The Joe Rogan Experience - October 13, 2026


Joe Rogan Experience #2564 - Chuck Lorre

Hosted by
Mentioned
Joe Rogan Experience #2563 - Dan Richards

Episode Stats


Length

2 hours and 2 minutes

Words per minute

161.43

Word count

19,703

Sentence count

2,358

Harmful content

Toxicity

271

sentences flagged

Hate speech

39

sentences flagged


Transcript

Transcripts from "The Joe Rogan Experience" are sourced from the Knowledge Fight Interactive Search Tool. Explore them interactively here.
Toxicity classifications generated with s-nlp/roberta_toxicity_classifier .
Hate speech classifications generated with facebook/roberta-hate-speech-dynabench-r4-target .
Hosts, guests, and mentioned names generated with spaCy (en_core_web_sm), reconciled against Wikidata.
00:00:01.000 Joe Rogan Podcast, check it out.
00:00:04.000 The Joe Rogan Experience.
00:00:06.000 Train by day, Joe Rogan Podcast by night, all day.
00:00:12.000 So, explain that again.
00:00:14.000 Explain the show that you saw.
00:00:17.000 It was at the Singer Bowl in 1969.
00:00:20.000 Jimi Hendrix was the headliner, the experience right off to Monterey.
00:00:25.000 And Janice Joplin in the Holding Company, Big Brother in the Holding Company, was the warm up act.
00:00:32.000 Wow.
00:00:34.000 What was that like?
00:00:36.000 Well, for starters, we bribed a little security guard to get in, me and my friends.
00:00:41.000 I think we gave them $2 a piece.
00:00:44.000 And we walked right up to the stage.
00:00:46.000 Wow.
00:00:47.000 Yeah, and watched, like right there.
00:00:51.000 And that was my first.
00:00:52.000 I first went, oh, I guess I got to start drinking Southern Comfort because she's making it look pretty good.
00:01:00.000 When I worked with Phil Hartman on news radio, one of his favorite stories was he was like a stagehand at the whiskey.
00:01:09.000 Hendricks performed, and it was his job to stand with his hand on the speaker because he was worried that Hendricks would knock the speaker into the crowd.
00:01:20.000 I guess it was just not very stable.
00:01:22.000 He said he was literally standing there with his hands on the speaker with Hendricks two feet away from him playing guitar.
00:01:28.000 Trevor Burrus, early on, he would destroy his equipment like the Who would do as well.
00:01:34.000 They'd tear up the amps, he'd set the guitar on fire.
00:01:39.000 I'm 15, 16 years old going, oh man, don't.
00:01:42.000 Oh, give me the guitar.
00:01:42.000 Don't set the.
00:01:44.000 Don't set it on fire.
00:01:45.000 Don't smash the guitar.
00:01:46.000 We were really smashing guitars back then.
00:01:48.000 Yeah, yeah.
00:01:50.000 It was an expensive way to end the show, but that's what was happening.
00:01:55.000 It just was a.
00:01:56.000 I guess it was just a wild rock and roll thing.
00:01:59.000 A rebellion thing.
00:01:59.000 It was amazing.
00:02:00.000 It was an amazing time to be a kid watching that stuff.
00:02:03.000 Well, it's such a crazy time in human history.
00:02:06.000 I mean, it's one of the weirdest times in all of culture.
00:02:09.000 If you take the difference in the culture of the 1950s to the culture of the late 1960s, it's like.
00:02:16.000 Just an insane shift.
00:02:18.000 Like one of the most insane shifts.
00:02:18.000 Yeah.
00:02:20.000 It was so radical and so big.
00:02:22.000 It happened so fast.
00:02:24.000 It was a response to the 50s. 0.63
00:02:26.000 It was that and the Vietnam War and drugs.
00:02:26.000 Yeah.
00:02:29.000 All the above.
00:02:30.000 All of them.
00:02:30.000 Psychedelic drugs, everything all together.
00:02:32.000 And the birth control pill.
00:02:33.000 Yes.
00:02:34.000 That changed everything.
00:02:35.000 Yes.
00:02:36.000 Very good point.
00:02:36.000 Yes.
00:02:37.000 Yeah.
00:02:38.000 Very good point.
00:02:39.000 Yeah.
00:02:39.000 Gave women freedom.
00:02:42.000 As well, it did the same for men.
00:02:45.000 Oh, yeah.
00:02:45.000 Yeah.
00:02:46.000 Everybody. 0.99
00:02:47.000 Could just do whatever the fuck they wanted. 0.99
00:02:49.000 And they're doing drugs at the same time. 0.99
00:02:50.000 So everything just boom, just all came together.
00:02:54.000 Your story is awesome.
00:02:55.000 The book is great.
00:02:57.000 It really is.
00:02:57.000 It's very compelling.
00:02:59.000 You know, one of the things that bums me out the most about the internet and streaming is that we've lost the multi cam sitcoms.
00:03:10.000 It's a very weird thing.
00:03:12.000 Like, the first thing that killed it, I think, was reality shows, right?
00:03:16.000 That sort of took a lot of the wind out of its sails.
00:03:18.000 But a few remained.
00:03:20.000 And during COVID, me and my family watched Big Bang Theory.
00:03:24.000 I had never watched it.
00:03:25.000 Watched it from episode one, we just binged it all the way to the end. 0.94
00:03:30.000 I fucking loved it. 0.94
00:03:31.000 I felt like when I was a comic in the clubs in LA, you never heard about Big Bang Theory. 0.98
00:03:40.000 It didn't get, it was like there were other shows that people wanted to, you were cool if you liked.
00:03:46.000 And the Big Bang Theory was like, you know, family sitcom, you know, just like real clean and sweet.
00:03:52.000 It's a really well written show.
00:03:53.000 It's very funny.
00:03:55.000 It's a really good show, man.
00:03:56.000 Thank you.
00:03:58.000 We worked hard.
00:03:59.000 We worked really hard.
00:03:59.000 I bet you did.
00:04:00.000 It was a general attitude that every episode had a kick ass, everyone. 0.79
00:04:07.000 Well, it was also so unusual. 0.97
00:04:08.000 You have this super autistic genius guy, your head character. 0.99
00:04:12.000 Well, the way I entered the show, because I'm clearly not a physicist or by any means a genius, they were outliers. 1.00
00:04:21.000 They were guys that couldn't figure out how to bathe in the real world.
00:04:27.000 That I got.
00:04:28.000 The physicists, quantum physicists, and all that stuff, that was.
00:04:33.000 I'm a college dropout.
00:04:35.000 That was never my thing.
00:04:37.000 But being on the outside looking in, that I understood.
00:04:41.000 Right.
00:04:41.000 That I understood.
00:04:42.000 Your story is awesome, dude.
00:04:45.000 It really is.
00:04:46.000 It's such an American story because it's you trying to figure out how to make it in show business and trying to be a musician and all these different things that happened to you and the whole Scientology thing.
00:04:59.000 And then eventually starting to write on big sitcoms and the Roseanne story. 0.97
00:05:05.000 It's fucking great, man. 0.79
00:05:07.000 Because it's like it's such a huge part of television history, what you've experienced. 0.98
00:05:12.000 You really have.
00:05:14.000 It's like if you think about television history in America, a big part of it is defined by its sitcoms.
00:05:20.000 You know, because sitcoms, like whether it's All in the Family or Seinfeld or Friends, there's something about those sitcoms that like cement us in this place of comfort and happiness and like laughter.
00:05:33.000 Like those are our almost like our extra family, these people on TV that we become attached to watching every Thursday.
00:05:41.000 For me, it was characters.
00:05:44.000 Nobody remembers the plot of a sitcom.
00:05:47.000 Right.
00:05:47.000 They were great plots, especially on Seinfeld and stuff.
00:05:51.000 Larry David, nobody can plot a comedy story better than Mr. David.
00:05:57.000 But the secret sauce was you wanted to hang out with these people.
00:06:03.000 You wanted to sit at the bar with Norm and Cliff.
00:06:06.000 And Woody and Sam.
00:06:06.000 Yes.
00:06:08.000 You wanted to have a cup of coffee with Jerry, you know, and the same thing held true with.
00:06:15.000 Friends was a sort of a surrogate family that you wanted to be part of.
00:06:18.000 But you don't remember the stories.
00:06:20.000 The stories were secondary.
00:06:22.000 It was the characters and perfect casting on these shows as well.
00:06:27.000 Perfect casting.
00:06:27.000 Yeah.
00:06:28.000 Why do you think that?
00:06:30.000 I mean, in 94 when I first came to LA, sitcoms were the thing.
00:06:35.000 That's why everybody came to LA in the first place.
00:06:37.000 If you were a comic, you came to LA hoping you were going to get a deal so that you could be the next Roseanne or Jerry Seinfeld or fill in the blank.
00:06:45.000 Tom, Tim.
00:06:46.000 Tim Allen, Brett Butler, there was all those people were like.
00:06:50.000 You go back to Cosby, stand up?
00:06:52.000 It was all you wanted the network to develop a show around you, and all these people were scrambling for that.
00:06:52.000 Yeah.
00:06:59.000 And that, for the most part, doesn't exist anymore.
00:07:02.000 Well, we're trying with Leanne Morgan.
00:07:05.000 Leanne's a remarkably successful stand up right now, and the show we're doing with her on Netflix is doing pretty well.
00:07:15.000 Well, Netflix, you can do it.
00:07:16.000 They don't have the freedom to do it.
00:07:18.000 Young Sheldon worked on Netflix.
00:07:19.000 That was great.
00:07:20.000 It's amazing thing about a young Sheldon on Netflix was a whole generation of kids watched that show and had never seen the Big Bang Theory.
00:07:28.000 Right.
00:07:29.000 And what's wonderful, too, is when you get to talk to them, they don't know what CBS is.
00:07:34.000 How weird.
00:07:39.000 But the show stood on its own, which was our dream come true, that it wasn't standing on the shoulders of the Big Bang Theory.
00:07:48.000 It was its own show.
00:07:49.000 Right.
00:07:49.000 No, it definitely was.
00:07:50.000 We binged that, too, after we binged Big Bang Theory.
00:07:54.000 We binged Young Sheldon, which is a great show, too.
00:07:56.000 But different, right?
00:07:57.000 Single camera.
00:07:58.000 Entirely different vibe.
00:07:59.000 Aaron Powell, Jr.
00:08:00.000 Yeah.
00:08:01.000 The thing about the multi cam thing is like you're kind of in on it.
00:08:04.000 You know there's a crowd there watching this.
00:08:08.000 It's like you're watching a play as much as you're watching a comedy.
00:08:11.000 Aaron Powell, Jr.
00:08:12.000 It is a play.
00:08:12.000 Yeah.
00:08:12.000 Aaron Powell, Jr.
00:08:13.000 It is a play with four cameras rolling around in front of it.
00:08:15.000 Aaron Powell, Jr.
00:08:16.000 And if somebody makes a mistake, you do it again.
00:08:16.000 Right.
00:08:18.000 Aaron Powell, Jr.
00:08:19.000 If something stinks, you rewrite it or you cut it, but you don't put it on TV where, as I've always said, if it stinks in front of the audience, if you put it on TV, it's going to stink forever.
00:08:28.000 Aaron Powell, Jr.
00:08:31.000 Right.
00:08:31.000 So it is a little bit of theater.
00:08:33.000 I think it started back in the 50s as theater.
00:08:36.000 That's what they, you know, and started as radio plays.
00:08:38.000 Right.
00:08:39.000 You know, and then television happened.
00:08:41.000 What was the first sitcom on television?
00:08:43.000 It wasn't The Honeymooners, was it?
00:08:46.000 There had to be something probably before that.
00:08:48.000 Well, it was always, you know, Lucy, but I think even before that there was Phil Silvers and George Burns.
00:08:58.000 Right.
00:09:00.000 I don't know the deep history of it, but it all came out of vaudeville.
00:09:05.000 And theater, yeah.
00:09:07.000 One of the more interesting things about the distaste for the laugh track, we've never used a laugh track.
00:09:17.000 Never.
00:09:18.000 Been for 40 years accused of it, but never used it.
00:09:23.000 And I remember one time I had a reporter on the set of The Big Bang Theory who went and sat in the audience and watched this tape of show in front of a live studio audience.
00:09:37.000 Takes three, three and a half hours.
00:09:39.000 And then he writes an article complaining about the laugh track.
00:09:44.000 You know, it's sort of like, okay, there's no getting away from this.
00:09:48.000 He sat in the stands with 200 people laughing and he wrote about the annoying laugh track.
00:09:55.000 That's interesting.
00:09:56.000 Do you think they just do that because controversy sells and negativity sells and they just have a narrative in their head?
00:10:01.000 It diminishes the show.
00:10:03.000 They want to diminish it.
00:10:04.000 They want to diminish it.
00:10:05.000 Yeah.
00:10:06.000 I think I made that pretty clear in the book that the word sitcom. 0.99
00:10:11.000 It made sense when you married a fucking witch, you know, or you came back from outer space with a genie. 0.99
00:10:17.000 And you don't want to get laid, you know. 1.00
00:10:17.000 Right. 1.00
00:10:21.000 But it makes no sense when it's a family show like Archie, you know, all in the family.
00:10:27.000 That's about a family.
00:10:28.000 What's the situation?
00:10:30.000 He's a bigot. 0.93
00:10:31.000 He's, you know, he's racially insensitive. 0.92
00:10:36.000 That's not a situation.
00:10:37.000 That's life, you know.
00:10:40.000 Well, the whole sitcom thing, I just don't feel.
00:10:45.000 You talked about this in the book as well.
00:10:48.000 You wouldn't even say that you wrote for sitcoms.
00:10:50.000 I'd say I wrote a TV comedy.
00:10:51.000 Yeah.
00:10:52.000 Because I'm embarrassed.
00:10:53.000 Isn't that interesting?
00:10:54.000 Yeah, I was just dismissed.
00:10:55.000 I was very insecure and the word hurt me.
00:11:01.000 It physically hurt me.
00:11:02.000 That's crazy.
00:11:03.000 Yeah.
00:11:04.000 In Hollywood, it just didn't get the respect that a film did.
00:11:08.000 No, of course not.
00:11:09.000 Not even close.
00:11:09.000 Not even close.
00:11:10.000 So much harder, though, in so many ways to make 200 people laugh.
00:11:14.000 Every week for 22 weeks.
00:11:17.000 It's almost impossible.
00:11:18.000 It's very difficult to block. 0.96
00:11:19.000 It's ridiculous.
00:11:20.000 And if you watch the writer scramble, and every week you have to have some new scenario, and you've got five cast members you have to juggle around at the scenes and network executives, and TV company executives, and the managers of the actors, and everybody's feeling like we live or die, depending on whether the audience laughs or not.
00:11:41.000 There's no grace period.
00:11:43.000 And if you're a writer, you also have to listen to the executives and their ideas early on.
00:11:48.000 Early on.
00:11:48.000 Horrible.
00:11:49.000 Early on.
00:11:49.000 Before the show gets successful.
00:11:50.000 Once you begin to see yourself, you know, I started to, you know, my testicles dropped at a certain point and I stopped saying, yes, sir, no, sir. 0.66
00:11:50.000 Early on. 0.66
00:12:00.000 I just, you know, I said, no, this is the way it's going to go.
00:12:03.000 But that was predicated on having had success.
00:12:05.000 That was all.
00:12:06.000 This, the sitcom on Netflix that you were talking about, is this going to be multicam or single cam?
00:12:11.000 It is multicam.
00:12:11.000 It's multicam.
00:12:12.000 Oh, that's awesome.
00:12:13.000 We just finished our second season.
00:12:14.000 I didn't know.
00:12:15.000 Yeah.
00:12:17.000 The only one that I know that's doing it right now is Miss Pat.
00:12:20.000 She's got a very funny show.
00:12:22.000 But it's, It used to be there were so many of them, and it's such a good genre.
00:12:26.000 There were 40 or 50 a week.
00:12:28.000 That's crazy.
00:12:29.000 Now there's maybe three.
00:12:31.000 Seriously, maybe three.
00:12:33.000 In front of an audience, maybe two.
00:12:36.000 First of all, boy, did you get out at the right time.
00:12:38.000 You know, like with network stuff, like all your gigantic hits, you know, they were all like perfect at the right time when everybody was watching sitcoms.
00:12:47.000 Timing wise, I've been blessed.
00:12:48.000 There's no question about it.
00:12:49.000 It's the greatest timing of all time.
00:12:50.000 Yeah.
00:12:50.000 You know, and I mean, I just don't understand why they can't come back.
00:12:55.000 It's such a good art form, it's so fun to watch.
00:12:58.000 When it's done really, really well, it's extraordinary.
00:13:03.000 I've seen the eulogy for it many times over the last 40 some odd years.
00:13:11.000 I'm hard to buy into the eulogy because one great show changes everything.
00:13:16.000 Yeah, it's still fun to watch.
00:13:17.000 That's what doesn't make sense.
00:13:18.000 This is what I got when we were watching Big Bang Theory.
00:13:21.000 It's fun to watch sitcoms, it's a very different experience than watching anything else.
00:13:26.000 You're aware that it's a half an hour.
00:13:28.000 You know, you know all the characters. 1.00
00:13:29.000 You know, oh, this guy's going to say something stupid, and this guy's going to do. 0.87
00:13:33.000 It's like it's a very interesting art form that is very. 0.99
00:13:37.000 People enjoy it.
00:13:39.000 It's very comforting for people, and it doesn't make sense.
00:13:41.000 It just shows you the mismanagement of television that sitcoms were allowed to go away.
