00:00:04.920I just suggested that we sort of bookend Aronofsky, his latest film, and his first film, which is really a rough student film, Pi.
00:00:15.020And it's fascinating because these films, basically, this film takes place in 1998.
00:00:22.780And that is around the time when Aronofsky was filming Pi.
00:00:27.820and he actually grew up in brooklyn but i would i would presume as he got older he might have
00:00:33.440gone and lived in the lower east side uh for a little bit there are actually a lot of scenes
00:00:38.600that are maybe even i would actually say conscious reenactments of pie so i think
00:00:46.260but it also has touches of the wrestler as well right because he's similar now he he has a better
00:00:54.260outcome than the wrestler obviously uh he's not made the sacrifice as the wrestlers made the
00:01:00.180sacrifice uh natalie uh uh portland's character portman natalie portman's character is made a
00:01:07.000sacrifice in the black swan uh this character doesn't appear to be made a sacrifice he appears
00:01:13.280to he appears to sacrifice the jews effectively he steals home at the end you know yeah for the
00:01:19.760baseball metaphor he kind of gets away with it which is remarkable um but anyway so there's a
00:01:27.820scene where he's being um chased by the uh hasidic jewish mobsters through a uh convenience store
00:01:37.700which i it's probably not the same store but it's just a mirroring of the the a very similar scene
00:01:45.680and pie i think that was probably conscience conscious also uh when he's sort of you know
00:01:51.200in the hero's journey where he hits rock bottom and all is lost uh he actually takes the bus to
00:01:57.680coney island and he's at the same beach uh where the protagonist of pi is uh just sort of like
00:02:04.800you're at the end of the world basically if new york is a world this is it this is the edge of it
00:02:11.120And he sort of hits rock bottom and then admits some harsh truths about himself and picks himself up
00:02:18.320and then turns the tables on these horrible gangsters.
00:02:22.880So this film, I'll just mention, is based on a novel.
00:02:29.520And the novelist is named Charlie Houston.
00:02:32.480And I had never heard of Charlie Houston before.
00:02:36.180but apparently he is a rather successful novelist and he's written some comic books
00:02:42.100as well and uh done some other things and charlie houston is given sole credit for the screenplay
00:02:49.820however i i think that giving him credit for the screenplay on aronofsky's part was a sort of
00:02:58.440hat tip uh you know token to credit this man with coming up with the character and the story
00:03:06.760uh this sort of interesting guy who's uh kind of reminds me of fletch the
00:03:12.660ne'er-do-well detective uh he's a baseball fan ne'er-do-well kind of screwed up big time
00:03:21.920but is also redeemable and and attractive and relatable and and so on um so i i think that was
00:03:31.540sort of a hat tip to charlie houston uh because there there are some very interesting naming
00:03:38.080conventions and then also there are just striking differences from the novel that i don't think
00:03:45.260charlie houston would have made without the influence of darren aronofsky now again i admit
00:03:52.140i've not read the novel i just learned about the novel's existence last night actually but
00:03:57.100um there are but i've looked up these major differences there's a bit of a time difference so
00:04:03.260the novel takes place in 2000 this takes place in 1998 i don't know if that's significant maybe it
00:04:09.420it just centers it around pie it's like pies black mirror pies photographic negative or something
00:04:17.380who knows the other similarity is the on maybe just a purely aesthetic level but there's probably
00:04:24.100there could even be a deeper symbolic emphasis that um uh that aronofsky's making but the
00:04:31.380the detective is remarkably similar to the uh one of the antagonists in yes and black woman
00:04:38.840who are playing Aryans interestingly yeah yeah or yeah maybe they're representing a kind of
00:04:47.100decline of an Aryan empire yeah right this is where I mean this is something it's become black
00:04:52.080effectively or Rome yeah this is something that you have that Mark has stressed and I would even
00:04:58.320resist this you know years ago uh when I was once a student uh you you really have to focus on the
00:05:06.640naming convention because sometimes not always but very often your eyes can deceive you the the
00:05:14.180the screenplay writer or the director can be signifying who the antagonist is say through
00:05:20.700names and you sometimes like it's a black woman that just you know that that's sort of an image
