TPL On The Road: The Montreal Fashion Industry
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Summary
Today on True Patriot Love, I m lucky enough to be on the East Coast Road Tour now in Montreal with Oliver Chernaschik. We talk about growing up in the 60s and 70s in Montreal, his love for the city, and what it s like to grow up in a cultural melting pot.
Transcript
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today on true patriot love i'm lucky enough to be on the east coast road tour now in montreal
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and i'm with oliver sury chernaschik and i hope i said the name you didn't need thank you thank you
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i had a little background right so i always love to talk about people's background because
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me being italian and quite frankly having a scottish mother and italian father
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Indian father, English father, Indian and English father,
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Well, that's, and that's what, you know, makes our cultures great,
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because we actually come here, and we meet each other,
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We went to Ottawa through all the challenges, technically,
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and everything else we got here, but we're here.
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And we were looking forward to meeting with you
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because when Montreal came up in our discussions,
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We handle economy, politics, housing, healthcare,
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and more shows about stuff that makes people happy,
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And I know as a kid, my fond memories of Montreal
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So we would go down, my mom was this fashionista,
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And, you know, she'd buy like spring, summer, fall,
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which was kind of cool for a woman of that era, right?
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You know, worked at A&P, but she would put us on the train.
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She liked to travel, and my dad worked six days a week.
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He was a hardworking guy, so he wouldn't come with us.
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And we would come to Montreal, get off the train,
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Yeah, yeah, and we would have our clothes made.
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So we'd have our feet fitted, and we'd have shoes made.
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It was a cool experience, and we would eat like crazy.
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We'd stay in a hotel, eat, you know, get fitted for the day,
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and then, quite frankly, catch the next train late the next day
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after we go around the city and shop and have fun and eat in great restaurants.
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So, you know, coming back was near and dear to my heart
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So I'm thinking about my childhood, and then I'm thinking I met you, you know,
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and I'm thinking it's a pretty cool environment.
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so tell me like yeah yeah what brought you here well i mean i'm born in kitchen in ontario but i
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grew up in montreal um been here pretty much all my life what brings me to fashion itself i'm
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guessing you're asking um i've always been a creative kid drew a lot when i was young
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and always had I would say an interest for how how to present myself but also how to present
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others and so eventually that sort of young creativity developed into more of a of an interest
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as to how clothing can really come to be a means to express oneself yeah and
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My grandmother taught me how to sew at the start of COVID.
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And since then, it's been through my own projects.
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It's been through some internships, some work contracts.
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After my initials. And Untold Cowboy is a collective exhibition project.
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So Untold Cowboy is a series of multidisciplinary visual productions that are dedicated to creating eclectic cowboy characters
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that challenge the myth of the heroic, glamorized American cowboy
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and creatively reclaim and reimagine the omitted history
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Well, you know, and one day, you know, another show on that one,
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I spent a lot of time, I think, another show that I did recently
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was with a farmer. I'm heading out, you know, to PEI. So I have a potato farm, a family of potato
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farmers owned a farm earlier in my life quite a few times. We used to go camping there as a
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when I was young. Yeah. Oh, nice. The red sand. Yeah, it's beautiful. So what is like this place
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where we're at today? So we're pretty cool. We're sitting in the sort of exhibit room of Atelier
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Textile, which is a textile printing and dyeing school that has a partnership with my own studio,
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which is Ligne de Fuite. So Ligne de Fuite is a Montreal based fashion talent incubator. So they
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host quite a few young emerging designers in their space. They also do lots of events,
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They produce runway shows. But both of our spaces, Atelier Textile and Ling de Fut,
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have a partnership, a collaboration agreement, if you will. So we sort of exchange services,
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use the space, vice versa. So while Ling de Fut is really based around fashion, garments, making,
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sewing. Atelier Textile, on the other hand, is focused on textile art, so dyeing, printing, etc.
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Oh, good combination, right? Exactly. It's a rare one. I think we're one of the very few,
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definitely in Montreal, perhaps in Canada as well, that have this sort of dynamic going on between
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garments and textile so kitchener right which i know well because uh you know from ontario
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grew up there so you make it to montreal i make it yeah my parents my parents studied
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architecture in waterloo had me flew to europe for a couple years to move to montreal oh okay
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all right and so you grew up in montreal went to school here yep right and then you decided
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to get into fashion and then off you go so help me out here so you get into fashion you decide
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how do you figure out kind of what part of fashion you want to enter into because that seems to me
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always to be the most complicated thing right how do you how do you figure that what like it's it's
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a good question because it comes i can only speak from my own experience but it comes from a very
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sort of or develops in a very organic way right there's an interest at the start that that grows
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into a passion and grows then into a need and then grows into a means to something right
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fashion now has become a means for me to um to keep developing my craft um but in terms of how
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what areas of fashion um there are so many but since i my context is one that's outside of school
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right I'm self-taught so I didn't go to fashion school I really had to to figure it out on the go
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so it started as my first fashion experience if you will was as a pattern cutter in the in
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for a brand in the garment district then once that settled it was really through developing
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my own projects and so my and i'm i'm you know a emerging designer that has a label and a project
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going on so and there it's a saturated market the one i'm the one i operate in um but fashion has so
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many different facets there's a creative side there's a designer side there's a very technical
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side, there's also, it's a business in itself, right? So, you can, it's a huge, huge global
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industry and I operate as a very small prism of that. Yeah, no, no, and I love the story because
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quite frankly, so I tell it similar probably age to what you are now. I started basically building
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homes um and i i started kind of from the ground up from foundations and basically from there i
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learned carpentry and from there i learned so now you know just before covet hit uh we were building
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homes uh and and it was great right because over time i just from without any traditional
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education i wasn't trained as a project manager didn't become a red seal carpenter you know but
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but i did a little bit of everything as my my family was in that uh that business so
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then i learned it when you so when you talking about starting out and being a pattern cutter
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i love that right because you're right there you know you're learning the trade hands-on
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and then you get into it. So, hey, before I forget, behind you.