00:13:48.000 It doesn't make sense to me.
00:13:50.000 I don't understand it either.
00:13:54.000 Tastes change, the culture changes.
00:13:56.000 Do you think that's what it is, though?
00:13:58.000 I don't think that's what it is.
00:14:00.000 I don't think they've changed that much.
00:14:02.000 There's a comedy has certainly changed, I believe.
00:14:07.000 I think laughing out loud is frowned upon.
00:14:11.000 I think there's a vulnerability to laughing when you let yourself laugh.
00:14:11.000 Really?
00:14:15.000 And I mean, look at what gets feted as a comedy these days.
00:14:22.000 And they're great stuff, you know.
00:14:25.000 I mean, they're really wonderful stuff, but you're not laughing out loud, you know.
00:14:31.000 When I watch something like White Lotus and I talk to people about it, They love it and it's extremely well done.
00:14:37.000 Mike White's brilliant.
00:14:38.000 You don't laugh watching it.
00:14:41.000 It's enjoyable, you know, it's extraordinarily well written and well produced, and casting is great, but it doesn't cause out loud laughter.
00:14:51.000 You think people don't want to laugh?
00:14:53.000 I think when you laugh out loud, first of all, laughter is not something self generated, it happens to you.
00:15:00.000 Right.
00:15:01.000 Right?
00:15:01.000 It's a surprise.
00:15:03.000 It should come as a surprise when you laugh.
00:15:05.000 Right?
00:15:05.000 Sure.
00:15:06.000 It's not, oh, I'm going to laugh now.
00:15:08.000 Laughter happens because you've been surprised by what you're watching or listening to.
00:15:14.000 Yeah.
00:15:14.000 And there's a certain vulnerability.
00:15:16.000 You have to be vulnerable enough to let yourself react.
00:15:19.000 You've seen people watch comedy like this with their arms folded. 1.00
00:15:23.000 They're rejecting you before you've opened your fucking mouth. 0.99
00:15:26.000 You know where that happens the most is Los Angeles. 1.00
00:15:29.000 Yeah.
00:15:30.000 Yeah.
00:15:31.000 Because you're saying all these things, and I respect you deeply.
00:15:31.000 Maybe you need to move.
00:15:36.000 And I'm hearing what you're saying.
00:15:37.000 I don't agree at all.
00:15:39.000 I think people love laughing. 0.96
00:15:40.000 I think they enjoy the shit out of it. 0.99
00:15:42.000 It's one of their favorite things to do. 0.99
00:15:43.000 Maybe I am experiencing it.
00:15:45.000 Maybe I am a victim of Los Angeles.
00:15:47.000 Los Angeles is an insanely self important place where people are constantly judging each other's social status.
00:15:54.000 And they would love to be able to dismiss you.
00:15:57.000 And they love to look forward to the opportunity to dismiss you.
00:16:00.000 Not everybody.
00:16:01.000 Not everybody.
00:16:02.000 A lot of cool people there.
00:16:03.000 But there's a percentage of people that come there with a hole in their soul that they're trying to fill that will never get filled.
00:16:09.000 And so they always have this weird way of interacting with people. 0.95
00:16:13.000 It's this constant dick measuring contest. 0.92
00:16:15.000 And it's exhausting. 0.89
00:16:17.000 So, where would I go?
00:16:18.000 I don't know.
00:16:20.000 I mean, even New York is way better in that regard because it's not tainted by show business.
00:16:20.000 Somewhere else.
00:16:25.000 New York is insanely congested and there's too many people and it's just nuts.
00:16:29.000 But other than that, it's a great metropolitan city filled with everything all the greatest restaurants and there's comedy clubs and all these.
00:16:37.000 It's not tainted.
00:16:39.000 There's a thing about Los Angeles where the spirit of the city itself is tainted by people that want attention and it always will be.
00:16:49.000 It's impossible to avoid.
00:16:51.000 They go there because that's where the auditions are and that's where the plays.
00:16:54.000 And some of them are fantastic people, don't get me wrong, but there's a larger percentage that aren't fantastic and they are a mess and they're exhausting.
00:17:04.000 And those are the people that cross their arms.
00:17:05.000 And that's why you think people don't want to laugh because they do everywhere else.
00:17:09.000 Well, clearly, the shows that I've been spent my whole life working on do really well all over the world.
00:17:18.000 But maybe I'm.
00:17:21.000 But I'm in a bubble.
00:17:22.000 You're in a bubble.
00:17:23.000 Yeah.
00:17:23.000 I live in a bubble.
00:17:24.000 That bubble's a little bit of a problem.
00:17:26.000 It's crazy.
00:17:27.000 I mean, sometimes you see the Big Bang Theory, huge hit in Germany.
00:17:34.000 In Germany, you know?
00:17:38.000 It's astonishing how it. 0.54
00:17:41.000 Mexico, Brazil.
00:17:42.000 Wow.
00:17:43.000 They're the Beatles down there.
00:17:45.000 It's remarkable.
00:17:47.000 You know, maybe not so much in Brentwood.
00:17:52.000 Right.
00:17:52.000 It's like, that's the thing about it.
00:17:54.000 It's dismissed.
00:17:55.000 And it was dismissed in Hollywood.
00:17:57.000 I remember I was working on a sitcom and I was dating this girl who was an actress and she literally, she was unemployed.
00:18:02.000 She literally told me, I wouldn't do a sitcom.
00:18:04.000 I want to do film.
00:18:06.000 I was like, okay, all right, I don't know what to tell you.
00:18:09.000 Like, the secrets, too, the people don't know unless they've been there.
00:18:14.000 It's really hard.
00:18:16.000 It is hard, but it's really hard to put on a play every week.
00:18:19.000 It's really hard.
00:18:19.000 Yeah.
00:18:22.000 And it's anxiety ridden, it's nervousness, it's stressful.
00:18:28.000 It doesn't always go well.
00:18:30.000 Right.
00:18:30.000 When a joke fails at the Burbank Warner Brothers lot and the audience doesn't respond, you can hear the 134 freeway.
00:18:40.000 I mean, it's crickets.
00:18:40.000 Right.
00:18:42.000 Yeah, it's not good.
00:18:43.000 But it's an extraordinary teaching device because you learn some humility.
00:18:51.000 Oh, I'm not as smart as I thought I was.
00:18:54.000 That joke died.
00:18:55.000 I thought it was great.
00:18:57.000 It died.
00:18:59.000 Oh, we've got to fix it.
00:19:00.000 You know, and that's how I spent the last many decades, you know, rushing around trying to fix it.
00:19:07.000 This episode is brought to you by The Terminal List Season 2.
00:19:12.000 Chris Pratt is back as Navy SEAL Commander James Reese, and this time he's fighting for redemption.
00:19:18.000 Nine months after finishing his list, Reese is hiding in Mozambique with a terminal brain tumor when the CIA pulls him back for one final mission hunt the terrorists behind a wave of attacks.
00:19:32.000 Devastating the West.
00:19:33.000 But what starts as a manhunt turns into a globe spanning fight for survival.
00:19:38.000 With practical effects and real world military experience behind every scene, the action this season is the real deal.
00:19:46.000 Watch The Terminal List, Season 2, on October 21st, only on Prime.
00:19:52.000 It's also often a wild thunderstorm of creative people getting together, working on something, trying to figure it out.
00:20:00.000 Everyone throwing ideas at things.
00:20:02.000 It's really exciting in that regard.
00:20:04.000 Like every week, you're creating this thing and you're putting it on its feet throughout the week.
00:20:09.000 You get a table read, you sit down, everybody fake laughs.
00:20:13.000 You have to figure out what's real.
00:20:14.000 What's real?
00:20:15.000 You put it together.
00:20:16.000 When I was on Roseanne.
00:20:18.000 It was huge.
00:20:20.000 Every week, maybe 40 million people were watching in real time.
00:20:25.000 No DVRs yet.
00:20:27.000 Basically, just the start of the VCR stuff.
00:20:30.000 And, you know, great writing staff.
00:20:33.000 I was really blessed to be part of that staff.
00:20:35.000 But we learned very quickly John Goodman would walk into the kitchen and say, Rosie, I'm home.
00:20:41.000 The audience would go berserk.
00:20:43.000 And we'd be going, Yeah, I wrote that line.
00:20:47.000 They were just glad to see him.
00:20:49.000 Right, right.
00:20:50.000 They were so excited to see him.
00:20:52.000 That the response was not genuine.
00:20:55.000 It wasn't a comedy.
00:20:57.000 There was no comedy in Honey, I'm Home.
00:20:58.000 Right.
00:20:59.000 But they were so thrilled to be in the same space as John Goodman, who they loved.
00:21:04.000 Right.
00:21:04.000 As Dan Connors.
00:21:06.000 And, you know, you have to start learning that those are not the laughs that you hang your hat on.
00:21:12.000 Those are the laughs because the show's become part of people's lives.
00:21:16.000 You know, it's become visceral.
00:21:18.000 You know, people respond to the Big Bang characters.
00:21:22.000 I tell this story in the book at Comic Con.
00:21:27.000 Early on, thousands of people were camping out at night to come in and see the panel at Comic Con for the Big Bang Theory.
00:21:36.000 And I was sitting next to Jim Parsons at an autograph line, you know, where people come up with a cast picture and they sign it.
00:21:43.000 And this girl comes up to Jim, and her hands are shaking, and she hands him the picture to sign, and she's crying out of joy to see Jim Parsons, to be this far away from Jim Parsons, Sheldon.
00:21:58.000 Wow.
00:22:00.000 And I remember thinking, I've been doing this a while.
00:22:03.000 People were always happy to see John Cryer and Charlie.
00:22:06.000 Nobody ever cried.
00:22:10.000 Nobody ever cried when they saw Roseanne, you know, or anybody like that.
00:22:14.000 But she was crying out of sheer joy to see these guys.
00:22:19.000 And that's when I went, Something's happening here that we didn't plan, that we couldn't have planned, that these characters have hit a nerve, you know. 0.97
00:22:29.000 Well, I think it is the misfits thing. 0.95
00:22:31.000 You know, I think that's a giant part of it.
00:22:33.000 And they become a surrogate family.
00:22:34.000 They support one another.
00:22:36.000 Yes. 1.00
00:22:37.000 They're losers in a life raft. 1.00
00:22:38.000 Right. 1.00
00:22:39.000 You know what I mean?
00:22:40.000 Right.
00:22:40.000 And they hold each other up.
00:22:41.000 And all odd in their own unique way that's endearing. 0.99
00:22:46.000 And I think for a lot of people, you know, you look at friends, you're like, those fucking people never hang out with me. 0.98
00:22:52.000 What's the point? 0.99
00:22:53.000 You know, they're all good looking, hanging out together.
00:22:56.000 They're too cool.
00:22:57.000 Everybody's cool. 1.00
00:22:58.000 Fuck. 1.00
00:22:59.000 I don't fit there. 1.00
00:23:00.000 But they'd watch Young Sheldon and they'd watch that show and they'd think, all right, well, these people are just weirdos just like me.
00:23:06.000 One of the things I loved about Young Sheldon, we discovered as we were doing it, was the show really became about his family.
00:23:15.000 Here's this cuckoo.
00:23:15.000 Right.
00:23:17.000 Right.
00:23:18.000 Cuckoo's nest.
00:23:18.000 You know, this odd child.
00:23:20.000 Normal parents.
00:23:21.000 With normal parents.
00:23:22.000 Dad's a football coach.
00:23:24.000 His mom's deeply religious.
00:23:26.000 He's got a twin sister who's just a kid.
00:23:29.000 Yeah.
00:23:29.000 And an older brother who's kind of a knucklehead, you know, means well, but, you know, it's how they have to accommodate this remarkable human being.
00:23:40.000 It really became watching them how much love and protectiveness went towards this little boy who was oblivious at how caustic he was. 1.00
00:23:53.000 He was really an asshole. 1.00
00:23:55.000 You know what I mean? 1.00
00:23:55.000 And so was the grown Sheldon. 1.00
00:23:57.000 He was really a dick. 1.00
00:23:59.000 He treated his friends horribly. 1.00
00:24:02.000 And it was one of the magic tricks of young Sheldon an eight year old being a dick is not acceptable. 0.99
00:24:10.000 Right, you know, 25 30 year old Jim Parsons, you can be why you can be caustic, but when it's coming out of a child's mouth, not so pleasant. 0.93
00:24:21.000 So it really shifted to becoming how his parents and his brother and sister, and eventually, and his grandmother took care of him.
00:24:30.000 They just they excused him for being the way he was and allowed him to be that way.
00:24:36.000 That's a love story, it is, and it's completely unique to the original show, the Big Bang Theory.
00:24:43.000 You know, obviously Sheldon's older, but it's just a different thing.
00:24:46.000 The whole story is a different thing.
00:24:48.000 The concentration is a different thing.
00:24:50.000 It's really about the family and this extraordinary kid.
00:24:53.000 Yeah.
00:24:54.000 But it's great.
00:24:55.000 Thank you.
00:24:56.000 When you talk about the Roseanne days, those are some of my favorite days because, you know, I'm friends with Roseanne and I know how crazy she is.
00:25:04.000 And, you know, and she talks about, well, I bet you know better than I do, but she talks about how crazy she was during those days.
00:25:11.000 That's nice to hear.
00:25:12.000 That's nice to hear.
00:25:12.000 Yeah.
00:25:13.000 She's like, I was a tyrant.
00:25:19.000 Yeah, that's a good, that's the nicest word I can think of.
00:25:22.000 Well, you know her whole story, how she got hit by a car when she was young.
00:25:26.000 Yeah, that's what a lot of people don't know.
00:25:28.000 And I thought it was really important to have her on after she got in trouble and got fired from her new show to have her on and explain her history.
00:25:37.000 She had legitimate mental illness, like not like I need attention, mental illness, hit by a car when she was 15 years old, was in the hospital for a long time, was in a mental health situation.
00:25:49.000 Institute for nine months after that.
00:25:52.000 She was a grade A math student.
00:25:54.000 After the accident, she could not count.
00:25:57.000 She had a legitimate brain injury that changed her personality completely.
00:26:04.000 It's responsible for a lot of her erratic behavior and a lot of the chaos that you see.
00:26:09.000 Also, maybe some of the brilliance in her comedic timing. 0.99
00:26:13.000 She was just so didn't give a fuck. 0.99
00:26:16.000 She was so different than any woman comic before her. 0.99
00:26:19.000 Absolutely. 0.54
00:26:20.000 No, she was groundbreaking.
00:26:21.000 That initial act that she and her sister, I don't know if she talked about her sister much, but they wrote that act and it was like nothing that we'd ever seen before.
00:26:32.000 It was entirely original.
00:26:33.000 Yeah, entirely original.
00:26:35.000 Now I know why children, why parents eat their young, why animals eat their young was the keystone of that act.
00:26:44.000 Now I know why animals eat their young.
00:26:47.000 Yeah, she was a force.
00:26:49.000 Just hearing the stories, like the.
00:26:52.000 How Tom Arnold, they made you put his name as a writer on the scripts.
00:26:58.000 You'd have to change the scripts and write his name in.
00:27:03.000 Easy for you to laugh. 1.00
00:27:05.000 That kind of shit. 1.00
00:27:06.000 The reason why I laughed is because I'd heard stories, not about Tom Arnold, but about people doing that. 1.00
00:27:12.000 Like that was a real thing.
00:27:14.000 Like it was almost like a union job that you got with the mob where you didn't really have to show up.
00:27:18.000 Oh, you know what I mean?
00:27:19.000 The no show gigs.
00:27:20.000 It was almost like that.
00:27:20.000 Yeah.
00:27:21.000 Like people got writer's credits when they weren't writing at all.
00:27:26.000 It was a lot of money.
00:27:27.000 A lot of money.
00:27:29.000 A lot of money.
00:27:30.000 Yeah, I know many stories.
00:27:32.000 I remember complaining to a then agent who I might have included this in the book.
00:27:38.000 I don't remember. 0.99
00:27:39.000 He said, Chuck, you got to let them fuck you a few times so they know they love you. 0.99
00:27:45.000 Yeah, that's in the book. 1.00
00:27:46.000 Yeah.
00:27:48.000 It's a weird business, man.
00:27:50.000 It's a weird business.
00:27:51.000 And all your stories about just dealing with crazy actors and the Sybil Shepard thing, she made you change the joke, and then it didn't work, and then she got mad at you for that.
00:28:02.000 And it worked for Baranski.
00:28:04.000 Bransky could read the phone book.
00:28:05.000 I mean, that was one of the great gifts I've ever been close to watching her.
00:28:11.000 But that whole weirdness where people get upset if someone else got a joke.
00:28:14.000 Even if it was like that person's character to say that line and not your character.
00:28:19.000 It was all about who gets the lines, who gets the good lines.
00:28:23.000 Given how successful those shows were and how much money was being generated by them, it's hard to defend how much cruelty, you know.
00:28:33.000 And malice went into the making of it.
