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TRIGGERnometry
- July 26, 2024
Why I Fear the Future - Konstantin Kisin
Episode Stats
Length
5 minutes
Words per Minute
160.1595
Word Count
897
Sentence Count
65
Misogynist Sentences
2
Hate Speech Sentences
3
Summary
Summaries generated with
gmurro/bart-large-finetuned-filtered-spotify-podcast-summ
.
Transcript
Transcript generated with
Whisper
(
turbo
).
Misogyny classifications generated with
MilaNLProc/bert-base-uncased-ear-misogyny
.
Hate speech classifications generated with
facebook/roberta-hate-speech-dynabench-r4-target
.
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In New York, Frances and I were invited to see a musical about the artist Tamara de Lempicka.
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Lempicka, the wife of a Polish noble, flees the Russian Revolution and ends up in Paris.
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With her husband struggling to adjust to his loss of status and wealth,
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the family lives in poverty until Lempicka is discovered as an artist.
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She gradually finds her feet and eventually thrives in the rapidly changing world of the 1920s.
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Convinced that the unimaginable horrors of the past can never be repeated,
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Parisians cope with the trauma of World War I by what we would now call living their best lives.
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Lempicka thrives in this capital of hedonism, maintaining her marriage while also falling in love with a female prostitute
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who introduces her to the joys of opium.
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Celebrated as a female artist who finally gives voice to the power of the feminine through her work,
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she secures both wealth and popular acclaim.
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This entire period is depicted in the musical as a time in which the boring old ways are abandoned
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and favour exploring variety, or as we would now call it, diversity.
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In a scene that sums up the mood of the times,
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the proprietor of a lavish lesbian and transgender bar that Lempicka frequents,
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opens it with the words fraternité, égalité, lesbianité.
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While mainstream society remains sceptical,
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Parisian socialites do not just accept these minority sexual practices,
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they celebrate them as the antidote to the staleness of the old order.
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An order which put unity and social cohesion above the unlimited freedom of the individual.
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Until I found myself sitting in the audience of Lempicka,
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I never really understood why Jordan Peterson spent so much time
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focusing on the duality of order and chaos.
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I do now.
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Regular readers of my substack will remember that in the exchange I hosted there
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between James Orr and Stephen Hicks about conservatism versus liberalism,
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James Orr explained that the primary concern of conservatives is the preservation of order.
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We also know from evolutionary psychologists like our former guest Diana Fleischmann
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that societies which experience an increase in disease become more conservative with a small c.
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A statement which hardly needs explaining to anyone who was alive during a COVID pandemic.
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Put simply, as we ratchet up the amount of chaos, order rises to the top of people's concerns.
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As Lempicka's story unravels, fascists and communists fight over the future of Europe,
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replacing the joys of chaos with the enforcement of order.
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Instead of celebrating variety and diversity, they detest and punish it.
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Instead of embracing difference, they suppress it.
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Instead of worshipping the strong, independent woman,
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they produce grandiose masculine art in architecture
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and put the woman back in her rightful place of wife and mother.
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They have no tolerance for individual differences.
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On the contrary, they believe that a nation can only function
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if people submit themselves to the good of society.
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Anyone who refuses must naturally be eliminated.
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People on the left frequently accuse me of being a conservative.
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Conservatives, on the other hand, claim me as one of their own
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and are inevitably disappointed when they discover that I am not.
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Why am I not a conservative?
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First, I am not averse to chaos. In fact, I like it.
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I like offensive, sacrilegious jokes.
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I am in favour of decriminalising cannabis and psychedelics which I have never taken,
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precisely because they allow us to transcend the rigidity of our thinking.
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I am not threatened by the existence of sexual minorities.
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I do not believe that the institution of marriage is materially undermined
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by being extended to non-heterosexual couples.
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I have zero respect for unowned authority
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and am deeply suspicious of any hierarchy
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that is not explicitly based on merit and competence and them alone.
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I do not crave order and I do not fear chaos.
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What I fear is a lack of order and an excess of chaos.
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Like a bird with one wing, a society that fails to strike a balance
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between the forces of empathy on the one hand and pragmatism on the other
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will plummet to its death.
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Western culture is increasingly based on the idea that one of its wings is good
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and the other is evil.
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Whichever wing you personally favour is irrelevant.
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If we do not work together, we will not survive what is coming.
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And what is coming exactly?
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More on that in my next video.
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That's R-A-K-U-T-E-N dot C-A.
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