 65 plus million years based on those fossil remains.
00:43:39.220On the other hand, when it comes to the human mind, it doesn't fossilize, it's organic.
00:43:43.940But what I argue is the cultural products that human minds leave behind are fossils.
00:43:49.720And so I could study the ancient Greek poem.
00:43:51.980I could study the song lyric or I could study the troubadour.
00:43:55.840I could study movie themes, screenplays or plays in general.
00:44:01.180And I can study all of those things informed by the evolutionary lens because it will say some profound things about our shared biological heritage.
00:44:11.180So I think, I mean, there are now a growing number of literary critics that are using Darwinian theory, but it is still a very small field.
00:44:19.020So again, not to, again, channel your grandmother.
00:44:23.180There are ways by which you can so easily write something innovative about a particular set of, you know, literary period, be it Victorian or other, where you incorporate the Darwinian lens.
00:44:34.620And boy, would you take off the originality element because so few literary critics do use that lens.
00:44:40.440Right. I mean, this is to move it slightly away from, like, helping me rewrite my PhD.
00:44:47.240But what occurred to me when you were speaking is music.
00:46:26.520By the way, one of the ideas that I'm thinking for my next book, I'm not sure if I've sold myself on the idea,
00:46:32.680is to write a book demonstrating that the amount of new insights that could be gleaned from applying the evolutionary lens in fields that you wouldn't typically expect it to be present in.
00:46:46.340So, what does evolutionary architecture look like, or evolutionary musicology, or evolutionary literary criticism?
00:46:54.140I mean, I touched on this in some of my previous books, but I thought I would do an entire book where every chapter would be evolution and fill in the blank of a different discipline.
00:47:53.300I've heard of that because this is going to receive a strange thing.
00:47:56.480To mention, but the book I'm writing at the moment is based on a show I did about my parents.
00:48:02.740And my mum, it's very much about my mother, who one of the things in her life that was the defining thing in her life was that she had an affair with a golfing memorabilia salesman and then turned our lives over to golf.
00:48:16.900She became totally obsessed with golf and everything in our house was golf and golfing based.
00:48:21.980And the comedy of it was that somehow my dad didn't notice that this meant she was having an affair.
00:48:26.180With the golfing memorabilia salesman.
00:48:27.760But I use and it's good that you've told me because I think I use species drift and I should use exaptation.
00:48:32.580And I use the example of that in the middle of this book to say, I don't believe that my mother was really that interested in golf.
00:48:41.300But what happened was her desire, which is the kind of evolutionary desire, I guess, to be with this guy was so strong that it moved her to a position whereby she was obsessed with golf, which doesn't really make sense.
00:48:53.980Because from his point of view, she just became a rival in the market of memorabilia stuff.
00:48:59.540Right. And as far as I know, he was always a bit annoyed about it, but she couldn't stop herself because something in her was being pushed to being to prove that your parents separate.
00:49:09.100She did for a bit and then they got back together again.
00:49:11.940OK, so she left the golf guy and went back.
00:49:14.100She was just having an affair with the golf guy.
00:49:15.900They were never actually together, but she was a part because my mother was the key thing.
00:49:21.200And this is more how I think and not so Darwinian, maybe in terms I'm fascinated by human psychology and I don't always apply.
00:49:27.260I mean, you might have a Darwinian version of this, but I think the reason my mom was like that is she was a refugee.
00:49:32.380Her life in Germany, had Hitler never existed, would have been very glamorous.
00:49:37.700She was from a very wealthy background.
00:49:39.880They owned a brick factory in a place called Königsberg.
00:49:42.600I've actually been there. It's called Kaliningrad now.
00:49:45.080And they had servants and she would have had probably quite a glittering marriage.
00:49:48.920All that went and she ended up with my working class Welsh dad, who was quite angry.
00:49:54.480But I think at some level she always imagined this glamorous life that she would have had.
00:49:58.200And the nearest thing she could find in suburban London in 1973 was this kind of golf guy.
00:50:05.000And so your dad forgave her and then they lived out their life together.
00:50:09.280No, my dad just never talked about it.
00:50:13.060OK, well, but that itself is incredibly shocking.
00:50:16.140So let me give you some stats that might either surprise you or not.
00:50:19.440Let's see. When a man cheats on a woman, it doesn't at all mean that the relationship will end.
00:50:27.500I think if I'm getting their number, I might get the numbers slightly off.
00:50:31.220It's about a 30 percent chance that the marriage will dissolve when a man cheats on a woman.
00:50:37.040When a woman cheats on a man, it almost and this is cross-cultural, it almost guarantees it.
00:50:43.240It's it's it's roughly in the 90 percent range.
00:50:46.260Right. So your dad and your mom fell in the 10 percent anomaly.
00:50:50.140Now, the reason from an evolutionary perspective, they were quite anomalous in lots of ways.
00:50:53.800There you go. So the reason why it is an unforgivable act is because of a basic Darwinian mechanism of paternity uncertainty.
00:51:02.560So men have evolved the emotional, cognitive and behavioral systems to be very unforgiving of these kinds of dalliances because we're a bi-parental species.
00:51:12.000And I don't want to go around raising the sexy gardener's son.
00:51:16.820And therefore, you cheat on me. We're done.
00:51:19.220And so it's quite incredible that your dad put up. That's interesting.
00:51:22.720Well, as I say, he never really admitted it to himself.
00:51:24.940Everyone else knew, including the children.
00:51:27.040My dad, who was not an open man emotionally, never really admitted.