00:28:36.000 It was so unnecessary.
00:28:37.000 It should have been a constant celebration.
00:28:39.000 It should have been an ongoing party.
00:28:41.000 Look what we did.
00:28:43.000 More often than not, though, in those situations, for whatever reason, when someone is the head, the big star of those shows, you hear nightmare stories.
00:28:52.000 When someone is like the lead actor, the show is written about them, it's all about them.
00:28:58.000 It's like there's something about the intoxicating power of being the top person on the show. 0.98
00:29:04.000 Pictures six feet high on a fucking billboard outside the place, your name's painted on the wall. 0.99
00:29:12.000 They can't help themselves. 1.00
00:29:13.000 So they just get crazy.
00:29:15.000 It makes me think of it was my great good fortune to get to know Bob Newhart and to call him a friend.
00:29:24.000 And he did a bunch of Big Bang episodes.
00:29:26.000 And he taught me something I've never forgotten.
00:29:31.000 He goes, I'm not the funny guy on the show.
00:29:34.000 I react to the funny guys, you know.
00:29:36.000 Larry Darrell and Darrell and Tom Post and those, the crazy characters would come in in the show when he was a psychiatrist, even that one.
00:29:45.000 Crazy people would come in, and the comedy was in Bob reacting.
00:29:49.000 A raised eyebrow would get an enormous laugh because he becomes the audience reacting to the crazy people.
00:29:57.000 And I was begging him for years to come and do any show I'd worked on as I was such a fan.
00:30:07.000 And I remember.
00:30:08.000 He finally watched The Big Bang Theory and he said, All right, I'll do this one.
00:30:15.000 But I have three demands.
00:30:17.000 Go.
00:30:17.000 He goes, It has to be in front of an audience.
00:30:22.000 I don't do anything.
00:30:23.000 I said, That's all we do.
00:30:26.000 We only work in front of an audience.
00:30:28.000 Done.
00:30:28.000 Number two, I want my character to have an arc.
00:30:32.000 I want it to be over a few episodes.
00:30:33.000 Done.
00:30:33.000 Number three, I want to win an Emmy.
00:30:38.000 He'd never won an Emmy for his shows.
00:30:42.000 That's crazy.
00:30:43.000 Isn't that nuts?
00:30:43.000 That's crazy.
00:30:44.000 Any.
00:30:44.000 Did on the Big Bang Theory.
00:30:46.000 He won an Emmy for Best Supporting Actor or Best Guest Actor in a comedy.
00:30:51.000 It was one of the genuine joys of my life I got him the Emmy.
00:30:56.000 He got the Emmy, but we delivered on all three.
00:31:00.000 That's amazing.
00:31:00.000 I can't believe he never won an Emmy.
00:31:02.000 Isn't that crazy?
00:31:03.000 That's crazy.
00:31:03.000 That's literally crazy.
00:31:04.000 I went to the Emmys once, and it was after Phil Hartman had been murdered, and he was nominated for an Emmy.
00:31:10.000 He didn't win. 0.98
00:31:11.000 When he didn't win, Dave Foley looked over at me and goes, What the fuck does a guy have to do to win? 0.98
00:31:20.000 Oh, that's cool. 0.96
00:31:20.000 And in that moment, first of all, we were all so broken. 0.96
00:31:27.000 We were all so broken.
00:31:30.000 We were so sad.
00:31:31.000 It was so not that he didn't win the Emmy, just that he had just recently been murdered.
00:31:36.000 It was just, it still was so hard to believe and so painful that Dave just came in with the banger.
00:31:44.000 Dave Foley was like one of the secret producers of news radio.
00:31:47.000 The news radio, Paul Sims was so brilliant that when he created the show, he allowed all these creative people to come up with alternative lines.
00:31:59.000 From Kids in the Hall.
00:32:00.000 So he was just a fantastic writer on top of being very funny.
00:32:04.000 And so he would come up with better lines all the time.
00:32:06.000 And Paul would always use them.
00:32:08.000 It was just, there was no ego there.
00:32:10.000 It was such a great place to be.
00:32:12.000 And so when Phil got killed, it was like, we were just broken.
00:32:16.000 We were just like, what?
00:32:19.000 And so for Dave to say that at the Emmys, it was like, I'm like, okay, no one's topping this.
00:32:23.000 I'm never coming back to the Emmys again.
00:32:25.000 Get out of here.
00:32:26.000 No, that's the high note.
00:32:28.000 You could come up with that.
00:32:28.000 Yeah.
00:32:29.000 I can't believe Bob Newhart never won an Emmy.
00:32:31.000 Insane.
00:32:32.000 He did on the Big Bang Theater.
00:32:34.000 Yeah, but I mean, before that, for the Bob Newhart show, that's bananas.
00:32:39.000 It was such a good show.
00:32:39.000 That's bananas.
00:32:42.000 He seemed like a lovely guy.
00:32:45.000 I wish I got to meet him.
00:32:47.000 He truly was.
00:32:48.000 Back when I was getting started, I worked on the same lot as the show, the Bread and Beckford, the second show.
00:33:00.000 And When they were down, when the stage was dark, I'd go sit in that little lobby set in the dark, just kind of drink it in.
00:33:10.000 You know, it's a tiny little set where he'd stand behind the counter and Larry Darrell and Darrell would come in.
00:33:16.000 Yeah.
00:33:17.000 And I'd just sit there in the dark and just take it in. 1.00
00:33:20.000 You know, shit, this is where they make this show. 1.00
00:33:22.000 Wow. 1.00
00:33:23.000 And later on, we would, a bunch of us on Two and a Half Men, would sneak into the West Wing set and sit in the Oval Office.
00:33:33.000 This is as close as we're going to get to the Oval Office.
00:33:35.000 We were sitting there late at night.
00:33:40.000 That's awesome. 0.99
00:33:42.000 Just bringing up two and a half men, you have gone through some of the fucking craziest actors. 0.92
00:33:48.000 You've worked with some of the craziest people of all time. 0.70
00:33:51.000 Charlie, when he was here, he did the podcast and he's telling me about those days.
00:33:56.000 When you hear about those days, how did you function?
00:33:59.000 How were you showing up and doing a sitcom when you were living like that?
00:34:04.000 Like, it's kind of amazing that he kept it together the way he did.
00:34:09.000 Like, that's one thing that he really deserves credit for. 1.00
00:34:12.000 The guy did good work while he was out of his fucking mind. 0.99
00:34:16.000 We did six, seven years in the clear before it all went to hell. 0.99
00:34:22.000 We had like 150, somewhat 60 episodes before it started to go down.
00:34:26.000 And was he heavy using during those times?
00:34:30.000 Not to my knowledge.
00:34:31.000 Oh, so if he was, he was managing it and keeping it to himself.
00:34:34.000 But as far as I was concerned, we had a great partnership.
00:34:38.000 We were having a lot of fun.
00:34:39.000 The show was insanely, you know, successful.
00:34:47.000 It was, you know, we had something in common.
00:34:51.000 You know, we were all on the same kind of, I thought we were all on the same road, you know, keeping it clean, staying sober and stuff.
00:34:58.000 And the show was killing it.
00:35:03.000 It was just, it actually, the success of that show is what granted me the freedom to go, you know, and go and do.
00:35:12.000 A couple of tries to get the Big Bang Theory right.
00:35:14.000 I mean, we failed at first. 0.93
00:35:16.000 You know, we made a lot of mistakes, but Two and a Men was so successful, CBS granted me unbelievable leeway to make decisions, do shit over again. 0.87
00:35:28.000 Like the pilot, nobody gets a do over. 0.50
00:35:31.000 We got a do over on the Big Bang pilot.
00:35:34.000 Wow.
00:35:35.000 That never happens.
00:35:36.000 We got one, and it worked out.
00:35:39.000 Boy, did it work out.
00:35:39.000 Boy, did it work out.
00:35:41.000 So I didn't know that Charlie was supposedly sober for most of that time.
00:35:46.000 As far as I know, he was.
00:35:47.000 But you talk to him now, right?
00:35:50.000 You guys are friends now?
00:35:51.000 He has a blurb on the back of the book.
00:35:51.000 Yeah.
00:35:53.000 So he says he was sober for the beginning and then eventually he just.
00:35:57.000 I don't know at what point it went off the rails.
00:36:00.000 Did you notice like a change?
00:36:01.000 Well, in the eighth season, it was clearly we were in trouble.
00:36:04.000 It was.
00:36:05.000 You know, when his manager calls me and says, Charlie can't come to the run through today at rehearsal, his Bic lighter blew up and he has no eyebrows.
00:36:15.000 I'm somewhat naive to some of this stuff, but I know Bicklighters.
00:36:24.000 They don't blow up. 0.99
00:36:26.000 Maybe they do when you're cooking Coke with them.
00:36:26.000 Wow.
00:36:28.000 Maybe that's what happened.
00:36:30.000 But there was a lot of the behavior became more and more erratic.
00:36:35.000 A lot of missed stuff.
00:36:37.000 And the sad truth about my part of it was I was determined to stay in denial.
00:36:48.000 I just didn't want to know.
00:36:49.000 I wanted to believe it was all okay.
00:36:51.000 I was absolutely.
00:36:52.000 You know, forcefully, you know, oblivious.
00:36:56.000 I just wanted to believe it was all going to be okay.
00:37:01.000 Just because the show was doing so well?
00:37:03.000 It was doing so well and it was fun. 0.99
00:37:04.000 I mean, we kick ass. 0.97
00:37:07.000 We worked really hard. 0.99
00:37:09.000 My partner on that show, Lee Aronson, and I, we were ruthless. 0.99
00:37:13.000 We every second had a kick ass.
00:37:17.000 We were absolutely determined to make it the best possible show we could every week. 0.96
00:37:23.000 No bad shows.
00:37:25.000 You know, I liken a bad show on television to going to a restaurant and having a cockroach come across your table.
00:37:32.000 You don't go back to that restaurant ever again, ever again.
00:37:35.000 And that's how I felt about situation comedies.
00:37:39.000 You make a bad show, people are going to maybe never come back.
00:37:44.000 You're going to lose a bunch.
00:37:46.000 You're going to lose a bunch.
00:37:46.000 For sure.
00:37:47.000 You know, just my own experience, I love Cheers.
00:37:49.000 I was devoted to Cheers.
00:37:52.000 There was a couple of years there where, you know, you had to get through Cliff going home to his mother.
00:37:58.000 I wanted to be in the bar with Woody and Sam, and he would tolerate some of the dips, but then they'd come roaring back with great writing and stuff.
00:38:09.000 But more often than not, if a show fails on a few occasions, even a show you love, there's a likelihood you may move on.
00:38:18.000 And it's usually something that happens behind the scenes, like a head writer leaves or someone new gets hired and they have new ideas about stuff.
00:38:27.000 That's generally how it goes, right?
00:38:31.000 There's a weird, delicate chemistry to one of these things when they work.
00:38:36.000 Yes.
00:38:36.000 You know, and it's really obvious when you think you can spin something off.
00:38:44.000 Do you remember Archie's Place?
00:38:47.000 No, I don't.
00:38:48.000 And they tried to spin off Archie Bunker.
00:38:51.000 I remember the name now that you brought it up, but I don't remember it at all.
00:38:54.000 I think he ran a bar.
00:38:55.000 Wow.
00:38:55.000 And it was a new show with Archie Bunker, but without Meathead.
00:38:59.000 Yeah.
00:39:00.000 And, you know, and Edith and.
00:39:02.000 I remember he went on to do a cop show and I was very upset.
00:39:06.000 I was like, how is he playing a cop on TV?
00:39:08.000 The miraculous chemistry of All in the Family was gone.
00:39:11.000 Yeah.
00:39:11.000 It was gone.
00:39:13.000 It was gone.
00:39:13.000 Yeah.
00:39:14.000 The same thing happened, you know, with Joey off of Friends.
00:39:19.000 The miraculous chemistry of that cast.
00:39:22.000 Right.
00:39:22.000 You just can't just, you know.
00:39:25.000 Right.
00:39:26.000 I think I learned a lesson watching those things going, don't think this thing travels.
00:39:33.000 Right.
00:39:33.000 You know, right.
00:39:35.000 The characters and their relationships with the other characters are the heart and soul of this thing.
00:39:39.000 It's, you know, you can't just pluck something out and go here, be successful over here.
00:39:44.000 Well, that's why Young Sheldon is so impressive because you didn't.
00:39:48.000 It is kind of a spin off, but it's not, and everyone's new.
00:39:51.000 The only inkling of the Big Bang Theory is Jim Parsons' narration.
00:39:55.000 Right.
00:39:56.000 You never see him.
00:39:57.000 Right.
00:39:59.000 Him telling the story of being a child in East Texas.
00:40:02.000 That was the only link.
00:40:04.000 Yeah.
00:40:06.000 It's just amazing that you pulled off that chemistry in two completely different environments about the same character.
00:40:12.000 Yeah, that was a roll of the dice, wasn't it?
00:40:15.000 Oh, yeah.
00:40:16.000 If we didn't find Ian.
00:40:16.000 But it worked.
00:40:18.000 Then we would not have made the show.
00:40:20.000 Yeah, there's things about certain sitcoms, like Seinfeld's a great example, where those people just work together so well.
00:40:28.000 You couldn't imagine a new person being put in the mix or someone going away.
00:40:32.000 Like, what?
00:40:33.000 You would ruin the whole thing.
00:40:36.000 Absolutely.
00:40:37.000 And again, the characters and their relationships with each other are why you watch.
00:40:42.000 Yeah.
00:40:42.000 You know, I can't tell you one plot, but I never missed an episode.
00:40:49.000 Right.
00:40:50.000 You know, I never missed a Thursday night was gold because of Seinfeld.
00:40:56.000 Yeah.
00:40:56.000 I mean, the entire country was watching because of Seinfeld and because of Friends on Thursday night on NBC.
00:41:04.000 That was the night.
00:41:05.000 Yeah.
00:41:05.000 And then Botchko shows at 10.
00:41:07.000 The Botchko shows were impeccable.
00:41:09.000 Right.
00:41:09.000 Right.
00:41:10.000 I mean, one after the other.
00:41:12.000 You know, Hill Street, LA Law.
00:41:14.000 Yep.
00:41:14.000 You know, NYPD Blue.
00:41:19.000 It was an incredible run of sophisticated cop shows.
00:41:23.000 It really was.
00:41:25.000 It's amazing how many cop shows there have been.
00:41:27.000 It's like, boy, do we like watching cop shows.
00:41:31.000 Again, they were character shows.
00:41:33.000 I mean, Bochco understood that as well, that it wasn't the crime of the week, which is solving the crime, is more the Dick Wolf approach to dramas.
00:41:47.000 Bochco was about the characters, about the cops, about their heartaches and the The torments of being a cop in Los Angeles.
00:41:57.000 Also, if you're going to write a show about drama, who experiences more drama than cops?
00:42:01.000 It's the perfect genre because you're always going to have chaos.
00:42:01.000 Every day.
00:42:06.000 You could write in any kind of chaos, whereas if it's one person who's a plumber who's experiencing that much chaos in his life, you'd be like, what the fuck are you doing with your life, man? 0.99
00:42:14.000 How are you involved in so many murders? 0.98
00:42:15.000 How are there so many armed robberies when you're around?
00:42:19.000 But if you're a cop, it makes sense to write it in like that.
00:42:23.000 I can't remember the name of the guy who.
00:42:26.000 He was a New York City cop who wrote a whole bunch of books that I think were a big factor in the Bochco lore.
00:42:34.000 I can't remember his name. 0.99
00:42:37.000 He wrote, gosh, damn it. 0.99
00:42:41.000 I can't remember his name. 0.99
00:42:43.000 I'll remember it tonight when we're done.
00:42:46.000 But he wrote about cops as people, people in untenable work.
00:42:53.000 Yeah.
00:42:54.000 Work was, you know, just incredibly destructive work environment.
00:42:59.000 And it starts with an M.
00:43:04.000 Cop genres, sitcoms.
00:43:04.000 Yeah.
00:43:05.000 Cop genres, sitcoms.
00:43:08.000 It's just to me, the cop genres are still around, whereas the sitcoms have been reduced by 80%?
00:43:17.000 More.
00:43:17.000 90%?
00:43:18.000 Yeah.
00:43:18.000 Again, back when I got started, there were four sitcoms on every network five nights a week or four nights a week.
00:43:26.000 So what is that?
00:43:27.000 That's 16 a night.
00:43:31.000 And then the hour dramas were at 10 o'clock every night for years.
00:43:37.000 I don't believe that's because people don't like them.
00:43:40.000 I really don't.
00:43:41.000 I think it's just a mistake in broadcasting. 0.99
00:43:44.000 I think they fucked up. 0.99
00:43:46.000 And I think if they came back with some good ones, the problem is it's a hard job. 1.00
00:43:50.000 It's a hard job.
00:43:51.000 And I was one of the blessings of my career was I got to have a journeyman period where I was learning, but I wasn't in charge.
00:44:03.000 I wasn't the guy.
00:44:04.000 I didn't have to say that way.
00:44:08.000 Right.
00:44:09.000 I had maybe seven, eight years before they said, Here, your show.
00:44:16.000 And I wasn't ready.
00:44:17.000 I still was overwhelmed.
00:44:20.000 Merle Miller?
00:44:21.000 No.
00:44:22.000 Nope.