00:05:27.980it's a mask basically it's a red herring and the fact that she is inspector roman or sergeant
00:05:35.500roman whatever she is now in the book i also learned that she is an italian male so make of
00:05:42.640that uh what you will uh there there are also some interesting changes so the big bads the
00:05:49.920drucker brothers are blacks in the book and uh aronofsky's film in aronofsky's film they are
00:05:59.640hasidic jews now again you know are these two changes are they just sort of politically correct
00:06:07.480changes maybe perhaps that had something to do with it but i i think they really add to the gem
00:06:14.820and i i think this is something where aronofsky you know he's he he finds uh something and he
00:06:22.740and he sort of curates it you know he finds a novel that is is really good you know it's got
00:06:28.700something going on and he sort of sees symbolism that might not have been intended by the author
00:06:34.700and he either changes a little thing here or there or he emphasizes something and demonizes
00:06:40.200something else and turns it into a gem parable and i think he definitely did that and we can say
00:06:46.620that i mean it's not just darinovsky it's spielberg it's jews uh doing adaptations of books
00:06:52.640Right. So in other words, they're attracted to the book because of a story elements and symbol elements, but sometimes even names. Right. So in other words, because it's an adaptation doesn't mean necessarily that the naming the naming convention isn't there.
00:07:09.080It's just that the names occurred in a kind of more organic way in the source material, and that became an attractive feature of the source material because that was one more thing that they didn't have to change.
00:07:23.660And maybe also it sort of got Aronofsky's imagination going because he was thinking about the name symbolically, whereas maybe even the original author was not even thinking about the name symbolically.
00:07:33.960that's possible but i think that i think assuming that to be the case i think that the names carry
00:07:39.080tremendous meaning and that would sort of corroborate uh this idea that okay well yeah
00:07:44.820he didn't he didn't come up with the names himself but he saw them out in the wild and he said okay
00:07:49.560i can take this and maybe i can curate it a little and he does change a number of names
00:07:54.660um of characters in the film as richard's been pointing out um so we start to see the process
00:08:01.860here right and it but it becomes another layer of um obfuscation it becomes another layer of
00:08:07.940mystery essentially because then you know if people if people start thinking there's a kind
00:08:13.300of jewish message or something in a film uh he someone can say well actually but the source
00:08:18.960material is you know a gentile writer so how how can this be uh have jewish names or whatever
00:08:26.400yeah um in any case i'll let you continue yeah so i'll just start um describing some things
00:08:33.000and um just to make sure we're all on the same page and then we can uh move forward so uh this
00:08:39.300again it's a it's a three-part book you actually get to travel along uh hank thompson's journey
00:08:48.500over three books with charlie houston and who knows maybe aronofsky will make a sequel but
00:08:52.780our protagonist is uh hank thompson and um real quick james do you have a question you want to
00:09:00.340jump in or it's not even a question it's just a corroboration between pie and caught oh good
00:09:06.660yeah where where aronofsky in both films portrays these religious jews as kind of being like uh the
00:09:14.260loser or he's he's sort of taking a shot at uh at hasids or like the the rabbi and pie yeah they
00:09:23.860they come out you know obviously in pie they lose to the secular jew and in this film they are you
00:09:31.920know in essence defeated by the gentile by a b esau yeah but yeah i mean both films he's kind of
00:09:38.960taking a shot at the the out of the you know the religious order yeah the overly jewish
00:09:46.500overly form formal formal yeah and superficial thus jews yeah um so anyway our protagonist is
00:09:57.020hammer and hank thompson uh he's a baseball phenom and he has this terrible event in his life
00:10:05.140uh where he is drunk driving with his teammate and he he had he's wearing a seat belt his
00:10:12.540teammates not and he his he both effectively kills i mean he's you know sort of responsible
00:10:20.140sort of kind of for the death of his friend and he also destroys his knee and so he could never
00:10:27.420play baseball and um it's indicated that he was going to go you know 15th in the draft or number