00:44:23.000 All right, we give up.
00:44:25.000 We can't figure out what it is.
00:44:29.000 But that first show, I was the keys to the kingdom.
00:44:36.000 I got a show on TV.
00:44:38.000 Right.
00:44:38.000 So this is a show after you leave Roseanne.
00:44:41.000 Yeah.
00:44:41.000 And now you're working on your own show, but they put it on like Saturday night.
00:44:47.000 The owners of the Roseanne show had an idea for a show that was strangely like Roseanne.
00:44:56.000 You know, this heavy set, unhappy housewife with a domineering husband and problems with her kids.
00:45:06.000 And they went to my then boss, Bob Meyer, and asked him if he wanted to develop that into a series.
00:45:12.000 And Bob.
00:45:14.000 Quite rightly, I saw that they were just trying to, you know, rip off Roseanne and do it again, have another hit show with an unhappy housewife.
00:45:23.000 And he very wisely or whatever said, No, I don't think so.
00:45:27.000 I don't like this idea.
00:45:29.000 So they went, All right, they came to me.
00:45:32.000 And I thought, This is a ripoff of Roseanne.
00:45:35.000 I'm in.
00:45:38.000 Because what I was thinking is, these two people owned the Cosby show and Roseanne.
00:45:46.000 They were gigantic eight million pound gorillas in television back then. 0.86
00:45:51.000 I want to work for them. 1.00
00:45:54.000 Somehow, I'm not saying no, even though I see it for what it is.
00:45:59.000 And I worked my ass off on it.
00:46:01.000 This lovely lady, a British actress named Miriam Margolese.
00:46:06.000 Margolese?
00:46:07.000 Margolese.
00:46:08.000 And she was a terrific actress.
00:46:11.000 And she tried so hard.
00:46:14.000 She tried so hard to be an unhappy American Staten Island housewife.
00:46:21.000 And the show, you know, to credit how powerful Marcy, uh, Garcia and Tom Warder were, the network couldn't bring themselves to say pass.
00:46:32.000 They couldn't say pass, and they ordered six episodes and they put it on the coveted time slot of eight o'clock Saturday nights.
00:46:40.000 For people who don't know, that's the worst time slot you could ever get on network television.
00:46:44.000 It's like making the show and using it for landfill.
00:46:47.000 Yeah, everybody's out, everybody goes out.
00:46:49.000 In the old days before the internet, people would just leave the house on Saturday night.
00:46:54.000 If you go back far enough, Saturday night had some huge stuff.
00:46:59.000 How far you got to go back?
00:47:00.000 Back into the 60s.
00:47:01.000 Really?
00:47:02.000 Yeah.
00:47:02.000 Saturday night was a big night.
00:47:03.000 Yeah.
00:47:04.000 Interesting.
00:47:04.000 Went away.
00:47:05.000 Was that because television was fairly new?
00:47:07.000 It was like a crazy thing to stay home and watch TV.
00:47:10.000 That makes sense.
00:47:11.000 But anyway, they ordered six episodes.
00:47:14.000 They couldn't, they aired five, couldn't bring themselves to air the sixth one.
00:47:20.000 You know, like it would have hurt.
00:47:23.000 And I thought, you know, okay, that's the end of my career.
00:47:26.000 I'm done.
00:47:27.000 I had my shot, I blew it.
00:47:30.000 And Tom Werner came into my office a few days after they canceled the show and said, It's a noble failure.
00:47:40.000 Let's try again.
00:47:42.000 I had never put noble and failure together in the same sentence.
00:47:45.000 Did you think the show was good or did you think it didn't have enough time to get good?
00:47:52.000 Here's the problem with writing a TV and producing a TV comedy you don't have perspective.
00:48:00.000 You lose perspective.
00:48:01.000 You're working so hard.
00:48:02.000 You don't really have the big picture as to whether you think it's working.
00:48:06.000 You ask anybody on any staff, on any sitcom back in the day, we're doing great work.
00:48:13.000 Right.
00:48:15.000 I think it's just impossible to own the fact that it might be mediocre given how hard we're working.
00:48:22.000 So I don't know that I really had a clean perspective on whether it was quality television or deserved to go on or not.
00:48:30.000 I just know I worked really hard and I was heartbroken that it failed.
00:48:34.000 That's a very honest perspective.
00:48:36.000 I appreciate that.
00:48:37.000 And then he said, That's a noble failure.
00:48:39.000 Let's try again.
00:48:40.000 And I was like, I get another, I get a do over, I get to try again.
00:48:44.000 Great, you know, because when you're indoors, they bring you lunch, you know, they feed you, you know, you have a parking spot.
00:48:52.000 It's pretty cool.
00:48:52.000 Yeah.
00:48:53.000 It's pretty cool.
00:48:54.000 And that led to them saying, We want to do a show about a single mom.
00:49:03.000 And I was like, Wait a minute.
00:49:05.000 I wanted Franny's turn, the character, the thing that just feels, I wanted her to leave her husband and try and be, you know, single and live with her daughter.
00:49:14.000 And you said, No, she has to be married because Cosby's married.
00:49:18.000 Roseanne's married.
00:49:19.000 They wanted another married show.
00:49:21.000 But what it turned out was ABC was looking for a single mom show.
00:49:25.000 So now they wanted a single mom show.
00:49:28.000 And I said, where do I come in to, what sensibility can I bring to a single mom show?
00:49:36.000 And to their credit, they sent me to Elgin, Illinois to spend a few days.
00:49:42.000 The Chamber of Commerce took me to a women's shelter, a YWCA. 0.75
00:49:50.000 hospitals where women were either on welfare, working two jobs, you know, killing themselves to support themselves while raising children. 0.90
00:50:03.000 And I got this walk through what I went, oh, this is Greek tragedy.
00:50:11.000 These women are, they're heroes.
00:50:16.000 I mean, at the time the single mom was Murphy Brown.
00:50:20.000 Murphy Brown had endless nannies. 0.75
00:50:23.000 Right.
00:50:24.000 She just went about her life and there was a kid. 0.98
00:50:27.000 But a woman raising children by herself without a safety net, that hadn't been done. 0.98
00:50:33.000 And I came back from that trip going, okay, I want to write this. 0.57
00:50:37.000 I want to write this because this is, I get it now.
00:50:40.000 It's a hero's journey.
00:50:43.000 You wouldn't think it's a sitcom, it's four cameras in front of a live audience.
00:50:49.000 But for me, it was a hero's journey.
00:50:52.000 It was this woman against all odds to caring for her children after a horrible divorce and having to work her ass off to just feed them.
00:51:06.000 And then it went a little south when they said, okay, and we found the perfect actress to play that part.
00:51:13.000 And that's how I met Brett Butler.
00:51:17.000 Sure, you laugh.
00:51:18.000 Well, that's a similar situation to what we were talking about before where people would just become tyrants when they have their own show.
00:51:24.000 She was very unhappy.
00:51:26.000 Yeah.
00:51:27.000 Out of the gate.
00:51:28.000 Seems crazy.
00:51:28.000 Day one.
00:51:30.000 You'd think we should have been celebrating because the show was an instant hit.
00:51:34.000 It was Home Improvement with Tim Allen, and then they put it on right after it, and it did great.
00:51:41.000 And she was on the cover of magazines, and she was on all the talk shows, and she's a truly funny woman.
00:51:46.000 She had a great stand-up act.
00:51:48.000 Yeah.
00:51:48.000 Oh, she was hilarious.
00:51:50.000 And she took to acting immediately.
00:51:50.000 No questioning.
00:51:53.000 You know, I've watched people try and do this.
00:51:56.000 Not everybody can do it.
00:51:58.000 Brett could do it.
00:51:59.000 Brett could do it.
00:52:01.000 But it didn't go well for me.
00:52:03.000 It just seems so insane that someone would get an opportunity that, if you're a comic, that's the opportunity.
00:52:09.000 That's it.
00:52:11.000 It's your own sitcom.
00:52:13.000 How could you be upset?
00:52:14.000 It's weird.
00:52:16.000 I think if you're damaged in this certain kind of way that actors in comics can be damaged, and you succeed, and you learn that horrible, horrible, two o'clock in the morning, horrible truth.
00:52:36.000 I'm still unhappy.
00:52:37.000 Right.
00:52:38.000 I'm still not whole.
00:52:40.000 This was supposed to make me happy and whole.
00:52:43.000 Success was supposed to solve my problems.
00:52:45.000 That's certainly what I was taught.
00:52:46.000 Right.
00:52:47.000 When I was a boy, you know, if you make something of yourself, you'll feel, you'll be good.
00:52:54.000 People will like you and admire you, and you'll, you know, you'll be a man of substance. 0.88
00:52:59.000 Yiddish was a mensch, right? 0.88
00:53:03.000 And then you learn that horrible truth. 1.00
00:53:06.000 Only can happen with success, which is, oh shit, I'm still a miserable fuck. 1.00
00:53:13.000 Now what? 1.00
00:53:14.000 Now what?
00:53:15.000 That's not going to solve that hole inside.
00:53:19.000 And generally, that's where the drugs come in.
00:53:21.000 That's where the drugs come in.
00:53:23.000 With rock stars.
00:53:24.000 Rock stars and gambling.
00:53:25.000 Yeah. 1.00
00:53:26.000 You can't fuck your drink your way, drug your way, gamble your way out of that. 1.00
00:53:31.000 That shit works temporarily and then it doesn't work. 1.00
00:53:35.000 And when it stops working, you're truly fucked. 1.00
00:53:37.000 Yeah. 1.00
00:53:38.000 You're truly fucked. 1.00
00:53:39.000 You're trying to find a solution that, the best I understand it, nothing on the outside is going to heal the inside. 1.00
00:53:49.000 This episode is brought to you by Call of Duty.
00:53:52.000 Modern Warfare 4 is coming, and they're going all in on this one.
00:53:57.000 The kind of missions that make you go, dude, did they really just do that?
00:54:03.000 Set during a full scale North Korean invasion of South Korea, expect a real boots on the ground experience.
00:54:09.000 As young South Korean recruits fighting to protect their homeland and North Korean forces, hunting traitors, interrogating civilians, and more.
00:54:18.000 Modern Warfare 4 launches October 23rd.
00:54:22.000 Pre order digitally for early access to the campaign or pick up your physical disc on day one.
00:54:28.000 Visit Call of Duty.com for more.
00:54:30.000 Rated M for mature.
00:54:33.000 It has to be an inside job to get well from that stuff.
00:54:37.000 It's also for people's perspective.
00:54:40.000 If you're talking about, what was Brett?
00:54:42.000 Grace Under Fire was 93?
00:54:45.000 In 1993, there were only four channels, okay, and then cable, and nobody was watching cable, not like that, not like sitcoms.
00:54:52.000 Nope.
00:54:52.000 And there was maybe 100 famous people on earth.
00:54:55.000 Nobody was famous back then.
00:54:57.000 There's way more famous people.
00:55:00.000 So if you're a damaged person and then all of a sudden you're one of the most recognizable people in the world, who Brett Butler was when that show was number two, I mean, it was a huge show.
00:55:09.000 She was on every magazine.
00:55:10.000 You saw her everywhere.
00:55:11.000 Like that kind of pressure and that kind of, for a person who's already struggling to keep it together, that can be devastating.
00:55:18.000 Yeah.
00:55:19.000 I often threaten to write a screenplay, The Perfect Murder.
00:55:24.000 The perfect murder of an actress who is malicious and destructive is to make her famous.
00:55:32.000 It'll ruin her.
00:55:35.000 No, I've yet to write that story yet.
00:55:39.000 But you want to do something harmful to somebody who's damaged in that way, make them famous.
00:55:46.000 It'll absolutely destroy them.
00:55:48.000 Isn't that nuts?
00:55:49.000 Yeah.
00:55:50.000 It's nuts.
00:55:51.000 She, afterwards, I think she really fell apart after that show was over.
00:55:55.000 I'd heard at one point in time she was homeless.
00:55:57.000 I don't think she has any more.
00:55:58.000 They heard those stories as well.
00:55:59.000 I don't know.
00:56:00.000 I don't know.
00:56:01.000 It's such a sad turn of events, you know, because people wanted to love her, especially when she was on that show.
00:56:09.000 They were rooting for her.
00:56:10.000 Yeah.
00:56:10.000 Yeah, she was a spokesman for, a spokeswoman for, you know, millions of women.
00:56:17.000 Yeah. 0.99
00:56:18.000 And men loved her too because she had balls. 0.99
00:56:21.000 You know, she suffered no fools. 0.99
00:56:23.000 Yeah.
00:56:24.000 She worked in an oil refinery.
00:56:26.000 Yeah.
00:56:27.000 On the show. 0.99
00:56:29.000 It just sucks that so many talented people have that, whatever the fuck it is, that self sabotage gene, you know, that makes them not be able to ever change course and enjoy this fortune that they've been given. 0.98
00:56:46.000 Making an audience laugh temporarily fills the hole. 0.99
00:56:49.000 Temporarily.
00:56:50.000 Right.
00:56:51.000 And you go home and you're still that guy.
00:56:51.000 Yeah.
00:56:54.000 Yeah.
00:56:56.000 That's the problem.
00:56:56.000 Yeah.
00:56:57.000 Yep.
00:56:58.000 Yeah.
00:56:59.000 Okay, what are we going to do about this?
00:57:00.000 Right.
00:57:02.000 I don't think there's anything you can do about it.
00:57:03.000 I mean, it's just a tale as old as time.
00:57:06.000 And you talk about it in your book if happiness and success cured you of all your problems, you would see so many dead rock stars.
00:57:15.000 And I think you're dead on. 1.00
00:57:17.000 I mean, they were all drugged out of their fucking mind. 1.00
00:57:20.000 And they're all, like we were talking earlier, had you seen at one point in time, you saw Morrison, you saw the doors play for like 20 minutes before you tried to pull his dick out. 1.00
00:57:30.000 That was the shortest concert I've ever been to. 0.96
00:57:32.000 It was an outdoor, it was a singer bowl, it was an outdoor concert.
00:57:36.000 Kind of arena and cops came in on horses hitting people over the head with sticks, right? 0.99
00:57:43.000 Because he pulled his dick out and they just stopped the show. 0.99
00:57:46.000 I think it was after he did it in Miami and he got arrested in Miami. 1.00
00:57:51.000 That was his new move.
00:57:52.000 It was like Bert Kreischer taking his shirt off.
00:57:53.000 16 years old or something like that.
00:57:55.000 And I'm standing there with my friends smoking a joint going, This is terrific.
00:58:01.000 This is fantastic.
00:58:02.000 We were watching these horses go by.
00:58:05.000 This is fantastic.
00:58:06.000 We were happy.
00:58:06.000 We thought, Well, Yeah, okay, it would have been nice to maybe hear a second song.
00:58:11.000 They opened with Light My Fire, never finished it.
00:58:14.000 Really?
00:58:15.000 End of show.
00:58:16.000 Oh my God.
00:58:17.000 Yeah.
00:58:17.000 That's crazy.
00:58:19.000 This is cool, man.
00:58:21.000 This is a great show.
00:58:22.000 Let's get out of here before we get hit.
00:58:24.000 Who did you say he was performing with again?
00:58:27.000 The warm up act was The Who.
00:58:28.000 Wow.
00:58:29.000 You know, before Tommy, they were a warm up act there.
00:58:33.000 So, like, My Generation.
00:58:33.000 Great.
00:58:33.000 Wow.
00:58:34.000 Yeah.
00:58:35.000 I can see for miles.
00:58:36.000 They had great stuff.
00:58:37.000 Before Tommy.
00:58:37.000 Yeah.
00:58:38.000 Once Tommy hit.
00:58:41.000 They never wore a Walmart packed again, but this was just prior to Tommy.
00:58:45.000 Wow.
00:58:47.000 Dude.
00:58:48.000 But again, I mean, how many of them died at 27?
00:58:51.000 Morrison, Hendrix, Joplin.
00:58:54.000 Although the Hendrix one's very weird.
00:58:56.000 There's a lot of very interesting conspiracy theories about the Hendrix murder or the Hendrix death, rather, that it was perhaps a murder.
00:59:03.000 He was leaving his manager.
00:59:04.000 His manager was a shady mob character.
00:59:07.000 His girlfriend, after the murder or after his death, rather, she gets thrown off of a roof.
00:59:13.000 They said it was a suicide.
00:59:15.000 It doesn't seem a little sketchy.
00:59:17.000 But his former bodyguard wrote a book about it.
00:59:20.000 And apparently, if Hendrix left, You know, his manager would lose out on all that money.
00:59:28.000 But if Hendrix was dead, then he would get royalties from all those songs forever.
00:59:35.000 He probably contractually would have had them anyway.
00:59:38.000 I mean, most managers back in those days, it was very predatory. 0.92
00:59:41.000 He was really predatory and corrupt.
00:59:44.000 He would have had a piece of his publishing no matter what, live or dead. 0.98
00:59:49.000 Listen, but he wouldn't have anything.
00:59:50.000 The idea of him asphyxiating on his own vomit.
00:59:55.000 It's a heartbreaking interview.
00:59:57.000 A generational superstar.
00:59:57.000 Yeah.
00:59:59.000 I mean, he had a big impact on me.
01:00:02.000 Oh, my God.
01:00:03.000 He was unlike anyone before him.
01:00:05.000 His sound was so completely unique that, I mean, Eric Clapton famously said he felt like he wanted to quit playing guitar when he saw him.
01:00:14.000 It was just like, and Eric Clapton was insanely good.
01:00:17.000 Yes.
01:00:18.000 For a guy like Eric Clapton, you know, go listen to the Derek and the Domino's Layla.
01:00:23.000 Layla.
01:00:23.000 Jesus.
01:00:24.000 The Duane.
01:00:24.000 The Duane Allman.
01:00:25.000 Oh, my God.
01:00:26.000 He was good.
01:00:26.000 Passing back.
01:00:28.000 Oh my God.
01:00:28.000 How.
01:00:30.000 That back and forth with him and Dwayne.
01:00:32.000 Or in the.
01:00:32.000 Yeah.
01:00:33.000 Kayla, and have you ever loved a woman?
01:00:35.000 My God.
01:00:36.000 Eric Clapton in cocaine.
01:00:37.000 Just that.
01:00:38.000 Oh my God.
01:00:40.000 Yeah, but that story is just the story of his death is like, oh, it's really, it's a weird one.
01:00:46.000 Whereas some of them do seem like normal drug overdoses, but the Hendrix one, there's a lot of weird stuff to that one where it does seem like it's possible that he was murdered, unfortunately.
01:00:56.000 But there's just a huge number of those guys died so young.
01:01:00.000 And it's because of what you're talking about. 0.97
01:01:03.000 That, whatever fucked up thing that makes them so brilliant at performing. 0.97
01:01:07.000 And it's like almost an attempt. 0.94
01:01:09.000 The more brilliant you get, the more you can fill that hole temporarily, the more love you get in these big bursts.
01:01:16.000 And then the crowd goes away, and then you're by yourself, and it's just back to the darkness.
01:01:21.000 And then the drugs, and then the alcohol, and then the chaos, and then ripping your life apart.
01:01:25.000 And then there's another show, and there's another burst.
01:01:28.000 You're feeling good when you're on stage. 0.99
01:01:29.000 Then you get off stage, it's the same fucking thing, and it never heals. 0.99
01:01:34.000 It never heals from the outside. 0.99
01:01:36.000 The outside stuff, as glorious as it is, and fame and adulation and fancy cars, is great.
01:01:44.000 It's wonderful.
01:01:46.000 There's no reason to denigrate it.
01:01:48.000 It's just, it's not the real solution.
01:01:51.000 The real solution, you know, I'm going to say it and then regret it, but the real solution is a spiritual solution.
01:01:58.000 You have to find something beyond this world.
01:02:01.000 Why would you regret that?
01:02:02.000 Because you live in LA?
01:02:04.000 Because you're in your bubble?
01:02:05.000 Because.
01:02:07.000 Because it's part of my life.
01:02:09.000 Right, but why would you regret saying that? 0.99
01:02:11.000 Because it might seem like cliche and flaky and airy fairy and woo woo new age bullshit. 0.98
01:02:18.000 But I don't know any other way. 0.99
01:02:19.000 I just don't know.
01:02:20.000 And I do know that in my own life, seeking a spiritual illusion, not finding it, but the act of seeking it, there's some salvation in that.
01:02:36.000 No, I think there is as well.
01:02:37.000 I don't think there's anything silly about it.
01:02:39.000 And I think the problem is the term has been co opted.
01:02:44.000 The term spirituality has been co opted by people that you do consider to be flaky.
01:02:49.000 That's the problem.
01:02:50.000 Yeah.
01:02:50.000 You know?
01:02:51.000 Yeah.
01:02:52.000 It's like, is it possible that you could preach the word of Jesus in front of a sold out stadium and really be sincere?
01:02:59.000 Yeah, sure, it's possible.
01:03:00.000 Absolutely.
01:03:01.000 But how many people who are preaching in front of sold out stadiums and giant arenas, how many of those are actually sincere?
01:03:08.000 Well, it's a small percentage.
01:03:10.000 It's not the same thing.
01:03:11.000 You know?
01:03:12.000 It doesn't mean it's not possible.
01:03:14.000 No, it just has a bad name.
01:03:15.000 It has a bad name.
01:03:16.000 And spirituality has a bad name because it's attached to a lot of people that, you know, Through no fault of their own, they're trying to find their own way and they're using that kind of lingo. 0.98
01:03:28.000 And maybe some of them are just still really fucked up.
01:03:31.000 And that word now gets attached to people that are claiming to be on a path to try to fix themselves. 0.98
01:03:38.000 But you just associate it with people who are unsuccessful in the act and they're just like, it's like performative.
01:03:45.000 They're like performatively being spiritual.
01:03:48.000 Whereas I know some people that are like legitimately spiritual.
01:03:51.000 Some of the nicest people that I know that are like, I.
01:03:55.000 I know this guy who's a Christian, and all he does is build houses like small homes for homeless people and help them and get them jobs and teach them skills and help them get clean.
01:04:05.000 I know people like that too.
01:04:07.000 They're real.
01:04:07.000 Yeah, they're real and they're role models.
01:04:10.000 Yes.
01:04:10.000 I want to be like that guy.
01:04:12.000 Yeah.
01:04:13.000 Yeah, I've been fortunate enough to know a few in my life, and they've had a deep impact giving rather than taking.
01:04:13.000 They exist.
01:04:23.000 Yes.
01:04:23.000 Yeah.
01:04:25.000 Yeah.
01:04:26.000 No question about it.
01:04:27.000 That was not my nature.
01:04:30.000 I didn't go out to Los Angeles a giver.
01:04:35.000 No.
01:04:35.000 I wanted, give me.
01:04:36.000 Well, it was also the culture back then, right?
01:04:40.000 It was all I knew.
01:04:43.000 The first page of the book was if I could have been better, if I could have done better, I would have.
01:04:49.000 That was the best I could do.
01:04:51.000 Which is real.
01:04:52.000 Yeah. 1.00
01:04:53.000 The selfish, self centered, you know, dick. 1.00
01:04:57.000 That was the best I could. 1.00
01:04:58.000 That was the best I had early on.
01:05:00.000 It took a while.
01:05:01.000 Yeah.
01:05:02.000 Well, it's a work in progress, basically.
01:05:05.000 We all are.
01:05:06.000 That's part of being a human being.
01:05:07.000 You're a work in progress. 1.00
01:05:09.000 If everybody's held to the thing that they said when they were young and stupid, oh my God. 1.00
01:05:14.000 If that's who you are forever, some shit you said when you were 20 years old, like, good Lord. 1.00
01:05:19.000 That's insane. 1.00
01:05:20.000 It's insane.
01:05:20.000 It's insane.
01:05:21.000 It denies the fact that we change.
01:05:23.000 Of course.
01:05:23.000 We do change.
01:05:24.000 Yeah.
01:05:25.000 You know, one of the coolest things about this book was me going, oh. 1.00
01:05:31.000 What an idiot. 1.00
01:05:32.000 Who is that guy? 1.00
01:05:34.000 Who is that guy? 1.00
01:05:35.000 What a horrible human being. 1.00
01:05:37.000 Yeah. 1.00
01:05:38.000 What a selfish, self centered. 0.99
01:05:40.000 Jesus Christ, you just left her. 0.95
01:05:43.000 You didn't say thank you.
01:05:45.000 What is wrong with that man?
01:05:46.000 And that man was me.
01:05:49.000 It's wild.
01:05:49.000 You know?
01:05:50.000 And yeah, there's a therapeutic, kind of cathartic quality to doing something like this to try and write about your life.
01:06:00.000 And I'm an absolute.
01:06:03.000 Laugh horse, so I wanted to make it as funny as I could because otherwise it's just boring. 0.99
01:06:07.000 Who gives a shit about your life, Chuck? 0.97
01:06:09.000 But if I can make you laugh, then maybe it's worth reading. 0.98
01:06:13.000 But beginning with my childhood, you know, when I was a kid working for my dad, you know, those things that's me, but if I were to be held to what I said in 1969, It wouldn't go well for me.
01:06:36.000 For anybody?
01:06:37.000 Yeah.
01:06:38.000 Yeah.
01:06:38.000 It's great that you're reading the audiobook, too.
01:06:41.000 Was there, you know, I jokingly said in the book that I'd asked Idris Elba or Brian Cox to read it, and they passed.
01:06:49.000 Brian Cox would be great to have some sonorous, kind of really a baritone, a beautiful.
01:06:56.000 That didn't happen.
01:06:57.000 I made that up.
01:06:58.000 But I didn't really see how someone else could read my memoir.
01:07:02.000 It didn't make sense to me.
01:07:04.000 How does that make sense?
01:07:05.000 No, it makes no sense.
01:07:07.000 One of the things that you talked about that I think is very interesting is the Scientology angle.
01:07:13.000 And the reason it's interesting is because when I first came to Hollywood in 94, Scientology was everywhere.
01:07:20.000 There were so many successful Scientologists that a lot of people.
01:07:24.000 We're thinking about joining Scientology as a strategy to further their career.
01:07:27.000 Absolutely.
01:07:29.000 People need to understand that.
01:07:31.000 It's hard for people of 2026 to wrap their head around the environment of California, Los Angeles, 1994, and the impact that Scientology had because you had Tom Cruise, you had Jenna Elfman, was that around that time, Darman Gregg?
01:07:45.000 Yeah.
01:07:46.000 You had, I mean, there were a ton of people.
01:07:48.000 Kirstie Alley, a ton of people.
01:07:51.000 Paul Haggis.
01:07:52.000 Super successful Scientologists.
01:07:54.000 Yeah. 0.97
01:07:55.000 Who always seemed to have their shit together and they were like really focused and they were career oriented. 0.99
01:08:00.000 And there were so many of us on the outside, like, wow, maybe I should be a fucking Scientologist. 0.99
01:08:04.000 Seems like that would help. 0.97
01:08:05.000 That was, listen, they built that thing called the Celebrity Center on Franklin.
01:08:10.000 Yeah.
01:08:12.000 For the very purpose of Hubbard even wrote about it.
01:08:16.000 People admire celebrities, they'll want to do what celebrities do.
01:08:21.000 Let's make an environment that attracts celebrities.
01:08:24.000 It was a PR gesture.
01:08:26.000 He understood positioning, which is, I think, a marketing term where, you know, that's why famous people do TV commercials, you know?
01:08:35.000 Yeah.
01:08:36.000 You know, Peyton Manning says, buy this, buy Geico.
01:08:39.000 Peyton must know he's a quarterback.
01:08:42.000 Right.
01:08:42.000 No, he doesn't know anything about it.
01:08:44.000 But you're paying attention because he's famous and he's really good at what he does.
01:08:49.000 And now he's telling me how I should insure my car.
01:08:52.000 Makes perfect sense, right?
01:08:55.000 And Hubbard understood that early on that celebrities.
01:08:59.000 Position Scientology in a way that will draw people in.
01:09:03.000 And he was right.
01:09:05.000 I thought it would give me an edge.
01:09:06.000 I thought that if I went down this road, it would give me an edge into the career that I wanted.
01:09:15.000 What was it about it that you felt was going to give you an edge?
01:09:18.000 Was it the philosophy behind it, like the way they structure their lives?
01:09:22.000 Because I bought Dianetics on a late night television commercial.
01:09:27.000 I didn't even know what it was.
01:09:29.000 I didn't understand that that was Scientology.
01:09:31.000 It was kind of a psychotherapy.
01:09:32.000 Yeah, I thought it was just a self help book.
01:09:34.000 Yeah, digging up past trauma and releasing the trauma, freeing up your life force because you're releasing the trauma of past experiences.
01:09:44.000 Yeah.
01:09:45.000 It wasn't that far off the charts.
01:09:47.000 Well, that was what L. Ron Hubbard did for the most part.
01:09:50.000 He borrowed from a lot.
01:09:51.000 But he was a science fiction writer.
01:09:53.000 He was a science fiction writer.
01:09:54.000 Not only that, he wrote more fiction than any human being that's ever lived.
01:09:57.000 Absolutely, right up there.
01:09:58.000 He wrote the most.
01:09:58.000 He did.
01:09:59.000 He wrote more than Stephen King.
01:10:00.000 He wrote more than anybody.
01:10:01.000 Yeah.
01:10:02.000 Anybody, because he never wrote a second draft.
01:10:03.000 Everything was like a first draft.
01:10:04.000 It was all horrible. 0.98
01:10:05.000 It was pretty shitty. 0.95
01:10:06.000 Yeah. 0.99
01:10:06.000 It was the worst. 0.99
01:10:07.000 But funny in that regard, like that Battlefield Earth movie is fucking fantastic just because it's so goofy. 0.97
01:10:13.000 I have. 0.95
01:10:13.000 Have you seen it? 0.95
01:10:14.000 It's amazingly bad.
01:10:14.000 It's terrible.
01:10:16.000 Yeah, yeah.
01:10:17.000 But it's good bad. 0.99
01:10:18.000 It's bad to the point where it's like, what the fuck am I watching? 0.99
01:10:21.000 Like, oh my God. 0.98
01:10:23.000 When you're 21, 22 year old me and you're scared to death, the world is big, the world is threatening.
01:10:30.000 Yeah.
01:10:30.000 I don't know what's going on.
01:10:32.000 I want to be in music.
01:10:34.000 I want to have a career in music as a songwriter.
01:10:36.000 Yeah.
01:10:39.000 These people promised me they knew a way for me to do that.
01:10:42.000 And I was so vulnerable to that promise.
01:10:44.000 How did you get introduced to it?
01:10:46.000 I was playing in a band that was traveling around the country, a cover band, and playing bars, nightclubs around the country. 0.89
01:10:55.000 And the sax player was a Scientologist.
01:10:58.000 And we were in Columbus, Ohio.
01:11:02.000 And we had a day off from the gig.
01:11:05.000 And he said, I'm going to the Scientology Center in Columbus, Ohio.
01:11:11.000 You want to come with me?
01:11:13.000 I didn't know what Scientology was.
01:11:15.000 I had just towed my car in Iowa.
01:11:19.000 So I had nowhere to go.
01:11:20.000 I was going to be sitting in my room. 1.00
01:11:22.000 So I said, yeah, fuck it. 1.00
01:11:23.000 Sure, I'll go. 1.00
01:11:25.000 And wouldn't you know there were pretty girls there?
01:11:29.000 So I'm in.
01:11:31.000 There's pretty girls here.
01:11:32.000 Oh, they're very smart.
01:11:33.000 Very smart about that.
01:11:34.000 Yeah.
01:11:34.000 And I bought a thing called the communications course, which promised to improve my ability to communicate.
01:11:43.000 What can go wrong with that?
01:11:44.000 What could go wrong with that?
01:11:46.000 Obviously, I'm a musician and I'm trying to become a songwriter.
01:11:52.000 That's a communication issue.
01:11:55.000 You know, anything in the arts is communicating.
01:11:59.000 I could get better at that.
01:12:00.000 Why wouldn't I do that?
01:12:00.000 Perfect.
01:12:04.000 And what he was doing, he had these drills called training routines.
01:12:10.000 And the first one, TR0, was you would sit like we're sitting right now in front of each other and just be in front of each other.
01:12:20.000 No twitching, no laughing, no giggling, no no getting creepy, no getting lost in thought, just sit there.
01:12:28.000 What I didn't know, I got really good at it too.
01:12:33.000 What I didn't know was it's just meditation.
01:12:36.000 It was just meditation.
01:12:37.000 It was just learning to be still, which is meditation. 0.99
01:12:40.000 Just learning to be still and not being tossed around by every fucking thought that comes screaming through your head like a tree full of rabid monkeys. 0.99
01:12:49.000 And that first time I did it, opposite a pretty girl. 0.99
01:12:57.000 It was a woman who was running the classroom, the communications course. 0.87
01:13:05.000 I said, I have this feeling like I'm up in the corner of the ceiling looking down at me.
01:13:12.000 And she yelled out, Chuck has gone exterior.
01:13:17.000 I didn't know what that meant.
01:13:19.000 But it was an extraordinary experience.
01:13:22.000 I have a very vivid memory of being up near the ceiling looking down on me sitting in front of this. 0.72
01:13:29.000 This woman doing training routine zero. 0.99
01:13:32.000 So it worked. 1.00
01:13:33.000 It worked.
01:13:35.000 I had, I popped out of my head and I had an out-of-body experience.
01:13:39.000 I didn't know what was happening, I didn't understand what exterior, I know what the word meant, but I didn't understand this as as but it felt good.
01:13:48.000 The only other time that happened to me having that experience was when I flipped my car over at 70 miles an hour in Iowa and I remember seeing the accident from up in the sky looking down at it.
01:14:01.000 That was more like a near death experience.
01:14:03.000 That was a near death experience.
01:14:04.000 But it was also a very calm, huh?
01:14:09.000 Wow.
01:14:10.000 As the car is flipping over down this embankment.
01:14:14.000 And so the experience, that's a powerful experience.
01:14:19.000 And I wanted to pursue it.
01:14:20.000 I wanted more of that.
01:14:22.000 Well, that makes sense.
01:14:23.000 I mean, what's interesting is if you get a kid, a young guy, or a young woman in a very suggestible state.
01:14:32.000 Yep.
01:14:33.000 And this heightened moment where they really believe there's some real significance to them sitting there and doing this exercise and that something big is going to happen.
01:14:42.000 Your brain can trigger endogenous states that actually are real.