00:10:32.620one in the draft who knows but it it all got ruined and then he is living for 10 years apparently in
00:10:40.940the the lower east side of manhattan and i guess for any zoomers on uh our panel here so uh new
00:10:49.580york was a different place back in the 80s in the 90s it was really changing and they they got it a
00:10:56.700lot of this but um you know just go watch the musical rent you know it's it used to it's funny
00:11:04.860when that musical came out the lower east side had already been like gentrified and ruined uh but
00:11:11.180the neighborhoods in lower manhattan were edgier uh there were more homeless people on the street
00:11:18.700they're more drug users they're more flailing odd artists you know living together it was
00:11:26.060maybe cooler uh but also definitely rougher and uh over the course of the 90s really giuliani was
00:11:35.340enacting you know i guess the beginnings of stop and frisk uh for people in the burrows
00:11:41.340in times square uh but also um he was facilitating this gentrification of new york which might have
00:11:48.220happened without him who knows and and the um broken windows policing of you want to police
00:11:54.460the small things so that people don't even try the big things sort of the philosophy and you
00:12:00.920actually saw that we're in they're in this dive bar where people are drunk and doing drugs and
00:12:05.940stuff and there's the no dancing ordinance which actually was a Giuliani thing so um uh they they
00:12:13.740definitely get at some of this um fun stuff uh but anyway he is basically a loser deadbeat just
00:12:23.120hanging out in the Lower East Side. He seems to have a, you know, budding love relationship with
00:12:29.040Yvonne, who played by Zoe Kravitz, and she is an ER nurse. I don't know if it's significant or not,
00:12:39.660but she bragged about, I saved one today, an overdose, when they first meet, and they're,
00:12:44.600you know, young kids having sex and drinking and so on. His neighbor is Russ, who they depict as
00:12:52.040this aging punk rocker you know in 1998 but it looks like he's living in 1978 and uh he's got
00:12:59.940the mohawk etc and he wants um uh hank or harry to uh take care of his apartment and and take
00:13:10.880care of his cat and next thing you know you learn that russ is uh in a lot of trouble he's got about
00:13:19.200four million dollars in cash in a storage facility and all the people who are going to divvy it up
00:13:25.960are trying to get their piece of it and so there's the uh russian mobsters there's uh uh what are
00:13:34.440they puerto rican gangsters who are involved and the police woman um who he starts to work with
00:13:42.460yes the puerto ricans named colorado i mean the uh the police woman he starts to work with is named
00:13:47.780roman she is the law he trusts her but soon he finds out that she is just as corrupt maybe more
00:13:54.520corrupt than these gangsters whom she's policing and she warns him about the big bads these terrible
00:14:01.220killers who are hasidic jews uh who are you know in the uh you know in the in the lower east side
00:14:08.520just murdering people cutting their eyes out interesting without um with reckless abandon
00:14:15.680and uh so basically in the litter box uh hank finds a little key which he thinks must be
00:14:25.840significant it's been hidden by russ the punk rocker and all of these people are searching
00:14:32.480him they're beating him up they burst a kidney so he actually has this large wound in his side
00:14:39.260interesting um and they even kill his girlfriend yvonne brutally execute her and it's it's really
00:14:48.720at that point where hank realizes he's in deep shit uh russ comes back and they uh russ and
00:14:57.540hank try to flee these gangsters and eventually or hank is just at the end of his rope he's out
00:15:05.760in Coney Island everyone wants to kill him including the police what can he do he admits
00:15:11.600to himself that he is responsible it wasn't just an accident I am responsible for both murdering
00:15:19.100my friend and destroying my baseball career and you know I didn't even care about my friend I was
00:15:25.080just so mad about baseball and he finally admits this to himself and he's a flawed character but
00:15:32.960It is redeeming, I would say, that he can do that.
00:15:37.900And once he admits that to himself, he faces his fear.
00:15:40.500He's able to turn the tables on the gangsters.
00:15:42.380So he links up with these big bads, the Hasidic Jewish gangsters,
00:15:47.940and he basically tells them, Roman has the key.
00:15:51.480So you need to go in there and kill Roman, and then we can get the key,