01:14:48.000 So it's like what they're saying is kind of true, even though it's kooky.
01:14:52.000 Like a lot of it is very kooky.
01:14:53.000 Like some of these methods of just doing that kind of stuff can have powerful, transcendent results.
01:15:01.000 Nobody told me this was going to happen.
01:15:02.000 It just happened.
01:15:03.000 Yeah.
01:15:04.000 You know, I was just told to sit there and just be relaxed and just be there in front of another human being without.
01:15:12.000 You know, getting uncomfortable, or if you get uncomfortable, just deal with it.
01:15:15.000 Just sit there.
01:15:16.000 That's all I was told.
01:15:17.000 That was the entire instruction.
01:15:18.000 Nobody said you're going to be up near the ceiling watching.
01:15:21.000 Did you try to recreate that experience and it never happened again?
01:15:26.000 On occasion.
01:15:28.000 Did you ever try to recreate it with the same woman? 0.98
01:15:31.000 No. 1.00
01:15:31.000 Maybe it's her. 1.00
01:15:33.000 Maybe that's it.
01:15:34.000 Maybe it's like being there with a beautiful girl and her looking in your eyes, you're looking at hers.
01:15:39.000 Maybe that triggers the thing.
01:15:42.000 I don't think it had anything to do with her.
01:15:44.000 No.
01:15:44.000 No?
01:15:45.000 It was just you were in that suggestible moment?
01:15:47.000 I just.
01:15:49.000 But who was suggesting what?
01:15:50.000 No one suggested anything.
01:15:52.000 It remains a mystery, and I'm okay with it being a mystery.
01:15:56.000 But it's certainly.
01:15:57.000 It's certainly.
01:15:58.000 It's not one that I've forgotten.
01:16:00.000 There's a documentary called Holy Hell, and it's about this cult leader that used to live in Austin for a while. 0.88
01:16:07.000 And one of the weird things this guy did, he was a yoga teacher, and also he was a hypnotist and a gay porn star. 0.95
01:16:15.000 So, the documentary is crazy. 0.94
01:16:18.000 But in one of the things that he would do with this cult is he would do a thing called the knowing.
01:16:23.000 And they had to be ready for it.
01:16:25.000 He had to decide they were ready for it.
01:16:26.000 And they'd have the ceremony.
01:16:27.000 And when they had the ceremony, he would touch their head.
01:16:30.000 He would put his hands on their head.
01:16:32.000 And they would experience this unbelievable psychedelic moment where they contacted God.
01:16:38.000 And they all talked about it.
01:16:40.000 Because the anticipation of this moment was so heightened and they were so suggestible.
01:16:45.000 And he was.
01:16:46.000 You know, an actual professional hypnotist.
01:16:48.000 And when he would put his hands on them, whatever it was inside their brain that would just release.
01:16:54.000 And even after they talked about him being a fraud, if they all left the cult and they said all these terrible things that he did, they still said that moment was the most powerful moment of their life.
01:17:04.000 Hypnotism is a powerful mechanism.
01:17:07.000 Yeah.
01:17:07.000 It really is.
01:17:08.000 Yeah.
01:17:09.000 I think that that's I don't know, I've not heard of this, but that's a story of a hypnotist.
01:17:14.000 Yes.
01:17:14.000 Yes.
01:17:15.000 Yes.
01:17:15.000 A hypnotist that really can give you the greatest moment of your life, even though everything else he's done is terrible.
01:17:21.000 Yeah. 0.96
01:17:21.000 Like, even though he's taking everybody's money and fucking everybody, and it's always the same story, he did make them see God. 0.96
01:17:30.000 That's what's weird about it. 0.97
01:17:30.000 And so many people are looking for something to take them out of their state, the state they're in now. 0.97
01:17:37.000 And if it's Scientology, if it's being a Mormon, if it's Catholicism, whatever it is, like people are trying to find something that gets them.
01:17:45.000 Jack Daniels, cocaine, ecstasy.
01:17:48.000 But for you, so I never actually went to a Scientology meeting or anything like that.
01:17:48.000 Yeah.
01:17:54.000 I just got the book, but they never stopped emailing me or mailing me, rather.
01:17:58.000 Every day I had one of those UPS boxes, and every day it would be some new invitation to some Scientology event.
01:18:06.000 Now you got on the mailing list.
01:18:07.000 I didn't realize it was even Scientology when I bought the book.
01:18:10.000 Sure. 0.99
01:18:11.000 I thought it was just L. Ron Hubbard's going to teach me how to kick ass. 0.99
01:18:13.000 Yes, absolutely. 0.98
01:18:15.000 I always call it, you know, this is going to give me an edge on the universe.
01:18:19.000 So when you first started doing it, when did you start thinking maybe this is a little wacky?
01:18:27.000 My entire community of friends, everybody was in.
01:18:31.000 Wow.
01:18:32.000 Everybody. 1.00
01:18:34.000 And I couldn't help notice my life was shit. 0.99
01:18:40.000 And these other people who I admired and I looked up to, they were getting in car accidents, getting divorced, catching colds, basically being just human beings, dealing with whatever shit was coming down the road, not the evolved, you know, spiritual titans that Scientology was promising. 0.99
01:19:03.000 You know, the exalted, you know, spiritual, enlightened beings.
01:19:08.000 People, you know, you know, you haven't, you know, got a, I got a, you weren't supposed to get a cold.
01:19:15.000 You were supposed to be, you know, you, you, the promise was you were going to rise up above all these human minutiae, you know, dilemmas and problems and whatnot.
01:19:27.000 And, and you were going to have this remarkable insight into the world and you'd have power, power being a very powerful, power being powerful, being a real hook.
01:19:39.000 Because if you're a young, scared guy like I was, power was missing.
01:19:46.000 There was no power.
01:19:48.000 I was just scrambling to try and get my foot in any door that would open. 1.00
01:19:53.000 And so here these people come in, promise you the one thing you don't have as a young, stupid man is power. 1.00
01:20:00.000 And it was an easy sell. 1.00
01:20:02.000 And I, you know, and I, it took me 10 years to realize, wait, this isn't working.
01:20:09.000 It took 10 years?
01:20:09.000 Yeah.
01:20:10.000 This isn't working.
01:20:11.000 And my wife at the time, she was in Scientology as well. 0.99
01:20:16.000 We both kind of went, had a moment alone one night going, this is bullshit. 0.99
01:20:25.000 You know, 10 years it took to wake the fuck up. 1.00
01:20:30.000 And we bailed out. 0.60
01:20:32.000 And we lost all our friends.
01:20:33.000 We were excommunicated. 1.00
01:20:36.000 Did they fuck with you at all? 0.99
01:20:37.000 No, because I had no money. 0.99
01:20:39.000 Nobody chases you if you have money.
01:20:41.000 Right.
01:20:41.000 You weren't successful enough for them to miss you when you left.
01:20:44.000 Yeah.
01:20:45.000 See ya.
01:20:47.000 And it really began the turn into my life that we're talking about here, which was I decided that I'm not going to look for some outside element to help me go where I want to go.
01:21:03.000 I'm just going to work my ass off.
01:21:05.000 And for the next 10 years, I worked like a dog until I scrambled in and eventually, you know.
01:21:12.000 Got on a show where I'm, you know, getting yelled at by Roseanne Barr.
01:21:17.000 But I succeeded beyond my wildest dreams.
01:21:21.000 So it didn't hurt you to leave.
01:21:23.000 It hurt you in terms of.
01:21:25.000 It was imperative for me to leave because I finally took responsibility for my life.
01:21:29.000 It's on me.
01:21:31.000 It's not on what this guy says.
01:21:32.000 It's on me.
01:21:33.000 It's what I believe, what I perceive. 1.00
01:21:36.000 And a lot of that perception and belief was bullshit. 0.97
01:21:38.000 I was still, you know, a frightened young guy trying to find his way in the world, but it was on me. 0.99
01:21:44.000 I wasn't going to.
01:21:46.000 I wasn't looking for some outside wisdom to give me leverage.
01:21:50.000 I was just going to work until I dropped to get where I needed to go.
01:21:55.000 And, you know, the funny ending of that story was I succeeded.
01:22:02.000 I succeeded.
01:22:03.000 I had the career I couldn't have dreamed of.
01:22:06.000 And I still couldn't, and still didn't solve the hole, the dark hole in the soul that we were talking about.
01:22:14.000 Right.
01:22:14.000 You know, which, you know, led to the other change in my life, which is.
01:22:20.000 Was it 27 and a half years ago I stopped drinking?
01:22:25.000 So, and that's been a massive change, you know.
01:22:30.000 Because again, you know, what I keep saying over and over again, I'm not sure I'm saying it clearly.
01:22:37.000 The one thing that is clear is the outside stuff, whether they be experiences or stuff or relationships or in my case, marriages.
01:22:50.000 It doesn't, it's a band-aid.
01:22:53.000 It doesn't heal the wound.
01:22:55.000 The wound has to be dealt with in some other way that's personal.
01:23:02.000 The spiritual path of your own, you know, your choice.
01:23:06.000 It doesn't matter.
01:23:06.000 You call it.
01:23:07.000 If it's Christ, if it's Yahweh, if it's the Koran, if it's Latter day Saints, or if it's Eckhart Tolle, it doesn't matter. 0.66
01:23:18.000 Pick one. 0.83
01:23:19.000 Pick one.
01:23:20.000 That's your best shot out of that darkness, as far as I can tell.
01:23:26.000 I think you're probably very accurate.
01:23:29.000 I think you could probably do it on your own.
01:23:31.000 But I don't know very many people who have.
01:23:33.000 It's really hard.
01:23:34.000 It's hard.
01:23:35.000 We're community animals.
01:23:37.000 You know, I think we thrive in groups.
01:23:40.000 I think that's how we're wired.
01:23:41.000 I think the worst thing that could have happened a million years ago in a tribe was to be thrown out of the tribe.
01:23:47.000 You're going to die. 0.99
01:23:48.000 Right. 1.00
01:23:49.000 You get kicked out of the tribe because of misbehavior.
01:23:52.000 I don't know what misbehavior is in the Pleistocene era, the Neanderthals, but if you got kicked out, you're dead.
01:24:00.000 Whitney Cummings told me that's why people have stage fright, that's why they have a fear of public speaking.
01:24:05.000 She said, because when we were in tribes, if you had to speak in front of the public, you were defending yourself. 0.53
01:24:10.000 That's probably very true.
01:24:12.000 And you probably were going to get kicked out of the tribe.
01:24:14.000 Kicking out was a sentence of death.
01:24:15.000 Yeah.
01:24:16.000 And so we're desperately in need of one another.
01:24:19.000 And that's not good, bad, or indifferent.
01:24:21.000 It's just the way we are.
01:24:22.000 Right.
01:24:22.000 Right?
01:24:23.000 Which is what makes people so prone to ideologies, to religious cults, to all sorts of different things.
01:24:29.000 We want to be part of a group.
01:24:29.000 We want to be part of a group.
01:24:30.000 Yeah.
01:24:30.000 Even if the group is wrong, it's a group.
01:24:32.000 Right.
01:24:32.000 It doesn't matter.
01:24:34.000 Right or wrong is irrelevant.
01:24:35.000 I'm in this group.
01:24:36.000 Yeah.
01:24:37.000 I got friends.
01:24:37.000 Look at.
01:24:38.000 And people will do wrong things to defend the group.
01:24:41.000 They fight to the death.
01:24:43.000 We go to war over these groups.
01:24:47.000 It's a weird thing.
01:24:48.000 It's just for a lot of people, it's finding a good one.
01:24:52.000 Just find one that works.
01:24:56.000 Find some sort of a spiritual path that gives you some sort of peace of mind.
01:25:01.000 And it doesn't hurt others.
01:25:02.000 It doesn't hurt others.
01:25:03.000 Yeah, that's it.
01:25:04.000 It's not really complicated.
01:25:07.000 But we don't live in a culture that pursues that.
01:25:11.000 We live in a culture of consumption.
01:25:14.000 Yeah, I think there's more people aware of that now today.
01:25:19.000 But it's just, there's no guidebook.
01:25:22.000 There's no operator manual on how to be a person that's very effective.
01:25:27.000 And even religions, like you're kind of figuring it out on your own. 0.97
01:25:30.000 It's not as laid out as I'd like it to be.
01:25:33.000 Like very clearly from the beginning to the end, this is how you're supposed to behave.
01:25:36.000 This is what's wrong.
01:25:39.000 This is what the greater spiritual path.
01:25:42.000 This is why it exists.
01:25:44.000 I was raised in a Jewish household. 1.00
01:25:48.000 No one ever talked, ever.
01:25:50.000 No rabbis, my parents, ever discussed having a connection with God, pursuing God, seeking God.
01:26:02.000 What's my reason for being here?
01:26:04.000 Why am I alive?
01:26:06.000 How did this happen? 0.97
01:26:08.000 It was just do this and shut up, right?
01:26:08.000 It was never discussed.
01:26:11.000 Here are the rules.
01:26:12.000 Do the rules and moving on, right?
01:26:15.000 And that was how they were raised, too.
01:26:17.000 So, you know, it's not like there's no malice, it was just here are the rules of our tribe, do the rules.
01:26:26.000 And at no point was there a connection made with this, it could be the most important thing in your life.
01:26:36.000 This could actually solve the whole dilemma of being a human being.
01:26:42.000 It had nothing to do with that.
01:26:43.000 It was a rules based religion, it honored some wonderful things like education, you know, and there was a great deal of goodness to it societal goodness, you know.
01:26:58.000 I think I mentioned in my book that my father was one of 11 Republicans in the country.
01:27:07.000 11 Jewish Republicans.
01:27:09.000 11 Jewish Republicans in the country.
01:27:11.000 I left out the key word because he believed in his heart, each man for himself, pull yourself up by the bootstraps and stuff.
01:27:21.000 And he believed that dearly.
01:27:23.000 I lost my train of thought.
01:27:29.000 Well, we were just talking about having some sort of a connection with God and a spiritual connection, and that this is what helped you become sober and get out of the darkness.
01:27:40.000 This is the roundabout way of it.
01:27:44.000 So, did you do Alcoholics Anonymous?
01:27:47.000 Let's not talk about that.
01:27:48.000 Okay.
01:27:49.000 But I just wanted to know what.
01:27:51.000 Let's focus on the word anonymous.
01:27:53.000 Okay.
01:27:55.000 I got sober.
01:27:56.000 Yeah.
01:27:56.000 You got sober.
01:27:57.000 But through that, you started exploring spirituality?
01:28:04.000 It was inevitable.
01:28:05.000 It was a part of it.
01:28:05.000 It's inevitable.
01:28:09.000 You know, the most extraordinary thing, it's hard to do this and retain anything like anonymity, but there is the encouragement to pursue a God of your understanding, not someone else's.
01:28:29.000 Yours.
01:28:34.000 That was a remarkable insight for me.
01:28:36.000 Really, I get to choose.
01:28:38.000 Huh.
01:28:41.000 Wow.
01:28:43.000 Wow, this is not a ritualistic here, do this, do that.
01:28:50.000 It's not about don't eat fish on Friday or pork ever.
01:28:54.000 It's about finding something greater than yourself.
01:29:02.000 It's not that hard to do, given your understanding, that could be the ocean.
01:29:10.000 It could be whatever you choose it to be. 0.99
01:29:12.000 It could be a fucking doorknob. 1.00
01:29:16.000 But it's. 0.99
01:29:19.000 It's critical.
01:29:20.000 It's critical.
01:29:23.000 What was the path?
01:29:25.000 Like, so you go from becoming sober and this idea of worshiping something or.
01:29:31.000 No, I'm not.
01:29:32.000 Okay, what's the word?
01:29:34.000 The word is worship.
01:29:35.000 Respecting something as a higher power?
01:29:37.000 The word worship is.
01:29:39.000 I don't understand that word.
01:29:40.000 Um.
01:29:41.000 No, it's just recognizing.
01:29:43.000 It's just recognizing that there's something else going on here, and it ain't me.
01:29:48.000 That's it.
01:29:49.000 There's no worship involved.
01:29:50.000 There's no genuflecting or, you know, there's service.
01:29:59.000 How can I be better in this world?
01:30:03.000 There is that.
01:30:04.000 There is that, you know.
01:30:08.000 And for somebody like me who was gimme all the time, was always gimme.
01:30:13.000 Gimme, I need, I need more.
01:30:15.000 More is not enough.
01:30:16.000 Yeah.
01:30:17.000 I need more.
01:30:17.000 Right?
01:30:19.000 And when that ceases to work, when you finally wake up and go, there is no more.
01:30:23.000 More is never enough.
01:30:27.000 When you finally give in to the reality, is that that will never do the job.
01:30:34.000 I will always be empty if that's the way I'm trying to go about it.
01:30:38.000 Then there's a possibility that's the bottom.
01:30:45.000 And the bottom is where you decide to stop digging.
01:30:49.000 And the bottom is where you go, okay, let's try something else.
01:30:53.000 Do you have a negative connotation?
01:30:56.000 With the word worship?
01:30:59.000 It's just, it's not what I recognize.
01:30:59.000 Not really.
01:31:02.000 What do you think worship is?
01:31:03.000 Like in your mind, is that being subservient to the Lord?
01:31:06.000 Obesity, you know, it's being subservient.
01:31:07.000 Yeah.
01:31:08.000 You know, the punishing, you know, all powerful thing that's going to, you know, punish and whatever.
01:31:17.000 Right.
01:31:19.000 The Old Testament stuff.
01:31:20.000 Okay.
01:31:20.000 You know?
01:31:20.000 Right.
01:31:21.000 I don't know if they have to be connected, though.
01:31:23.000 I don't think of worship in that way.
01:31:25.000 I think, um, I think a lot of people do, though, especially when you get into the Old Testament stuff.
01:31:30.000 Yeah.
01:31:31.000 Yeah.
01:31:32.000 Yeah, I just, for me, what I've been doing for the last many years, it worked.
01:31:46.000 What can I tell you?
01:31:47.000 I don't truly understand it.
01:31:47.000 Right.
01:31:49.000 I really don't.
01:31:51.000 So much of it is counterintuitive.
01:31:54.000 But it worked, you know?
01:31:56.000 Now, I'm by all means, if you read the book, this is a guy who's got some serious issues.
01:32:04.000 I haven't cleared that hurdle by any means, but it's better.
01:32:08.000 It's a better life than the one I had.
01:32:13.000 And was this an arc for you, or was this a quick realization upon getting sober?
01:32:19.000 It was a slow process to get to where you are now.
01:32:19.000 Slow.
01:32:23.000 Slow, slow.
01:32:23.000 Yeah.
01:32:24.000 And do you define it like what you're serving or what you worship?
01:32:29.000 Not bad words, sorry.
01:32:30.000 What you appreciate about the higher power, or you don't have to define it?
01:32:36.000 I don't think language is really equipped for it.
01:32:39.000 Right.
01:32:39.000 I think language, the very act of putting a word on it limits it.
01:32:44.000 The very act of saying this is a thing, a noun.
01:32:47.000 I don't know if this is going to sound strange, but I think it's a verb.
01:32:57.000 I think it's a process.
01:33:00.000 It's a.
01:33:02.000 It's action.
01:33:04.000 It's not a brick.
01:33:07.000 Right.
01:33:09.000 It's moving.
01:33:11.000 Whatever it is.
01:33:13.000 Whatever greater power it is.
01:33:15.000 Whatever that is.
01:33:16.000 It's not a static thing.
01:33:18.000 I think that's a better way to describe it.
01:33:21.000 Yeah.
01:33:21.000 And again, language wants to solidify it, language wants to name it.
01:33:27.000 This is this.
01:33:29.000 Right.
01:33:31.000 And language is a beautiful thing.
01:33:32.000 I love it.
01:33:33.000 Language is one of my favorite things.
01:33:34.000 Words have been good to me.
01:33:37.000 Making up words and putting them together in sentences has been terrific for me.
01:33:41.000 I'm really grateful for words and language, but there's a limitation to what words can show you about what's going on.
01:33:51.000 Yeah, most certainly.
01:33:52.000 And that's a, I think that's an important point.
01:33:57.000 Like what you're saying is that it's moving and that it's alive.
01:34:01.000 And this is not a, you know, that's, I think, one of the problems that secular people have with the term God.
01:34:06.000 They think of a guy in a robe that lives in the clouds and it's ridiculous instantaneously. 0.99
01:34:10.000 We see a man in the fucking moon. 0.99
01:34:12.000 Yeah. 0.99
01:34:12.000 We anthropomorphize everything. 0.99
01:34:16.000 We see our images everywhere we look.
01:34:18.000 Yeah.
01:34:19.000 Right?
01:34:20.000 And it's kind of a it's amusing when it's not doesn't cause war.
01:34:26.000 Right.
01:34:27.000 Good point.
01:34:28.000 It's also connected to a lot of the ancient depictions of it, unfortunately.
01:34:33.000 You have to think about like ancient depictions of God and Moses and all these biblical figures who are painted in the garb of the day in which that painting was made. 0.98
01:34:44.000 These people were looking up at the night sky going, What the fuck? 1.00
01:34:47.000 What the fuck? 1.00
01:34:49.000 Who's making the lightning? 1.00
01:34:52.000 What's happening here?
01:34:53.000 The gods are fighting.
01:34:54.000 Yeah, no, they hadn't come up with a story.
01:34:57.000 We are, you know, I mean, have you ever read any of the Yovel Harari books?
01:35:03.000 He makes it really clear that's our superpower.
01:35:03.000 Yes.
01:35:07.000 We tell ourselves stories and we believe them.
01:35:12.000 Right.
01:35:13.000 And we congregate around them and we're able to mobilize millions and millions of people around a fiction.
01:35:20.000 Yeah.
01:35:20.000 It doesn't even have to be true.
01:35:22.000 We just need to believe it.
01:35:23.000 And we're all moving and we're all marching in the same direction.
01:35:26.000 It's monkeys don't do that, right?
01:35:29.000 Monkeys don't have a monkey god, right? 0.84
01:35:31.000 They're just monkeys. 0.98
01:35:32.000 Hey, pick these mites off of me.
01:35:35.000 Thank you very much, you know.
01:35:36.000 But they don't organize around what is essentially a belief, it's not true.
01:35:42.000 Either you want to call it true or not, it's an organizing element that no other animal does.
01:35:49.000 It's you know, so we get to.
01:35:52.000 We get to rule andor ruin the world.
01:35:58.000 And we want to define the structure of whatever that thing is.
01:36:02.000 Even if we're pretending, we want to give order to it.
01:36:07.000 Absolutely.
01:36:08.000 Disorder is.
01:36:10.000 Too scary.
01:36:11.000 Too scary.
01:36:12.000 Too crazy.
01:36:12.000 Too scary.
01:36:13.000 It's fucking. 1.00
01:36:13.000 Look at this. 1.00
01:36:14.000 You know.
01:36:16.000 Also, you can't have people running around making up their own order.
01:36:19.000 That'll fuck everything up.
01:36:21.000 You can't have a bunch of people.
01:36:22.000 Well, God's been talking to me.
01:36:24.000 You know what he tells me?
01:36:24.000 Pork is awesome.
01:36:25.000 Well, you can't have that guy.
01:36:29.000 Yeah.
01:36:29.000 And listen, you know, you can see where when civilizations or cultures that took God out of the picture, they replaced it with a communist party.
01:36:42.000 Right?
01:36:42.000 Yeah.
01:36:43.000 With a fascist dictator.
01:36:44.000 You know, it's the same idea.
01:36:44.000 Yeah.
01:36:48.000 Organize around me.
01:36:50.000 Right?
01:36:50.000 Sure.
01:36:51.000 Doesn't matter if I'm right or not.
01:36:53.000 Organize around me.
01:36:54.000 And people will.
01:36:55.000 And if you take that away from them, they get angry.
01:36:58.000 Yeah.
01:36:58.000 It freaks them out because.
01:37:00.000 It's like a tent pole.
01:37:04.000 That tent pole moves, the tent comes down. 0.94
01:37:07.000 And everything, you know, if you believe that this is the truth and someone says, no, it's not, it's bullshit, everything else you believe is in fair play. 0.91
01:37:19.000 Everything. 0.90
01:37:19.000 Right. 0.90
01:37:20.000 Right?
01:37:21.000 The tent collapses.
01:37:22.000 So people will fight to the death to keep the tent pole up.
01:37:26.000 It doesn't matter if it's true or not, it's the tent pole.
01:37:28.000 I have a friend of mine who grew up Mormon and she left the Mormon church.
01:37:32.000 And when she left the Mormon church, she said, I'm so susceptible.
01:37:35.000 To believing anything because I believed everything they told me for so long that I didn't critically think about anything.
01:37:42.000 So she's like, Any spiritual people, healers, all that stuff?
01:37:47.000 She goes, I'm so susceptible.
01:37:48.000 I believe everything.
01:37:49.000 Yeah, I think growing up, the way I grew up, I was a vacuum.
01:37:55.000 I was wide open.
01:37:56.000 You know how to get out of this madness, this world that's so frightening?
01:38:01.000 Right.
01:38:01.000 Show me.
01:38:02.000 I got nothing.
01:38:03.000 I got nothing.
01:38:05.000 I'll go, you know, I was.
01:38:07.000 I was absolutely fragile. 1.00
01:38:09.000 Stupid, fragile. 1.00
01:38:12.000 Like most people. 1.00
01:38:14.000 Yeah.
01:38:14.000 People, yeah, and uh, you know, that's I got to write that, I got to write it down, yeah.
01:38:20.000 Well, that's the beauty of it that fragility and that emotion and all that chaos it comes out in creativity.
01:38:26.000 And the added benefit that Scientology has over everybody is that they've got all these successful celebrities.
01:38:33.000 That was the big one back in the day.
01:38:35.000 Oh my god, that was the big one.
01:38:37.000 I was like, I felt like they knew something I didn't know, like whatever they're on.
01:38:41.000 I and I didn't really know the whole story, I didn't really know the whole story until much, much, much later.
01:38:47.000 I had heard.
01:38:48.000 Versions of what they believe.
01:38:51.000 And it wasn't until Going Clear, Lawrence Reitzberg.
01:38:55.000 Book.
01:38:56.000 Great book.
01:38:57.000 Great book.
01:38:57.000 Great book.
01:38:58.000 I was like, holy shit. 1.00
01:39:00.000 Yeah. 0.97
01:39:01.000 It wasn't until that, until I really kind of got the grip of what it's all about and how.
01:39:01.000 Yeah.
01:39:07.000 A big part of it was secrets.
01:39:09.000 Yeah.
01:39:10.000 You know, institutionally held secrets, they glue you.
01:39:15.000 Oh, I want to know the secret.
01:39:16.000 Yeah.
01:39:16.000 If I stick around, I'll find out the secret.
01:39:19.000 Because we were all looking for, you know, we're all looking for a secret.
01:39:23.000 Like the knowing.
01:39:24.000 Yeah.
01:39:24.000 The knowing.
01:39:25.000 Yes.
01:39:26.000 And keeping that stuff secret, purposefully secret.
01:39:30.000 And we were told that some of this higher level stuff could conceivably kill you if you're not ready.
01:39:35.000 I'm not kidding.
01:39:36.000 I'm not kidding either.
01:39:37.000 It was those words we used.
01:39:39.000 If you're not ready for these higher level spiritual things, it will destroy you, drive you mad. 0.95
01:39:47.000 When I bought my first house in 96, my next door neighbor was a Scientologist.
01:39:52.000 And there was a piece of land.
01:39:53.000 We were just talking in front of the house, and there was a piece of land next to his house that he was going to buy, but he had to put it off because his wife was going clear.
01:40:03.000 And I go, What does that mean?
01:40:05.000 He goes, Well, it's this ceremony that she undergoes, and afterwards, she will no longer be affected by outside influences.
01:40:14.000 I was like, Whoa, how are they going to do that?
01:40:16.000 And he explained to me, I go, Why do you have to put off the sale?
01:40:19.000 He goes, Because it costs $50,000.
01:40:21.000 They sent her to flag in Florida.
01:40:23.000 Is that what it is?
01:40:23.000 Yeah.
01:40:25.000 There's this own thing, I guess, in Clearwater.
01:40:27.000 It's incredibly expensive.
01:40:29.000 Go clear in Clearwater?
01:40:30.000 Incredibly expensive.
01:40:32.000 50 grand.
01:40:33.000 This guy was a construction guy.
01:40:35.000 He had a construction business.
01:40:37.000 It's probably a million dollars now.
01:40:38.000 Ooh.
01:40:39.000 Yeah, it's in 96.
01:40:40.000 I don't know.
01:40:43.000 And there was a very purposeful thing.
01:40:45.000 Putting a high price tag on it made it important.
01:40:49.000 It's smart.
01:40:52.000 It's marketing 101.
01:40:53.000 If you give it away, It doesn't have as much value as if you say it's worth fifty thousand dollars.
01:40:59.000 I think Paul Haggis was the one in the documentary who was discussing when he first got a hold of like one of the ancient stories that is like super secret and he read it.
01:41:08.000 Was like, What the am I reading?
01:41:11.000 Because it was just kooky L. Ron Hubbard, it was science fiction stuff.
01:41:18.000 Oh, yeah, oh, yeah.
01:41:20.000 But you know, I mean, hey, whatever floats your boat, one of the gifts of this of writing a memoir.
01:41:29.000 Was I found my way to be able to forgive myself.
01:41:36.000 Rather than be embarrassed, I would never tell people that I spent 10 years in a cult.
01:41:42.000 It's humiliating.
01:41:43.000 What a dope, right?
01:41:48.000 I was so frightened of being wrong, right?
01:41:52.000 And in writing this thing, I was wrong.
01:41:56.000 It's okay.
01:41:58.000 I was wrong.
01:41:58.000 It's okay.
01:41:59.000 I was young.
01:42:00.000 I was frightened.
01:42:01.000 I made some bad choices.
01:42:05.000 I got through it.
01:42:06.000 I was blessed to have some angels come along the way to help me through it, a lot of that stuff. 0.97
01:42:14.000 But I got through it, and I don't have to be humiliated by being a foolish young man anymore. 0.93
01:42:20.000 Well, that's part of the maturity of age. 0.99
01:42:23.000 You realize being a foolish young man is almost inevitable, there's no getting around it. 1.00
01:42:29.000 We're all foolish. 1.00
01:42:31.000 Agreed. 0.97
01:42:32.000 And that's, you know, I was watching an interview you did the other day because I wanted to learn about what I was.
01:42:40.000 Sitting down with Tim Robbins.
01:42:43.000 And he said something that struck me as worth repeating, which is a remarkable insight, I thought.
01:42:50.000 And it was a remarkable insight for me.
01:42:52.000 It came very late in life, but it was simply the power of saying, I don't know.
01:43:00.000 What a relief to not pretend I know.
01:43:04.000 What a relief to not act as if I have a handle on this.
01:43:11.000 And what's great is when you're sitting in a room full of people making a TV comedy, a sitcom, and they all look at you, you know, because the second act doesn't work, and everybody looks at you, and it's a great feeling to go, I don't know.
01:43:11.000 I don't.
01:43:28.000 It stinks.
01:43:30.000 Anybody? 0.91
01:43:31.000 Anybody?
01:43:32.000 You know, I'm open to anybody having a solution to this shitty second act, but I actually don't know.
01:43:38.000 And I'm okay with that.
01:43:39.000 In the past, I would have.
01:43:43.000 Gone on some long diatribe trying to convince everybody I knew what I was doing.
01:43:47.000 It's exhausting.
01:43:49.000 I don't.
01:43:50.000 You know, I don't.
01:43:51.000 I'm doing the best I can.
01:43:52.000 And when I don't know, it's freedom to say I don't know.
01:43:58.000 It's freedom.
01:43:59.000 Oh, your shoulders go down, you exhale, and you seek to collaborate.
01:44:05.000 So many people need to learn that lesson because it's a burden that you don't have to carry.
01:44:12.000 You're carrying around an unnecessary burden that's propped up by your own ego and it fucks with your consciousness.
01:44:19.000 I think it's how we're raised, too.
01:44:21.000 You know, I don't think, you know, we're not taught as children to admit to ignorance.
01:44:29.000 Right.
01:44:30.000 You know, it's just, it's not how we're raised.
01:44:32.000 It's not, it's, you know.
01:44:35.000 Man does the right thing.
01:44:37.000 He knows what to do.
01:44:38.000 He's a leader.
01:44:40.000 He's John Wayne in my generation, you know.
01:44:43.000 More Steve McQueen, but okay, a little later.
01:44:46.000 Yeah.
01:44:48.000 But you're certainly not taught to say, to have humility and say, I don't know.
01:44:52.000 And humility has a bad taint to it because it smells of weakness, but it's not.
01:45:01.000 It's the opposite of weakness.
01:45:02.000 Right.
01:45:03.000 Oh my God, you know, to be able to say, I don't know, help me is actually an incredible strength.
01:45:12.000 And it's much more admirable.
01:45:15.000 It's for people on the outside watching, they recognize it as being true.
01:45:20.000 This is an authentic moment rather than someone bullshitting you. 1.00
01:45:25.000 Well, you know they're bullshitting you, and they know that you know, and everybody just goes through this stupid fucking dance. 0.99
01:45:31.000 One of the questions I get asked all the time now that I'm in the twilight of my career is what's the secret sauce? 1.00
01:45:38.000 You know?
01:45:40.000 What's, you know, what, if anything carries through all the different TV shows and whatnot?
01:45:45.000 And the word that comes to mind is collaboration.
01:45:49.000 I didn't do anything alone, you know?
01:45:54.000 You know, you come out of the comedy world, you know that writing comedy with others is really a gas.
01:46:02.000 And it's far more effective.
01:46:05.000 100%.
01:46:06.000 I learned so much by being in a room for 25 years with great writers.
01:46:13.000 And one of the things I talk about in the book, which is really meaningful to me, was when I got the chance to do the Kaminsky Method with Michael Douglas, I decided I want to write it alone.
01:46:25.000 To see if I still could write alone.
01:46:27.000 Because I'd been in a room with people yelling at each other for years.
01:46:31.000 No, this is funny.
01:46:32.000 This is funny.
01:46:32.000 No, do it this way.
01:46:34.000 And it would get volatile, you know.
01:46:36.000 Comedy writers. 1.00
01:46:37.000 You fucking nuts. 1.00
01:46:38.000 What are you, stupid? 1.00
01:46:39.000 It got mean, right? 1.00
01:46:41.000 But when I sat down and wrote those scripts by myself, I realized all those guys were in the room with me.
01:46:48.000 They're in my head.
01:46:51.000 You know?
01:46:52.000 Really?
01:46:52.000 You think that's funny?
01:46:55.000 It's a fucking pun, you moron. 1.00
01:46:59.000 That guy's in my head. 1.00
01:47:01.000 He was part of me now.
01:47:03.000 And I wasn't, I was writing alone, but I wasn't alone.
01:47:06.000 All those guys.
01:47:07.000 And, you know, when you watch a great stand up, it gets in your head.
01:47:12.000 You don't copy that guy, but his insight can change the way you perceive things.
01:47:21.000 Yeah.
01:47:21.000 100%.
01:47:22.000 Yeah.
01:47:23.000 Stanhope always says that he writes and he thinks about himself as a defense attorney defending the bit as he's writing it.
01:47:31.000 Who is this?
01:47:32.000 Doug Stanhope.
01:47:33.000 I don't know.
01:47:34.000 Hilarious.
01:47:34.000 Great stand up.
01:47:35.000 Hilarious guy.
01:47:37.000 But he looks at it like that bit is being tried.
01:47:44.000 How does he defend this bit?
01:47:45.000 And he makes sure that he lays it out in that way.
01:47:47.000 That's great.
01:47:48.000 Yeah.
01:47:48.000 That's great.
01:47:49.000 But it's the same thing. 0.99
01:47:50.000 Like having someone in your head that's like a critic that's going to look at it and go, hey, what the fuck is this part? 1.00
01:47:54.000 You know, and you're like, what the fuck? 0.99
01:47:56.000 The scene isn't. 0.98
01:47:57.000 That's not how you end the scene.
01:47:58.000 All right, let's fucking work together here and fix it, right? 0.85
01:48:01.000 Yeah. 0.96
01:48:02.000 You know, and.
01:48:03.000 What a gift, you know, and so, you know, again, going back to that word, humility is a strength.
01:48:17.000 I succeeded because I counted on other people.
01:48:21.000 100%.
01:48:22.000 If you've been on a set of a sitcom in particular, there's no way to do it on your own.
01:48:25.000 It's like you need to have a lot of brilliant people working together for it to work out well.
01:48:30.000 Have you interviewed this guy, Taylor Sheridan?
01:48:33.000 Yeah, he's a good friend of mine.
01:48:35.000 Wow.
01:48:35.000 Yeah.
01:48:36.000 Okay.
01:48:36.000 That might be the anomaly.
01:48:40.000 Because, you know, I love that stuff.
01:48:42.000 I love all that stuff.
01:48:44.000 I watch everything.
01:48:46.000 You know, I'm just. 0.96
01:48:47.000 He's a freak.
01:48:48.000 He just turns them out. 0.99
01:48:49.000 I feel so fucking lazy when he watches it. 0.98
01:48:53.000 I'm such a. 0.99
01:48:53.000 Me too. 0.99
01:48:54.000 Just a.
01:48:55.000 I'm driftwood.
01:48:55.000 Just.
01:48:57.000 He wrote it and directed it.
01:48:59.000 And then he had time to write that great feature. 0.99
01:49:01.000 And holy shit. 0.98
01:49:03.000 He turns them out. 1.00
01:49:03.000 Yeah. 1.00
01:49:04.000 I just.
01:49:05.000 And it's good.
01:49:06.000 Yeah.
01:49:06.000 It's one thing to turn it out, and it's one thing to turn out quality.
01:49:10.000 Have you seen Hell in High Country?
01:49:12.000 Hell in High Water, right now?
01:49:12.000 Yes.
01:49:13.000 Hell in High Water?
01:49:13.000 Is that what it is?
01:49:13.000 Yes.
01:49:14.000 Yeah. 0.99
01:49:15.000 That's a fucking great movie. 0.99
01:49:16.000 And I just. 0.99
01:49:19.000 The Sicario stuff.
01:49:20.000 Yes.
01:49:21.000 And then 1883 and 1923 with Alan Mirren and Harrison Ford.
01:49:27.000 Wow.
01:49:28.000 No, he creates banger after banger.
01:49:30.000 Yeah.
01:49:30.000 I don't know.
01:49:31.000 I haven't watched Lioness, but everybody tells me that's incredible.
01:49:31.000 Lioness.
01:49:34.000 It's fantastic.
01:49:35.000 Landman.
01:49:36.000 Landman's incredible.
01:49:37.000 Yeah.
01:49:37.000 You know, um, Billy Joe Thornton.
01:49:41.000 Billy Bob.
01:49:41.000 Billy Bob.
01:49:42.000 Yeah.
01:49:43.000 Unbelievable.
01:49:44.000 Great stuff.
01:49:45.000 Yeah, man.
01:49:46.000 It was funny.
01:49:47.000 The pitch for that show was he was going to do Bad Santa, but on an oil rig. 0.99
01:49:50.000 And he's like, fuck yeah, I'm in. 0.98
01:49:56.000 Bagged Santa as an oil man. 0.99
01:49:58.000 I got to work with him once, Billy Bob.
01:50:01.000 His people, his representatives called me and said, Billy Bob wants to be on the Big Bang Theory.
01:50:07.000 I'm sorry, what?
01:50:09.000 He was an Oscar winning, you know, sling blade guy who wants to be on the Big Bang Theory.
01:50:15.000 I said, I'm sorry, you're going to have to give me more.
01:50:18.000 He goes, his mother loves the show.
01:50:21.000 And as a gift to his mother, he wants to be on the show.
01:50:25.000 Oh, wow.
01:50:26.000 And we did it.
01:50:27.000 That's awesome.
01:50:28.000 And we loved it.
01:50:29.000 We had a great time.
01:50:30.000 That's so cool.
01:50:31.000 He played a 50 year old version of them who lived in his mother's basement.
01:50:38.000 After all these years and all these shows, what keeps you doing it now?
01:50:43.000 Like, what do you enjoy about the process now? 0.97
01:50:46.000 I'm a laugh whore.
01:50:48.000 Making people laugh is fun, you know? 0.63
01:50:51.000 And sitting in the writer's room is fun.
01:50:53.000 Sometimes you want to tear your hair out because it's hard.
01:50:57.000 But every once in a while, you know, you hit something and you go, oh, this is good.
01:51:02.000 This is really good. 0.98
01:51:03.000 And what the fuck else would I do? 0.97
01:51:11.000 Well, you could kind of do whatever you want. 0.98
01:51:12.000 That's why I'm asking you.
01:51:13.000 Okay, so I'm asking you.
01:51:15.000 I can do whatever I want.
01:51:17.000 What am I doing?
01:51:18.000 I can travel.
01:51:19.000 That's a couple of weeks.
01:51:20.000 Now what?
01:51:21.000 Right.
01:51:22.000 Okay.
01:51:25.000 I'm going to.
01:51:26.000 Garden?
01:51:28.000 No, I don't see me in the tulips.
01:51:31.000 Keep going.
01:51:32.000 What am I doing?
01:51:35.000 I get a chance to make people laugh.
01:51:39.000 That's not a bad way to spend the day.
01:51:41.000 No, it's an awesome way to spend the day.
01:51:44.000 But some people, the stress of continuing to create and continuing to produce things, it eventually gets to them where they just like, I want off the ride.
01:51:57.000 What I've done, and you really hit on something there, is the stress of it at a certain point is intolerable.
01:52:04.000 It's just intolerable.
01:52:05.000 I just, I find myself becoming the short-tempered curmudgeon.
01:52:10.000 Right.
01:52:11.000 The old guy who has no patience.
01:52:13.000 I don't want to be that guy.
01:52:16.000 So I've been gradually pulling myself back into more of a consultant role where I'm not.
01:52:27.000 If I'm on the stage at a rehearsal and the actors play out a scene and the scene ends, everybody looks at me and goes, Is it okay?
01:52:43.000 So my very presence suffocates the process.
01:52:50.000 I am the plastic bag from the dry cleaners, right? 0.99
01:52:53.000 I kill small children. 0.99
01:52:56.000 So.
01:52:57.000 I have this extraordinary writing staff, wonderful cast and crew, and sometimes my presence can be, I don't want to say destructive, but it doesn't encourage people to step up and go, what about?
01:53:14.000 How about if?
01:53:15.000 I think this joke doesn't work.
01:53:17.000 Can we beat it?
01:53:20.000 It doesn't invite collaboration.
01:53:23.000 And the sad truth is, they think I know.
01:53:27.000 I don't know.
01:53:28.000 I'm guessing.
01:53:29.000 We're all, you know, in the comedy business, it's a game of guessing.
01:53:33.000 I think this is funny.
01:53:35.000 I guessed wrong.
01:53:36.000 Right? 0.98
01:53:37.000 When it dies. 0.56
01:53:38.000 Right.
01:53:39.000 All right, let's fix it.
01:53:40.000 No harm, no foul.
01:53:42.000 I'm not a horrible person because it died.
01:53:44.000 I'm just, it just died.
01:53:45.000 They just feel less likely to take chances when you're around.
01:53:47.000 I think I suck up a lot of oxygen now at this time of my career.
01:53:51.000 Makes sense.
01:53:52.000 I remember one time Norman Lear came to the set because he was going to go back into it.
01:53:59.000 He made a version of One Day at a Time, and he was executive producing a remake of one of his shows from the 70s.
01:54:09.000 And he asked, Can I come and watch you guys work to see how it's being done now?
01:54:15.000 This is 35, 40 years after his day.
01:54:20.000 Of course.
01:54:21.000 You know, geez.
01:54:22.000 Norman Lear's going to come watch us work, which I was a nervous wreck.
01:54:25.000 After every joke, I'm looking, is Norman laughing?
01:54:28.000 Is Norman laughing?
01:54:30.000 But I asked him, I remember this really vivid moment when I said, are you going to write the pilot for this new sitcom you're going to make? 0.94
01:54:40.000 And he went, are you crazy?
01:54:42.000 Now, if I write the pilot, nobody's going to give me notes. 0.86
01:54:46.000 Nobody's going to give me any constructive feedback.
01:54:49.000 I'm all by myself.
01:54:50.000 I'm not going to write it.
01:54:51.000 If it says written by Norman Lear, who's going to do the punch-up?
01:54:54.000 Right.
01:54:55.000 Now, I'm not saying I'm the one near.
01:54:55.000 Right.
01:54:57.000 He reinvented television.
01:54:59.000 I carried on.
01:55:00.000 You know, I've been keeping it going, but he really changed the game.
01:55:04.000 It's the same effect.
01:55:04.000 So I don't want to.
01:55:06.000 It's the same effect.
01:55:07.000 At a certain point in my career, I've noticed I have a.
01:55:11.000 The word stultifying comes to mind.
01:55:13.000 Effect on the process. 0.99
01:55:15.000 And the people I love working with could give a shit about my opinion. 0.98
01:55:19.000 And I love that because then there's back and forth. 0.99
01:55:23.000 Then there's arguments.
01:55:24.000 There's, you know, there's.
01:55:27.000 It's collaboration.
01:55:30.000 Yeah, and it has to happen that way to do it right.
01:55:32.000 That's fun.
01:55:33.000 It's also great that you recognize that your presence can make them nervous and fuck it up.
01:55:38.000 Yeah, and you want to go, no, no, you don't understand. 0.55
01:55:42.000 I actually don't know what I'm doing.
01:55:44.000 I'm just guessing.
01:55:45.000 I'm guessing based on a lot of experience, but I'm still guessing.
01:55:51.000 That's just your reputation precedes you.
01:55:53.000 You've had too many hits.
01:55:54.000 You know?
01:55:57.000 Beautiful problem.
01:55:58.000 Yeah, it's the best problem.
01:56:00.000 It's certainly better than the opposite problem.
01:56:02.000 When I started the Big Bang Theory, I could barely do one show, The Two and a F Men.
01:56:09.000 It was 60 hours a week, easy.
01:56:12.000 And when I started The Big Bang Theory, I called Norman's office, cold call, said, I'm Chuck Lorre.
01:56:21.000 I got a show on CBS.
01:56:22.000 I'm about to have a second show.
01:56:24.000 At one point, he had seven shows on television simultaneously.
01:56:29.000 Simultaneously.
01:56:30.000 I said, Would he be available to talk to me, maybe give me some tips?
01:56:37.000 And he very graciously invited me over to his office.
01:56:41.000 And I sat down and I said, I'm about to start production on a second show.
01:56:45.000 I can barely do the one.
01:56:47.000 And now I'm going to do two.
01:56:50.000 What can you tell me?
01:56:52.000 And he said, You're not going to like the answer.
01:56:58.000 And it boiled down to he said, You go where the fire's burning the brightest and you try and put it out.
01:57:09.000 That was his management technique.
01:57:12.000 That was it.
01:57:13.000 The fire of chaos or the fire of creativity?
01:57:16.000 He had seven shows in production.
01:57:18.000 Either the script didn't work, they miscast a role.
01:57:20.000 The bad fire, put out a fire.
01:57:22.000 The director wasn't working, the second act didn't work.
01:57:29.000 Some of them are small, some of them are huge problems.
01:57:32.000 So and so's ill.
01:57:35.000 Should we shut down?
01:57:36.000 You know, do we wait a week?
01:57:38.000 Do we push a week?
01:57:39.000 What if we miss an air date?
01:57:40.000 Oh my God, what if you miss an air date?
01:57:42.000 The problems could be big or small, but his solution was gauging his response basically, you know, nothing, nothing, nothing.
01:57:53.000 Oh, that's a crisis.
01:57:54.000 I'll go there.
01:57:55.000 How did that guy have time for anything in life?
01:57:59.000 I don't know.
01:57:59.000 He was a good man, though.
01:58:00.000 He was really, he was a generous and good man.
01:58:05.000 It was a real privilege to spend a little bit of time.
01:58:07.000 That's amazing.
01:58:08.000 Was there ever any time when you were doing both shows simultaneously where you went, I don't think I should have done this?
01:58:08.000 Yeah.
01:58:16.000 This is too much.
01:58:17.000 Always.
01:58:21.000 The entire time?
01:58:21.000 Always.
01:58:23.000 But there was a moment around the third season of Two and a Half Men, and I know I wrote about this, where I had a weird epiphany.
01:58:29.000 I was sitting in a room full of comedy writers, great writers, superstar comedy writers.
01:58:35.000 And we were arguing about something.
01:58:37.000 I don't remember what it was, some scene in an episode that we were working on.
01:58:43.000 And it dawned on me that I could trust myself.
01:58:51.000 And it was a really striking experience.
01:58:53.000 Everybody was yelling and complaining and no, not this, do that, do this.
01:58:57.000 And I just thought, I think I know how to do this scene.
01:59:01.000 And everybody's going, no, blah, blah, blah.
01:59:03.000 I went, no, I think I know how to do this scene and we're going to do it.
01:59:07.000 Not angrily defending it, just I felt calm, you know.
01:59:13.000 I felt this calmness going, I think this can work, let's do this.
01:59:17.000 And I also, there was a moment in that calmness where I went, if I'm wrong, we'll fix it.
01:59:24.000 Nobody's going to die.
01:59:26.000 You know, we're not going to get drummed out of show business.
01:59:28.000 It's a joke in a scene.
01:59:30.000 And I realized that I could be wrong and survive being wrong.
01:59:30.000 Right.
01:59:35.000 Well, that's the benefit of being very successful.
01:59:37.000 And that's also, but it also goes back to the I don't know thing.
01:59:41.000 I don't have to know, but we did it.
01:59:48.000 And it was a turning point for me, you know, where I loved working in a room full of writers, but I wasn't. Bound by consensus anymore.
01:59:59.000 I was able to trust intuition, which is a weird thing.
02:00:04.000 It's not thinking.
02:00:05.000 You know this.
02:00:06.000 Right.
02:00:07.000 Comedy, you just have this feeling.
02:00:10.000 It's inchoate.
02:00:12.000 It's not something you could express in words.
02:00:14.000 You just know, I think this is going to work.
02:00:17.000 And that feeling grows.
02:00:18.000 That feeling grows.
02:00:19.000 And the episodes you've done.
02:00:20.000 And you also know when you're bullshitting yourself. 0.97
02:00:20.000 Yes. 0.97
02:00:22.000 This is lazy.
02:00:24.000 We can do better.
02:00:27.000 I know, yeah, this will work, but it's not great.
02:00:31.000 It's okay.
02:00:32.000 And okay, why are we doing this if it's just okay?
02:00:36.000 Let's at least try for great.
02:00:38.000 If we fail, we tried for great.
02:00:41.000 But if you fail trying to do okay, go home.
02:00:46.000 Go home.
02:00:47.000 You're done.
02:00:49.000 So that's about shoot for the moon, settle for a low orbit.
02:00:57.000 That's a great message.
02:00:58.000 I think it's a good way to wrap this up.
02:01:00.000 Thank you.
02:01:01.000 It was fun.
02:01:01.000 I really appreciate it.
02:01:02.000 I'm stunned.
02:01:03.000 I thought for sure I maybe I could talk to you for 20 minutes and I'm going to go.
02:01:07.000 We did two hours.
02:01:08.000 Screaming out of the room, going, this.
02:01:10.000 I know you were saying that at the beginning of me.
02:01:11.000 You're going to be fine.
02:01:13.000 Well, you're a delight to talk to.
02:01:14.000 And you are too.
02:01:15.000 Thank you very much.
02:01:16.000 I really enjoyed it.
02:01:16.000 Thank you.
02:01:17.000 I get it.
02:01:19.000 I get it.
02:01:22.000 You have, as I'm sure you well know, you have an aura about you, a myth, a mythos.
02:01:31.000 What's the myth?
02:01:33.000 You're a powerful, powerful man.
02:01:38.000 And what you've achieved is remarkable.
02:01:42.000 Oh, thank you.
02:01:43.000 You know, as we say in the comic book world, use your powers for good.
02:01:46.000 It's all an illusion, it's just me talking for years.
02:01:52.000 But I appreciate it.
02:01:53.000 The 10,000 hours are clear.
02:01:56.000 Well, thank you very much.
02:01:59.000 You're awesome.
02:01:59.000 Your book's great.
02:02:00.000 And this was a lot of fun.
02:02:01.000 Thank you very much.
02:02:02.000 All right.
02:02:03.000 Bye, everybody.